Jason being protective over Bruce just feeds my soul. I don't even need dinner, just give me Jason scaring off suitors away from his dad and I'll be CONTENT
LISTEN. Bruce is literally always sending Jason messages, texts, tries calling him, even sends him memes at Steph's recommendations, but nothing! Nada!
He always sighs and tries again, but eventually scores Jason's gonna talk when he's gonna want to.
He also leaves him voice mails, detailing about doing arts and crafts with Damian, how he tried Jason's training routines, taking cooking classes, - and he always ends the message with, " Don't get into trouble, Jay. "
It passes as I love you,
What does it? What finally stirs Jason back into the Wayne Manor? This:
" Jason Peter Todd. This better be the last time you prank call Tim in a middle of a meeting. You're more than aware our investors are, -" cut " I'm calling you for a favour. Could you watch Damian for me Thursday night? Everyone else is busy, and Clark made some reservations at a ridiculously expensive establishment, I-"
Jason marching through the manor with this voice mail at full volume, while Bruce and the others are trying to get him ready for the date. Dick is the first one who spots him. " Oh, no-"
" HE IS A FUCKING DEAD MAN!"
" Jason," Bruce is very calm as he attaches his nicest broach on. " Watch your language. "
" Who's this Clark guy? How long have you known him? What does he do? Do we have a background check? What about romantic history Who's? Who's side was he on in the Heard vs Depp trial? "
" He posts golden retrievers on that blue bird app you like. He's even...Approved? I think? But Dick told me not to mention it around you. And take that off, you'll scare him. He should be here any minute now."
" OH THATS WHAT I'M COUNTING ON - "
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“i could fix him”, “i could make him worse”. yeah, well,
I could meet him at the genesis of the universe, where the spaces between matter first gain sentience, and spark and spit their way into being—where the cradle of stars first take on a definitive kind of gravity and heat. I could be the engineer of creation.
I could ask a question.
I could stand across from him on a battlefield, trembling and reeking of ichor. I could hit the ground retching, all the bones in my body turning brackish and oil-slicked. I could lurch my way into a new world, a recalibration of reality in which I only know kindness as a set of snapping jaws, as a thing to flinch away from.
I could meet him in the garden, then, when the air's all hyacinth and dripping gold. And I could ache. Oh, how I could ache.
I could follow him through every wretched moment of history. I could trail after him like a hollow-eyed dog. I could hide my irises, could hide the brutal bloodiness of an all-too-human heart. I could hold the gun as I pretend not to pray, as I taste bile and will my hands to steadiness. I could trust him. And I could ache.
I could bite my tongue, cypher the words in my mouth, gnash them between jagged teeth. I could swallow my heart. I could go slower.
I could meet him at the end of the world, when hope claws its way up my throat, hungry and keening like a treacherous thing.
I could kiss him with six thousand years of want lodged and breaking in the mausoleum of my chest. I could hand him the blade; I could let him twist the knife.
I could be forgiven.
And still I could ache.
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There was another timeline.
One that, at the moment, only Clockwork and a single other person knew about. Both of whom has separately vowed to never let the timeline exist ever again.
That time was dark. It was bloody. The skies were painted red and the oceans boiled. The dead walked the Earth with a freedom not even the living could achieve. It was like the pits of hell had opened up and spit out the things even the Devil couldn’t bear to look at. It made the Dark Ages look like a middle school girl’s slumber party on Halloween.
It was the timeline where Danielle successfully replaced Danny. Both as Phantom, and as a Fenton.
She replaced Danny, under the orders of Vlad. And then she did more. She grew up, committing more and more crimes at Vlad’s command, gaining infamy and hate, eventually surpassing Vlad’s own reputation as a violent ghost.
Vlad knew she’d grown too powerful by the time she was biologically fourteen, the same age Danny had been when Danielle had shattered his core and eaten it. Vlad knew this, and thought the same trick would work again.
He tried to replace Danielle with another clone.
It didn’t work.
In that timeline, Danielle killed Vlad, absorbing his ghost half, just like Dan did. She became Eleanor, the Queen of Death, and ravaged the Earth for many years. Due to the power boost of consuming two other halfas, Eleanor was more powerful than any other variant of herself, Danny, or Dan that Clockwork could find. The only reason she did not expand to other dimensions, was because Danny was not around long enough to pass on the knowledge of time travel, and how to reach Clockwork’s tower.
It was a dark time. But Clockwork’s fears have been laid to rest, as the Dani of the current time had NOT replaced Danny. In fact, she’d been adopted into the Fenton family with open arms, and the Vlad of this world was less psychotic since he didn’t have a mental break. No Fentons died and caused Dan, and Amity has accepted the various Phantoms and other ghosts with open arms. It was the best possible course of events.
Nothing could go wrong, right? Eleanor was a secret Clockwork would take to his grave, if he ever got one. Not even the Observants knew about it.
Booster Gold, however, did not swear to keep the timeline a secret. He swore to prevent the timeline.
No matter what.
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
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