#and also strangely meta

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[centaurianthropology]

One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.

And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.

Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.

To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.

All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!

[crimeronan]

this is a bit silly but while i'm thinking about adam being low-empathy: another thing that hurt my feelings about Adam Discourse (TM) a few years back was the insistence among some people that you can't draw parallels between adam's dad and adam himself because adam's worst fear is becoming his father. this is probably uncharitable but a lot of it felt like it came from people who either hadn't been abused, OR people who HAD been abused but were Perfect Victims (TM).

like. adam isn't a perfect victim. he's vicious and temperamental and cold and easily frustrated and lashes out and cannot process his own emotions. he's stubborn and a control freak and a neurotic prey animal and he makes mistakes and he makes insane assumptions not just about himself, but also about other people.

it felt like some people read the "too much monster blood in him" line, when he's like Well I Guess I'm Broken Forever, & they were like oh nooo honey no baby you don't have any monster blood in you. you're not a monster and never could be

when the whole point is like. the whole point is that actually, adam COULD be. he could be!!! he's NOT a monster but he could be. pains are taken repeatedly to show that his first instincts are Not to nurture/care/be kind. he's (reasonably) callous about ronan's situation in the beginning, he doesn't give a fuck when kavinsky dies, his first thought about opal is "ugh i wish we could just get rid of her" and then he hates himself.

my point here is: he has to TRY. adam is trying so fucking hard for all four books. people who read him in bad faith read sins into him that he didn't commit -- wanting to hit blue once is equated to having actually hit her, etc. but people who stan him often have the opposite problem of acting like "monstrosity" is a quality that Good People couldn't have, and therefore adam can't have, because he is Good People.

adam isn't a monster. adam could easily be a monster if he stopped trying. the reason adam isn't a monster isn't bc he's a perfect victim, it's because he Gives A Fuck. u know??

[kacievvbbbb]

Something about Vegapunk using the dna and blood of a caged and experimented on child to create more caged child experiments and the cycles we perpetuate.

Because what does it mean that all that King has left as proof, that the lunarians were real, that they existed as a tribe, as a people, are seven manufactured children he doesn’t even know about, enslaved as weapons to the government that wiped out the culture they’ll never get to be a part of, and Alber himself another enslaved child lost to something he’ll never fully know.

And what of the warlords? Already young once and hurt by their government, young again and slaves to it. Boa looking at a version of her practically pulled out of time stuck in her worst nightmare or Jimbei looking at a version of himself living out a past he escaped by the skin of his teeth but so many he loved didn’t, even Doffy once again at the mercy of the people that already abandoned him, has Kuma not suffered enough? Given enough, is this child version of him doomed to repeat the same path he already could not escape from . Property of the world government, beholden to the celestial dragons, this version of me that cannot go free?

It’s interesting that Vegapunk joined the government so that he could do the most good, but look at the long line of people right infront of him that he’s hurt with his own hands.

[onwhatcaptain]

Meta: SNW's Chapel doesn't fix her character in TOS, it makes it worse.

I see people blaming any and all criticism of the writing and development for Christine Chapel on misogyny. But if anything, I feel like a full defense of her characterization is worse.

If SNW's interpretation is truly who Christine is, TOS tells us her wings are clipped. She becomes desperate, pines for years for a man who no longer returns her affections, loses her self-confidence and power. Retconning Nurse Chapel into this fiery, war-time, fighting badass with flirtatious energy and commitment issues makes her look utterly regressed in TOS, a mere shell of her former self that never returns.

She is nervous, quiet, keeps to herself, no longer fights, doesn't go after what she wants. Confined to sickbay, forever lonely. Is her development on SNW supposed to be some kind of win? Because to me it looks like they changed who she is into someone she's not, and damaged her more in the process, underscoring all the mistakes TOS made with her rather than railing against them. They could have given us Christine Chapel who was quietly competent, intelligent, kind, gentle, all the traits she still had in TOS but with real development, but they just had to make her into someone whose personality seems utterly destroyed by TOS. I find no enjoyment in that. I'm not going to celebrate that when they could have given us a new, original character to be that badass fighter.

[necrotic-nephilim]

Nightwing: Brothers In Blood is such a fucking hilarious comic for DickJay content, given the bulk of the plot is Jason deciding to dress up as Nightwing and kill people which, Dick predictably is not fond of, as a concept.

There's so much in that arc that makes me unwell. Dick straight up saying he wishes Jason had died. The way they instantly banter when they run into each other before Dick gets mad at Jason for dressing up as Nightwing, then Jason begs Dick to work with him.

But what I think gets me the most is the outright confirmation of how even now, Jason still has a serious case of hero worship for Dick and just wants to be like him and get his approval.

nightwing (1996) #120

There's such a complex Jason has over Dick and it makes me Unwell. Jason identifying with Dick, wanting his attention, his approval. His love, even. I mean, later on when Jason gets kidnapped, in his mind he hallucinates Dick talking to him and it outright confirms he wants Dick to save him and Jason has a doomsday spiral about Dick not saving him, through his mental image of Dick.

nightwing (1996) #121

Jason wants Dick in his life, there's so much unrequited love and weirdness between them. They're so not normal about each other. Later on he sends Dick a note saying he just wishes they could be family again and I think it's so unhinged of Jason. Dressing up as Dick, just because of how much he loves and respects Dick. So much potential in that.

Also aside from all of that complex this comic is also hilarious for the bit it has where Dick accidentally takes a job as a model and has to dress up as Nightwing, specifically Jason!Nightwing because of the sex appeal Cheyenne (the woman Dick is seeing) thinks it has. And when he's on the runway and sees Jason in the audience he just jumps at Jason, in front of everyone, to beat the shit out of him, while dressed as Nightwing. Which the public thinks is a planned stunt to bank on the weird Sexy Rivalry between the two Nightwings currently running around. It's the most unhinged thing and I think it's so funny. Dick's sort-of-girlfriend makes him dress up as Nightwing!Jason because she thinks it's hot and it'll sell, then Dick beats Jason up in front of everyone, still dressed as Nightwing (specifically Jason), and it reads as a sexy performance modeling piece.

nightwing (1996) #120

Imagine being so weirdly homoerotic about your sort of kind of brother figure that you can't hesitate fighting him when you're supposed to be modeling and everyone thinks the tension is so good it's a part of the show. These two cannot leave each other alone with their weird tangled feelings for each other. I love it dearly.

[xysidhequeen]

So sorta a prompt/sorta a brain worm that got stuck in my head.

What if.... When Jason died originally he came back as a ghost and he and Danny met. Jason helped him fight ghosts and taught him some tricks of the trade. He offhandedly told Danny that if he ever needed help to go to Gotham/Blüdhaven (depends if you want to spin Jason still feeling kind towards Bruce or him being more in Dick's corner). Jason vanishes when he's resurrected and Danny doesn't hear from him for years.

Well something happens. (Either everyone he loves dies, and he runs to the GZ or away to prevent himself from turning into Dark Danny, or his parents find out his secret and react Badly. Or maybe they react well but the GIW takes them out)

Danny runs to the only place he thinks can offer sanctuary, Gotham/Blüdhaven. Running off the words of a friend he hasn't seen in a long time.

He arrives and is probably exhausted, stumbling around when he feels a familiar energy. He follows it, only to nearly collapse at Jason's feet as Red Hood. (This is probably post Outlaws when Jason has a more peacefulish relationship with the Bats) and looks up.

"Jason?"

"Danny?!"

[descendant-of-truth]

Losing my mind over the fact the Possession Event is described as a painful experience for Klug, because to my knowledge, it had kinda just been a widespread headcanon that he was particularly bothered by it until this game came out.

Yes, his little spirit looks very sad and scared when trapped in the book, but narratively, he just goes "ahem, that was a totally controlled experiement" and it's never shown to be anything more dramatic than that. Now, we're not only being given an idea of how he felt about it at the time, but also finally some insight into why he still carries the book around; he wants to control its power for himself.

Which is an INSANE reaction to have to being possessed, by the way. "A demon sealed my spirit inside a book and used my body to attack my classmates, better keep it with me at all times until I can pull a Reverse Uno Card on it"

If I didn't know better, I'd say it seems like he's trying to protect everyone by keeping the book from falling into the wrong hands... but maybe he just wants the power all to himself. A little of both, perhaps?

I also can't help but notice the fact that the only times Klug has reportedly talked to the book out loud has been inside a dream world of some sort. In PPT, Schezo's chapter takes place in a dream, as does the entirety of Puzzle Pop. Does this suggest that Ayashii can only communicate with him in his dreams, or is it just a coincidence? "Lately" is a pretty vague timeframe, after all.

(We've also only heard of them talking to each other when Sig passes by, and both times an argument has ensued... I wonder if they're arguing about him)

[quinn-pop]

astral things…(aka orb cats)

y’know that cute thing cats do where they sleep with their paws out??? yeah

[i-dont-know-nor-care-go-away]

St:SNW rant

I just saw the most amazing gifset of that moment in momento mori where chapel tells una "it's like giving birth through your mouth" (edit : it was @startrekuniverse who made the dope gif set, I love you btw)

Una and Christine are the MOST UNDERRATED dynamic. Genuinely I need to see them interact more. I've said before I don't think that T'pring is Christine's character mirror foil or whatever bc she isn't really. Una is the opposite of Christine.

Una is so put together. She is the literal poster person of first officers. She is always put together and just radiates dignity. (Somehow she gives like. Teacher vibes but I can't see her teaching a specific subject?? Maybe she just authority-s so hard I'm getting confused idk) She has been trying to be the picture perfect officer for years. She said it her self, she worries how people would see her (as an illiyern(fuck spelling I'm tired)) if she wasn't Ms. "She's beauty she's grace she's gonna punch you in the face" Because she hasn't ever had the chance to exist in starfleet without that threat of being discovered, she holds her self to this impossible standard that she some how achieves. Outside of that, she is a silly little workaholic who loves her job a little too much at times. (I mean. Tbf it's STARFLEET I'd also love it)

Compare that polished, put together-Ness of a first officer to someone who didn't even technically join starfleet, Chrsitine is part of an exchange program. (I'm only considering snw, sorry) Christine is bouncy and open as soon as we meet her, she sasses back at La'an and jokingly flirts with spock. She has the worst bedside manner and loves to chase people down hallways. Her reaction to Una bring Illiriyan was basically "I'm not a cop, I'm cool with it" She radiates weird girl in the best way possible. We see her be messy in relationships and goof off here and there. (Can you tell I hyperfixate on her all the time?) Uhura is "unburdened by conversational boundaries" and will say things on accident, Christine will say the weird thing and she will say it with her chest.

Christine is so unabashedly herself while Una is always on duty as the first officer, so professional. Una ties a lot of herself to her job and Christine loves science to the point she will chase it to other planets, she isn't tied to the ship.

There is so much space for tension and conflict between them. I can see Christine making a joke during a hard time and Una snaps. Maybe Una makes a tough call command wise that Christine disagrees with because they could've done something, the head vs the heart. They would also make an excellent team, Una with her tactical experience while Christine has science and leaps of faith.

You know those videos where the magnets are on a track and they collide really hard and the thing in the middle gets fucked up? That's what I want with them. I know im seeing the shrimp dynamics but I swear something there is worth exploring I SWEAR

[hajihiko]

I rewatched 2.5 recently and I kinda love the idea of Fuyuhiko finding out that Nagito's psyche apparently treats him as the symbolic representation of confidence and machismo.

Thats a GREAT thought I never thought of it like that ....

This is silly but y9ure on to something

[khruschevshoe]

OFMD Critique: Jim & Olu, Screentime Quality & Quantity Issues, and Fandom Engagement

It is kind of insane to me that post-Season-1 of OFMD, the tags for Jim Jimenez and Oluwande Boodhari were almost as strong as the ones for Stede and Ed. Like, scrolling back on tumblr, I'm hit by the sheer amount of content posted for them. The fanart. The gifs. The meta. The sheer anticipation of what might come next for them.

(Now, this might just be because I first started looking at the fandom a year in, but I did my best to look at time stamps and how far things were spread out over time for them.)

Now, only a month and a half out from the finale...that flood has dried up to a trickle, if that. There is very little Jim/Olu content, or (more interesting in my own opinion, at least), very little content of them individually. There was plenty when the season was airing, but now? Not so much.

This is not to say that there is no content at all- I am an absolute fan of the fanfic writers, artists, meta-makers, and gifmakers who still contribute to the tag. The QUALITY is still great! It's the QUANTITY that fascinates me.

Because I think it comes back to both the lack of payoff for the rich character writing for these two post-Season 1 AND the butchering of what they did get.

If you read my past metas for these two characters, you'll find my critique of the fact that late-season Jim doesn't feel like Jim at all, and that Olu throughout ALL OF SEASON TWO doesn't feel like Olu, but rather like the writers dumbed him down into the "himbo" role on the show just to have the badass woman x himbo dynamic with him and Zheng Yi Sao (and I am an admitted lover of said dynamic, but not when you strip one of the few emotionally intelligent, clever, logical characters on the show of his intellect and jam him into the role rather than, idk, choosing one of the actual himbos on the show and putting him into that role...wait a second. The writers already HAD the himbo x badass dynamic with Spanish Jackie and the Stede. Is that literally the only way they could figure out how to write a F/M dynamic this season?).

Also, if you pull out all of the Jim/Olu pre-reunion build up (I see you, deleted scene in the Republic of Pirates where Pete and Olu get to pine after Lucius & Jim and talk about how desperate they are to get back to them), have their reunion be rather anticlimatic, and then don't let them have any real kissing/hugging/even emotional intimacy for the rest of the season...I can see why the tag has gotten to the point it has.

A cursory glance at the Blackbonnet/Gentlebeard tags shows that at least half of the tag is just writing fix-it fics for the season, but they are at least ENGAGING with canon because they were given a lot of material (some might argue too much material, as their screentime was often VERY overbalanced as opposed to the rest, and contrary to what some believe, Season 1 WAS an ensemble show, not just the Stede/Ed show) to work with and sort through. Jim and Olu were not given that in Season 2, and thus the amount of material that those in the tag got to pick through and use was either miniscule or felt OOC in nature. So the investment in the characters and ship has rather gone down, which is sad, because post Season 1 these two had my FAVORITE dynamic on the show.

What is the point of this meta? Idk, it's just a thing I've noticed and that has fascinated me. Watching this fandom from both inside and outside has led to noticing some rather interesting patterns/responses to writing that I thought someone else might be interested in.

[hollowwhisperings]

Kingdom Key & Kingdom Hearts: A SoRiku Theory

The Kingdom Hearts series (& its creators) actively emphasizes the ways that its primary protagonist, Sora, is a "normal, ordinary boy". Yet Sora wields the iconic Kingdom Key, the Ultima Keyblade & even a x-blade (as forged by Xehanort): Sora's Story has been that of a Chosen One, even as he fits the archetype of one "Unchosen".

This theory explores the nature of Choice within the KH series, specifically in the context of "Destiny" and prophecies. It employs the "Riku is The Light" & "Necklace" theories, as well as elements of "Sleeping Realm". It also casts Riku as one of those Strange Women in Ponds who Distribute Swords as a Basis of [Galactic World Order].

Sora's story seemingly begins as a Classic Hero's Journey only for such a reading to fall flat when Expectations such as "Getting The Girl" and "Becoming a Keyblade Master" pointedly do not happen.

The driving force of the KH series has always been Riku: Riku wished to see worlds beyond his home, knowing the truth of the KH Multiverse well before proof literally crashlanded in the form of Kairi (a literal shooting star).

It is Riku's Heart that drew the attention of the Worlds at large to the Destiny Islands: the brightness of his light lead Terra, Aqua & Xehanort to meeting Sora in the first place.

Terra chooses Riku as a future Keyblade Master.

Aqua chooses Sora for the sake of preserving Riku's Light, the events of BBS teaching her that the strongest lights cast the longest shadows.

Xehanort chooses Riku as a Dark Vessel, whispering to him & encouraging him to doubt, to mistrust.

It is assumed, by Sora and by Riku, that Riku was also the person responsible for "opening the door" to the Darkness that felled the Destiny Islands. Yet throughout his childhood, each attempt by Riku to open the mysterious door on the play island failed and, when Darkness Falls, it is Kairi who is found at its source (Kairi, who had been expelled from her home by a version of Xehanort & whose heart harboured yet another fragment of the Seeker of Darkness).

Regardless of whether he truly opened the Destiny Islands to Darkness, Riku believed it & through Darkness did he find "freedom" to explore the Worlds Beyond, just as he had always dreamed... except for one, rather significant detail becoming derailed: Sora's presence by Riku's Side.

The two were separated and Sora was almost lost: even with Darkness swallowing Riku whole, the light within his Heart acted in time to save Sora by entrusting to him 'Kingdom Key'. Riku's Keyblade. A physical manifestation of Riku's Heart.

(notably, the "Kingdom Key-D" found by King Mickey was found not too far from the scene where Kingdom Key manifested: it is plausible that this keyblade was also manifested by Riku's Heart, perhaps alongside its 'Light' counterpart - I'd need to check the timeline to see how such a theory holds up)

Kingdom Key was entrusted to Sora, a subconscious act of Riku's Heart that mirrored an earlier act of protection Riku gave to Sora: on the night where Kairi fell to the Destiny Islands, a young Sora felt frightened and a young Riku swore to protect his dearest friend. This oath was sworn in turn sworn by Sora to Riku. They sealed these oaths with tokens they held close: while Sora's charm gifted to Riku remains unknown, Riku entrusted Sora with a crown charm he had had since infancy.

When Riku was 5, Riku entrusted Sora with his Crown. Both boys swore to protect the other.

When Riku was 15, Riku's Heart entrusted itself to Sora in the form of 'Kingdom Key'.

When Riku was ~16, he subconsciously protected Sora by becoming the latter's Dreamel Eater. Within the same timeframe, Riku sacrificed himself entirely to save Sora at the Keyblade Graveyard (an act of sacrifice, an act of True Love).

At every instance where Riku has been at a crossroads, knowingly or not, his Heart has Chosen Sora's: Riku, presumed descendant of Ephemera and a child of the Destiny Islands, has always & continues to choose Sora.

When the pair were reunited in KH2 and confronted the threat of Xemnas, the two fought as one & passed their keyblades between each other intuitively

When the pair existed in parallel realms of Sleep, separated but connected, their heartbeasts joined to form a Waltzing variation of the melody 'Dearly Belove'. They then fought in sync with a Combined Blade, formed from the keyblades "Mirage Split" and "Nightmare's End", acting again as two halves of a whole.

When Riku was to meet his end in the Realm of Darkness, far within the abyss, Sora appeared to him and they once again wielded their Combined Blade. Beast had once reaponded to a 15 year old Riku's questioning of his impossible arrival to Hollow Bastion, where Beast's Beloved Belle was held hostage, that he had "simply believed": belief brought Sora to Riku in the Realm of Darkness, belief brought Sora to the Final World in the wake of Riku's Ultimate Sacrifice.

The premise of Kingdom Key & its counterpart, Kingdom Key-D, being Manifestations of Riku's Heart & indicative of Riku's being the "Child of Destiny" does run into some Logistical Obstacles.

One, if Riku's Keyblade is being wielded by Sora (& Mickey, assuming the two keys were originally one) then whose keyblade is Riku wielding?

Two, how can Riku's Heart manifest multiple keyblades? Posession by Ansem Seeker of Darkness explains 1 of the "extra" keyblades (the key of "all hearts"). The bequeathing ceremony by Terra could explain another. Kingdom Key-D is definitely connected to Kingdom Key yet never specifically associated with Riku, evem being wielded by King Mickey (a stranger to Riku, at that point).

To the first: if Riku's keyblade is being wielded by Sora (& its counterpart by King Mickey), how can Riku wield another keyblade in KH1 even before getting possessed?

There are several immediate & varyingly plausible explanations: Riku's nature as a "Child of Destiny" allowing his Heart to churn out keyblades on demand like some Fey Lady of Avalon; or the other keyblades were not actually manifested by Riku at all.

While I greatly enjoy the imagery of Riku playing the "Lady of the Lake" to Sora's "Arthur" in KH1, given Sora's opening dream sequence already set Riku as being stuck in a Body Of Water (which is additionally representative of Darkness), it is Stretching Things to assume all other Plot Focused keyblades were ALSO fished out from Riku's Heart.

Perhaps Riku's Heart simply conjured new keyblades in response to Sora's Heart taking in new quests: Riku's Heart supplying keys to the metaphoric doors of Sora's Heart Hotel.

It is more likely, however, that the "new" keyblade wielded by Riku (the one currently known as "Braveheart") is a manifestation of SORA'S Heart: Riku entrusted his crown & his heart to Sora, first on the night of the Meteor Shower & then on the night the Islands Fell; Sora, in turn, entrusted his sword & heart to Riku. It explains how each boy readily wields the keyblade of the other & fits within the theme of their hearts beating in sych.

Riku choosing Sora, Riku's entrusting his Heart (literally & figuratively) with Sora, resulted in Destiny Itself 'choosing' Sora: if Riku represents Kingdom Hearts, the subject of his love would naturally become beloved by the Worlds in turn.

Sora acting as "[the] One Sky, One Destiny" due to Sora having the 'Heart' of Destiny through its child (Riku)'s love.

Sora is not only Riku's Dearly Beloved, Sora is THE "Dearly Beloved": beloved by the Worlds, entrusted with their Hearts & appointed their Savior. And all because, dull and ordinary boy that he may be, it is Sora's naturally normal self that Riku fell in love with. Sora may not be any more innately special than anyone else but Sora is special to RIKU, the love between them (knowingly or not) serving as the driving force of their stories & of Destiny itself.

[slitheringghost]

Hermione As Teacher And Connections To Lily

An interesting narrative thread is how often Hermione's magic and teaching influences other characters' and how often it goes unrecognized, and particularly how it parallels a lot of Lily's own magic saving Harry from Voldemort. (Read on Ao3)

1. Triwizard Tournament

Summoning Charm

he did so badly at Summoning Charms in Professor Flitwick’s class that he was given extra homework — the only person to get any, apart from Neville. “It’s really not that difficult, Harry,” Hermione tried to reassure him [...] — she had been making objects zoom across the room to her all lesson, as though she were some sort of weird magnet [...] “You just weren’t concentrating properly —” (Ch 18, GoF)

Harry still hadn’t mastered Summoning Charms, he seemed to have developed something of a block about them, and Hermione insisted that learning the theory would help. They consequently spent a lot of time poring over books during their lunchtimes (Ch 19, GoF)

“Hermione, I need to learn how to do a Summoning Charm properly by tomorrow afternoon.” And so they practiced. They didn’t have lunch, but headed for a free classroom [...] At two o’clock in the morning, Harry stood near the fireplace, surrounded by heaps of objects [...] Only in the last hour had Harry really got the hang of the Summoning Charm. “That’s better, Harry, that’s loads better,” Hermione said, looking exhausted but very pleased. (Ch 20, GoF)

Flitwick then spends most of a lesson "talking to Harry about the perfect Summoning Charm Harry had used during the First Task".

1.2 Shield Charm

(Full analysis of the Shield Charm and how it's textually linked to Lily is in my meta When Lily Cast Her Life As A Shield)

He was still having trouble with the Shield Charm, though. This was supposed to cast a temporary, invisible wall around himself that deflected minor curses [...] “You’re still doing really well, though,” Hermione said encouragingly, looking down her list and crossing off those spells they had already learned. “Some of these are bound to come in handy.” [...] Come on, Harry,” she added briskly [...] “let’s try that Shield Charm again.” (Ch 31, GoF)

Which Harry then teaches the DA:

He was improving so fast it was quite unnerving and when Harry taught them the Shield Charm, [...] only Hermione mastered the charm faster than Neville. (Ch 25, OoTP)

Then, what Fred and George say makes the real money in the joke shop:

“We’ve just developed this more serious line,” said Fred. “Funny how it happened...” “You wouldn’t believe how many people, even people who work at the Ministry, can’t do a decent Shield Charm,” said George. “’Course, they didn’t have you teaching them, Harry.” “That’s right... Well, we thought Shield Hats were a bit of a laugh, you know, challenge your mate to jinx you while wearing it and watch his face when the jinx just bounces off. But the Ministry bought five hundred for all its support staff! And we’re still getting massive orders!” “So we’ve expanded into a range of Shield Cloaks, Shield Gloves...” “...I mean, they wouldn’t help much against the Unforgivable Curses, but for minor to moderate hexes or jinxes...” (Ch 6, HBP) Although Snape did not know it, Harry had taught at least half the class (everyone who had been a member of the D.A.) how to perform a Shield Charm the previous year. None of them had ever cast the charm without speaking, however. A reasonable amount of cheating ensued [...] Typically, ten minutes into the lesson Hermione managed to repel Neville’s muttered Jelly-Legs Jinx without uttering a single word (Ch 9, HBP)

I love that Harry is then the one to teach Hermione the Patronus Charm - which Remus tells Harry is "a kind of anti-dementor - a guardian that acts as a shield between you and the dementor".

1.3 Four-Point Spell

and the Four-Point Spell, a useful discovery of Hermione’s that would make his wand point due north, therefore enabling him to check whether he was going in the right direction within the maze. (Ch 31, GoF)

“Point Me,” he whispered to his wand, holding it flat in his palm. The wand spun around once and pointed toward his right, into solid hedge. (Ch 31, GoF)

It's reasonable to extrapolate that the spell is Hermione's invention, given that it's the only spell with an English incantation, and inventions are referred to as "discoveries" several times - Remus wrt the Wolfsbane Potion in PoA, Dumbledore's work ("the discovery of the twelve uses of dragon’s blood", "does Skeeter deny the brilliance that led to Dumbledore’s many magical discoveries?"), Harry has to "memorize the dates of magical discoveries and goblin rebellions" and mentions books titled "Important Modern Magical Discoveries and A Study of Recent Developments in Wizardry", Fred says they "spent six months developing" the Ton-Tongue Toffees, etc.

Hermione inventing this is particularly compelling given that it's similar to what Harry's wand does in DH (related to Lily's spellwork deflecting the Killing Curse), and Harry's conflict with her after she breaks his wand.

[...] his wand acted of its own accord. He felt it drag his hand around like some great magnet, saw a spurt of golden fire through his half-closed eyelids, heard a crack and a scream of fury. (Ch 4, DH) He knew exactly what Hermione would say if he expressed any of this: The wand is only as good as the wizard. But she was wrong, his case was different. She had not felt the wand spin like the needle of a compass and shoot golden flames at his enemy. (Ch 18, DH)

Also notable is Hermione solving Snape's Potions riddle, and Harry echoing this with solving the Sphinx riddle during the Third Task (Harry thinking “it was Hermione who was good at this sort of thing, not him” and then “amazed at his own brilliance” when he solves it).

2. Other examples

2.1 Impervius Charm

“I’ve got no chance with these on,” Harry said exasperatedly, waving his glasses. At that very moment, Hermione appeared at his shoulder; she was holding her cloak over her head and was, inexplicably, beaming. “I’ve had an idea, Harry! Give me your glasses, quick!” He handed them to her, and as the team watched in amazement, Hermione tapped them with her wand and said, “Impervius!” “There!” she said [...] “They’ll repel water!” Wood looked as though he could have kissed her. “Brilliant!” he called hoarsely after her [...] Hermione’s spell had done the trick. (Ch 9, PoA) "Harry, didn’t you do something to your glasses to stop the rain fogging them up when we played Hufflepuff in that storm?” “Hermione did it,” said Harry. He pulled out his wand, tapped his glasses and said, “Impervius!” “I think we all ought to try that,” said Angelina. “[...] all together, come on — Impervius!" (Ch 18, OoTP)

Additionally, when Padfoot comes to watch during that PoA match and dementors swarm the field, making Harry hear Lily's murder for the first time, Harry falls from his broom, his Nimbus crashes into the Whomping Willow, others say they thought he was dead and "Lucky the ground was so soft" - of course, it wasn't luck, it was Dumbledore; Hermione then repeats these actions in DH - during the waterfall in the Thief's Downfall (evokes the drowning feeling from dementors; and Hermione additionally uses the Shield Charm there) and immediately after they escape LV in Godric’s Hollow and Harry finally gets the full memory of Lily's death (Hermione’s eyes being emphasized):

“Dumbledore was really angry,” Hermione said in a quaking voice. “I’ve never seen him like that before. He ran onto the field as you fell, waved his wand, and you sort of slowed down before you hit the ground. Then he whirled his wand at the dementors. Shot silver stuff at them. They left the stadium right away [...]" “Then he magicked you onto a stretcher,” said Ron. “And walked up to school with you floating on it. Everyone thought you were...” (Ch 9, PoA) “Yes,” said Hermione. “I had to use a Hover Charm to get you into your bunk, I couldn't lift you [...]" There were purple shadows under her brown eyes and he noticed a small sponge in her hand: She had been wiping his face. (Ch 17, DH) Water filled Harry’s eyes and mouth: He could not see or breathe: [...] Harry heard the cart smash into pieces against the passage wall, heard Hermione shriek something, and felt himself glide back toward the ground as though weightless, landing painlessly on the rocky passage floor. “C-Cushioning Charm,” Hermione spluttered (Ch 26, DH)

2.2 Murtlap Essence

During that PoA practice, Fred and George were debating using Fever Fudge to get out of flying:

“— but you get these massive pus-filled boils too,” said George, “and we haven’t worked out how to get rid of them yet.” “I can’t see any boils,” said Ron, staring at the twins. “No, well, you wouldn’t,” said Fred darkly, “they’re not in a place we generally display to the public —” “— but they make sitting on a broom a right pain in the —” (Ch 18, OoTP)

The knowledge Hermione uses to heal the I must not tell lies scar on Harry's hand helps the twins finish the Snackboxes:

“Here,” she said anxiously, pushing a small bowl of yellow liquid toward him, “soak your hand in that, it’s a solution of strained and pickled murtlap tentacles, it should help.” Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. (Ch 15, OoTP) When Harry next saw Lee, the back of his hand was bleeding rather badly. Harry recommended essence of murtlap. (Ch 25, OoTP) Hermione cast him a stern look. “You’ve got exams coming!” “Told you already, we’re not fussed about N.E.W.T.s,” said Fred. “The Snackboxes are ready to roll, we found out how to get rid of those boils, just a couple of drops of murtlap essence sorts them, Lee put us onto it...” (Ch 26, OoTP)

2.3 Magical Eavesdropping Methods

Harry frankly marveled at the fact that Hermione could research magical methods of eavesdropping as well as everything else they had to do. (Ch 28, GoF)

People have theorized that Hermione’s research while she was taking revenge against Rita Skeeter may have aided Fred and George develop the Extendable Ears, esp. since she was staying at 12GP that summer.

2.4 DA Galleons

Hermione's inspired by Voldemort's magic to invent the DA's communication method; Draco then gets the idea from that to carry out his Death Eater mission, enchanting his own coins to secretly communicate with Rosmerta, and also gets the idea to poison the mead from Hermione, having "heard her talking in the library about Filch not recognizing potions".

“You know what these remind me of?” “No, what’s that?” “The Death Eaters’ scars. Voldemort touches one of them, and all their scars burn, and they know they’ve got to join him.” “Well... yes,” said Hermione quietly. “That is where I got the idea... but you’ll notice I decided to engrave the date on bits of metal rather than on our members’ skin...” “Yeah... I prefer your way,” said Harry, grinning, as he slipped his Galleon into his pocket. (Ch 19, OoTP)

Notably, Lily's blood magic - unlike Hermione's and very like Voldemort's - does burn Voldemort's skin.

Similarly significant is Hermione's invention of the SNEAK curse - where the DA members all sign the binding contract in the Hog's Head, the same establishment where Trelawney gave the prophecy, and the binding contract incorporated in Lily's magic. Hermione enchants ~28 coins for the whole DA and creates the curse within the span of ~a month.

2.5 O.W.L. exam

Three rows to his right and four seats ahead, Hermione was already scribbling… He lowered his eyes to the first question: a) Give the incantation, and b) describe the wand movement required to make objects fly... Harry had a fleeting memory of a club soaring high into the air and landing loudly on the thick skull of a troll... Smiling slightly, he bent over the paper and began to write

On the whole Harry thought it went rather well; his Levitation Charm was certainly much better than Malfoy’s had been, though he wished he had not mixed up the incantations for Color-Change and Growth Charms (Ch 31, OoTP) the exam to which Harry was looking forward least and which he was sure would be the one that would be the downfall of his ambitions to become an Auror. Sure enough, he found the written exam difficult, though he thought he might have got full marks on the question about Polyjuice Potion: He could describe its effects extremely accurately, having taken it illegally in his second year. (Ch 31, OoTP)

Hermione is linked to Harry's Charms and Potions exams, the subjects most directly tied to Lily. Important to note that Professor Marchbanks praises Dumbledore for having “done things with a wand I’d never seen before” during his Charms and Transfiguration N.E.W.T.s - which Hermione didn't get to take 'cause of the war; and Harry and Neville are acknowledged as doing better in Potions without Snape's presence - clearly true of Hermione's potential too as her best accomplishment was brewing a N.E.W.T. level potion second year, outside Snape's supervision (which took a month, and then she spent 2 months in the hospital due to petrification/Polyjuice turning her into a cat).

2.6 Body Bind Curse

Harry turned to Hermione. “Do something,” he said desperately. [...] “Neville,” she said, “I’m really, really sorry about this.” “Petrificus Totalus!” she cried [...] Neville’s arms snapped to his sides. His legs sprang together. His whole body rigid, he swayed where he stood and then fell flat on his face, stiff as a board. [...] “What’ve you done to him?” Harry whispered. “It’s the full Body-Bind,” said Hermione miserably. (PS)

Interestingly, Harry instinctively copies what he saw of Sirius in SWM during the DoM sequence, using the full Body Bind for the first time (at least, that we see on screen). Hermione compliments Harry on it, calling back to her being the first one to show him first year - and her being cursed right after echoes the description of Sirius falling through the veil: "the second jet of light hit him squarely on the chest", his eyes widening in shock and the "look of mingled fear and surprise".

Sirius said, “Petrificus Totalus!” and Snape keeled over again at once, rigid as a board. “LEAVE HIM ALONE!” Lily shouted. She had her own wand out now. James and Sirius eyed it warily. (Ch 28, OoTP) “Petrificus Totalus!” shouted Harry, as the second Death Eater raised his wand [...] “Well done, Ha —” But the Death Eater Hermione had just struck dumb made a sudden slashing movement with his wand from which flew a streak of what looked like purple flame. It passed right across Hermione’s chest; she gave a tiny “oh!” as though of surprise and then crumpled onto the floor (Ch 35, OoTP) Harry seized his chance: “PETRIFICUS TOTALUS!” The spell hit Dolohov before he could block it, and he toppled forward across his comrade, both of them rigid as boards and unable to move an inch. (Ch 35, OoTP) Springing up, Harry yelled, “Petrificus Totalus!” Once again, Dolohov’s arms and legs snapped together and he keeled over backward, landing with a crash on his back. “Nice one!” shouted Sirius, forcing Harry’s head down [...] (Ch 35, OoTP)

2.7 Unbreakable Charm

Not something Hermione specifically taught, but also interesting is Hermione mirroring Barty Crouch Jr. during his Unforgivables lesson (and saying Harry gave her the idea when he mentioned "bugging").

Moody got heavily to his mismatched feet, opened his desk drawer, and took out a glass jar. Three large black spiders were scuttling around inside it. (Ch 14, GoF)

“Oh not electronic bugs [...] Rita Skeeter [...] is an unregistered Animagus. She can turn —” Hermione pulled a small sealed glass jar out of her bag. “— into a beetle.” [...] Inside were a few twigs and leaves and one large, fat beetle [...] Hermione took the glass jar back from Ron and smiled at the beetle, which buzzed angrily against the glass. [...] “I’ve put an Unbreakable Charm on the jar, you see, so she can’t transform. And I’ve told her she’s to keep her quill to herself for a whole year. See if she can’t break the habit of writing horrible lies about people.” (Ch 37, GoF)

Hermione imprisoning Rita Skeeter in a jar vaguely references Lily and Harry's actions in 1981 leading to an "imprisoned" LV in Albania; this also happens a few chapters after Priori Incantatem, and Harry and LV under the web of light evokes insects trapped underneath glass:

The golden thread connecting Harry and Voldemort splintered; though the wands remained connected, a thousand more beams arced high over Harry and Voldemort, crisscrossing all around them, until they were enclosed in a golden, dome-shaped web, a cage of light, beyond which the Death Eaters circled like jackals, their cries strangely muffled now... “Do nothing!” Voldemort shrieked to the Death Eaters, and Harry saw his red eyes wide with astonishment at what was happening, saw him fighting to break the thread of light [...] and the golden thread remained unbroken. “Do nothing unless I command you!” (Ch 34, GoF)

Then the phoenix song comes from "every thread of the light-spun web vibrating around Harry and Voldemort", and a voice saying Don't break the connection (elaborated here).

3.0 Blasting Curse

All this comes full circle in the Godric's Hollow graveyard in DH (a deeper analysis also for another post), where Hermione mirrors what Harry did because of Lily as a baby (and also Harry's actions at the start of DH while flying during the Battle of the Seven Potters): blows up the house (“Confringo") and enrages Voldemort as she and Harry fly out the window - fly from death - together.

[kacievvbbbb]

The plight of fictional mothers is something that will always stick out to me. Like either you die for the plot or you are forgotten by it. Fathers are something to be chased after a mystery to be solved. Mothers are a blimp that was once there and is now simply not.

She has no identity outside of mother sometimes barely even a name.

[thequeenofsastiel]

I absolutely LOVE this shot of Hannibal. He's so fastidious about cleanliness, yet here he is, petting a barn animal. I think it speaks to his nature, actually. He views animals and humans the same way. They entertain and feed him.