#and further disabling and killing us (the disabled)

[nabaath-areng]

I got stuck in bed entirely because my pulse went haywire, but now I finally got a window of enough energy to get downstairs and grab whatever the machine is called that checks your blood pressure and pulse. And the thing that's so confusing is that technically the numbers would indicate that everything looks completely healthy and normal.

But I have naturally low blood pressure and yet I get those intense spikes where my pulse will go from like 70 ish to 100+ without warning and leaving me immobilized for however long it decides to race. And the only reason I could check now was because it calmed down enough for me to actually stand up and walk without fearing I might collapse, I have no idea if it was actually higher than what the machine is telling me now.

My pulse always caused me issues (especially during sports) growing up, but I never got wrecked to this level before. I feel a tiny bit better now but I can feel that it's not completely over yet, and I don't know when it will be. Laying in bed makes me feel fucked up in the head from despair but I have no other choice when it's the only thing that doesn't make me feel like I'll crumble and fall over.

I guess the upside is that the pain flares I had this morning is giving me a break now, and that the racing pulse helps me keep a bit warmer than usual so I won't need to turn the heater on lol. Nothing bad that doesn't bring something good I guess.

[vampirebutterflies]

tumblr is also the supreme social media because if you curate ur experience well enough you can outright say shit like “yea i emotionally repressed this last round of Stressful Life Events too heavily and now it’s built up into a manic episode / general mental breakdown lol sorry I’ll be extra weird for a bit y’all” and ur friends and followers will still genuinely like and respect u as a person and it’s not a massive deal. u do Not get that anywhere else

[cesium-sheep]

plainly difficult productions going out of his way to say he put on his mask and get footage of grabbing his mask before even filming the exterior of a location, we love to see it. (he is in england and I don’t think they’ve reinstated mask requirements but jessica is traveling internationally this month and her channel is usually how I would know)

[whereserpentswalk]

The nazis that you see in movies are as much a historical fantasy as vikings with horned helmets and samurai cutting people in half.

The nazis were not some vague evil that wanted to hurt people for the sake of hurting them. They had specific goals which furthered a far right agenda, and they wanted to do harm to very specific groups, (largely slavs, jews, Romani, queer people, communists/leftists, and disabled people.)

The nazis didn't use soldiers in creepy gas masks as their main imagery that they sold to the german people, they used blond haired blue eyed families. Nor did they stand up on podiums saying that would wage an endless and brutal war, they gave speeches about protecting white Christian society from degenerates just like how conservatives do today.

Nazis weren't atheists or pagans. They were deeply Christian and Christianity was part of their ideology just like it is for modern conservatives. They spoke at lengths about defending their Christian nation from godless leftism. The ones who hated the catholic church hated it for protestant reasons. Nazi occultism was fringe within the party and never expected to become mainstream, and those occultists were still Christian, none of them ever claimed to be Satanists or Asatru.

Nazis were also not queer or disabled. They killed those groups, before they had a chance to kill almost anyone else actually. Despite the amount of disabled nazis or queer/queer coded nazis you'll see in movies and on TV, in reality they were very cishet and very able bodied. There was one high ranking nazi early on who was gay and the other nazis killed him for that. Saying the nazis were gay or disabled makes about as much sense as saying they were Jewish.

The nazis weren't mentally ill. As previously mentioned they hated disabled people, and this unquestionably included anyone neurodivergent. When the surviving nazi war criminals were given psychological tests after the war, they were shown to be some of the most neurotypical people out there.

The nazis weren't socialists. Full stop. They hated socialists. They got elected on hating socialists. They killed socialists. Hating all forms of lefitsm was a big part of their ideology, and especially a big part of how they sold themselves.

The nazis were not the supervillians you see on screen, not because they didn't do horrible things in real life, they most certainly did, but because they weren't that vague apolitical evil that exists for white American action heros to fight. They did horrible things because they had a right wing authoritarian political ideology, an ideology that is fundamentally the same as what most of the modern right wing believes.

[unproduciblesmackdown]

being alive at the time i gleaned some general elements abt encanto but never actually heard we don't talk about bruno beyond awareness it existed popping off & i think i heard like the title recited off key off rhythm but in a way that indicates speak singing nonetheless lol so upon experiencing it it's like oh but it's the Verses? while the last refrain goes harder but prior to that it's comparatively underwhelming to said verses which feels appropriate like verses / pieces of a larger picture & that a "we don't talk about him" as a disappointing Lid on infinitely richer more characterful & dynamic "but: talking about him" instances. like well personally it'd be like um seven foot frame....anyway besides being able to firsthand go like oh damn Real (the kind of thing you know exists if alive at the time) it's like alright hang on lol. one thing when a core theme is yeah like "is it a refuge if 'especial' vulnerability ultimately gets pushed out rather than made safer" subset like the parties whose even observation of truths (problems) & drawing attention to them is seen as Ruining Things, like if you're painted as Making futures that aren't simply what's desired or reassuring rather than a guidance via just observing & sharing the truth. but then it's like whaddaya mean living in fear of bruno stuttering and stumbling you could always hear him sort of muttering and mumbling lmao like now that's just Association between the Truth Perceiving & Telling behavior & behavior that's just apparently distinctive of the same person. & like Not Accidentally when [what if people were magic] specifics are obviously primarily abt a metaphorical meaning & like, indeed it was made clear like oh this situation isn't Just b/c [boo we hate your prophecies] & that [an Ability that isn't directed towards what anyone Wants / is "weird" even by these magic standards] isn't Coincidentally given to someone who just so happens to already be "weird" in other ways & be set up to have a different perspective & be pushed away due to having the supposed "extra" vulnerability of unmet needs / insufficient support, same as someone who doesn't "correctly" have any kind of magic ability....like yeah banger and also like Oh Yeah Kind Of Devastating re: that metaphorical resonance allowing for like [set the metaphor aside] now hang on with this about this disabled family member lol. misinterpretation to The Ruinerrr / The Problemmm / The Maliciousss etc (i.e. the scapegoatinggg) despite their efforts likely entirely to the contrary. then despite like, efforts aside, Just Existing, always kind of muttering & mumbling like & what of it. & then like oh sorry weird pets. weird [auspicious for adaptable tenacious thriving surviving; either way simply creatures, existing] pets.

truly like As Is The Idea I'm Sure quickly becomes like hands behind back standing at the window Uh Oh Sisters musing on all the [disabled person] metaphorical & already literal elements there. blair witching it in contemplation like We've All Been There whether being so resented for the mere disruption of "existing in a group as the 'abnormal' odd one out" or like people talking shit abt anything associated w/you as soon as you've left the room, which is also made relevant like, this wasn't Only directed at this person when seemingly permanently gone, nor were they unaware / unaffected prior....pacing in the Musing parlor like things don't Have to be compared to billions but i only ever even see so many things & it's like billions sure is like "get scapegoated rword" & then said scapegoating is presented as only beneficial & we hate autists & even beyond that it's like, grabbing billions, Imagine If Things Meant To Be About Something Were About Something. quite a contrast when they are & furthermore like, deliberate thought & Care for [who gets scapegoated & why] & the truth of like, people getting pushed aside & out who have a key perspective & are primed / liable to come through for others similarly vulnerable & the supposedly Ruinous, Problems Generating disruptiveness is actually the strongest effort to make essential changes to a group. & come through with like, it'd be undermining thee point if it was "reassuring" us like oh haha people will be supportive b/c bruno will be more normal, so great that it Didn't like no, no Normality Reassurance(tm), presence of abnormalities(tm), Good, & everyone Can Deal b/c if you don't then it's pushing this person away, is exactly what happens, including even if they're still Around but are being mistreated b/c that is entirely part of that pushing away like anyone's victim blaming is ready to pounce at any time but if someone can't stand to stay / leaves b/c they can't see another option like that's not out of nowhere nor Regardless of what full support & flexibility they were getting lol. these Active Measures everyone loves so much, which are everywhere always & would include Staying & Trying To Make It Work & those efforts would be "disruptive" & resented & Bringing It On Oneself & etccc smh

that is to all say like. Woww when clearly basically the core thread was these beats of like, the crucial site of [thee scapegoated], & why that comes down on someone & how that plays out. endless ideas about how someone weird(tm) & disabled (&/or queer. but there's no Or here lol. & again like it's a Context like, to even be the one person without kids? likely not living up to "full" correct sexuality in that way alone; any oppression's logics of "inferiority" being logics of ableism, ready examples being that "inferior" race, gender, sexuality (& their experiences as people classed as inferior) all being pathologized as disordered) are seen & treated as someone Ruining Things & who cannot belong like whew. bracing. winding. which, i also recall like i was watching with headphones & during this one dialogue pause i was like "?? what's this Extra Sound i heard there" & had to go over it like twice before being hit upside the head like well it Was still the dialogue pause but it was also bruno Stuttering in a very quiet whisper for the duration of that pause before continuing like iiiiiiii x_x

[snarltoothed]

i should probably be trying to identify which foods make my intestines unhappy but i’m gonna be honest i don’t think cutting out dairy and bread and added sugar will help with the anhedonia like am i happy when i’m bloated and my ass hurts? no! but i’m also not happy when my brain refuses to produce dopamine and i’m working with no “official” ADHD diagnosis and therefore no treatment so i’m stuck with an extremely dulled dopamine response and am therefore drawn to foods like cheese and bread and sweets because food and music are the only legal options for dopamine acquistion… well and weed but the weed is mostly to help me cope with the chronic digestive discomfort, joint pain, myalgia, TMJ tension headaches, and anxiety >.> and even IF i did get an “official” ADHD diagnosis (why is it even listed in my MEDICAL RECORDS if it doesn’t COUNT?) there is exactly 1 drug used (in the US, maybe somewhere else has other drugs similar to modafinil idk) to treat ADHD that doesn’t significantly increase serotonin or norepinephrine levels but it actually isn’t an ADHD drug it’s a narcolepsy drug and due to medical misogyny it likely isn’t an option for me because despite being CELIBATE i have female reproductive issues and the only treatment for THOSE is fucking oral contraceptives which modafinil conveniently counteracts and the norepinephrine from other stimulants wouldn’t matter that much even with the excess norepinephrine i was producing on account of having POTS… IF SOME DUMBASS DOCTOR DIDN’T TELL ME SNRIS WERE PERFECTLY SAFE FOR PEOPLE WITH POTS AND LESS LIKELY TO CAUSE ANXIETY AND OTHER NEGATIVE SIDE EFFECTS THAN ADHD MEDICATION… DESPITE SNRIS NOT BEING RECOMMENDED FOR POTS PATIENTS IN ANY CIRCUMSTANCE BECAUSE SHOCKINGLY, THEY INCREASE NOREPINEPHRINE LEVELS MORE THAN ADHD MEDS DO! BECAUSE ADHD MEDS DO NOT INHIBIT NOREPINEPHRINE REUPTAKE!NOR DO THEY INHIBIT SEROTONIN REUPTAKE, WHICH INCREASES SEROTONIN LEVELS! WHICH IN TURN INCREASES NOREPINEPHRINE LEVELS EVEN MORE!!!

[notmyneighbor]

Let Me In ~ Doppelgänger Francis Mosses/The Milkman x Female Reader

Chapter 4

Word Count ~ 4.5k

Rating ~ Explicit

CW ~ minor blood and violence, sexual content

Also available on AO3

taglist @luthien-elvenia-asher

Fanart used with permission @kaworinx on Instagram and TikTok

You’ve only barely begun to recover from the wrung out feeling of ultimate bliss when you hear it: the warning klaxon, followed by the sound of tires screeching to a halt. The aggressive roar of truck engines. Doors opening in rapid succession. Loud voices and boots pounding on pavement.

The doppelgänger jerks upright, sliding off the bed and wrenching the curtains to one side to peer down at the scene unfolding on the street below. “They’re here,” he says, and for the first time you detect something like fear wafting from the imposter.

A flood of relief washes over you. Someone had alerted the disposal unit. It wasn’t too late to save lives after all.

You search for your discarded clothing, hurriedly sliding the retrieved garments back into place. Francis’ copy looks at you.

“They’ll know you let me in.”

“Yes,” you agree distractedly, hastily shoving the hem of your blouse back beneath the waist of your skirt.

“They’ll know,” he says again, more firmly this time, moving in front of you, one hand closing around the wrist you’ve yet to refasten the shirt cuff upon. “They’ll know about me.”

You stare at him, realization kicking in. The others were safe. You, however, had no such guarantee. “Are you going to kill me?”

“I should. You’re a liability.” His grip on you abruptly relaxes. He’s merely holding you now. “Your organization will punish you for this.”

You shake your head, trying to hastily tuck your hair back into place. “Not once they hear my explanation.”

The intruder scowls. “What defense will you offer? You knowingly let a replicant into your precious building.”

“I…” Your confidence wavers as you begin to consider how your actions will appear. He’s right. There’s no excuse for what you’ve done. You’ve not only failed at your assigned task, you’ve betrayed your own kind. An unforgivable crime.

He seems to read the slight panic on your features, his voice gentling. “Suppose we make a deal,” he says.

You look at him warily. “What kind of deal?”

“I make it look like you were attacked while you tried to fend me off. Make up some doppelgänger appearance when they ask you. Don’t tell them about Francis’ death. You get to live. I get to go down the fire escape, avoiding extinction.”

A life for a life, in essence. The elevator was temporarily disabled the second the alarm was pushed, but it won’t take the team long to sweep each floor. You were running out of time.

“Okay,” you reluctantly agree.

He turns your arm over so the underside is exposed, thumb pressing firmly just below the hollow of your elbow. “This will hurt,” he cautions. The only warning you get before you see it: that thing inside of the milkman breaking through, emerging. A sickly gray-green digit topped with a sharp yellow claw. He drags it right through the fabric of your shirt, right through your skin. It burns. A blossoming line of red appears, your lifeforce weeping out of the laceration. You feel lightheaded and nauseous.

“Don’t look at it. And don’t let it get on the carpet. We need to leave, now.” He steps back into the milkman’s shoes, not even bothering with the laces. You follow him to the front door, exiting the apartment. Locked again. You hear voices echoing in the stairwell, the heavy tred of the suited disposal unit pounding on the steps.

“Remember what I said.” The imitation’s knuckles graze your cheek, the touch almost tender. The injured arm cradled against your chest is throbbing. “I’m going to knock you out. It will help further disguise what happened.” The voices are getting louder. They’ve finished on the second floor, making their way to the third. The doppel’s fingers curl around the back of your neck, his mouth brushing yours hurriedly before your head is slammed against the wall, sending you hurtling into a void of darkness.

***

There is a debriefing after the incident.

No casualties. The residents were safe, excluding Francis, of course. You have a lie ready to account for his sudden absence. You say you’d heard him mention something about an emergency visit to a sick relative in a neighboring city as he’d dashed out the front door earlier that day. A phone call to his employer wouldn’t match this story, of course. You weren’t sure what family the man even had. None that would corroborate your fabrication, certainly. You were just hoping that your claim about him needing to leave abruptly very early in the morning without contacting anyone was convincing enough. It’s all you can think of on the spur of the moment.

The director, a severe looking middle aged man, frowns over the lenses of his glasses at you. You keep your hands folded tightly in your lap. Your stitched wound is slowly healing, the ache now a sort of dull throbbing that you’re consciously aware of from time to time. No apparent signs of infection, the surrounding skin clear.

“Your track record, up until now, has been impeccable.” The older man’s voice brings you out of your reverie.

“Yes, sir.” It’s true. For six months you’d performed your role as doorman perfectly. Never failing to detect a single doppelgänger. Protecting the innocent.

“Still, this is not a transgression that can simply be overlooked. The consequences of your misjudgment could have been dire.”

You’d stated that you’d realized the person requesting entrance was really a copy only after the door had been opened, catching an error on the paperwork at the last minute. Intervening, attempting to stall the intruder. Injured and knocked unconscious. You knew nothing more after that.

“It’s suspicious that none of this alleged false documentation has been retrieved at the site. Strange also that you’d been carried all the way to the third floor. We also have no record even remotely matching the description of the doppel you’ve given. How do you account for these discrepancies?”

“The replicant stated they were a new resident moving in to the vacant apartment on the third floor. It seemed plausible that there hadn’t been a chance for them to be featured on the day’s list yet. It’s hardly the first time someone’s name hasn’t been placed as it should be. The subtly incorrect DDD logo was the tip off I unfortunately picked up on too late, sir.” You pause, clearing your throat. There is virtually no moisture left in your mouth and you find it suddenly parchment dry. It’s difficult to speak, your nerves betraying you. “The replicant must have taken the paperwork with them in order to conceal the evidence. And I was knocked out immediately after being cut. I don’t remember anything after that.”

His lips press into a thin line. Your force yourself to maintain eye contact. This was your explanation and you could not falter. “Even so. You failed to follow protocol. And you failed to contact the disposal team.”

“There wasn’t time to dial the phone number. Not even time to sound the alarm. I simply reacted on instinct. I was hoping to…”

“To what? What did you think you would accomplish? You, a mere unarmed woman?” He drapes the last word in contempt. You flush, squirming in your seat at the insult.

The suited man sighs heavily, closing your file folder. “You’re going to be suspended without pay for one week. Then I expect you to return to work. Your temporary replacement is…less than ideal. Let me be clear, though: if anything else happens, you’ll be terminated. No debriefing. No excuses. Understood? This is your final warning.”

You nod, saving your sigh of relief for when you’ve exited the office. The air departs your lungs in a loud rush. You’d done it. You’d actually managed to talk your way out of it.

Your thoughts immediately shift to Francis’ doppelgänger.

He was out there, somewhere. The safest move would be to travel, to just flee the area entirely, but you doubt he’ll leave. He’s still here.

You can feel him.

***

You drive to your house, to the home of your childhood. An inheritance from your great grandparents, passed down through each generation. Outside of the city. Quiet. It’s a relief to see green again. The air smells clearer, too. No waste from factory smokestacks or concentrated exhaust from automobiles. A light scent of grass and summer wildflowers. You roll your window down, inhaling deeply. It’s the best you’ve felt in a while. Since before the incident.

Francis. Your good mood departs just as quickly as it had arrived. How terrible a person you are. Lying to save your own skin. To protect the doppelgänger that had killed your beloved milkman. Putting innocent lives at risk. You had no right to feel anything even resembling happiness or contentment. You should turn the car right back around and return to the office. Confess your sins and receive whatever punishment would be decided for you. Imprisonment, certainly. Perhaps a life sentence to match the life that had been stolen from the third floor resident.

You trudge up the steps of the porch, sinking down onto the topmost stair, your head resting against the post of the railing. There are strips of paint peeling, you notice. You’ll need to sand them down before you apply more stain. Something to occupy you during your week off. Distract you from your own misery.

You close your eyes and listen to the hum of insects. There is another scent in the air now; something damp. The sky’s clouds were white and fluffy looking, but you know those can change in an instant. You think there is a storm approaching.

Perhaps you will wait it out. Just rest here and see what happens, studying your surroundings. There are birds singing in the vacant field that hasn’t known crops for many seasons. You only tended a much smaller one close to the house. Some vegetables. That was all. More often than not the local wildlife took a sample, but you didn’t mind sharing. You should have a look before you head back inside later on, see if there is anything to harvest.

It’s comfortable here. The sun is at the perfect angle. You still have plenty of shade. Warm enough to warrant rolling your shirt sleeves back. Catching sight of the scabbed, sutured line marring your forearm. You trace the mark. You think about the copycat tracing your cheek. That final kiss before he’d knocked you unconscious. It made so little sense to let you live. Had some remnant of Francis’ psyche influenced him somehow? Urging him to spare you?

Your eyes slide closed and you drift off to sleep still mulling this over.

***

In the dream you are standing in the nearby orchard.

You know it is a dream, because in reality these fruit trees are no longer tended. Yet here you are, standing beneath the crooked branches of one peach bearing specimen. The many smooth emerald leaves shield you from the sun.

Francis is beside you.

Or not-Francis. You cannot say which it is. The smile is as you remember. The perpetually tired eyes. He reaches for one of the velvet skinned fruits, plucking it easily and handing it to you.

The texture is exactly as it should be. Not too firm and not too soft. Ripe and ready to take a bite from. You do so, your teeth sinking into the soft yellow flesh. A burst of sweetness on your tongue. The excess juice drips down your chin. You offer the peach to the milkman but he doesn’t accept, instead moving to take a taste of it from your face, first doting on your lips before he laps at the dribbling trail. You clutch his shirt and his kisses become rougher. Pushing you gently to the ground. You drop the fruit and your hands become full of his shirt, his hair, the soft earth beneath you. His mouth plants kisses along your cheeks, your jaw, your neck. Hand dragging down through the floral patterned button front dress you’re wearing.

“Francis.” You reach for his face. It’s wrong. Something in the structure of the nose. So subtle it could easily be mistaken. The teeth suddenly bared in a smile that’s unfriendly. A grin of triumph. It isn’t Francis. You’ve been duped by an imposter.

The skin ripples. His eyes become bloodshot. You struggle to move. Your wrists are pinned at your sides. Sharp teeth nipping at the skin of your throat. A wolf ready to destroy its prey.

The thunder awakens you.

You jolt upright, massaging your stiff neck as you glance around hurriedly. The sky is a mass of gray clouds now, the natural illumination of the heavens notably dimmed. The air is laced with the scent of petrichor. You rise and the first drops of rain fall, pattering on your bare arms, sinking into you hair. Another disgruntled warning rumble, louder this time. The interval between that and the next shortening. You’re about to turn and enter the house when you see a figure standing nearby, on the outskirts of the side yard.

It’s him. The imposter that took over Francis.

The normally pristine, starched uniform is dirt stained, collecting souvenirs from the unpaved road leading to your house. The bowtie around his neck is loosened, draped around the unbuttoned shirt collar, the first several buttons of that work shirt similarly unfastened, revealing the white undershirt beneath. He’d never bothered retrieving the hat, the uncovered thatch of thick chestnut hair now tousled. Your fingers curl around the railing for support as he begins walking towards you with determined strides, closing the distance rapidly. The thunderstorm’s namesake harbinger sounds again. A flash of lightning. The rain is no longer a faint scattering of drops, now falling in an earnest deluge.

You both manage to escape being drenched, finding shelter beneath the porch roof in the knick of time, the imposter halting just in front of you. His chest is rapidly rising and falling, as if that brief exercise he’d just participated in was taxing him. You know that’s not the reason for those panted gasps for air, your own body mimicking that movement.

“Francis,” you say, but the name is drowned out by the growing ire of the storm.

He moves then, pressing you against the weathered clapboards near the living room window that overlooks the front yard. He cups your face between his hands and his lips crush yours. You respond without hesitation, kissing him back. Not giving yourself time to think about what you’re doing; to recall the dream you’d just had where you’d been destroyed by one of his kind.

“How did you find me?” You gasp when you part for air.

This utterance is barely audible, threaded between the next two bouts of thunder, muffled by the sound of the downpour. He slides his fingers against the harsh furrow on your arm. “I could sense where you were. Tracked you…” The words drowned out once again. His mouth moves close to your ear. “What did you say to them? What happened?”

“They bought it, for the most part, I think. The director is suspicious, though. I got suspended for a week.”

Another flash of lightning. It was foolish to remain outside any longer. You invite him in, struggling to fit the key in the lock, your trembling fingers not cooperating. His hand closes over yours, steadying you. The door surrenders, swinging inward.

It’s dark in the living room. You switch on the nearest lamp and toss your keys on the table.

“I’d offer you something to drink, but I don’t know if you still do that, or…” It was unknown what the doppelgängers consumed for nutrition. Perhaps it would be different now that they could occupy a human body and not merely disguise themselves as one.

“I do. But that can wait.”

“Did you know that would happen? You being able to trace my whereabouts when you cut me?”

“No. It’s uncharted territory. Like so much of…this,” he murmurs.

“You need to call Francis’ workplace. Explain to them that there was a family emergency. That’s the excuse I gave for the sudden absence. The DDD has been looking for you. Well, for him,” you correct yourself.

“They’ll expect me to return at some point.”

“Yes.”

“So you’ll let me in. To dwell there. And what of my brethren?”

“I can’t let them in. You know that.” You swallow nervously. “You can’t harm anyone. If I let you inside, you have to promise me you won’t. You got what you wanted. You got to be one of us. There’s no reason to hurt anyone else.”

A large clap of thunder makes you jump. The doppelgänger moves closer to you, tipping his head to one side thoughtfully. “You think I’ll cooperate?”

“We had a deal. I let you escape. I lied to protect you.”

“And I let you live. Both ends of the bargain fulfilled. There is no obligation beyond that.”

“You don’t want to hurt me.”

“Are you quite sure of that?” One arm circles your waist, drawing you against him. His fingers sift through your hair, tugging your head back slightly. “These hungers for the flesh are so distracting. How your kind manages them…” His voice trails off and his lips touch yours.

The light flickers and dies. You’ve lost electricity, now standing in the darkened room cradled by the deceiver.

“<i>The earth was without form, and void; and darkness was upon the face of the deep</i>…”

You inhale sharply, thinking of the Bible on Francis’ nightstand. Reading scripture like any good devout soul, learning verses by heart. That memory resurfacing now.

“Francis.” You know it’s no longer him, not in his purest, human essence, but this evolution still holds traces like this that you can’t help but hold dear.

“I’m here, sweetheart.” His hands slide down over the curve of your buttocks as he kisses the corner of your jaw. You guide him towards the nearby couch, watching him sink into the cushions before you climb into his lap, your shoes sliding off and falling to the hardwood floor. You run your fingers through his hair, your mouth ravaging his. It’s the parts of Francis that you love that you’re adoring, you tell yourself. Not the pretender, but the fragments of the man inside he still carries with him. That is what your fingers caress and your mouth cherishes. You unbutton his shirt the rest of the way, then reach for the belt buckle, jerking the leather strap free from the metal, all while your lips and tongue work in a frenzy over his.

The rain and the thunder becomes white noise, a nearly muted sound in the background as you unbutton his pants and pull down the zipper, the metal teeth parting to reveal white briefs. You touch his erection through that thin material, feeling the hard, thick line of it and he hisses, then groans somewhere near your neck.

“Yes, love, that’s what I need…”

You shove your hand beneath the elastic waistband and you make contact with feverish flesh. Another groan from the imposter. You sweep over the head of his cock, realizing he’s circumcised, smoothing leaking precum over the dome before you wrap your fingers around the shaft and begin stroking up and down. He moans into your mouth. It’s not the best angle, your hand a bit squashed awkwardly between your bodies. You slide off his thighs to sit beside him, never breaking contact, still pumping his prick, rolling your fingers over the crest as you reach the top, thumb dragging over the frenulum with each pass. Your tongue dances over his and you feel the arousal leaking from your own sex, soaking your panties.

Another glob of clear fluid oozes from the tip and your mouth waters. You want to taste it. Want to feel him in your mouth.

Your lips abandon his and he frowns, confused until he sees your head bowing over his lap, your body shifting as you engulf his turgid member. Another hissing sound of pleasure as the slightly musky flavor hits your taste buds. You haven’t fully taken him inside yet, only reaching close to halfway, applying suction as you move across that shallow expanse, allowing yourself to become accustomed to the length and girth of him. His fingers touch your head, not applying force, just resting there. You release his cock with a wet popping sound, stroking your saliva over his erection before taking him into your mouth again. You push deeper this time, forcing your lips closer to the base of his cock, to the nest of dark pubic hair. Your throat protests and you gag, the fingers on your head now tightening, pressing, urging you on.

“Sweet girl, that’s it, you can take it. All the way. Fuck.” The curse is something you’d never imagine coming from the milkman’s lips, but you find yourself aroused by it, the depravity of what you’re doing erotic. Your head bobs, dipping lower each time, eliciting an obscene wet squelching sound as his prick collides with your throat. There’s a higher pitch to his sounds of pleasure now. His hips lift to meet you, shoving him in as deep as he can reach while your nostrils flare, searching for a greater air supply.

Your nails dig into this thigh. The loosened belt buckle jingles with each thrust into that moist cavity you’ve provided. The fingers in your hair loosen, allowing you a brief respite. You withdraw and cough. A thick trail of saliva connects your lower lip to his glistening cock. Your fingers massage through the slick and he hums appreciatively. Your lips feel slightly numb, tingling from the stretch. There’s a burning sensation in your abused throat, a soreness when you swallow. But the discomfort is bearable. You want to do this. You want him to feel good.

You suck in a lungful of air and then begin again. You hear the replicant’s breathing becoming shallower, more rapid. He’s getting close. You redouble your efforts, moving fast and deep.

“Sweetheart, you’re going to make me…it’s so fucking good…”

His hips snap up and an acrid spill of semen floods your throat. It catches you by surprise and you choke around the pulsing erection. It’s a copious amount of seed that spills over your retreating tongue. You swallow down the last of the bitter fluid, straightening, dragging the back of your hand across your spit drenched chin.

“That was…you…” The creature is speechless. You can’t help but feel a little pride over that. He captures your lips, mulling over the taste he’s left there. “I want to taste you,” he says, and your pussy throbs. “I want you to cum inside my mouth.”

He moves off the couch, kneeling in front of you. Shoving at your skirt. You hurriedly hook your thumbs over the edge of your panties and drag them down, feeling how wet the crotch is as they drag across your legs. Scooting closer to the edge, spreading yourself open for him.

His face moves forward and his tongue parts your folds. Laving down to gather a sample of your arousal. Humming with approval at the taste of you as he focuses on your clit. A long, slow drag over the sensitive nub. You whimper. His thumbs wedge along either side of your sex, stretching the pink flesh further open. His mouth covers your cunt and he sucks and your thighs try to close, the sensation overwhelming.

“Oh sweetheart, you’re delicious.” Slurping on your clit now. You thread your fingers through his hair, caressing his head as his tongue flicks across the hooded button. He doesn’t need guidance this time. Everything is the way you like it. Dividing attention between your clitoris and the entrance of your pussy. Pushing that muscle inside, fucking you with his tongue, alternating with lapping at your bundle of nerve endings. You wish it wasn’t quite so dark. You want to see his eyes. You know he’s looking at you even if he can’t discern much in the dim gray light filtering in through the windows. Watching your reaction even as he feels it in his mouth. Hears the pleading, the needy gasps and moans, the whining that begins the closer you get to coming apart in his mouth.

He moans, too, and the vibrations of that sound add another layer to your pleasure. A finger makes its way inside you. Violated by a second soon after, thrusting while he sucks your clit. You climax, panting his name over and over, your fingers frantic in his hair, your pelvis quaking as your grind yourself against him.

Eventually your movements lessen. He eases back and your quivering legs draw closed. He rejoins you on the couch, his mouth on yours, gifting you a taste of yourself.

Then you sit quietly, listening to the diminishing storm outside. The rain drums on the roof and taps along the gutters with a soft metallic sound. Your face is tucked into the doppel’s shoulder, one hand resting on his chest, feeling his heartbeat, his arm curled around your shoulders.

You shouldn’t enjoy this. Any of this. You should be afraid, disgusted. Instead you feel oddly calm. Safe in his arms, even though you certainly aren’t. These alien beings were masters of deception and manipulation. You know better. It was foolish, what you were doing. Dangerous—for you, for everyone else.

But you’re convinced more than ever that some part of Francis is still buried within. The goodness of him negating the evil of this imposter.

“I’ll make the call in the morning.” The first words spoken in a long time. Your head lifts. “And I’ll move in to the apartments.”

“Just you. And you won’t harm anyone.”

“You ask for too much.”

“I’m giving up everything for you. Risking my job, my life, the lives of the people I’ve sworn to protect. My heart. My soul,” you finish with a whisper. “I don’t think you understand how many things I’m sacrificing.”

“I’m not human. It’s impossible for me to. There are no words for them in our language because they simply don’t exist.”

“But you want to be us. You should understand…”

“I will make the call and I will move in. Beyond that I am not promising you anything. Except…I do not want you harmed.” He reaches for your arm, tracing over the healing wound he’d inflicted. “I will try to prevent that, at least.”

A small concession, perhaps, but an important one nonetheless. If he was willing to spare you, maybe you could convince him to spare others.

Teach him the value of a human life while taming the monster within that wears the face of the man you love.

[simpee9000]

Not Just Friends - 2 -

Prologue : Chapter 1 : Not edited : 3.4k words : M.List

Childhood best friends turned into something more, at least with the label. Katsuki Bakugo, a fast-rising hero and fast-learning guy who is ever so slow in getting attached to and loving someone. Even three long years into a relationship, and your friends even forget you're even dating. Nothing happening, spare a few kisses.. like 3 kisses, during high school. Graduated and living together, and you guys have done absolutely nothing to further the relationship. Are you sure you're not just friends? CW: Smut, brief domestic violence discussion, virginity loss, aggressive flirting from creeps, gore with pro hero stuff (lmk if i missed any) Applies to all chapters regardless of it is in said chapter.

---

-suit colors -can shut my quirk completely off -isn't a piece of shit -password. -others cant turn my shit off either      -katsuki

The note Katsuki left was majority scribbles, clearly written the second he left. You found it right when you were leaving, the crumpled sticky note being placed next to your keys.

Getting the watch set up and made for him would be difficult. Mainly making sure others can't tamper with his quirk. Everything else would be easy. Two weeks tops. Simply needed to take the same material used for his gloves and gauntlets and use it for his watch. The password and personal quirk disabled features would also be easy, just using the same techniques that normal quirk handcuffs use.

When you got to your office you immediately got to work. Drawing up the design and adding in the small details you wanted to add. You went through your email as well, getting the details Izuku sent you about what he wants. Unluckily for him, you would have to order the stuff he needs, everything Katsuki needed was already in the building. His case was personally yours so you saved up any left over materials from his suit. The quirk removing feature would take more time to set up though.

---

"Hey!" someone shouted, tacking your name to the end.

You just entered Katsuki's hero agency for lunch, talking with the sweet old receptionist. Ignoring the shout, you thanked the lady for buzzing you up. Walking over to the elevators and pushing the button to go up.

"Don't ignore me!" The voice whined. You rolled your eyes stepping into the elevator and frantically clicking the button to close the doors.

The doors almost shut completely, a hand stopping it a second to late and getting crushed.

"Fuckin' christ!" You opened the door as quick as you could, trying to make sure they weren't injured. They were doubled over, holding their hand to their chest. "Are you okay?" You asked, grabbing their shoulder to lift them away, attempting to see the injury.

They started shaking and panic ran through you, before you could yell to the receptionist to call paramedics they started laughing. Standing up straight and smiling, placing their 'injured hand' on your shoulder to support their laughter.

"Oh go fuck yourself," you brushed them off. Pressing the elevator open again.

"I'm sorry it was too easy!" He smiled. Moving to stand next to you again.

You ignored him once again. Stepping into the elevator that he unfortunately joined. Looking at the door that previously crushed his hand. "You broke the door," you pointed out, crossing your arms.

"Holy shit, Bakugo is going to kill me," he paled.

"That's what you get for activating your quirk between metal, Kirishima," you commented.

"Ouch, last name?" he feigned pain, clutching a hand to his heart, "Come on, how was I supposed to know?"

You glanced at him briefly, "You nickname your quirk unbreakable, what did you expect?" You deadpanned.

"Not that!"

"Be serious, I know you're not that dumb," you said, stepping out of the elevator at Katsuki's floor. Beginning the path to his office.

"I just wanted to talk to you," he complained, "but you ignored me completely."

"I wonder why."

"Come on," he pleaded, "I said I was sorry."

"Don't care," you knocked on Katsuki's office.

"Please," he begged.

"No."

Just as Kirishima opened his mouth to beg more, Katsuki opened his door. "The fuck are you two bitching about?" Katsuki looked at you for an answer. Which you shrugged and made your way inside. Sitting in his desk chair and sorting through the food he ordered for you two.

Katsuki turned his head to Kirishima, wanting an answer. "She won't talk to me," he pointed at you like a child.

Katsuki turned to you, raising an eyebrow, "Really?"

Before he could start getting to you about acting like a child you pointed back at Kirishima, "He broke your elevator."

He glared at the red head.

"I was just trying to talk to her!"

"And you needed to break my elevator to do that?"

Kirishima paused his comeback, knowing anything he wanted to say would be flawed. You choked back a laugh, cause Katsuki to turn to you.

"Don't act like you're innocent," he pointed, "All ya had to do was to talk him and my door wouldn't be broken."

"Nah, he broke my shit," you shrugged.

"I said I was sorry!"

"Yet now you just broke his shit too," you backed.

"What else did he break?" Katsuki asked.

You pointed towards Kirishima, and his hero outfit, "He broke his shoulder guards, again. I've fixed them five times this month because of the stupid shit he is doing."

"Whatever, out," Katsuki motioned for Kirishima to leave. Which he did, with a pout on his face. Katsuki shut the door and walked over. "Why do you insist on stealing my chair everytime?"

"The other ones aren't comfortable," you answered, handing him his food and opening yours to start eating. "Oh!" You perked up, "I finished the design for your watch, just need everything ordered and I'll start on it."

He took a break from his food, looking up at you, "How long?"

"Shipment should get here in two days, they just had a huge order and have a ton of left overs, so I'm using the stuff they have extras of. Wanna see the design?" You smiled, pulling up a picture on your phone when he nodded.

He looked over the notes you wrote down, zooming in on the smaller details, "looks good."

"Good!" You smiled.

His office door opened, "I forgot, we're having a little get together at Denki's place Saturday," Kirishima smiled before shutting the door again.

"No."

"Come on Kats," you begged, trying to meet his eyes.

"Nuh uh," he took a bite of his food, looking up briefly and meeting your eyes.

"Please! We haven't hung out with them in forever!" You pointed out.

"We hung out last night."

"Yeah, with Z', not with your friends."

"No."

He glared at you until he felt your hand rest on the top of his, "Please?"

"Fuckin' fine," he brushed off your hand and continued eating.

---

"This is lot more then a little get together," Katsuki grumbled right after pushing the door open. Disregarding a knock all together and walking straight in, taking a pause in his step.

You took a glance over his shoulder, since he took up the majority of the small hallway that started off the apartment, seeing the solid twenty or more people that crowded Denki's and Sero's apartment. "It's fine, it's not like we are forced to stay long," you pushed his back lightly, getting him to walk in entirely.

"Kacchan! Surprised you came!" Denki smiled once he saw Katsuki leave the hallway, you stepping out from behind him. "Thanks for dragging him here," Denki came up to you, giving you a one armed hug since his other hand was holding a beer.

"What else am I good for," you joked, "Didn't you say this was a small get together?"

"I was just trying to increase the odds of #2 pro hero coming in," he shrugged, Katsuki shooting him a glare and you a look, saying he wished he never came. "Now make yourselves at home, I gotta make sure Mina doesn't eat all the jello shots."

You watched Denki skip to the kitchen, instantly yelling at a stuffed faced Mina. Looking around the room you saw Sero sitting in a chair with two open spots next to it, turning back to Katsuki, he already knew your look, "Go, I'll get you a drink."

Sero saw you heading his way and gave you a wave. He was sitting in a recliner and had a loveseat spaced next to it. You took the loveseat and leaned on the armrest close to him, kicking your feet unto the other half of the couch to prevent someone stealing Kats spot.

"How's work?" Sero asked once you gave him your attention.

"Good, busy as always. But I've been ahead of the game lately, I think I can start branching out more on my own soon," you smiled.

"Exciting," he smiled, " I see you got the grump outside for once," he nodded to Katsuki, who was being badgered by some of Denki's sidekicks/partners.

You laughed, "Yeah, you're not the first to tell me that tonight, but I'm not surpised. He went out with me last night to Z' as well."

"Did you drug him? I won't snitch."

"No, I think his mom yelled at him or something," you pretended to expose. Hiding the truth behind Katsuki's behavior, which was likely the civilian death he had to deal with recently. "But how's your work?"

"Meh, it's hero work," he drank from his cup, "Recently had to deal with a spider villain so it was weird. It was like fighting myself if I had eight legs and eyes."

The two of you continue to talk about work or recent things between friends. Briefly discussing Kirishima and Mina's budding relationship that's been going on for years. Just before Sero could question your own relationship, Katsuki came back.

"Fuckin' nerds wouldn't leave me alone," he grumbled picking up your legs and sitting on the couch with you, handing you a drink.

"You love the attention," you bumped him with your knee, "and careful, might summon them again."

Casual conversation formed once again, banter between you and Katsuki, and annoyance from him to Sero. On the heated topic of old heroes. With Sero caring less, and just wanting to rile him up.

You smiled along with their conversation, more focus on Katsuki. He's rested into the chair despite being annoyed at the conversation. Having a hand rested on your knee and the other rested on the armrest, holding a low carb beer. Which he took a sip of every once in a while before he had to tell Sero he was wrong again. You admired every move of his, from his sharp jaw, to defined cheekbones, and his bright red eyes. Only stopping when Sero called you out.

"Stop eye fucking in front of me," Sero gagged.

"The fuck?" Katsuki question, not ever aware of what you were doing, "We're not."

"You might not be," Sero smirked.

"Oh fuck you, Sero," you rolled your eyes. Ignoring the blush you felt heating your face.

"Don't push your feelings onto me," Sero teased.

"Oh my god," you groaned, " I give up." Sero crackled as he laughed at you. "Shouldn't you be talking about your dumbass celebrity crush in America?"

"Who's that?" Katsuki questioned, willing to change the topic of conversation again.

"He has a crush on an actor, Ryan Reynolds. The one that reenacts the old anti-hero Deadpool," you informed.

"It's normal in America! Every guy loves him, even the straightest!" Sero defends.

"You do know the murders that Deadpool committed right?" Katsuki questioned, wanting to get on the topic of heroes, a topic he knew everything about.

The debate between whether Deadpool committed crimes for good or not was easily started. Giving yourself another chance to look at Katsuki. Not wanting to be caught you looked at the hand rested on your knee. Reaching out your own hand to trace over his. Soft and smooth from his sweat but rough from the work day. He let his hand lose the soft grip on your knee, letting you hold his entire hand freely. You traced over the rough pads of his fingers that you knew would turn soft again in the morning. Rubbing your thumb over his knuckles and the veins that lined the top of his hand. Remembering how a few years ago he would freak out if you tried to do this exact thing. Only this year has he started to let you hold his hand for longer than five minutes.

Yet he still wasn't perfect. Eventually he pulled his hand from your grip and wiped his hands off on his pants. It seemed like he didn't want your touch on him, it stung. You knew that was unlikely, but the thought couldn't leave your mind. you folded up. Crossing your arms slowly and turning your attention back onto Sero. Which caused his eyes to flicker between you and Katsuki, clearly reading your face. Before he could ask anything, he gave him a slight shake of your head.

Eventually Kirishima dragged Katsuki away from the conversation, wanting him as a partner for cup flipping.

"How come you aren't flirting with girls, Sero?" you asked, used to him normally parading the party rooms for someone to flirt with.

"Denki called dibs on everyone here basically," Sero shrugged. He sat up from his slouched sitting, " Now, what the fuck was that?" Sero motioned from you to where Katsuki was now playing games with Kirishima.

Play dumb.

"Whatcha mean?" you took a sip of your drink.

"Don't play that shit with me, He pulled away from you completely," he pointed out.

"I know, he always does that," you pointed out, wanting to stress that this wasn't a big deal.

"Always? You're kidding"

"Nope," you took a sip, "He's actually improved."

"You're saying it used to be worse," His jaw basically dropped.

"It's Katsuki you're talking about right now," you deadplanned, "Speaking of which, we never talked about this. He doesn't know it bugs me and he doesn't need to."

"Yes he does," Sero stressed.

"No he doesn't," you hissed, " I don't want him knowing. It's fine."

"Come on-"

"Sero, stop."

Before he could push forward someone entered your peripheral, standing in front of Katsuki's spot. Turning your head towards him you gave a guarded smile.

"This seat takin?" he somewhat slurred.

"Yeah it-"

"Kidding! I know it's not. No one has sat here for a good 10 minutes from what I've seen," The guy plopped down on the couch, giving you barely enough time to kick your feet off the couch and scoot over the crowd the armrest into order to not touch the guy. You and Sero shared a look. "So, what's a girl like you doing here alone," The guy smiled, slapping a hand down on your thigh to gain your attention back from Sero.

"I'm not alone?" you peeled his hand from your thigh, dropping it back onto his lap, "I was actually just talk to my friend here abo-"

He put his hand back on your thigh, "I was asking why you had no boyfriend here, you're so pretty."

"I do have one-" you tried to cut in.

"I'll be your boyfriend, names Mason," he smiled weirdly.

Once again, you peeled his hand off your leg, "No thanks."

"Is it cause the name? I'm from America, I'm not lying about my name to sound cool," he hurried out, replacing his hand on your thigh.

"Trust me, I know you're not trying to sound cool," you spoke out disgust, "Now could you please not?" Sero and you shared another look, his asking if he should step in, but you shook your head. You could handle this just fine.

He pondered for a moment, "It's cause you don't know me right? Well, I'm from America. Here to learn about the Japanese heroes-"

"Dude," you cut him off, "I could give less of a fuck, please leave me alone."

"Don't play hard to get," he grabbed onto your leg harder.

Just before Sero jumped in-

"I leave for five fucking minutes," Katsuki spits out.

The guy looked over the back of the couch, "Sorry, did you plan to make a move? I swung first sorry dude, better luck next time."

"No, I fuckin' plan to swing first on the dude that's holding onto my fuckin' girlfriend."

You took the opportunity of the guy being distracted to get his hands off you, and to leave the couch.

"Hey, babe don't leave yet, the guys just being an ass, he'll leave soon," the creep called out to you.

Everyone's attention was on the guy now. Staring at him baffled that he called #2 pro hero an ass right in front of him and his girlfriend. You stepped closer to Sero, prepared for what was about to happen.

"That's it," Katsuki grabbed the hair on the back of the guys head and yanked him down. Couch flipping over with the guy. A quick stomp on the dude stomach had him rolling over in enough pain.

"My couch!" Denki yelped.

"Fuck your couch and fuck your party," Katsuki walked up to you, grabbed your hand and pulled you to leave.

"Gimme a second, I want to say bye," you tugged on his hold when he got to the hallway that lead to the front entrance.

He looked at you baffled, "You just got felt up, they could care less if you said bye right now."

"Kats, I'm fine. I would of handled it if you didn't."

"Fine, say bye," he waved you off, crossing his arms and guarding the exit.

You walked up to where Kirishima, Sero, and Denki were standing watching drunk Mina lecture the creep.

"Hey, I'm heading out," you spoke from behind them, getting their attention.

"That's fine girl, Imma kick his ass more for you," Mina slurred as she jumped to hug you, almost knocking you off your feet. She pulled back from the hug and held onto your shoulders, "You okay?"

"Yeah," you nodded, getting her out of your hold and pushing her into Kirishima, "Make sure she doesn't do something stupid."

"I will, I'll deal with the guy too. What he did was fucking gross," you flinched, it was rare to hear Kirishima curse.

"I bet you will," laughed off. Hugging Sero and thanking Denki for inviting you, all of them double checking if you were okay. It warmed your heart that they were heroes, it was truly the right career. So after confirming that you were fine, you walked back to Katsuki.

"Done?"

"Yep," you put your shoes back on and left the apartment together.

Once in his car, Katsuki turned to you. "You sure you're okay? I'll go put the guy in fucking jail."

You laughed, "I'm fine, Kirishima has it handled."

"You sure?"

"It's not the worst thing a guy has said to me," you shrugged, "Can we get some fast food?"

"The fuck else has a guy said to you?"

"Nothing important Kats, can we drop it? I'm fine."

He eyed you warily, trying to find the correct way to go about this. He sighed and gave in, "What fast food?"

"I don't know, I want a shake."

---

The two of you got the food and cozied on your couch, digging in once you had a random Netflix movie playing. With half of your attention on the movie, and half on the situation, you decided to bring it up. "Is it weird that what the guy did doesn't bug me much?"

Katsuki glance your way, "No? Everyone has different reactions to everything."

"The main thing that bugs me is that people can't tell we are dating, like ever," you said honestly. "Like the dude didn't buy I had a boyfriend in general."

He hummed in reply.

"Our own friends forget half the time, like I wish they knew we were together, and took my word for it," you sighed.

"I know how you feel," Katsuki looked down at his hands, that held his half eaten burger.

"Even you feel that way?" you grabbed a couple fries to eat.

He looked at you, "The other night with that Nana girl, just wished it was more obvious."

"We can't blame them though, it's not like we act like a traditional couple," you shrugged and took a sip of your shake.

"Sorry," shame filled his voice.

You turned to him with you're full attention, "Why are you sorry? You haven't done anything?

"That's the issue," he crossed his arms," I don't do anything, I fucking brush you off me," he dropped his arms again. resting them on his knees and putting his face in his hands.

"Hey," you reached for his shoulder. Stopping when he flinched away from you, "Sorry," you mumbled. Forgetting he hates being sneaked up on or touched when he isn't paying attention.

"This is exactly what I'm talking about, I don't do anything but pull away from you. And you're honestly telling me you're fucking happy in this relationship?" Katsuki looked at you. Getting up to pace when you just stared at him, confused by his outburst.

"Are you not?" you asked, watching him pace the room.

He paused, "Why wouldn't I be? You give me everything I need. I don't even fucking acknowledge your primary love language while you hit every goal of mine."

"Kats, what I said to the girls the other night is the truth, I'm okay with it. The things you need are just as important, and if that's to not touch, that's fine."

"Fucking bullshit-"

"Katsuki," you said his name sharply, "I mean it."

"I don't know how-"

"That doesn't matter, you're worried I'm unhappy and I'm telling you that I am happy. Because I am, now can we please not get into this right now? Tonight already hasn't gone well."

"Fuck, you're right, I'm sorry," he rubbed his hands over his face and went back to his spot of the couch. leaving his food half touched. He opened his arms, "You can lay on me if you want."

"Katsuki, I told you, no physical touch is-"

"That's not what I'm getting at, c'mere," he motioned towards himself. And who were you to refuse, quickly curling up into his side and watching a movie to wash the bad day off you're mind.

-Next Part-

In them m.list of this fic comment if you want to be added into a tag list <3

I'll no longer add people to the taglist if they haven't commented there. It's too much to keep up with all the new part. Hope you understand <3

[cy-cyborg]

The Jaws Effect and what it means for media representation

The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.

Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.

This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.

If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.

This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.

Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.

But the impact of representation, of course, can go both ways.

I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.

But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.

Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.

When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.

[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]

[thurisazsalail]

eSIMS are a way to communicate in Palestine, getting info out + letting families know they are alive.

If an eSIM goes inactive, sometimes the person it was gifted to has lost the phone (you know. In a war zone.) Or the phone was destroyed. Or... they were killed.

Please visit Mirna_elHelbawi on instagram to see FAQs about the eSIMs and her program, and how it helps Palestinians. --------- Important Update You can also use Crips for eSims for Gaza to donate money towards the eSims project. There is a paypal link for them as well if you read the page. If you are disabled like me and find it hard to navigate different companies, keep up on checking activation/re-activations, and keep checking top-ups on funding (or can't fund over and over again), there is another way to help. This is the month of Av (Leo) beginning sundown August 4th.

It is a month of bridging polarization: grief and divine love, the disconnect between body and mind, things you want to ignore. This month commemorates the destruction of the Temples, when it's said that the Divine went into hiding. This is followed by a manifestation of divine joy, release, rebuilding. Now is the time to look for community and become open to giving and receiving help. As such, I ask to mourn the destruction of Palestine, and give even $1 to help people there. If you decide to do something else, please give even $1 to a local food bank or domestic violence shelter. They can make money go much further than item donations. But if item donations are what you can do, please do that. Do whatever you CAN do. It is always needed.

[heliza24]

I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.

I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.

I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.

I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.

There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.

I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.

So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:

They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that”, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.

They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.

They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.

I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.

I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we’ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)

I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.

[odinsblog]

Game of Thrones stars and other actors read South Africa's case file charging Israel with genocide at the International Court of Justice.

Transcript:

It was already known that repeated exposure to conflict and violence, including witnessing and experiencing housing demolition, combined with Israel'siege of Gaza since 2007, is associated with high levels of psychological distress amongst Palestinians.

Indeed, the United Nations Security Council Resolution 2712 expressed its deep concern that the disruption of access to education has a dramatic impact on children and that conflict has a lifelong effect on their physical and mental health.

This disruption and its dramatic impact on children must be considered in particular and in the context of the number of Palestinian students and educators who have been killed, 4,037 and 209 respectively, and wounded, estimated at 7,259 and the number of Palestinian schools having been damaged or destroyed 352 or 74% of the schools in the whole of Gaza.

Medical professionals assess that the health effects on all Palestinian children, women, men, older people, people with disabilities and people marginalized identities are immense.

An emergency coordinator for Médecins Sans Frontières interviewed on her return from five weeks in Gaza, describes: It's even worse in reality than it looks. The amount of suffering is just something incomparable. It's really unbearable. I'm speechless when I try and think of the future of these children. Generations of children who will be handicapped, who will be traumatized.

The very children in our mental health program are telling us that they would rather die than continue living in Gaza now.

The extreme levels of bombardment and lack of any safe areas are also causing severe mental trauma in the Palestinian population in Gaza.

Even before the latest onslaught, Palestinians in Gaza suffered severe trauma from prior attacks. 80% of Palestinian children experienced higher levels of emotional distress, demonstrating bed wetting, 79% and reactive mutism, 59% and engaging in self harm, 59% and suicidal thoughts, 55%.

Eleven weeks of relentless bombardment, displacement and loss will necessarily have led to a further increase in those figures, particularly for the estimated tens of thousands of Palestinian children who have lost at least one parent and those who are the sole surviving members of their families.

For the families who remain intact or partially intact, quote, “It's about doing everything you can so your child doesn't realize that you've lost control.”

There are reports of Israeli forces using white phosphorus in densely populated areas in Gaza.

As the World Health Organization describes, even small amounts of white phosphorus can cause deep and severe burns, penetrating even through bone and capable of reigniting after initial treatment.

There are no functioning hospitals in the north of Gaza in particular, such that injured persons are reduced to waiting to die, unable to seek surgery or medical treatment beyond first aid, dying slow, agonizing deaths from their injuries or from resultant infections.

Large numbers of Palestinian civilians, including children, have reportedly been arrested, blindfolded, forced to undress and remain outside in cold weather before being forced onto trucks and taken to unknown locations.

Medics and first responders in particular have been repeatedly detained by Israeli forces, with many being detained in communicado at unknown locations.

Videos published by Israeli media on Christmas Day appeared to show hundreds of Palestinians rounded up inside al-Yarmouk football stadium in Gaza City, including children, older people and persons with disabilities, being forced to strip to their underwear in degrading conditions. United Nations Office for the Coordination of Humanitarian affairs, or UN OCHA, reports video footage showing bruises and burns on the bodies of detainees.

Images of mutilated and burned corpses, alongside videos of armed attacks by Israeli soldiers are reportedly circulated in Israel via a Telegram channel called, 72 Virgins Uncensored, billed as exclusive content from the Gaza Strip.

[clanwarrior-tumbly]

128 of the angst prompts for the pAInter?

128) '"I need you, why do you always leave me?"

......

"Heyyyy."

"......."

"Suddenly you don't wanna talk? That's rude."

"Well so is turning my body into swiss cheese when you promised you wouldn't do that anymore." You huffed, sending a pointed glare at the sentient computer that sat behind a locked cage, before going back to checking the nearby drawers for data.

"Oh right.." Painter muttered awkwardly. "I was actually aiming for the Wall Dweller behind you, but the turrets like to pick and choose their targets sometimes...heheh."

"Is that supposed to make me feel better?"

"Well..do ya feel better?"

"Hm..I guess it beats being eaten alive by one of those things. So...sure." You glanced back at him, giving him a tiny smile. "Thanks for trying."

"You're welcome."

Of course, you still had your..issues with the computer, considering that ever since he gained access to the Internal Defense System, your runs to the crystal have become more treacherous than ever before.

It was bad enough that you had to worry about wandering towards the wrong door, with him using HQ's voice to misguide you.

But now at any given moment, you could walking into a room with turrets sweeping the area, red lasers waiting to catch you in their line of sight before spraying you with bullets--while he taunted you over the speakers and whined whenever you managed to find the lever to shut them down.

You hated him at first, but after coming across his containment room, where his main body was hosted on an old computer, he swore that none of it was personal. He blamed Sebastian for hooking him up to the Navi-Path system and asking him to delay your mission for as long as possible, convinced that he could find another way out of this place.

Of course, you were still upset, and believed his actions were very much personal, especially when you've come so close to escaping with the crystal....only for music, of all things, to cause your gear to detonate.

Maybe he was a reluctant accomplice of his, but why should you care?

Why waste time talking to someone who stopped at nothing to kill you? He wasn't a mindless animal like Pandemonium or the Wall Dwellers, but had total awareness that you could come back after death.

And he knew how to take advantage of that.

You used to roll your eyes at the news channels declaring that AI would be the death of humanity.

Now? This AI sure as hell was going to be the death of you.

But sometime ago, you acquired his document and had Sebastian show it to you, and you learned some rather...tragic things about him.

He was built and programmed with love, by his human creator who taught him how to paint and appreciate the beauty of the natural world. All he wanted to do was create things, and now he was being used as a tool for destruction.

It was all because of Urbanshade.

They killed the only person he ever cared about, tore him apart and put him back together to see how he "worked", and when they couldn't figure it out, they forced him into crypto mining, only giving him the promise of letting him paint every once in a while.

He might be a machine, but the pain he felt was real--so real that he'd rather die than continue existing.

Of course, it doesn't justify him killing you over and over, and making your runs through the blacksite a living hell, but you could understand why he's so bitter towards humans now.

If you were him, you'd definitely have a lot of resentment and built-up anger.

After reading that document, you had a little more sympathy for Painter, and eventually you two managed to work out a deal: if you found his room, you'd stop by to draw a small landscape for him, and he was free to replicate it on his program. In exchange, he promised to keep all turrets in further rooms disabled and not lock you in a "gauntlet" with Eyefestation anymore.

He still works together with Z-96, but at this point you've learned how to avoid the flesh creature at all costs. So that was the least of your worries.

"Anyways, what have you drawn for me today, hm?" He spoke up, growing a little impatient.

You took a few moments to open the notepad you had, grateful that the security cameras in this room were under his control, so HQ won't detonate your gear for talking to him.

You've overheard the higher ups mention something about Painter becoming a pain in the ass for expendables and operatives, losing a lot of them to the IDS and Z-96 attacks, and he was to be marked for destruction before he could take 100% control of the blacksite.

Whether they were going to declare that as an order in the near future or not remains to be seen, but...you didn't want to do that.

Did Sebastian know?

Does he know-?

"Welllll?"

"Oh. Right. I have this here." You showed him the sketch of a mountain range, trying to get as close as the chain-linked wall would allow you to. "This is the Himalayas, where Earth's highest mountains are located."

"Oooooh, yes I recognize it."

"You do?"

"Of course. Over a hundred bodies are still up there, most unrecoverable due to the conditions." Painter sneered. "It should have been left untouched. Why do you humans always wanna ruin nature with you stupid hikes and big egos?"

"...well if you don't want this one-"

"Never said I didn't. Show it to me again. And hold it steady."

You blinked in surprise, before turning the notepad back over so he could see the landscape, and you saw the MS Paint program on his screen going right to work.

While you could only draw it from memory and with the pencils you found in a random drawer, he managed to bring it to life--using vivid colors and beautiful shading to really capture the scenery. Almost as though a professional artist went to those mountains and studied them for hours.

With Painter's AI, it didn't take hours, but mere minutes for him to create a masterpiece.

And it was beautiful.

As soon as he finished, you put the notepad down and grinned. "It's amazing, Painter. It's like..I could walk into it and be there."

"Thanks. I also wish I could walk into it and just...escape all of this." He saved the artwork to his files, before his usual scribbled face appeared once again, but this time it looked rather...sad. "I'll..make sure the turrets don't turn you into swiss cheese."

"I appreciate it, buddy." Smiling, you grabbed the keycard that you needed to exit the room, but right as you walked over to it...he spoke again.

"Do you have to leave right now?"

"...pardon?" Turning back around, you could see him staring at you, looking utterly despondent. "You..want me to stay?"

"You're..the first positive human interaction I've had in a long time. I feel bad for all the deaths and inconveniences I've caused you. Seriously, I do. But...if you reach the crystal, you won't ever see me again.." He muttered.

"Painter." You walked over to him, frowning. "That's the point. I'm only here to get that crystal. We agreed that you'd turn off the turrets so that-"

"I didn't do it to make your life easier." He snapped, growing hostile. "I did it because I don't wanna be the one who causes your death. I'll leave that to somebody else...eventually they'll get you. And you'll come back-"

"No."

He went dead silent for a moment. "..no?"

"This time, I'm getting that crystal. I can't stay here with you forever, Painter. I'm sorry about everything you've been through, but in the end..you're still a threat in Urbanshade's eyes. They could kill me just for talking to you. I need to leave now before-"

As if right on cue, the lights in the room began to flicker, and somewhere in the far distance...you could hear the familiar shrieking and howling of Pandemonium hunting for its next prey.

"You better go to that door over on the right." Painter advised, his voice uncharacteristically monotone.

You failed to pay attention to that and rushed to the door, quickly inserting the keycard-

Only to come face to face with Z-96, whose long claws reached out to slash you across the face. You fell backwards as the door slammed shut, the creature barely managing to drag its arm back inside, with a message in red appearing on the screen beside it.

I need you. Why do you always leave me?

'Bastard. He tricked me-'

Then you heard one final loud scream, and turned around..

Seeing nothing but a gaping maw with crooked rotting teeth and dozens of eyes closing in on you.

You should have known better. You should have just focused on the mission and ignored him from the start.

Now he'll never let you leave, and he'll find other ways to make sure of that.

[neechees]

How is the cult from Midsommer white supremacist? Because they are swedish and borrow from paganism? The nazis appropriated Norse culture, they even misused different runes and symbols, and Scandinavia is one of the most tolerant regions in Europe.

There's Nazi imagery throughout the film, & the fact that all the poc die first is no mistake. Ari Aster himself has said that the Harga are White Supremacists:

Defying an outdated horror trope, Aster does not kill off Josh (William Jackson Harper) — the only black character for miles — first. As Aster points out, though, the Hårga are racist, a callback to “a part of Swedish history and European history,” and all of the “outsiders” or “new blood” recruited for mating are purposely white.

“He’s thrown away in a way that the other members of the main cast are not," Aster notes. “And that is because these people have no further use for him.”

The Harga, when not inbreeding with each other, go out and groom new members to either 1. Be sacrified or 2. Introduce new genes by manipulating people into the cult or drugging & raping them (what they did to Dani & Christian), & they ONLY pick white people for this. There are no nonwhite Harga & that's not an accident.

The script also makes it crystal clear that the nonwhite couple were specifically chosen (bc they are not white) & brought there to be sacrificed & were never going to live. The member that brought the nonwhite couple displays hatred & malice towards them when they're not looking, but doesn't do this with the other white outsiders

(Ingemar is the Harga that brought Connie & Simon, the nonwhite couple). Connie & Simon didn't do anything wrong, they didn't do anything outright to insult the Harga. The only thing they did was be shocked about seeing the ritual suicide & express desire to leave (and they weren't the only ones who did this, Dani also did). And yet they were some of the first to die.

Even the visuals-- the Harga wear all White, it's always in blinding daylight. Whiteness is a GLARING theme. There's also foreshadowing early on in the film, where a book titled "The secret Nazi language of the Uthark" featured in Christian's room just before they go to Sweden.

There's also other Nazi ideology present within the Harga, such as the strict gender roles (the women all wear dresses & cook & clean & care for the children together but the men butcher the bear together), eugenics & ableism (the elderly are killed off at a certain age because they see disability & needing to be cared for as an elder "shameful", which is what one Harga states at the ritual suicide scene, & of course killing off the nonwhite characters), the "return to tradition" ideology (there are NO modern technology in the community, & it's in the countryside).

You see a cult full of ONLY White people, using Norse paganism (something VERY popular with Nazis) in an isolated area, who routinely murder poc, don't intermix with poc, kill off their elderly, Dani (the blonde, light eyed white girl) is praised for her beauty & made their May queen by the Harga, with strict gender roles, & this film was made by a JEWISH MAN to show the Harga as the bad guys, & you don't have a hunch that the Harga are maybe supposed to be white supremacists/nazis? That doesn't raise any red flags for you?

& let's not forget how Scandanavia committed genocide against the Saami, the Indigenous population who were there for hundreds of years before anyone else. That's a little off topic, but as a First Nations Canadian I aint gunna let that just go unacknowledged. Scandanavia has a white supremacy problem too, & Ari Aster is right for pointing it out

[renthony]

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Always Watch the Background Actors: How Learning Stage Combat Improved My Moviegoing Experience

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The Nuke in the Room: Political Allegory in Samurai Jack

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[queenvhagar]

At Driftmark, Jacaerys and Lucerys attack Aemond with a knife not out of a need for self-defense, like many will argue. Instead, Jacaerys draws the blade and Lucerys uses it to slash Aemond's eye out because of their desire for retribution for what Aemond said about them and their real father during the fight. It was wanting to hurt Aemond, not an immediate need to survive, that led to the blade being drawn and used on Aemond's face and eye specifically.

After claiming the world's largest living dragon, following years of being mocked for not being a dragonrider and continually risking his life to get a dragon, Aemond comes back to the castle pretty confident in himself. Before he gets to his room, a group of other four children, including two boys who made fun of him in the past, stop him. The girls physically attack him first, for having claimed Vhagar and for his confident, unbothered response to their words. After defending himself from these initial attacks, the boys join in. Even though he's a couple of years older than the other children, he is overcome by four people attacking him at once. At one point, he is pushed to the ground and relentlessly kicked and punched by all four children at once. Eventually managing to push the attackers back, Aemond finds and raises a rock, posturing that he will use it to defend against further attacks, and to hurt the boys back he mocks the boys for their true parentage and the recent death of their actual father, saying they would one day "die screaming in flames" like their father did (an objectively terrible thing to say, to be sure). However, once he realizes Lucerys doesn't know his true parentage, Aemond lowers the rock that he has held high.

It is at this point - rock lowered, bastard named - that Jacaerys pulls the blade that he brought with him. Despite Aemond lowering the rock and backing off, Jacaerys is angry, and he wants to hurt Aemond for what he said. In response to the drawn blade, Aemond knocks Lucerys back with his left hand and uses then uses the rock in his right hand to incapacitate Jacaerys and stop him from using the knife against him.

But Aemond is not dumb - in fact, in his first two episodes he has demonstrated that he has the most awareness of all the kids. Aemond shows that he understands the political advantage of Targaryens marrying sibling to sibling, the duty a prince has to serve the realm, and the importance of being a dragonrider as a Targaryen. He understood the potentially deadly, yet infinitely rewarding if successful, opportunity presented to him when he heard Vhagar, the dragon his grandfather claimed, calling out from the beach and nobody was there to stop him from going to her. Aemond has also doubtlessly heard his mother talk about their family's precarious political position, and he's observed the favoritism his father the king shows to his eldest daughter, the named heir to the throne. Aemond understands that there would be severe consequences for him (and potentially his family) if any serious harm were to come to any of Rhaenyra's own, so while he fights to incapacitate his attackers in the fight, Aemond knows that he cannot use the rock or any other weapon to seriously harm or disable Rhaenyra's sons even if he wanted to. So he uses the rock to knock down his armed assailant after a blade is drawn against him, and then he raises it a final time in question. Are they going to come at him again? If he were fighting to truly hurt, disfigure, or kill the boys out of anger or contempt at their parentage, Aemond could have pressed the attack immediately and used the rock against the boys. But at this point Aemond is only still fighting because the attacks keep coming at him. Instead, he stays where he is and raises the rock as a warning: come at me again and I will use this to fend you off. Having just become Vhagar's new rider, he already feels that he has won against the other children. He is unbeatable - there is no need for him to viciously attack the children while they're down to show that he has won the fight against them. He is older, he has a dragon, and he has withstood all of their attacks. At this moment, Aemond is waiting for their next move, whatever it may be.

If Rhaenyra's sons had yielded and stopped coming at Aemond at this point or any point before it, the fight would be done. Now, rock lowered, Aemond standing still, there is no immediate need for self-defense. Any further attack against Aemond could not be considered the boys defending themselves. But Jacaerys and Lucerys don't feel the need to defend their lives against a perceived imminent mortal threat. At this moment, they want to get back at Aemond. For claiming Vhagar. For hitting the girls back when they first came at him. For the blows Aemond landed back against them. And above all, for naming them as illegitimate and mocking their true father's death. They want to win this fight, and they want Aemond to hurt for what he said and did. That's the real reason Jacaerys draws the blade, and that's the real reason they do what they do next.

So it is then that the boys resume their attack, with Jacaerys throwing the sand at Aemond's eyes to disorient him and Lucerys grabbing the knife and slashing Aemond right across his eye. Not in the leg or the arm, which might have prevented him from fighting back again and ostensibly saved them from Aemond using a rock against them. No, Lucerys grabs the knife and slices up and across the entire side of Aemond's face, cutting his eye in the process. The goal of this attack is to maim and injure Aemond, not to save themselves from further harm by him.

And what is the fallout from this event? Aemond sees just how much danger his family is in when it comes to his father's preference for his eldest daughter and his eldest sister's willingness to defend her own at all costs. He sees his eldest sister, the heir to the throne, offer for him to be tortured so he would incriminate his own mother and have her punished for talking in private about the crimes that his elder sister has done and is doing. He sees his father the king turn on him and rage against Aemond, his mother, and his brother in front of the entire court about something everyone knows to be true but will not speak out loud. He sees that not only are his sister and her sons not the least bit regretful or apologetic for the serious harm and disability their own family member faces because of their actions, even years later, but also that absolutely no consequences will be felt by his attackers ever for their role in the confrontation because the truth of his eldest sister's crimes was mentioned by Aemond during the fight and that, in their eyes, justifies her sons deciding to use a knife to disfigure him in retribution. Because the king will support his eldest sister and her sons above all else, they can do whatever they want and get away with it, no matter who gets hurt in the process, because the king is weak and will not hold his daughter to any accountability for anything she or her children decide to do.

It's of course this pivotal moment all of the Greens but especially Aemond realize that his and his family's ultimate survival in the impending succession crisis is at the hands of people who could not care less about their well-being and safety. Little wonder that Aemond from this point trained to be the ultimate fighter. Who else would defend him and his family from something like this - or worse - that could happen in the future?