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#and i cant write for myself
stervrucht · 1 month
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How I feel after finally finishing that long-ass chapter...
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zzoupz · 3 months
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now that artfight is almost here and i got to look at a lot of character profiles i just wanna say i genuinely love the contrast between them
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hyakunana · 4 months
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"My friend, my partner… my Guardian."
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luxaofhesperides · 2 months
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a safe place to rest - duke
(part 3 of the harmless series)
Although he hears about the baby, Duke doesn't get to meet her for a few days.
He does meet someone else though: Danny.
"You need anything before I go?"
He doesn't want to leave Danny alone in the Hatch. Not out of mistrust or anything, but because he's sure that the moment he looks away, Danny's going to disappear again. It took so long just to convince him to take a moment to breathe, to rest and recover from whatever he's gone through.
There's a frantic sort of energy surrounding Danny that has his aura all messed up, which is the only reason Duke decided against letting anyone else know that he found Danny.
He got the basic rundown from the night shift, but he hadn't had time to look more into it before Danny was crashing into him during his day patrol, eyes wide and wild and looking like his world had just ended.
"You," Danny had gasped, "You're with—Batman? Please, take these." And he shoved a bag against Duke's chest.
He had to react fast to grab it, and then grab Danny when he all but collapsed against him.
Now, he sits on top of the spare bed Duke set up in the Hatch, pale and tired and quietly devastated. "I'm fine," he insists. "You don't need to do anything for me."
Duke frowns. "Uh, I absolutely do, you think I'm just gonna leave you to fend for yourself? Come on, man, that's not how I do things."
"You don't owe me anything."
"Obviously not. It's not about owing things. I'm doing this because you need help and I can give it."
"I can take care of myself," Danny says firmly, and Duke holds back a sigh. Yeah, this guy really is Batman's kid. Horrible self-care habits and all.
"You don't gotta, though. You get that, right? You can take one day off and just rely on me to take care of you until you're back on your feet."
"No."
Duke tries to shove his emotions down, to stay neutral and calm. This is a guy who came crashing into their lives, shoving a baby into Damian's arms, and then vanishing. This is a guy who's gone through way too much on his own. Of course he's not going to trust anyone. Duke knows well how heavy everything becomes when it feels like the world's against him. He can give Danny grace.
"Okay. Just so you know, I'm asking to be polite. I'm still going to grab some extra clothes for you, and a homemade meal, so you just stay here and get some sleep. We'll talk more when I get back from delivering all this to Batman." He lifts the bag Danny gave to him for emphasis, then pins the guy down with a hard stare. "You better be here when I get back, or I am going to have no one to show baby pictures to."
"…You're gonna check on Ellie?"
The clear concern and desperation in Danny's expression make him soften. "Yeah, man. I'll check on her and let you know how she's doing. That's why you gotta be here when I get back. Got it?"
Danny bites his lip, then nods slowly. "Yeah. Got it. Thank you."
"Get some sleep."
Duke pulls the door shut, setting the alarm system to quietly alert him if anyone goes in or out while he's not in the Hatch. There's a first aid kit on the table and some water bottles as well, but it's not going to be enough to really help Danny start to recover. Duke takes a moment to curse his past self for not better stocking his crash room for emergency visitors, but in his defense, he isn't in the habit of bringing anyone back to the Hatch, not even other Bats, when the Batcave is more suited for handling lots of people.
Well, it's something to work on in the future.
He doesn't get more than a few steps away when he hears the door opening behind him and looks back to see Danny poking his head out.
"Hey, before you go…"
"Yeah? What's up?"
"Can you maybe not tell anyone I'm here? I'm assuming you know who I am, since you know Ellie."
"Yeah, your Batman's first lost kid, right? Trust me, I've heard of you."
Danny winces. "Great. Figures. I just really need to not deal with all of them right now, so if you could keep all this quiet…"
Duke looks him over, takes in the paleness of his skin, how worryingly thin he is, the dark half-moons stamped under his eyes, and promptly decides then and there that the rest of the world is going to have to go through him to even think about going near Danny. It's a complicated situation he's in and if he needs time to prepare himself for meeting everyone else, who Duke knows from personal experience can be a lot, then Duke is going to make sure he has all the time he needs.
"You got it man. They won't hear a thing about this from me. I'll lock everyone else out of here, too, so you can rest easy. They ain't getting in here to bother you while I'm still around."
"Thank you," Danny says again, sagging against the doorframe. "I'm… I really need to sleep."
"Go crash," Duke says softly. "I can take care of things until you wake up."
Bruce is the only person in the Batcave when Duke arrives. He's bent over the Batcomputer, head in his hands, when Duke parks his motorcycle and heads for the stairs to meet him on the upper level. He keeps his footsteps purposefully loud so Bruce can track him as he makes his way over, Danny's bag slung over his shoulder.
"Rough night?" he asks, just to get the conversation started.
"Yes," Bruce sighs. "There have been a number of—changes."
"Oh. Good changes or bad changes?"
Bruce lifts his head as he considers the question, then rubs his temple. "Unclear. It's nice to see everyone working together for Ellie, but I'm—concerned."
"About what?"
"About Ellie. And everyone. And Danny."
Duke leans his weight against the desk and lets the bag drop off his shoulder, then holds it out to Bruce. "Well. I dunno if this will make things any better, but Danny threw this at me while I was on patrol. I took a quick look through it and, uh. It's kinda rough. It's what he went through and how Ellie was created."
Bruce snatches the bag from his hand and immediately begins rooting through it. "Is Danny—?"
"He vanished as soon as I grabbed the bag. I think he's got a few loose ends to tie up before he feels comfortable being here again."
"What did you think of him?"
Duke looks at Bruce, looks at the papers in his hands, and thinks of Danny. "I think he needs someone in his corner. I think we gotta lot to do to make the world safer for him and Ellie. I think he's been scared for a very long time."
Nothing in Bruce's expression changes, and there's no shift in his aura, his emotions tightly locked up as always. But Duke hasn't gotten this far without learning how to see the little things: Bruce's grip on the bag tightens, his feet shift farther apart, as though he's ready to leap up at a moment's notice, and his shoulders slump just slightly under the heavy weight of all the things he refuses to share.
Sighing, Duke tilts his head to look at Bruce more closely. "Why are you down here? It's the middle of the day."
"I'm researching."
A hand loosely gesturing to the large screen of the Batcomputer has Duke turning to see what Bruce has been so occupied with.
It's not case files, as he expected. It's not even research into Danny and what happened to him.
All that's there is PDFs upon PDFs of child psychology papers and essays on recovering from trauma and research on various methods to help children with failure to thrive and malnutrition and neglect.
There's also, in one window, different safety ratings of baby cribs.
Well. Let it be known that Bruce's love language is information.
"Cool. Have you spent any time with anyone since a baby got dropped in your lap?"
Bruce's silence is extremely telling.
Duke briefly considers trying to get Bruce to go upstairs, but he knows better than to pick a losing battle. Especially after he's handed him information on Danny.
At some point, Bruce will have to go upstairs, if only to eat. He's getting old, and his body can't quite keep going like it used to. Duke will let him deal with the consequences of his own actions, or lack of action, when that time comes. He's not a mediator or peace-keeper. Duke has other pressing matters to attend to.
Taking pictures of the baby for Danny is definitely more important than navigating the minefield of family tensions and miscommunications ever present with the Waynes.
Duke reaches out and claps a hand on Bruce's shoulder. "Don't get so caught up in getting all the pieces together that you forget to actually spend time with family. They're gonna need you now more than ever," he says, and waits until Bruce meets his eyes and gives a resolute nod before Duke stands and heads for the stairs that will take up him to the manor.
The sooner he gets back to Danny, the better.
Ellie is cute.
This isn't a surprise. Most babies are cute, and Ellie is no exception.
What Duke hadn't been expecting is how protective Damian is of her, or how everyone else orbits around the two, just on the edge of hovering. Damian's prickly personality is well known, so the rest of the Waynes have taken to acting like cats: always on the same floor, ready to pop in should they be needed, but otherwise out of sight.
"Thomas," Damian greets quietly. Ellie is asleep in the baby wrap keeping her secure against his chest, her head resting on his shoulder. Damian lowers his paintbrush, turning to give Duke his full attention.
Duke takes a hesitant step into Damian's studio, then walks up to him once he isn't hissed at to leave.
"So this is our newest troublemaker, huh?" he says, looking down at Ellie. "How's she doing?"
She's so small. Her head has some black hair on it, but it barely covers her ears.
Damian lays his brush down on the easel. "She's doing much better now that she's getting regular meals and care. She still doesn't make much noise. It is… concerning."
The raw fear and care in his gaze is what makes the words tumble out of Duke's mouth. "I have some news about Danny."
If anyone deserves to know about him, it's his little brother.
Damian's gaze snaps up to Dukes, a fierce light in them, and his hands raise to hold Ellie tightly. "What is it?"
"He gave me a bag while I was patrolling, then left. I looked through it before giving it to B, and it's all… I only read the papers, not anything on the flashdrives, but Danny went through some awful shit. He was captured and experimented on by some group called NOVA. They had him for some time doing tests before he was put in isolation for acting out. And then he kinda… went into a death-like stasis. They did more tests and took some bio-material from him to try to figure out how he was surviving in stasis, and used that to make Ellie with the genes of one of the other captured metas. Danny was in stasis for around seven years."
Reading about it, learning about what Danny went through made Duke's stomach turn. It was like something out of a nightmare. Duke knows the fears metas have to live with; he carries it too, a weight he can never put down.
There's a reason civilian metas try to keep their powers a secret. Metas go for a high price on the black market, are at a higher risk of human trafficking, are seen as the best test subjects by unethical scientists wanting to find some way to replicate those powers in other people or in weapons.
Summarizing the horrors Danny had to experience leaves a bitter taste on his tongue. The silence in the studio stretches long enough for Duke to regret opening his mouth. Damian's still a teenager. He may have had a different upbringing and be able to stomach what most people can't, but this is still his brother. Anyone would be rattled hearing about this.
Then, without a word, Damian stands. He storms out of the studio, leaving Duke to catch the stool he was sitting on before it hits the ground and wakes Ellie.
When he goes to catch up with Damian, the kid is already walking into another room, tension in every line of his body.
"Richard," he snaps quietly, and Duke watches as Dick pops up from where he was lounging on the floor on one of the softest rugs in the manor.
"Dami? What's wrong?"
Damian doesn't answer, just unwraps the baby sling and carefully passes a still sleeping Ellie over to Dick.
"Damian," Dick tries again, his voice hardening, demanding an answer even as he adjust Ellie in his arms to make sure she can continue sleeping comfortably.
"I need to speak with Father," Damian answers shortly. "I will be gone for some time. I am entrusting her to you."
Dick glances at Duke, who tries not to look too stressed or tense. He doesn't think it works.
Reaching out, Dick puts a hand on Damian's head, managing to ruffle his hair for a few seconds before Damian steps away, batting at his hand with a scowl. "Alright," Dick says, "But I'm sending someone to get you for dinner if you're not back by then."
Damian nods, then turns on his heel and leaves for Bruce's office.
Neither of them move until they're sure that Damian is out of earshot.
"What was that about?" Dick asks, lowering himself down onto the rug again, one hand rubbing small circles against Ellie's back.
Duke sighs. "You'll find out soon. Just... chill for now and let me get some cute baby pictures."
Dick, as he finds out, is actually pretty good at helping Duke get the cutest pictures of Ellie.
And when Ellie blinks her little blue eyes open, Duke's heart melts and he understands how she's got everyone wrapped around her fingers.
NOVA, whatever remains of them, is going to regret ever hurting Danny and Ellie.
Danny is asleep when Duke returns. He sleeps through the night, and when Duke wakes up early the next morning to make sure he hasn't disappeared, Danny remains motionless in his bed.
Is he in stasis again? Duke wonders, panicked, as he rushes into his crash room and gently shakes Danny, trying to wake him up.
It takes a few tries before Danny lets out a soft noise in the back of his throat. He turns his face into the pillow, then abruptly tenses up and shoots out of bed. In a blink, Danny's on the other side of the room, flying up to the ceiling where Duke can't easily reach him.
Hands up, palms open, Duke says, "Sorry. Didn't mean to scare you. How're you feeling?"
Danny sucks in a few deep breaths before he slowly floats down to the floor. His eyes are still too wide and there's a faint tremble in his hands. "Fine," he answers blankly.
"Up for eating something? I did promise you food and baby pictures."
Unsurprisingly, it's the mention of Ellie that gets Danny moving and brings some light back to his eyes. He follows Duke out into the main room of the Hatch. There's not really a kitchen in here, but there is a fridge and a microwave, which is enough for now.
One of his workstations has been cleared off and now has chairs around it to turn it into a makeshift dining table. On it, Duke's left a tupperware of French toast, made the way he remembers his dad making them when he was a kid, and as well as a store-bought container of cut fruit.
It's not really a lot, but it's what he could do on a short notice.
Danny takes a seat, and Duke settles in on the other side of the table, pulling out his phone to flip through the many pictures he took of Ellie.
Duke keeps up a light commentary as Danny slowly eats, sharing little stories about the Waynes and all the nonsense they get up to. That turns into sharing stories about the stupid shit he and his friends gets into, followed by some of the weirdest things criminals have done to try to get away from him, including the one that said 'nuh-uh!' when Duke said carjacking is the lamest crime to commit in Gotham.
That story gets Danny to smile, and it takes way too much effort to keep from celebrating it.
All the while, Danny slowly looks through each photo of Ellie, making sure she's okay. He looks so fond and sad that it's breaking Duke's heart, and he swears to himself then and there that he's going to do whatever he can to reunite them.
"Don't you have hero things to do?" Danny asks. It's the first thing he's said since they both sat down.
Duke shrugs. "Nah, not right now. Gotham can wait. You're my priority right now."
"You don't have to—"
"Nope. If you don't want anyone else to know you're here, then you're gonna have to deal with me."
Danny squints at him. "You're both very chill and very stubborn."
"It's the only way I was able to survive working with the other Bats."
"They sound… interesting."
"You can say they're a hot mess," Duke laughs. "But hey, who isn't?" He watches as Danny pushes around the last half of the French toast around the tupperware and straightens up from where he was leaning on the table. "Want me to put that up for you? You can finish it later."
Danny looks down at his plate, then slowly nods. "Yeah. Sorry."
"No worries. You went through some shit. It's not surprising that you don't have much of an appetite." Duke reaches over the table to pop the lid back on the tupperware, then stands to put it in the fridge.
When he turns back, Danny is no longer visible.
Or, at least, his physical body isn't visible. Duke can still easily see his aura, a vibrant green that has streaks of white moving through it like a current of water, which leaves an outline of his body. Danny is also trying to sneak out of the Hatch.
"Oh," he says, "I didn't know you had invisibility. That's pretty cool. I can still see you, by the way."
Danny becomes visible again, glaring at Duke.
"That's such a Batman move," Duke grins, "I should have expected it."
"What was a Batman move?"
"Sneaking away as soon as I turned around. B does that all the time with the Commish. And everyone else, honestly. Though, to be fair, we all do it because we all learned from him. Yeah, you'll have no trouble fitting in with us."
"I don't think what I'm doing should count, since I'm using powers."
"Dude, watch this."
Duke makes sure Danny's looking at him, then bends the light around him to hide him from view. He can see the exact moment Danny realizes he's vanished when his eyes go wide and he takes a few steps closer.
"Signal?"
"Still here," Duke reassures. "Haven't moved an inch." Then he releases his grip on the light around his head, a fun little trick he figured out a few years ago that makes it look like he's a floating, decapitated head. The goons always love that one.
Danny looks at his head. Looks at his invisible body. Then looks back to his head. "That is freaky," he says, a slow smile dawning across his face. "I can do that too."
And sure enough, Danny's body becomes invisible, save for the outline of it in his aura, and now there's just two floating heads in the Hatch.
He's not sure who cracks first, but in no time, they're laughing like everything's alright. Danny's expression brightens and suddenly he's years younger, all the stress falling off his shoulders in the face of their mirth. Like this, he could be any other guy in one of Duke's classes, talking nonsense just to pass the time, quick to laugh and without a care in the world.
This is what he wants for Danny.
This ease, this calm, this lightness in his heart: Duke will keep them safe for Danny.
If nothing else, Duke can be a safe place to land for another meta who needs, more than anything, someone willing to be there for him.
(masterpost for all parts)
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inkskinned · 1 year
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i keep thinking about hobbies and how i often spill over myself to pick up new ones. i have adhd, i end up trying something for like a month and then just getting far enough in it that i move on, satisfied.
and that should be fine; but it's never fine.
i am a pretty decent artist; but i can't just make art for my dnd campaign, i should be selling dnd maps and character designs and scene setting pieces. i can't just make my friends matching earrings, i need to get an etsy and ship them internationally and take bulk orders. i make pretty good props and decorations and use them to throw my friends parties - but i should be running a party planning business and start taking paying clients and networking and putting my skills to actual use.
for some reason, i never figured out the specifics of pottery. it was a fun class and i enjoyed myself - and still, i'm embarrassed, years later, that i put in all that useless effort. everything i make has to be stunning. stellar. i should have applied myself more. maybe i'm too lazy. maybe i'm broken and selfish and needy. actually creative people would have kept going; they would be bettering themselves at every possible opportunity.
we find ourselves in this trap, even accidentally: we need to commodify our time, because it is a commodity. if we spend our efforts and our time not earning, isn't that the same thing as burning free money? and god forbid you ever take up a hobby that ends up being more expensive than you thought. you sit in your car and you look at the receipt and in your head you hear a conversation that isn't even happening - your mom or your friend or your partner all saying oh great. not this shit again. it's always something with you, and it never actually means anything.
i have realized this horrible thing, recently - i'll get excited to start a project, pick up a new hobby. and then i just... stop myself. i start thinking about the amount of time it will take, and how it'll look in my monthly budget. what if i can't even produce a good enough final product. sure, it's exciting to think about how i could make my friend her own custom dice. but i'm just polluting the earth if i don't get it right. better not bother. better not try.
restless, i get caught in the negative space. the feeling that oh god, i want to create. and that horrible sense - yeah, but i don't have the time to just put to waste.
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iindigoeyed · 11 months
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saw this dress and purse and i KNEW i had to draw this, it's so her!!
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starbiology · 3 months
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when the rulers all showed up in the plot figured itd be fun to sketch portraits!
and then had to add my thoughts on them
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stil-lindigo · 7 months
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an aro-ace's love letter to love.
(the title "Laozi's bowl" is in reference to the famous quote by Chinese philosopher Laozi who said "It is the empty space which makes the bowl useful.")
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kingprinceleo · 6 months
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just kinda a thing i wanted to say since ik i have younger artists following me (its applicable to everyone really, but very important to form care habits as early as possible) i read about others artists experiencing pain from overworking and i always thought to myself, i wouldnt let that happen to me, im real young, i still have time before i have to worry about really damaging my body
but your body really doesnt care, if you push yourself, if you ignore the pain, its going to fuck you up. maybe for the rest of your life please god take care of yourself when you draw, write, game, literally anything. stretch your wrists, fingers, dont keep your elbow in a locked a position for too long, especially dont lean on your elbows. get up around every 45 minutes, drink water, eat food, use the bathroom, stretch your whole body and your hands again. walk outside and let your eyes readjust your body is trying to communicate with you for a reason when you start hurting, please listen to it, be kind to yourself, you deserve it
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gloomygloworm · 2 months
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idk man i kinda wanna see more knee jerk reactions from edwin from his time in school. i love it when charles calls him pretty in fics and stuff but i feel like i dont get to see enough of the trauma that he maybe FORGOT? like yeah 70 years in hell tends to take precedence but what about things he FORGOT that sets him off? charles calls him pretty to tease him and edwin absolutely freaks out because his classmates used to call him pretty when kicking the shit out of him. just imagining edwin screaming IM NOT PRETTY because only soft fairy boys are pretty and soft fairy boys get their faces punched in. idk maybe its the internalized homophobia i just want him to work through these things with charles and the girls help
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holding it the right way makes his hand hurt…
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nebulastarss · 4 months
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The timer soulmate au, but one person REALLY doesn't want to meet their soulmate (everything's gone wrong recently, they're so tired emotionally, etc etc) so they resolve to just stay in bed all day. They cancel EVERYTHING.
Unbeknownst to them, their soulmate is having one of The Worst Times.
They meet when their soulmate is bodily launched through their window.
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I rest my case
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recycledraccoon · 4 months
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I have evolved into Scuttlespring anon, just say anything about them. I love them so much
THE ANON PANTHEON GROWS
Ok so. Gorgug likes Mary Ann because she absolutely infuriates him but also, and perhaps more importantly, because she has a type of confidence I think a younger Gorgug would have deeply envied. She's so weird, but entirely sure of herself. She likes what she likes and anyone who would have a problem with that is absolutely beneath her notice. She has friends not despite her oddities, but because she refuses to bend about them and that confidence is incredibly attractive in a person. Mary Ann Skuttle see's something she wants and she just...goes and gets it, easy peasy. Tiny little kobald strides, but when she puts her foot down with force, Gorgug thinks she could crush a mountain under with nothing so much as a blink or falter of her stride. She's certainly physically strong enough for it, and while Gorgug is undisputedly the better fighter, Mary Ann has a physical strength hidden under soft pastel pink hoodies and can, has, and will knock Gorgug on his ass. Gorgug got THRASHED at those Bloodrush field tryouts, and I'm certain he probably got his ass handed to him more than once during the year while at practice but before he quit the team. She made him so damn mad, everything that year was, and endlessly kind Gorgug got real mean to her over it. She was better than him, more casually confident, and didn't blink ONCE at his outburst. And later? When she was resurrected and freed from possession? He talks to her, acknowledges that it was just a game but he had been actually mad to be so easily knocked aside. He never really had to work at Bloodrush to be good at it, he just was, until suddenly she proved herself better.
And yet, without flinching, Mary Ann, famous for not giving a shit but listening to Gorgug say how much he had, just....asks if he has a girlfriend. Unparalleled confidence, shooting a shot he was unprepared for. Planets aligned even as his own orbit was knocked off course. And then, when he admits he doesn't even know where to get a quokki pet, something its been explicitly known to be something she really cares about? She writes down her number, letting him see that folded paper. She initiated this, and he got swept up in it, but instead of just handing over the number and allowing him to be swept up- Mary Ann Skuttle puts the number away and tells him shes gonna put it where you get quokki pets, and if he wants her number he's going to have to go get it. He's not allowed to just be swept up in the force of her, she wants him to put in effort, prove to her and himself that this isn't just a moment but a starting point. He cant be swept up by the tide, he's gotta swim. Gorgug liked Zelda, but their relationship started because they thought she was in danger and Gorgug had the best in. He stumbled into that relationship unsure and off balance, he never would have had the confidence to pursue Zelda without his friends hands on his back and their advice in his ears. Later on he gets more serious, he did love her and he put in the work to maintain that relationship, but it didn't work out and that's ok. Ever confident Mary Ann tho? She doesn't want unsure stumbling steps into this relationship. If Gorgug doesn't make the active decision to chase her, to WANT to be with her and putting deliberate effort to get there, then she doesn't want him at all. Gorgug, confused, asking where you even GET a quokki pet? And she smirks, calls him a loser, and walks away leaving him reeling and dumbfounded. Mary Ann Skuttle wants Gorgug to work for this. And who is Gorgug Thistlespring, but someone who puts in the work for things he wants? He did the seemingly impossible by creating his own subclass of Barbaficer, even if he had to take four years of schooling all at once. He puts in the work and makes the impossible possible, the greatest wizard of this age. So yeah. Yeah. Gorgug Thistlespring likes Mary Ann Skuttle because she makes him work for it.
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hedwig221b · 1 month
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I'm smiling so hard at my current (and only) wip, it's so delicious so good I'm obsessed with it 💗 it's everything I want and need from an abo fic, it's unashamedly self-indulgent and just ahhhhh
I think it will beat Predators for me as the best fic I've written. Also it's gonna be the longest one. I know for sure some of you (you know who you are) are gonna be obsessed with this fic just like I am currently bc we share a brain
I'm so excited for you kittens to read it 💗 I'm smiling again agdjdjsllqhskeeieowjsqljswlwl
EDIT:: IT'S HERE!
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deoidesign · 23 days
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My comic is so pretty...
The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!
#almost done with my 8th episode... which will give me. two weeks. of buffer...#id really like at LEAST a month... but to be more comfortable id like two#which means 2-6 more episodes before I come back!#I've got about 7 weeks so its possible. but i do still have to finish book 4#so much to do ..........#I decided for my next comic im doing 3 updates a month.#having 10 days instead of 7 to make an episode is such a huge huge huge difference...#difference in quality and in my health!#anyways the comic is really pretty im really happy with the work im doing rn#the environments especially. im getting to spend a nice amount of time on them and theyre turning out so nicely#its nice to be able to write with a lot of different environments and not have to redo panels when I get to them cause of time#cause every time theres a wild angle? you need a new background...#so sometimes. often actually. there just isnt the time to make the backgrounds for those and i have to make them more flat...#which is fine. it doesnt really affect anything narratively. but. idk. it's kinda sad right?#anyways yeah! 10 days will be much better.#36 episodes a year is about what ive been uploading with my hiatuses on the weekly schedule anyways!#so might as well cut out that super stressful middleman and just commit to that#52 a year is just such a huge difference and i have to accept its not possible to me#i will hurt myself trying to do that. and i want to make comics my whole life!#so i cant push myself that hard now and sacrifice my future. we're gonna go slower after this...#anyways yeah cant wait to come back but also time. if I could get an extra week like a secret one just for me#where theres no chores no nothin just me and my work#thatd be great! so go ahead and do what you gotta do to give me a little pocket dimension#me: ugh i want to return right now...#the more logical me: NO we need the time to finish everything!!!!!! NOT right now!!!!#time and time again#ttawebcomic#comic panels#hiatus stuff#adam and steve
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