#and i know i love past sense

[teddybeartoji]

18+ mdni; gn!reader

thinking about roomie!suguru, who steps out of the bathroom with just a towel hanging loosely around his waist. it's dangerously low and his happy trail is... leading your eyes to a forbidden place. water droplets cascade down his temple and his neck, his scarred chest and his toned muscles.

he finishes drying his hair with another, smaller towel before slinging it over his shoulder. he gives you a warm smile. there's still a bit of sleep in his tired eyes but he looks fresh, he looks good.

(he looks more than good.)

the morning light shines in through the small window of your shared kitchen and he hums at the smell of coffee. you're an angel leaning on the counter, hands busy with preparing your drink as he steps inside.

he chuckles. he asked you a question but you didn't hear it. he smells so fucking good; the smell of his shampoo and his fancy conditioner wash over your senses and it's easy to forget where you are. his eyes flick behind you before walking over to you with a smug little grin.

he bores his sharp purple eyes into yours – he loves how you react to him. he doesn't shy away from it, he's cockier than he looks. he loves the attention, he loves to be in your spotlight. he wouldn't care so much if you were a stranger, if you were a random person on the street ogling away, ut you're neither of those things, are you? no, you're something else.

he exudes warmth as he towers over you, his head tilted down to keep his eyes on you. he wants to play with you a little – he loves the way you're staring up at him right now. eyes big and wide, lip tucked under between your teeth. he's good with people, he can read them like a book and you're no different. he sees you swallow a dry lump, he sees you grace him with a flustered smile as you try to brush by the fact that he caught you admiring him red handed. he sees the way you're taking deeper breaths than normal, surely just to keep your composure. he can't wait to break you.

his arm reaches behind you to turn off the coffee machine with a small click.

"wouldn't wanna make a mess this early in the morning, now would we?"

melting. crumbling. falling down to your knees. you hate how much he teases (you love it), you hate how patronizing he sounds (it's hot). he's the only one that can get away with it – a charming smile that hides his deepest desires of sinking his teeth into little lambs like you, soft eyes that hide the need to watch them unfold before him.

his gentle hands long to hold, long to keep and covet. he thinks about you a lot; your shared mornings and afternoons, your exhausted naps and bitter rants about your days. shy gazes and lingering touches, stupid jokes and the cute little hidden sounds he keeps hearing from your room in the late hours. he's being patient, he's warming you up.

he's just as infatuated with you as you are with him. he's just more subtle with it.

or is he?

because you've heard him, too.

you don't know whether he's doing it unknowingly or he's actually trying to make you go insane – whichever it is, you are ready to bend at his will. soft groans accompanied by a steady slick pump; you didn't mean to listen in. you just wanted to make sure he's okay!

ear against the wooden door, you listened to him think about you. your name was on the tip of his tongue, but it was too early for that. he wants to smear you with his honey, he wants to drag you in but he needs to wait for it. this is perfect.

he did know you're were there.

he heard the floor creak, he heard the cutest gasp that left your pretty lips. fuck, you're perfect. his head was lolled back as he stroked himself to the thought of your wide, doe-eyes. how flustered you'd be, how flustered you were in that very moment. he imagined your trembling hands and your stuttered words and his dick twitched in his palm.

he thought about inviting you in and just making him watch as a form of punishment, for being a little pervert. he shuddered out a laugh and watched a glob of pre-cum cover his own fingers before mixing with the saliva and spit that's covering him already. he thought about making you sit between his legs so he could jerk off right in front of your beautiful face, he thought about your wobbly lips, your teary eyes. the way your thighs would press together.

your fingers would itch and twitch and he'd make you place them on your legs. he wouldn't want you to touch. yet. maybe he'd make you apologize and maybe he'd make you kiss the tip. he thought about how good you'd smell, how good you'd taste. another raspy groan crawled up his throat and you were about to cum untouched behind his door. like a creep.

he loves it. he's proud of you, he wants to push you even further. he wants to see what else he can make you do. this is exciting and he can't wait to devour you whole as a reward after he's done bullying himself into your body and your mind. utterly loved and corrupted—

— you're meant for him.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[stealingpotatoes]

hands you all this cal to announce i’ve FINALLY finished fallen order (by which i mean i finally picked it up again after those couple hours i played a few months ago and then finished the whole game in 2 days lol)

[mionkings]

Making Heads Turn 🫨

Jason had become a father to a little baby boy, taking him in when he found the poor thing on the streets, in a cardboard box, wrapped in a space themed blanket.

While the obstacles a new parent goes through is tough. He knows it's worth it to have Danny, his baby, his son in his life. He doesn't regret adopting him.

Danny is now at the stage of his little life that he babbles and giggles, Jason always had fun having a conversation with his baby. Although Jason's sure that his hair is getting whiter with the chaos Danny brings now ever since Danny's baby brain realized that he can CRAWL to PLACES >:D

However this new development... is a little strange.

Whenever Jason puts Danny down in his crib to make dinner or any other important errand. Danny will begin to babble to the air, as if his little tyke is trying to talk to someone, making grabbing hands and scooching over to grab someone's attention.

It sent a slight shiver down his spine...

Ever since he made his introduction to Gotham as Red Hood, for the first time to those gang leaders with the bang of the AK-47. Taking over the Gotham underworld by storm with anger and precision.

He always felt a chill down his spine... When he was alone, yet... the Pit Madness flared everytime, making him feel enraged and paranoid. As if he was just waiting for a fight... for a confrontation...

Being alone in his apartment, having nightmares, more like repressed memories of what he had done... Lots of things, but for some reason—his mind... keeps going back to the moment he threw that duffel bag at the table infront of the gang leaders that night... the night he went after the lieutenants, taking their heads.

He doesn't know why.

But ever since the precious cargo that was his baby Danny, arrived in his life. That all went away as he took care, fed, and loved his baby boy.

Jason never had an episode with Danny; he couldn't bare the thought of hurting the child.

Jason was even having less episodes when he was with the Bats!

The chills; however, Jason still feels them occasionally... but they would always disappear the moment Danny would demand attention or to nap.

And instead he would feel something else hang over his baby everytime Danny slept peacefully...

———

Second ever DPxDC prompt that I've ALSO been getting brainrot over ❤️ I'm having fun 😄

Basically this prompt idea is Jason adopting a baby Danny, while seemingly unaware that he's being haunted/watched by the people's he's killed to become a crime lord. More specifically, being haunted by the heads/headless ghosts of the lieutenants Jason killed as Red Hood.

While Jason can't seem to see them, he can feel 'chills' from them. Danny, however, CAN see them mostly because I based this on that thing where babies/toddlers can see spirits in those typical YouTube videos that list ToP 5 ScArY gHOstZ VidEOz!1!1

Whatever happened though, this causes the ghosts to instead focus more on Danny than on Jason.

How much will Jason freak the fuck out when he finds out? Who knows ¯\_(ツ)_/¯ Although Danny is absolutely having fun here ^^

Anyways, I might add extra stuff soon to this!

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[bri-cheeses]

“Have you ever been in love?”

The question seems to take Evan by surprise. “What?”

Barty repeats the question, shifting up into a sitting position. His hands dig into the ground, still damp from last night’s rain. “Have you ever been in love?”

There’s a beat of silence. Then, looking down at his feet, Evan quietly answers, “Yes.”

Suddenly, Barty is mad at himself for asking. He can’t even say why he asked in the first place; he simply had the thought, and being the impulsive person he is, he asked without thinking. Now he wishes he hadn’t, if only to have avoided this odd burning in his chest caused by Evan’s answer. And really, he should drop the topic, based on downcast tint to Evan’s response, but he can’t seem to let it go. So instead, he presses the issue.

“When?” he asks, looking intently at Evan.

At that, Evan looks to his left, purposely avoiding eye contact with Barty. He stubs out his cigarette on the grass next to him, a thin curl of smoke rising up from it as he does so. “A long, long time ago.” His voice is dark with something Barty can’t name.

“Did it end well?”

Evan cuts him a look. “Who said it ended?”

At his words, something twists inside Barty. Suddenly there’s a lump in his throat as he works to get out his next sentence. “Well, you said a long time ago. So I thought that it was a, uh, past thing.”

“Yeah. It was a long time ago. When I… fell in love.”

Barty knows he’s the one who started this conversation, but he really hates the way Evan says love in reference to some mystery person. At least he used past tense, though, meaning it’s a thing of the past.

“So what happened?” Barty questions.

“They didn’t want me in the way I wanted them. Still don’t want me that way.” There’s something bitter in Evan’s tone, and he’s gone back to refusing to look at Barty. In contrast, Barty stares at him intently. He feels as though he’ll be able to see through Evan’s exterior and into his insides, where all his secrets are hidden, if he only looks hard enough.

“Who was it?”

“Does it matter?” Evan’s voice is biting as he sharply turns his head back towards Barty.

“Yes. No. I don’t know.” Barty leans back onto his elbows, tearing his gaze from Evan. It’s almost comical how their positions have changed; now, Evan stares at Barty, and Barty looks out over the lake in an effort to avoid his gaze.

“It was no one important, okay?”

“Oh.” Something settles in Barty when he hears that, even if Evan’s tone contrasts with his dismissive words. “They were—still are—an idiot, though. Just for the record.”

Evan laughs in that disbelieving way of his, as if he’s sharing an inside joke with himself. “Yeah?”

“Yeah,” Barty says definitively. “I mean, you’re perfect. And whoever can’t see that is an idiot.”

“Perfect?”

“Yup.” Barty means it, too.

“Yeah, well,” Evan scoffs, “it isn’t good enough for them. So it doesn’t matter.”

“Well, you’re good enough for me,” Barty says hotly. “So don’t worry about that idiot. Because you and me? We’re best friends, and you’ll always be good enough for me. You know that, right?”

Evan is avoiding Barty’s gaze again. He picks at the grass next to him, focusing on that instead. “Right,” he says somewhat bitterly.

“I mean it,” Barty insists. “You are.”

Evan looks at him, smiling sadly. “Thanks, Bee. But it’s getting cold. I think I’ll head back inside if that’s all right with you.”

“I—okay. Yeah, uh, sure.”

With that, Evan gets up and begins the walk back to the castle. Barty watches him go, thinking their entire exchange over.

He’s not entirely sure where the conversation went sour enough to get Evan to leave, but clearly something must’ve caused his abrupt departure. Even if Barty had thought he had said the right things to get Evan to cheer up again. He had meant what he said, too; Evan always would be good enough for him. Barty honestly couldn’t imagine a better best friend.

So Evan shouldn’t, Barty thinks heatedly, have ever been hung up on some random person who couldn’t even see how amazing he is.

Barty continues to sit there, close to the shore of the lake, and watches Evan’s retreating form. And as he watches Evan reach up to wipe at his eyes, trying and failing to act like it was nonchalant gesture, he resolves to find out who Evan was talking about. And he’s going to make them, whoever it may be, pay for how they hurt Barty’s best friend.

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[bucketsofmonsters]

The Witch's Apprentice - Part 5

cw: demon summoning, prolonged isolation, size difference, non-human genitalia, oral sex, agoraphobia, magical branding, more tags will be added as the story continues

male demon x afab reader

Word count: 4k

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6  Part 7

By your third week of being locked in your room, you felt like you might lose your mind. 

Considering you’d been locked in the house for years you’d think the room wouldn’t be so bad. The actual space wasn’t that much smaller but the real problem was that there was nothing to do. Everything you’d been busying yourself with for years was locked outside, your books, your garden, your best friend. 

Any pretense of freedom had disappeared. You could no longer go outside, chose what to do with your day, or see another living thing. 

Well, most living things.

Eden had soundproofed all of the rooms for her own usage, so no one overheard anything she didn’t want them to. She knew how to break through it and project sound through the walls, something you’d never learned to do. However, you had no qualms about using the soundproofing to your advantage. 

Lucien was less and less incredulous with every new time you summoned him. What do you want’s turned into easy greetings and his exasperation with you faded, although he seemed loathe to let you notice. 

The summonings had become almost daily events. 

You never made it more than an hour or two without at least giving it a shot. Your lack of actual summoning materials or techniques made it so he didn’t strictly have to come, could just decide not to show up, but he almost always did, choosing to stay with you for hours on end. 

Every now and then he’d drop out, feeling a tug of being summoned by some other witch before he’d pop back, unsummoned and of his own choosing. 

Today you were laying back on your bed while he sat on the floor. Even sitting, he was tall enough that your heads were roughly in line with one another. 

You never did much. You would ask him question after question and watch as his answers got more and more evasive, not even to hide anything but seemingly doing it just because he could. He spoke in circles just to watch your head spin and see how long it would take before the questions stopped in favor of throwing pillows at him. 

All the pillows lay scattered around him leaving you tragically out of ammo. You supposed you’d just have to hope that he’d had a change of heart in his neverending quest to irritate you. 

It never worked. Not really. 

Even if it weren’t for the boredom that made you cling to every word, there way something almost charming about his refusal to commit to an answer, to dance around the question and try and make you forget what you’d originally asked, regardless of whether he cared about you knowing the answer or not. It felt almost like a game. 

“What does it feel like when you get summoned?” you asked, curious what happened on his end when he got that distant look in his eyes. 

“Why, do you think you're getting summoned?” he asked with a laugh. “Is there another witch out there who wants to lock you in an even smaller room?”

“Stop it. She’s just worried.”

“Uh-huh. How long do you think this is going to last?” he asked, staring out at your locked door with blatant disgust. 

You were less evasive with your answers. “I don’t know. If it lasts longer I might actually lose it.”

“So let me take you somewhere. Come on, I’ll have you back before you know it.”

Where the teasing and talking in circles was entertaining, this was your biggest point of contention. Lucien had become fixated on getting you out of here, on showing you the world. 

You’d be lying if you said part of your apprehension to leave wasn’t fear. It had been so long, even talking to him had been such a big step. You couldn’t imagine just being somewhere new. 

But you also couldn’t do that to Eden, betray her trust like that. No matter how many times he reassured you that she would never know, it left a churning feeling in your stomach. She’d been there for you for so many years, kept you safe. You couldn’t just leave her like that, behind her back. 

You avoided the topic as often as you could. Other than those little arguments, seeing him had absolutely become the best part of your day. 

You supposed that wasn’t hard to do. You spent most of the time he wasn’t there sleeping, What else was there to do?

You told him as much and he couldn’t quite manage to hide the flash of pity that crossed his face, the one that showed up whenever you mentioned your current living situation. 

He did his best to push past it. “Have you been having fun dreams?” he asked with a grin. 

You tried to brush off the comment despite his suggestive tone and allusion back to what he’d seen before. “They’re fine. Why don’t you show up in them anymore?”

“Just fine? Maybe dream me needs some pointers.” 

You leaned off the bed, reaching for the pillow that lay closest to you on the floor. You managed to get a grip on it right as you started to slide off the bed but Lucien pushed you back up before you could fall to the floor. 

He was rewarded for his efforts by a pillow flying towards him that collided with one of his horns as you let out a quiet harrumph. 

“You’re so rude to me. And why are you asking? I’m here all the time, do you miss me?” he asked, cooing at you with faux sympathy. “Because if you want me there all you have to do is ask.”

“None of that was an answer to my question,” you informed him, well aware it wouldn’t get you anywhere. 

He rolled his eyes. “You’re much more fun when your inhibitions are gone.”

“Mmhmm, I’m sure. And do you take a lot of humans to your little sin room?”

“Only the cute ones.”

You snorted. “Yeah, sure.”

“I could take you back there.”

“You are so shameless. If you want me to get all loose and flirty again just bring some wine by or something.”

“Not like that. I just think it would be good for you to get out, stretch your legs.”

“For the last time, I’m staying right here.”

“Suit yourself,” he said with a huff, as if there was even the smallest chance that he’d finally give up on the idea. “If it were me, I would have killed that bitch by now.”

“Stop it! You will not talk about her like that!” Your defense of Eden was as reflexive as ever. You knew he had every right to be unimaginably angry at her but she was still your best friend, your savior. 

His inevitable upcoming protest was cut off by your dinner being slid under the door, Lucien keeping absolutely still as the metal tray scraped against the floor. 

He hated being here when she was nearby, even if she wasn’t interacting with you much these days. He claimed it was because he didn’t want to get you in even more trouble and get any more of your freedoms taken away. 

You were sure that was part of it. But you saw the way he tensed up when she got close, when any sign appeared of her existence right on the other side of the door. 

He was afraid of her. Absolutely terrified. 

It made your heart ache, seeing him like that, seeing the fractures in his facade. You couldn’t help but wonder what she’d done to him to make him act like this. 

Not that he’d ever tell you. You knew better than to push that point, it was one secret he was more than entitled to. 

You did your best not to dwell on it too much. If you did you’d have to reflect on the way he always put himself between you and the door, the way he tensed up whenever she called out to you, knowing you couldn’t even respond unless she allowed it through the soundproofing.  She never did. 

You couldn’t be sure exactly when, maybe when you summoned him on your own the first time, maybe when you’d told him about all the years you’d spent stuck in this cabin surrounded by the vicious woods, maybe when you’d broken that summoning circle and trusted him, but at some point he’d decided that you were just as much Eden’s victim as he was. Some mysterious point where something switched in his mind and it moved from being you and her against him to Eden against the two of you. 

You didn’t blame him for it. Eden had done horrible things to him, that much was clear. He needed her to be a villain and you could give him that. 

Lucien always waited a long time before speaking after she showed up so you just lay there, attempting to sneak glances at him and getting caught every time. 

Eventually his shoulders untensed and he seemed to decide it was safe to speak again, although a simmering anger still burned in his eyes. 

“She isn’t teaching you jackshit.”

“Well…” you attempted to protest before he immediately cut you off. 

“Not a question. I could teach you, you know. Your little witch isn’t the only one who knows magic.”

You laughed. “And what’s the price? You want my soul or something?”

“Please, if I wanted your soul I’d probably just need to ask, your dumbass would just hand it over to me.”

He probably wasn’t that far off the mark, if your history was any indication. 

You shrugged as you replied. “There’s no real point in teaching me anyways, I’m not very good at it.” You weren’t even sure why he was offering, he’d already seen more than enough of you to know you were a lost cause. 

“Being good at things isn't the only reason to do them. Come on, have some fun with it.”

Everything in you screamed that it was a bad idea, that you’d fuck it all up. But the way he was looking at you, daring you to say yes, managed to override those instincts just long enough to squeak out, “Fine. But you’re not allowed to get mad when I mess up.”

You weren’t sure what to expect of Lucien as a teacher. Whatever those confused expectations in the back of your head were, he certainly didn’t match them. 

He was a patient teacher, letting you feel things out quietly and slowly. His jokes and evasiveness disappeared completely and every question you had was met with a careful answer. 

You discovered very quickly that his sort of magic was very, very different from Edens. 

Eden was all about rules, about maintaining the security and purity of her spells first. Everything was a strict ritual to be observed. 

Lucien’s magic contained a freedom you thought couldn’t be afforded to humans. Instead of a list of materials and steps, what you were faced with most frequently now was instructions to shut your eyes and imagine, to put all the trust you had into the idea that when your eyes opened, whatever you imagined would have happened. 

It was something you struggled with. That faith that it would work. 

It wasn’t that you didn’t believe in the magic, you’d seen far too much for that. It was thinking it would work for you that you kept stumbling 

Where Eden’s magic was like a recipe, Lucien’s felt more like a trust fall. 

And still, you progressed. Without the same confidence Lucien carried himself with, but progress nonetheless. 

He brought you little gifts every time you made progress, slivers of the outside world. 

You’d been getting frustrated with yourself. The very first thing he’d tried to teach you was just the ability to reach out to someone. 

You sat there, day after day, attempting it. The way he’d explained it, everyone had an aura, a little pool of energy that hovered around them. If you focused you could reach out, stretch it thin and find someone else’s. 

It had to be close. Not in proximity but in a more abstract sense. He reassured you that the two of you were more than close enough for it to work. 

One night, after he had long since left, you were practicing and getting frustrated once more when you felt that aura of yours he’d described time and time again bump into something warm, and a sense of familiarity washed over you.  

A moment later you felt something back, a meandering sense of something winding inside of you, pulling at some part of you that made you giggle. Who knew auras could be ticklish? 

The next day he came bearing an eclair. It felt like a breath of fresh air. You couldn’t remember the last time you’d been able to eat something sweet like that.  

You treasured the little paper doily it came on, sometimes just tracing the intricate designs that bordered it. 

A few days later was a soft scarf in a bright red that had been given to you when you opened your eyes to find yourself letting off a faint glow in that same red. 

The next time you managed to do something, this time it was simply to warm up a surface by a few degrees, he reached out and handed you a gift he had at the ready. It made your heart swell that he already had it, like he had absolute faith you’d be able to do something to deserve it. This time it was a tiny ceramic fox that had its little head lifted defiantly towards the sky

You kept them all buried under your pillow, terrified that any day now would be the day and Eden would come in to free you only to see mysterious trinkets that could only have come from elsewhere. 

You kept the fox wrapped up in your scarf, afraid you’d roll over wrong in your sleep and it might break but still unwilling to hide the little treasures too far away from yourself. 

More often than not, you woke up clutching them, a habit you couldn’t break no matter how hard you tried. 

Sooner than you ever could have imagined, you weren’t even afraid to make mistakes around him anymore. When you’d begun, you’d been convinced any slip-up would ruin everything, that he’d give up on you and leave you behind. Now you floundered and messed up spells and it didn’t matter. He made sure that you were alright, that it was safe to learn and eventually you figured them all out. 

“I’m running out of rewards,” he said with a chuckle as you beamed down at your fox, one you’d managed to make wobble without so much as touching it. “That’s how you know you’re getting good. How will I ever motivate you now?”

“Are you kidding,” you basically shouted, pride and excitement welling up inside you. “Did you see what I just did? That was amazing! I don’t need a reward to want to learn how to do incredible things.”

“Maybe. I think you deserve them anyways.”

The comment brought a heat to your cheeks, one that was becoming more and more common in you every time Lucien was here. Another thing you tried not to dwell on too much, lest you get swept up in it. 

His head cocked to the side with a familiar look as you gave him an understanding smile. “Off to see another witch?” you asked.

He sneered. “Yes, your favorite witch, in fact. Well, I shouldn’t keep her waiting.”

He leaned down towards you and kissed the top of your head before immediately dissipating, a move that didn’t feel quite fair. At least it didn’t give him the chance to watch you flounder. 

As you slept that night you found yourself having a familiar dream. The walls of colorful fabrics were a much more welcome sight than the forest that so often plagued your dreams. 

A dream Lucien stood before you, per usual. But something was off this time. It took you a second to place it before you realized that even standing here, passively, you could sense his aura. You knew him too well for the trick he was trying to pull. 

But after an onslaught of little tricks and his rude kiss and run earlier, you were feeling a little more mischievous than normal. Perhaps he was rubbing off on you. 

Before he could say anything to tease you, you strode up to him, got onto the very tips of your toes, and reached up to pull him into a kiss. 

He was too tall for you to be able to pull a maneuver like that without him playing along but he eagerly leaned down to meet you, lips crashing together. His hands fell to your waist, helping you keep your balance as you strained to reach him. 

You pulled away after a moment and looked up at him with a smirk, giving his aura a little tug as you said,  “You really should announce when it's you.”

He laughed. “You didn't give me the chance.”

His hands tightened around your sides, giving you a gentle squeeze as he kept you close. “We don’t have to stop, you know. I’d be a cruel man to rob you of a wet dream.”

Your boldness grew in your chest. You couldn’t remember if you’d ever been around someone and simply not felt nervous before now but these last few weeks, he’d managed to foster that feeling in you. You were eager to try out this new confidence. 

You slipped out of his grasp and fell to your knees in front of him. “You know,” you said, “I haven't been able to thank you for being so kind to me.”

For once he seemed to be at a loss for words. After a moment of floundering, he managed to say, “You don’t need to do that, little one.”

“I want to,” you said, looking up at him with big eyes. 

You barely caught the quiet groan that escaped him. “What did I do to deserve you,” he asked, and it too was quiet. You couldn’t help but wonder if it was a question meant for you or if it was for the universe itself. 

After his little nod of permission, you were immediately undoing his pants, eager to get your hands on him after so many weeks of pining after him. 

Being here, now, it felt silly that you’d denied yourself those feelings for so long. Outside of his little pocket of hell where you’d been able to do as you wished, you’d tried to force down those feelings. 

But now, despite the appearance of his familiar room, nothing was here to help you along. The dam just broke, and you couldn’t help but wish you’d given in much sooner. 

As you pulled down his pants you found he was already hard, his massive cock bouncing up as you freed it of its confines. 

Part of you was glad your first encounter with it was in a dream because it was intimidatingly big. It fit his frame as he towered above you but you were unsure if humans and demons were meant to be together like this. You found you didn’t much care either way. You’d make it work. 

You gave an experimental lick to the tip, your tongue moving lightly across it. 

His hand came down to grab your jaw as you pulled off of him, squishing your cheeks as he angled your face up toward him. 

“You’re too sweet, little one. It’s going to get you in trouble one of these days.”

“Wanna be sweet for you,” you said, leaning into his touch. 

He released your jaw and tilted his head to the side, giving you the reigns. 

You licked up a long stripe up his cock, from the very base. It felt like the most you could manage, your hands encircling him to make up for what you couldn’t do with your mouth. 

His breathing was coming faster, his eyes remaining locked on your form. As your hands pumped up and down his shaft, focusing most of your attention on licking at the head of his cock, you couldn’t help but wonder how much of him coming undone so quickly was because of the actual sensation and how much was from him getting to watch you. 

He seemed entirely entranced. You felt several times as his hands moved to touch you before pulling quietly away, like he could get head from you and yet was nervous to touch, as if that would make it too vulnerable. 

The more grunts and whines you pulled from him, the more determined you became. You pulled back from your persistent licking, taking him in for a moment. 

He might be massive, but you focused on the fact that as real as this felt, it was a dream. Surely in a dream you could do whatever you wanted. You were most certainly going to try.

You managed to fit your lips around the head, your mouth stretched wide. You swirled your tongue around the tip as your hands worked his shaft, determined to draw even more noises from him. 

You looked up with wide eyes, waiting to make sure you were doing okay. You could feel them watering as you worked him over but you pushed past it as those watery eyes met his, pitch black and full of nothing but lust and adoration. 

A massive hand found its way into your hair, not pushing but caressing as you tried to take as much of him as you could. 

The hand tightened in your hair and he grunted out, “I’m going to…”

That was the only warning you got before he started to come. 

You tried to swallow it all but couldn’t manage it.  It just kept coming, it was too much. You popped off the head with a little cough, the rest getting all over your clothes and making you once again glad that this was a dream. 

This would have been a nightmare to explain to Eden. You might’ve just had to burn your clothes and hope for the best. 

Lucien lets out a gentle chuckle, thumb wiping some of his cum off of your face. “A little over-ambitious but I appreciate the enthusiasm.”

You snorted out a laugh and as he looked down at you fondly, you thought you could happily stay here forever.

And then something other than the contentedness and fondness crossed his face, wrinkling his brow.

His expression soured and before you could so much as ask a question, he simply said, “Wake up” and the world around you fell away. 

You woke up frustrated and confused, not understanding why he sent you away. You wanted more and you wanted to stay and more than anything you wanted an explanation. You summoned him almost reflexively, the process second nature to you now.  

Before any of your confusion or frustration could come out, he blurted out, “Let me take you somewhere.”

A wounded little sound escaped you as the moment soured and his obsession with whisking you away appeared once more. “Not a chance.”

“But if you could go somewhere…”

“Can we not do this? Please? I can’t.”

“Can’t?”

“Shouldn’t. Whatever word you want me to use.”

“Why, because she says you shouldn’t? I say you should.”

“I say I shouldn’t. Isn’t that enough for you?”

The fight normally petered out right about there, both of you frustrated and exhausted with the uphill battle of trying to get the other to understand. 

Not today. Something had changed between the two of you and the desire to linger in it, to bathe in the affection, dissipated as he grabbed your arm and the room around you gave way to the stone walls of an alley. 

The narrow, stone corridor was devoid of people but you could hear the buzz of a crowd not far off, probably not more than a few paces away. It was hard to tell exactly as the noise bounced off the walls, echoing in your ears. 

Despite your anger, you found yourself edging closer to Lucien. Anything familiar was welcome in this alien place you’d been thrust into. 

Your breathing got shallower and you pleaded with him. “Take me back.”

“I will if you want me to. Just not yet. Please not yet. You need to leave, you need to not be there.”

You looked up at him with teary eyes, the trust you’d been basking in being shattered in a moment. “Why are you doing this? I know it’s not for me because I don’t want it.”

“She’s made you afraid. You’ve been tricked and trapped and you need to leave. I need you to leave. You just need a push, that’s it. Just need to be away from her.”

“Listen, just because you don’t like her…”

“No, this is not spite talking, you need to listen to me, you need to figure it out.”

You reeled back. “What?” Surely if he knew something that could change this endless fight, he would have told you. What could there possibly be that you needed to figure out all on your own? 

“You just, you need to ask…” his words were cut off with a yell as he doubled over on himself, runes burning into his skin as he spoke. They shone bright red and it almost looked like he was being branded. 

The anger faded immediately into concern as you rushed to his side. 

“What’s happening, I don’t understand?”

“You can’t say anything,” he insisted, a frantic look in his eyes.

“But you said…”

“I know what I said, you can’t ask anything.”

More than anything, that scared you. The constant pleading for you to break free and push back against Eden and now he was doing everything but that, retracing his steps after unmistakable witch marks were burned into him. 

She’d done this. That much was clear. 

You couldn’t keep doing this. You needed to know, needed to understand. 

“Take me back.”

“I…”

You put everything you had into your voice as you said, “Lucien, take me back.”

The use of his name in his already weakened state with the ruins still charred into his skin was enough, he didn’t have it in him to fight back and you were whisked into the depths of the woods. You returned home. 

[uber-dawn]

chat i'm having random thoughts about eos post-game and eevee protagonist. it's no secret that eevee is a popular pick for this game and imo no matter what you choose to evolve them into there's a very poetic explanation for each (though i'm not sure how well i can articulate my thoughts lol). like,

- Flareon: coming from a world of darkness and sharp hostility, the hero chooses to become a soft and fluffy fire type. the hero is so smitten by the sun in the past (and so horrified by the lack of it in the future) that they become a fire type to bring that warmth and light wherever they go! (plus flareon's my favorite :])

- Jolteon: similar to flareon, wanting to bring light to the people of the past. there's also something to be said about the fact electric type are immune to paralysis, as well as the idea that hero was gone for months after defeating dialga, then once they come back they're alive! they want to run, and jump, and celebrate that they're here!

- Vaporeon: the fact that Grovyle and hero were seperated in a storm, that they met partner for the first time on a beach, that the hidden land is across the ocean, (smth smth manaphy, ive never played that far), that water doesnt flow in the future, eeeeverything about chapter 5, and that the partner found comfort in the krabby's bubbles. water in eos is important when it comes to partings and reunions.

- Umbreon: they're a dark type. do i need to explain.

okayifyouinsist, hero comes from a world of darkness!! even if they don't remember it, that darkness affected them on such a deep level that their body never forgot! as well, umbreons and dusknoirs have lots of golden rings on their bodies, and umbreons have a type advantage against dusknoirs your partner still loves you in your new form, but everytime they look at you they can't help but remember Him, and shudder. it's about being forced to reckon with the fact you placed your trust in Dusknoir, and he took advantage of it and betrayed you.

- Espeon: right this wasnt just about umbreon. espeon and umbreon were made to be parallels; where umbreon has high defenses, espeon has a high special attack (+ dark type is immune to psychic). where umbreon has a type advantage on Dusknoir, espeon has a weakness. an umbreon hero will never trust Him again; and espeon hero chooses to believe in second chances.

- Leafeon: GROVYLEEE, it's about choosing to change your very dna so that you never forget your friend! in the short time you know him, you fully understand why your past self stood by his side! there's sorrow in that without your memories you'll never fully understand your relationship with him, but your soul remembers, and you still love your friend. deep down, a leafeon hero is ashamed they ever considered Grovyle a criminal, and wishes they could have had more time with him, in less dire circumstances. last note, the fact that the world of the future was so barren and lifeless without the sun, and the fact you become a leafeon to reflect how the future is alive. :)

- Glaceon: the fact that the hero comes from a world that was frozen, and still becomes an ice type, the future was cold, but a hero glaceon still found beauty in it. it's about remaining hopeful and that with or without fixing the future, you still need to survive in this world. it's about understanding your situation and making peace with it, while still striving to make it better.

- Sylveon: i remember that when fairy type came out, people were trying to justify why it was strong against dragon, and my favorite explanation for it was that in "fairy" tales, the hero slays the dragon. the sylveon hero did it! they slew the dragon, and their story has finally come to an end! as well, it's about wanting to give off a cheery look. it's about saying "don't look at the violence and darkness, look at me, smile! i'm here to help you!" (we'll have Explorers DX someday, trust 🙏. )

[uncanny-tranny]

If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀

[theswedishpajas]

Ok but what if…

[bitchapalooza]

I relate to Sanji too much because it really does seem like he’s adopted the mentality that physical and mental abuse is a form of significant affection but only directed towards himself, like he sees it’s wrong and unjust when other people are being abused, but when he’s the victim he feels this conflicted sense of I deserve it and Wow they love me so much! It’s heartbreaking just to think about tbh

[lastofthe20thcenturygirls]

high school romance is cute and all but i need to see them as adults falling in love especially because sun-jae was all depressed and stuff and idk i want his first love to fall for him in the present day

[notbecauseofvictories]

have I somehow ruined myself for perfectly average movies? I watched both Robots (2023) and The Deer King (2021) and both of them were fine---Deer King was better, but suffered from trying to jam too much into a single film; Robots should have been more black-humored, delighting in its lazy sociopaths and their vaguely squalid world. But that's it, that's all they were---fine. Just fine.

Does this mean I have to watch exclusively Films now? I can't get into a movie unless it's black and white, or two hours of characters speaking sideways and having neuroses at each other?

[kinos-fortress-2]

what does one unfinished fic from like 2022 of a very rareshipp does a to a mf

and also a trashy playlist that got me in my own feelings...

[atopvisenyashill]

Bran The Time Traveling Toddler

Yes that IS a reference to the Tyrion the time traveling fetus theory. The thing about MY insane theories is that they actually make sense and I’m right. Follow me please down the worm hole!!

There’s very clearly Someone Influencing things when it comes to the Starklings and even the overreaching plot in general - there’s enough weird magic surrounding them, whispering in the wind, that it’s a no brainer they’re being watched over. The question is WHO and WHEN. For me, personally, I think it’s Bran, and I think it’s an older Bran from the future (whether it be Bran In TWOW and ADOS or Bran post canon) trying to lead his siblings to safety.

Now, like my Harrenhal meta, I don’t think I’m saying anything new so much as compiling what people have said scattered across the interwebs. There’s a lot of theories about whether Bran can time travel, time travel in general in the series, how george has dealt with time travel before, and about the three eyed crow’s identity and I agree with bits and pieces of what other people have said - preston jacobs is a more famous example of this theory for example. But I don't want to get caught up on things like time travel paradoxes because, like, i don’t care about that, and george has talked about how time travel is more fantasy than scifi bc it’s just not really scientifically possible. do you know what that means? it means there’s no weird physical paradoxes because it’s ✨magic✨ and Bran isn't literally going through space and time. It's as Jojen says-

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall

Through his greenseeing abilities, Bran can see the whole of a lifespan, from conception to burial, and can pop out at any point in that lifespan, because a span of 100, 1000, or 1,000,000 years is all the same to the weirwood. So I don't think it's in the realm of Crazy Ass Theories to say that Bran is capable of a more magic based form of time travel. That he can whisper in people's dreams, on the wind, taking on the voice of the old gods themselves and doing his best to nudge things the way he needs them to be in order to keep the people he loves safe.

I also don't think Bloodraven is Three Eyed Crow (though I do think he also uses this metaphor of "flying" wrt magic, and that's why Euron also has a comment about flying in his dreams - I just don't believe that metaphor originates with Brynden himself. Rather, I think he picked it up from somewhere else), but instead, it's Bran, using the weirwood network to get all the pieces on the board he needs where he needs them to be for the endgame. Notice that Brynden doesn't seem to know what Bran is talking about when he mentions the Three Eyed Crow-

"Are you the three-eyed crow?" Bran heard himself say. A three-eyed crow should have three eyes. He has only one, and that one red. Bran could feel the eye staring at him, shining like a pool of blood in the torchlight. Where his other eye should have been, a thin white root grew from an empty socket, down his cheek, and into his neck. "A … crow?" The pale lord's voice was dry. His lips moved slowly, as if they had forgotten how to form words. "Once, aye. Black of garb and black of blood." 

Brynden mentions the watch, but doesn't mention the three eyed crow. Everyone simply refers to Brynden as the greenseer, not the three eyed crow, except for Bran himself, who simply assumes Brynden is the three eyed crow (and we know magical assumptions in this series are generally wrong!).

What’s double interesting to me about this “bloodraven is the three eyed crow” assumption is brynden himself makes his “a thousand eyes and one” comment - but doesn’t mention a third eye. Meanwhile, Bran’s narrative is obviously filled with bird references and the opening of his third eye from Bran feeding the crows on the towers before he falls then longing to go back to the crows afterwards, of a crow sending Jojen to “the winged wolf,” of his dreams of living as a bird in maester luwin’s rookery with his siblings - Jon Snow even compares him to a bird in their final scene face to face when he thinks bran has “fingers like the bones of birds.”

And notable that though both Rickon and Bran have a greendream where they talk to Ned in the crypts of Winterfell just before Ned is executed, Rickon makes no mention of a three eyed crow, but Bran explicitly sees him-

The mention of dreams reminded him. "I dreamed about the crow again last night. The one with three eyes. He flew into my bedchamber and told me to come with him, so I did. We went down to the crypts. Father was there, and we talked. He was sad."

"Shaggy," a small voice called. When Bran looked up, his little brother was standing in the mouth of Father's tomb. With one final snap at Summer's face, Shaggydog broke off and bounded to Rickon's side. "You let my father be," Rickon warned Luwin. "You let him be." "Rickon," Bran said softly. "Father's not here." "Yes he is. I saw him." Tears glistened on Rickon's face. "I saw him last night."

What that says to me is that the Three Eyed Crow has the ability to speak directly to only Bran and can only otherwise appear in a more ephemeral way to others. With the established rules about not being able to communicate properly with the past, I think this makes sense - being able to use the weirwood hivemind/greenseeing powers to appear in a different form to yourself but unable to appear in a concrete form to anyone else.

I think it's even likely we'll see Bran doing some of this nudging and whispering on page in ADOS or maybe as early as TWOW, but it won't be the exact same sort of "Bran can literally reach out and touch someone in a weirwood dream" that they had in the show with the later scenes. It'll be more like that very first scene in the show where we see Bran influence the past slightly - you know, when he calls out "father!" and young Ned turns around, having heard a voice on the wind-

And there's a direct parallel to ADWD here, where Bran is certain Ned heard him speaking in the godswood but Brynden says it's not possible (not possible for Brynden perhaps!)-

Lord Eddard Stark sat upon a rock beside the deep black pool in the godswood, the pale roots of the heart tree twisting around him like an old man's gnarled arms. The greatsword Ice lay across Lord Eddard's lap, and he was cleaning the blade with an oilcloth. "Winterfell," Bran whispered. His father looked up. "Who's there?" he asked, turning … … and Bran, frightened, pulled away. His father and the black pool and the godswood faded and were gone and he was back in the cavern, the pale thick roots of his weirwood throne cradling his limbs as a mother does a child.

It's not quite time travel. It's like the acorn and stump metaphor - Bran can't appear in his physical body in the past but he can make a bit of noise, perhaps even be mistaken for one of the old gods.

As TWOW and ADOS go on, I think we'll see Bran's powers grow (likely in ways that frighten him and horrify the reader), and we'll see the very beginnings of him influencing the plot that happens during the previous books, showing up in scenes we've already experienced, similar to the Ned scene above. I think this because, well...he's already done it!

Now, as for What Time Traveling Bran Has Already Done - it’s tricky because we have a LOT of magic users waking and shaking. I’m not including every single instance of weird whispering or funny birds here, just the moments I think are more likely to be Bran than anyone else because I think Bran mostly deals with his siblings. I imagine they're easiest to reach out to magically because they already have the ability to access magic, and they're also the people he cares most about. The most obvious to me is in A Clash of Kings, when Jon hears a voice on the wind, very similar to the young Ned scene in the show-

Jon VII in A Clash of Kings

The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only … A weirwood. It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?

Not always, came the silent shout. Not before the crow. He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.

Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.

This moment was when I really started paying attention to Weird Shit Bran Might Be Doing because of that line "not before the crow." Now, we know Bran mentions talking with Jon later on, in the very last chapter of the book, here-

 He could reach Summer whenever he wanted, and once he had even touched Ghost and talked to Jon. Though maybe he had only dreamed that.

But I think it's both Bran in the present and Bran in ADOS speaking here - brothers reaching out to each other in their fear, and future Bran piggybacking off that connection to send a warning (this is back in Jon VII, during the shared Jon-Bran dream as before)-

Then he realized he was looking at a river of ice several thousand feet high. Under that glittering cold cliff was a great lake, its deep cobalt waters reflecting the snowcapped peaks that ringed it. There were men down in the valley, he saw now; many men, thousands, a huge host. Some were tearing great holes in the half-frozen ground, while others trained for war...This is no army, no more than it is a town. This is a whole people come together.

Bran warns Jon of the wildling army headed their way because he needs the Night’s Watch to stop fighting the wildlings, get them safely out of the True North (so they can’t be reanimated as wights), and focus on the Long Night. When you read the passage, it seems as if Bran is trying to awaken Jon’s third eye - something present baby Bran isn’t concerned with, because he barely understands his own third eye awakening. But a Bran in ADOS or beyond would know exactly what to say and do to get Jon and himself to wake up! Not just because of the paradox, but because of his connection to his brother and his vast understanding of his own magic. Similar to the idea that “who would know how to motivate Bran better than Bran himself” who would know how to motivate Jon better than one of his beloved siblings?

Arya X in A Clash of Kings

In the godswood she found her broomstick sword where she had left it, and carried it to the heart tree. There she knelt. Red leaves rustled. Red eyes peered inside her. The eyes of the gods. "Tell me what to do, you gods," she prayed.

For a long moment there was no sound but the wind and the water and the creak of leaf and limb. And then, far far off, beyond the godswood and the haunted towers and the immense stone walls of Harrenhal, from somewhere out in the world, came the long lonely howl of a wolf. Gooseprickles rose on Arya's skin, and for an instant she felt dizzy. Then, so faintly, it seemed as if she heard her father's voice. "When the snows fall and the white winds blow, the lone wolf dies, but the pack survives," he said.

“But there is no pack," she whispered to the weirwood. Bran and Rickon were dead, the Lannisters had Sansa, Jon had gone to the Wall. "I'm not even me now, I'm Nan."

"You are Arya of Winterfell, daughter of the north. You told me you could be strong. You have the wolf blood in you."

"The wolf blood." Arya remembered now. "I'll be as strong as Robb. I said I would." She took a deep breath, then lifted the broomstick in both hands and brought it down across her knee. It broke with a loud crack, and she threw the pieces aside. I am a direwolf, and done with wooden teeth.

Once again, we have a voice - it seemed as if it was her father's voice - telling a Starkling to do something specific, reminding that Starkling of their ties to Winterfell, the north, and home. The voice she hears, speaking her true name, is the kick in the pants Arya needs to grab Gendry and Hot Pie and get out of Harrenhal. There's something interesting, engaging, heartbreaking, that when Arya is at one of her lowest points, lamenting the loss of her pack, and out comes the voice of one of her pack urging her to keep faith, and helping to inspire one of her best moments - I am a direwolf, and done with wooden teeth. Again, we have a voice trying to get the Starklings to wake up and face their reality!

Sansa in A Storm of Swords

That night Sansa scarcely slept at all, but tossed and turned just as she had aboard the Merling King. She dreamt of Joffrey dying, but as he clawed at his throat and the blood ran down across his fingers she saw with horror that it was her brother Robb. And she dreamed of her wedding night too, of Tyrion's eyes devouring her as she undressed. Only then he was bigger than Tyrion had any right to be, and when he climbed into the bed his face was scarred only on one side. "I'll have a song from you," he rasped, and Sansa woke and found the old blind dog beside her once again. "I wish that you were Lady," she said.

To be clear I think there’s a large change this is nothing. BUT. Considering Bran seems to be reaching out to his siblings, I like the idea that Bran, and magic in general, is trying to talk to Sansa but she can’t quite hear it. Winterfell and it’s magic and it’s family is calling it’s daughter home, even torn from her magical guide as she is, still trying to reach out through her dreams and through the animals around her. I’m desperately hoping that at some point in Sansa’s early TWOW chapters, we’ll start to see birds acting and speaking funny around her as Bran tries harder to reach his lost sister.

Theon Greyjoy in A Dance With Dragons

BUT. I don't think it's just the Starklings that get these messages from Bran - it's everyone he cares about, everyone he loves or will love. One of the other more obvious examples of this is Theon Greyjoy, himself clearly capable of some degree of magic, just like the Starklings-

The night was windless, the snow drifting straight down out of a cold black sky, yet the leaves of the heart tree were rustling his name. “Theon,” they seemed to whisper, “Theon.” The old gods, he thought. They know me. They know my name. I was Theon of House Greyjoy. I was a ward of Eddard Stark, a friend and brother to his children. “Please.” He fell to his knees. “A sword, that’s all I ask. Let me die as Theon, not as Reek.” Tears trickled down his cheeks, impossibly warm. “I was ironborn. A son … a son of Pyke, of the islands.” A leaf drifted down from above, brushed his brow, and landed in the pool. It floated on the water, red, five-fingered, like a bloody hand. “… Bran,” the tree murmured. They know. The gods know. They saw what I did. And for one strange moment it seemed as if it were Bran’s face carved into the pale trunk of the weirwood, staring down at him with eyes red and wise and sad. Bran’s ghost, he thought, but that was madness. Why should Bran want to haunt him? He had been fond of the boy, had never done him any harm. It was not Bran we killed. It was not Rickon. They were only miller’s sons, from the mill by the Acorn Water.

“he had been fond of the boy” please allow me this moment to contemplate killing myself thanks.

okay back on track but this is very self explanatory - we know Theon has some sort of capacity for magic because he had a vision of the Red Wedding in ACOK and unlike Jaime who just fell asleep on a weirweed tree, Theon was just up in bed. We see it again here, where Theon can hear a voice on the wind and then seems to see Bran’s own face in the face of the weirwood tree. Once again, the voice on the wind is trying to help a loved one of Bran’s find their way back to themselves, back to home. And Theon, for all the harm he has done, is still so so loved by Bran, and loves Bran in return.

Samwell Tarly III in A Storm of Swords

Sam made a whimpery sound. “It’s not fair …” “Fair.” The raven landed on his shoulder. “Fair, far, fear.” It flapped its wings, and screamed along with Gilly. The wights were almost on her. He heard the dark red leaves of the weirwood rustling, whispering to one another in a tongue he did not know. The starlight itself seemed to stir, and all around them the trees groaned and creaked. Sam Tarly turned the color of curdled milk, and his eyes went wide as plates. Ravens! They were in the weirwood, hundreds of them, thousands, perched on the bone-white branches, peering between the leaves. He saw their beaks open as they screamed, saw them spread their black wings. Shrieking, flapping, they descended on the wights in angry clouds. They swarmed round Chett’s face and pecked at his blue eyes, they covered the Sisterman like flies, they plucked gobbets from inside Hake’s shattered head. There were so many that when Sam looked up, he could not see the moon. “Go,” said the bird on his shoulder. “Go, go, go.”

Whoever this is - it's Bran!!!! - helps to save Sam and Gilly's lives, actively tells them to run for it, and just a little bit later, Sam is around to help save Bran in turn. I think there's also something to be said for the brotherhood connection here. They refer to each other as brothers in the book because of their connection to Jon; that connection to Jon, and therefore each other, means a lot to both Sam and Bran. There's a practical reason for saving Sam here in that he can help Bran in the "present" timeline, will likely help in the future, but more than that there's an emotional bond here and it seems to me that magic runs off emotions just as assuredly as it runs off of other important stuff like blood and and sacrifice and weirwoods.

Jon Snow XII in A Storm of Swords

With a raucous scream and a clap of wings, a huge raven burst out of the kettle. It flapped upward, seeking the rafters perhaps, or a window to make its escape, but there were no rafters in the vault, nor windows either. The raven was trapped. Cawing loudly, it circled the hall, once, twice, three times. And Jon heard Samwell Tarly shout, “I know that bird! That’s Lord Mormont’s raven!” The raven landed on the table nearest Jon. “Snow,” it cawed. It was an old bird, dirty and bedraggled. “Snow,” it said again, “Snow, snow, snow.” It walked to the end of the table, spread its wings again, and flew to Jon’s shoulder. Lord Janos Slynt sat down so heavily he made a thump, but Ser Alliser filled the vault with mocking laughter. “Ser Piggy thinks we’re all fools, brothers,” he said. “He’s taught the bird this little trick. They all say snow, go up to the rookery and hear for yourselves. Mormont’s bird had more words than that.” The raven cocked its head and looked at Jon. “Corn?” it said hopefully. When it got neither corn nor answer, it quorked and muttered, “Kettle? Kettle? Kettle?” The rest was arrowheads, a torrent of arrowheads, a flood of arrowheads, arrowheads enough to drown the last few stones and shells, and all the copper pennies too.

The Night's Watch seem to take this as some sort of divine sign, and Jon's friends take it as an excellent ploy from Samwell Tarly. But when Pyp confronts Sam over it a page later, Sam completely denies it -

“I had nothing to do with the bird,” Sam insisted. “When it flew out of the kettle I almost wet myself.”

Everyone has their theories about people warging Mormont's crow of course. I think what's interesting to me here is that Jon is really wrestling with the idea of leaving the Watch for Winterfell, in which case Janos Slynt was likely to take over command. Someone like Slynt being in charge when the Long Night is coming is a bad idea, and here, Mormont's bird directly contributes to Jon staying where he needs to be - watching over the wildlings and making sure they aren't turning into Wights.

(And this is getting into my other theories here, but IF Sansa as the Girl In Grey is true, I think this is a neat sort of timeline fixing - almost as if Bran is saying “no, not yet, the pieces aren’t aligned, Jon can’t leave yet, Brienne isn’t at the Vale to get Sansa, I haven’t trained enough, Jon still keeps slapping his hands over his third eye so he can’t see, I need to give myself more time here.”)

Bran II in A Game of Thrones

But...it's not just his family and friends that I think Bran is trying to help here, and of course, if he IS the Three-Eyed Crow, he isn’t YET. What I think is going to be a big climactic part of Bran's story is self sacrifice, giving up some of his own power, his own happiness, to save others. Yes, part of this is my absolute refusal to accept Borg Hivemind Fantasy Police State King Bran in that he will say NO to the hivemind, but I think there's something magical here as well!

I think in order to access great power you need to be willing to put your own body on the line.

Jojen mentions having gotten sick with "greywater fever" shortly before his greendreams started

Dany experiences a miscarriage then literally walks into fire in order to hatch her dragons

both Beric and Catelyn have to quite literally be gruesomely murdered in order for Thoros' fire magic to work to bring them back to life

Melisandre has to physically give birth in order for her shadow assassination to work

on and on it goes. In order to be capable of great power, you can’t just have a willingness to throw someone ELSE onto the pyre but yourself as well. But Bran is pushed out of the window instead of willingly jumping. Or...

The wolfling was smarter than any of the hounds in his father’s kennel and Bran would have sworn he understood every word that was said to him, but he showed very little interest in chasing sticks…Finally he got tired of the stick game and decided to go climbing….

The wolf did as he was told. Bran scratched him behind the ears, then turned away, jumped, grabbed a low branch, and pulled himself up. He was halfway up the tree, moving easily from limb to limb, when the wolf got to his feet and began to howl.

Bran looked back down. His wolf fell silent, staring up at him through slitted yellow eyes. A strange chill went through him. He began to climb again. Once more the wolf howled. “Quiet,” he yelled. “Sit down. Stay. You’re worse than Mother.” The howling chased him all the way up the tree, until finally he jumped off onto the armory roof and out of sight.

I think this is future Bran, finally becoming the Three Eyed Crow, inside Summer. Summer shows no interest in the game and it’s only then that Bran decides to go climbing. Future Bran is sacrificing himself for the greater good - but can’t stop his mournful cry of the fate that awaits his own young self.