#and liking character who ultimately done fucked up

[azrielgreen]

✨PRISM Q&A✨

-Answering all built up ANONs and DMs about ✨PRISM✨ thanks for all the love, support and enthusiasm to each asker!

Q: Building on the topic someone else asked about how prism Eddie would be if he and Steve had kids… you said he would ultimately love them and be fiercely protective of them because they are an extension of Steve (and himself), and I do see that happening but im also thinking of another possibility: Eddie is definitely (and I think you two both said so?) a Narcissist, so from real life scenarios, I’m wondering if he would-and let’s pretend Steve could carry children in this hypothetical-like the lead up to having kids (aka Steve’s pregnancy and planning ahead), but when the baby arrives, would find himself being rather annoyed by Steve’s shift in devotion to someone else, even if that someone is their kid. I know he does not exclusively have narcissism so there are other factors, but I could see how Steve shifting his focus to their kid could act as an-unexpected or not-conflict for him. I also do wonder if the more realistic scenario of adoption would change things, as they wouldn’t be as connected-genetics wise-to Steve…. Hopefully this makes sense also I’m so excited for prism to come back next month!!!

A: I’m genuinely obsessed with how many people want to discuss an Omegaverse!Prism AU, it blows my mind! So, yeah building on the aforementioned answer, I don’t believe there would be any conflict in terms of Steve’s attention. Eddie likes that Steve has the kids, Robin, etc… he see himself as very generous and does have his own life to tend to, so there would be a decent balance. What he wouldn’t like is if Steve tried to leave and take the kids, if someone ELSE tried to interfere with his parenting or turn the child against him. Prism Eddie has narcissistic traits, absolutely, but that’s not his full disorder, or certainly not his main one. Adoption would be much the same, Eddie loves the idea of building a family/found family and creating a little village (cult-like commune) for their chosen few. It wouldn’t be that different from Steve being pregnant and creating kids of their own DNA. Eddie can sway anyone, look at Will. All that being said, I think Eddie WOULD struggle with clashing with Steve over parenting ideology. Eddie is obsessed with creating a family around him and the person he loves and he’ll do it one way or another, as we will see a fair amount of in Part Three. Ultimately, Eddie saw very clearly a lot of the mistakes Billy made in isolating Steve and told himself he wouldn’t make those same mistakes (even if sometimes he DOES, just in different ways) so no, I don’t think he would be resentful of Steve’s focus onto their children. Eddie has no North without Steve. If Steve loves something, so Eddie feels like he loves it too, i.e. Robin. There’s a degree of nuance about the things Eddie himself loves and how he loves them, and the majority of it revolves around Steve so in a way, Eddie would follow Steve’s lead a great deal with the kids and respect the path HE carves.

Q: This is spoiler territory so I get it if you can’t answer, but will Steve ever be made aware in some capacity of the type of person Eddie is- like what he’s done and how manipulative he has been throughout their entire relationship? Or are these traits something that Steve would just be into anyway?

A: I can definitely answer to some degree! Yes, Steve will realise some of what you mentioned here, some of it he recognises over the next few chapters as Eddie opens up more now they’re TOGETHER✨. Some smaller elements Steve is already putting together. What I will say is that Eddie does not want to hide who he is from Steve forever.

Q: In Prism, do you think if Billy was let out of prison and went back to find Steve do you think Steve would give in and get back with him?

A: We’ll get to explore this in Part Three to some extent, so I won’t spoil anything but what I will say is that all characters in this fucked up little soap opera are always changing and growing (even if not in good ways) and that Billy and Steve are not the same people they were the last time they saw each other. I don’t think for a second Steve would “get back with him” even without Eddie, but Steve will always love him to a point. Billy’s focus on Part Three is less about getting Steve back and more getting him away from Eddie.

Q: Does Prism Eddie kinda still want Billy? I think about their post-cocaine bathroom all the time and how later he thought to himself he’ll always love Billy in a way, and I know you have said Billy is coming back for part 3!!!

A: Yes, there’s a part of Eddie that’s fascinated by Billy, strangely affectionate towards him (how he thinks of it, the way a cat is “affectionately” playing with a mouse) and they’ll have their own dynamic in Part Three, definitely. There’s a couple of scenes I’m insanely excited to write with the two of them!

Q: I AM VIBRATING OUT OF MY SKIN ABOUT “THE EVENT TM”!!! please can you give any hints?? we beg a morsel

A: ahh, I really don’t want to spoil anything so I’ll tread very carefully. Hmm, I suppose I could say that the Event (due in around 2-3 chapters time) is a catastrophe as of yet unseen in Prism for the fallout it causes and that it puts foundational cracks in everything.

Q: How do Eddie’s six play into the third part? I’m constantly rereading all their scenes, imagining their backgrounds, how they came to be where they are now. You’ve created this fully realised world and it’s just mind-blowing.

A: We’ll learn more about his six as the story unfolds, but for the most part, they can’t be brought in close to the “family” in the town yet. There will, however, be scenes where Steve meets them all in the next chapter or so!

Q: would you consider making any Prism merch? Would buy a journal or a candle in a heartbeat!!!!!

A: Ahh that’s so kind! I’d love to, actually. A journal would be SO cool!

Q: Hi!!! I love Prism WAY way too much and I think a lot about Eddie’s tattoos!!!! Do you think we could ever get to see what the finger tattoo/cult tattoo looks like? Or his wolf? The winged creature? Not that I’m obsessed at all!!?

A: Yes, I’d love to do that at some point. I could probably post the finger tattoo (sword through the sun) although I’d say to wait because over the next few chapters, there’s a couple of new additions!

Q: Hi Az!! Huge fans of you and Brooke! Can I ask how you manage to write SO MUCH and yet keep it so tight?🖤

A: That’s so kind! I think we have a very strict editing process whereby we both make multiple passes of a single chapter. I also tend to reread past chapters fairly obsessively, keeping track of continuity, dates, patterns. We ALSO have several docs for idea pools and detail tracking plus a VERY IMPRESSIVE timeline I made myself which I can’t post sadly because it’s full of spoilers. We work very well in tracking little things that would definitely get out of control otherwise, it’s a beautiful system.

Q: Do we ever find out what happened to Will?

A: I actually am not sure if we’ll share explicitly what it was that happened, as it’s equally impactful not knowing and casts a shadow either way, but maybe!

Q: in the Prism A/B/O verse, would Steve miscarry due to Billy beating him?😭😭😭

A: Sadly yes, and quite often.

Q: can we expect some Prism merch ?! 👀

A: absolutely, I’ll run a poll for what people would like

Q: Are there any plots or scenes in Prism that you and Brooke thought would go one direction but ended up being something entirely new or different when it was finished?

A: Yes! Several, actually. Most times when this happens, we sort of lay it out and discuss it and the scene is usually very cold and brutal and then when we write it, it ends up being much more emotional than expected. One excellent example of this is very early on in Chapter Three where Steve and Eddie first have sex. The scene when we planned/started writing it was so upsetting I actually had a panic attack and that’s not because it was graphic or cruel or anything like that, but just the fact that it was, as we had written it that way, very clearly a rape scene. We ended up rewriting it -you can see the change where Eddie pulls away and says “no, I’m not doing this, he doesn’t want it” and sits in the chair and then STEVE has to pursue Eddie, which was so much worse than it being point blank rape but it just evolved that way naturally. I think I experienced my first severe bleed with Eddie and how WRONG it felt to do it that way which was extremely unsettling and upsetting. We since have boundaries in place to help us with the more triggering elements, Sometimes, however, a scene just naturally evolves while we’re writing it and we go with it. The argument between Billy and Steve before the crash was much simpler in it’s planning, so watching it become what it did was amazing. Honestly though, the entirety of Prism has become far grander and larger than what we ever set out to do and encouraging the evolution of it is, I think, our finest trait as co-writers. Many incredible ideas begin as one of us saying in a voice message “OK, this might be too much, but--!’ and then the other being open and encouraging of whatever madness it is. Prism really is the perfect example of what imagination running riot can do with a good support system. @thorniest-rose what were some of yours?

Q: Will Steve and Eddie refer to themselves as an official couple now that they both know how much they want each other or will it take a while for them to establish themselves as boyfriends? I know it didn’t really take long at all for Billy & Steve to be a thing, but with Eddie will they go the friends with benefits route or will they choose to take things ‘slow’ in their own flawed ways? - I know you guys have said, well as far as I can remember have said that Eddie won’t be physically abusive/harmful to Steve so I don’t expect that type of abuse, however we know that Eddie is still a bad, morally grey person and I can’t help but wonder if he’ll be emotionally, verbally, or mentally abusive to Steve? How will their unhealthy relationship dynamics come into play?

A: Steve and Eddie are absolutely not going to waste a single second of time in establishing themselves as boyfriends. This question honestly makes me giggle with glee because Eddie would marry Steve while fucking him while getting matching tattoos while on the way home from the church. It’s been such a long time coming and much of Eddie’s ability to be patient with the things he wants is cracking apart now. There will be no grace period. The world will know they are violently, desperately in love.

As for the second Q, this is far more complex and interesting. The easy answer is of course “No, absolutely not,” because Eddie loves Steve, he’s nothing like Billy and he’d never hurt Steve in any way he didn’t want – that’s how Eddie thinks of it. But the real answer requires the story to unfold more and as they become MORE entangled in one another’s lives and things get difficult, we see that Eddie does have the ability to hurt Steve and that Steve can hurt Eddie too. The unhealthy relationship dynamic will definitely be explored in depth as we get to see what them being ✨TOGETHER✨ really looks like and how it affects them as well as others. I think it’s best summed as this. When things are good, it’s fucking incredible, when things are bad, it’s like being at sea without a lighthouse.

Q: Are there any changes you would go back and retcon if you could before you started posting it? I Know you’ve said you both didn’t post until 50K and that you did make a few changes.

A: Honestly, I don’t think so. There’s only so much you can retcon and change before self doubt becomes a real obstacle in carving the path. I WOULD however establish from the start when Steve’s birthday was and construct the timeline from the inception as we came very close to being painted into a corner there! But otherwise not at all.

✨🖤🖤🖤✨

Thank you so much for all the enthusiasm and love!!!

✨🖤🖤🖤✨

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[carefulfears]

what do you consider the heart of californication? like really carries through the series & makes it compelling

thank you for this question, i really love it. to me, it's a number of things, starting with that the show cares deeply about hank and takes him seriously in a way that the culture doesn't. in a way, yes, he's their dog and pony show with the funny one-liners and the salacious pull. but the arc of the series is unequivocally aligned with him and his desires and his needs and his values.

hank wants to be with his family, wants to be better for them, wants to not let them down- and the show needs him to fail at all of those things. for the dog and pony of it all, for their viewership and for their thesis and for the food in their mouths, but it simultaneously feels bad that he is failing. simultaneously knows that this isn't what he wants, and that it's sad. and it can be as simple as a dream sequence or a look or a quiet final scene, but every single episode is ultimately going to remind you that everything you're laughing at is a loss.

which, like i said at the top, speaks to a level of respect that the show had for the character that is just gone in discussions of the series. they take the time to recognize that he is missing something. he is losing something and he is without everything that means anything to him, this is the cost. equally important, duchovny respects that character and understands the same.

i was listening to an interview last night (trish you heard this) where he was speaking with some podcast dudebros and one of the hosts said that he always wanted to be just like hank moody, and then he made some "bad decisions" and got there, and he doesn't like it. and duchovny said that every time people come up to him saying "i'm just like hank moody," he says "i'm sorry."

men watch and they want to be just like hank moody and women watch and they want to fuck hank moody so bad, and all of you miss what the source comprehends: that it's an irreparable deficit.

other than that, i feel like what roots that show is that it really isn't all that cynical. not in the way that it could be. and the show believes in hank.

there is a lot of kindness and hope (often false hope) that runs underneath most every relationship and interaction and dynamic in the series and i really really appreciate that about it. it's like in the pilot when hank is being mean and he wants marcy to yell at him and she just says "go home, honey. sleep it off. tomorrow's another day."

there's always a little bit of understanding and grace amongst the crazies and i think there's something really special about that

[autisticcole]

Heheheheheho I have gotten some of the Dragon Age books (🏴‍☠️) and this is gonna really let me dig into some stuff, especially my favorite guy Cole, cause now I can read his OG appearance, I want to see how much stuff Cole says, especially during his quest actually makes sense, and how much is in-universe "both sides are right"ing about not listening to what Cole wants to do.

I am mainly talking about Spirit!Cole thanking Inky for not making him change... Despite the fact that thoughout Cole's quest Solas ignores what Cole wants (Like being binded) & wants to do (Kill the guy who beat beyond beating a 12 (at most) year old (most likely, it isn't outright stated (to my memory) the Templar who fucked up the paperwork was also one of the ones who physically abused him, but I feel it's a pretty safe assumption) & got that child killed due to neglect & faced no consequences) but ultimately the choice that causes Cole to thank the player for not changing him is the one where you listen to Solas over Cole (Or well Varric, who also doesn't let Cole do what he wants but is closer to what Cole would have done if he had went alone for the confrontation) & in this route I would say Cole's character changes a lot more, especially as he forgets the original Cole, which... Rubs me wrong, but I'll save my more detailed thoughts for 1. After I fully read Asunder & 2. Either a full Cole analysis or a detailed post about my thoughts on his quest & routes (& maybe how I'd rewrite them, as a Autistic person & a ally to the aroace community)

Anyways my point is that I want to see how true it is characters rejected or wanted to change Cole, I want to see what leads him to feel that having two men argue & tell him who he is supposed to be & do only to have a third person decide out of those two's options for what he should do is remotely a situation where he's been accepted.

[rxttenfish]

Omg what DOES Aaravi do as a monster slayer?

the short answer is that it varies with how much of my own stuff im willing to bring in, im afraid

mostly im waffling back and forth on this point right now because if i was a little closer to monster prom canon i might be able to have more fun with it and include a wider variety of situations and it wouldnt be such a downer as it would be in the other case...

mostly, the thing that monster slayers are in the redesign universe is a hate group, plain and simple. a particularly violent and nasty one too, at that - they're focused primarily out of human-majority societies and cultures that have much smaller minorities of other sophonts and/or that contact with those sophonts is new and recent, hence why there's such a strong sorting between "humans" and "monsters". "monsters" isn't a real category in any sense of the word, it's just a social marker for an out-group that is seen as particularly dangerous and frightening and, thus, "not normal". this is also why it doesn't really specify between monsters that are sophonts and monsters that are just normal animals...

primarily this hate group arose out of existing environmental/hunting groups, semi similar to things like forest rangers, and has even common ancestry with witches (or, one of the definitions of "witch"... witch can refer to a human with some innate workable magic, witch can refer to anyone who works with/studies magic as a job, or witch can refer to a supernatural concept/creature which is basically just the trope we have of the witch, as any malignant supernatural person who uses that supernatural prowess for evil. this is different from magic, because magic in this universe is just... another Thing That Exists, not necessarily any different from, say, engineering as a job or study, and belief in the impossible and supernatural is of course going to exist unrelated to that).

as in, there's a fairly universal need in most communities to be able to manage magic somehow. usually there's wildlife or plants that have their own innate pools of workable magic, and those need to be treated and handled differently as a different form of danger in the world, or there's magical aquifers locally, which means that all of that magic is just available as free energy to be used by anyone who has the chance to grab it, and if workable pools of magic aren't regularly maintained to recycle the magic that makes it up, then it can build up wild magic and tends to explode particularly dangerously... so you need someone who has learned how to deal with all of that, and so you get the origins of witches, and the origins of other people specializing to deal in magic and magic-heavy things, and from that you get people specialized in hunting or otherwise managing animals that utilize magic in their biology in some way.

(which, to be fair, nearly everything on this alternate earth is, in some way. magic really is just... free energy for anyone who can grab a little of it, and most life will be able to at least do a little bit of that. humans are a prime example, since even non-innate magic users will still hold and maintain very small pools of magic internally, utilized primarily for metabolism and to offer a slight boost to the immune system and other such things. this is even what souls and ghosts are - just the pools of magic inside of a person that can get shaken loose through particularly traumatic events, although the systems that lead to ghosts are poorly understood (and also different from a soul, the animating supernatural concept... theres a lot of confusing terminology in this universe, and i do that on purpose). it's just that species that either live in or around magical aquifers or are uniquely adapted for it that are magic specialists, where it makes up a much larger part of their biology, and who cannot live without that magic. a human without magic might just be slightly immunocompromised, a demon without magic is dead!)

this is where you get monster slayers, though. because they were a specific movement within this larger group of people who focus on magical life, where they particularly focused on the danger posed by magic specialist wildlife during a time when nonhuman sophonts were being introduced to and "challenging" the dominant culture where they came from, and ended up connecting the two. it's a purposefully very messy grouping without a lot in common other than this specific group targeting them, and their primary goals might be similar to creating and enforcing a human-only community devoid of large, dangerous wildlife around that area that could possibly injure someone. the fact that this also ends up targeting a lot of disabled humans (vampires, zombies, etc, they're just humans who have a specific magic-derived "virus". there's very few benefits to this, it really is just a disability) isn't seen as a problem either in their eyes, mostly because they're also often stereotyped as being dangerous or endangering other people by their sheer presence, so they get sorted in with the other targeted groups as well.

there's also a lot of people and things that we have in real life that would get labelled "monsters" in this specific line of belief, even if i haven't gone into that as much, mostly because i worry that people will think that because i'm writing aaravi as sympathetic that i'm supporting her beliefs or the beliefs of monster slayers too - or that, again, i'm still just in the awkward middle ground where i'm not sure how much i want to go into this and REALLY kill the mood.

(also, because it does kind of miff me when people write fantasy settings but provide some kind of distinction between real wildlife and fantasy monsters in a way that shouldn't actually exist in that fiction. lions and tigers and bears should be considered just as dangerous and frightening as any speculative creatures you put in your work, especially when there's not any one unique feature that tidily separates the world into "animals" and "wildlife". hell this is even what i try to get at with my merfolk, since they really aren't any different from humans, as just another naturally formed sapient animal species.)

and, to be clear, i WANT this to be upsetting. it shouldn't be something comfortable or easy to talk about, let alone witness. it's something that also has to be seen and judged and understood in order to understand aaravi herself, just as much as how you can't understand miranda unless you understand what it actually means for her to be a genocidal monarch who expresses ultimate control over anyone who happens to be under her and is willing to do anything to maintain control in the groups of her equals. for both of them, they're supposed to equally be representative of those who suffer by and under the system they are a part of (aaravi is not allowed to leave the monster slayers even if she wanted to, her being discovered as half-human would mean her potentially being targeted and killed and her family potentially also targeted for association, having her entire self worth tied to her ability to lose her own personhood and perpetuate violence that no one else is capable of or wants to do, or else be blamed as the reason why innocent people get hurt and killed), while also actively perpetuating it (both have a vitriolic hatred of anyone who either "can't do their job correctly" or "isn't hard enough to withstand the pressures of their job", aaravi especially targets and is quick to punish other slayers to try and cover her also being "part monster", she upholds and feels incredibly defensive over her family name and how great her family was at being slayers, she hunts and kills a lot of other people just for them not being human that makes them even more guarded and scared of humans and more likely to retaliate in order to try and keep themselves safe, which also means its harder for anyone else to stop being a monster slayer because even more taboo gets connected to them or being one).

a prime example is actually her grandma, who is still around. aaravi's from a line of monster slayers, which is to say her family was already in this hate group, they were born into it, and aaravi was just the latest in the long line of it all. her mom did work on trying to get out, did meet aaravi's dad and left to where no one else in the group knew where she was, where she could try to start anew and they wouldn't be able to find her, to have a family with someone who she had been taught to view as nothing but dangerous and frightening and not someone to be trusted... and then he turned out to be a garden variety asshole who just... left. never really was very interested in aaravi or salil, got bored with aaravi's mom once she tried settling down after getting out, didn't really do much to support her in trying to remake her life from a brand new foundation, and just left one day without a note or saying anything or anything at all, really.

all of which served as mundane trauma that pushed aaravi's mom back into the monster slayers even harder. it just confirmed a lot of old beliefs that she had burned into her mind after not really helping her to undo or confront them, and she had very little else left to go back to, and she had two kids now that if anyone else learned were the result of her having a tyst with a monster would get hurt and killed as much as she would, serving as a representation of the mistake that had just been confirmed in her mind as such.

it's why it came down on salil so much harder than aaravi, and why aaravi looking so nearly human is so important for the way the story functions. aaravi got pushed harder and harder to both try and make up for her mother's mistake, pushed to become another monster slayer and pushed even harder to be a GOOD one that would be great enough to make up for all that her mother had done while still living up to the legacy that her mom could only think of herself as having ruined, to shove all her monster parts into a deep dark little box that she would never tell anyone else about, who was told over and over how dangerous it was and what would happen if this got out. but salil... salil is much more obviously inhuman, much more obviously something that she can't hide or obscure, and so salil kind of...

well, already their mom was reverting hard onto "all monsters are dangerous and cannot be trusted and NONE of them are EVER going to be good, only lie about it to hurt you even worse", and there was a lot harder... fear, from her, that he picked up on. really, both of them picked up on it, and still aaravi doesn't know and is terrified of the possibility that their mom was scared of them, or thought that they would hurt her, or even outright hated them for being monsters. and because salil was much more obvious about it, a lot more got targeted and felt by salil, a lot more their mom tried a lot less with him, a lot more she just tried to hide him in the house and not tell anyone about him or that he existed. its why when he ran away one night, it was very easy for her to come to the conclusion that he had been found and killed by monsters, and it was very easy for that belief to be passed onto aaravi.

it's also why aaravi's grandma has such a... particular situation. she was also such a prominent monster slayer within that community and group for so long, and so many of the leaders within the community think back fondly of her, but its this very same reason that she can't talk about the amount of doubt she's also felt about it, the mounting regrets and guilt that has built up, the knowledge of what happened to her daughter and to her grandkids, and the knowledge that she can't really DO anything to help it either, even AS someone who holds such an esteemed position and even BECAUSE of it. she's effectively just built up more and more distance from the community over time, isolated herself more and more from these old friends of hers, gone quietly silent in her old age, but its also why shes never been able to fully shake it, and why that connection STILL exists and shes STILL expected to uphold it when it does. she's older than she used to be, more vulnerable, and she has a granddaughter who doesn't have a mom or a dad anymore to look after her, who is at least part of what monster slayers want to exterminate, and there's a lot at stake here that she just can't make herself risk.

so, yeah... i hope this provides a little bit of clarity as to what aaravi in the full redesign verse being a monster hunter MEANS and what she does, because it's not... very pretty, really.

if i write it, i'll likely end up focusing more on the animal side of it, least of all because i can't see aaravi taking miranda on a hunt for a person, but also because it adds in more layers of aaravi feeling disingenuous and doubting herself. she feels like she's lying to miranda, making it more palatable, more acceptable, than it really is, not showing her the full thing and letting herself be judged as is, but also aaravi is ABSOLUTELY not prepared for that conversation and doesn't know how to breach the subject of "i'm basically a serial killer for hire" with miranda, and is equally as scared by the thought of what if miranda actually DOESN'T have a problem with that and doesn't react. but it's also just close enough to still hit that uncomfortable realm with aaravi, just close enough to killing a person that she keeps seeing herself in the eyes of the wildlife, doesn't know which end of the gun she's more scared of being on and doesn't know how to handle any of it.

[waywardsalt]

mmmgh

[attractthecrows]

Ilithra my beloved. Ilithra my darling my doll

[fiapple]

literally, i love nami so much, you do not even understand. you cannot begin to fathom.

[agirlinthegalaxy]

Something I see frequently is fans wanting characters like Elle Greenaway or Nathan Harris to return as unsubs in Criminal Minds, which. I'll be completely honest, I hate the idea for a lot of the suggested characters because it feels so undeniably tragic and hopeless that someone will inevitably become a killer, even if they don't want to become one. Yes, a lot of the unsubs have some kind of tragic backstory, but the thing is that they're still awful people (excluding very very few). I feel like having previous characters return as the unsub paints this picture that you're unable to break the cycle of violence or that you're destined to become a monster, which is just such a honestly tragic message, especially for a show that's already pretty dark.

I'm not opposed to characters reappearing, but I'd much prefer that if those characters appeared again that it'd be in the vein of them having undergone some kind of healing and growth and be able to find themselves some kind of peace and satisfaction in where they are in life. Let them reappear, but don't transform them into monsters but a symbol of the healing and growth available to survivors and the other characters.

[snapscube]

my updated case/character rankings after finishing Farewell, My Turnabout

holy FUCK that was good. easily THE MOST batshit insane stressful/thrilling case they have done up to this point. i loved nearly every second of it. i think the only thing keeping it from beating 1-5 for me is that i think at very brief moments it gets so twisty and turny that it ALMOST feels a little tooooo gratuitous. but this is very rarely the case and even then i don't think it ever quite gets there. plus, i'll admit from a gameplay perspective once the goal of the courtroom scenes became "just bluff purely for the sake of bluffing to stall as long as possible even though you dont really believe in your client" the gameplay loop became SLIGHTLY less fun. i think from a meta perspective it's Extremely good and compelling and i love how it ultimately plays with the fact that, mechanically, you are literally doing nothing different than you always do. it's just the difference in who you're putting your trust in. your client vs, in this case, the prosecution, namely Edgeworth. it's so fucking good from a narrative perspective but gameplay wise felt less satisfying moment-to-moment. i was kinda just waiting for the other shoe to drop and for them to find maya LOL like you really feel on the edge of your seat when you're literally just stalling to save a life entirely outside of the courtroom. again, it's JUICY drama, but what i liked about case 1-5 is that it kinda had a lot of both of those elements. they both play with the meta of how you understand the game up to that point in really effective ways, but 1-5 felt slightly more balanced.

ANYWAY, not trying to pit two bad bitches against each other im just justifying why it didn't quite make the top spot. It's CLOSE though, i could see a timeline where under further examination it moves up anyway.

[tobiasdrake]

Which DBZ antagonist do you like the most?

Boring opinion, I know, but I gotta give it up for the Obvious Choice.

And I'm not just saying that because I haven't had a chance to talk about him yet.

Frieza runs a real estate empire that carries out genocidal acts of gentrification, purging tracts of land of their native inhabitants so he can sell their land for profit. Commenting on this choice for his ultimate villain, Akira Toriyama stated that he made this decision because real estate speculators are the worst people there are.

Fucking based.

From the moment we meet Frieza, he is a monster. Toriyama likes this Big Guy Little Guy dynamic where the Little Guy is the one you really need to watch out for. Frieza is the Littlest Guy ever.

He's so tiny. And yet you know exactly who the most dangerous person in this group is. Zero question.

By the end of this altercation, Frieza reveals one of his signature attacks, giving us our first glimpse of the kind of person and the kind of fighter he is. This is such an important moment for his character and I'm kinda mad that the anime had Dodoria do it instead.

Muri destroys the Scouters and blinds Frieza. I've talked before at length about the devastating impact that this move and the Namekian warriors' attack has on Frieza's campaign.

But once it's done, he has to face the music. He's not getting out of this alive.

In one last desperation play, Muri tells Cargo and Dende to run while blocking them with his body. And that's when it happens.

This is Frieza.

Specifically, this is Frieza's Death Beam. It's never actually given a name, but is generally referred to as Death Beam. We've seen a move like this only once before.

The Dodonpa, signature technique of Tsuru-senryu, first introduced by the assassin Taopaipai, was built for extreme lethality. This is not a technique for fighting; It's a technique for killing.

What makes Frieza's Death Beam stand out from the Dodonpa, however, is its accuracy and its speed. He threads the needle around Muri to hit Cargo before anyone even has a chance to react.

We see its accuracy and speed again six days later, when it finally catches up to the other child fleeing from him here.

The panelwork here calling attention to everyone's reactions as Frieza's ki bullet shoots past them, as his shot threads the needle between all obstacles in his path to strike his target far behind them. Dende is dead before anyone can even process that Frieza fired.

This is the difference between the two techniques. The Dodonpa is a gun. The Death Beam is a sniper rifle. Faced with the physical hurdle of bodies impeding his path, Frieza point-clicked Cargo and Dende to death.

He later executes Vegeta this same way.

Done with you.

All of this context for Frieza's sniping shot serves to set up the stunning subversion when Goku arrives to fight.

Frieza's never seen this before. Goku shouldn't even be able to see the shots coming until they've perforated his lungs. That's how Death Beam works. It's this moment that lays it out: Frieza's about to be tested like he's never been tested before.

Speaking of cool techniques, I've always been partial to this move from his Third Form.

The anime gives Frieza little ki bullets coming out of his fingers but I want to note that we never see a physical projectile when he's doing this. Frieza jams his fingers back and forth in the air while something pulverizes Piccolo.

I've always imagined he's poking the air so fast that it's hitting Piccolo with pressurized air currents. Similar to Goku's Mazoku air current punch from the 23rd Tenkaichi Budokai.

But that's just me.

In any case, Frieza's got some fun moves. He's something of a hobbyist martial artist. Which is to say, Frieza has an interest in martial arts. In addition to his Death Beam, Frieza's concocted a litany of other interesting techniques.

He even invented the Kienzan, independently of Krillin.

Though he can remote operate his Kienzan so it's strictly better than Krillin's. Frieza, in his spare time, has come up with a bunch of cool moves. Too bad he has no idea how to use them.

Frieza's greatest weakness is his inexperience. He practices martial arts the way a business CEO who bought a log splitter so he can cut some wood and feel woodsy practices agriculture. Frieza has never had a proper chance to truly experience martial arts, because he was born too powerful.

The only partner who's ever even dirtied his skin was his dad.

And even that isn't much. Frieza's too strong. He wants to pursue martial arts. He wants to hone his technique. But when you win every fight by blinking too hard in the opponent's direction, what even is there to practice?

Frieza created a transformation to seal away his immeasurable ki because he was born with so much ki flowing from him that he can't even contain it. At his peak, Frieza's ki bleeds out of him. He simply can't contain it.

Goku wonders aloud why Frieza took so long, even after the fight turned against him, to go to 100%. Frieza's been all "Oh I'm only using 10% power this is my 50% you made me go to 75%" and Goku's like, "Okay. My dude. What's this about, for real?

This, incidentally, is not a great translation. What Goku's saying here is supposed to be basically, "Perhaps when you use your full power, your body can't handle it."

He is correct.

Frieza's Full Power has a lot in common with Super Saiyan 3. His theoretical maximum ability is wildly different from the reality of what he's capable of, because he bleeds ki like it's going out of style.

So, while other characters wound up earning transformations that make them more powerful, Frieza created a transformation to seal away some of his incomprehensible ki.

Then he created a couple more because even though he could now control his strength and even manipulate the amount of ki he's releasing at a time, he was still too powerful for anyone to ever compete with and needed even more ki sealed away.

Again, not a fantastic translation from the people who brought us "bottom-tier boy", as Frieza's statement here could be interpreted as saying that he gets taken by a berserker rage or something.

What he's saying is more like, "My power is so great that I can't properly contain it."

Point is, Frieza transformed to lock down his ki and seal parts of it away, so he could control the rest better. Then he kept going, locking away more and more and more of his ki. And even at his most nerfed, he's still five times more powerful than the Second Strongest Guy in the Universe.

Frieza has never in his life had the opportunity to be pushed. That's what makes Goku so enthralling to him.

Frieza plays with Goku because he's genuinely having the time of his life. This guy can fight him in his Final Form. Nobody can fight him in his Final Form. He's so happy, he straight-up forgets that he's trying to complete a genocide against Goku's entire race.

He said that five minutes ago. Gohan's hidden power freaked Frieza the fuck out. Saiyans are too strong now. They've gotten too strong. Frieza cannot permit them to keep existing because they're getting strong. Every last Saiyan, every last one, must die. Every single one. Scorched earth, no survivors.

But then he meets a Saiyan martial artist who's a technical master and pushes him more than he ever thought possible and suddenly:

He goes from "Saiyans are TOO STRONG and they all must die because they might threaten me" to "OH MY GOD I'M HAVING SO MUCH FUN CAN I KEEP YOU!?"

It's this desire for a true rival, this opportunity to satisfy his amateur's curiosity about martial arts, that ultimately unravels him. Frieza has one ruthless and pragmatic option for ending this fight once it starts to be too much for him. He can technically stop the fight any time he wants.

But he can't bring himself to do it. He wants to fight. He wants to compete. Frieza's been on the outside looking in at martial arts for his entire life and even when his greatest fears are fulfilled and the Super Saiyan is in front of him, he wants to try.

So when he does attempt to pull his Lethal Ragequit, he pulls back at the last second. He can't bring himself to do it. Goku initially assesses that Frieza held back out of fear of hurting himself.

But later, as Frieza begins unlocking the final chains on his ki, Goku changes his assessment. Noting that if Frieza really held back simply out of a mistake, he could have shot the planet again at any point to finish the job. He's been letting this play out because he can't bring himself to end the greatest fight of his life that way.

This fight is still happening because Frieza wants to compete. I mean, he wants to win, of course, but he wants to win as a martial artist. He's never truly gotten to be a martial artist before.

He is not the guy winning the gold medal at the Tenkaichi Budokai. He has never been that guy. He's the guy who buys up the land the Tenkaichi Budokai is held on and then bulldozes all the people off of it. But in his heart of hearts, he wants to be that guy. That guy is so cool. Frieza wants to play too.

In a sense, by hosting the Cell Games, Cell got to live Frieza's greatest fantasy.

This is who Frieza is. He's the cruel and wicked heir to Genocide Realtors Inc., who is in love with the idea of being Tenshinhan - A desire that exists at odds with - and undermines - his pragmatic business sense, so to speak.

He is the most vile character in the history of Dragon Ball. The worst kind of person. He is also an overeager child whose wealth and privilege prevents him from ever truly enjoying his hobbies, to an extent that he'd be almost pitiable but for all the genocides.

And he is Dragon Ball's greatest villain.

[absolutebl]

This Week in BL - Screw everything else inject On1y into my damn veins

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 4

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 5-6 of 12 - Extreme introvert dealing with a very hot, very drunk, very affectionate extrovert was an excellent experience all around. “I was drunk and talking out of my ass, but I wasn’t lying” maybe one of the world’s greatest confessions. How meta that he’s checking out the book of the story that he’s in. Carry on boys, very enjoyable, very Thai BL.

My Love Mix-Up Th (Fri YT) ep 12 fin - It’s cute. They are all very cute. I do like it when high school BL gives us a coming out sequence. I know it’s old-fashioned, but it’s a trope that goes with this particular setting really well, and I just like it when it’s done nicely. I’m not sure I needed it to totally dominate the final episode of the series. But it was fine.

I gotta say, Fourth is an absolutely outstanding actor. He really did knocked it out of the park in this last episode especially. 

In conclusion:

It was fine and it was charming, but it was also a little lackluster. Thailand managed to take one of Japan's softest cutest most bonkers BLs in recent memory and make it softer and cuter and... dull. They did this by watering it down. JBLs almost always have an edge to them, even the rom-coms, by dulling the edge, MLMU lost a great deal of the sparkle and tension as well. What an office setting managed to mostly maintain in the consummate hands of TayNew felt somewhat lackluster when handed off to the next generation and a high school setting. Cherry Magic was a lovely reinterpretation, Mix Up was an amateur's watercolor rendition of a colorful oil painting. Am I being harsh? G4 tried their best, and Fourth turned in some outrageously good acting in the latter half. But the show? It was fine. If you like water colors and you haven't seen (and loved) Kieta Hatsukoi. 8/10

This Love Doesn't Have Long Beans (Fri iQIYI) ep 8 fin - This was the first hint we got that the lead's relationship was anything more than sexual. And it was utilized for a breakup?! JJ and Wan's friendship is the best thing about this show. PWan selling JJ out to Methas was great. I was modestly delighted by the big fuck off ownership engagement ring. I admire a boy who likes to mark his territory with bling. I actually thought this was a decent final episode. If very rushed. I know, in general this ending was objectively weak, but I grinned the entire time, so I can’t really complain that much.

Final thoughts?

A story about a kid who infiltrates a cooking competition under false pretenses and then has to deal with the consequences when he falls in love with the head chef. The side couple is a poor little rich boy meets physical therapist (morality chain). The core friendships are excellent and the chemistry cannot be faulted across the (charcuterie) board. What this show lacks in substance it makes up for in health code violations. It was all chili all the time. Considering that the plot centered on betrayal but the romantic relationship never sweetened enough to balance that bitterness; one could be forgiven for throwing this one in the compost. But I got over all its weaknesses in flavor balancing for an ultimately satisfying meal, with a great dessert course. I've always loved spicy food. Plus the blooper reels were fantastic. 8/10

Addicted Heroin (Thai Tues WeTV) ep 2 of 10 - I like the side couple a lot. It’s nice to see that dynamic developed (as it wasn't in the CBL version). Of course, Thailand leans into a secondary couple, but I also like the super popular jock + geeky boy who couldn’t care less. You know what? I’m actually really enjoying this. And yes, I AM biased because it's August. (Wait, that could be taken several different ways this month. But you know what I mean.) Anygay, this is a lot softer than the original, and so Hero is much more of a pining character and less harsh. But I'm still enjoying it. I like the stepbrothers trope (we don’t get it very much from Thailand), and I enjoy the beats and pulses of this particular story. We will see if it derails into inconsequence and lack of conflict the way My Love Mixup did.  

Sunset X Vibes (Sat iQIYI) ep 11 of 12 - I’m enjoying this show but it should’ve been just 10 eps. It’s feeling bloated at this juncture. That said, I loved our little GL kiss. Very pretty. I also really like the bit with Sam and Yo flirting with each other. Sam trying to get Yo to call him P'Sam was fucking brilliant. And then slipping in all of those nongs. Delightful. Linguistic negotiation, it's what's for dinner... along with Sam's d**k apparently. I frankly did not think they would take this couple that far. So, thank you very much everybody involved.

Battle of the Writers (Sun YT) ep 4 of 12 - I do enjoy watching Yim freak out and fall in love all over again. The reality is still better for me than the fantasy parts, but it’s all fun enough. The magic mushrooms bit was odd. In fact, there is definitely a core tenor of ODD going on with the show. Which I’m accustomed to from Japan but I’m not really sure about from Thailand. Thus I remain engaged but suspicious of this BL. 

I Saw You in My Dream (Weds Gaga) ep 6 of 12 - Yu wants to take his baby on a trip, gets thwarted by his younger brother. Ouch. I really do think it’s time for Ai to tell Yu what’s going on with his dreams! Drunken boyfriend bolster pillow is a fav trope of mine. As usual, I’m catching second lead syndrome. What? I liked the rich boy badminton player. And then he picked up a guitar. Oh well.

The Trainee (Sun YouTube) ep 8 of 12 - No one cares about the hets. He was jelly? Cute. Also kinda an arse, by hey this is BL. 

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 1-2 of 12 - announced in 2023, high school, stepbrothers, and is reputed to be high heat. Based on a novel Mou Mou + the Your Name Engraved Herein team.

ARE YOU READY? I'M GOING TO NOT SO QUIETLY LOSE MY DAMN MIND

This is old-school BL and it’s bloody fantastic. Tsundere seme to beat all tsundere (smartest + tallest + bestest at everything but people) meets socially-ept cutie smart-ass protag.

They living together by end of ep 1 and start kissing by end of ep 2.

There is an Unknown quality to this, and that I love. Also, and ironic to say this while Addicted Heroin Th is airing, but this REALLY reminds me of Addicted. It’s so fucking good. I am all in on this show. Shut up while this eats my life.

Cosmetic Playlover (Japan Tues Gaga) eps 5-6 of 8 - Of course! The POV shift to the seme character at ep 5! How could I forget? Japan loves this beat! AND.... The running of the gays. And a use of a first name! So darling. Also some crazy great communication and conversation that is NOT a hallmark of Japan. Sahashi is so very possessive. I loved the switch that went on in his brain and the mania in his eyes when he thought someone else was interested in Natsume. I continue to love this.

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 10 of 12 - I’m never going to like Maya. Sorry. And the leads were separated for most of this episodes so it was largely disappointing. I did like the insight into the way T sees the world, and sees the alienation of a disability and what it's dong to his friend. It’s very empathic. He’s such an appealing character in his obtuse bull-headed way.

Seoul Blues (Korea Fri? YouTube) ep 2 of 8 - It’s intriguing, and I'm happy to have anything from Korea on my dash. But, like Blue Boys, I’m not entirely sure if I like it or not.

First Note Of Love (Taiwan Mon Gaga) eps 3-4 of 12 - This may be Taiwan but I’m still in the "no singing" camp. I’m getting a slightly better chemistry feel off the leads in this episode. I’m not sure if they’re keeping it stiff because the younger character is under age or if it’s just that the actors aren’t there yet? (In other words is this a directing choice or a performance issue?)

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 8 of 10 - I've finally come down firmly on the fact that it’s the uneven power distribution (in terms of interest and enthusiasm for the relationship) that I dislike about this show. Generally, I like a power dynamic differential, kinky and all that. But this particular dynamic, when it’s the weaker personality that’s so much more into the stronger one? I never like it, unless it engages a serious pivot at some point. (See My Personal Weatherman or Takara & Amagi.)

It's airing but...

Sugar Dog Life (Japan Sun grey) ep 3 of 10 - I was really loving this one but I can't find ep 3 anywhere so I guess I gotta wait it out. I hope I get to see it eventually.

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. If I have time, I'll get caught up and put it into rotation.

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging.

The Time of Fever AKA Unintentional Love Story 2 (Korea movie) trailer IS COMING IN SEPTEMBER!!!! (Yeah this is gonna sit here until then).

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming Next Month:

The Time of Fever (Korea)

9/1 Live in Love (Thai)

9/3 Happy of the End (Japan)

9/6 Kidnap (Thai)

9/7 The Hidden Moon (Thai)

9/9 Jack & Joker (Thai)

9/14 Love Sick 2024 (Thai)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan)

More deets next week. It's late and I'm tired.

THIS WEEK’S BEST MOMENTS

It was pretty. I am very shallow.

Even more pretty. Petition to have Tenon with his shirt off and hair back in every subsequent Thai BL? Just because.

(SunsetXVibes)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[lockedtombbrainworms]

I think Ianthe has to meet some horrible fate in Alecto, to be honest. That's not because she's a bad person and deserves punishment, that's not what I'm on about - this isn't an aesop's fable and I don't want it to be one. No, Ianthe has to end up dead (or worse) because lyctorhood is a horror story, the premise of which is "what if there was a way to be unimaginably powerful but it came at a terrible, terrible price?". We've seen lyctorhood as the horror discovered in a moment of overwhelmed panic by a terrified person in out of their depth (John). We've seen lyctorhood as forced by the person who is the price (Cristabel and Alfred's suicide pact). We've seen lyctorhood as mutual agreement (G1deon and Pyrrha). We've seen lyctorhood as a last desperate attempt by one person to pay the ultimate price to save someone they love (Loveday Heptane) and then we've seen that reflected differently in Gideon and Harrow as Gideon makes her own sacrifice. We've seen lyctorhood (or something adjacent) shown as "the best and truest and kindest thing we can do in this moment", as Camilla and Palamedes, who are already doomed at that point, die, and Paul is born. And we've seen Ianthe. Someone who thought she'd found a way, in her brilliance, to avoid paying the price. A way to attain lyctorhood without the person she loved most in the world having to die. And in keeping with the fact that this is a horror story, there's a flaw in her logic, because nobody, no matter how brilliant, can have the power without paying the price. It's not about the narrative punishing her for cheating (or at least trying to cheat). It's not about the narrative punishing her for any of the other things she's done. It's just another exploration of the ways people respond when the option of gaining power at a terrible price is presented to them, and the ways in which that will fuck them up. Lyctorhood has already destroyed Ianthe Tridentarius just like it's destroyed everyone else. She's a fascinating character and I can't wait to see how they tie up her arc.

[anachronistic-falsehood]

Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery

alright sit the fuck down. we're gonna talk about THEMES

I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3

Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.

Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.

Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.

This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.

This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?

Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)

This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.

These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.

Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.

Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.

Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.

They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."

Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.

Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3

And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.

There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!

Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you

[weebsinstash]

losing my mind over the idea of Lucifer being swerved every time by an oblivious reader. He “casually” drops how he used to pull wives at the drop of a hat and reader just goes “that’s great Lucy ☺️” and wanders off while bro is going through the stages of grief

I just love the idea of like, a Reader who GENUINELY IS oblivious and isn't trying to troll him by any means, you ARE just completely unable to fathom this man is coming on to you or legitimately means the things he says.

You're sitting there after Husker made you a tequila for the first time and you're sipping on it and Lucifer's just plopping down in the next stool over, "there was once a time in the past I shared a tequila with a woman, and, well, let's just say 9 months later my daughter Charlie was born!" and you reply without any hesitation at all, "yeah! you know, this is my first time trying tequila but I think it's really nice, although everything Husker makes me is pretty tasty so I've been trying lots of new stuff recently! like the other night I had my first shot of absinthe with Alastor and the taste was so--" and Husker is FACEPALMING and Lucifer is... honestly I think it would be really cute if he ADORES when you show your interests and passions when you start ranting about stuff, so he's like, even when he's mentally gritting his teeth with frustration, he'll be sitting there watching you doe eyed for as long as you want to talk, entertaining any of your long winded tangents or rapidly changing conversational topics

Ugh... you don't understand... the allure of being a tiny fragile human and he's. Well also tiny but he's this ancient inhuman creature who's also just A Silly Loving Family Man. Like. He's ALL POWERFUL. He can pull you into a singing dancing musical where he can make whatever he wants appear, he CAN basically warp materials and reality however he pleases, like... just...he's the small full package who probably HAS a full package if you know what I mean 😏 don't even look at me but characters like him n deku got me thinking about being fawned over by cute guys who are shorter than you but can absolutely easily overpower you without breaking a sweat and are more hung than nature should really allow

Seduction can be a fine line between sexy and cringey and can you imagine he says something to you that just, it just does NOT land. He's got you on your back in your bed and he's above you, with his hand directly under your chin, and he purrs that he wants to plant his seed directly in the fertile soil of your garden and you just LAUGH IN HIS FACE, like "BITCH WHAT?!" Like you CRUSH HIM, FATALITY, man is suffering psychic and emotional damage, you are chipping away at his health bar as you sit there "Haha, you're so goofy Mr Morningstar 🤣 you always know how to make me laugh" and he's HUFFING and laughing in frustration, "OKAY, let's try this again! When I'm done with you, Charlie might have a new sibling on the way!"

"Awww thank you! Charlie's already like a sister to me but I'm glad you're seeing it literally 🥰"

Can you imagine it. The ultimate cockblock. Giving him the ultimate swerve, hitting him with the ultimate grand slam, "YOU'RE LIKE THE FATHER I NEVER HAD" like, how can he possibly stick his dick in you now he knows you see him as YOUR DAD 🥺❤️ He can't VIOLATE his BABY (or can he 😳🤔)

Can't stop thinking about Reader who is completely unaware that this man is unhinged levels of Down Bad until the very moment he's wrestling you down to either fuck you or have a full on love confession. You're just goofing around and palling around and occasionally giving him hugs where you smush your titties or whatever in his face because he's the perfect height and you love to tease him and, then, to YOU, he's 'suddenly without warning' trying to kiss you, say all these passionate things to you, putting his hands in places they've never been before--

I'm still hung up on... the idea of Lucifer impregnating the Reader and you have your little you know cute apple womb tattoo and. I just know he'd be fussing and cooing and like ANNOYING levels of lovey dovey, baby talking your belly before you're even showing. He'd wanna get married with a big fancy flashy wedding to show you off. He'd wanna announce to all of Hell he has a new spouse and want everyone to fear/worship/respect/adore you. He's making this baby SO MANY GIFTS with his own two hands, you have no idea. Duck themed cribs, duck themed onesies, duck themed ducks, he'll make it all! In fact he'll make too many! But, still not enough to satisfy him! Everything has to be perfect, for you, for the baby, for his growing lovely family!

I dunno. Don't expect me to be normal about the fact the man can shapeshift either... he's about to slither right into my incognito tabs...

[offbrandtoaster]

I feel like Grace is being done a little dirty. Because my read on her character is way different than everyone else's. I see a lot of people read her as inherently bad or evil, but I read her as a genuinely good person raised in an evil environment (that is, fundamental Christianity.)

In Perky's Buds, although she's trying to shut down the pot farm, she's not even doing it because she hates pot. She's doing it because Nighthawks are getting stoned and put into danger. And even when Emma runs into her at the end, Grace isn't mean to her. Even after Emma sprayed her with literal shit, Grace is surprisingly kind, and while she assumes Emma is just delusional from smoking too much pot, she still has the foresight and awareness to realize Emma had put herself in a bad situation and called the authorities to help her (mind, it was a Hatchetfield cop, but a girl raised as she was wouldn't have the social awareness of why that is bad.)

In Abstinence Camp, everyone talks about how she has the axe by the end and takes the Axeman's place as the killer. And while she DOES kinda threaten everyone with the presence of it, she doesn't make an attempt to use it (albeit this is the end of the episode so). She throws herself over Steph to protect her from an axe, and genuinely views her as her best friend. And she doesn't even agree with the punishment of the sexually active teens, she believes they need to participate in order to recover.

Grace is arguably at her most antagonistic in Nerdy Prudes Must Die. But her villain song at the end specifically references how her victims are other people who participated in the bullying of the Nerdy Prudes, and she's now taking HER revenge to protect them.

In all 3 cases though, her most negative decisions, or the ones that trigger her downfall, are not due to Hatchetfield craziness but her religion. The police are good and help us (WASPs that is.) God says sex is bad so I'll intimidate everyone to stay here. God says sex is bad, so we need to get back at Jagerman!

And like... I feel bad for Grace. Because I WAS Grace. I grew up with a lot of guilt for being gay. I bought into every bullshit Abstinence program, because "That makes me one of the good ones". Even after realizing it was all bullshit rhetoric, that shit stays with you for so fucking long. I was that Nerdy Prude, well meaning but ultimately intolerable to be around lol.

So like... you go Grace, be your Nerdy Prude self and hopefully if we ever get an ending to Hatchetfield where you're all ever able to survive, you grow out of it!