#and me having to stop and explain

[pidgydraws]

💙 comfort 💙

i haven't had time to finish anything lately~ but i can't stop making new sketches lol

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[koipepo]

That omake of little Kabru not being able to show off his howetown sweets because of Misril gets to me a lot so...

Here's a happier Kabru (and Lairu)

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

[First] Prev <–-> Next

[ewwww-what]

FIG AND RIZ INTERACTIONS PLEASE PLEASE PLEASEEEEEE (bonus points for aroace riz) ILYY

Yeah okay

[eatingsomegreeneggos]

My uh- My hand slipped 🌟

[rillils]

thinking about how bucky always says steve’s name like it comes right from his soul.

thinking about the innocence of that one sweet syllable leaving his lips in kreischberg, when he’s strapped to a table and barely keeping his grasp on reality, and how he smiles when he says it,

“steve”,

tender on his breath, and how he sighs it again while steve gathers him up into his arms, like it’s a balm, like it’s all the solace he needed, like this is all it took to make his pain go away for a blissful moment.

thinking about how cautiously he keeps his distance from steve in his apartment in bucharest; how he tries to protect himself, protect them both, by acting like he doesn’t remember – and still he slips up and says,

“you’re steve,” soft and a little hoarse and all too intimate, like it was only yesterday that he last called steve’s name out loud. and then he tries to fix that by attaching “i read about you in a museum” at the end, but it’s too late, his heart has already spoken before his mouth could stop it, the cat’s out of the bag now and there’s no shoving it back in.

thinking about how he wakes up later, finally in charge of his own body again, sore and exhausted and confused, and steve’s name is the first word on his lips, again, always,

and it’s so raw and vulnerable and it sounds so much like “i’m sorry”, sorry i lied to you, sorry i’ve been away for so long, sorry i’m still a weapon they can use against you, and it sounds a little bit like surrender too, like he’s done denying how he feels, and you can see the relief in his smile when he finally admits that of course, of course he knows steve, he’s in the marrow of bucky’s bones, a hundred years of torture couldn’t sap him out of bucky’s system – and bucky knows that because they’ve tried, they’ve already tried and it didn’t stick.

how many times do you think he curled up in a corner of his cell, back when hydra was first breaking him, and whispered steve’s name over and over in the ice-cold silence, reaching for any feeble memory of steve’s face, his voice, before it slipped between his fingers again?

how many times do you think they dragged him out of his cryo chamber, soaked and trembling, and heard him murmur steve’s name before he was even fully awake?

bucky didn’t even realize he’d said it, or what the word even meant. all he knew was the sudden sting of a slap across his face, and vicious hands pushing him into the chair more brusquely than usual, and not even knowing why.

how many times do you think he rolled over on his lumpy mattress in bucharest, only half-awake, and mumbled steve’s name, hand seeking the warm body that was supposed to be there next to him, chasing the dream-like memory of blond hair tickling his nose in the morning, of cold toes pressed against his shins and a slim arm slung over his waist – just to wake up in the gray light of dawn and find that he was still alone?

how many nights did he spend in wakanda, lying alone in his bed, warmed only by steve’s voice on the phone promising him “soon”, “just a couple more weeks”, telling bucky how much he missed him? how much did his chest ache every time he murmured that final “goodnight, steve,” before they hung up, just so steve’s name would be the last word he said before he fell asleep?

but i like to think that there comes one morning, eventually, when bucky wakes up to an arm wrapped protectively around his waist, and two cold feet tucked between his ankles, and the inviting warmth of a body pressed snugly at his back.

he calls the name softly,

“steve?”

and the man curled around him stirs, snuffles against the meat of bucky’s shoulder, pressing a drowsy “mmmm?” into bucky’s skin.

bucky only realizes he’s smiling when he goes to turn his face into the pillow, happiness flowing fire-bright and golden in his veins.

“shh, sorry, sorry,” he shushes steve quietly, burrowing back into his embrace, as far as steve will let him. “go back to sleep, doll.”

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[bossuary]

So, the companions each have their dialogue with Solas as you make the endgame push to confront Elgar'nan.

But I...see, I have a question about whether or not that's the first time any of them interact with him after Tearstone. Does the game make it clear where Solas emerges when he escapes from the regret prison? Because if he comes out where Rook went IN...hooboy.

Rook gets blasted into the I've Made a Huge Mistake Museum. Solas takes the dagger from them and cuts his way back into the world. Does Solas come out...like...right there where Rook got zapped?

Because I am dying for that scene.

Really just NEED TO KNOW what the companions say to Captain Inevitable Betrayal when he pops out of the Fade without Rook.

As Solas strides past whoever is left on Tearstone Island, giving the corpse of Ghilan'nain one of his patented Sad Smiles...

Does Taash take a flaming berserker run at him? Nevermind getting swatted away, just rolling back up onto their feet, smoke billowing.

Does Emmrich set his jaw against incivility, swallowing the thousand forbidden curses he has called to mind in favor of a reasonable greeting or question?

Does Harding crackle with an unyielding blue power as she lifts a wall of stone in his way, demanding answers as a titan, as a friend?

Does Lucanis move to strike when Taash moves--he and Spite having adapted to the benefits of a pack hunt--with a godkiller tremor still pulsing in his limbs?

Does Bellara appeal to memory, to who Solas was, her voice strengthened by the hardest-earned lessons, to ask where Wisdom can be found in any of this destruction?

Does Neve look at the faint scratches on his ancient armor, the tension in the way he grips the dagger, and ask Solas to explain why power makes him think he's right.

Do Davrin and Assan block the way as they were always meant to, a last line of defense between Solas and the world he intends to destroy?

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

A knock on the door was not what Danny was expecting that evening. In the two weeks of observation and one week of actually staying with the man, Danny had figured that Dick, for as friendly as he is, did not have many friends. And if he did, they didn't visit him a lot, if at all. So, a knock on the door exactly thirty minutes before Nightwing was set to go out was a suspicious surprise.

He answered it anyway.

On the other side of the door was a kid about his age, an inch or two taller. He had dark hair, pale skin, bright blue eyes, and eyebags dark enough to rival Danny's own. He also smelled faintly of coffee.

"Um," Danny started dumbly. "Hello?"

"I'm looking for Richard Grayson." The kid's accent was stronger than Dick's, putting him as a born and raised Gotham resident. There was also a hint of something that reminded Danny of Sam's parents. This kid comes from money.

"And you are?"

Obviously upset about being stalled, he huffed, "Timothy Drake. Are you going to let me in now?"

How does someone sound so rude and so polite at the same time? Obviously a skill Danny needs to learn. "Why-"

"Who's at the door, Danny?" Dick called from the hallway, making his way closer. He was in his Nightwing costume, minus the mask, but had covered it with a hoodie and sweatpants.

"Tim Drake," Tim introduced himself again, pushing Danny out of the way and entering the apartment to greet Dick with a handshake. "You're Bruce's Wayne's kid, Richard 'Dick' Grayson."

"Yeah, that's-"

"You need to come back and be Robin again."

There was a moment of silence as Danny closed the door softly. Then, "Excuse me?" Dick's smile was strained and his eyes narrowed slightly.

"You need to come back and be Batman's Robin again. You don't have to don the suit, but he needs you." There was a hint of desperation in Tim's voice now. "He's been spiraling since Jason died, and he's starting to hit harder. Most of the guys he beats up end up in the emergency room! Some of them have even died from their injuries! Batman needs your help! He needs a Robin."

Dick was quiet for a moment. "No."

"What?"

"I won't- I can't go back to being Robin. I can't go back to being in that house."

"Why not?"

"I just can't. Now, I don't know how you found me or how you found out who I was, but you need to go back to Gotham, Tim."

"But-"

"Now, Tim. You're parent's are probably freaking out about where you are right now."

Tim didn't say anything for a long moment, he feet rooted in place. Just as Dick turned around to go to the fire escape, he spoke, "My parents don't care where I am." Louder, he said, "Bruce is going to start directly killing people if you don't go back there and help him."

"Why should I help him?" Dick demanded. "He didn't even tell me that my little brother had died! I didn't even get to go to his funeral! And then Bruce had the audacity to punch me in the face and blame me for not being there! I'm not going back to Gotham, I'm not putting on the Robin suit again, and I sure as hell am not going to help Batman. he made it clear that he works alone, so let him." With his peace said, Dick took his hoodie and sweatpants off, donned his domino and escrima sticks, and left through the window fifteen minutes early.

Neither Tim nor Danny said anything for a long few minutes, neither bothering to move. Too many thoughts in each of their heads with no way to properly form words.

Finally, after nearly seven minutes, Danny's voice broke through the air. "I'm sorry he yelled at you."

Tim, having forgotten Danny was there, jumped and turned to face him. "What?"

"He hasn't been the same since Jason died, not that I know what he was like before."

"What do you mean?"

Danny moved into the kitchen, pulling down two cups, filling them with water before offering one to Tim and leading him to sit down on the couch.

"I don't know a lot about the situation, I've only been here for three weeks now, but I know that Dick is still hurting. Nightmares, hallucinations, the works. He's been more violent recently, too, but obviously not as much as Batman has been."

"You, uh, you know?"

"Yeah. Kinda hard not to figure it out while living here, and you coming in today didn't help that." Tim blushed and sipped his water. "Though, like you, I showed up on Dick's doorstep already knowing he's Nightwing."

"Oh? And how well did that pan out for you?"

Danny shrugged. "I offered him help and refused to leave until he accepted it."

Tim laughed. "That's what I did to Bruce!"

They shared a smile. Danny lifted his cup as if to toast. "Here's to a couple of goblins with hero complexes." Tim lifted his cup to join Danny's toast and they both took a drink.

Giggling, the two finished their water in relative quiet, the air around them comfortable.

"Say," Tim asked, putting his cup down on the coffee table, "How old are you?"

"Fourteen. You?"

"Same."

"Cool."

"You're parents know where you are?"

"Nope. I would ask if yours do, but you already answered that."

"Yeah, they aren't really around much. I did tell Alfred I'd be gone, though, so he knows I'm not home."

"Yeah, but does he know you're here?"

"No."

"Hm." A beat. "Who's Alfred?"

Another laugh startled out of Tim. "Bruce's butler. Did Dick tell you nothing?"

Danny shrugged again. "I haven't pushed for answers about anything; I'm not a therapist. I'm just here because he's going to end up killing himself at the rate he's been working himself."

"So is Bruce," Tim admitted softly, "But he's going to end up taking Gotham down with him if no one stops him."

"So what are you going to do?"

He thought for a long minute, weighing options in his mind before saying, "I guess I'll have to be the help he needs me to be."

Danny tilted his head sideways like a dog. "What do you mean?"

Tim squared his shoulders, though he was still hesitant. "Batman needs a Robin, and if Dick isn't going to be that for him, then I guess I'll have to be."

Another beat. "But do you want to be a vigilante?"

"Does it matter if I want to be?" Tim asks, "If I don't then no one will." He took a deep, steadying breath. "Gotham is my home. I can't let Bruce destroy it in his grief."

"I understand." Danny nodded, "But what you want does matter. I know I can't stop you, so I'm not going to try, but I'm going to make you promise me something." He made sure to hold Tim's gaze. "You ask for help when you need it." He held out his hand and waited.

"What?"

"You're phone. Give it to me." Reluctantly, he did so. As soon as the flip phone was in his hand, Danny put his number in it before giving it back. 'You don't have to do this alone, okay, Tim? Promise that you'll call me when you need help, okay? Any time of day, I'll answer."

Tim stared at his now closed phone, the weight grounding him for a moment. "Are you going to be a vigilante to help Nightwing?"

"I already am."

"Huh?"

"It's why I'm here, It's why I know I can't stop you and why I'm making sure you know I'll be here to help you."

Nothing else was said between the boys. Nothing else needed to be said.

Part 7 Part 9

Tag List: @flame-343 @ghestie93 @anarinette @aglmry @peachtreewriter @evix-syne666 @loudlypanickinginvenezolano @lumosfeather18581 @blueliac @talia-scar123 @cyber-geist @violet-foxe @currentfandomkick @jaguarthecat @moonchild0924 @tonicmii @bushbees @idekwutoput @justalittleghostkid

[unpretty]

reading what happened to season two of 'the real adventures of johnny quest' really is like. the nightmare fucking scenario. you make one season of a show where you try to bring back an old pulp show but turn it into something grounded and cool without the racism or sexism but with real cool science, and then season two they just hand it over to some guys who are like "yeah we're going to bring the racism and sexism back, also real science sucks so everything is magic now"

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[gifti3]

right now i seem like im normal but i promise you that im not

[poorly-drawn-mdzs]

This one is dedicated to @shirokokuro, who made a lifeguard AU fic to fill the void where there was none.

Read it here! It's great: https://archiveofourown.org/works/51598429

[julijbee]

girlbossing too close to the sun.

[bunnieswithknives]

hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?

I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss

OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.

The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))

So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!

The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.