#and never write down any of that

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[thevoidstaredback]

Enough Caffeine to Kill an Elephant

Listen. It was an accident. He didn't mean to! It just kinda happened.

So maybe he brought a drink with enough caffeine in it to kill an elephant within a few minutes, and maybe he forgot to put the sleeve on his cup so he could tell it apart from the others, but it's not his fault! He didn't think anyone else was going to have the exact same Yeti cup as him! It's not like he'd seen any of the others carry one before. Besides, he worked with superheros. They should be smart enough to check before drinking someone else's drink.

Danny had been summoned by the Justice League Dark a few years back in order to help with a world ending crisis and he just didn't leave. It's not like he could go anywhere anyway. His ghost half hadn't grown past fourteen and his human half had stopped visibly aging at eighteen. He'd had to leave town as Danny Fenton, but he'd stayed in Amity Park as Danny Phantom. When his parents died of old age, thank god, he'd closed down the portal, stuck around for a few more years, before traveling the world as Danny Fenton.

Anyway, he'd taken up residence in the House of Mysteries after the JLD had summoned him. Constantine, at first, had been wary, but he and the rest of the JLD had grown to accept him. He was an honorary member of the team.

At some point, just after Robin had become Red Robin, Danny had been introduced to the Justice League. He liked those guys, too, and worked with them sometimes. Though, he usually only went to bug them.

Red Robin had been very interested in the fact that his was fourteen and working with grown heros, like he was one to talk, but Danny hadn't explained anything other than saying that he had died and come back. The following conversation was an interesting one that lead to Danny knowing that Nightwing was the Batman he'd met and that Batman was lost somewhere. He'd confirmed that the man was not dead, but he hadn't offered to help look for him. He probably should have, in retrospect.

Back on topic! Everyone in the JLD knew not to touch Danny's drink. They'd all seen him make it before and had been horrified on varying degrees. It's not like it could kill him. He's already half dead! So long as he only drank this specific brew as Phantom, he'd be fine.

The Justice League, apparently, didn't get the memo. He blames Constantine because Zatanna and Raven can do no wrong. No, John, he's not biased.

The point is, Red Robin just had a sip of Danny's drink. The horror he now felt was akin to the fear he held when he'd told his parents he was Phantom. (An interaction that had gone very well, thank you very much.)

Danny knew the exact moment that the vigilante realized he grabbed the wrong drink. His eyes widened to an astonishing degree, and, if he'd been able to seen his eyes behind the mask, Danny knew that the man's pupils would've completely overtaken the irises. His hands started shaking, too. Oh, no. The man's already addicted to hellish amounts of coffee. This is only going to make it worse!

Quickly, and without drawing any attention, thank the Ancients, Danny rushed over. "You, um, you okay, man?" Obviously not, but he tends to talk when he's anxious and he was certainly anxious right now. He could've possibly just killed a man via poison!

"What the fuck is in this coffee?" Red Robin asked, going to take another sip.

Danny pulled the Yeti from his hand and gave him the proper one. "Enough caffeine to kill an elephant."

"Obviously not, seeing as I'm still alive."

"Yeah, I can't tell if that's a good thing or not."

"Excuse me?"

"I-I mean-! I didn't-! You know what I mean." Caffeine is poisonous in excess, and his drink was way beyond excess, but it's the only thing that works for him as a ghost! Superpowered metabolism and all that.

"Do I?" The laugh in his voice answered for him. He took a sip from his drink and frowned at it. "I don't think any coffee will ever be enough again."

"And that's my cue to get my drink very far away from you." Danny turned, fully intent on moving to the other side of the room. Besides, the meeting was going to start as soon as the Flash and Kid Flash arrived, which would be soon. Something about one of their Rouges getting out?

"What?" Red Robin asked, "Why?" If he was a little desperate to get another sip of that coffee, he'd rather not acknowledge it.

"Because you don't need anymore lethal coffee," he muttered, "The sip you took will already keep you awake for three days at least, and it probably jump started an addiction. Best to stop it now. Besides, I need to go have my crisis on how the hell you're still alive after even a sip of this stuff."

"Again, rude." The bird themed vigilante crossed his arms as best he could while holding his cup. "If it's so dangerous, why do you drink it?"

Danny took a deliberate sip as he locked eyes with the technically younger man. "I'm dead. I don't need to worry about my heart stopping or having a seizure."

"Excuses."

"No, it's not 'excuses'. I'm saving your life."

"You're a kid. If I can't have that coffee, then you shouldn't be having it."

"First, I'm older than you. Second, I already told you: I'm dead. This isn't going to hurt me. Third, you can't tell me what to do."

"There's no way you're older than me. You're like, ten."

"I'm thirty-eight!" He balked, "I only look fourteen because I died when I was fourteen. We've been over this."

Neither noticed the entire Justice League looking at them. The two they were waiting on had arrived a few minutes ago and everyone was ready to start the meeting, but they'd been distracted by the two's conversation. Was that true? Had Phantom really died so young? They'd all been made aware he was not living, but they didn't think he'd died so young! Though, that was probably the denial speaking.

The Justice League Dark had been fully aware of this and didn't really bat an eye. Though, someone should probably get this meeting started. A potentially world ending threat was the topic, and that was a pretty important thing to discuss.

Captain Marvel was the first to pull himself together, though that was only after Atlas and Zeus had mentally slapped him out of his stupur. "As, ah, riveting as this conversation is," he stepped between the two boys- er, boy and man? "we really need to start this meeting."

Batman did not clear his throat because he'd not lost his voice in the first place. "He's right. Everyone take your seats."

Storyboard Part 2

[poorly-drawn-mdzs]

He is at his limit.

[First] Prev <–-> Next

[justaz]

arthur (prince of camelot) still has to study under a tutor bc yknow uther wants him to be very intelligent before becoming king or something bc its super important idk idc anyways merlin is doing chores in his chambers while arthur is squinting at a book and merlin eventually caves and asks him what he’s reading and arthur gruffly explains that its a collection of stories from greece that make absolutely no sense so merlin asks him to read them outloud to him. arthur of course teases him and calls him an idiot and asks how he could possibly help but does as he’s asked and reads the stories to merlin as he does his chores. merlin (being crushed under the weight of destiny and tormented by the prophecies that kilgharrah spews) understands the stories almost immediately and gets all excited and starts rambling about them with arthur. arthur is glad to have someone who understands so he can give something that reflects a hint of understanding to his tutor who accepts it and moves onto the next unit of education.

the thing is, arthur finds more stories in camelot’s library and brings them up to his room to read them aloud to merlin under the guise of completing his studies but really he just wants to watch as merlin’s eyes gleam when he understands whats happening and listen to him ramble on and on about them bc he’s gay. the stories stick with merlin though and he realizes that they’re cautionary tales, that the heroes who were told too much of their future doomed themself to fulfill them - that them fighting the prophecies led to their completion. merlin takes it to heart and gives a big “fuck you” to kilgharrah before forging his own fate and helping morgana with her magic and handing out an olive branch to mordred and now everyone can live happily and peacefully in an albion teeming with magic.

[martyrbat]

i love you writers with intellectual disabilities. i love you writers who have a limited vocabulary. i love you writers who struggle with grammar and sentence structures. i love you writers who struggle with executive dysfunction. i love you physically disabled writers. i love you writers who have to have someone else do the typing/writing as you speak outloud. i love you writers who repeat themselves. i love you writers who have to take frequent breaks. i love you writers who are on hiatus. i love you all so, so much.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[ar-mage-ddon]

keykid dump

[transformersbrainrot]

Yall ever think about how Megatron must've compared himself to Orion before the war...

Think about it: You're a miner who got arrested and forced to kill for entertainment, and you have all this righteous anger and resentment towards the world that you yell about into the void, and somehow... somehow, your words resonate with this person who is friends with, practically family, to so many of the Senate and the elite he should be everything you despise but somehow when you meet all he can talk about is how much your words mean to him and how what you're saying is important and valuable. He's everything you never were allowed to be. He has the perfect life, and he looks up to you? Do you think it inspired him to try more? I wonder how much sooner Megatron might've snapped if Orion had never been in the picture? Orion thought so highly of him, and I can't imagine Megatron could think of himself the same way. Even with Orion's encouragement, do you think he thought of himself as bad because Orion was so good and they were so different? I don't think he ever figured out what Orion saw in him, and it breaks my heart.

[jade-of-mourning]

sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.

and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.

he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.

just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)

[lost-in-fandoms]

Thought i would be done but...yeah didn't happen. Part one here.

Living with Max is easy.

He doesn't whine when Daniel is taking care of his leg, he doesn't mind sleeping on some blankets on the floor, next to the fireplace, he offers to help around, and best of all he doesn't ask questions.

Well, not exactly. He asks so many questions. Once he gets over his initial bout of shyness and quiet, he asks questions about Daniel's vegetables, about his horse, about the woods, about the traps, about the animals. He offers his own opinions too, telling Daniel he's growing peas in too much shade and that he's cooking his meat for too long. And, much to Daniel's annoyance, he is often right too.

But he doesn't ask questions about Daniel. He doesn't know if it is because Max doesn't care or because he doesn't want to be asked questions back, but he appreciates being spared the trouble of telling him to mind his own business.

They also work surprisingly well together. Max is older than he initially seemed, dirt, hunger and exhaustion making him look younger, and he seems to know a little bit of everything. Even if he doesn't ask, Daniel is a little curious about what path in life brought him to have such a wide mix of knowledge. He seems to know how to move around the woods without scaring the prey, how to skin and cook animals, how to take care of the vegetables (better than Daniel), how to keep himself and the house clean.

It's nice to have a second pair of hands around, even if the pair of hands should sit down more often to let their leg heal. Not that Max ever listened to that.

And he's funny. Daniel hadn't realised how much he missed just sitting around the table after dinner, talking and laughing with someone else. How good it was to wake up and find the fire already stoked and the water pitch already filled. To have someone to say good morning to who would say it back.

Daniel hadn't been thinking of himself as lonely before, he was content with his choice of life, but he can admit that he likes this. He is glad Max decided to stay and he's glad Max seems to be having a good time too, at least from what Daniel could tell.

This is why, when about three weeks after Max's arrival he wakes up in the middle of the night to the sounds of him moving around the house, his first thought isn't Max is leaving, but something is wrong.

"Are you okay?" he asks, voice scratchy with sleep and way too loud in the quiet of the night.

He watches Max flinch, dropping something, before turning around to face Daniel.

"Go back to sleep," he whispers, too shaky to be a good order. There's something different in his voice, and it only takes Daniel's tired brain a few moments to realise that he had heard those notes before, in the woods about three weeks ago. Fear.

Daniel sits up, eyes finally adjusting to the silver darkness of the room, moonlight streaming through the open windows.

"What's wrong?" he asks again, voice lower, matching Max's whisper.

He listens to the sounds coming from outside, thinking that maybe the men Max was running from have come back, but he can't hear anything unusual in the late summer night.

Max is grabbing what he dropped on the floor, stuffing it into a bag that he must have taken from Daniel's things, but the moment, Daniel doesn't even care about the fact that he's very obviously stealing from him.

"Max, what is happening?" He's getting frustrated now, hates not knowing what is going on, worry and irritation growing together.

He stands up, taking a couple of steps towards Max, wanting to see him better, but he stops when Max flinches back.

"I need to leave," he finally says, voice raspy. It's not an explanation, and Daniel suddenly regrets never asking any questions.

"Why? Where?"

He doesn't want Max to leave. The knowledge of that settles like armor on his chest, safe but heavy. Living with Max isn't just easy, it's good. He doesn't want to go back to an empty house, not after the past weeks have been so nice.

"I...I need..." Max shudders, as if in pain, and Daniel's legs ache with the need of walking closer.

"Did something happen?" Did I do something wrong?

Max shakes his head, jerky and sharp. When he exhales, Daniel can hear him bite back a whine.

He doesn't want to scare Max, but he is confused, and he is worried, and he is not going to let him go without an explanation.

He steps between Max and the door.

"You owe me an explanation," he says, hating the way it makes Max stiffen, unwilling to take it back anyway.

"I don't owe you..." Max snaps, before interrupting himself with half a growl. "You haven't told me anything either!"

"That's different. I'm not running away in the middle of the night."

Max takes a step forward, back tense, and Daniel instinctively braces himself, eyes flying towards the table, where his knife always is, but Max doesn't attack him.

He shivers again, hands clenching around the bag and then letting it fall on the ground with a thump, shoulders slumping as all the fight seems to leave him.

"Please, Daniel, I need to leave. It's...it's not safe."

Max looks up, finally meeting Daniel's eyes, and he's suddenly reminded of what the man had said, so many days ago.

He's dangerous. Cursed.

Max's eyes look weird, blue brighter than ever, almost glowing in the moonlight. His face is twisted in pain and there's the glimmer of sweat gathering at his hairline. None of that would worry Daniel, but there's something...different in him. Something other.

Cursed.

The room seems too bright now. The moon is almost full tonight.

Cursed.

Max had said he hadn't killed anyone, but if this is what Daniel is thinking of...

Max closes his eyes, whole body shivering again, his edges almost blurring with it. Or maybe it's not just a trick of the light. Daniel doesn't know what to think anymore.

He doesn't want Max to go. He doesn't want this to happen.

He steps away from the door.

For a moment, they both stand still, looking at each other.

For a moment, Daniel hopes he'll wake up and it will be morning, and Max will be coming in with the last tomatoes from the garden.

Then Max whines, something low and pained, something animal, and bolts.

Daniel doesn't stop him.

He watches as his shadow changes even before he's fully reached the trees.

Then he sits on the doorstep and waits for the sunrise.

[fatedroses]

Zenos viator Galvus and him trying to deal with actually feeling things for once (Even if he doesn't really understand how to handle the comfort he receives from others for it)

I am also giving this man a dad that actually cares, because this brainworm have gotten me and there is no saving me from them.

[omaano]

SW Hades AU July Update

Other updates: May - June - July - August

I've made a lot more progress with my Star Wars meets Hades AU project than I'd imagined - and absolutely none in other aspects, so let's see how the past month has been!

I have finished the character illustrations both for Maul

and Omega, (look how cute she is in her pocket sized version! ^^)

and I have also finally rounded out my Din collection, so that I now have 6 variations on his character art (helmet on and off, with Grogu and the darksaber, and with and without Grogu and the beskar spear in hand).

Aphra has lines and flat colours too, as well as the very basic lighting layers on her!

I'm real hyped to start working on her! I'm very proud of the dynamic pose I picked for her, too. I'll likely up the red in her jacket and gloves for a bit of a pop in colour, because all this brown everywhere is growing a little boring tbh. Like with certain other characters...

There has been some progress with Obi-Wan, but it's going suuuper slow, and I continue to preemptively worry about how I should completely redraw him for after his reunion with Cody, too. (Iirc Patroclus is standing with his spear in hand after he's reuinted with Achilles in Hades, and I also very badly want to draw him with his lightsaber ignited, but I feel that wouldn't be very good for him just, you know, hanging out in front of his little house on Tatooine...)

And now I'm going to add my first ever poll for the next month in case anyone wants to weigh in on the order in which I add characters to this project:

I'm making no promises, but I thought this could be fun :)

This post is growing a little long, so I'm putting the rest about Obi-wan's background re-draw, and some musings on picking colours for Omega under the read more ->

There was no room for it in the previous update, but I'd fully redrawn one background finally for Obi-Wan's chilling spot!

It is the same setup as where you can find Patroclus in game, with the walls and the chasm and the doors out, but I added Obi-Wan's hut and a desert envisonment. (I've watched so many videos on how to draw in an isometric grid, because there was always something that just wouldn't work... I'd thought there was a trick to drawing squares and circles in this grid that I just couldn't figure out for the life of me - and it turns out that I was just careless and my grid wasn't tight enough so I had to eyaball distances and the width and length of things too much lol.) And now I'm faced with the difficult task of picking colours and figuring out if the character shading tricks also apply here or not.

For now these colours are more for just to block in certain elements in the background, but I have some more desert/desolate looking backgrounds saved from other Supergiant games (they've got some really vibrant and dark colours, like wow!) as well to hopefully help me out moving forward.

I'd redrawn those bulbs you can find over the door leading out of various chambers in-game, because I might as well go in full re-design mode bit by bit, and after some deliberation and googling I picked the Mandalorian Crusaders symbol as inspiration for it.

And now back to Omega for a bit:

While I was working on the character illustration for Omega and Batcher I became very aware of how weird it is to pick colours for me. (I very heavily rely on preexisting colour palettes; I have multiple saved just for the Hades project like for Rex, Ahsoka, Cobb...) I'd been working on Rex and Cody last (Maul doesn't count because he doesn't have very human colours, so picking reds and purples and browns for him wasn't so shocking tbh), and aside from the armor paint and hair colour they very much share the very same colour palette. That was easy, I'd picked the skintones off Boba and the little portrait icons already, upped the saturation a bit because seeing the base skintone laid down scared me, and off I went.

(Laying down the first layer of flat colours is always super scary because they too often seem too dark and too grey/green, which I know will change after the complete shading is done but it still looks very off putting...)

So. The way the colouring in Hades made sense for me is that it works with pretty desaturated colours, there is a lighter shadow colour that's a bit more desaturated and the hue is shifted cooler but is still pretty cool to the original base colour (so much that I'd often have to turn it darker so that I'd see it laid down if I'm not sitting right), and another darker shadow layer that is a tad more saturated and warmer in tone. And there is also (a possibly slightly cooler shifted) and lighter highlight, and another more saturated colourful highligt (in the skin that is the bright, peachy orange for example). (and the little super bright pops of colour at the very very end. I hate adding them so much, but they are very important!)

But while I could pick the skin tones off of Rex, the problem I'd tumbled into was when it came to shading her hair (it's very important to me that Rex and Omega shared all these colours). Omega has a lot more hair (shocking, I know), and so shading that required a lot more than Rex's simple two-tones, and the "shadow" colour from Rex just didn't work, it was too saturated and warm in a larger quantity. So I tried to find another blond character in Hades, picked some colours off of Theseus... and those didn't work too well either, because those colours looked too pale and washed out compared to how lively her skintone was. There had been a lot of adjusting - I'd colour picked all of Theseus' colours and watched like a hawk where my colour marker moved both in hue and saturation a couple times in every which way and tried to mimic that in comparison to my base colour... and then you already saw how she ended up.

Here is the visual representation of the process:

I do a lot of these swatches.

You can see them there next to Omega with the blues and the gold/metallic detail colours (the latter of which I'd ended up using in her crossbow), and up above with the Obi-Wan wip as well (I needed to pick a lot of colours from Chaos and Aphrodite to figure out how to go about his pale skin), but I also worked like this with Din and Achilles in the beginning, as well as trying to pick the greens for Boba's armor. Usually the first and biggest hurdle I run into is choosing my base colours... that's something I really need to work on; but after that this method really helped me feel a lot more comfortable with cell shading.

I hope it made sense to you, and it was at least a tad bit entertaining (or if I'd ruined the word "colour" for you for a while, I'm sorry XD, I know I'd used it a lot). This was really the first time I'd truly seen how I changed around the colours I worked with in a piece, and also tried to go a bit more consciously about shifting them around here (that's why I have all the screenshots XD) and thought I might as well share them here in this monthly update.

I've also switched over to using CSP and a display tablet, in the hopes that I can familiarize myself with them without the pressure of needing some fancy or very specific brushwork and work process. No texture, little need for pressure sensitivity - I hope to slowly pspsps my brain into accepting working with these, and build up some success and good experiences before I try sketching and drawing on it and maybe trying out some new unfamiliar brushes as well ^^;

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[poorly-drawn-mdzs]

In Stars and Disco

(Disco side of the swap)

[frobby]

I think it would be really funny if rin was the more helpful one around his house. Like u would think rin would be the disrespectful one who always bails on housework or mass but its actually yukio who would always have an excuse not to go or forget about chores to the point that rin just does them instinctively now

[jayflrt]

friendly reminder that riki turning 18 on december 9th still doesn't make him a legal adult since legal age is still 19 in korea