the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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What progress at home has biden enacted? What policies of his show that he is making progress that prove he is actually different than trump?
I like to pretend I have faith in humanity, so I'll answer as if you're asking this in good faith.
Biden's DEA has lifted restrictions on telehealth prescriptions to make appointments and assistance more accessible.
He put a funding package into place to help unhoused people get access to mental and physical healthcare, as well as short-term and long-term housing.
He has attempted and is still attempting to get student debt relief through - this was blocked by Republican judges appointed by Trump, but he's still working on it.
Infrastructure repair - his administration has budgeted funds to actually fix some severely-damaged and frequently-traveled bridges.
Trying to expand access to healthcare to include undocumented immigrants who came to the USA as children (Dreamers) under the Affordable Care Act. Support for Navigator programs and outreach has also been increased.
He has vetoed Republican-led bills that were attempting to overturn environmental protections - one that would have forbidden investment fund managers to consider climate change in their portfolios (I have two degrees in accounting and this is actually huge), and another that would have overturned restrictions on agricultural runoff into our waterways.
He and his administration worked for ages to get rail workers paid sick days.
This is just some of what he's been doing. Meanwhile, Trump and other Republicans want to criminalize the lives of LGBT people like you and me. They want to eliminate no-fault divorce and force births that will kill parents or devastate them financially. They have stated flat out that they want to install a military dictatorship in the USA. They attempted to put that in motion on January 6th, 2021. They failed once. They will do better next time.
One party wants to house the homeless and expand social safety nets, while the other one wants to criminalize homelessness. One of them wants a future in which I might be able to vote to change how much of a war machine my country is, while the other one wants to eliminate my ability to vote entirely. Those are not the same. Those literally are opposites.
At the end of the day, all you and I can do is choose to do the least amount of harm possible. You and I cannot choose to do no harm. This is the USA, we sell war, you and I cannot choose to do no harm. I wish we could, my god do I wish we could, but that is not an option. So we grieve for the harm we couldn't eliminate and work to minimize the harm that is done. Despite all the crap they support, Democrats are the minimum amount of harm right now. Acting like they aren't is exactly what brought us to an election where our options are a future where we are either wading in blood or drowning in it.
Not voting for Biden will not help Palestine. Not voting for Biden will guarantee a Republican president who will make the situation in Palestine WORSE. AND it'll hurt a lot of other places as well, both at home and abroad, because Republicans are about business and the USA is in the business of war! And I would very much like that to change someday! I would very much like to someday be able to choose to do no harm! And I know what I have to do to try for that future, so what are YOU going to do? There is no standing off to the side in this. If you aren't helping pull, you're the dead weight we're pulling. Are you going to dig your feet into the mud and blood and drown us there? Or are you going to get the fuck off your ass, grit your teeth, and help us pull free?
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Hi hello hi. As an AroAce individual in a QPR who has no desire for a romantic or sexual relationship, I think shipping Alastor in QPRs is so so fun and people should do it more. I also think it works for a good amount if not all of the ships I've seen him in.
Alastor and Rosie: Hell yeah. They're already great friends and every interaction we've seen between them has been pure and adorable. Rosie Gently guiding Alastor through his identity because he isn't exactly up with the slang. Them going out for tea and human flesh Sunday afternoons. Them giving each other forehead kisses and holding hands platonically.
Alastor and Angle dust: Mhmm. Angle not really wanting Sex or romance after all he's been through. Angle respecting Alastor's identity and not pushing for anything more than friendship. Alastor not really liking Angle at first because of their differences, But tolerating him regardles. Alastor explaining to Angle that Romantic relationships don't have to involve Sex (I'm an Asexual Angle truther.) Angle offering Alastor a hug that Alastor reluctantly accepts. Them cuddling at night with a pinky Promise of nothing more.
Alastor and Vox: Go ahead. A fic about Alastor trying to Navigate exactly how he feels about Vox, Because when he died the term AroAce didn't exist, so he thinks it's romantic attraction, Maybe they kiss and Alastor is like "Ha! No!" Maybe that's why they had their falling out? Who knows.
Alastor and Lucifer: So So SO much Yes. (This is my personal favorite) The two of them hating each other, but putting up for each other for Charlie's sake. Slowly growing to actually tolerate and maybe even like being around the other. Exchanging snarky remarks in a more playful way. Alastor finding Lucifer sitting in a pile of ducks and despair and offering his hand to help him up and take him to the hotel. Never letting go of his hand. Fuck Enemies to Friends to Lovers I want an Enemies to Friends to Qpr arc goddamnit.
I do think it's okay to ship Alastor even outside of QPR's, BUT. If you do, don't just ignore Alastor's identity. AroAce people get far less representation than the rest of the LGBTQ+ community. I can think of one other canon Character off the top of my head. So it's not okay to erase the little rep we do get. In the end I think it's important to listen to what AroAce people have to say on the matter, it is our representation after all.
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(ETA: now edited and up on AO3)
Look. Eddie knows he can be a little uptight about these things, but. There are rules. If you become a vampire, you don’t need to go full gothic Count Von Dickhead or whatever, but you absolutely cannot just wander around in a puffy vest and light-wash jeans.
“Why not?” says Steve. He’s leaning back in an armchair, sipping on a bloodbag like it’s a goddamn juicebox. “What, are the vampire police going to arrest me?”
He pauses. “Wait. There aren’t vampire police, are there?”
“No,” says Eddie. “Probably not. I don’t know. But there are standards which you are refusing to uphold, Steven.”
“Thought you were all about hating conformity, Edward,” Steve says. He’s got an obnoxiously cocky little smirk, the smug undead fucker.
Eddie grimaces. “Don’t call me that, asswipe. Don’t you feel, like—the call of the night? The siren song of life coursing through fragile human veins? A hunger for destruction that those paltry plastic bags of blood can never truly slake?”
“The bloodbags aren’t so bad,” says Steve, around the straw. “Better than protein shakes.”
“I actually hate you,” Eddie tells him. “Vampirism is wasted on you.”
Steve noisily slurps the last of the blood out of the bottom of the bag. “Come on, you can’t really picture me in some Dracula getup, can you?”
The problem, of course, is that Eddie really, really can. When Robin had read him in on the whole situation, obviously he’d been horrified and concerned—but also, a whole wing of his brain had immediately been cordoned off to work overtime imagining Steve in elaborate Dark Prince regalia, maybe leaning elegantly out of a castle window on the moors, gazing into the foggy dusk. Velvet might’ve been involved.
“...guess not,” says Eddie. It doesn’t sound incredibly convincing to his own ears, but Steve just shrugs and gets up to throw the bloodbag away.
“There you go, man,” he says, clapping Eddie on the shoulder as he passes. “It’s the 80s. Vampires can be whatever we wanna be.”
———
It gets way too easy to forget about Steve’s condition, until Eddie ends up having to haul him out of a bar in Indy before they get banned for life.
“Simmer down, buddy,” Eddie says, pulling him into the shadow of the van. “Let’s get those fangs packed away before any of the nice villagers wander by with torches and pitchforks.”
“I’m good,” pants Steve. “It’s all good. Don’t worry about it. It’s fine.”
Eddie lifts an unimpressed eyebrow. “Sure, that’s why your eyes are glowing red and you’re, like, fully vamped out. Which, by the way, looks extremely dumb with the whole clean-cut vibe you decided to rock tonight.”
“Fuck you, I look great,” says Steve, pushing a hand through his hair. He’s not wrong, it’s just not relevant to how he also looks extremely dumb like this, wearing a pristine henley with fangs hanging out in the parking lot for anyone to see.
“So what the hell happened in there, man? I was finally starting to get somewhere with Todd, and…” Eddie trails off in dawning realization.
“Holy shit, am I—I’m like your territory, aren’t I? Your stupid vampire brain got all screwy and decided to loop me in with Robin and the kids as part of your freaky human coven.”
“Uh,” says Steve. He looks unhappy in a shifty kind of way. “Something like that, maybe.”
“Wait, so, are Nancy and Jonathan—are you okay with them because they’re both already in the vamp pack? Is Vickie gonna have to be inaugurated before she and Robin can bone down?” Eddie perks up. “Shit, is there a ceremony? We could totally do a ceremony.” He bets he can get the kids to liberate some velour curtains from the drama club. With a few candles, they could get some serious atmosphere going.
“No, shut up, nobody’s doing a damn ceremony,” Steve groans. “Vickie’s fine.”
“Okay,” says Eddie. “So…you gonna tell me what all that was about, then? Do I have to start running guys past you first so your vamp instincts don’t wig out? Or…hm, maybe Argyle’d be down to mess around sometime.”
Steve lets out an actual snarl with weird animal echoes, then claps a hand over his mouth.
“Sorry,” he says, muffled. The shadows around them seem darker somehow.
“So I’m just not allowed to get laid ever again,” says Eddie slowly. “For vampire reasons.”
“Do whatever you want, man.” Steve’s still got his hand pressed tight over his mouth.
“And it’s…just me?” Eddie peers at the tightness around Steve’s eyes; the way he’s scowling stubbornly at his feet. “Huh. Kind of…possessive, Harrington.”
“It’s—weird,” says Steve miserably, dropping his hand at last. “I know it’s fucking weird.”
“Maybe.” Eddie shrugs, biting down on the grin he can feel tugging at his mouth. “Lucky for you, I’m into that shit.”
“What?” Steve frowns. “You’re…”
“Always wanted a vampire boyfriend,” says Eddie. “Like, are you kidding? I would’ve sold my fucking soul at 15 for something like that.”
“I’m starting to feel a little objectified here,” says Steve, but he’s smiling, and he reaches out to snag Eddie’s belt loop and tug him stumbling closer. “Just in it for the fangs, huh?”
“Well, you’re kind of a shitty vampire, actually.” Eddie drapes his arms over Steve’s shoulders. “So I guess I must just be in it for you.”
Steve hesitates, searching Eddie’s face. Stray red lights are still sparking like embers in Steve’s irises. “Okay, but—you’re in it? Right?”
“Couldn’t get rid of me if you tried, Bunnicula. I’ll send the vampire police after you, just watch me,” says Eddie, and kisses him.
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Fenton Ethics and Test Tube Babies
In order to get the funding they need for their Ghost stuff, Jack and Maddie Fenton had to do some... rather illegal things when they left college.
One of them was testing alien DNA and seeing if it was compatible with human DNA.
However getting their hands on Superman's DNA or any of the main Leaguers would be far to hard for two up coming scientists and would run the risk of them being caught. Instead they set their sights on some of the younger aliens.
Such as Starfire, or rather Koriand'r.
They manage to get their hands on her DNA, and also her boyfriend (Nightwing) at the time and began to test it. They felt unsure with what they're doing but they needed the funding and in order to make themself feel better with what they're doing they decided if they were test her DNA with someone she was seeing it would be... better for their own conscience (it doesn't make what they're doing okay but they think so)
Eventually they succeeded in the testing! A baby can be made between a human and a alien.
HOWEVER because we know how the Fenton's get, they kind of go ahead of what they were only meant to do, which was just to TEST the compatibility of the DNA. Basically the paper's before the test phase.
With them getting tunnel vision on this project... They create said baby.
Then before they could show off that creating a new baby via test tubes actually works, they were told that the paperwork they were working on were going to be given to a new team, thank you for your work, here is the money for your ghost stuff, and have a good day.
The people who hired them then just leave.... Without knowing about the newly made baby.
Jack and Maddie name the baby Jasmine.
A few years later when little Jazz asks for a sibling... Well they bring out the old test tubes and papers.
And even though Starfire is no longer dating Nightwing, her new partner Red Hood would make a wonderful male donor for their future kid.
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