Tumgik
#and probably really thought of this as an “improvement”
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((sometimes, it sure is hard to pass through the courthouse to turn in paperwork to your stupidly tall grabby prosecutor boyfriend without him inevitably swooping in and flirting with you...... oh no, poor apollo
redraw of this drawing from 2015))
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enaelyork · 22 hours
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Could I request a prewar!cooper Howard x fem!actress!reader where he finds out a producer has been making her sleep with him under the threat of cooper losing his jobs! 💓
Hi you !
Thx you so much for this amazing ask. So, here we are, hope you enjoy it.
I resign [PreWar! Cooper x F! Reader]
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Ask for Cooper Howard is OPEN
TW: Alcohol, sexual abuse, violence.
Words : 1.9 k
- What's going on between you and him?
- Nothing at all.
You had swallowed your entire drink. You needed that, and a lot more alcohol, to drown out the shameful lie you had just told Cooper. It wasn't your intention to lie to him, but you had no choice.
- Are you sure ? Because he hasn't stopped looking at you since we both talked.
- He is afraid that you will corrupt his main actress…
The word had lightened the atmosphere, just a few seconds which allowed you to glance at Oscar Sullivan. The producer of your last film with whom you were forced to make this sordid agreement. You're due for another chance at Cooper Howard's career. It must be said that since his divorce, things have gone rather badly for him. A long absence from film sets and his image tainted by a marital breakdown earned him several refusals. So, when you applied for this new film together, you were delighted to learn that he had been chosen to play the lead alongside you.
But it was not without consequences.
It wasn't without Oscar's hands on your body, his mouth on yours and the consummation of your contract right at his desk. You thought that your charms would be enough, that once he had a taste of it, things would have improved for you as well as for Coop.
Big mistake.
The suspicion with which Cooper looked at you brought a blush to your cheeks. You put it down to drunkenness – the only way to escape from this situation – but it was an illusion.
It's difficult to admit to your friend that Oscar was waiting for you to join him in his hotel room after this reception, and that it was in your interest not to decline his offer. The features of his face calmed. As if despite his suspicions, he still managed to trust you. This semblance of carefreeness in him soothed you. He soothed you, probably more than he should. But Cooper had always been special to you, long before his divorce from Barbs, and he had brought out things in you that you had buried for a long time.
- You're worrying for nothing. Oscar is lovely to us, isn't he?
He hesitated before answering something much too nuanced for you. Cooper had noticed the way the producer treated you once on set. The way he devoured you with his eyes and took pleasure in making you shoot scenes in scantily clad clothes. The subject had already been brought up more than once, but you always managed to find a valid excuse, especially through the scenario.
- I assure you that everything is fine. But I'm going to go to bed. The champagne is really going to my head and we're back to work bright and early tomorrow.
Without you having time to react, Cooper's lips rested on your forehead and his scent of musk and wood spice spread into your nostrils. The intoxication he provoked in you made you dizzy and in that moment, when your eyes met his, you wanted to confess everything to him. That he was right. That you sleep with Oscar for him, so that he can finally relaunch his career. That in bed with this guy, you thought of him.
That you feel dirty. But nothing came except this awful sad smile which definitely cast doubt on your situation.
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- He kissed you.
Oscar’s grip on your hips had tightened the moment he came to join you on the threshold of his bedroom door.
- Just a kiss on the forehead, nothing important.
- You really love him, then? Me who thought you only had eyes for me. Maybe I should take it away from you to remind you who you belong to, beauty.
- Of course not. You get ideas. It's only you who matters.
You kissed him, closing your eyes, trying to take your soul out of your body and put it on autopilot. He smelled of whiskey and cold tobacco, a smell the opposite of the one that still haunted you. Once the door closed, you didn't see the shadow watching you further down the hotel corridor and all the consequences that would follow.
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Cooper didn't even speak to you the next day.
Yet you had tried to approach him. Asking him if his night went well, if his text made him feel comfortable or if he needed anything. As the day went on, it became apparent to you that he was avoiding you a lot.
Then his eyes met yours and that look broke your heart definitly.
There was darkness in his hazel eyes, a darkness that seemed to slowly absorb him and painfully compress your soul. The day had been a constant torture searching for any sign of peace between the two of you, but nothing. The nothingness and sadness he sent back to you were unbearable. Then, the end of the day turned into a nightmare.
He had been drinking.
More than he should have done at the workplace, but you knew Cooper had that tendency ever since Barbs left with Janey. His life had become so disjointed that he no longer had any defenses to confront his ghosts. How could he believe in himself when the one he loved had decided to let him go too?
- Cooper, you need to go back to your dressing room now.
- And why this ?
He wasn't drunk, just enough to remove all inhibition from his mouth and turn his sweetness into venom. The look of contempt he gave you gave you chills. You waited until he left to take him to task and reason with his self-destructive attitude.
- Because your career is at stake, dammit! You didn't do all this to screw everything up.
- Are you the one who screws everything up? Do you want me to go back to my dressing room and play the whore producer?
You brought your hands to your mouth. Trying to understand how he could have known about this situation.
- Yeah. I saw you last night, sweatheart. It's not very nice to lie, especially to end up with this guy.
You were unable to answer him, frozen, petrified by the nastiness of his words. Outside rang out the bursts of laughter of a team satisfied with their long day of work. But there, in this locker room, chaos reigned between you and him.
- How can you do that? With him ? You're not a failed actress though. And…What the hell are you doing?
You were crying.
There were no other possible options. The sobs could no longer stay where you imprisoned them. It had been there for too long. It built up every time Oscar touched you, penetrated you and whispered vile words to you. But now, when Cooper was behaving exactly like a bastard, you could no longer remain impassive.
-He obliges me.
You realized in that moment that your back was pressed against a wall and that Cooper's body was so close to his that you could smell the delicious smell of mint and cold beer emanating from his breath. His hand hovered above his head, not as a threat but as a shield, protecting you from an unbearable world.
-When...When I signed my contract, he told me it was just one time. Once to allow you to be here.
He didn't say anything. Not a word.
A baleful silence disturbed by his slow breathing.
-I thought it would end there. But he told me that if I refused to continue, then he would terminate your contract. And I can't accept that. This role is with you or with no one.
Your breathing was labored, but you didn’t care because it was now obvious that you were going to die of a broken heart.
-I'm not a slut. I…He disgusts me, but I want the best for you, I want you to come back to the forefront, I want you…
Not another word came out of your mouth.
His lips rested on your forehead.
Tenderly. Impassively.
His finger had slid down your cheek, picking up the tear that fell on your skin before leaving, dragging you with him onto the tray with a firm but tender grip.
- Aaah, here they are, our heroes! Oscar was quick to jump out of his producer's seat when he saw you two rushing in together. Then, his enthusiasm faded at the sight of your eyes reddened with tears.
- What's going on, baby? Did Cooper hurt you? Do you want to talk about it together in…
He didn't finish his sentence.
His collar grabbed by Cooper's firm hands, pushing him back so violently that he knocked over his chair. - What the hell are you doing, you…
- I'm not a nice guy. Your friend began in a dark voice. So I'll tell you one thing. If you're looking for an actor to play good guys, you can find another one. I resign.
It had happened.
He had just said it exactly. Some members of the team tried to separate them, but you remained completely impassive, lost.
-And now that you can tear up my contract, you'll tear up hers too. He said, pointing at you with a jerk of his chin. If I find out that you're touching her again, that you're still trying to fuck her without her agreeing, I...
- She agreed, this little sl…
The fist that smashed his jaw flew without warning. Oscar found himself on the ground, disoriented by the shock of the impact. - Never talk about her like that, understand? He moved away from him, not without giving him a threatening look. Looking for his pack of cigarettes in the pocket of his jeans.
- Burn our contracts and explain to all your fans why you won't have your main actors to finish your job.
Shit. It was incredibly sexy to hear him defend you like that. You were shaking nervously, but it was terribly exhilarating to see him beat the shit out of that poor guy. When he grabs your hand, your eyes meet again and you understand that nothing will ever be the same between you again.
- Come on, Sweatheart. I'll take you to the police station. You have a complaint to file against this bastard.
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twignotstick · 2 days
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Flowers for Venus
She's here~ 🩵
Note: This story is based on @cupcakeslushie 's Empyrean Weeping au. These characters are not my own, and this story is in no way canon to the main story. I really made a lot of assumptions here, so this must be emphasized.
Tags: Rise of the Teenage Mutant Ninja Turtles, ROTTMNT, Venus de Milo (TMNT), NOT MY CHARACTERS, Empyrean Weeping AU, experimentation, mental issues, perspective shifting, intentionally written to be confusing or leave out information at times, they are all family your honor
Warnings (if there's anything I should add here, tell me please!): childhood trauma, abandonment issues, physical violence, repeated mentions of medical(?) procedures
Words: 6,472 🪦
Summary: Venus had one person in her life, and that was what mattered. Until she didn't.
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“I'm going to fix your body.”
The young turtle gazed up into the glass chamber before him, observing the mangled, underdeveloped, and weak body within. The vitals displayed around it were at acceptable levels; nowhere near as good as needed to survive out of the chamber, but acceptable considering the circumstances.
Not acceptable to the young turtle in front of it.
“You should be out here, learning with me. Being my sister. So I'm going to fix you.”
The turtle within the chamber did not stir- only breathed, as blood was forcefully pumped through its nonfunctional veins.
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“Huginn and Muninn helped me find more books to help you!”
Three- he had realized that the body in the chamber may not yet know his name, and so he introduced himself not long ago- bounced on the balls of his feet. He had one book clutched close to his chest, with others strewn about the workspace he had made around the chamber.
“Yokai biologists have very interesting methods! I plan on attempting some of them soon- Pops said he is going to get me some more materials before I try. He said that Witch Town will probably have what I need. The fusion of biology and mysticism is incredible! Oh! Oh! And!”
He dropped the book that he was holding on the floor carelessly, tripping over his own feet as he ran over to a table to show the body's closed eyes another. This one was thicker.
“Muninn says that this one was written by a human! ‘Mary Shelley’. It's called ‘Frankenstein’. I believe that's a name too- the surname of the main character. I haven't read it yet, because I haven't had time to. However, maybe with your improved cognitive function as of recently, it could be beneficial for me to read it to you!”
Three got no response, but he could have sworn that a part of the body's brain scan spiked.
“I can't start now. I have to finish my work on the developmental errors in your lower arm, but as soon as I finish that and find what I need to find, I'll start! I'm really curious about human literature.”
Three got to work, as the mind within the chamber grew curious.
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She didn't quite know what time it was, but she knew what was supposed to happen at this time. The voice was supposed to make noises in the room- Three, that was his name- and he was supposed to talk to her. Her? She thought that sounded right.
Three had told her about pronouns. He had said that since she was biologically female, it was assumed that she would go by she and her. Just like he was male, and went by he and him.
He had said that her name was Five.
Even so, Three liked calling her Vee, justifying it with the reason that they “matched”. Five didn't quite understand where the name came from; perhaps how her name was spelled? F-I-V-E, that was what Three had told her. T-H-R-E-E, that was his. But he spelled Vee as V-E-E. Maybe that's why they matched. Both had two E's in their name.
Their names were numbers too. One, two, three, four, five. She wondered why she was Five, and he was Three. Where were One, Two, and Four? Were they there, but she couldn't hear them? Was Pops another name for One? Pops and One weren't anything alike. She wished she could ask all the questions she had in her mind.
She wished she could see. Maybe that would explain why Three hadn't spoken yet.
Just when she was starting to believe that he may not speak to her this time, Three made noise. She couldn't see, but he stumbled through the door and sat down in a chair near her with a smile on his face. He looked at her, she could feel it.
“I'm sorry I'm home late, Vee. I met a new friend today! But don't tell Pops. He's a human.”
Five knew that word. Weren't those bad?
“Timothy isn't like other humans, though. He's nice! He showed me some insects and told me their names. Surface bugs are very different from normal ones! I think I might ask Huginn and Muninn to retrieve me some books on surface entomology. I can tell them that it's biological research.”
Entomology. That's a big word. What does that mean?
“Entomology means the study of insects, by the way. It's a very interesting branch of science. Timothy said he has books that tell him the names of different insects at his house. Oh, and a house is where humans usually live. Not a lab, like we live in. Or… a glass chamber, like you live in! Though, technically your chamber is within the lab.”
The lab. She wondered what the lab looked like.
“I think that I may be able to replace your eyes soon. I've been developing a prototype, hopefully it shouldn't take me too long to finish! From there, I just have to work really hard to get your other physical errors fixed, and then you can come out here! Maybe I can even bring you to meet Timothy!”
Timothy. That was a nice name. Not as good as Three or Vee, though. They matched. Though, maybe Timothy matched too. She didn't know how to spell Timothy yet.
Maybe they could match anyway.
----------------------
Three stumbled in today. Vee couldn't see it, of course, but Three had tripped, holding in tears. His chest just wouldn't stop hurting. Pops had said he could walk it off, so that is what he tried to do.
He couldn't walk much longer, falling to the floor in front of Vee's chamber. She enjoyed hearing the sound of his breathing, but she never liked it when he breathed this heavily. That meant he was hurt and crying. That meant Pops had done an experiment or a test. That meant Three didn't have the power to work on her body. He would always apologize for that. Of course, that never stopped him. She always heard him working.
“...V-Vee…”
That is her name. He loves to remind her of that.
“M-maybe…” Three gasped deeply, holding the breath for longer than he should before slowly releasing it. “Maybe if… I finish you… he w-won't do this to m-me anymo-ore…”
Vee couldn't feel his eyes on her. Until she could.
“I've shown him y-your guts alr-ready, though… maybe he won't won't w-want to v-vi…vivi…”
That's not how he's supposed to say her name. It's Vee.
“...Vee? Vee~”
That's right.
“Veeveeveevee…”
Is that right?
The mumbling of her name faded away, turning into slow rasping breaths.
She didn't want him to be hurt and crying anymore.
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“I want to make you as strong as One is. Or, at least, he should be. I haven't met One. Or Two. Or Four. But Pops says that it's impossible for you to be that strong. You're a box turtle, designed for defense. Anyhow, it's more important that I develop your muscle mass enough for you to stand independently first.”
Vee wondered what One, Two, and Four sounded like. Maybe their voices were jumpy and squeaky like Three's was now. Maybe they were sweet, like his was before. She wondered what Pops sounded like.
“Four is a box turtle like you. He developed properly, but don't feel bad! He got stolen away, so really, he got the short end of the stick! You're living the life of luxury.”
So many types of turtle. Did that mean they couldn't match anymore?
“I showed Timothy some sketches of my work with you. He got this really weird look on his face, and I thought he might not believe that I could fix you. But, he promised that he did believe in me! And he said he can't wait to meet you!”
Surely, he was just jealous of Three's hard work.
“I'm still working on your eyes. They're causing me more problems than I thought they would, but I think I'm getting closer to a functional product! It's just taking a while to find a good base that can survive the transfer.”
Eyes. One more sense. He taught her the five: touch, taste, sight, smell, and hearing. She had hearing- or at least, she believed she did. She didn't know what else this could be. To have two senses would be marvelous.
Three's voice went away, leaving a rubbing sound. He had told her what that was. It meant he was “rubbing his hands together”. It was a “nervous habit”.
“Pops told me… he told me that talking to you was ‘fueling my delusion’. I know that, logically, you're comatose. Your body isn't supposed to work right now, for the sake of your life.”
That made sense. She was hurt. Three said that if she came out of her coma as she was now, she would die. Dying wasn't a good thing.
“But I really want you to hear me. Even subconsciously. So- so that way, when you do wake up, we'll already be friends! A-and you'll already know so much about me, so I just need to know about you!”
That sounded nice. Vee wanted to tell him about herself. Maybe she'd know just what that meant by the time she got the chance.
“I promise I'm going to fix you soon. It'll be no problem!”
Vee liked that.
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Three was hurt and crying again. But this time, he didn't come to collapse by her chamber. He was far away, in the workspace. Vee didn't want him to be hurt and crying anymore. Three had said that hurt could mean dying. Three couldn't die yet. Vee still had to tell him everything about herself.
He wasn't even saying her name this time. He was saying the human's. He was hard to hear, so quiet, so far.
Timothy.
I'm sorry, Timothy.
What does that mean?
I'm so, so sorry.
What does that mean, Three?
Please, Tim.
Three?
Please forgive me.
I'm sorry.
I'm so, so sorry.
Three?
Three, please. She wants to understand. She wants to know you.
I want to know you. Talk to me, please. Tell me everything. Tell me about Mary Shelley. Tell me about entomology. Tell me about One. Tell me about Two. Tell me about Four. Tell me about Pops. Tell me what you're working on. Tell me how you want me to be better already so I can hold your hand and talk back. Let me hold your hand.
Tell me what's wrong.
“---ee? Vee, I'm ---y, I'm here, plea--- calm down. I'm here, please. Do I need- do I need to sedate her? I-”
He's not crying anymore. He's talking to her.
“Vee? Five?”
That's right.
“Should I read to you? W-Would you like that?”
She would.
“P-progress report 13. May 23rd. It happened today. Algernon bit me.”
Flowers for Algernon. Surface literature. Of course he would read surface literature now. He was just thinking of Timothy.
Every time Three would read this specific story to her, he would explain that the first few progress reports were intentionally written with poor spelling and grammar. He would spend the whole time explaining the correct way to write the sentences, up until the writing became legible. Then, when the writing returned to its sorry state, he would resume his corrections.
“I visited the lab to see him as I do occasionally, and when I took him out of his cage, he snapped at my hand.”
Vee knew the end of this story.
“I put him back and watched him for a while. He was unusually disturbed and vicious.”
It never ended nicely. They always had to die.
“May 24th. Burt, who is in charge of the experimental animals, tells me that Algernon is changing.”
She didn't want anyone else to die.
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Something was different. Where once there was a lack of anything, now there was something. Something Vee didn't have the knowledge to understand just yet. She couldn't understand light. She couldn't understand color. Now, it was right in front of her.
A blur of a color she didn't know the name of, green, with a dash of another, purple. Three's voice came from it.
“Eyelids are open. Should be working. Just one last test-”
Three grabbed a small blur- a silver flashlight- and shined it into her eyes. Her muscles instinctively tried to close her eyelids, but there just wasn't enough power behind it. They stayed open enough for Three to see the pupils constrict.
“Yes. Yes! YES! They work! Yes!”
Three sounded happy. That was good. Maybe he looked happy, too. Vee didn't know what happy looked like yet.
“...I have to show Pops. I have to show Pops! Wait! Stay right there!”
Three left the room, and Vee thought deeply. “They work”. Three had said that her eyes “didn't work yet” before. So that must mean that they work now. That meant that she was seeing. This was what she had been looking forward to ever since Three had attempted to explain the abstract concept of seeing.
This was it.
Those colors. The nameless ones that she didn't know- the ones she didn't even know how to identify as colors- that was Three. That was the face of the voice who had been her only comfort for all of time. That was the face of the person she wanted to comfort. The voice that she heard crying and hurting. The person she wanted to hold the hand of.
The door to the room opened again, and Three returned with a taller figure. Vee had never heard him before, she was sure of that when he got close for her to hear his breathing. Maybe she could have seen him before. He was tall, and covered with new colors. She couldn't name them, but they were gold, blue, and magenta.
“Look! Look! Her eyes are functional now! They constrict and dilate! Watch!”
Three held the light to her eyes once more, and her pupils shrank again.
The new voice only grunted.
“She's so close to completion now! Th-there are only a few more developmental errors, and she just needs a little more muscle mass-”
The tall figure lashed out at Three, as another color, magenta and pink, writhing, latched around Three's throat. He was held off the floor, just a few feet. His happy breathing stopped.
“You have obsessed over this project for too long. Your progress has been agonizingly slow, and this is what you have to show for it?”
A new voice. Deeper. More menacing.
Pops.
Three gasped for air, trying to respond.
“I suppose I must also involve myself. Your inefficiency up to this point will not be forgotten.”
The writhing mass slammed Three into the floor as the tall figure walked away, shutting the door behind himself.
Three heaved shaky breaths from his spot in front of Vee's chamber. He almost sounded like he was crying and hurting.
Was this what crying and hurting looked like? Curling over yourself? Was that what she was doing? She was supposed to be hurting. She didn't think she was crying, though. Could you hurt and not cry?
Could you cry and not hurt?
Three moved onto his knees, placing one hand on the glass. His face looked different, as if the light reflected off of it differently. His eyes looked at her. For the first time, she could feel and see it.
“I'm going to get you out soon. Then… then you can be here with me. And Pops will be proud. And I'll have you, my sister. Forever, and ever, and ever. And no one will take you from me.”
Three smiled, leaning against the glass and falling asleep.
That sounded nice.
-----------🕷️-----------
“What is this?”
Vee stood over Three at his workbench, looking down at the sketch he was working on. It looked familiar, like other ones he had made, but the notes around the margins were different.
“Oh, it's another collar for Big Mama. She has someone joining the Nexus who has some immunity to electricity, so I have to work on an alternative design…”
“How does it work?”
Three looked up at Vee as she smiled softly. She loved doing this. Getting him talking about the things he knew about.
“Okay, well, since the regular electric shock won't result in what we're going for, I have to find another method of keeping the fighter in line. So- so this collar is designed to tap straight into the nerves in the neck- focusing mainly on the more secondary nerves, but also creating a pathway to the spinal column if needed. With this, the nerves can be pinched all at once, effectively paralyzing the wearer!”
Vee looked over the sketch, resting a hand on the desk next to it. “And why is this collar shaped so differently?”
Three brightened again. “Oh, well, for one, to create a visual distinction that makes it easier for Big Mama to know what type of collar it is. But also, because the specific yokai has… no neck? Sort of? They have shoulders, but it would be somewhat easy for them to slip a standard collar off. So, alternative design! And this one can be green.”
“Very good. I'm sure Mother would appreciate the change in aesthetic.”
The stone in her pocket began to glow.
“Speak of the Devil, I suppose.”
Five slipped her mask on quickly, then answered the call. “Hello, Mother.”
“Turtley-boo! Hello! Where are you, my dear? I couldn't find you!”
“I had to deliver this week's recording to Three. I'll be returning home shortly.”
“I would hope so! Everything here is always such a tissy-tassle when you're over at that terrible place. Oh, do come home quickly, please. Your mama is getting lonely.”
Vee looked to Three, and they exchanged a soft look, even behind Vee's emotionless mask. “I'll be there in a moment, Mother.”
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This was wrong.
This was all wrong.
She was supposed to be worried about being taken from him.
What could she do, now that he was taken from her?
Four was gone. Then Two was gone. Vee thought, surely Three wouldn't be that dumb. Three was smart. He cared about her. He wouldn't leave her.
So where was he now? On the surface, living with rats and humans.
And she was left behind. Stuck under the thumb of a spider that claimed to be her mother. Forced to witness the violent aftermath that had come when Three disappeared, as Lord Draxum berated her and her mother for letting Three get such delusional thoughts in his head. Ideas that made him weak and stupid. Hopes that his family cared for him. 
But he left his family, didn't he?
She was supposed to be his sister.
And he left, in search of a family that didn't even know his name. His face. His voice. That voice was supposed to be hers. The one who took care of her. The one that fixed her.
Draxum may have caused her birth, but Three gave her life.
Didn't that matter to him?
She had been so scared of being taken from him, Vee didn't even consider the idea that he may be taken from her.
Fighting against him was something from her worst nightmares.
This couldn't be happening.
This was all wrong.
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Empty apologies.
He left, all because of a stupid dream he had been chasing. He left the family he had because of some dumb idea of a family that he had romanticized in his head. He left her.
Maybe he never cared about her anyway. She was just a toy to pass the time.
She wasn't real, anyway. Just a monstrous body given life.
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“Hi, Vee!”
Four approached her, sitting down cross legged on the floor beside her. He examined the blade she had been sharpening with an odd fascination.
“Where'd you get that?” He asked innocently.
“From Mother.”
Four straightened. “O-oh. Guess I shoulda… guessed that, huh?”
“Maybe.” Of course he should have. Who wouldn't recognize one of Big Mama's weapons?
“Hmm…” Four rocked back and forth, holding his feet. “Do you feel alright with me calling you Vee? I know that's what Donnie calls you, but I know he has like… a thing with names.”
“I’m Five,” she said bluntly, looking up at Four for a moment. “But I don't mind being called Vee.”
“Cool!” Four smiled, almost as sweetly as she remembered Three doing. “What's it short for?”
Vee paused and looked back up at Four. “Sorry?”
Four blinked. “...Vee. What's it short for?”
She squinted. “It stands for the roman numeral for Five. It isn't ‘short’ for anything.”
“Oh. Well, that's not right.” Four shook his head disapprovingly. “You need to match with us!”
That made Vee think. “Match?”
“Yeah!” Four shifted to sit on his knees. “See, cause I'm called Mikey. That's short for Michelangelo. He was a human artist in the Renaissance. And Raph is Raph, short for Raphael. And Leo is Leo, short for Leonardo. And Donnie is Donnie, short for Donatello!”
Vee put her blade down on the ground, giving Mikey all of her attention. “So they match because they're all artists?”
“Well, and since they're from the Renaissance, and since we've all got nicknames!” Mikey grinned. “Do you… want a name that matches with ours?”
“Yes.” Vee answered before she could really think about what she was saying. “I-I mean, I don't really need one, but-”
“Sweet!” Mikey patted his hands on the ground. “Now, what names could work… Genevieve? No, that would be Jenny… Vivian? Nah, that's not good enough. Oh!”
“What?”
“Well, I know all of our names are from artists, but, uh, what if your name was from a piece of art?”
Vee thought for a moment. It was certainly true that she wasn't like the other turtles. Obviously, her name would have to reflect that.
Though, maybe being a work of art wouldn't be so bad.
“Sure. But tell me the name before I agree to anything.”
Mikey's expression suddenly shifted to a more serious one. “Of course. How about… Venus de Milo?”
Venus de Milo.
“...what is it?”
“It's a statue from ancient Greece. She sorta got her arms ripped off, but she's still incredibly beautiful and detailed, and a very widely known masterpiece! Wait, lemme see if I've got internet-”
Mikey fumbled with his phone, desperately trying to gather some internet signal in the depths of the Hidden City. Meanwhile, Vee simmered in the thought. A statue, broken, never to be truly as it was before. And yet, it was beautiful, not just because of what it still had, but because it had lost. It had persevered. Because something so beautiful was never truly perfect. That was what allowed it to be beautiful instead.
Maybe that beauty made it perfect, anyway.
“I like it.”
Mikey's eyes flitted up from his hunch over his phone. “Oh? Great!” He corrected his posture. “How ‘bout you try it out? Introduce yourself to me!”
Vee cleared her throat, checking her own posture out of habit. “Hello, Michelangelo. My name is Venus de Milo. You may call me Vee.” She extended her hand for a handshake. Mikey met it vehemently.
“Perfect! Now, you match with all of us! Man, the teamwork and collaboration on this mission is gonna be on point!”
Venus smiled, turning the interaction around in her head.
Maybe she could be a masterpiece.
----------------------
Donnie loved to talk. Vee always knew that. But, for too long, she had never noticed how much he loved to be listened to; to have another directly engaging in the conversation. Once she learned that, she learned that she had a love for listening.
It was sometimes hard for her to understand her own wants without comparing them to the wants of others. She loved to listen because Donnie loved to talk. She loved to spar because that made Raph happy. She loved to ask questions so Leo could explain the nonsensical movies he showed her. She loved to eat because Mikey loved to cook.
But right now, none of that really mattered. Donnie was talking, and Vee loved to listen.
“Splinter told me that I could make him, as long as I make sure he doesn't turn, like, evil or anything. Though, honestly, if a robot uprising were to happen, I think it would be smart to just accept fate.”
Donnie was cleaning up some sort of schematic on a bean bag as a movie played on the TV. Vee sat next to him, not paying attention to the film at all. Screams about hot food went in one ear and out the other.
“So these are the plans you have so far?”
“Exactly!” Donnie brightened, then slumped as he came to a realization. “He's actually based on a design I made before you got out of your chamber. P-... Draxum destroyed that one, though.”
“Oh.” Vee slumped a bit as well. “I wish I could have seen it. Maybe I'd be more helpful now with these designs.”
“Uh, y-you don't have to worry about it!” Donnie waved his arms frantically. “It was my fault you were stuck in there anyway.”
“No it wasn't.” Vee looked at him blankly. “It was Lord Draxum's fault. He made me faulty. You helped me. You fixed my body.”
Donnie flustered, scratching at his neck. “W-well, not really. I didn't even-”
“You gave me my eyes. You gave me purpose.”
He looked at his sister, hands shaking almost invisibly where they gripped his sketching paper. Something strange came to his eyes- a shimmer, one that she knew. “I-I'm-”
“If you say you're sorry one more time, I might just rip your tongue out.”
“But I am! In more words than I can say, I am! You cared about me so much, and I just left you without a second thought. No apology I can give can ever make up for that.”
Vee sighed, shaking her head, looking at Donnie with tired eyes. “You're right.”
Donnie's nervous energy evaporated and he stilled.
“No apology will ever be enough. When you apologized to me, I didn't forgive you. When you apologized to me, I hated you.”
Venus paused, questioning whether or not she should continue. When Donnie gave no reaction, she decided to.
“When you tried to explain what had happened, I hated you. When you asked for my help, invited me in, told me you wanted me back, I hated you.”
Genuine tears started to well up in custom built eyes.
“B-because… because I couldn't believe you. You left me, and that was what was real. That was what mattered.”
Donnie took a breath in, as if to add something, but ultimately decided against it.
“Part of me still doesn't believe you.”
Months of worrying. Months of waiting. Months of simmering in hatred for the one person she had convinced herself she could trust. Months of wondering, “Would he have stayed if I had been better?” Months of unbridled rage towards her creator, who couldn't have waited just a little longer to make her right. Months thinking of her other so called “brothers” who stole her brother away.
He said no one could take her from him. So why would he throw her away?
“But you showed me otherwise.”
She never knew how to put these things into words. There was something difficult about bringing her thoughts out in that way. Because of this, she could never really tell Donnie how it felt when he first showed her that room he had prepared, which he left mostly empty for her to decorate herself. She could never explain how it felt when Splinter traced her stitches, complimenting how wonderfully they framed her features. She could never properly thank Raph for expressing his admiration for her fighting style. She couldn't express the joy she felt when she saw Leo do something that would make him feel embarrassed hours later. She could never say anything more than “It’s great” when eating one of Mikey's meals, one that should make a food critic cry.
“So you don't need to apologize anymore. You showed me how you cared, and that's all that matters now.”
Vee grabbed Donnie's hand, and the two shared a wordless understanding.
You can cry and not hurt.
----------------------
Vee woke up to the sound of someone else moving around the lair.  All of her brothers were still covered in blankets around her, and a blank tarp hung on the wall stood in front of her that she vaguely remembered watching a projected video essay on before she fell into slumber. There was only one person missing from the scene…
As she pushed herself to her feet and walked into the hall, Vee came face to face with a still bonnet wearing April.
“Oh, morning, Vee!” April greeted energetically. “What're you doing up already?”
“This is a normal time to wake up, isn't it? You're awake.”
April hummed. “I guess you're right. I'm just used to the guys sleeping in super late. You hungry?”
Vee nodded, following April silently into the kitchen. Just a short time ago, she would have wanted to cut April's head off, purely because of her human existence. Now, she felt a strange, foreign comfort around the human. Not quite like she felt with her brother, or her other brothers, but something akin to it.
April started loading up the toaster, grabbing some spreads and setting them out on the counter.
“Got any plans today, Miss Milo?”
Vee chuckled. “It's Miss de Milo, and, uh, no. You got any plans, Miss Neil?”
April laughed in turn. “Actually, I do. And since you don't have any, I was hoping you might help me out with mine.”
Vee nodded, letting her continue.
“I brought some stuff from my place to do a spa day, slash makeover day. Figured you might want to join in.”
Vee thought for a moment. “I know what a spa day is, but what is a ‘makeover’?”
“Well, it's like,” she hesitated, “it's when you put on a ton of makeup and wear fancy clothes and stuff. Not because you're not pretty, but it's just… it's a way of making yourself feel good, y'know? You've worn makeup before, right?”
“No.” Vee shrank slightly. “Mother said that it would be a lost cause. That's why she gave me the mask instead.”
“Oh.” April shook her head, scrunching her nose. “Oh, no, no. That's not gonna work. You are going to be pampered, Miss de Milo. That is an order.”
April strode out of the kitchen, and Vee followed slowly behind. Before she could see where April had gone, there was the telltale sound of a pillow being thrown into someone's face.
“Owf- wha- hey! What was that for?” Leo grumbled through the grogginess of waking up.
“We've got a busy day ahead, boys! Gotta eat breakfast so we can get to work!”
“Busy day?” Mikey asked, slightly more cognizant than Leo. “What are we doing?”
“Makeovers. All of us!”
Vee finally caught sight of April in the hallway of the living room as she saw Donnie jumping up from where he was laying. “Are we gonna do nails?!” He shouted excitedly, running up in front of April. “Can I pick the colors?”
“Of course you can, bud. Just go eat some toast first,” April responded, patting his shoulder.
Donnie hurried to the kitchen followed by his brothers, who were all still wiping the sleep from their eyes. After that, breakfast went quickly.
Raph drug a stool into the bathroom in front of the mirror, where Vee was instructed to sit. Soon, she was surrounded by her brothers and April, with a large makeup bag in the human's hands. She put the bag down on the counter, taking out a liquid foundation in the perfect hue for Vee's skin.
“Where do you even find this stuff? Party City?” Leo asked, taking out another foundation from the bag that matched his own skin.
“No,” April scoffed, preparing her workspace, “I get it online. Its makeup, not face paint. It just happens to be green. Are you complaining?”
“No, ma'am.” Leo quickly shut himself up.
“Good. Now, let's get some jobs set straight.” April started gesturing to the brothers one by one. “Donnie, you're in charge of picking colors out, and themes. Mike, you're executing Donnie's ideas, because his hands are way too shaky. Raph, my bag's in the other room, go pick something out. You'll know what I mean when you get there. And Leo, you're in charge of music and talking. Tea spilling, gossip, whatever.”
All of the turtles nodded in response, and Raph walked out to find April's bag.
“Now, Vee.” April put her hands on Vee's shoulders, looking her straight in the eyes. “You just sit here, close your eyes, and relax. We've got it all handled.”
“Okay.” Vee hesitated, closing her eyes slowly, before shooting them open again. “Wait!”
April hummed, hovering the makeup sponge she had prepared in the air.
“Can you, uh… can you leave my stitches? Not cover them up, I mean.” She couldn't help casting a glance at Donnie, who gave a timid smile.
April relaxed. “Course, Vee. Now, close your eyes and let us work our magic!”
Vee complied, and she found herself surrounded by sounds. A strange nostalgia filled her chest.
“What we thinking, D?”
“How about, uh… this?”
“Ooo! Perfect! Can I get, uh… that one first?... Thanks! Okay Vee, I'm gonna grab your hand now. It's gonna be cold!”
“What am I supposed to even talk about? I don't have any tea.”
No need for sight. Hearing those voices, comforting her. With a slight drone of music alongside.
“How about your date with Usagi?”
“Wh- April! It wasn't a date!”
“Hey! No shoving! This is a delicate art, Leo!”
“Ugh, fine.” Another shove.
“Hey! No shoving me either! I didn't even say anything!”
“Yeah, but April's busy, Mikey's busy, and you gave me a weird look.”
“I gave you a normal look. You obviously went on a date. Vee, you know?”
Vee laughed just a bit, trying not to move and disturb April's work. “Donnie's right. It was pretty clearly a date.”
“No, it wasn't!”
“Just tell us what you did, Leo.”
Unlike before, she had other senses. But somehow, removing this one made her feel comfortable. Knowing that someone else was taking care of her felt so good.
When she felt Donnie's scar covered, calloused hand grab onto hers, the comfort felt warmer.
“We didn't even-”
“Hey, April? How's this one?”
“I think it's great, but how ‘bout you ask Mister Manicure?”
“Oh. Mike?”
“That's perfect, Raph! You got any accessories?”
“Maybe in my room… lemme go check.”
The sound of heavy footfalls walking away.
“Alright, I'm gonna be working on your eyelids, so it's gonna feel a little weird. Just try to stay loose.”
“Ooo, you are gonna look so good!”
Vee allowed the sound to envelop her entirely.
“Listen, we didn't go on a date, we aren't even a thing anyways.”
“I'm going to fix your body.”
“Usagi would be very hurt it he heard that. You wanna tell him, D?”
“You should be out here, learning with me.”
“I can text him right away-”
“NO!”
“Being my sister.”
“Just admit it, Leo! You're down bad for the bunny!”
“He still hasn't admitted that?”
“No, Raph! Because I'm not ‘down bad’!”
“So I'm going to fix you.”
“Okay, keep the volume down. I gotta concentrate…”
Time passed shapelessly. Vee interacted in the conversation when asked, but otherwise, she let the noise flow over herself. Before she knew it, she was being told to stand up and having fabric pulled onto her arms, with a ribbon being tied over her shell.
“Okay, okay, just a few more touches-”
“You've been doing ‘a few more touches’ for five minutes, Donnie. She looks great!”
“SHH! Don't rush perfection, Nardo.”
Vee blushed. “You really think I look perfect?”
She felt Donnie's eyes on her. “You always have.”
Mikey awed. “Okay, okay, okay, now you can look!”
Vee opened her eyes, just as Donnie moved to the side so she could see herself in the mirror. She saw that the fabric put on her was a dress, very light blue and with flowery embroidery patterning on the bottom of the knee-length skirt. Her claws were painted with pastel colors, with a light blue backdrop behind white daisies, each having an undertone of a different color: reddish-pink, blue, orange, purple, yellow, and green. On her face, a soft blue eyeshadow was put on her eyelids, with small painted daisies incorporated into her eyeliner. Similar flowery bows were placed down the length of her braided mask tails. Donnie quickly shuffled behind her to put a necklace on her neck, with a daisy shaped pendant.
Vee found herself speechless, staring at the stranger that had been pulled out of her own skin.
“Is it alright?” April asked hesitantly.
As she rubbed her lips together, Vee forced herself to look up at the ceiling. She waved her hands at her face.
“Oh- Oh! Its waterproof! You're good!”
“It is?!” Vee squeaked, struggling to hold herself together.
“Yeah, yeah, it is!”
“That's s-so cool!” Vee finally let her tears loose, still waving at her face while nervously laughing.
“You like it? Do you like the flowers? It was Donnie's idea!” Mikey asked, beaming as bright as the sun.
“Yes! Yes, I do, thank you!” Vee paused in her flapping to look over her hands again, and the dress, and her face.
Her flowers.
When she looked to Donnie, he looked as if he couldn't be happier.
“Well that's good, cause they cost me my dignity,” Leo groaned, despite the smirk on his face. “By the way, I call next.”
April patted his shell. “Alright, Leo. We'll make you pretty so you can look good for Usagi.”
“Great, because I- Wait! HEY!”
Vee was laughing loudly now, wiping her tears delicately with a single finger. The argument slowly turned back into background noise, as Leo sat on the stool instead, squabbling far too much for April's liking. Donnie recruited Vee for color picking and inspiration searching.
And so Vee let herself exist there, not worrying about mattering or being wanted. Not worrying about if the one she cared about was hurt or crying. Not longing for another sense to experience the world with. Not questioning if she may be taken away for good. Not asking if she really had a family. Not wondering if she did something wrong, or if she even had the right to call herself alive. Not waiting for someone to talk to her.
She had her flowers, and words could never compare.
○●○●○●○
Finally, she is here. I went a little wild on this. There are just so many parts of Vee's story that I can't wait to see. She's my little brainworm 💖
I'm glad that I can get this out before the @tmntaucompetition ends, especially since EW is in the finale. Go vote for them!!! I love them so dearly :)
I'm going to edit the first chapter of my own iteration, (currently titled Second Shot), and post that soon. I simply must get my boys out into the world, especially after discovering @dluebirb's TMNT AU family reunion. Lord knows they need friends.
GO VOTE IN THE TMNT AU COMP! AAH!
Broken Brothers (and How to Fix Them)
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denial-permanente · 12 hours
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Yes Tom, that's exactly what I was asking about and you described all of the feelings I'm feeling at different times perfectly. Thank you for taking the time to respond. You and Mrs Edge have both been a tremendous help to us in this. Well, to me because my wife, like Mrs Edge, says this is how it is now, there's nothing to talk about. So, I'm forced to deal with all of the thoughts and feelings in my mind. There's no disputing that our intimacy and the sex is greatly improved. Thanks again sir
🔏And again, the captioned pics are fun to look at because they're really short stories - but ultimately fiction. Actually living this day to day in real time is a different thing entirely. The captions put the focus on one small moment in time. But there is the rest of the week to contend with.
And yes, if it weren't for answering a few questions here once in a while, @mrs--edge probably wouldn't give this any thought at all. She has literally said a number of times "That's just the way it is now."
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crime-soncloud · 2 days
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I was recently introduced to, and downloaded, Limbus company, and I've decided to detail my current thoughts on the story and some of the gameplay per Canto. I had decided this in the middle of Canto 2, so I didn't do this for the first Canto, but I'll probably give my thoughts on it at some point in the future. This should go without saying but NO SPOILERS
Now first, I've got a pretty good team (2 star and 3 star identities) and so obviously I didn't struggle at all, and totally did not have two of them die on a single fight, after taking a big risk, and so couldn't fully engage with what I was probably supposed to do (/sarcasm) and also I was so close to winning the roulette event thingy, dammit don quixote you couldn't win just one last round
Firstly, this entire crew is so dysfunctional in yhe best way, I love how quickly the plan went out the window because half of them fucked it up. Between Don Quixote, Ryoshu, Heathcliff, Dante themself, and also Hong Lu and Rodion to a lesser extent, I am amazed they even managed to get the golden branch
Speaking of, I actually thought that the group would fail again, but based on what we saw I expect we'll get both the Sinners and rival(?) group swapping victories.
Now into the actual story. Firstly, I am really engaged with Sonya and the Yurodiviye, I think seeing a group actually trying to improve the standard of living, and essentially being communist revolutionaries is so cool! The theme of Action via words and policies Versus Action via... Well action, violence in this case, is done so well. The fact that both sides are shown as having advantages and disadvantages is really well done, and I think it's interesting seeing how Sonya and Rodion will go from here, especially since it appears the Yurodiviye are working with Hermann and the others. I assume the next Canto is about Sinclair since there seemingly was some ✨ foreshadowing ✨ for what is about to come.
This made Rodya very interesting to me, I was previously fairly neutral but now I'm interested in this. Her singing voice slaps, I think it was the same song that Gregor sung, and from a cursory Wikipedia glance I think I can see the parallels between her and her namesake
Overall really fun, loved getting to see some more stuff, and as for theories I'm not really sure. Dante is clearly important in some way, the characters at the beginning haven't showed up again, and I'm getting curious about Ishmael, i know she's the focus character in a future canto, and we saw Her make several references to spending half her life on a boat, if her backstory is as tragic as Rodion then I will be READY.
(@flextapeyeehaw and @zebrashork If you want to see my thoughts I'll post them here, thanks for the help in understanding this)
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cyanide-sippy-cup · 2 months
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Is it safe now to admit that I really don't like the Ninjago movie? Just hear me out.
As a movie on its own, it's literally just retreading the same ground as The Lego Movie. And it does it way worse.
"Oh no look it's [BIG BAD WITH ROBOTS] who is going to use [SUPER WEAPON] to destroy everything and make it into what he wants it to be! Only [SOCIAL OUTCAST] and his ragtag group of weirdos can take him down, and maybe learn that [LIFE LESSON THAT TIES INTO PROTAGONIST MOTIVATION AND ANTAGONIST REASON FOR BEING EVIL] along the way."
Like, The Lego Movie was a genuinely fun original story, and you absolutely get the sense that this is a story they wanted to tell. The Lego Batman Movie is similarly that, and is a genuine love letter to Batman and such an interesting character deep-dive through the use of parody. The Lego Ninjago Movie is just TLM but again.
And then there's how it holds up as a Ninjago movie. They adapted an existing beloved TV series with a lot of lore and unique/interesting characters. And they made it a joke.
"Alright, I'm so excited to see this movie for my favorite show. Are we gonna get some cool Garmadon v Lloyd? Are we gonna get an interesting arc for Kai? Are we gonna expand upon the existing lore?"
"Nah we're gonna ignore all that."
"...what?"
"Yeah no we don't really wanna do all that. But hey, wouldn't it be hilarious if Garmadon pronounced Lloyd's name like 'L-loyd'? Cause it has two L's?"
"... ... ...do we at least get to see the Skulkin again?"
"Nah it's goons in fish costumes now."
And also it created the post-movie era and I one-hundred-percent blame them for the loss of red-haired Jay.
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markscherz · 5 months
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I swear you would get along super with my previous evolutionary biol prof (Dr. Bulte) from Canada (CU). He loves turtles and I remember him as a kind, humble dude who resembled a french lumberjack of sorts. Does that sound Canadian enough?
Keep up the great blog! 🐸
I am sure we would get on swimmingly! Who doesn't love a good turtle—or a french lumberjack, for that matter‽ I spent some of my afternoon today reorganising a bit in our turtle shell collection at the museum, after returning a specimen that was recently used for a talk. Such fascinating and beautiful animals.
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stardust-vi · 21 days
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Dumb ramble but I hate that you can't critique The Thing you love within a fandom space without some dude breathing down your neck like "Well actually that means you hate The Author and The Thing! And what about all the times The Author did this Good Thing? Checkmate, liberal." as if you can't be critical of something because you love it and want it to be better.
#just. i'm in a rush rn so i'm probably not articulating myself well and i could go more in-depth with my thoughts#at the risk of someone spinning my words into “cringe blue hair pronoun wants to cancel araki!” which... will happen inevitably#even though i don't know how many times i can repeat “i do not hate araki#this is specifcally about jjba btw because like.#look i love it and araki has done some good things (or at least had good intentions in most cases)#but i'm so over the fact he constantly has to reach for some form of traumatizing women in his writing#and I already hear “well it shows they're a villain!”#but does he HAVE to use assault? why does he have to use that instead of demonstrating their villainy in other ways#that don't need to use it as a crutch#i'm not even saying you can't ever write about assault#that's not my argument either.#I'm not even accusing him of being a bad writer or person but just. Can we please retire the overusage of assault for shock value?#i obviously don't hate people who enjoy the series regardless#i'd be a massive fucking hypocrite#i mean i've literally been in this damn fandom for 6 years and just now decided to post my art.#but i'm tired of any time someone brings up legit criticisms of the misogyny in his writing#it's met with “but araki did this-” like it changes anything.#i'm glad he did somewhat improve writing women over time compared to the earlier parts#that said. that doesn't cancel out the blunders he did make or will make in the future#even if he has good intent.#or really any criticism of the writing being hit with “but its not supposed to make sense#anyways rant over. probably going to delete later bc im tired.#tw assault#assault tw
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People who say that Beauty and the Beast (1991) endorses Stockholm Syndrome and domestic abuse have very grossly missed the entire point of the story.
#disney#beauty and the beast#meta#disney meta#txt#belle was never abused once by the beast in the movie. he was really just a jerk#y'all do realize that there are people who are jerks that aren't necessarily abusive#now they might have a higher inclination for it but no beast never abused her#the scene where he lost his temper was supposed to show how much beastly nature was having a hold on him and he immediately showed regret#afterwards. as soon as belle called him out on his bad temper he never tried any other shit ever again#y'all really think that if he was abusive he would have redeemed himself THAT quickly?#again he did act like an ass but he was not an abuser. i don't think he woulda even been able to stomach doing something to her#unintentionally or not#the entire point of the story is that despite him literally being a beast belle was able to see “beauty” in him#she was able to look past that and see that he was actually a good person but that he just needed to improve himself#see belle wasn't a “i can fix him” type. she was the inspiration for him to become a better individual#being with her made him feel things he probably never felt before. he felt loved wanted desired#that is what he needed but had stayed away from because of his own insecurities#which is also why this discussion about whether he was hot in his human form or not is irrelevant in the end#belle loved him for who he was and she probably thought he was the most beautiful man in the whole world both visually and spiritually#also beast respected and loved belle. gaston only lusted her and saw her as a pontential trophy wife to boost his social status#you see gaston and beast are actually quite similar in the beginning#but the thing is that beast has virtues that gaston lacks#beast also wanted belle just to break a spell although he did try to show her humanity to show that there was an emotional complex human#being but he did genuinely fall in love with her and let her go. he sacrificed himself and his servants because he truly loved her#gaston would have never done that before he was already too far gone in his fixation with being the BEST#anyways#i have gone long enough about this but you get my point
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defness · 4 months
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→ drawing the same pose over and over again and feels cringe
→ realizes that these drawings are simply pre-ref drawings to figure out one's design so I can Draw Them
→ no longer feels cringe
#jic ur wondering why all of them are drawn w that same arms out legs semi open pose#do i obsessively worry about this to an unhealthy degree? yeah#do people not verbally tell me that seeing me draw the same pose over and over again is Boring or Lame or stupid or smth? yes but i get#like. stupidly anxious and start thinking about things like that which i obviously know probably isn't the case and that in actuality#no one cares about how i draw more than i do#but it's still difficult not to ruminate on thoughts of people subconsciously rolling their eyes at my art because its so plain and boring#and static and stiff and it doesnt feel lively and dynamic like the artists i aspire to be like#but then i also remember im only just starting my art journey. by this year I'll only have been drawing for 4 years. 4 YEARS.#which seems like alot honestly? especially w the progress I've made#but most; if not everyone who isn't me have spent 7+ YEARS of drawing and i remind myself that. oh#yeah! im on the same path they were#maybe they had the same issues i did#but ill get through it :) i want to experiment more this year w my art#i say that but i need to COMMIT#i need to commit. to actually put in effort to learn posing and perspective instead of trying to lazily scrawl color on a digital canvas#but it all seems so daunting#but; you know; in time it'll come. seeing the difference only a few months has done to my art is also truly refreshing#it lets me know that im still learning and improving my technique and that really helps iron out any anxieties i have.#sorry this got super rambly super quickly lol
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sevicia · 5 months
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The lack of a headphone jack on so many recent devices makes me so fucking mad . I was gonna say "unreasonably" mad but I won't because I'm RIGHT . Like from a practicality standpoint there is absolutely NO FUCKING REASON to remove it ... you just took away a hole that had 0 impact on customers that prefer bluetooth . there is nothing stopping a person that wants to use bluetooth headphones from using bluetooth headphones as long as the phone supports it . like what are we fucking doing . if it's not broken don't fucking fix it ??? THERE'S NOT EVEN A "FIX" . there's no new & better way of using wired headphones that you can replace the old way with . "just get bluetooth headphones" charging them is annoying they get lost easily some of them have significant delay when it comes to game audio like they're just super fucking annoying in general . "just get an adapter" I SHOULDN'T HAVE TO !!!!!!!!!!!
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hmsmilkbone · 7 months
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massive jjk spoilers, especially if you're anime only.
man. I hate that Nanami never worked through his trauma. I mean, obviously that's the par for the course for every adult sorcerer we've seen, outside of MAYBE Yaga. But Nanami refusing to marry so long as he's a sorcerer. Saying no one would care if he was gone. His depression and ptsd had him cornered, and he coped by cutting himself off from anyone and everyone that loved him.
Gojo, Yuuji, and Nobara would be hard to keep at arm's length, and I can see how Nanami would struggle to cut himself away from them. I feel strongly that he would have lived if he hadn't experienced the reconnection to his ideals via Gojo introducing him to Yuuji (as well as the baker he visited on his lunch break.)
I hate that the trauma keeps being inflicted on him and others as they struggle through what could have been avoided. As much as it seemed Nanami was at peace in Gojo's hallucination (afterlife? In between space?), I think he was just so depressed and exhausted, and it hurts my heart to no end that he died there.
No payoff. He fights and fights and fights, and for what? His character arc had so much potential. Death is certainly A TYPE of conclusion for a character, but it feels so lazy. For Nanami to have pushed himself to find optimism for the future as well as care and concern for others despite the odds, and have it reward with suffering and death. Idk. I really cannot fathom what the thought process is. He would have been down and out of the fight easily.
I have considered if maybe he was killed because his passive suicidal tendencies were easier for him to stomach if they took the form of self-sacrifice, but I don't know. I'm not sure that question will ever be answered, and I know it hurt him so much that Yuuji had to see him die. Just so unfortunate all around. His growth was not realized in a meaningful way, and it is very upsetting.
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jazz-kitty · 1 year
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hi i should be asleep but i cant so i think i should get your opinion on fern & amaria as friends. i think itd be funny
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ever since they were little, amaria and fern knew each other very well. amaria was always visiting florinia, and fern also lived there. and they've hated each other ever since <3
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killjoygem · 11 months
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Just saw some people on here talking about "anti-psych" and while it's perfectly valid to criticise certain psychiatric institutions or individual practitioners, the way some of these people were talking makes me think they just don't really understand psych
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mocury-moto · 6 months
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wow my artistic confidence just skyrocketed okay good to know
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infinitelilith · 5 months
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Dude don't say that like it's a good line (this guy works for Square)
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