#and the chorus and the first verse😭😭

[delicatetaysversion]

oh to be loved by taylor fucking swift

[kindahoping4forever]

HUFWULF acoustic (kind of lmao) via Ai FM

[neonsbian]

we didnt even get tendery yaoi in that one 😐

[sunmisbf]

full moon sunmi or she a wolf wayv

she a wolf wayv 😭 i am so sorry to full moon i like her but she a wolf has me feeling like i’m turning into a werewolf ripping my clothes off in the moonlight

[karinyosa]

indie rock/folk (?) band at the local street festival covered bayan ko and leve palestina in tagalog and i had to choke back tears lmao a councilmember sponsored the event and someone had to come on after their performance to be like these works don't represent the views of [org] bc they performed immediately after the councilmember's speech hdhdjsb. anyway they're not on spotify but they're called araw tierra and this is the song they covered

and a lyricless version

[misclogarts]

sedona by sir chloe reminds me so much of nysa oh my god 😭

[arcielee]

sinful

Summary: Lucifer shows you what Adam is lacking. Paring: Lucifer Morningstar x Reader Word Count: 2k+ Warnings: 18+, Reader AFAB, sexual discomfort hinted, sexual inexperience, kissing, oral (f receiving), fingering, cunnilingus from the leader of all demons, and also Bible verses being used to create sexual tension?? Author's Note: Well, I have fallen headfirst into the Hellaverse and needed to get this smut out of my system. Bible verses being used are 1 Corinthians 9-10 & Galatians 5:17. This was inspired by the artwork created by cluffy_25 from IG & TikTok. Maybe now I can finally get some sleep. I hope you enjoy! 😭

On that fateful day of your creation, there was a palpable shift in paradise from the jealousy that was sown into the earth. 

Lucifer was first in the shadows, just another specter amongst the watchful wonderment as the rib pulled from Adam was crafted, flesh intricately woven; the sight of you was a holy splendor, surpassing every and any expectation imagined. When it was proclaimed that your image was the likeness of Yahweh, he had scoffed, ignoring the chorus of angels recoiling; the truth–which he spoke out loud–was that your beauty was a novel artistry all its own. 

He continued that nothing, that no one, could even compare to you. 

It did not help that the praises above echoed this sentiment and further seeded a growing resentment, its envious tendrils wrapping and rotting Eden from within. With it, your novelty was peeled away, but Lucifer remained enraptured with your ethereal grace, with your careful consideration you showed to all living things as you learned your surroundings. 

He also saw the covetous gaze cast from the angels and how they poorly masked it with a cold reserve that was met with your every interaction. 

Lucifer saw how it began to chip away at the kindness you gave freely. He burned when he saw the hurt that touched your lovely features, he fumed at the sound of your disheartened sigh of acceptance that this was all you could expect from this life given. 

Your isolation called to his loneliness, and with Lucifer, you found a kindred spirit. You were grateful with how he returned your genuineness, even finding a sense of comfort, of validation, at the tip of his brazen tongue that did not fear consequence. With him, you found your thoughts could be shared, the ones you carefully clutched to your chest, and would not be met with any judgment–your shy whispers on your divine purpose that came knitted with your existence and the gilded cage that it created. 

Though he seemed an empathetic creature, always kind to you, you were also aware of the stories and his lore. You caught a glimpse one day when you let slip the chore required of you to lay with Adam, a duty you tried to complete quickly and quietly when he demanded. 

The air around you thickened, and you saw the demon that thrummed beneath the surface: the flash of red in his eyes, the heat from the flame on his furrowed brow. Something powerful, something dire that came and went with your heartbeat. 

This was an intimate subject that Lucifer always precariously balanced on the precipice of, always alluring to something unknown by you. He hinted at the shrine you possessed, giving you just a taste of something sinful, of something more that was within your reach. He spoke of pleasure that could be found, but when you mentioned this to Adam, he only sneered. 

For man did not come from woman, but woman from man; neither was man created for woman, but woman for man.

“But do you ever wish for more?”

It was another day in the garden. Adam had been swept away by the angels who remained in awe of the First Man, but this never bothered you. You welcomed the reprieve, slipping away to return to the natural arbor by the river weaving through the oasis. 

Here the branches curled overhead, light streaking through and the leaves blanketing the ground. Your legs were stretched to feel the sun that fell through, allowing Lucifer to lay his head on your plush thighs. His eyes were watching you, waiting for your response to his question. 

Your lips pursed. “I already have all that I could ever need.” You were careful with your words, your fingers moving to comb through his golden hair.

He hummed with your touch. “I did not say need,” his eyes were still trained to you, an upwards curl to his lips. “I asked if you wished for something more, for something else.” 

“What else could I possibly want?” Your brow quirked. It was part question, part curiosity. The fallen angel seemed to speak in riddles. 

His eyes glittered. “Free will.” 

“But I have free will.”

“Free will allows you choices all your own,” he argued, still smiling. “Would you have chosen Adam if you had not been given to him?”

Lucifer grinned as he watched his words catch in your throat. It was another intrusive thought he always seemed to uncover, pulling to the surface. Your blood stained the apples of your cheeks and your tongue wet your lips. 

“Adam,” you began, pulling your hands away and placing them at your sides, “was created in the likeness of God.” This was the repeated mantra sung from the heavens, words you spoke now without any conviction. “To not choose him would be to not choose the one true…” 

But it faded to obscurity once you became aware of his close proximity; he pulled himself upright before facing you, leaning in with his intensive gaze. “Adam is not God, but only a man.” His voice was low, fanning against your cheeks, and your skin flushed hotly with his words.

This was not the first time he reminded you that Adam was just a man, merely created from the dust of the earth. You never defended whenever Lucifer spoke of Adam’s failures, his certainty that Adam did not give this pleasure you deserved.

It was a topic that piqued your interest, but you felt too bashful to continue it before. But now…

“Free will should allow you the option to choose for more,” his honeyed tone continued. “Should you not experience all that this life has to offer?” 

For a moment, you could only hear the orchestra life created, the rustle of the leaves with the soft breeze and the water that flowed. You had always thought Lucifer was handsome. There was something captivating about him, and right now, you were entranced with the new emotion that now played in the amber glow of his eyes.

Like what, you dared to whisper, eyes wide. 

Lust of the flesh, he replied with an elegant arc to his brow, with an impish curl to his lips.

You felt your skin prickling, something that flitted along the seams of your being before returning to coil in your abdomen. It was something that pulled you to the precarious ledge he seemed perpetually perched on. 

And you kissed him. 

It was gentle and it was quick, though your heart bruised against your ribs with your bold action. You felt the embarrassment flood your features, but when you tried to pull away, his hand caught the back of your neck, his fingers curling into your nape. His mouth captured yours with vigor and your mind splintered from the softness of his lips, from the warmth of his mouth; a sensation that screamed throughout you, craving for more.

Flesh lusts against the spirit…these are contrary, the one to the other.

He stopped the moment you tensed, pulling back and allowing you a breath. Your lips were swollen and flushed, your eyes glassy as they came to focus on the Prince of Darkness. “This does not have to go further unless you wish it to,” his voice soft with his emphasis.

The choice presented like a thick haze that swirled around you, drawing you towards him again. This pleasure promised trilled your veins, and your hands moved to grasp and pull him closer for another clumsy kiss. 

Your body sang from his touch as his fingers skimmed over to grab into your hips, his warmth alighting your every nerve. His mouth moved to your jaw, to the curve of your neck and lower, nipping at your collarbone. You giggled, squirming against him, and his hold moved to cradle your lower back, a guiding press backwards until you were laying on the grass. 

“Trust me,” he whispered against your skin, his hot mouth trailing lower. 

Lucifer nestled between your thighs, his hands never leaving your body so you were aptly aware of his next movements. His head turned to press a kiss on the inside of your knee, following along with licks and nips of his teeth and tongue, plumes of color following his wake. It was a slow pacing, creeping towards your core, feeling how your blood simmered beneath, your body blossoming with his methodical ministrations. 

Your legs widened, welcoming him and his intimate touch. His fingers pressed a v-shape to spread your folds, his exhaling tickling against your cunt, swollen and glossy with your arousal. He moved closer, a tentative touch of his tongue, and you melted against his mouth. He groaned with your taste, briny and begging for more; his hands curled under your thighs, canting your hips to meet with his lips. 

It was a sensation that seared through your veins, a bolt straightening your spine. You gasped again, your hands grabbing fistfuls of his hair to ground yourself as his forked tongue moved with precision and with purpose. 

He was mindful of your every sound, your bated breath and your sweet sighs, the mewling noises that spilled like nectar from your lips. He pulled you towards a plateau of pleasure that resonated throughout your core, rattling your bones beneath. 

You felt him swell against you, burning between, and your thighs clenched around him. Your chin pressed down to see him, truly for the first time: his horns curling up from his blond hair, the blood-red glow of his eyes pooling onto your skin. 

Your mouth fell open, shock and pleasure twisting from your lungs. 

Lucifer lifted his head, meeting with your teary gaze, his sharp smile gleaming from your slick. “You may grab onto them, if you need to.” His voice was low, husky. 

Your hands trembled to touch and their smooth texture was warm against your palms. You reverberated with his low chuckle as he dipped his head back to the apex of your thighs, his vitality unleashed. He feasted on your essence, and your hands gripped the base of his horns as his forked tongue carved into your sensitive flesh, a pulsing pleasure that poured hotly in your core. You cried out with the prod at your entrance, and he pressed a quick kiss to soothe as his finger curled within you. 

“You are doing so well for me,” he crooned as his finger searched, brushing against a spot that brightened your vision, curling your toes. He hummed again, and you felt his satisfaction curling on his lips. “Can you take another one for me?”

Your back arched with his touch; the tandem of his tongue and fingers thrilled you, the pulsing pleasure coiling so tight it was as if your heart was beating outside your body. It unfurled, a blinding light, a sobbed release, this euphoria wrenching the air from your lungs and your muscles contracting around his digits; and Lucifer continued his come hither motion to your completion. 

You were eventually brought back to your body, feeling a gentle breeze against the sheen of sweat, the grounding weight pressing to the inside of your thigh. You blinked, seeing Lucifer with his head resting against you, his fingers drawing lazy designs on your skin. His wicked grin was splayed, watching through hooded eyes at the slow rise and fall of your chest as you regained your breath. 

You blushed furiously, feeling the dull throb between your thighs, the last remnants of your pleasure he craftily pulled from you. But there was also an ache, a contrast of emotions playing in the haze of your mind: the purpose you were given and this newfound pleasure had. 

These are contrary, the one to the other: so that ye cannot do the things that ye would wish.

The blood drained as you pushed to your elbows, a prickling fear that followed the curve of your spine. You stammered, your tongue sticking to the roof of your mouth. “W-what did you say?” 

Lucifer tilted his head, his brow furrowed, confused. “I only said that you were beautiful,” and he pushed up, moving to kiss you, softly, sweetly. “You are beautiful just like this.”

You allowed his kiss to comfort you, rekindling the fire he had found within you, with the sweet taste of your sin on his lips. 

arcie's masterlist

[mydearesthrry]

hi!!! could u maybe write musician reader x harry idea dumping in the middle of the night???

a/n: u get it. this was fun to write teehee. song used is ‘a love letter from the sea to the shore’ by delaney bailey! enjoy :P (this got away from me.)

warnings: nothing, cute fluff from our fave knuckleheads!!!!

“hi baby angel, what are you doing?” harry murmured, a grin on his face as he walked into the living room, seeing his wife sitting on the floor with her guitar on her lap.

“writing something, i think,” she grumbled, scratching aggressively at her shoulder since her guitar strap was rubbing against it. “something’s not working here.”

“well, what’ve y’got so far?” he asked, plopping himself next to her, resting his chin on his hand that was propped up on his knee.

“um, i’ll play it for you,” she shifted in her spot to face him, itching her nose as she scooted. “i’m thinking it’ll be called like, ‘a love letter from the sea to the shore’? i mean, i basically say it in the first verse anyway.”

“cute!” he replied, making her giggle softly.

“okay, um,” y/n began strumming, eyes closing as she played the round of chords she had in mind.

‘cause you hold in my tide

i would die a thousand times

just to see you in another life

stopping after the second chorus, she drops her chin to her chest, hair curtaining around her face as she groans in annoyance. “i can’t figure out the fucking bridge.”

“baby, that was beautiful.” harry says seriously, eyes shining with adoration and utmost love.

“shut up. help me write this bridge.” she muttered, but leaning to press a kiss to his lips in gratitude.

“hm… what if y’like, made it still ocean themed? like slow down the song at that part and make it so it sounds like the water’s coming back up the shore.” he explained casually, not realizing how complicated that sounded.

“what?” she questioned, a confused furrow in her brow.

“like, hold on, give me the guitar.” he held his hands out to grab it, settling it on his lap against his tummy when it was in his possession. harry furrowed his brow, humming a little before just barely singing the words, ‘my love’.

y/n watched as he used relatively the same chords to strum a different pattern, already filling in the gaps with his hums. “i got it! h, wait!”

“see, there y’go lovie. jus’ needed a little boost, hm?” he smiled widely, his bunny teeth peeking out.

“god, we’re fuckin’ good at our jobs.” she murmured after rerecording the song with harry’s added bridge. a giggle left harry’s throat at her look of relief, high-fiving her as she set her guitar back on the stand.

“should i release it? i think we could probably record it tonight.” y/n shrugged her shoulders nonchalantly, standing from her place on the floor.

“y’wanna record this song right now? its 2:45 in the morning, sweetheart.” he chuckled at her, standing up after she did.

“yeah, honestly. wanna be my producer for the night?” she giggled, moving towards him slowly, her hands coming to rest on his chest, then fanning out to the nape of his neck.

“sure, baby. if that’s what y’want.” harry promised, his hands resting on her hips. leaning forward, he pressed a kiss on her forehead, both cheeks, and eventually her lips, savoring the flavor of her chapstick that she loved to use before bed.

“i do want that, please?” she whispered between them, pecking his lips again.

“alright, lead the way, angel girl.”

———

liked by harrystyles, sabrinacarpenter, charles_leclerc, and 4,262,819 others

yourinstagram: my new song ‘a love letter from the sea to the shore’ is out may 1st 💌 written & produced by me and husband harrystyles eeeeek i love this song i cant wait for it to be yours!!!!!!!

view all 19,552 comments

landonorris: so excited y/n/n!

sabrinacarpenter: omfg stop

user1: THEY WROTE IT TOGETHER AND PRODUCED IT TOGETHER STOP 😭

harrystyles: I love nothing more than I love you. Thank you for letting me work on this with you. H Xxx

> yourinstagram: harrystyles the sea to my shoooooreeeeeee i love u to pieces and pieces and pieces!!!

niallhoran: Yay bug! Can’t wait to hear it ❤️

user2: y/n probably painted the cover art im unwell

user3: “i love you too much to drift completely” BRUH IM DONE THEYRE SO 😭😭😭

[longstoryshort22]

Peter is brand Taylor talking to real Taylor, I Look in People’s Windows is real Taylor talking to brand Taylor (the two were supposed to become one, but the more famous she gets the harder it is)😭😭

The whole theme of the album is Taylor herself and her career and how the industry has affected her, joe/matty/travis/kim are just red herrings bye im gonna go cry listening to Peter

(more details⬇️)

I’m not saying that some songs aren’t about those specific people, I’m just saying they’re only PART OF the theme, I believe her father (and other big heads in the industry) had a big influence on her career and forced her to stay in the closet from the very beginning, that messed her up, she had to hide her true self and keep bearding, and in 2019 she planned to come out but didn’t because of the masters heist, now it’s because she’s gotten more famous than ever that she has too much to lose. So maybe these men he dated, she did like them and she had multiple feelings when these relationships ended, but it’s all part of who the industry had made her into; she had one true love (maybe Karlie) but she couldn’t be with that person that’s why some songs are about a true deep love lost, but that’s still part of the “her career” theme, because of her career, she can’t be with that person. (more details⬇️)

What’s really interesting in this theme is that she’s calling out her father in multiple songs because he really made her life harder…

In Cassandra, (the obvious theory is that Cassandra representing gaylors bc we’ve been saying the truth but never believed. And the first verse is about her getting the news of her masters heist just before her coming out plan, and then “stone’s thrown” is referencing Stonewall.) And in the bridge “They knew the whole time that I was onto something. The family, the pure greed, the Christian chorus line. They all said nothing. Blood's thick but nothing like a payroll. Bet they never spared a prayer for my soul” she’s saying her family knew something but said nothing because greed and money, we saw the leaked emails of her father and how he cares more about making money out of Taylor’s career than caring about her as his daughter, so I think this bridge is about her father, also about religious trauma may or may not due to him.

In The Bolter, “A curious child, ever reviled by everyone except her own father. With a quite bewitching face, splendidly selfish, charmingly helpless, excellent fun 'til you get to know her, then she runs like it's a race” she’s talking about herself being a precocious uniquely intelligent ambitious child, which everyone reviled except her father. why? because he wanted to invest money on her, he controlled how she conducted her career from the beginning.

What’s crazier is that Robin may be about her father too. That song sounds like a sweet song but she’s faking it like “all this showmanship to keep it for you in sweetness”. If she’s referring to her father (only wanting to make money out of her career) in this song then “you’re an animal, you are bloodthirsty” makes so much more sense. And the “buried down deep and out of your reach, the secret we all vowed to keep it from you in sweetness” her father probably knows about her queerness but wants her and everyone to keep it quiet.

In But Daddy I Love Him, “people only raise you to cage you” is pretty obvious about her father forcing her to stay in the closet, and “people try and save you cause they hate you” is literally about homophobes. “Dutiful daughter, all my plans were laid” is about her father laying all the plans for her, which isn’t always what she wants. “I'd rather burn my whole life down, than listen to one more second of all this bitching and moaning. I'll tell you something about my good name, it's mine alone to disgrace” reminds me of that scene in Miss Americana where her father was lecturing why she couldn’t public her opinions. “Thinking it can change the beat of my heart when he touches me. And counteract the chemistry, and undo the destiny” is so queer coded. “Sanctimoniously performing soliloquies I'll never see / You ain't gotta pray for me” another reference to religious trauma.

So all of this, about her father, about her lover and other men, it’s all connected to her career and she’s looking back at it, thinking and reflecting on it, that’s it that’s the blog

[moonlitmorganite]

"Nothing" - Bruno major

A song about spending simple, unadorned moments with a loved one. The song emphasizes that the value of these moments doesn't come from the activities themselves, but from the person they're shared with.

It suggests that the act of doing 'nothing' is deeply fulfilling when it's with someone special.

Katsuki hated this. He hated how you make his heart churn. He hated how you'd make his tummy roll and do twists and turns. He hated how you made his say sappy shit, the cheesy lovey dovey crap he avoided.

But he couldn't help it. He couldn't help but fall into the pit you unknowingly dug for him. He couldn't help but let his leg slip into the void not-so dark you created for him.

But a part of him enjoyed it.

Enjoyed how you'd engulf him in your loving arms after a long day. And how you'd whisper sweet nothings into his ear. How you'd smile at him while you greet him with your usual 'good morning's.

Or how you'd split your snack for him, even if he said he doesn't want his teeth rotten like yours.

"But Katsu, my teeth aren't rotten!" You'll whine and puch it towards him again.

And he'll roll his eyes, click his tongue and scrunch his nose but still accept the sugary treat. How could he say no to you? How could he say no to the endearing smile that came along with the cookie?

And the worst part was that he couldn't put his finger on it. You had him absolutely smitten in every way. But why? Is it the way you rant his ear off? Is it the way you ask him to solve that one math problem you could solve yourself? Maybe the way you came to him the second you fell down the stairs? Or maybe how you'd snuggle into his chest on the class movie nights.

Apart from all that, there wasn't anything he could've wanted more. The way you'd dance on tabletops, wearing high heels. And how you'd watch your favourite angsty movie for the fifth time, he'll say it's stupid — just before you catch him sobbing into the pink cushion you got for his room. Oh, or maybe it was how you'd both song stupid songs together, he swears he could feel his heart stop the moment you harmonise with him. How you'd song that one Olivia song – telling him you love him in between the chorus and the verse. And he knows it's only you who'd ever make him feel this way.

Because the day he met you, all the love songs were about the both of you. The day you locked glances was the day all the feelings shown in stupid romance movies were something he got to experience for himself.

And he wouldn't trade it for the world.

Credits to @cafekitsune for the pretty divider <3 (tysm)

This is my first ever write-up, so pardon me if it's bad😭. I look forward to writing more and improving in the future, thanks for reading<3

Inspired by the song "nothing" by Bruno Major!! (Also has lil bits of "deja vu" by Olivia Rodrigo)

Do not copy/repost. Reblogs are appreciated!!

[iwanthermidnightz]

taylor singing the first verse and chorus of us before bringing gracie out… there’s something about it 😭 (full video here)

[cyanide-sippy-cup]

Happy Wisdom Saga day! For the fun, I spent multiple hours creating this- Every time Epic calls back to a previous song: a very non-exhaustive list. First is what I noticed by ear and second is what Jorge has said on the topic at time of writing. The order is merely the order in which I wrote my notes. Wisdom Saga spoilers ahead!

Survive calls back to Zeus' verse in The Horse and the Infant. Suffering also calls back to this verse with the "he will chase you high and low".

Ruthlessness calls back to Full Speed Ahead with the "43 left under your command".

Mutiny, Scylla, KYFC, and Underworld all have the crew sing "Full Speed Ahead".

The way the crew sings their "oh" in Remember Them gets called back to in Different Beasts and Monster.

The way Polyphemus sings "nobody" in Remember Them mimics how Odysseus sings it when he gives him the wine.

"Let's grab the sheep and away we go" mimics the "we're off, we're off, and away we go" from Full Speed Ahead.

Remember Them plays Athena's motif along with the returning "have you forgotten the lessons I taught you?"

Remember Them features a musical version of "we're off, we're off, and away we go". Odysseus also says "I am your darkest moment" which Poseidon will call back to later.

My Goodbye does the "Just A Man" thing and calls back to the long "miiiiiind" with "goodbyyyyyye".

Storm plays Aeolus' motif.

Puppeteer opens with a tune from Full Speed Ahead.

When Eurylochus gets shut down by Odysseus in Puppeteer, he says "okay" the same way as in Luck Runs Out, accompanied by the same music. In the same vein, the way Ody says "what" to the lotus eaters' "it's treasure!" is similar to his "what" when Polyphemus decides to kill him last, accompanied by his motif.

KYFC, Suffering, and pretty much every other song with any hint of Penelope do the "Penelope~" thing and all I can think every time is "banana peels~"

When Eurylochus opens the wind bag, the crew sing Storm and Full Speed Ahead.

ALL I GOTTA DO IS OPEN THIS BAG

There Are Other Ways calls back to Puppeteer with "don't be afraid", Wouldn't You Like with "so much power", and Just A Man with "I'm just a man" and "forgive me". Penelope's theme also appears instead of the outright "banana peels~".

There is a motif that plays at the very beginning of The Horse and the Infant that plays all across the musical, including Warriors of the Mind and Underworld (and more that I didn't write down).

Underworld calls back to Full Speed Ahead and Just A Man (and the way they sing "558 men" made me think of Perimedes lol). It also has the crew sing "captain" like when they were dying in Ruthlessness (Jorge wth).

POLITES NOOOOOO 😭

Eurylochus' "forgive me" in Scylla mimics the "forgive me" from Just A Man.

Mutiny opens with the Luck Runs Out motif and has them sing the "please don't tell me you're about to do what I think you'll do" bit but reversed. Eurylochus sings about the cows and their hunger to the same tune as Zeus' verse in The Horse and the Infant/the opening of Survive.

HE'S JUST A MAN

Thunder Bringer has Odysseus beg "please don't make me do this" like in THatI and features Just A Man's "when does a cabbage become a meteor"/ Suffering's chorus.

When Telemachus says "give me a sign", Athena's motif plays. This also plays across this saga in We'll Be Fine, Love In Paradise, and God Games (except in GG it's a choir version).

Jorge said there's a sound effect for whenever Athena pulls someone into Quick Thought (I think that's what it's called). This plays when she helps Telemachus in Little Wolf.

The way she sings "apaaaaaart" in We'll Be Fine is reminiscent of the "miiiiiind" from WotM.

When Telemachus' verse begins in WBF, the Warriors of the Mind music begins playing. When he sings "you're my friend, I couldn't ask for more" he sings it similarly to "I wanna be legendary".

Ugh. Love In Paradise calls back to Remember Them, Keep Your Friends Close, Ruthlessness, Done For, No Longer You, Different Beasts, Scylla, and Mutiny. This song really turned around cause when it began, I was not a fan (can you tell why lol).

When Odysseus tries to jump off the cliff, the music from the opening of Polyphemus plays. We also get Underworld references with "all I hear are screams" and Ody's mom, as well as Open Arms and Luck Runs Out.

Have to break character here but "she's my wife." "...anyway-" made me snort so loudly.

"I'm not your man" is "I'm just a man".

Athena says "Odysseus" in God Games like how the crew does in Remember Them and Different Beasts (yknow, after the "oh, ooh oho" segments).

Thunder Bringer plays when Zeus introduces Hephaestus and of course when he murks Athena.

I never noticed before but Athena actually pulls Aphrodite into Quick Thought to ask her to reconsider and thEN ARES BREAKS IT/USES HIS OWN THING?? AND THEN ATHENA OVERPOWERS IT TO SAY HER PIECE??!! GOD GAMES IS AWESOME WHAT THE FUCK.

When Athena is "killed(?)" by Zeus, a piano version of Warriors of the Mind plays, as well as a quick "I wanna be legendary".

According to Jorge, Penelope's instrument (a viola) does not appear in Suffering but rather a mallet, as it is still the instrument of SOMEONE he cares about (Polites :(((), just not his wife.

The musical features a "Danger Motif" that appears whenever there is a threat. This can be heard when the men attack the city in The Horse and the Infant. In Ruthlessness, Poseidon's name is sung to that tune as he is a very present and very powerful danger.

Circe has a tune/kick drum combo that repeats across all three of her songs.

During Odysseus' speech in Puppeteer, a lyre is used, indicating that Hermes is listening in.

Eurylochus doesn't have an accompanying instrument of his own, however he does always have the voices of the crew to harmonize with him since "he always tries his best to protect them". Jorge wth.

When Eurylochus pulls his sword against Odysseus in Mutiny, an electric guitar is used (Odysseus' instrument) as he is trying to take Odysseus' place. JORGE. WTH.

When Odysseus tries to reason with Eurylochus as his friend in Luck Runs Out, it has the same type of progression as Open Arms, showing that Polites' belief still holds over Odysseus.

[starmocha]

Hi there. I'm back with theory #3 for Sylus' myth. Which....might be less evidence-heavy than the first two and really just me talking out of my ass. I started writing at midnight because that's just on brand clown behavior of me 🙃 ANYWAY...

People who haven't read Rafayel, Xavier, and Zayne's myths, please tread carefully, because I will touch upon them briefly and allude to events in their myths.

Quick recap from first post:

Theory 1: Sylus and MC must have been destined lovers in a past life, but due to whatever conflict, Sylus decided to break his bond with her for her protection and accept any punishment that comes with it, which could mean to be ruler of a place he has no desire for, an imprisonment of sort.

Theory 2: Destined lovers, but perhaps a third party interfered out of jealousy or spite. Could Sylus have been caught and framed of a crime and been literally imprisoned, thus forcing him and MC to separate?

So...I half-joked in a post that my new theory is that Sylus sold his soul to the devil. Or, you know, maybe he is the devil himself. This is partly stemmed from the Long-Awaited Revelry trailer, which has the word "demon" over a shot of him and later in the same trailer, one of Sylus' companion forms is aptly titled "Otherworldly Visitor". Make of that as you will.

And with the new trailer for No Defense Zone, we see that Sylus' right eye glows in a demonic way, similar to his in the LAR trailer. Even the atmosphere in both scenes seem a bit supernatural. Now....I didn't want to go there, but, um................do you suppose he is an incubus? 😭😭😭 The shot after "demon" has the word "desire," which can have a sexual connotation.

For those who don't know, an incubus is a male demon who preys on women sexually.......it would explain his kinky behavior in NDZ 💀 but I digress.......

Some of the first lines we hear from Sylus:

"Even if you wanted to sell your soul, you still have to find someone who can pay the price."

"Want some help? Yes? No? Maybe so?"

These lines reinforce the idea of "deal with the devil". In the new theme song, Visions opposées, the singer also sings this line: "Mais c'est le prix à payer" (But that's the price to pay). It could just be figurative, or it could hold some literal truth, because I found it interesting how that verse overlaps with Sylus' scenes. I doubt it's a coincidence since the devs are so good at planting seeds.

From the chorus, in order, we hear:

[MINOR RAFAYEL, XAVIER, & ZAYNE SPOILERS]

"But that's the price to pay / o'love" - Rafayel, God of the Sea, is separated by MC. His price? His civilization.

"Stars will always shine / But with pain" - Xavier and MC are separated (side note: I don't have the second half of Xavier's first myth yet, so I can't elaborate too much. But I've seen enough references to understand the scene depicted in the MV)

"Though separated / Hearts cling on" - Zayne (The Foreseer) is separated from MC in many lifetimes. The memories of their love are tied to the jasmine flowers even if they forget.

[END SPOILERS]

"That's the price to pay / Yet lovers endure forevermore"

This is the verse that plays over Sylus' scene. What is his price? Does the following verse mean that he and MC must always endure something? Hardship? Misfortune?

When the chorus repeats a second time near the end, all of the above verses coincide with the intended love interest. It absolutely can be argued that all four love interests paid a price for their love, and not just Sylus. This whole tangent was brought up to follow with the whole "deal with the devil" aspect. As stated previously, I wouldn't be surprised if the devs and songwriters intended for the lyrics to have layers upon layers of meaning in relation to the stories.

Also take into consideration the lyrics from the song in Sylus' first official trailer, Tangible Shackles:

The outlaw again celebrates this encounter in fate It's time to break the seal they set in mind It's time they will have to pay the price

To me, though, in this song, the verse sounds very vengeful. It sounds almost vindictive, as if someone must be punished for whatever wrongdoing done against Sylus.

Watching the interview for Visions opposées, it seems the LADS team has shared enough of the intended stories for the songwriters to understand and pen the songs we hear. I trust that there will be complete clarity to the lyrics once we're able to understand Sylus' myth.

Love is the privilege of mortals

A gift the gods covet in vain

Astra, you ass, is that you

Now remember the first official trailer for Sylus? Yeah. Long-Awaited Revelry. Do you know what "revelry" mean? 'Cause I sure as heck didn't and kept wanting to read it as rivalry

revelry. noun. a situation in which people are drinking, dancing, singing, etc. at a party or in public, especially in a noisy way. — Cambridge Dictionary

To put it simply, "long-awaited party," which with the new knowledge of the timeline of scenes shown, we can clearly see a scene of MC entering a ballroom where Sylus is at in the trailer.

What type of party is this? Long-awaited? Maybe an engagement? In the MV, you can catch a brief glimpse of guests in the background watching MC enter. It seems almost like Sylus is waiting to show her off. The dance they share also seem intimate, and Sylus' expression is very soft and tender.

Previously, I alluded that it looks like MC and Sylus' wrist are bounded by a thread, similar to the Red Thread of Fate, but afterwards, I had my doubts, and if in keeping with the theme of being trapped, perhaps they were actually cuffed? I have previously mentioned that handcuffs have shown up often in the trailers.

To be cuffed together makes it seem like it wasn't a choice for one or both people. Kind of pondering if maybe MC might have sold her soul to Sylus, thus becoming bounded to him?

I have also made a lot of references to the myth of Hades and Persephone previously (still holding onto it with every fiber of my being tbqh), BUT for the sake of this third theory, let's revise the above scene to mean...

Sylus, a demonic creature, is trapped on the dark side while MC is a mortal on the light side (mortal realm). He knows their love can never be, so he forces whatever bond they made together to break, setting her free to remain in the mortal realm while he remains trapped in the Underworld.

Interestingly, Sylus conjures up a gun, pressing it to his chest where his heart would be. And he makes MC shoot him. ....thus breaking their bond? Or killing him idk man

This appears to be the following appearance of him after he is shot in his chair:

I'm sorry if this seems out of left field and my mind works in a weird way, but.....the scene above kind of made me think of the Roman/Greek myth for Cupid/Eros and Psyche. Rather, I was thinking of the scene where after her jealous sisters manipulated her and planted seeds of doubts, Psyche betrays her husband's trust and broke her promise to not view his face and learn of his identity. She carries a dagger with the intention of killing him.

In the aforementioned myth, Psyche does journey into the Underworld during a final trial set forth by Cupid/Eros' mother, Venus/Aphrodite. Other than that, there might not be many other correlations I can make in regard to the scene depicted in Visions opposées.

Speaking of Cupid (Roman name, but aka Eros in Greek mythology), however, it's also worth noting that Cupid was described as a "demon of fornication" by some mythographers. Take this part with a grain of salt since this was due to adapting the Roman myth for Christian usage. I do, however, vaguely recalled in some Greek/Roman myths, Eros/Cupid was viewed as devious by the other gods due to him being able to make both mortals and the gods fall in love depending on his whims, be it out of mischievousness or malice.

So....Cupid....God of desire....erotic love.............that earlier incubus comment I made?? 😭 This part I am definitely pulling out of my ass. 💀 Let's just wrap this post up. 🫠

If we look at the myth from the angle that Sylus is a demon, then....

Theory 3: Sylus is a demon who has come across MC, and for whatever reason, she is desperate to make a deal with a demon, thus bounding herself to him. Perhaps over time, Sylus grows to adore her, but maybe MC betrays his trust, whether it be intentional or at the manipulation of others? Could he have tested her when he made her shoot him? Was he willing to die for her, even if it's at her hands?

Uhhhh.....yeah. This theory seems more far-fetched. 🫠 Well, thanks for your time! If any of the crumbs I've presented stirred any theories from you all, I'd love to hear it! Bye. 💕

[poetryandfluffycats]

One of Those Nights

A/N: this is the first fic I've ever posted on here please be kind 😭

Pairing: Leo Tsukinaga x fem! reader

Warnings: Maybe slightly ooc Leo, very mild cussing

Content: Leo has a habit of waking up with inspiration at weird hours, this is one of those times

Words: 625

Oneshot under cut!

"Wahahha! I'm a genius! Look (name), aren't I genius?"

Leo had a habit of doing this. Waking up at some ungodly hour of the night after inspiration hit him. Which was great, as his partner I loved that he was working so hard for his unit. Only problem was, these late night bursts of creativity often woke me up, and Leo would not stop blabbering until he fell back asleep himself.

I was laying ontop of the covers with my feet in the air as I watched Leo at his desk, papers sprawled out everywhere. His ginger hair was down from his usual ponytail and his green eyes sparkled with delight. He was beautiful, yes, but also quite a pain in the ass at times.

"(name) (name) (name)~ what do you think of these lyrics? Aren't they good? I can't wait to show everyone!" He flung some papers over at the bed and I barely managed to catch them.

"Yes darling, your a genius" I mumbled sleepily as I read through the scribbles on the paper. It was just a few random verses and a chorus thrown together, but it did flow nicely.

"Yes! Isn't it great! I wrote it about you, can you tell? It's a love song" He was bouncing up and down in his chair like a little kid. I couldn't help but smile at his antics.

I gently placed the paper down on the bed and rested my head in arms, creating a makeshift pillow for myself.

"Hmm" I hummed in response to Leo and closed my eyes, my tiredness slowly taking over my body. I could almost feel myself drifting into unconscious, until...

WACK!

"Ack! What-" I suddenly found myself with Leo sitting on my back, a pillow in his hand and a shit-eating grin on his face. Obviously, I wasn't getting away that easy.

"Hey! You can't go to sleep yet, I still have so many ideas to tell you about," he gave me the biggest puppy dog eyes, "Please?"

I sighed. There was just no way I could stay mad at him. Not at those eyes. Looking up at him, I smiled and caressed his cheek, rubbing my thumb against his soft skin. "Can you at least come to bed? I promise, you can still tell me all about your genius plans"

"Hmmmm" Leo leaned his head into my hand, pondering my question.

I gave him a quick peck on the lips, "Please?"

A small blush dusted his cheeks and his expression lightened, a small smile tugging at the corners of his lips, "okay, since you asked so nicely"

He sild off me and snuggled under the covers, making grabby hands at me to follow suit.

I rolled my eyes and sild in beside him, my chest flush against his and our faces inches apart. I wrapped my arms around him and lazily slung my leg over his, taking in the warmth of his body.

"So, tell me about these ideas of yours"

"Oh! Well I had this thought about-"

And off he went, rambling on about whatever came to his mind in the moment. I just laid there, listening to him and occasionally giving him a kiss whenever he stopped to breath.

Slowly but surely, his brainstorming slowed down, and I could see his eyelids growing heavy. He nuzzled into my chest and his speech became more slurred and incoherent as he continued, until he was nothing more than a blabbering mess.

I placed a soft kiss to his forehead, "Goodnight darling"

"Hmm, nighty night.."

With that, he was out like a light.

I smiled to myself, nuzzling my head into his ginger locs and sighing.

Maybe these late night brainstorms weren't such a bad thing.

[keefessketchbook]

WISDOM SAGA THOUGHTS 🎉🎉🎉🎉

Guys, this saga had me in shambles. I had to wait til the morning of the 30th to listen so listening to it before breakfast WRECKED me.

Legendary 🐕

The instrumentals go so hard like it's so chill

In the first verse, Telemachus reminds me so much of Polites. like bring the world so light? open arms who?

the pre chorus has some of my favorite lyrics jay has ever written. like 'Cause I'm stuck with your stories/But no clue who you are/And no idea if you're dead or just too far/Somebody tell me, come and give me a sign/If I fight those monsters, is it you I'll find?

ALSO THIS SONG HAVING THE MELODY FROM FULL SPEED AHEAD THE "polites gear up, you and i'll go ahead" PART

the chorus i love because it references all the monsters Ody has had to fight

The second verse is so like real. like Telemachus is just singing his heart out about his problems

The suitors sound so much like the sailors, which hurts my heart. like these are the voices of the men that were friends with ody. now they are tryin to get his wife

Telemachus' last line is sending me like "If I fight this monster/Is it you I'll find?" like bro you find his old bestie, badass senorita

Little wolf 🐺

So this song sounds really good musically. I can see the evil sutiors from the "dark" and "evil" sounds jay uses

The chorus/ what the suitors are chanting is really cool

Athena coming to his rescue has my whole heart like its so cute

Telemachus is just a little baby like he's my little boy

love Love LOVE how athena turned the suitors chant into her own like she's in his corner rooting for him

Also Teagan's riff is so prettyyyyy

We'll be fine 👍

This is my favorite song in this saga. I just wish it was longerrr

Like Athena literally describing Ody and comparing him to Telemachus is just so sweet

Also the lyrics call back to my goodbye because ody said "What's a title that a goddess could lend/ If I'll never sleep at night?" and in this song Athena says "Maybe, if I helped you reach your goal/Life could be that bright/I could sleep at night"

Telemachus is just so gentle with Athena, I think that is what she needs because i guess she thought Telemachus would hate her because of what she did to his dad but Telemachus just has so much Polites energy like bro is precious

THIS LINE SPECIFICALLY "I don't think he'll mind/If not his friend, then mine" 😭😭😭😭😭

Both of their voices blend so well together like its so cute

"You're a good kid" AHHHHHHHHHH

Love in Paradise 🏝

Athena calling him old friend has my heart

The callbacks to the other songs is just amazing. they blend so well together, i kinda want to make it my ringtone

Calypso's beat is so good like its so beachy and calm

the "did you know you talk in your sleep?" line reminds me of the scene from PJO from the 4th book when Percy wakes up on Calypso's island

the silence after "she's my wife" is soooo funny to me

Calypso's verse is so good like the notes and beat are so pretty

the goddess can't die line beat is soo good like her laugh is so pretty

THE TIME JUMP !!!!!!

Ody calling back to the underworld lyrics is amazing to me

THE STAY IN MY OPEN ARMS LINE HAS ME DEAD LIKE DON'T DISRESPECT MY POLITES POOKIE

I literally was thinking last night, 'if i hear polites in the wisdom saga, i will be losing my shit' can confirm, have lost my shit

Polites, Eury, and Ody's mom's voices all blend together so well like OMG it hurts

and Ody calling out for Athena is so cute like for once he's admitting he needs help

So, this saga is officially my favorite. I'll post god games soon. That one has a lot more to unpack. I love this community sm. Kinda sad that we didn't get to hear any Penelope tho.

Stay weird, guys

[marsmarauders]

folklore (Marauder's Version)

Welcome back to another episode of Mo and Marls going insane :) @idkjustlemmedrownlikerab and I overanalyzed every single song on folklore… (the BEST Taylor Swift album, no discussion).

Also, we first discussed this one like a month ago and I didn't take very detailed notes, so if I missed anything Mo, let me know!

Sorry, it took a bit longer for this one to come out… I’m trying my best here. 😭

Let’s get into it, shall we?

the 1

So we all know how James changed, right? Like how he grew out of the bullying and mistreatment? I think part of that maturity came from Jegulus. The experience of being in a relationship with someone who is the complete and utter opposite of you would probably take a lot of emotional maturity. (And immaturity, hence why he left him when he did). And obviously, Regulus would not have betrayed Voldomort if he hadn’t first gone through the worst of it all. If it was all sunshine and rainbows being a death eater, why on earth would he have changed his mind? Like the song says, they never would’ve matured and grown if it weren’t for the fallout of their relationship.

“And if you wanted me, you really should've showed. And if you never bleed, you're never gonna grow.”

“To kiss in cars, and downtown bars was all we needed. You drew stars around my scars, but now I’m bleeding.”

cardigan

Yeah, I know the cliche. That’s literally the most quoted Wolfstar coded song lyric in the history of Taylor Swift songs, so instead, let me bring up verse 3.

This part of the song perfectly encapsulates how I think Remus felt after October 31st, 1981. Sirius would always be there in the back of his mind, whether it be the ghost of his slips or the scent of smoke. Even though he didn’t want to feel that way about Sirius anymore, considering the weight of the crimes that Sirius had supposedly committed, he still felt that way because the younger him was insistent that Sirius was the one. And some part of him knew that even though destiny fought against them, they’d end up together again. (Not for long- cough).

“But I knew you'd linger like a tattoo kiss. I knew you'd haunt all of my what-ifs. The smell of smoke would hang around this long. 'Cause I knew everything when I was young. I knew I'd curse you for the longest time. Chasin' shadows in the grocery line. I knew you'd miss me once the thrill expired. And you'd be standin' in my front porch light. And I knew you'd come back to me.”

“Who knows, if I never showed up, what could've been. There goes the loudest person this town has ever seen. I had a marvelous time ruining everything.”

the last great american dynasty

So first off, let’s completely ignore the word American in this scenario. Second off, my interpretation is different from the actual meaning of the song. Instead of blaming women from a sexist point of view, I’m instead using the motif that everyone was (rightfully) blaming the death eaters for the war. Does that make sense? Okay.

So when Mo first brought up the idea that this song was about Regulus, it took me a minute to understand where she was coming from (Not because it was a bad idea, not at all. This is just not my particular favorite song off of folklore). But the fact that one of the lyrics is “there goes the maddest women (person in this case) this town has ever seen, really sold it for me.

We may all argue that Barty was the maddest of all the death eaters, considering the lengths he went for Voldemort, but up until the betrayal, Regulus was literally the #1 Voldemort stan. He was mad. If he’d never “shown up,” yeah, some things might’ve been better. But to figure out the Horcruxs, he kind of had to go down that path. So in the final chorus, I honestly think it’s Regulus, 6 feet under, mocking everyone who hated him, because without him, Voldemort would’ve never been defeated.

“I think I've seen this film before, and I didn't like the ending.”

exile

This song is the dynamic I picture Wolfstar having after reuniting. Not in the shrieking shack, but outside of school. There were two conflicting sides to the story, but both left them in shambles. And now that they know the truth, they’re too scared to risk it again. Because what’s the point of trying again if they’re only going to die in the end?

The bridge gets this point across perfectly. When Taylor echos Justin’s singing with a second perspective of the story, that captures Sirius and Remus perfectly. Because from Remus’s perspective, Sirius didn’t give him any kind of heads up that he thought Remus himself to be the traitor. Sirius never gave him the time of day to hear him out! But obviously, Sirius tried giving signs, such as 1: keeping the Potter’s secret keeper extremely confidential to the point that he wouldn’t even tell his partner and 2: arguing with Remus about where he was at night. But how could Remus have known that? He couldn’t read Sirius’s mind! They were falling so quickly that there was no way to stop it.

Now that they know the truth, however, they’re learning to forgive each other and move past it. But how can they when they’re just as in love with each other as they were before? Why would they risk it all if it could disappear all the same? They knew how this movie ended, why would they watch it again?

“And I can go anywhere I want. Anywhere I want, just not home.”

my tears ricochet

This song is Sirius to many people all at once, so let me break it down a little.

The majority of the song is Sirius to the people who believed him to be the spy. To have killed his best friends. The fact that he was never given a chance to explain himself and was just locked up; he’s feeling a lot of resentment. Sirius wants to know why on earth they care so much about it when he was “suppoedly” the one to have destroyed everything. Why is the focus on him? Why aren’t they focused on James or Lily or Marlene or Dorcas or the people who died in the war? If he’s dead to them, then why do they act like he exists?

The bridge is him towards Regulus. Regulus died, for reasons that Sirius will probably never know. He talks to the Regulus star, because it’s all he has left, even though he left him years ago. He probably wonders if Regulus saved himself from ending up like Sirius. He probably wonders if Regulus was right. Not about pureblood supremacy, but about keeping quiet and leaving it be.

I think the last chorus is Sirius towards Peter. Throwing Sirius under the bus will only disadvantage Peter in the long run. Why would you willingly stay a rat for 13 years?

"I'm a mirrorball. I can change everything about me to fit in. You are not like the regulars. The masquerade revelers. Drunk as they watch my shattered edges glisten."

mirrorball

Mirrorball was a little tricky at first cause it's just kind of ✨ominous manipulation✨ to be quite honest and at first, I think Mo was thinking Sirius? But then I kind of looked deeper into the lyrics that I listed above and was like "Hear me out… It's Peter's internal monologue convincing himself into becoming a death eater." and we were both like "Woah."

seven

"Sweet tea in the summer, cross my heart won't tell no other."

So, I think we can all come to the agreement that from the bridge to the end of the song, it's James talking to Sirius. This kind of pure, compassionate, and beautiful friendship is such a special part of this fandom. They had such a special bond and I think that they're basically the definition of "Chosen Family."

However, the more I think about it, I think that everything from before the bridge is incredibly Regulus and Pandora coded. The difference between the Black Brother's closest friendships and how that kind of influenced their decisions. James gave Sirius a safe space, whereas Pandora was Regulus's safe space. Do you understand what I'm getting at?

august

So, I haven’t read ATYD but I know the basic concept of who Grant Chapman is and what he did and all that, and Mo was very insistent on this song being Grant, and I completely agree.

“So much for summer love and saying “us,” cause you weren’t mine to lose.”

Grant was a stand-in for Sirius in some way. I think both he and Remus knew that, but Grant fell for Remus, he couldn’t help it! And he knew Remus loved him, but he wasn’t Sirius and he’d never be Sirius. But that doesn’t make it any less bittersweet for Grant, knowing that Remus is happier off with Sirius. In the same way that Jegulus was necessary for James’s character growth, Grant was necessary for Remus’s.

this is me trying

So I was certain this was Black Brothers and Mo was certain this was Regulus, so I’m gonna mix them. In the bridge specifically, I can see Regulus longing for Sirius after he left. The parties? The weird pureblood cult meetings his family had. It was hard for Regulus to even walk around their house because it was not the same without Sirius. The “one screen in his town” is Sirius being Regulus’s only escape. (Cause you watch movies on a screen? And movies tend to be an escape from reality? Look at me. I’m smart). And Regulus is also struggling with this internal battle because if he leaves, he’ll put himself and Sirius in danger, but if he stays, he’ll have to do things he knows deep down in his heart he doesn’t want to do. This is him trying.

“And it's hard to be at a party when I feel like an open wound. It's hard to be anywhere these days when all I want is you. You're a flashback in a film reel on the one screen in my town.”

“It's born from just one single glance. But it dies and it dies and it dies a million little times.”

illicit affairs

Okay, before I get into this song, I want to clarify that we’re not implying that any of these characters were unfaithful.

There’s a difference between an affair (long- term cheating) and an affair (a pastime experience). I’m not the kind of person to promote cheating or adultery in my stories, because I think it’s such a frustrating topic to discuss. I wouldn’t ship people who went out of their way to hurt their partners. That being said, the word “affair” here is being used in the same way the words “event” or “incident” would. Obviously the word “illicit” means forbidden, so our interpretation of “illicit affairs” is just a “secret relationship.”

I think you might understand who I’m getting at here… if you guessed Jegulus, you’d be correct! James and Regulus were a secret, but not in the way you think. Their friends knew, Sirius knew, James’s parents probably knew, but Regulus’s family could not know. No one outside of their circle could know. (Reminds me of another Taylor Swift lyric. “You kept me like a secret, but I kept you like an oath.” James kept Regulus as a secret, only because Regulus wanted him to, but Regulus held on to James like he was his life support). It was almost as if they were having an affair, and like most affairs, they die.

Also, the bridge; lets discuss.

The first part of the bridge is James to Regulus. James was a mess after leaving Regulus because he couldn’t fix him. He couldn’t help him. (Well actually, he might’ve been able to but he left when Regulus needed him the most so-) The “colors” that Regulus showed him were 1: that the world isn’t all sunshine and rainbows, 2: that James cannot fix everything, and 3: the maturity that James gained from their relationship.

“And you wanna scream don't call me "kid," don't call me "baby.” Look at this godforsaken mess that you made me. You showed me colors you know I can't see with anyone else.”

Again, Regulus was ripped to shreds after their break up, and he made some really foolish choices afterwards. The so-called “secret language” that James taught him, was vulnerability. Sure, he can talk about things with Barty or Evan, but with James he wasn’t expected to pull himself together. He could just exist with James and everything would be fine. Until it wasn’t.

“Don't call me "kid," don't call me "baby.” Look at this idiotic fool that you made me. You taught me a secret language I can't speak with anyone else.”

“A string that pulled me. Out of all the wrong arms right into that dive bar. Something wrapped all of my past mistakes in barbed wire. Chains around my demons, wool to brave the seasons. One single thread of gold tied me to you”

invisble string

This one was tough, because there are so many couples that start out as these wholesome, pure, lovely relationships, but we quickly vetoed most of them.

Wolfstar: This song is literally about the concept of destiny and fate, and although Sirius and Remus were quite literally meant to be together, destiny kept pulling them apart.

Jily: I guess Jily are also quite literally the definition of fate, considering their matching patroni, the prophecy, etc. But Jily is also quite literally the definition of slow-burn, so again, this song doesn’t fit them.

Rosekiller: I guess you could argue they were fate, but they’re way too angsty.

Dorlene: Again, soulmates but way too angsty + they were rivals at the start.

This is where I came to the realization that every single couple in this fandom ends in tragic death… but then I thought about it some more.

Xenophilius and Pandora- JUST LET ME FINISH.

Yes, I am well aware that Pandora dies, but from what we know in canon, it was a freak accident. She wasn’t murdered like Marlene, Dorcas, the Potters, technically Evan, and Sirius (Yes, even if Sirius hadn’t fallen into the veil, he would’ve died). She didn’t risk her life like Regulus and Remus. She wasn’t driven to insanity like the Longbottoms and Barty (by the dementors kiss) She was experimenting, something she loved to do. She probably died happy for all we know!

I also think Pandora was probably esoteric (she believed in crystals, chakras, astrology, etc), so I think she also might’ve believed in fate. And considering the fact that Xenophilius and her relationship was so perfect, they probably were fate. They were classic friends to lovers, and they had the happiest ending out of all the marauders. Pandora was able to raise her daughter until she was nine, more than Lily and James ever got to do, and Xenophilius continued to raise Luna even after she died. (Yes, I’m aware he technically betrayed Harry, however we know he was a good person at heart and that prior to the Battle of Hogwarts, he openly supported Harry. The death eaters had kidnapped his daughter, I honestly don’t blame him that much.

Oh and also, Xenophilius was probably her only friend during her 7th year, considering 1: the older marauders had all graduated and 2: the pantheon’s falling out, so that’s why I used the lyrics I chose!

mad woman

For Mo, this song is blatantly Pandora, and for me it’s Dorcas. But, (again) it’s been a while since we discussed this, so I have a new narrative I’d like to propose to you. (Because we both had the same concept, just different characters.)

“Does a scorpion sting when fighting back? They strike to kill and you know I will.”

It’s both of them, from the perspective of Barty, Evan, and Regulus. They call them “mad women” because they don’t agree with their pureblood ideologies and want to be death eaters. The lyric “Everytime you call me crazy, I get more crazy,” feels like something Evan would think after all his fights with his sister. The lyric “It’s obvious that wanting me dead has really brought you two together,” seems like something Regulus would think. Obviously, I don’t think Pandora and Dorcas wanted him dead (considering the fact that Pandora definitely checked in on Regulus from time to time), but they wanted the bad part of him gone. And since they both left the rest of the Pantheon, that would’ve resulted in them growing closer.

And I guess in a way, they both went mad, but it’s up to your imagination. Dorcas went mad because she literally tried to go after the people who killed her girlfriend. And Pandora went mad because (if you headcanon this) she died trying to help Regulus destroy a horcrux.

If there was a song that played during a slow-motion montage of October 31st, 1981 the second Sirius finds out about the death and rushes over to the Potters, this would be it. It’s Sirius seeing his best friends lifeless body. The lyrics “With you I serve, with you I fall down,” symbolizes the way that when James “fell” (died), Sirius also “fell,” (falsely-accused) and even though it was unintentional, they went down together. Sirius felt like it was his fault. He switched the secret keeper and if only he’d trusted Remus enough, maybe it wouldn’t have happened.

Epiphany

“And some things you just can't speak about.”

"In the garden, would you trust me if I told you it was just a summer thing? I'm only 17, I don't know anything, but I know I miss you."

betty

Again, I'm using the concept of the "affair" love story in folklore as instead the story of a secret relationship, so no adultery was committed in the making of this post. 💀

Basically, I think this song is James's guilt when he's falling for Lily all over again, but he's still not completely over Regulus. (Of course, he and Regulus are dead and gone at this point, but it still lingers).

It's him thinking through what he would tell Lily if she ever asked him if he still loved Regulus. (I don't think Lily would've cared personally, lol).

Also in my mind I think this song has to be from James's perspective, solely because of the lyric "She said "James get in!" (I'm now literally realizing that that line is mentioning how he fell into the affair… well that ruins everything… scrap that idea).

Regulus and him were kind of an affair in the way that it was never meant to last. And also, while James may not have had feelings for Lily at that very moment, it was obvious that James was in love with both Regulus and Lily. (Again- no cheating).

I don't know, Betty's kind of a tough one.

peace

This song is about Jily. Lily finding peace in the friendship she has with James, Sirius, Remus, Peter, Marlene, Mary, everyone now that she's away from Severus. But she also knows there will never fully be peace with them, because of her blood status.

"Give you the silence that only comes when two people understand each other. Family I chose now that I see your brother as my brother."

And she wants to know if she's enough for James, even though she knows he's knee deep in love with her, but she gets worried because what if they die? What if they don't get to live the life they'd always dreamed of living? No matter how wonderful their life may seem together, she knows that there's always darkness around the corner, and she wonders if it's because of her.

hoax

This song is how Remus feels knowing that the person he trusted the most in life with his deepest and darkest secrets was supposedly worthy of commiting a crime just as dark. That's it. Don't have much else to say here 😭

"You knew it still hurts underneath my scars when they pulled me apart but what you did was just as dark."

the lakes

If this song isn't Regulus Black, then we don't know what is.

"Take me to the lakes where all the poets went to die."

~

Okay wow that was a long one! If you made it this far, thank you!! Make sure to look out for Lover, coming soon to a theater near you!!!