#and then I also ended up really liking the visuals of the movie

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[melonpond]

bro Wendell and Wild had no right being that good of a movie

[univiresque]

there’s such a specific style of 3d animation that i despise and it is the way disney animation looks. really cannot fucking stand it. i think it’s because i have such an intense hatred for disney as a corporation and so the more entwined something is with their public image the harder it is for me to judge objectively without the looming knowledge of which company it was made under. but also i feel like that specific type of animation is seeping into other, non-disney works because the companies that THOSE are made under see the success of disney products and want to recreate that success to generally middling at best results. it’s an endless loop and it makes me so viscerally angry

[vaugarde]

brain is buzzing bc spiderverse had so much i love about it but i dont want to spoil anyone

[punkcherries]

watched elemental . pixar treads water ‼

[helpimstuckinafandom]

Finished the Pride and Prejudice book and 2005 movie and I gotta say I liked the movie way better

[usodeshou]

I had many things that I had considered doing today, most of it just being some chill video gaming, if I'm really honest. And I did get to do some. Then I started feeling sick.

I thought to myself, oh well, that silly motion sickness again, guess I'mma take a break 🙃

Turns out, wasn't just the motion sickness, though.

Spent the next hour and a half using my toilet as an echo chamber for creative voice lessons. Switched it up every now and again, just to keep things interesting, but the sound was just too good, so I kept coming back for encores. Realised the toilet might be cursed because I could not move away from it for more than a few meters or a few minutes before having to return.

Messaged my mom, who kindly brought me something to help break the curse.

Then spent the next three hours in a curled up position on my bedroom floor, on the carpet right next to my bed (bed would have been to soft), head on my fluffiest pillow, and underneath a warm, cuddly blanket, finally getting some rest and sleeping off the exhaustion.

When it all started it was early afternoon. The sun has now set. I am finally sitting back on the couch, munching on some insanely good pretzel sticks and drinking tea. Feel utterly serene. Could murder someone for a good, cheesy pizza right now, but that might be the devil talking.

[comradecowplant]

If I had shapeshifting powers like Odo I'd turn into an orangutan and teach other great apes sign language (but for real) and ignite Intelligent Super Ape Socialism

[franeridan]

just finished watching the first two lupin zero episodes and can I just say

[eneablack]

shifted again. stayed for years.

to sum it up, it was like those magical ancient movies, like maleficent or similar.

i’ll use google to translate my notes.

🧺🍃🍵 the shift -

I wanted to do the alice in wonderland method because lately I've been attracted by that and then it was recommended to me in a slide on tt ("your month of birth = your shifting method") so I put on alunir's guided meditation. at the beginning I still felt a little detached as if I was visualizing from the outside, but then I remembered "you are already in barbados" so I applied living in the end remembering that I am the creator. when the meditation was making me visualize being under a tree and feeling the grass under myself, I started to feel it quickly, usually it takes me longer but this time it happened instantly, and it didn't take long before I started feeling the wind on my face and the grass under my fingers. it was quick and I found myself there. it wasn't in my ideal reality because the meditation hadn't yet made me choose the doctor, but I found myself in the visualized place.

I didn't get up right away because I felt great down there at that moment. I was lying under a large willow tree with my head resting on a root full of moss. the ground was strangely not too hard because there was a lot of grass, and there were also some flowers nearby. the wind was blowing hard but the sun was high so the heat passed through the leaves, it was really nice. at a certain time I sat down and noticed that I was wearing a light white dress, and that my knees were dirty. in front of me there was a pond with some animals around it, I could hear ducks and I saw two squirrels, and then I also saw some animals that seemed magical, but then I also started hearing voices in the distance, and also some music. I put my feet in the water and tried to play with a small blue animal, which didn't seem to be afraid of me. the music got louder but I still wasn't curious to go and see what was happening over there, but at that moment I turned slightly towards the woods and saw a figure watching me and then immediately hiding. at first it scared me (I almost shat myself) but then I managed to see that it was just a guy, probably my age, and I noticed the clothes from another era. then I approached him but he apologized and told me to stay away, but obviously I was too curious so I went around the tree and we met (even if it was difficult initially because he was shy). when I said goodbye to the boy I followed the noises and found myself at the wedding party of my mother, apparently the queen.

I was there for about some decades, and I had a very chill time initially, but then things got complicated with the kingdom and I decided to come back here, I didn't want to find myself traumatized by another war. the most interesting thing about this shift was the nature part and its magic (I didn't have powers though), and the relationship I had with that guy, Raphael.

I'm still tired, but if you have any questions or curiosities I'll take the time to answer them, also because I really liked that reality, even if it was simple and not adventurous. I took some notes about what happened before I forget due to memory suppression.

(i just realised i said i stayed three years?? it was definitely not 3 but rather more than 13 what the hell sorry i just woke up)

[dicenete]

Helloooooo0, some more Idia Shroud fanart, now inspired by screenshots from Disney's Hercules. Because I HAVE A THEORY! = I'm rambling again. :) Note that at the time when I'm writing this I have just finished Book 6 and I haven't started Book 7 yet. So this will contain some spoilers for Book 6. And everything under the cut as always :)

Also Disney's Hercules took a lot of creative liberties with the Greek mythology. Like Hera being the one trying to kill Hercules, rather than Hades because Zeus was being a horny bastard. And Hades being pretty straight up guy compared to his contemporaries. But I will be using the Disney movie as the basis since that is where the game takes its inspirations.

THESIS:

Idia Shroud from Twisted Wonderland is more like a twisted version of Hercules rather than Hades from the Disney movie.

Here me out:

Sure, his visual design is pretty much inspired by Hades and I love it. And the fact that he has a job that was bestowed upon him by his bloodline rather than by his own choice. (Zeus forcing Hades to take care of the Underworld full of dead souls and so on. ) And how Idia is pretty sarcastic like Hades when he is avoiding serious talking or pointing out absurd things. Let's just say, I take this as the surface personality of Idia.

But underneath it all, what do we have? We have a person who wants to be normal. What did Hercules want to be in the start of the movie? A normal person. Someone who was accepted and someone who could fit in among his peers. That is ultimately what Idia wants. Idia wants to be liked. That's why I think he was inspired to be a hero when he was young, something Hercules also wants to be to gain acceptance. (Hercules does it to be with his biological family again and so on.)

They are both awkward in social situations, other kinda in this himbo way and other in this nerdy awkwardness kinda way.

They both go into Underworld to find the person who was the most important to them. Hercules - Megara / Idia - Ortho

BUT ALSO! At the end of the movie, Hercules wants to stay as a mortal because he found acceptance with Meg. Idia could have stayed with S.T.Y.X. If he really wanted. I'm pretty sure with that. But he chose to go back to NRC because he, with encouragement with Ortho, wanted to experience life before he has to go and be the Watchman of the Underworld. He has a long way to go, he really harbors so much self-hatred and uncounciously self-sabotages himself. It is good thing that he has Ortho calling him out on it.

I really hope to see him grow and like himself more in the future :)

(I just loved all the Greek mythology names and references in the Book 6, it is such *chef's kiss * Like how Star Rogue is pretty much the tale of Zeus fighting against his father Chronos who has eaten all his other siblings and so on.)

[physalian]

You don’t have to pay for that fancy worldbuilding program

As mentioned in this post about writing with executive dysfunction, if one of your reasons to keep procrastinating on starting your book is not being able to afford something like World Anvil or Campfire, I’m here to tell you those programs are a luxury, not a necessity: Enter Google Suite (not sponsored but gosh I wish).

MS Office offers more processing power and more fine-tuning, but Office is expensive and only autosaves to OneDrive, and I have a perfectly healthy grudge against OneDrive for failing to sync and losing 19k words of a WIP that I never got back.

Google’s sync has never failed me, and the Google apps (at least for iPhone) aren’t nearly as buggy and clunky as Microsoft’s. So today I’m outlining the system I used for my upcoming fantasy novel with all the helpful pictures and diagrams. Maybe this won’t work for you, maybe you have something else, and that’s okay! I refuse to pay for what I can get legally for free and sometimes Google’s simplicity is to its benefit.

The biggest downside is that you have to manually input and update your data, but as someone who loves organizing and made all these willingly and for fun, I don’t mind.

So. Let’s start with Google Sheets.

The Character Cheat Sheet:

I organized it this way for several reasons:

I can easily see which characters belong to which factions and how many I have named and have to keep up with for each faction

All names are in alphabetical order so when I have to come up with a new name, I can look at my list and pick a letter or a string of sounds I haven’t used as often (and then ignore it and start 8 names with A).

The strikethrough feature lets me keep track of which characters I kill off (yes, I changed it, so this remains spoiler-free)

It’s an easy place to go instead of scrolling up and down an entire manuscript for names I’ve forgotten, with every named character, however minor their role, all in one spot

Also on this page are spare names I’ll see randomly in other media (commercials, movie end credits, etc) and can add easily from my phone before I forget

Also on this page are my summary, my elevator pitch, and important character beats I could otherwise easily mess up, it helps stay consistent

*I also have on here not pictured an age timeline for all my vampires so I keep track of who’s older than who and how well I’ve staggered their ages relative to important events, but it’s made in Photoshop and too much of a pain to censor and add here

On other tabs, I keep track of location names, deities, made-up vocabulary and definitions, and my chapter word count.

The Word Count Guide:

*3/30 Edit to update this chart to its full glory. Column 3 is a cumulative count. Most of what I write breaks 100k and it's fun watching the word count rise until it boils over.

This is the most frustrating to update manually, especially if you don’t have separate docs for each chapter, but it really helps me stay consistent with chapter lengths and the formula for calculating the average and rising totals is super basic.

Not that all your chapters have to be uniform, but if you care about that, this little chart is a fantastic visualizer.

If you have multiple narrators, and this book does, you can also keep track of how many POVs each narrator has, and how spread out they are. I didn’t do that for this book since it’s not an ensemble team and matters less, but I did for my sci-fi WIP, pictured below.

As I was writing that one, I had “scripted” the chapters before going back and writing out all the glorious narrative, and updated the symbols from “scripted” to “finished” accordingly.

I also have a pie chart that I had to make manually on a convoluted iPhone app to color coordinate specifically the way I wanted to easily tell who narrates the most out of the cast, and who needs more representation.

—

Google Docs

Can’t show you much here unfortunately but I’d like to take an aside to talk about my “scene bits” docs.

It’s what it says on the tin, an entire doc all labeled with different heading styles with blurbs for each scene I want to include at some point in the book so I can hop around easily. Whether they make it into the manuscript or not, all practice is good practice and I like to keep old ideas because they might be useful in unsuspecting ways later.

Separate from that, I keep most of my deleted scenes and scene chunks for, again, possible use later in a “deleted scenes” doc, all labeled accordingly.

When I designed my alien language for the sci-fi series, I created a Word doc dictionary and my own "translation" matrix, for easy look-up or word generation whenever I needed it (do y'all want a breakdown for creating foreign languages? It's so fun).

Normally, as with my sci-fi series, I have an entire doc filled with character sheets and important details, I just… didn’t do that for this book. But the point is—you can still make those for free on any word processing software, you don’t need fancy gadgets.

—

I hope this helps anyone struggling! It doesn’t have to be fancy. It doesn’t have to be expensive. Everything I made here, minus the aforementioned timeline and pie chart, was done with basic excel skills and the paint bucket tool. I imagine this can be applicable to games, comics, what have you, it knows no bounds!

Now you have one less excuse to sit down and start writing.

[lolokouhm]

| Suguru doesn't eat, but tonight he's hungry | smutty smutty smut | tattooed Geto | depressed Geto | kinda poetic | Geto is young and beautiful and not crazy |

„You haven’t eaten, have you?”

No, Suguru hasn’t eaten.

It’s not like you’re surprised. He’s lost weight - nah, he’s been losing weight steadily for the past few weeks. People say that it’s hard to notice when you see someone regularly, but it’s not hard at all - especially in his case. You’re not sure what’s changed exactly. Suguru still looks relatively healthy, not underweight, but the dark circles under his eyes speak volumes.

You sigh and walk into his apartment. It’s surprisingly neat, to the point it’s a bit scary - so clean it gives an impression as if no living person could function there. And maybe that’s exactly how it is. Maybe that tall, handsome guy in black sweats that greets you is not a person anymore, but a ghost. It’s a question you constantly ask yourself in your head, but never dare to answer. Your heart would break. 

„I wasn’t hungry.” A smile appears on his pale face and you sigh again. 

You’ve been friends with Suguru since high school, but after your last year you went your separate ways, just to meet again years later - just a few months ago. He didn’t change much, at least not visually - except for his arms. He might have gone a little bit crazy on ink there, and that’s exactly what got the two of you talking again. Tattoos. You’ve never expected Suguru Geto, that sophisticated, awfully smart Geto would cover both of his arms in the most insane pieces of art you’ve ever seen. You’ve had your own share of ink under your skin, but your collection was quite messy and not that cohesive. You liked trying new styles, creating your own map of memories from different places and different artists, while his tattoos were definitely an artwork made by one man. You had a million questions, he was happy to answer - that’s how you ended up in his apartment for the first time. Soon you realised you had a million subjects to go through - politics, art, even God. It was easy, talking with him. It was fun.

And then it began - the movie nights, when the two of you were going through different eras of cinema alphabetically, also bringing snacks that would start on the same letter as the movie you were watching. A stupid idea that you shamelessly stole from „The Barbie Diaries” - the first movie you’ve watched together and the first one that left Suguru completely traumatised. 

„Luckily for you, today we’re watching The Notebook, so we’ll be having noodles. What kind of noodles do you want, sir?”, you ask, handing him an invisible microphone.

Suguru chuckles. 

„Spicy.” 

A few clicks later the food is already on its way and the two of you get comfortable on his huge couch. The projector starts warming up and you look around - it’s completely dark inside and if it weren’t for the fact you know Suguru well, you’d think he made the apartament that way so the two of you could watch the movie comfortably. Your gaze goes back to him - his body hunching over the laptop, fighting with Netflix again. 

The projector turns on and the movie starts, as the two of you hide yourselves under the blankets. Unfortunately, you can’t focus. You’re worried.

You’ve had some conversations about his depressive episodes before, so technically you know what he’s going trough, but honestly - you don’t. He doesn’t really talk about it, but if you could get into his head you’d understand how much he values your bare presence next to him. If you could get into his head, you’d know way more, but luckily for Suguru, you can’t. He wouldn’t like that. 

In normal circumstances, at least. Because tonight, he is hungry, he is frustrated, and he needs warmth. 

And you are anything but cold. 

So when he catches your eyes on him, he bets. If you turn away, he’ll let you go. If you give in, he’ll make you stay. 

Three seconds. That’s how much time it takes for Suguru to get closer to you and kiss you. 

It’s short, soft and sensual, but it makes his head go fuzzy, and when he pulls back he just hopes you won’t run away. Don’t run away. Don’t. 

You’re not running.

You’re sitting, legs crossed, just as you were seconds before. Your face is completely red now as Suguru’s eyes scan you carefully, desperate to see the future. Will you go? Will you slap him? 

„Why did you do that?” Your own voice doesn’t even sound like your voice. „The Notebook” in the background is now completely forgotten, the flickering lights on the screen keep on changing and throwing different shades on Suguru’s pale face. You didn’t expect that. Not that you didn’t want to or think about it, it’s just…

„I’m hungry” he whispers, and the way his voice sounds gets shivers sprinting down your spine. „And the food’s not here yet.” 

„Yeah. It’s not.” He still keeps his hands on your cheeks, right thumb gently brushing your skin, touch light as a feather. 

„What are we going to do about it?”, he murmurs, words are barely audible. He’s waiting. There’s another unspoken question hanging between the two of you, and you’re the one who needs to answer.

And that’s exactly what you do. 

Both of your hands are suddenly gripping onto his hoodie as you lean into him, lips crashing yet again, just with much bigger force this time. Suguru’s breath shakes as he finally comprehends that he won the bet and a smile crawls onto his face. You’re kissing him. His ray of sunshine. Well, maybe not his yet, but when he’s done with you, that’s exactly how you will be.

And that’s exactly what he does. 

His lips travel down your jaw, stop for a second under your ear and then go straight to your neck as your hands let go of his hoodie and find their way to his hair, gripping desperately on the black strands loosely caught in a bun. He groans at the feeling as he bites the skin of your exposed collarbone, his fingers playing with the hem of your blouse, eager to feel more and more of you. Suguru looks up and tries his best not to moan at the sight of your face, your lipstick completely devoured. 

„Can I?”, a hoarse whisper leaves his throat, but it’s not even a question. He’s begging you. 

And you let him. 

He takes his own hoodie of as you take off yours - and you can see them again. The artwork on his arms. You lean your body against the pillows on the right side of the couch and Suguru gulps. He’s been imagining that for a while now, but the reality, for the first time in fucking forever, was so, so much better. His lips go back to sucking and licking your skin and by the moment he reaches your breasts you whine. His hot tongue plays with your nipples, making you impossibly wet, and the bare sight of him shirtless in those awfully beautiful sweats is not helping at all. A part of you is relieved - his muscles are still there, tensing a bit with every movement. And when he pulls away for a moment, you notice it.

„You’ve got a new one.” A koi fish, on his ribs, drawn as usual in a traditional style, this time with a bit of colour. Red. Your favourite. Your hand is shaking, but you can’t help yourself. You trace the shape of the tattoo, his hot skin under your fingertips feeling like fire. You are in awe - even more when you look at him again, breathing heavily. A god. He looks like a god. 

And then he proceeds to make you feel like you’re nowhere but in heaven.

He’s not hungry anymore - by the time you’re completely naked he’s starving. His name escapes your lips when his grip on your thighs gets tighter, and then it hits you - his tongue finally making contact with the place you needed him in so desperately. Your hands find his hair again, pulling it relentlessly when he inserts two slender fingers inside of you, at the same time licking your clit. Suguru’s ravenous. You could be his breakfast, his lunch, his dinner, his dessert - everything. He could eat you out all the time, no breaks, no thoughts, no objections. He tries to control his own hips that have been grinding into the couch for a while now, but the feeling of you on his tongue isn’t making it any easier. 

„Suguru…” your voice comes back to you, a familiar feeling slowly building up inside of your stomach. „I’m so close.” 

You really are, and your clouded mind is making the sensation almost unbearable. Suguru groans yet again, happier then ever, and then you hear it.

„Come for me, baby.”

So soft. So simple. Not a demand, by no means. An invitation - to fall apart on his tongue. 

You take it.

His name leaves your lips as your orgasm blinds you, back arching as you pull his hair so hard he groans. Suguru doesn’t stop right away - he makes you ride it out, drinking you like holy water. You shake and quiver and he thinks that maybe that’s exactly what it is. Holy water on his tongue. 

And so you lay, completely fucked out under his perfect body, and when he goes up to look at you he’s almost sure he’s going to come right there, in his pants. You’re so perfect. You’re so perfect. You’re so perfect.

„Fuck.” It falls from his lips as he’s taking these damn pants off and you gasp. „I just… Fuck.” He runs his hands down his face, your arousal glistening all over him. It’s like he shines. You might be going insane. Fucking Geto Suguru, hovering over you, his cock impossibly hard, looking for words. „Can I…”

Before he finishes, you lean into him and bring him down, pulling his neck closer to you and diving into the kiss. He pants and you get scared - it’s not reality. It can’t be. Suguru leaning into your touch, Suguru groaning into your ear, Suguru, Suguru, Suguru. His name carved all over your body, all over your mind. 

He goes in slowly, trying his best not to come right away, but he’s more than determined to make you cum again, this time on his cock. He starts thrusting, diving as deep as possible and then reaches for your hand, intertwining his fingers with yours. It feels so good. Too good to be true. He doesn’t fuck you - it’s way more than that. His lips move up and down your neck, leaving desperate kisses between pants and grunts. Suguru is in pain and you’re the cure. Suguru is the moon and you’re the sun. Suguru is the believer.

And you’re the god.

You asked him about it one night. 

„Do you believe in God, Suguru?”

He said he didn’t, but he changed his mind. He does.

His god is right there, under his fingers.

You come again, moaning right into his lips when you kiss, and the way you clench around him sends him to the edge. He hides his head into the crook of your neck and twitches inside of you, warm cum covering your insides as he pants, hips desperately bucking into you. You’re barely conscious, but you wrap your arms around him and hold him as he’s trying to catch his breath. His heartbeat runs through you and it kinda feels like you’re one person. Maybe that’s exactly what you have become. 

One. 

„Are you still hungry?” 

You can feel him laughing into your skin. Suguru moves his head up and readjusts it, so he can see the bite marks on your neck a little better. Like a tattoo. Another one to your collection.

„Starving.”

masterlist ❤️

[em-dash-press]

Ways to Skip Time In Your Stories

Finding ways to skip time in stories can feel challenging. Writers often worry it’ll make their work feel too amateur or negatively affect their pacing. 

The truth is that every author includes ways they skip time to maintain their pacing and plot. Check out a few ways to do it with confidence. 

1. Start a New Chapter

Yes, it’s really that simple. Go back to your favorite books and note how each chapter ends. You’ll likely find a few of these tricks that transition the story in ways that match the story’s flow.

Ideas to End a Chapter

The protagonist goes to sleep (likely overused, but practical)

The characters end a conversation

One character informs another of a plot twist

Unexpected action occurs, like a car crash

2. Emphasize the Season

You don’t need to tell the reader exact dates or hours to pass the time. You could mention the season instead.

If a scene or chapter ends in the summer and you need your plot to start in winter, make your protagonist mention something about the leaves changing color and giving way to snow before your action picks up again. It will only take a sentence or two, so it’s also an effective method for short stories.

3. Visualize a Movie Montage

Imagine watching a movie about a character who goes on a summer adventure. They backpack through Europe, but they have to take a flight to get there. 

You likely wouldn’t see them standing in airport security lines, napping in a terminal or watching a full movie on their flight to their destination. Instead, you’d get a montage of them driving to the airport with a shot of their plane cruising over the open ocean.

Writers can do the same thing, minus the soundtrack in the background. Describe how your character got to their destination when a new chapter or scene starts. Your readers will get the general idea and appreciate getting straight to the plot that made them pick up your story in the first place.

Here are a few ideas to do this in just a few sentences:

One delayed flight and a bad airplane dinner later, I was walking out of the Amsterdam-Schiphol Airport with an aching back and excited heart.

My trip began with the perfect flight. I got an entire row of seats to myself, which made napping through the trip much easier. A flight attendant roused me awake when it was time to land. I couldn’t believe how fast I’d arrived in Athens that quickly.

My flight was just long enough to catch up on the movies I’d been missing over the last year. The landing gear bounced along the runway in Rome just as the Barbie credits started flashing across my iPad.

4. Showcase Some Confusion

Sometimes we aren’t aware of what time it is. We only know time has passed. That might be the best way to make time pass in your story if your protagonist gets confused, caught by surprise, or otherwise discombobulated.

These are some examples:

I woke up with a bad taste in my mouth. The sun was already peaking in the clear blue sky. How long had it been since my explosive video call with my ex the night before?

The time machine landed with a thud that knocked me to the ground. The control panel exploded in shimmering sparks. What year was it?

Working a double shift always left my brain spinning. I left work, walking across the parking lot with only the stars watching my back. I could feel the hours aching in my feet, but didn’t care what time it really was. I just needed to sleep.

5. Employ a Phrase

There are many quick phrases you can use to make your time jumps immediately clear. Consider using a few of these when you feel creatively stuck:

Later that morning

A few weeks later

After months of trying

Six hours later

The following week

As the store closed for the night

-----

There are many other ways to make time pass in a story. Starting with these could help you figure out the best way to move your story forward without disrupting its pacing. 

Remember, you’re in control of your story at all times. There’s always a way through creative challenges if you take a deep breath and try something new.

[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[wideeyedloner]

I've seen so many posts talking about the Honda scene being a visual metaphor for Deadpool and Wolverine having sex that I want to talk about the film as a whole for a second:

Deadpool & Wolverine is a romantic comedy.

There are a bunch of places (including this one) that describe the format of a romantic comedy, but the basic beats are as follows:

1. Introduction to your protagonist "Okay, Peanut, guess we're getting that team-up, after all." Deadpool and Wolverine opens on Wade digging up Logan's remains from Logan (2017).

2. The inciting incident "I'll do it." Paradox kidnaps Wade and blackmails him into locating a Logan to save his timeline. Cue "Iris" by Goo Goo Dolls, featured in City of Angels (1998).

3. The meet-cute "You two going to fuck or fight?" After initially failing to resurrect his own timeline's Logan, Wade travels to several other timelines to find another in a montage set to Huey Lewis and the News' "The Power of Love".

4. The new reality/new world "Let's fuckin' go." Paradox sends them to the Void, ruled by Xavier's insane twin sister, where it turns out many other mutants have also been sent. They need to escape in order to save Wade's timeline and try to undo the events of Logan's timeline, which Wade has promised is possible. This requires them to work together.

5. The mirror moment/recommitment "I'm going to fight you now." Logan finds out that Wade lied to him in order to secure his cooperation, leading to the Honda fight scene set to "You're The One That I Want" from Grease (1978). Logan is demoralized but Laura convinces him that he's still needed. He really is; it's his compassion that convinces Cassandra not only to spare their lives, but to send them back to Wade's timeline if they're willing to take a leap of faith together.

6. The crisis/all is lost "They do not play nicely with each other." Cassandra is still insane, so she follows them because she'd like to eliminate all timelines and rule over everyone in the Void. To stop this, Paradox tells Wade and Logan that someone has to cut power to the device she's using at the guaranteed expense of their life.

7. The climax "I got nothin'. Give me this." Naturally, Wade and Logan fight over which one gets the privilege of sacrificing himself for the other. Logan initially wins him over with a heartfelt speech, but Wade gets Logan with a sneak attack. Wade struggles to make the connection between the terminals because they're further apart than the wingspan of a single human, but they're conveniently just the right size for two (ಥㅅಥ). Of course, the choir version of Madonna's "Like A Prayer" is playing here.

This scene encapsulated everything I enjoyed about this film: that it was stupid, emotional, action-filled, filthy, and obviously about romance between men. My husband is straight and he left the theater with me in full agreement that a) this was a romantic comedy and b) they had sex in in the Honda.

8. The resolution "Althea, this is--this is Logan." It's the end of the story, they're about to part ways, and Wade will never see Logan again if he lets him walk out of his life. So he takes Logan home and makes him part of the world he'd been telling Logan he'd been trying to save all movie long.

❤ The end ❤

The Soundtrack I can't tell you how excited I was about the soundtrack. It's full of old, romantic songs. "Only You (And You Alone)" has to be on like every doo-wop or "Best of the '50s" compilation album. "Iris" (oh god this song is old now) was featured in the romantic drama City of Angels. Everyone and their dog has covered "You Belong to Me", and the most famous recent cover has to be Jason Wade's version that was featured in Shrek (2001). Chris De Burgh may not be crazy about "The Lady in Red", but I think it's fucking sweet. I grew up on musicals and LOVE LOVE LOVE LOVE LOVE "You're the One That I Want" from Grease (1978).

The Honda Odyssey Fight Scene I wanted to come back to this because there is so much to it. I'm bringing up "You're the One That I Want" again.

There are intentional parallels made between this dance number in Grease and the fight scene. It's about the flirtatious push and pull between Sandy and Danny throughout after she's made her superficial transformation into the 'bad girl' at the end of the movie. It's the same in the Odyssey between Logan and Wade. They throw each other in and out of the car as they fight (and sure, go in and out of each other).

Just look at this:

Yup, completely intentional visual metaphors for fucking galore. Logan and Wade even have a post-fight bondage scene.

Also! These scenes end with the couples in moving vehicles.

In conclusion: Deadpool & Wolverine is a violent romantic comedy. Of course they fucked.