#animated classics of japanese literature | Explore Tumblr Posts and Blogs

susansontag · 3 months

Text

my guide to lesbian anime both canonic and subtextual

(won’t include every lesbian anime ever, this is a personal list)

the canonic-gay section:

revolutionary girl utena

nothing before or since has ever done it like this. trigger warnings for everything imaginable. loads of homosexuals in this one. gender commentary, fairytale allusions, a lot of kids who are having a hard time growing up and moving beyond their pasts. sword lesbians.

flip flappers

the problematic favourite, in that there’s at least one uncomfortable sexualised shot each episode (roughly speaking; some have none and one has even more, unfortunately), so be warned. but at its heart flipflap is about repressed cocona going on adventures with outgoing and expressive papika, and their exploration of various fantastical lands/inner worlds of people they meet. hugely inventive and pretty, and a core thread is cocona discovering she’s gay.

aoi hana (‘sweet blue flowers’)

the comfort lesbian show, with not a romantic relationship at its heart, but a friendship between two childhood friends who meet again, both of whom are gay (though only one realises this during the show’s run, as it’s based on a manga). one of them dates an upperclassman at her school, and there’s various gay and bi side characters. it’s just very wholesome, lovingly animated, sweet and sometimes painful stuff.

bloom into you

I controversially do not care that much for bloom into you, but as the best, high-production, non-skeevy yuri show in years - that is based on a manga by a woman - it’s worth mentioning. late-bloomer girl dreams of romance, though has never felt it, and finds affinity with a girl who similarly is disinclined to date. that is, until said girl says she fancies her. genuinely moving exploration of developing gay identity at times, only downside is my personal disinterest in the black haired girl. some weird ‘heightened’ moments that feel inauthentic and titillating do arise, but it’s very few - to the point where some would disagree with me on my reading of it, I’d imagine.

sailor moon

the bits which the lesbians are in, etc. it’s a classic. I haven’t watched all of it myself because I don’t care much nor do I have nostalgia for sailor moon, but it’s one of the most notable examples of a butch/masc lesbian in anime, so that’s nice.

o maidens in your savage season

nerdy teenage girls who are part of a literature club make it their quest to discover sex and dating, in various ways (unfortunately, not all of them dealt with well… teacher/student foolery that is fortunately abandoned before it gets worse but is nonetheless handled with mixed results, imo). mostly though it’s hilarious, sweet, silly, and there’s a gay girl in it, but I won’t spoil which one. adults predating on children is also handled much, much better in another of the show’s storylines, and I do appreciate it for trying to tackle that difficult subject matter.

oniisama e (‘dear brother’)

an oldie, based off a shoujo manga by one of the greatest (riyoko ikeda). there’s a central relationship to root for (better articulated in the manga), but it’s mostly just what if we were messy depressed lesbians at an all-girls school and we were also melodramatic and mean as hell.

revue starlight

what if we were at an all-girls dramatic arts school and engaged in utena-like duels to become the top performer? main implicitly gay couple with canonic side gay couples. it’s quite cute. also worth watching if you like takarazuka in any way (prestigious all-female japanese theatre troupe), because the main conceit of the school is very much based on that idea.

the gay-themes section:

sound! euphonium (season one)

in which director naoko yamada’s awesome legacy of writing lesbians and then saying “who’s to say though, ha ha” continued (she did it already with a side character in tamako market). this one is known as the gaybait to end all gaybait, but hear me out: the first, and best, season, is not only a fantastic self-contained story with many great characters and plot points, but it’s main character is undoubtedly lesbian-coded and even has a love interest you can argue about. frankly I think she’s gay-coded throughout the whole show (even when she dates a guy for two minutes), but this feels very “I wanted to focus on this compelling relationship between two female characters but the adaptation’s success meant we had to revert back to the source material in later seasons”. what we got from this is perhaps my favourite lesbian anime of all-time, following utena.

a place further than the universe

this show is about four girls who join an expedition to antarctica, and what if I told you they’re all great, believable dorky teenage characters, and they exist in a well-written and thematically satisfying show… and there’s nice lesbian implication between one of our adult female protagonists and her old (deceased; not a spoiler) friend who was the main teen girl’s mother. there’s some sad here, obviously.

puella magi madoka magica

the well-known, much beloved deconstruction of the magical girl genre is also pretty gay, as it happens (so gay in fact it started a trend of gay-coded pink+black magical girls). it’s not a particular favourite of mine, but it’s visually one of the most notable anime productions ever, so it’s well worth seeing just for that.

NANA

the 2000s manga+show about the two twenty-year-olds who meet on a train and discover they’re both called nana is also pretty gay! to the point where there are heated fandom debates about nana komatsu’s (pink one) possibly being a lesbian. they both have many relationships with guys, but it’s their bond that forms the heart of the show, and the bisexuality (or, who knows, homosexuality) of the leads is pretty undeniable. to the point where you’ll get blasted on the nana subreddit if you try and suggest otherwise.

the wild-card section:

keep your hands off eizouken!

this is a show about three oddball girls who start a club to create anime, but have to pose as the film club instead for various reasons. it’s not even subtextually gay, I just personally think that all three of the leads are gay and the whole thing feels like a very female-centred creative endeavour. hugely fun watch, and very high production values. you wouldn’t regret seeing it.

skip & loafer

these two you see here are side characters. this show is actually about mitsumi, the greatest female protagonist of this kind of shoujo-esque slice of life show, who moves from the countryside to tokyo for high school. here she meets many a misfit, including the pretty blonde and the nerd girl who have undeniable chemistry and form one of the most popular pairings in the show. it’s just a good time.

chihayafuru

I’d get in trouble for this, because the primary romance factor in the show is a famed heterosexual love triangle with chihaya at its centre and her two male childhood friends at the side. but go with me on this. chihaya is oblivious to romance and feminine socialisation, she is obsessed with a card game and with her equally dorky dark-haired rival… she’s anime’s greatest autistic lesbian lead. and you get more than what you pay for, because the two boys I mentioned? a lot of gay stuff going on there too.

the big-screen-cinematic section:

the adolescence of utena

revolutionary girl returns in the sequel of a lifetime, slightly older (sixteen, say) and gayer than ever, to escape this place with the love of her life. cue the impromptu dance sequence (with stars and rose petals)!

liz and the blue bird

the naoko yamada directed gay cinematic universe continues with a gorgeous film starring two of the side characters from sound! euphonium’s second season (not necessary to watch beforehand). that means it has plausible deniability whilst being so crazily gay it’s almost some kind of joke. this is a highly detailed, laser-focused character study of two girls in their high school band club and their ever more strained relationship. yamada never misses.

the summer

this is korean! it’s about two girls who meet at school and start dating in secret, what happens as they grow up and move to seoul, and how their relationship changes and strains when met with the conservatism of contemporary korean society. it was sweet and like aoi hana above for japanese girls, felt pretty frank to the experiences I’d imagine young korean lesbians might have.

puella magi madoka magica: rebellion

if you’re a fan of the show, you probably don’t talk about this movie. sure, it’s a visual feat, sure, it’s insanely entertaining, but it’s also frustrating and upsetting and potentially undermines the neatness of the original as a perfectly-crafted story. BUT. kyouko/sayaka becomes all but canon in it, and everything else aside, that’s all that really matters. but you should definitely watch the show beforehand.

#idk who I expect to interact with this but if there’s anyone on here who is interested lol #moth.txt #anime ranking #lesbian #yuri #anime recommendations

253 notes · View notes

yamayuandadu · 1 year

Text

Consulting the convoluted history of supernatural foxes, or why is Tsukasa like that

I know I said you should only expect one long Touhou-themed research article per month, and that the next one will be focused on Ten Desires, but due to unforeseen circumstances a bonus one jumped into the queue. For this reason, you will unexpectedly have the opportunity to learn more about the historical and religious context of the belief in kuda-gitsune, or “tube foxes”, as well as their various forerunners. Tsukasa is clearly topical thanks to Unfinished Dream of All Living Ghost, and I basically skipped covering Unconnected Marketeers in 2021 save for pointing out some banal tidbits, so I hope this is a welcome surprise. The post contains spoilers for the new game, obviously.

Obviously, in order to properly cover the kuda-gitsune, it is necessary to start with a short history of foxes in Japanese culture through history, especially in esoteric Buddhism. Early history: the Chinese background Early Japanese sources pertaining to foxes show strong Chinese influence. There was an extensive preexisting system of fox beliefs to draw from in continental literature, dating back at least to the Han dynasty (note that while the well known story of Daji is set much earlier, its modern form only really goes back to the Song dynasty). This is way too complex of a topic to discuss here in full, sadly, so I will limit myself to the particularly interesting tidbits.

A multi-tailed fox in the classic Chinese encyclopedia Gujin Tushu Jicheng (wikimedia commons)

It will suffice to say that historically the fox was perceived in China as a liminal being, and could be associated with pursuits regarded as ethically dubious, ranging from theft and banditry to instigating rebellions and promoting divisive religious views (so, for example during the reigns of firmly pro-Taoist emperors, Buddhist monks could be associated with foxes). Literary texts focused on supernatural foxes emphasized their shapeshifting abilities. In contrast with some of the other well attested supernatural beings in Chinese tradition, they could take a range of human forms, appearing as men and women of virtually any age. Often they favored mimicking people who lived on the margins of society, like bandits, courtesans or migrant laborers. It was also emphasized that they displayed a considerable degree of disregard for authority. The fact these animals lived essentially alongside humans without being domesticated definitely played a role in the formation of this image.

A contemporary statue of Bixia, a deity in the past associated with fox beliefs (wikimedia commons)

At the same time, foxes enjoyed a degree of popularity as objects of semi-official cult, still practiced here and there in China in modern times, for example in Boluo in Shaanxi. The religious role of foxes was reflected in, among other things, the development of terms like hushen (狐神) “fox deity”, or huxian (狐仙), “fox immortal”. The belief in such “celestial foxes” (tianhu, 天狐) was relatively common, and there is even a legend according to which there was a formalized way for the animals to transcend to higher states of existence, with the goddess Bixia making them undergo the supernatural fox version of the well known imperial examinations. If they failed they were condemned to live as “wild foxes” (yehu, 野狐) with no hope of transcendence. There are also accounts of foxes pursuing the status of a xian through illicit means, through a combination of praying to the Big Dipper and draining people’s energy, as documented by He Xiu in the 1700s. Note foxes were already portrayed as worshiping the Big Dipper during the reign of the Tang dynasty, but back then it was only believed this let them transform into humans.

The ambiguity of foxes is evident in the Japanese perception of these animals too. Supernatural foxes are probably among the best known youkai, and especially considering this is a post about Touhou I do not think the basics need to be discussed in much detail. They were believed to shapeshift and to steal vital energy, much like in China. Their positive role as messengers of Inari, a kami associated with agriculture, is generally well known too. The earliest sources documenting encounters with supernatural foxes are obviously, as expected, the earliest chronicles like the Nihon Shoki, where they mostly appear as omens. By the Heian period these animals are well established in the written record. For instance, Nakatomi Harae Kunge includes “evil magic due to heavenly and earthly foxes” among phenomena which require ritual purification. In addition to the tales imported from China being in circulation, some setsuwa written in Japan involved shape shifting foxes. However, supernatural foxes only gained greater prominence in the Japanese middle ages due to the growth of relevance of two deities they were associated with, Inari and Dakiniten. The latter is more relevant to the topic of this article.

Foxes, Dakiniten and tengu

Part of a hanging scroll depicting Dakiniten riding on a fox (wikimedia commons, via MET; cropped for the ease of viewing)

The connection between foxes and Dakiniten reflected their associations with the dakinis, a class of demons in Buddhism. Originally the dakinis were associated with jackals instead, but Chinese Buddhist authors presumed that the animal mentioned in this context is basically identicial with more familiar foxes, and that belief reached Japan as well. It was strong enough for Dakinite, the dakini par excellence, to be regularly depicted riding on the back of a fox. Dakiniten was originally a regular dakini, according to Bernard Faure specifically one who appears in Heian period Enmaten mandalas (Enmaten is related to but not quite the same as the better known king Enma, for the development of two distinct reflections of Yama in Buddhism see here). However, she eventually developed into a full blown deva in her own right, and her prominence was so great that it basically resulted in the decline of references to the generic dakinis in Buddhist literature in Japan. She was particularly popular in the Shingon school of Buddhism, and at the peak of her relevance played a role in royal ascension rituals, developing a connection with Amaterasu in the process (Amaterasu acquired many peculiar connections through the Japanese middle ages, it was par the course). A Tendai treatise equates her with Matarajin instead, though. An interesting phenomenon related to Dakiniten is the occasional fusion of beliefs pertaining to foxes and tengu, which might have originated in the similarity of the terms tengu and the Japanese term for the already mentioned “heavenly foxes”, tenko. Its best attested examples include the inclusion of tengu in mandalas focused on Dakiniten as her acolytes. However, a different deity ultimately exemplifies this even better. Iizuna Gongen and "iizuna magic"

Iizuna Gongen riding on the back of a fox (Museum of Fine Arts Boston; link to the source is temporarily dead, the image is reproduced here for educational purposes only)

The indisputable center of the network of connections between foxes and tengu is Iizuna Gongen (飯綱権現), depicted as a tengu riding on a fox. As you can probably guess, he was a (vague) basis for Megumu, as evidenced by the similarity of the names. While many other aspects of his character aren’t really touched upon in the game, I’d hazard a guess he’s also the reason why ZUN decided to include a kuda-gitsune in the same game as Megumu - the evidence lines up exceptionally well, as you’ll see.

Originally Iizuna Gongen was simply the deity of Mount Iizuna (飯綱山), located in the modern Nagano prefecture. Near the end of the Japanese middle ages he spread to other areas, likely thanks to traveling shugenja (also known as yamabushi), mountain ascetics belonging to a religious tradition known as Shugendō. Two aspects of his character are particularly pronounced, his role as a martial deity and his association with foxes.

I was unable to determine when Iizuna Gongen’s connection to foxes originally developed, but it was strong enough to lead to the use of the alternate name Chira Tenko (智羅天狐; “Chira the heavenly fox”) to refer to him. Foxes also appear in a legend describing his origin. It states that he was one of the eighteen children of an Indian king, and arrived in Japan alongside nine of his siblings on the back of a white fox during the reign of emperor Kinmei (the remaining eight went to China and became monks on Mount Tiantai). His connection to foxes is also reaffirmed in an Edo period treatise, Reflections on Inari Shrine (稲荷神社考, Inari jinja kō), which declares that names such as Iizuna Gongen and Matarajin (sic!) are used in the worship of wild foxes to hide the true nature of the invoked entities. The author further states that the true form of “these matarajin (plural) and wild foxes” is that of a three-faced and six-armed deity, which curiously has more to do with early Matarajin tradition than with Iizuna Gongen as far as I can tell. The two were not really closely associated otherwise, but it’s worth noting that apparently shugenja perceived them both as similar tengu-like deities.

The key feature of conventional iconography of Iizuna Gongen, the fox mount, has nothing to do with Matarajin strictly speaking, and likely reflects the influence of Dakiniten. However, the animal in this context developed its own unique identity thanks to the presence of foxes in a type of ritual focused on Iizuna Gongen, which could itself be referred to as iizuna. The shugenja community centered on the worship of Iizuna Gongen was not very formalized, which led to poor understanding of their practice among outsiders, with the term iizuna basically acquiring the vague meaning along the lines of “magic”. and rather poor reputation. These rites are where the kuda-gitsune comes into play. Kuda-gitsune in iizuna magic and beyond

The kuda-gitsune, as depicted in Shōzan Chomon Kishū by Miyoshi Shōzan (Waseda University History Museum; reproduced here for educational purposes only)

At first glance, kuda-gitsune is just one of many local variants of the standard supernatural fox, similarly to the likes of ninko, osaki-gitsune or nogitsune. The etymology of its name is straightforward. I’m sure you can guess what the second half means, while kuda (管) in this context refers to a bamboo tube. You’d think the name would basically guarantee it was universally accepted that’s how one could carry such a critter undetected, but apparently there was an alternate explanation, namely that it was invisible. I have not seen any further discussion of this in literature, but I assume this might be connected to shikigami beliefs, as these quite often are described as invisible. Do not quote me on that, though. Even more bizarrely, there is no consensus that the animal meant was always a fox. According to Bernard Faure it is distinctly possible the term referred to a weasel. Kuda-gitsune could be described as a type of shikigami, but note that this term had a much broader meaning in real life than in Touhou, and referred to basically any supernatural being which acted as an extension of the powers attributed to “ritual specialists” (祈祷師) such as onmyōji, shugenja or Buddhist monks. In Buddhist context, the analogous term could be gohō dōji (護法童子; “Dharma-protecting lads”), though there are also cases where gohō and shikigami are contrasted with each other. The shikigami category didn’t just consist of animated papercraft and animal spirits typically designated as such in popculture. Even the twelve heavenly generals defending the “medicine Buddha” Yakushi could be labeled as shikigami. Obviously, kuda-gitsune is closer to the familiar meaning of this term than to Buddhist deities, though. People relying on kuda-gitsune were referred to as kitsune-tsukai (狐使い), which can be loosely translated as “fox tamer”, and it is said they were often shugenja. Given the popularity of the associated deity among them this shouldn’t really be a surprise. Various supernatural abilities were ascribed to the kuda-gitsune. The ability to possess people attributed to other supernatural foxes was the domain of kuda-gitsune too. Apparently people afflicted by it were compelled to eat nothing but raw miso. Purportedly they were bringers of wealth - but said wealth did not necessarily come from legitimate sources. That, in turn, could lead to distrust or outright ostracism of people allegedly relying on foxes to acquire wealth. They also provided aid in divination, and could supposedly reveal past, present and future alike this way. However, they could look into the soul of anyone using them this way and learn their secrets. Bernard Faure notes that occasionally it was said that they even could even be utilized to kill enemies who attempted casting spells on their owner. Shigeru Mizuki's kuda-gitsune

Kuda-gitsune, as depicted by Shigeru Mizuki (reproduced here for educational purposes only)

While there isn’t much information about kuda-gitsune in scholarship, especially scholarship available online in English, they received extensive coverage in various books about youkai written by Shigeru Mizuki, famous for arguably canonizing the modern concept of youkai. Note that while I am a fan of Mizuki's works, his encyclopedias are best understood as something closer to Borges’ Book of Imaginary Beings, complete with some dubious sourcing and possible fabrications. However, ultimately modern media about youkai, including Touhou, owes much to him, and arguably he continued the tradition of night parade scrolls which often invented new creatures wholesale, so it strikes me as entirely fair game to summarize what he has to say too. Shigeru Mizuki cited the Edo period writer Matsura Seizan as an authority on kuda-gitsune. He states ccording to the latter, certain ascetics (yamabushi) were provided with these critters upon finishing their training on Mount Kinpu and Mount Ōmine. In his account cited by Mizuki there are a lot of details I haven’t seen elsewhere. The storage tubes after which kuda-gitsune are named apparently had to be inscribed with a certain sanskrit phrase (left unspecified, tragically) so that the animals didn’t have to be fed. However, releasing them and giving it food was necessary to gain their help in divination. There was a downside to this - kuda-gitsune were apparently hard to place back in containment once released without the help of a seasoned specialist. Also, they refused to provide anything of value unless fed well, and they had quite the appetite. Mizuki cites the particularly disastrous case of an ascetic who kept multiple kuda-gitsune in a single tube, and eventually couldn’t pay for enough food for his collection since the animals kept multiplying inside. According to Mizuki it was believed that a kuda-gitsune could be gifted by its owner to another person, but the creature would come back if it was not satisfied with the food provided by the latter. If the original “fox tamer” dies before passing their kuda-gitsune to someone else, it will instead go to the Ōji Inari shrine located in what is now the the Kita ward of Tokyo.

Conclusion: Tsukasa and her forerunners

In theory I could’ve kept pointing out “see, it’s just like Tsukasa!” in virtually every single paragraph of this article. To answer the question from the title, evidently she is like that because that's how foxes have been in folklore both Japan and China for centuries. It is not really hard to see that ZUN is genuinely great at research when he wants to be, and Tsukasa's character is remarkably accurate to her real life forerunners, both as an adaptation of kuda-gitsune specifically and as a representation of the broader tradition which lead to the portrayal of foxes as supernatural creatures of questionable moral character. She engages in morally dubious “get rich quick schemes”, she definitely provides advice (of variable quality), and her self-declared ability from her omake bio pretty clearly reflects skills actually ascribed to the kuda-gitsune in folklore. In the newest game the ability to provide information is clearly in the spotlight - Tsukasa seems to be reasonably knowledgeable (she brings up Kojiki in a line aimed at Hisami, among other things), and other characters generally agree she’d be more useful doing something else than fighting. I do not think there’s any real reason to doubt this is what is meant. I think it can even be safely assumed that Zanmu’s decision to pressure Tsukasa to partake in her assassination bluff is rooted in genuine tradition. I’m obviously not going to say that Tsukasa reaches the platonic ideal of Okina, the quintessential character aimed at fans who like research, who largely seems to exist to get people to dig deeper for sources explaining the dozens of religious allusions in her dialogue, spell cards and design, but I do think it’s worth appreciating that the series reached a stage where even the minor animal youkai can be enjoyed as multilayered representation of centuries worth of genuine folklore and mythology. Bibliography -Bernard Faure, Gods of Medieval Japan vol. 1-3 -Michael Daniel Foster, The Book of Yokai. Mysterious Creatures of Japanese Folklore -Berthe Jansen and Nobumi Iyanaga, Dākini (Brill’s Encyclopedia of Buddhism) -Xiaofei Kang, The Cult of the Fox: Power, Gender, and Popular Religion in Late Imperial and Modern China -Shigeru Mizuki’s assorted writings on kuda-gitsune (collected online here)

#touhou #touhou project #tsukasa kudamaki #kudamaki tsukasa

351 notes · View notes

butterflyscribbles · 1 year

Text

So I haven’t talked nearly enough about Mutant Mayhem yet but I saw it for the second time a few days ago and they have consumed all my thoughts have some random headcanons I’m dying I have to talk about them more:

⚠️(Spoiler warning for MM as well)⚠️

April

- Lives with her mom and grandfather on her mother’s side. Raised by a single mom who’s a veterinarian and her grandpa, a retired tailor and clothing retail manager, moved in after her grandma passed away a few years ago.

- Listens to way too many murder mystery podcasts and thrillers are her favorite movie genre

- Practices doodling a lot in the sides of her journal or class notes. She’s inspired by courtroom sketch artists and old biology journals.

- Swears like a sailor. Even more than Raph. Tries to censor herself around them but it only gets worse the closer they become as friends

- Becomes a sort of ambassador for the turtles and other mutants in the city. Anyone who doesn’t approve of them, goes through her…

- Favorite subject is biology, outside of working on the school newspaper of course

Leo

- Big time book worm. Has read a lot of the classics like The Great Gatsby, Catcher in the Rye, etc. which gives him an advantage heading into high school. His favorite subject is literature naturally as a result.

- Autistic, practically canon but just putting it out there

- Like April, he’s got a sensitive stomach under pressure. Nausea flares up all the time, especially at the sight or smell of blood. They bond over it. Nothing brings two people together like commiserating that your tummy hurts all the time🤝

- Hopeless romantic. Had fallen head over heels for a few other girls he spotted up top even before April came along. She was just…different. He watches a lot of sappy romance movies too they make him feel all warm and fuzzy.

- Love language is words of affirmation big time. He’s always about hyping up the people he loves and will defend them through anything.

Raph

- He’s the team medic in this iteration. He’s no professional but growing up he had so many injuries from being a scrappy lil dude that he picked up on how to take care of ‘em on his own and of course shares that knowledge with his bros and April later. He’s surprisingly gentle when he needs to be.

- He’s the most prone to nightmares/night terrors. The fact that Raph was the one to go seek comfort from Splinter in the tots scene is so important to me.

- He and Donnie are the anime enthusiasts. Hasn’t seen as many as Donnie but it’s close.

- Scratching his shell gently, especially up by the shoulder blades, is like an automatic snooze button. He passes out within minutes.

- Second biggest crybaby to Mikey. It happens when he feels any emotion too strongly whether it’s happiness, anger, sadness, etc. and he hates it. Makes him feel weak, which is why there usually is a lot of punching involved too.

Donnie

- Can’t swim and is the only one who actively dislikes getting into the water.

- He and Leo have been studying how to speak and write Japanese together for years. Don has picked up a lot from all the anime he watches.

- Is the most emotionally open version of Donnie to date. He’s always telling his family how much he loves them without restraint and is the first to ask what’s wrong if he picks up on someone acting weird or trying to hide something.

- To compliment the above hc, he’s insanely observational, like Sherlock level. They don’t know how he’s able to do it but his attention to detail and his ability to take that and create plans and get a read on people is baffling. If Donnie doesn’t get a good vibe off someone, believe him and run the other way. (Makes him really good at those spot the different puzzles too lol.)

- Loves to dance just like his previous incarnation before him:’) Bootyyyshaker9001

Mikey

- Is actually afraid of cats…growing up with Splinter, who would freak out at the sight of them, only taught him to freak out along with him. They are sharp and unpredictable.

- Other than that however he’s an animal lover. Had a few pet fish through the years that he saved after being flushed.

- Practically canon but the most physically affectionate by leagues. Constantly seeking a brother, adopted mutant family member, or an April to cling to.

- Super into musicals and is a actually a decent singer

- Can take a punch like nothing you’ve ever seen and can still be standing….but gets sick constantly his immune system is wack

#butterfly whispers #mutant mayhem #tmnt mm #tmnt #teenage mutant ninja turtles: mutant mayhem #mm raph #mm april #mm leo #mm mikey #mm donnie #mutant mayhem spoilers #mm spoilers #more to come later probably

327 notes · View notes

hopefull-mindset · 8 months

Note

I've started reading The Great Gatsby (I've fallen into the reading classical literature trap 😔. I really need to finish Crime and Punishment.)

Anyhow I think it's really interesting how Asagiri chose to characterize many of the people in BSD. Especially after learning that irl Fitzgerald was more of a cynical person (at least towards the end of his life) than his animated counterpart. And it made me think of all the other characters of the show and how their characterized.

What was Asagiri's purpose as he came together with these characters? Why'd he have some characters act as their irl counterparts while others act more like the characters they wrote or people in their lives?

These aren't really questions that I wanted the answers to they were moreso just thoughts that I had. I'd love to have a peek into this man's mind and how it works

I think a lot of us have fallen into that trap LMAO. This is my favorite topic though. I could talk about this forever because Kafka Asagiri is an interesting person who has integrated a lot of literature into this one series. I don't know what goes on in this man’s mind and I know these aren't literal questions, but I am interested in sharing what I know!

As you've pointed out, some characters do act more like the people in these works written by them than the actual people. BSD isn't purely just taking these authors, their relationships, and then implementing them just like that. it also takes these authors’ literary personas, their impact socially, and their works to make them into who they are. Asagiri is doing this because it makes it more interesting, but also imagine writing about this authors where most of them lived depressing lives with qualities that don’t make uh, the type of story you want to tell.

I’m impressed with how creative he is.

I’m trying to limit myself on how much I should talk about this, but I fear that I’ll leave out important bits about how Asagiri incorporates these people into the work. I’m also just jittering and excited. Like I almost forgot to bring up the fact the reason BSD has a war narrative is because it takes Japanese authors from Meiji to Shōwa era, so about the time Western influence kicked in, forcing them to modernize and keep up with the rest of the world during what is a fairly short time for huge development like this, to post-war Japan where, you know, the Occupation of Japan is happening and they have to intake the traumatic repercussions of everything before that.

This can make The Great War functionally WW2, but obviously not a one to one match. I’m not a historian or anything, but this should come to mind for anyone who’s in the know about some Japanese history. Now that I’m bringing it up though, Mori’s attitude during the flashback with Yosano is put into context because he pretty much says himself that he needs his country to realize that they keep up with the rest of the world and that the battlefield is changing, and real life Japan did not care about how they did that.

With N, Chuuya, and Stormbringer too. I’m almost hesitant to bring this up because it’s so serious, but yes, Japan did do lethal human experimentation for that same purpose to keep up with the rest of the world and prove themselves.

Ahh, I went off track. Sorry, we were talking about how Asagiri writes characters, right? There is a lot of crossover between the real authors and their writing, so it’s sorta hard to tell with people like Dazai where the work influence ends and the the real person begins.

For me currently in my classic lit research period, I’m almost upset at myself for barley reading anything by Ryuunosuke Akutagawa because he’s my favorite character. I’ve just been so caught up doing my Oda Sakunosuke essay that I don’t have too much time for other authors. I’ve also picked up “The Similitude of Blossoms: A Critical Biography of Izumi Kyōka” recently (and A New Hamlet by Osamu Dazai, but that’s not important).

Ah, how much should I talk about.… hmm… how about Chuuya as an example of Literary Voice vs Real Person…. Lucy Montgomery and Edgar Allen Poe for Social Impact (for Japan specifically)…. and then.. Oh whatever, I’ll figure it out. One day I’ll talk about Kyouka, but not now. I’d feel ill prepared.

If you’ve ever read a poem by Chuuya Nakahara, taken in the emotion and deep feeling, and then found any fun facts about his interactions with other authors, there’s a huge contrast between those two modes that can be jarring. Im sure you can tell how that carries over to BSD. I’m impressed by how Asagiri is able to balance both the brash attitude of Chuuya and the inner literary voice that voices the emotion and care he has in him.

Edgar Allen Poe is slightly more obvious than Lucy’s influence (or maybe it’s Lucy’s, ah it depends), but both pop out at you when it’s pointed out. He was one of the first American authors to be introduced to Japan and fairly popular, but mainly we would point to Edogawa Ranpo as the most blatantly influenced by him and who his name is quite literally attached to. While Lucy Montgomery isn’t attached to anyone in particular, Anne of The Green Gables was wildly distributed in Japan when there were few english children books and became a hit.

There’s a television series too if you search for it. Any redhead, pigtail-braided girl you see in some Japanese media is because of her! It’s probably why these two have the most presence in the story currently compared to other members of the Guild and work with the Agency at times.

There are times when Asagiri will use influences outside of the author’s own catalog to create them, some literary like Albert Camus’s The Stranger and The Myth of Sisyphus (in writing characters like Dazai or Fyodor, I could make a post about that), and some just of his own anime/manga interests in other series like Jojo, Cowboy Bebop, Black Lagoon, etc. if you’re familiar.

I’d feel bad if I don’t at least show one example of this so, how about an Odasaku example with The Long Goodbye by Reymond Chandler? I was going to avoid talking about him until the essay, but I can’t help myself. Many have pointed out these parallels before, but Asagiri did point it to be his favorite book last year in an interview.

If you’ve noticed that the presentation for Dark Era in the anime comes off like a Noir film just like how Untold Origins came off like a black and white samurai film, good job! The Long Goodbye is a Noir novel about a detective named Phillip Marlowe who is unable to let go of a case involving a friend that was accused of murdering his own wife, but supposedly commits suicide and confesses to it before Marlowe is able to leave custody. By the end of the book, he uncovers the real perpetuator (a past lover of Terry Lennox’s before he was ever called by that name) and finds out where Lennox really is by poking into the story of where the message he got was sent.

He comes in with a new look and identity, and he asks if it’s too early for a gimlet. They say their last few words to each other, Marlowe flipping back and forth from acknowledging him as Terry Lennox and as a person he never knew, and then Marlowe tells him that “he’s not here anymore”. Marlowe had already told him goodbye when it was sad and lonely, so Lennox does the same here. That ends that mutual, long goodbye and he never sees Lennox again.

The immediate response I’ve see about this is how it parallels the relationship between Dazai and Odasaku. In The Day I Picked Up Dazai, just like how Marlowe brings him to his home to clean him up and meet up at the same bar for the next few months of their friendship, Odasaku also does so with Dazai and drinks a Gimlet for reasons he doesn’t know. In reality, Gimlets are a representation of the friendship between Marlowe and Lennox as it’s Lennox’s favorite drink. It makes it a little painful when Marlowe ignores him when he ask to go get a gimlet at that same bar they always went.

BEAST is more hyper specific about it by having Dazai ask the same question that Lennox asks when he gets smoked out and Odasaku asking for a gimlet with no bitters, which is specifically how Lennox takes it. Odasaku does not drink the gimlet at all though, showing that there is not friendship to start or accept or say goodbye to, as Lennox does ask Marlowe to drink a Gimlet to say goodbye to him in the letter. Just like TDIPUD is like their beginning, BEAST is their ending without ending because BEAST Dazai is not the same person he was friends with.

Odasaku fulfills being a detective and Dazai is the tragic friend with a past he doesn’t say anything about. Great. Now what I think people are missing when they entirely focus on Odasaku and Dazai when they talk about Lennox and Marlowe is that Lennox is narratively also Andre Gide.

If we were to split Lennox into three people just like his three identities, this is what it would look like:

The Friend: You help him out and don’t judge for his faults, in turn you go out to a bar with each other. It’s uneasy, but it’s worth a lot to the both of you. Eventually you have to part ways in death. (Dazai & Terry Lennox)

The Unknown: Is he someone you know? He acts like it, but he looks nothing like what you’ve encounter before. Maybe in some world you were, but that’s not now and it’s too late for this goodbye to be playing out. You let it happened though and you never see him again when he walks out that door. (BEAST Dazai & “Señor Maioranos”)

The Soldier: The past is right around the corner and its come to bite you in the ass. White hair and war memories haunting him with a scar as a reminder, he’s a reflection of you but maybe not. Who knows? (Andre Gide & “Paul Marston.”)

The initials “P.M.” of both his past name and Phillip Marlowe’s is meant to clue in how Eileen (the past lover) is connected to Lennox by her thinking of Marlowe as her past lover as she attempts to seduce him in some trance. What I’m trying to note here though is that you can take this as Lennox being another reflection of himself. It’s easy to do that reading for both Dazai and Gide as they’re both his foils and are purposely similar, but Gide aligns more with this past identity than Dazai does and retains his white hair.

Uhhh, wasn't planning to make a mini-analysis in the middle of my talking but okay. I'm leaving it off there. I went blank a lot while writing because I didn’t know what I wanted to comment on. There's too much to say about this large cast. I have way more literary fun facts and ideas to say, but nah.

#bsd #bungou stray dogs #dazai osamu #mori ougai #bsd analysis #bsd meta #bsd edgar allan poe #bsd lucy #oda sakunosuke #odasaku #bsd beast #the day i picked up dazai #andre gide

64 notes · View notes

classicanime79 · 5 months

Text

#anime #80s anime #animated classics of japanese literature #botchan

0 notes

minmin-vs-physics · 2 days

Text

intro to a lore accurate physics major

intro post? intro post! i feel like yapping abt myself today so its time to drop some lore (this time completely sober) name: min age: 21 occupation: idiot 4th year undergraduate student, part time TA major: PHYSICS

more about me:

well, obviously i dont wanna doxx myself, but im an indian intl student based in the states.

im currently gunning for graduate school in physics-- my research interests are in high energy theory

the overarching goal is staying in academia-- i enjoy teaching a lot too

im a pheno gal but im interested in exploring more formal sectors of het as well.

key words: quantum field theories, quantum information, SMEFT, early universe particle cosmology

im also interested in the mathematical formalism in physics, and im super into group theory (mostly Lie theory but abstract algebra in general is rad)

my favourite mathematician ever is emmy noether

more about me when im NOT doing physics:

im a hobby linguist and i like doing linguistic olympiads in my own time. i self-learn korean and japanese supposedly (have not been doing that in a while). i can speak three languages, but choose not to.

i like dabbling in evolutionary biology, geology, and other earthly sciences. i love marine invertebrates in particular!

i haven't been reading lately but i enjoy classic literature-- mostly late 19th and early 20th century authors.

my guilty pleasure is napping with science youtube videos in the background.

im very much a fandom person! (strong kpop and anime background) i write an skk fic (allegedly)

i play genshin! currently pulling for kinich, but im a longtime albedo main

free book rec-- hitchhiker's guide to the galaxy

so yeah! hmu if you want to yap bc im a yapologist fr. my inbox/dms are open for anything from questions about physics, to hating on physics.

i love what i do, and i love complaining about what i do, so that's all this blog really is.

#intro post #min vs physics

15 notes · View notes

chaoticlifeofalostsoul · 13 days

Text

✒️ Welcome to my blog🕯

❥ Get to know me

▪︎ Elijah | Rijal [i’m fine with nicknames like Riji, Riri and Jojo]

I have many names but on this blog i’ll use this one

▪︎ 18 yo

▪︎ Vy/vym/vyr - It/Its

[ex : Rijal loves clouds. When vy was a kid, vy dreamed about eating them.

Isn’t he Rijal’s cat ? Get it back to vym. It’s vyr friend]

▪︎ Xenofluid genderhoarder

▪︎ Achillean aceflux ambiamorous

▪︎ Alterhuman voidpunk

▪︎ INTP, virgo, Ravenclaw but belong to hufflepuff

▪︎ I have social anxiety, hypersensibility, and maybe audhd so please be patient with me. Dorry if i’m akward sometimes or crazy

❥ Get to know my blog

▪︎ Studyblr, writeblr, poetblr, langblr, witchblr, Online diary, moodboard, Random, interest, shitpost.....

▪︎ Aethetics : Chaotic and art academia

▪︎ because of school i won’t be really active

❥ Academics

▪︎ last year highschool literature student

In my country, we choose between scientific or literary sector, at highschool

▪︎ French is my first language

English could be my second language but i need to masterize it.

▪︎ language i wanna learn : German, Russian, Japanese, Wolof (my father language) , Spanish, Ancient greek & latin and sign (French and british one)

▪︎ College study wishlist : Fine art, Design, Literature, archeology, Fashion...

---> Career wishlist : Artist, Author, Concept artist, English, history or art teacher, archeologist, graphic designer, journalist, interior designer...

Right now my first choice is Art school and being a concept artist and/or an art teacher, my second choice is design study and being a graphic designer and my third choice is studying literature and being an english teacher and/or author or journalist

▪︎ My favorite subjects at school are Art, French [which is more literature], English and History

❥ interest and other things about me

▪︎ Music : Visual kei, Kpop, Hyperpop, Scenecore, Classic and anything that make me vibe

▪︎ shows & Anime : Bluey, Mayday air disasters, JJBA, Saint Seiya, Delico’s nursery, Princess jellyfish, Trouble with Sophie

▪︎ Books and mangas : Jane Eyre, Six of crows, Realm breaker, Les petites filles modèles, currently reading "If it bleeds", Moriarty the patriot

▪︎ Hobbies : Drawing, reading, (try) writing, Starting crochet, digital collage & moodboard making

▪︎ Current [Special] interest : Yoruba, Greek and Celtic mythology, Art history, Queer history, Paganism [Hellenism, Celtic paganism, Faerie faith]

▪︎ Current [Hyper] fixations : Flowers meaning, Eros primordial, Faeries, Aethetics and subcultures, Old web and flip phones

▪︎ I’m into Feminism, anarchism, LGBTQ+/MOGAI, Free Palestine and vegan activism. I wanna start a vegan lifestyle but i can’t in my current situation

That’s it :)

12 notes · View notes

zipstick-writes · 3 months

Text

Chapters: 1/1 Fandom: The X-Files Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Fox Mulder/Dana Scully Characters: Fox Mulder, Dana Scully, Original Characters Additional Tags: Animal Transformation, Case Fic, Season/Series 05, Fluff and Angst, Hurt/Comfort, probably (i havent figured out the whole plot yet. so), putting the fox in fox mulder, (im turning him into a fox. for silly reasons), Other Additional Tags to Be Added Summary: “Five people gone and not a single witness testimony, nor a shred of evidence, that suggests where they might be, who or what might have taken them, or if they were even taken at all. Any theories, Scully?” - Five people in a small rural town in Colorado have gone missing under mysterious circumstances within a week of each other. The local PD suspects a serial kidnapper, but Mulder believes that something more supernatural is at play. Mulder and Scully fly out to investigate, but it's not long before one of them befalls the same fate.

damn im posting a fanfic for the first time in ummmmmm like 4 years? hahaha anyway hi x files fandom

tagging @today-in-fic

“Animal transformations.”

This is the phrase that greets Dr Dana Scully the second she walks through the door of the glorified storage closet in the basement of the Hoover Building that is the X-Files division of the FBI, on what would otherwise be an unassuming mid-June Monday morning.

“Run that by me again?”

“Animal transformations, Scully.” Says Mulder from beside the projector, and Scully knows from the excited look on his face and the dimmed lights in the room that she is in for one of his world-famous slideshow presentations. “Stories of humans turning into animals exist throughout history and transcend cultural borders. Dozens of stories in Greek myth of gods turning humans into animals, the Norse god Loki becoming wolves, horses, birds, the selkies of Celtic mythology which shed their seal-skins and become human. There’s also the Japanese Kitsune, powerful shapeshifting spirits which take the form of foxes! Not to mention the classic vampires turning into bats and men that become wolves in the light of the full moon.”

“Of course. Werewolves. How could I forget.”

“Precisely, Scully. Werewolves.” Mulder has a self-satisfied grin on his face, and he continues: “The phenomenon also appears in literature. I take it you’re familiar with the works of Shakespeare?”

“In A Midsummer Night’s Dream, when Bottom is turned into a donkey?”

“Right. And in Kafka’s Metamorphosis,” Mulder continues, flipping to a slide of an illustration depicting a giant insect lying on its back in a tiny bedroom, “when Gregor Samsa becomes a beetle because of the overwhelming stress from the demands of his employer and his family. Humanity is obsessed with shapeshifting, has been for millenia.”

“While it is endlessly enlightening to learn about the common threads that unite our species’ storytellers throughout time, Mulder,” Scully says in a flat voice with an exaggerated sigh, “what exactly is the point of all this?”

“The point, Scully,” He replies immediately, drawing out his pause for several moments for dramatic effect, “Is that tales of human-to-animal transformations exist all across the world, and have existed for just about as long as humans have. And these stories have to have started somewhere.”

Oh boy, here we go, Scully thinks. Couldn’t he have waited until I’d had some coffee? It’s barely 8 o’clock in the morning.

“Oh, Mulder, please, don’t tell me you’re suggesting-”

“Lightalley, Colorado is a small mountain town about two hours west of Denver by car. It’s known for picturesque views of the landscape, popular hiking trails, and, most recently,” he says, and flips one slide further to a missing persons poster, then another, and then three more, “several disappearances under mysterious circumstances.

“Freya Pennington, 33, was last seen eight days ago, on the 14th, in the backyard of her own home. Her fiancé, George, says she was there one moment and gone the next, and he reports hearing no sound to indicate that she was in distress even though he was in the kitchen facing the yard when she disappeared. Harley Williams, 27, is a recently qualified medical doctor. He lives alone, and his disappearance was only reported to the Lightalley Police Department when he didn’t show up to work at the local hospital on Tuesday. Edward Irwin, 49, and his daughter Ellie, 17, are tourists from New York who were last seen on Thursday leaving their hotel and heading in the direction of a hiking trail. Sydney McIntosh, 21, works at a bar and was last seen by her boss, Daniel Meyers, leaving her work at 1 o’clock on Friday morning at the end of her shift. Crime scene technicians have examined the locations of their last known sightings thoroughly and turned up nothing. No blood, no weapons, no DNA samples, not even the victims’ possessions. None of the victims have connections to one another, and none of the disappearances happened within two miles of each other.

“Five people gone and not a single witness testimony, nor a shred of evidence, that suggests where they might be, who or what might have taken them, or if they were even taken at all. Any theories, Scully?”

“Well, it could be that they left of their own volition, however this many people disappearing in this short a timespan makes that rather unlikely. Perhaps there is a serial kidnapper at work here, but given that the first victim’s partner was at the scene and didn’t see or hear anything, that could be discounted as well, or in the case of a kidnapper the first disappearance may be unrelated to the rest. I really couldn’t tell one way or the other without speaking to the local PD. But I’m guessing you had your own theory ready before I even walked in the door, didn’t you?”

“You know me, Scully, always prepared.” He replies, smiling. “While it is true that Lightalley PD’s forensics team didn’t find anything that suggested a struggle, indicating that kidnappings were unlikely, that doesn’t mean they didn’t find anything. At each location, there have been footprints leading away.”

“Footprints belonging to who?”

“Not who, Scully, what. Animal tracks, in every case leading away from the crime scene, but not towards it. As if they simply came into being right then and there.”

“Animal tracks.”

“Absolutely, Scully. Victim #1, a rabbit. Victim #2, an elk. Victims #3 and #4, coyotes, two sets of tracks alongside each other. And victim #5, some sort of large bird, perhaps a raven, which end a few yards away from the bar, implying takeoff.”

“Mulder, please don’t tell me you believe these people were somehow transformed into animals.” She says, halfheartedly glaring at him. When he responds with a shrug of his shoulders and a mischievous grin, she just lets out a resigned sigh. “Alright, what time do we leave?”

“I thought you’d never ask,” is Mulder’s reply as he hands her a plane ticket. “We leave at seven tonight. See you there, Scully.”

Scully’s just glad the packing means she gets the rest of the day off.

#fox mulder #dana scully #the x files #x files #txf #the x files fanfiction #x files fanfiction #txf fanfiction #the x files fanfic #x files fanfic #my fics #my writing #my ramblings

18 notes · View notes

berrycake99 · 2 months

Note

Would you happen to have any book recs? 🙂

Maan this is a fun question because... Yes I read a lot but I doubt it's popular literature? 😂 I prefer classic litterature, notably 18th to mid 20th century works, also some fantasy of the 19-20th century too like Lovecraft or Verne.

I'm currently reading "Nausea" by Sartre. Highly recommend, it has a very unique vibe. If you like stilistics I'd recommend authors like Flaubert or Dostoyevsky. If you're into horror H.P. Lovecraft or Aleister Crowley are classics, my fav is "The Lurking Fear" by Lovecraft.

Also I really really love "The picture of Dorian Grey" and anything by Zola.

If you're into more modern and popular but classy stuff, first thing in mind is "The silence of the lambs" by Herris. Latest one I finished was "The history of cannibalism" by Roland Villeneuve. If you like english authors anything by Virginia Wolf is peak.

Dystopian fantasies like "Animal Farm" and "Brave new world" (which i LOVE) are must read in a lifetime.

This was few on the top of my head, I used to read a lot more sci-fi and fae fiction when I was younger but it's not so much of a thing for me anymore, and I can't rly remember the names/authors of all the books I read back then they were so many.. But if you watched Coraline I recommend reading the book too, it's a bit different than the movie, it's short and written in a simple yet eery style.

This is probably not gonna be what you were looking for I'm sorry shhswjsjsjsj I know I give off a goofy flavor bcs I watch cartoons but I am a HUGE nerd for literature and I love love to read all kinds of stuff and writing styles, so u may have made a mistake of asking this w/o knowing😭😅🙏😔

EDIT: WAIT NO I REMEMBERED THIS ONE called "The japanese lover" by Isabelle Allende, I read that a long time ago but it is so rich, it brushes the topic of a polish woman struggling in a marriage without love and coping in an oppressed country during WW2. No spoilers but as title says she actually gets to meet a japanese nazi solder who ironically helps her uncover her sexuality and ability to truly love and be loved. It's one of those few good books that really represents woman's POV in that era. It's much more than this BUT THIS IS VERY GOOD I RECOMMEND

#q&a #ask berry #thank u for question tho!#even tho I didn't help much 🤣#interactions are always fun

8 notes · View notes

dazai-ranpo · 2 years

Text

#classic literature #bsd anime #japanese literature #osamu dazai #bungo stray dogs dazai

1 note · View note

lafemmemacabre · 1 year

Text

I need normies to understand that a lot of subcultures don't derive their names in straightforward ways. Some do, like metalheads and rivetheads -- and even then most of you are... Extremely ignorant on it anyway. The amount of times I've had to explain to people that "emo" comes from "Emocore" which is a shortened version of "Emotional Hardcore Punk" is astounding -- but a lot of the time it's not like that.

Sure goths are labelled goths AND a lot of our subcultural sensitivities are derived from gothic literature and we think gothic architecture fucking rules but also? Neither the literature genre nor the architecture are where we got the name from.

We got the name through an internal joke between artists that are now considered goth, about how Andi Sex Gang from Sex Gang Children was a ridiculous gothy troll too obsessed with the macabre who lived in a building literally called the Visigoth Towers, so if he was a goth, then his fans were goths too.

Even then, the label "goth" was a pejorative when it first spread and most of our iconic bands hated being called that because they associated "goth" with the tackier, less serious contemporary bands that they considered basically low brow campy horror fanservice for losers obsessed with old and bad horror movies (Specimen, Alien Sex Fiend, and so on) while they were Serious Musicians just going through a Tormented Artist phase. There's a reason why Dinah Cancer from 45 Grave (a campy, "low brow", horror fanservice band) embraced the goth label immediately (and still does), while many of her contemporaries from more "serious" bands didn't and to this day won't.

Now, going back to the lolita subculture:

Do Americans realize that American literature classics aren't classics everywhere? Each cultural region and even country has its own literature classics. I wasn't made to read Mark Twain or Hemingway in school because I'm Chilean. I was forced to read Don Quixote, some people were also forced to read El Mio Cid, I had to suffer through fucking Subterra. I had to read María Luisa Bombal, García Márquez, Marcela Paz, and many, many others. AND I'M SOMEONE FROM A CULTURE THAT SHARES AN ALPHABET WITH THE ANGLOPHONE WORLD. Chilean culture is also undeniably more directly impacted by American culture than Japan is.

Lolita, the book, wasn't that old by the time the lolita subculture started, I'm going to assume it wasn't that widely known in Japan since it was relatively new in the US itself, and Japan has its own literature to occupy itself with. Not that there's no translations or that Japanese people don't read Western literature, of course they do, I can also easily find translated copies of The Great Gatsby if I go to any mainstream bookshop in Santiago, but what I'm saying is that books that are ubiquitous in the US cultural landscape aren't necessarily so everywhere else, much less in diametrically opposed geo-cultural areas that are highly culturally isolated, AND there's cultural influences in other countries that ARE ubiquitous in those countries that foreigners have no clue about. If any piece of Western literature has been greatly influential in the lolita fashion subculture it wasn't Nabokov's Lolita, but Alice in Wonderland, in part because lolita fashion's whole point was escaping sexualization.

I think we're all aware that Japanese pop culture, especially in anime, has a lot of issues with the sexualization of children (not like that's a problem unique to Japan but, whatever), BUT I think it's also pretty fucking racist or at least orientalist to perceive any embracing of childish cuteness as inherently sexual and pedophilic or otherwise perverse as soon as it comes from Japan (especially when the fashion itself literally has you covered from head to toe AND WAS DESIGNED PRECISELY TO ESCAPE BEING SEXUALIZED BY MEN, BY YOUNG GIRLS, NOT BY PEDOPHILIC MEN OR GROWN WOMEN WHO WANTED TO APPEAL TO THEM).

Stop talking about shit you don't know anything about with authority, for the love of fuck.

90 notes · View notes