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#art vs consciousness
f-athr · 2 months
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overtaken by motivation i haven’t had since 2021
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immortal-gege · 9 months
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wazzappp · 1 year
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Uno is a multiverse constant
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sparky-is-spiders · 3 months
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When I first finished my Amaldyne ref I started on an image of her breathing dragonfire but never finished it. Until now! Here she is my beautiful baby girl setting things on fire. Idk how I feel about the shading but I'm kinda proud about how revenant!Amaldyne looks. (Also if you're wondering why her neck is Like That it's because maintaining your form as a big hungry goop puddle is especially hard when you're also angy). This was mostly just to see how dragonfire looks when I try blending it a bit (which I don't do on the refs to make it more clear which colors go where) but I might mess around with it in the future, idk.
Anyway some Lizard Lore(TM): dragonfire is a very unique substance. Impossible to replicate (at least under current magical science), dragonfire can and will destroy everything it touches save for the dragon who breathes it. All dragons have at least a few sparks (even if all they ever manage to do is cough up smoke and embers), but a vast majority only have enough to breathe out a single stream for a few minutes, after which they'll need to stop and recover. Amaldyne is probably about average when it comes to dragonfire (although nothing about my universe is set in stone yet sooooo). Dragonfire can come in any color except blue (although there are a handful of old, scattered scraps of legend about a powerful sky dragon with bright cyan flames). It also sometimes feels more like a dragon's element rather than regular fire (although most who get hit by it are generally too distracted by the feeling of being burned by magic fire to describe the experience afterwards). Amaldyne, as a poison dragon, has fire that feels like getting doused in acid (complete with an odd, slimy sensation that lingers for awhile after). It's pretty common and there really isn't any particular significance to it. Just an odd quirk of dragon magic. Also, if a dragon's fire is somehow extinguished (methods to do so are currently unknown) or stolen (incredibly difficult but also quite possible, if you know a few tricks), it WILL kill them. A dragon won't survive without their dragonfire, not even for a moment.
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bumblingbabooshka · 1 year
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What being Sarek’s Favorite Child Does to a Motherfucker AKA: Mutiny Specialist
[Comic One Transcript] Michael looks off to the side as she speaks with Spock. They are both children. It is implied that Spock has asked Michael to tell Amanda she loves her. M: Why don't you just tell Amanda you love her? Instead of trying to live vicariously through my humanity. Spock appears flustered, caught off guard by the accusation. S: That's not-! I am simply... You are the only one who can do it, Michael! You are the only one and yet you will not- you will...not...n-not... Michael’s gaze stalls Spock’s tongue. Her expression is impassive with a hint of distain. Real or perceived? Her control is iron clad, unlike her Vulcan brother’s. Spock stops speaking, intimidated and suddenly self-conscious. He has seen this look before.  S: Those eyes...the eyes of Vulcan. [Comic Two Transcript] An adult Michael looks tired and disgruntled, vaguely annoyed. She has wrapped a ratty blanket around herself and she is speaking to Spock, ostensibly out of view. M: Spock, I could have spent every second of our childhoods telling Amanda how much I loved her. Seeking out and receiving hugs, kisses and praise. It would still never have been enough for you. You would still resent me. Because it was never about me and my (real or imagined) distance from Amanda. It was about yours. Michael pulls the blanket tighter around her. She looks remorseful. Her previously iron clad control has softened to a circle. M: ...And I am sorry. I'm sorry you could never say you loved her. None of us could, in the end...I wish I could have said it for you. I wish I could have held her for you. But I think you would have only hated me more if I did. [END]
#Michael Burnham#Michael Burnham art#Michael is paler when she's in her freshly-graduated form bc she just stayed inside studying all day#Michael and Sybok mirroring each other with Spock in the middle....#Human girl who acts Vulcan VS Vulcan boy who acts Human#and then Spock's in the middle#Michael being very conscious about how she carries herself how she phrases things what her face is doing etc etc etc is real to me#I haven't watched a single episode or clip of discovery this is all off the dome#Sarek seems like the type of guy to subconsciously pit his children against each other (does not mean to)#Shows Michael clear favortism bc she's the most 'well behaved' (acts most in line with what he views as Properly Vulcan)#Michael's trouble with facial expressions comes from multiple things#No one around her using facial expressions while growing up on Vulcan + Michael's own anxiety around what her face is doing causing her to#overthink even when she does want to make an expression + I can imagine her consciously training herself not to do things like laugh/smile#Michael favored Sarek over Amanada and Spock favored Amanda over Sarek#and by 'favored' Sarek I mean she spent more time with him. She doesn't really know if she likes him or not...she...it's complicated#She knows him better than Spock or Sybok do but Sarek knows very little about her v_v#I also like the thought of Michael's vocal inflections being a bit off to humans because she was raised amongst Vulcans#Anyway yeah Michael being More Properly Vulcan than Spock despite being fully human is a nice concept to me#angsty#Girl who is your sister and you love her but also a symbol of your own inadequacy so you hate her#star trek#star trek art#that's all for now#Michael: (monotone) that's really funny. (pause. grimace) /I/ MEAN it.#I don't know what Michael and Spock's canon relationship is - again this is just my own heart talking#they love each other so much but also problems problems problems#bea art tag#comic transcripts under the cut bc I know how I format text is confusing and small#Spock#Sarek
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astraplayer · 4 months
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“Can you be normal about this comic”
No. I consciously and willfully choose not to. I’m a little sorry
Based on this panel if ur curious (I was tempted by a comment on this) : https://www.deviantart.com/tc-96/art/Shadow-Mewtwo-Vs-Ghosts-1022586398 it’s on tumblr too btw
Characters and Comic creator is @xxtc-96xx
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infiniversegod · 1 year
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Be Your Own Teacher
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Disclaimer: I know I follow the law of consciousness/nondualism but I need you to hear me out. I know I used to follow Neville Goddard's and Edward Art's teachings but I have evolved and changed even though I still hold a lot of respect for them.
Words are all an illusion: awareness, consciousness, imagination, etc....they are not real. We are something that is indescribable, nameless, and formless. We transcend beyond such concepts and words, even "nondualism, law of consciousness (aka law of assumption), law of attraction, etc." We are IT the ultimate wordless intelligence. Words such as "consciousness" and "nondualism" etc are the closest things that describe who and what we are in our core beings but not even these words can truly describe what we are. The main goal of my page is for every single one of you to transcend all "concepts," "teachers," "methods," and "teachings." So many of you put teachers such as Neville Goddard, Edward Art, Sammy Ingram, and even bloggers on a pedestal and that isn't good. It isn't good because you are giving your power away to other people, as the creators and ultimate operant powers of your own reality. This isn't Neville's, Sammy's, Edward's, or even my reality. IT IS YOUR REALITY! There is no such thing as an "ultimate truth" or "method" for manifesting/reality shifting, as the ultimate creator of your reality you decide every single aspect of your reality, not Neville, Sammy, Edward, etc...Stop listening to people to find an "ultimate truth" or "method" don't even listen to me or other bloggers on this community, find your own truth as the creator of your reality. There is literally no "objective truth" everything is subjective based on your beliefs and whatever you are conscious of. There is no "right" or "wrong" way to do anything, it all boils down to YOU and what you decide is "right" or "wrong" because you are the creator of your reality. You can listen to other teachers but don't solely rely on them, only take what you resonate with most and leave the rest. I will never tell you if you are doing anything "wrong" or "right" or what you can or can't manifest because it all boils down to you and whatever you decide. YOU ARE YOUR OWN TEACHER, CONCEPT, METHOD, ETC BECAUSE YOU ARE THE OPERANT CREATOR OF YOUR REALITY SO ONLY DO WHAT FEELS RIGHT TO YOU. DO NOT LISTEN TO ANYONE ELSE WHO TRIES TO TELL YOU WHAT TO DO BECAUSE THIS IS YOUR REALITY, NOT THERE'S! Everything is consciousness, and we are all One Consciousness, so whatever you create as consciousness is "right" no matter what, because everything comes from us as Consciousness and as Consciousness everything is possible. We are limitless and infinite, there are no such thing as "can't" or "impossible." For example: you want to affirm and persist to manifest? Script? Visualise? Believe in the 3D vs 4D (or not)? Do the raven method to reality shift? Want to snap your fingers and just reality shift on command like that? Guess what you can do all of those things because you are CONSCIOUS of the fact that you can do it since we are all Consciousness as our truest Being. Don't listen to anyone else, not me, Neville, Edward, Sammy, etc who tells you otherwise because this is your reality to decide everything and anything, not us. Be your own teacher, concept, method, etc.
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gayelderstourney · 11 months
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OLD MAN YAOI BRACKET ROUND 2
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Propaganda:
Irving Bailiff/Burt Goodman:
they are TRAPPED in capitalist dystopian hell and yet gay love persists. literally they are fighting for their got damn lives to be gay. they've been subjected to evil fucked up brain surgery to make them forget who they are outside of the workplace and yet. AND YET. they fall in love INSIDE the workplace and gain the desire to fight their oppressors so they can do old man yaoi activities. i forgot to take my adderall today sorry im not forming coherent thoughts but they made christopher walken yaoi real
They have only ever experienced being at work and are desperately trying to find meaning with no memory of the outside world. Fraternization is against the rules as well. The yearning is so much.
they are 2 sad old men who are in forbidden love. they bond over a mutal love of corporate art & company tote bags. their love inspired Irving to rebel against his employers for the first time ever. Burt is even Christopher Walken.
They’re so quietly sweet and heart-wrenching… fell in love on the ‘inside’ (they both work a job that ‘severs’ their work memories from their out-of-work memories; inside the job, they have no idea who they are on the outside or what the world is like, but they found each other and found a little bit of love and meaning and happiness inside the nightmare corporate world that is their job)
canonically in love with each other! in the show people sever their consciousness so they aren't aware when they're working. this creates a separate person that only exists while they're at the office, who doesn't share any memories with the person they are on the outside. these two old men bond and find comfort in each other despite the dystopian hell situation they're in
Old men having a forbidden romance while stuck in a hellish workplace dystopia
These two old men know nothing outside of their company propaganda, which says romance is forbidden, and they still choose each other. They bond over paintings, discuss company policy in each other's arms like they're debating scripture on whether their love is allowed. They're sooo gay and it's so sweet to see true, canonical old man yaoi
Weird old man office romance except they only exist inside the bounds of the world’s worst office building and they go on a little date to a room full of plastic plants
Ravenpaw/Barley:
kitties who were outcast from previous groups they were a part of and find and live with each other. they are canonical mates even though theyre both dudes. they grow old together, but ravenpaw gets cancer and dies before barley (he lives to be considered old in warrior cats years). however ravenpaw wanted to be in the same kitty afterlife that barley will go to, so they can be together in kitty afterlife. barley is still alive though as far as we know and might be the oldest living cat in the series now. also i just think its funny to call little kitty cats "old man yaoi"
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sunderingstars · 1 month
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☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
✩ ‧₊˚ ⌞ INTRODUCTION ⌝
sampo analysis m.list
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☆━━━━━ ⋆⁺。˚⋆˙‧₊☾ ◯ ☽₊‧˙⋆˚。⁺⋆ ━━━━━━☆
— hello & welcome to my dark twisted mind (full of sampo theories)
— this is the first major analysis project i’ve taken on, so i’m very excited to lay out all the evidence i’ve found — i’m trying to keep it as open-ended & -minded as possible, even though i’m biased out of sheer interest towards the aha!sampo theory.
— i’m sure there are things in here that are common knowledge, but since i tracked down every single sampo reference and voice line (literally) on the wiki during an obsession-induced state for the better part of two months, i’m hoping there’s some information here that may be new or less-discussed as well!
— i’ll be uploading each sub-topic as a separate post (because i have a lot to say about so many things), but depending on your preferences you can always follow/block the ⌞ 🎭 ⌝ tag, which is going to be the tag i use for anything relating to this project.
— here’s a brief outline of the topics i’ll be covering:
visual cues + art (aha splash art, kit, body language & confidence, performance & performative emotion, eidolons, etc.)
vocal cues + voicelines (third person references, voicelines, worldview, self-awareness, gender, etc.)
scene analysis (intro scene, belobog, sampo & sparkle’s conversation, fourth wall breaking, mr. cold feet, dream bubbles, etc.)
specific topics (placement in the narrative, jokes & situational comedy, the astral express, etc.)
specific theories (“retirement,” playing the long game, risk vs. reward, man or muppet?, “committed to the bit,” aha is not exempt from The Rules, etc.)
extra info on the masked fools as an organization, aeonic consciousness, and sampo character details outside of elation!sampo theories
as well as counterarguments and a conclusion + anything i feel like adding along the way!
— the next few posts i’ll be uploading will be my masterlists (yes, plural, i am insane 😔💔) so i can get ahead of the curve, then it’s onto the real meat of things. this is a passion project for me, so i am very grateful for everyone’s support thus far (seriously, y'all are so sweet) !!
— as always, feel free to send me asks if you want elaboration on one thing or another, or just want to talk about your own thoughts/theories. hope you enjoy!
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© analysis by sunderingstars. do not copy, repost, translate, modify, or claim my work as your own.
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cmrosens · 7 months
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Creating fantasy religions: something I'm doing now so thought I would post about my process.
The mistake a lot of writers make is developing a religion from a singular event, and piling a ton of stuff on top of it that makes logical sense. Whereas, in reality, religions are self propelling systems that travel under their own steam and if there is an event that catalyses them, it is never in a socio-cultural or political and economic vacuum.
You also end up with an apparently totally random set of things attached to one figure which does make sense if you know the origins, but otherwise is just accepted even if the meaning is lost.
It is the difference between "the god of Midwinter and festivals around this originated because a cult of necromancers were banished into the frozen wastes and this <event> became the Origin Story for how we got to a midwinter festival with creepy bone puppets in my fantasy world" and a religion that feels ... Real.
Ok so firstly, this is a bit too neat. (This was my original reasoning for a midwinter god called Yarash and I changed it because it wasn't very realistic or interesting for my world.)
Why, let's say, is the god whose feast is at midwinter also the patron of puppet makers and osteopaths?
Well, we could say that this makes a lot of sense because the god's festival was originally to do with remembering the dead, and puppets were used in the festival to represent the dead, as necromancy should have been part of it but people didn't actually know how to raise the dead properly. Then as magic evolved people could actually raise the dead for short periods to deliver messages in these festivals, but this drew internal debate from the conservative priests who thought puppets were the original form and so should be maintained, and necromancy was an aberration, vs the progressives who saw necromancy as the original INTENTION and so the natural and correct progression from the puppets. The debate might rage on for years creating splinters, sects, differing traditions that sit uneasily together but find middle ground in other less controversial topics and practices, and even cults.
At some point, the secular authorities get involved for their own reasons. Maybe some rulers are pro-"The Old Bones" or anti-, or they want to outlaw necromancy or benefit from it for various political reasons, socio-cultural reasons, economic reasons, military intelligence reasons, etc. Whatever happens, happens. Times change. Official attitudes swing back and forth, while internally the religious debates continue, now informed by and perhaps as counters to, this secular intervention.
Then we end up in modern times, the times of the story. Nobody really believes in gods anymore. They do remember the old gods of the seasons and at the secular festival in winter, there are a lot of traditional puppet shows that have a whole history and life of their own. The puppets are called "the old bones" and nobody really remembers why. Osteopaths have the puppets and symbols relating to the midwinter festival on their certificates and college heraldry and nobody really remembers why, but the information is there to look up and is a fun thing to know for trivia nights.
And necromancy... is a controversial branch of science, divorced from its original religious significance for many but not for all, and more integrated as an art or practice in the public consciousness (positively or negatively depending on perspective and propaganda and actual usage).
And now, you have a ton of depth and meat to it without having to flesh out the arguments and debates themselves unless that is plot relevant.
There is a lot you can do with this society now, and by tweaking one thing you can create completely different societies and ideologies. The depth is now there to set your story at any point during this history and to develop numerous ideas. So much stuff can happen.
With the singular event version, and a static fact of a necromancy cult in the frozen wastes, things are much more limited and linear, with less depth to play with.
Also remember that your characters will not be expected to know everything about your world unless they are experts in religion and/or history, and also the 2 subjects are not mutually inclusive so a historian is not an expert theologian and vice versa. How much the average person on the street knows depends on levels of formal education, accessible knowledge beyond formal education, which may include religious instruction and folklore, and propaganda. But it means you can build in some subtle things - like the puppet symbols on the door of an osteopath or bone doctor - that never need to be explained, but have a logical in-world explanation below the surface.
Try taking a static idea and work it into a system and see where it leads!
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onewolfaday · 1 year
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hiii question, do you have any tips on how to differentiate dogs and wolves in art :0 ? mostly just think my wolf character i draw atm looks a lot more like a weird looking husky than an actual wolf, so wanted to ask an expert :3 !
i think the colours + look of the coat makes the biggest difference! i made a post about how i simplify wolf coats here, but ill talk more about how to specifically make them look different from dogs
dogs tend to have much simpler coats than wolves, with really sharp + clean lines, and also usually are much less brown.
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for example, heres a husky and a relatively similiar looking wolf. the husky has clear, strong, defined lines between the black and white, whereas the wolf has grey and a lot less clear shift between light and dark. the wolf also has beige and brown in their fur rather than just pure black or white.
as for physical stuff, a wolf and a big dog like a husky dont look too different, but wolves are Much bigger and also much fluffier (more fluff inside the ears, their fur fans out more, thick and heavy undercoat, etc.).
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wolves tails dont curl upwards, they only move from side to side and down. meaning they'll never look like the right image ^^ the tail curl is super dog-like and it might not seem like a big deal consciously but it does make a difference when feeling dog vs wolf vibes!
wolves eyes are also only brown/yellow/hazel/green, minor and also an easy rule to break (i do it all the time), but it might help to sell the wolfishness
basically:
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hope this helps ^_^
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glavilio · 1 year
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One of my favorite fun historical through lines is that the original co-illustrator for Dick and Jane who also co-created the branding for Elmers Glue is also very likely the indirect but influential progenitor of a great majority of furry art and culture. and he doesn't even have a wikipedia page. The story is as follows:
A team of designers create Elsie the cow as the mascot of the Borden dairy company, later giving her a husband named Elmer in branding. Elsie was extraordinarily popular and was portrayed in tons of print advertising and even licensed media. The most well-remembered and beloved of these advertisements were done by a popularly unknown and uncredited illustrator named Keith Ward together with a great deal of other commercial illustrations
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(Ward's early work in commercial illustration: children's books and advertising)
The scale of ward's contribution to Elsie and Elmer is somewhat murky, particularly since most credits go to the contributors with greater status at Borden. Personally, I see it as largely a collaboration between Ward and several unknown others under art director David William Reid.
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(Ward's work vs Reid's work)
Elsie eventually fell out of popular consciousness after rebranding, but Elmer lives on as the mascot of Elmer's glue, originally a subsidiary of Borden as glue could be produced as a byproduct of industrial dairy. Modern Elmer's glue is synthetic, but retains the iconic mascot and design.
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(Elmer's evolution from a more Ward-like design its current iteration)
Ward would later go on to illustrate for an American adaptation of Reynard the Fox by Harry J. Owens, again, miraculously uncredited on the cover. His name appears once, on the title page, and the lavish biography on the back of my copy fails to even mention the illustrations.
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(Ward's work for the Scandalous Adventures of Reynard the Fox)
These works are particularly notable as much later, Ken Anderson of Disney was working on conceptualizing a Disney adaptation of Reynard, which is a very interesting and messy story for another time. In short, he and his team drew many inspirations from many many places, but with Ward being relatively more known and respected in the industry and having worked on a Reynard book in a similar style to what Disney wanted, his work was one of the most influential on the development of the film. The Reynard part was eventually scrapped (those who are familiar with the story and character will not be surprised), but a lot of the designs and even layouts were reused for Robin Hood. If you've ever wondered why they made him a fox, that's why.
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(Bill Peet's and Ken Anderson's Reynards bear a striking resemblance to Ward's)
There's a lot more to the inspiration than just the designs, many plot points and layouts from Reynard, and their depictions by Ward, remain in Robin Hood (they unfortunately do not fit in this post). Its likely that finding such a clear starting point for their film in Ward's book had a hand in salvaging the Disney Reynard project and leading to the complete, although troubled, completion and release of Robin Hood.
And the rest is furstory! While there are certainly many other Disney animal features that have made their mark on the fandom, Robin Hood's influence is particularly notable for being the most popular of the most anthropomorphic animal-focused animations in contrast to the commercial underdogs of the Great Mouse Detective and many of Don Bluth's films, and more conventionally presented talking animals like those of the Aristocats and the Jungle Book. Isn't that interesting!
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egophiliac · 11 months
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Um…hello! Your art is like a HUGE inspiration to me how you draw everyone is so unique, I love it! So I just wanted to ask what inspired you and your art to what it is today?
(hopefully I explained that correctly ;w;)
oh my gosh, thank you! :D :D :D I've been feeling pretty down about my art lately, so this was a super nice message to wake up to! one of the easiest traps to fall into is forgetting that other people are seeing your art without all the baggage and hangups that your brain has given it, and sometimes...they might actually like it? hmm. 🤔 (seriously though, that really is incredible to hear, thank you! 💕)
inspiration is really really hard to put into words. so I apologize if none of this makes sense! :') a lot of it comes from looking at things I like, trying to break down what it is that I like about them, and smooshing all those pieces together into some kind of amalgamated homunculus. I'll see something that uses a lot of straights vs curves, go "ooh", and then just start throwing those in there until it is fully absorbed into the gelatinous mess that is Developing An Artstyle. or I'll see some pretty soft-style shading, go "ooh", and then decide I'm not meshing with it and try something else. just, like, being open and trying different things and seeing what sticks, I guess!
overall, I would say I was mostly shaped by the Western media landscape of the early 2000s, when anime was becoming more mainstream and starting to show influence on Western cartoons; I think particular works that influenced me were Sailor Moon, Utena, the works of Takahashi Rumiko, Samurai Jack, Batman Beyond, and Bone. (there's also the French movie Princes et Princesses -- which is itself a homage to The Adventures of Prince Achmed -- which...yeah, you can basically take one look at it and see the effect it had on me.) and there are probably a lot of other things that I didn't consciously realize!
on a more philosophical level, one of my teachers once said to me that "the art that you like to look at isn't necessarily the art that you should be doing". which is something I try to hold onto! I had been trying really hard at the time to be, like, a more realistic traditional-style painter, and was getting really frustrated because that kind of art isn't fun for me to do. it wasn't until I gave myself permission to actually try out different things and not lock myself into what I thought was the kind of art I should be doing, that I realized I actually just like drawing little dudes making weird faces at each other! (I definitely still have some hangups about this, but I am getting better at it! ...I hope!)
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xoxitgirl · 5 months
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˚⊹₊ ⋆ updated manifestation routine ₊˚。
2024 it-girl manifesto
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hi all! so my last manifestation routine I feel like I missed a lot + have a new mindset now so I’m going to break it down in a better way lol. a lot of my mindset has been developed through esoteric philosophy, teachings of neville goddard, and edward art.
the foundation—
so this is what i base my thought process on, everything is mental. this is literally the first principle I learned of esoteric philosophy—mentalism. the mind has effects over all; mentally, spiritually, and physically. for anything to be/exist it has to come from the mind, this is also considered the “law of self” or the “law of one.” since our minds literally can’t comprehend what is imagined to be experienced vs what we’ve actually lived through, we can literally change ANYTHING through consciously shifting our awareness. some things may be viewed as “harder” or “more difficult” but in essence its the same exact process every time. and I only mean like conscious manifestation and not like past events/trauma.
rule one: find what works for you and practice consistency.
rule two: if you have it in your mind, it is already yours. feel it, touch it, smell it, embrace it. use your senses.
rule three: what is inside of you is outside of you—let it reflect without desperation, fear, or pressure.
intention comes first
if you lead with no direction where will you go? being able to understand what it is you want is a necessity to me when it comes to manifestation. I like to think of it as a mini ritual; writing or deciding your intention and then diving into the mindset revamp and everything else in store.
journaling, journaling, and more journaling
I journal literally everything in every style—meaning; when I start journaling I write short paragraphs expressing gratitude for my current manifestations. for more in depth desires, I will write pages about the experience of getting my desire, the feelings I felt, the people involved, the setting, etc. similar to gratitude letters, I just write gratitude vaunts. when I’m not vaunting I’m setting goals. goals can easily help us understand what we want and what we can do in the meantime to feel like we have it. I also journal sporadically, I read through all the things i’ve manifested through a couple months—for some reason this works insanely well for me.
state akin to sleep
SATS or state akin to sleep is basically being completely relaxed/in a drowsy state and envisioning your desire so its like you’re falling asleep in the wish fulfilled. this is useful because when you’re in this state, your mind is more accepting and receptive of your desires. neville breaks this idea down in depth but in short, there will be less opposition because you experience having your desire in this state and as I love saying; as above so below. as you continue this method the mental and physical planes will align.
subliminals + affirmation tapes
I always binge listen to subs for around a week to a month and then stop for at least 2 weeks minimum. idk why i just don’t like repetitive tasks but this way of sporadic listening has always helped me manifest better because I allow my manifestation to come to me. especially if it’s something I think is more of a material manifestation like a new car—I made a car sub and stopped listening after like 3 months of constant listening and my dad told me to clean out my car for my dream car.. like let it come to you babes.
detaching!!!
in my mind detaching is equally as important as intention. if you’re obsessing over something its more likely you’ll focus on the lack in the 3d instead of the abundance you have in the 4d. I force myself to not worry about my sp, put my phone down when I’m worried ab sales, and just relax because what is mine will always be mine. ways to detach… going on walks, drawing, focusing on hobbies, working out, yoga, listening to music, hanging out with friends or family, going for a drive, literally anything that brings you back to center and allows you to stop thinking excessively about your desire.
affirming 24/7
im always asking and telling myself how I would think as my most desirable self. when i’m worried about the weather, my designs, if my dates will go the way i want, or if my packages will arrive on time I affirm immediately, “the weather is always so amazing. I love driving in my area’s calm, nice weather. everybody always loves my designs, why wouldn’t they? I’m literally one of the most famous designers in the world. I always have picturesque fairytale like dates with my SP because he loves me and wouldn’t let me settle for less tff” and like its been mentioned before, we have thousandss of thought a day so a negative thought literally cant hurt you or your manifestation but affirming can be extremely helpful for those with anxiety or intrusive thoughts imo.
manifestation lists
i write a list of everything I’ve manifested every month to remind myself of my power. at times ill even throw in a few things that I am wanting at the moment to remind myself it’s already mine. every time I manifest consciously I scroll through the list just as like a confidence booster I guess.
visualizing + vision boards
im constantly visualizing what I want in my present. literally money in my hands, my new computer in front of me—visualize, visualize, visualize. thats definitely a really big part of my routine, also making vision boards and having them on my phone, on my walls, etc. using apps to make it more convenient like vsco, pinterest, notion.
sigils
making sigils helps me kinda detach too! this is definitely not a necessity, I only remake my sigils every year or when I feel uneasy about something. over time i’ve noticed that with ones i’ve used for safety/peace, I have to actively choose which energy to embody. nobody will come into my space causing me to be in a stressful mood unless I allow it—imo it helps a lot with conscious creation.
challenges + rules
I make a lot of challenges that I do privately and every time I stop/revert to thinking about the 3d I have to restart. I always give myself repercussions for feeding into a lack mindset because why would I do that when I live a life of abundance? im not like hard on myself or anything its just about maintaining the idea until it saturates. I also use like 10-20 manifestation rules that I have and follow on a daily basis, I would also recommend making your own list of rules because if you don’t have a standard to follow its harder to stay focused. some of mine are—
ᥫ᭡ everything I desire manifests the second I desire it.
ᥫ᭡ I manifest anything I want instantly.
ᥫ᭡ only my desired thoughts manifest.
ᥫ᭡ nothing can stop me from getting what I want.
ᥫ᭡ the 3D changes instantly for me.
ᥫ᭡ I have such potent undeniable incredible power.
ᥫ᭡ I always manifest what I want on the spot.
as above so below, as within so without.
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itgirl ⊹ ࣪ ˖
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thesirencult · 6 months
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Astrological Predictions I Wrote Down Last Year Which Are Still Relevant- and will continue to be!
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Note: I'm not here to spread fear and anxiety. Bad aspects do not exist. Our lives and the way the Art Of Astrology is expressed in our reality is a mix of different colours and vibrations. These predictions have been made with my own personal way of interpretation so please don't ask how I came up with some things. Don't drive yourself crazy trying to see the "mechanics" and "practical details" behind the predictions, simply read them and see if intuitively you vibe with them. Keep in mind these are written in a "personal notes" style so it is a tiny bit chaotic!
A year ago I did not post any content about astrology and tarot online, at least at this scale. Posting these personal observations is not a way fro me to "toot-my-own-horn". I'm actually quite skeptical about Astrology's capacity to "predict" but right now, looking at those notes it is apparent that most of those things have already manifested or are beginning to take form in our physical reality.
Enjoy and let me know what your thoughts are about what's coming.
2023 MAJOR ASPECTS
Pluto In Aquarius (23/3/2023, 3 months and then again in 2024): 20 year cycle, society, tech, consciousness, innovation on STEROIDS, last time 795,819, 1781 -> discovery of uranus, islamic/arab domination in north africa, fall and rise of dynasties in europe (foundations of europe as we know it now, al-Khwarizmi founded the field of algebra
Saturn In Pisces (7/3/2023, 26 february, may 2 2026): structuring the "unstructureable"
Jupiter In Taurus (16/5/2023-25/5/2024): wisdom of nature, stay ready/still, green
17/7/2023 -> N.Node in Aries/S.Node in Libra: love-war, Ares-Aphrodite, war between the feminine and the masculine. Fall of red pill and radical feminism, individual vs parrtnership.
Where Jupiter goes, Saturn follows. Dune, The Hermit energy. In the past few years with Jupiter in Pisces and Aries disillusionment was IN! Fights through screens (Aries), were just another day. Saturn clears the way after Jupiter's orgy. Dreams NEED a practical use (note from now : we have this whole hustling culture thing of set goals and be practical, we are basically trying to give structure to our dreams and create a step by step path to our vision). Example: astrology, NFTs and crypto, drugs, manifestation, art -> how are they contributing to our society and the betterment of it? Dissolving-then Forming-> identifying, dreaming-act/plan -> success. Only through the loss of individual power we realize we are nothing without a link to the rest of "life". Submitting to something greater/ fear (misty) of something destroying us or confronting external life. Sacrifice/Servitude. Who are you when stripped away from the world? (prison): stripped off the matrix/network, inner contemplation, power to serve to experience unity, science+spirituality meeting. loneliness + isolation = going deeper within,monk mode. developing a conscious ego. Information utilized/weaponized to help/guide the masses. Increasing consciousness and broadening the mind. We are realizing we are experiencing the "shadow" not the "idea" (Plato/Jung/archetypes)/Antigone-> divine law / human law/ loss of faith and search dor a new framework of values. Discipline in meditation, yoga driven towards God. Fight between atheism+spiritualism/nihilism+purpose. Turning inside because you lost faith, there you will find God and meaning. The form has outlived its usefulness -> conflict with the status quo and law. No church in the wild/godless. Saturn's death by Jupiter (taurus = structure).
Transformation of rules, social norms, ideas of humanity and how we use science+technology to manifest those ideas. Social + technological REVOLUTION. Renaissance. Turning to humanitarian, liberal arts/spreading knowledge-teaching. Astronomical discoveries, vaccines/antibiotics(shortages?), innovations in trade, change in the way religions and churches are structured as well as other organizations. More open. Blockchain. "Anonymity" but transparency. 48 laws of power, the prince. philosophy-> utilitarian/kant/pure reason. "how to maximize happiness for the majority. streamlined techniques. Pluto in Aquarius will bring the desire to reform. After 2044 these changes will be established. Everything will be brought to the surface. going deep and facing demons. PROMETHEUS MYTH , FIRE -> DARK SIDE OF TECH (note: AI). decentralised internet, open sourcing, energy. YOU CAN'T REACH GOD THROUGH TECHNOLOGY/CAN YOU? Grid failures+extreme weather. Internet cables connecting countries -> separation from WEB -> Who are we? power over...= domination / power with...= networks Pluto -> Πλούτος, abundance but can turn to greed -> eruption -> realizations. Society = individuals -> change= self change!
Society is going to turn its hopes, wishes , knowledge, resources and tech powers towards abundance and sustainability. Physical environment = abundance. I'm seeing a rise in holistic+cyclical approaches, natural medicine and art expression close to natural processes. Expect movement from big cities to the countryside and creation of luxury reatreats/hotels close to nature-sustainable.
source:thesirencult
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popponn · 9 months
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things about isagi yoichi
i'm keeping a list about isagi for reasons (mostly personal amusement) (please do feel free to add or correct them). contains possible spoiler for manga up to chapter 230 so far and light novel. will get longer, probably, as time goes on. (update, it gets longer and up to uber match ending as of today.)
considerate. almost like a people pleaser. actual people pleaser at first.
pragmatic. thinks very calmly, even when angry it seems, but his words still sometimes get too much.
think things through, sometimes too much.
is confident, but not unaware of his own weaknesses
start pretty insecure.
seems to be sheepish - happy when someone praise / support / pay a large attention to him (pretty humble) (interview, that one kid in station, his family)
how he acts depends on who he is interacting with
switch to a more polite speech pattern whenever nervous (pretty obvious in japanese text, like in the interview scene after bm vs mc).
seems to be less competent on other things other than soccer
looking at his favorite manga / song / shows (most are medias with children as the main audience in mind), either really loves his childhood or doesn’t pay attention to many things after soccer. seems like the latter.
a really healthy family dynamics. his parents are very supportive of his dream.
loves katsu curry.
is a pretty 'normal' high school guy it seems. tissues near the bed, thigh fetish, read manga. speaks normally.
i really don't get why he has a habit of making sure his ahoges stand up in v before a match but god thats cute.
can be really rude and impatient sometimes
is good with people, but seems to enjoy alone time too. seems to be an introvert.
at least on screen, never really talk about how it was in ichinan with the blue lock guys. either it didn't bother him that much consciously or is the type of person who gets along with everyone but no one really knows the background of in details. (put it simply might be more introverted than he appears to be, especially considering how he usually is with people)
seems to be uncomfortable with new people in his personal space (early bachira + kaiser)
while doesn’t ‘like’ rude people, seems to grow ‘used’ to them and even openly admire them (barou + rin)
does not seems to easily prejudice / be judgmental to someone. is really patient (respect to barou, that one chapter with tada from ichinan, still praises kaiser despite the antagonism between them)
his fashion sense is pretty... this is very subjective as i don't have the word for it yet, but yeah, is either not good or pretty old fashioned. (in anime official arts)
when it comes to soccer often looks angrier expression wise
really egoistic. unsurprisingly.
sometimes is pretty self centered in the way that “this is my fault” sometimes, rather than focusing on someone else. but most of the time his self centeredness comes out as “i want this and i will get this”.
on some moments also seems to focus more on what he is not satisfied with rather than what he is satisfied with. might be caused by the storytelling beats, but if taken into consideration how he always wants to improve, it's not unsurprising.
seems to be more goal / result oriented, but is not dismissive towards the process.
whenever he sees someone better than him or something seems to be ‘impossible’ for him, most of the time his responds are ‘i have to work harder for it’. sometimes there are moments of insecurity, but they are fleeting and always went back to ‘i will overcome this / him’ as a respond.
very!!!! competitive. but it’s blue lock.
both in and outside soccer, seems to be very independent
seems to be more analytical by nature rather than intuitive, especially in learning style. complete opposite of nagi.
often starts noticing things from little things and details first before going and getting the bigger picture. detail oriented person? at least in soccer.
yeah soccer nerd.
if the 0 valentine choco, his reaction to seeing live two women getting played in karaoke, and how he didn't immediately went to girls in bowling alley—yeah. definitely 0 experience with girls.
is not wishy washy. knows what he wants and is not the type to change his preference because of his surroundings. did just act as if his preference is different / just doesn't say a thing or walk away when it isn't, back in ichinan these habits are obvious. in blue lock, he doesn't actively try to make other people uncomfortable and even still accommodate some out of the field, but clearly has become more outspoken in his preference or for his comfort. boy really grew more confident (and i love him for it).
he asks santa for ps4 and other than yeah normal highschool boy behavior idk how to dissect or overanalyze this yet give me a sec or a year.
like treats!!!! seems to be partial to sweets, but he also enjoys sour candies according to egoist bible.
doesn't like being ignored. and it kinda shows.
his beef with kaiser is hilarious—but it make sense because kaiser obviously bring it up even out of field (that locker room scene after yukimiya isagi argument), taunts isagi every chance he got (vs barcha, vs mc), and whatever happened in the match. isagi better than some bluelockers and me fr frfr considering he still did not try to punch kaiser's mug.
which bring the point doesn't seems to enjoy fistfight. either shitty at it or just chose not too. but looking at his trend of being shitty at things that are not soccer and his canonically low stats especially before blue lock. yeah might be shit at fistfight (with also a bit of the latter because how do one not try to sock kaiser in the face after *gestures wildly* all that. footnote, i admit the bias). (karaoke, shidou vs rin duking it out pt.1—my guy was dying and he wasn't the one duking it out)
tidy, but not overly tidy to barou level. but realistically comparing it to stereotypes of high school boys? real tidy. (could be seen in blue lock exhib's display of his u20 arc locker and team white bedroom)
wants lil sis or big sis because of my neighbor totoro. idk how to dissect this either but—yeah not a rare thing for an only kid to say, actually.
seems to be more of a street smart kinda guy.
his tenacity in befriending or at least interacting with rin is admirable. shipping lense or not it really is.
he gets along with almost everyone. shipping lenses or not, also amazing especially for an introvert.
he says the wildest shit on field like uh yeah things he said with yukimiya was said to be cencored a little because in jp someone said he was calling yukimiya something else i don't know to say in english.
but is actually not an absolute asshole in field, saw yukimiya broke down and bro actually took a second to pay attention and moved on. until he got provoked, that is.
actually rarely become the one who approach other people first (kira, bachira).
can really got extreme when in high tension (shoving chigiri off, that 100℅ kill you @ kaiser).
turns out he talks about the thigh stuff bashfully. (it's cute.) but i still wonder why he likes lobster. like i feel like something is there. why is his taste in everything that is not soccer makes me wonder what the fuck is up with him. favorite song? cm jingle. fashion sense? honestly casual, but his sense in pattern and color is genuinely so bad im hurting. this point is so full of personal bias feel free to skip it.
seems to be pretty oblivious to things about not-soccer. especially his surroundings. not to the dense point but seems like it stems more from his focus at soccer. but this trait seems to go hand in hand with his self centered tendencies.
(this is bordering to hc, but) it seems like while is indeed obsessed with soccer, more than "oh he is only good at soccer", is more of a "if he wants it he will find a way to get it". but taking in account how his personality used to be in ichinan / pre blue lock, it's unsurprising that he doesn't want that mamy things. even in soccer that he is passionate about, he didn't back then. there is also the fact that he seems to have tendency to hyperfocus into something (i.e.: while still taking into account of others in soccer, think more of them as 'factors' than 'people'), so it may seems like the reason he got or became good at something is like "oh isagi is lucky / specialized in that", but it seems hard work and dedication really does put a big role into it, unsurprisingly. could reach that level in soccer because he is dedicated into it, tldr.
this part also became quite visible if taking into account he wants to play specifically as a striker. he is focused in this very specific thing he wants, that's why he managed to get it / improve in it.
if i did not miscount, he directly has a conversation with ego twice. and in both he is extremely impolite, calling ego names in one (u20 arc). while the other happened after he lost against rin in 4v4, and seems like he is still not happy with the loss. ans it shows. he is pretty rude when ego talk about luck which he himself noted was a big factor there. (man hold grudge.)
so yeah, seems like rather than "possessed in field" it could also be "possessed in everything related to soccer", though fudther research is to be conducted.
is pretty introverted even in blue lock. while sometimes he shares his insight to other people about his play, sometimes he also did not do this (recently you can see this the most in his interactions with ness). but yeah, this is the thing he shares about the most, something related to playmaking and soccer. but other than that nothing—at least on screen.
his pretty peaceful and uneventful background could be factored into, however ichinan highschool is pretty much his tragic backstort and not a peep about that to even bachira it seems. a possibility is that he is hyperfocused towards soccer. not to say his self centered part that is more of "what can i change about myself for this situation" and "i can't change others' way of thinking".
however seeing how that one meeting tada goes (post u20 break) and he said nothing to correct tada, even though he secretly disagrees—then also his parents who seems pretty oblivious to his soccer performance and how he casually acted about his lost against kira despite crying and screaming on public just before that—yeah, seems like a pretty private person. it's not that he is oblivious or do it out of malice, but mostly seems like he just doesn't comment about it and more of the listening type. and even when someone close ask the right question it seems like he doesn't try to show much expression or how he actually feels.
personal bias but yeah this is no longer """being polite""", this is actually being private to a very concerning degree. like the time he opened up about his worry, and still pretty related with soccer, that is completely visibly vulnerable seems like it was with nagi after 3v3 with rin (and see how that ended up. tho this make the fact that he and nagi became pretty close afterwards in such a short time a bit unsurprising. this two indeed kinda have quite a lot bonding moments outside and inside the field, shipping lens or not). like no wonder this guy snaps in soccer field, it's pent emotions fr.
but if how he is after u20 any indication, it seems like he really is very reserved outside of field that it kind of resembles how he was before blue lock. (who knows after nel arc (still bm vs uber rn when i write this, tho the match seems like ending), because boy seems grumpier there. not blaming him tho, it's battle royale inside that team.)
doing a little skimming but it seems like when talking about something he really never put focus on his feelings. it's either what's going on, others' feelings, or an opinion of his but if there are any feelings most of them stays in monologue and thoughts only.
adding to that nagi note, personally found it funny that he nearly get into same team with nagi TWICE (pre u20 team selection, nel choice where he is conflicted between german or england) but he never followed thru with it. this probably has more to do with nagi's motif & such rather than his, which this post wasn't here for sry nagi, and the fact that both that they are protagonists in the main and spinoff. but yeah, personally? it's funny it happened twice. especially factoring the fact they are close enough to have each other's number and isagi admits he has a nice chemical reaction with nagi.
i genuinely wonder how he interacts with kaiser outside of field. like. dude. i know it's funny.
might also add now that it seems the four people he is closest with is bachira and chigiri. was, with kunigami too but yeah. bachira especially, with the two keep being called two side of a coin/a soul. again, shipping lens or not, they are pretty close and isagi really seems to have come to a point where he is okay with bachira's habits no matter how odd. (personal bias, really sweet considering bachira has no friends before this and isagi while is friend with tada WE KNOW HOW IT ALL TURNS OUT). with chigiri, seems like the type of friends who look out for each other (isagi once shown checking his knee and messaging him, while chigiri is the first one jumping into action when shidou nearly kicked him). then you also add that chigiri only ever, on screen at least, opened up about his past to isagi and honestly yeah. shipping lens or not, these two definitely the looking after each other dynamic. kunigami come back, or at least interact with isagi more pls.
WHICH ALSO, seems like isagi is the only one reo kind of opened up to with his insecurities after the 2nd selection—kunigami and chigiri seems to get it too, but at least it was never shown on screen that he opened up the more vulnerable side of his anger at nagi and isagi to them. these two has a pretty good relationship it seems after that screening room scene. (might revise or at to this when epi nagi reach this part)
but this seems unsurprising in some ways because isagi really seems like the listening type. some people said these type of people is good when it comes to getting people opening up. also seems like isagi really never run his mouth so good choice actually. (look at him even he doesnt open up his own emotion how could he do that with other people's emotion. what is this a sign of pent emotion or just a sign of actual limited emotional intelligence when it came to processing them? who knows. blue lock's highly stressful and intense environment is also a factor here but hey, look at how isagi was in ichinan. might be old habits)
he is scarily cold and detached to his bonds when it came to soccer, it seems? like, he is still capable of sympathy even during the heat of the moment, unless you make him angry (both cases: yukki). but for the sake of his play his priority really is on "this is the play that i want" rather than friendships and stuff. on one side, professionality. on the other, yeah egoist.
outside of field doesn't seem to go out of his way to dig up about someone's backstory in "asking and digging and wanting to talk about feelings with them", but will listen if told. (i.e. chigiri acl convo, reo opening up, casually talking about soccer again after noa ego relationship bomb drop, etc.) seems to be more as 'minding his own business and being not nosy', which is kind of in line with his politeness.
then you bring soccer and his ideal play and it gets really cold. he really think of soccer as 'cruel' and it kind of shows with how little he thinks of outside-of-field-relation during a game. (really shows if you compare how most characters personal story, rin and reo for example, has a huge impact on their play) his brain really has an on and off switch with the niceness.
at some point in blue lock, his closest circle is bachira, chigiri, kunigami (could be canon or could be due to the fact these four are kind of the quadruplet of bllk). he is pretty much the guy most of everyone knows and has at least spoken with once after u20 tho.
but other than those 4, it seems that the one he have more highlighted rivalry are niko, barou, rin, and nagi, with yukimiya coming in later in bm. it's funny how isagi seems pretty attached to them in a pretty friendly manner in some ways. barou and rin is just on another level of "i will kill you" getting answered with "sure, okay, geez" (and it's hilarious. with barou, isagi shared meals, was a roommate, and went bowling together once. with rin, he did yoga, laughed at his death threat, and was pissed because rin was impolite. i can go on but moving on). nagi and isagi canonically get along pretty well out of screen. isagi is roommate with yukimiya—i didn't except this combo back then but i really want to know their interactions in that room, especially during and after their conflict.
then there is hiyori, kurona, and nanase's case whose relationship with him is more on the 'supporting side'. with reo, it seems to also fall into the rivalry category—but this guy's relationship with isagi is kind of more about reo-nagi relationship than with isagi himself. with aiku, it's rivalry between defender and attacker (resembles niko the most but the things these two said to each other is way wilder). then there is kaiser—i will wait til nel arc is done.
there are crumbs with some other charas like sae—but these two didn't interact (yet?) in canon. with noa, it's admiration and respect, to put it simply, but it seems it's leaning more into actual mentorship that is more casual compared to how most of bm is with noa (imo, take this part with a grain of salt). with ego, it's...surprisingly complicated on a meta level from my perspective at least.
isagi clearly agrees and thrives with ego's philosophy, but other than taking ego's words/guidance isagi was rude to him. then there is stuff like some part of their design being similar to each other (v hair, eyes on some panels tho this also happens with other charas, beta isagi sketch) and how during nel ego - isagi similarities get commented by noa and snuffy (tho on snuffy case is more of barou - isagi is like ego - noa, who is who tho we don't know for sure). it feels like there is more on these two for the future.
with his family, it's just sweet. his family is proud and supportive of him. and seeing how isagi is pretty independent as in his attachment style is very secure in blue lock, even with how ichinan basically turned him into a people pleaser, yeah definitely and canonically a good family there. he greets them every morning as part of his morning routine, and he is the only character who mention this in said trivia.
enjoys his alone time, based on his trivia. the introvert part is loud and clear.
he doesn't really get jealous easily. like rather than envy, it's more of frustration directed towards himself or straight up being pissed because said someone played a factor in why he couldn't make a goal. but most of the time, when he sees someone's strength, it came out more as an admiration and "i should do more and stand out more too!!!" rather than comparing himself and feels negativity. this especially never happen to his perception towards his capabilities. the closest thing we ever get to him feeling envy is perhaps the parts where he goes "i don't have weapon like them" when talking about chigiri's speed, kaiser impact, and others' specialities. but even then it never really lingers.
and from that probably also shows that isagi is really good at looking someone's strength or specialities. but this seems to also happen in looking at weaknesses and chances. he really does tries to take into account tendencies, skills, blind spots, etc. honestly thinking about this make sense why he immediately collapsed after vs mc, the information loading must be insane. but all in all, the main point is that he is pretty good at reviewing and observing stuffs indeed.
high achiever with an amazing durability. as said word by word by kaiser himself, this guy look at something way more amazing than himself and keep taking it as a challenge. aka his mental strength is insane—or his competitiveness is just that crazy. no wonder he thrives in blue lock where so many people want to him eat alive.
after thinking for a bit and connecting it with the 'not teaming with nagi during the u20 tryouts', it seems like also the guy who avoids his comfort zone, in area of skills and plays in this case. he seems to actively challenge himself.
seriously the type of guy who do and chase what he wants. egoist indeed.
but thinking about that, it also speaks of his adaptability and flexibility. while the part that definitely carries more tension, seriousness, and definitely didn't take shit came out so much in soccer, the way he interacts with those who are friendly with him is so different with those who are antagonistic with him. though so far, with the exception of kaiser it seems, he at some point ended up in a pretty good relationship with some of those—rin and barou are most telling. the antagonism is back on when they are in seperate team tho, but hey this is blue lock.
his moment of satisfaction is really fast—as in he like cheers for a bit, most of the time, then focus on the next challenge. this could be caused by: 1) blue lock highly competitive and rapidly changing environment; 2) it's just how he is build.
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