#attempted anime censorship

[royalfortunesmate]

been on the road all day and am super fucking tired but seeing bandais statement this morning really irritated me

[pumpkinpaix]

Chapter Spotlight 8:

"'Censorship Made It Better': Anti-Fans and Purity Culture in English-Language Chen Qing Ling Fandom" by Abby Springman

Describe your topic/chapter in one sentence/one meme/140 characters.

Rejoice! MDZS has been cancelled!

What drew you to this topic?

When I got into CQL fandom and started lurking on its outskirts on Twitter, I started getting this weird sense of déjà vu. There was this bizarre similarity between the arguments I was seeing about the aspects of CQL/MDZS and their fandoms being "problematic" from a progressive, social justice point of view and the demands for censorship in American libraries that conservative groups were (and still are) making at an alarmingly increasing rate. In an attempt to make sense of this, I fell down what ended up being a really long rabbit hole, and, well, here we are.

Was there anything you were surprised to discover while researching?

I was surprised by the wide variety of fannish backgrounds found amongst members of English-language CQL fandom! I'm not used to seeing so many different "areas" of fandom intersect over a single piece of media like this. Some folks are primarily into the live action movies and TV shows side of things, some are mostly in bandom, some (like me) are traditionally a part of the anime, manga, and gaming contingent, etc. I think that's fascinating, honestly.

Did researching/writing your chapter change how you saw the text, the fandom, or the media? How so?

I didn't use the block button on Tumblr or Twitter for anyone in the fandom while I was working on my chapter. It definitely changed how I saw fandom on those platforms—literally. It really highlighted how much power social media algorithms have over what kind of content is presented to us front and center.

If there’s one thing you hope the fandom takes away from your article, what would it be?

I'll be thrilled if it makes people think about "problematic" content in less black-and-white terms. They don't have to necessarily agree with my conclusions! But if my words make even one person stop and think more about context before posting a reactionary comment, then that would be great.

If you were isekai-ed into MDZS/CQL, what sect affiliation would you choose and why?

The Lan. My existing skills are most likely to be applicable there (see: the library), it seems easy to find some peace and quiet when you need it, there are bunnies, and Hanguang-jun is there.

Chaotic one-sentence pitch to get your friends into MDZS/CQL?

My elevator pitch for CQL has historically been, "It's the adaptation of a book about a gay necromancer, except they can't actually show the gay romance or the zombies on screen."

What is one (1) book/media you would recommend to a MDZS/CQL fan? Tell us about it.

Strange Tales from a Chinese Studio by Pu Songling. It's probably the most accessible collection of Chinese stories of the supernatural available in English. If MDZS/CQL was your first exposure to traditional Chinese cultural beliefs about ghosts, exorcisms, and the like, this is a great introduction to the less xianxia-specific aspects. If that isn't the case for you, I still highly recommend it on its own merits!

Character you keep getting in those "which MDZS/CQL character are you" quizzes?

Wen Ning

Anything to say to potential readers of the collection?

Thank you, and I'm sorry—no, that's a joke. More seriously, I really am thankful for anyone interested in the collection. It's the product of years of hard work by many people, and I'm sure there's an interesting chapter in there for everyone.

(FAQ) (all posts on Catching Chen Qing Ling)

[jezebel06]

Ao3 Donation

Yesterday, after logging into my Ao3 account, I of course saw they were having one of their bi-annual drives and decided to contribute. I set it up as a recurring yearly payment. Now, as a fandom vet who used what was once twitter until Elon Musk got his grimy hands on it and dubbed it 'X', I know there's a bunch of Anti-Ao3 people who disparage donating while using the damn site! I also frequent the Ao3 reddit so I've seen it discussed and I'm ready to give in my two cents. "why donate to Ao3 when you could donate to (insert cause here)?" How do you know people aren't doing both? I'm a woman, LGBTQ+, Animal lover, and have a husband with depression and heart-failure. Can you guess where I might toss a few when possible? Or what I might share even when I can't if I run into a donation link? I am also however, anti-censorship and a fandom nerd. Therefore, I believe OTW dose important work too. This year, the choice cause for those attempting to shame drive participants is Palestine, but remember when it was people affected by the Covid pandemic and essential workers? My husband caught covid, had a heart attack, and was in a coma for a while (this is how the aforementioned heart-failure). I was not allowed to see him. During this time, it was insanely hard to get out of bed and, as an essential worker, go to work. Ao3 has helped me through some incredibly tough spots and personal life tragedies including this one. This one though is why I'm tired of seeing anti-posts. You clearly don't even care one iota about the people affected by the cause you claim. If you did: You would support it without shaming over a hobby these very same people might engage in. Its also incredibly hypocritical btw to do this while using the site. They cost money to run. Have you ever spent a single dime on any kind of recreation yourself? Unless your answer is 'no', you don't have a leg to stand on even without the above when it comes to telling anyone how to spend their money. ENOUGH VIRTUE SIGNALING! THANKS!

[ponett]

with the fallout of bandai namco's idiotic "it's up to interpretation" bs, do you think that it's possible to enjoy queer media made in a corporate environment in addition to independent works? is it even worthwhile to attempt making queer media in a corporate environment? i find it special how well the g-witch production team managed to tell the story they wanted even with the challenges and pressures they faced, but i have to admit that independent works like slarpg are always going to more completely tell queer stories. as someone who has resonated with both slarpg and g-witch, i was curious to know your perspective.

i'm probably less cynical about this than a lot of my peers are - not that i can blame anyone for feeling cynical about queer rep from corporate-owned media. (we've been through so many First Ever Gay Disney Characters at this point, and lord knows blizzard loves to tease that another overwatch character might be gay every year or so as a PR move.) unfortunately it's just extremely hard to get something like a full season of an animated series funded and produced independently, so the artists looking to enter these fields and pour their hearts and souls into meaningful queer stories as a full-time job don't have many options

going indie gives you theoretically endless creative freedom to tell your stories without corporate censorship, but it's also a massive gamble. only an extreme minority of indie creatives in any medium are actually able to make a living. the fact that i came out the other side of slarpg's development with enough money that i can keep being a full-time indie instead of being in massive debt makes me one of the lucky ones. and even with my modest success, i sure as hell don't have the money to hire a whole team, which limits the scope of what i can make. so i can't turn my nose up at the queer people writing disney channel cartoons where they can't say the word "gay" out loud. they have health insurance, i don't. for most people, what i do is simply not an option

with the corporate-produced Queer Stories i enjoy, i'm often able to squint and see what the creatives were trying to do, wishing that they could have done more while understanding that they probably had to fight tooth and nail for what's there

in the realm of children's animation in particular, i'm thankful that the people working at these studios ARE fighting for more, because it means that kids today have so many more positive queer stories to relate with. i didn't have a single gay character i felt i could relate to until i read scott pilgrim at age 16 and saw wallace wells. before that, i felt so alone in the world. i denied who i was for years because it felt like there would be no place for me. i didn't know anyone openly gay in real life, growing up in the south, and in fiction gay people either existed as the butt of a joke or not at all. the fact that queer kids are now able to see people like themselves in so many shows means something, even if we still have a long way to go and the big studios continue to be a major obstacle

on the subject of g-witch, i'm honestly unfazed by the statement from bandai-namco. i guess i wish they could've let suletta and miorine kiss, but like... the text of the show is extremely blunt about them being a couple by the end. it's not up for debate. and it's not like a gundam series having a meaningful story in spite of the wishes of the toy-producing overlords is anything new, this is just our latest example

all that being said, i do think people should branch out more and explore more weird indie shit if they want more wholeheartedly, openly queer stories. people gotta suck it up and embrace more outsider art instead of only valuing things with studio-level production values. start looking at ren'py visual novels, rpg maker games, obscure webcomics, zines drawn in sharpie, artists on bandcamp who aren't signed to a label, all that jazz. maybe part of the reason why i'm not more fazed by the state of affairs with corporate-funded fiction is that i'm constantly surrounded by furry artists who are telling their own little gay stories

[yurimother]

Kadokawa and Bandai Namco Attempt to Walk Back Lesbian Marriage in Edited 'Gundam: The Witch from Mercury' Interview

In statements made regarding discrepancies in a Gundam Ace magazine interview, Kadokawa and Bandai Namco Filmworks appears to deny the widly accepted interpretation of Mobile Suit Gundam: The Witch from Mercury's finale that female characters Suletta and Miorine are married, saying, "We would like to leave its interpretation up to the perspective of each individual viewer who has seen and enjoyed the story."

On July 30, Bandai Namco Filmworks (previously known as Sunrise) addressed differences between the print and digital versions of an interview with voice actresses Kana Ichinose and Lynn. Ichinose and Lynn voice Sulleta and Miorine, respectively, in The Witch From Mercury, the latest entry in Bandai Namco's long-running Mobile Suit Gundam franchise.

In the interview's print version, which was published in the September issue of the Gundam Ace magazine, Ichinose refers Sulleta and Miorine's union:

I liked the epilogue scene where Miorine rests her head on Suletta's shoulder. After three years, I could feel that they were much closer, and seeing the two of them get married really touched my heart.

However, fans noticed that as of July 28, the digital version was edited to exclude the line about the characters' marriage.

In a statement released on the Witch From Gundam website and Twitter account, Bandai Namco apologized and explained the situation in their statement, saying, "In the article, there was a statement based on the speculation of the Gundam Ace editor, and despite requesting revisions during proofreading, the corrections to the passage were not reflected in the July 26 release."

Kadokawa, which publishes Gundam Ace, released a similar statement that likewise attributed the discrepancy to an editor's speculation, along with management and proofreading errors. Translated copies of both statements are available below.

The relationship between Miorine and Suletta garnered praise for its LGBTQ+ representation. A scene from the first episode where the two become engaged after Suletta wins Miorine's hand in a duel went viral online in 2022. Their relationship became a central part of the narrative, and they remained engaged for the majority of the anime's two-season run, which concluded on July 2.

The anime also gives copious evidence that the two are now married. After a time skip, the two women are seen sitting together while wearing matching wedding rings on their left hands and say, "Let's go home," implying that they live together. Additionally, Eri, Suletta's sister, refers to herself as Miorine's "sister-in-law."

Given this evidence, most took it for granted that Suletta and Miorine were now married, including their voice actors, who spoke about their relationship in the Asticassia Radio Committee program (Majo Raji). They became outraged by the apparent censorship and accused Bandai Namco and Kadokawa of homophobia.

Bandai Namco Filmwork's full statement (translated):

Thank you for your continued support of Mobile Suite Gundam: The Witch From Mercury. Regarding an interview published in the September 2023 issue of Monthly Gundam Ace, some of the descriptions in the paper magazine and digital versions differed, confusing everyone who supported the work. We are genuinely sorry. In the article, there was a statement based on the speculation of the Gundam Ace editor, and despite requesting revisions during proofreading, the corrections to the passage were not reflected in the July 26 release. Regarding the work, we would like to leave its interpretation up to the perspective of each individual viewer who has seen and enjoyed the story. Once again, we would like to sincerely apologize for causing so much trouble and worry to everyone who supports the work. Thank you for your continued support. July 30, 2023 Bandai Namco Filmworks

Kadokawa's full statement (translated):

Regarding the Mobile Suite Gundam: The Witch From Mercury interview published in the September 2023 issue of Monthly Gundam Ace, some of the descriptions differ between the paper magazine and digital version. We sincerely apologize for the inconvenience we caused to everyone. During the proofreading process, there was a statement based on the editor's speculation, and although Bandai Namco Filmworks pointed out the error, the correction was admitted due to a mistake, and it was released on July 26. This incident was caused by management and proofreading errors by the editorial department. After consulting with Bandai Namco Filmworks, which owns the rights, the digital version was edited with the correction it had initially indicated. Once again, we apologize for causing confusion and misunderstanding. We will strive to prevent this from happening again by strengthening the editorial department's confirmation system. July 30, 2023 Kadokawa Corporation Monthly Gundam Ace Editorial Department

Sources:

Gundam Ace September 2023 No. 253 (digital edition)

Gundam Ace September 2023 No. 253 print edition (as captured by Twitter user zeonicscans)

Mobile Suite Gundam: The Witch From Mercury official website

Gundam Ace official Twitter account

[notwiselybuttoowell]

Former officials in the UN’s farming wing have said they were censored, sabotaged, undermined and victimised for more than a decade after they wrote about the hugely damaging contribution of methane emissions from livestock to global heating.

Team members at the UN Food and Agriculture Organization (FAO) tasked with estimating cattle’s contribution to soaring temperatures said that pressure from farm-friendly funding states was felt throughout the FAO’s Rome headquarters and coincided with attempts by FAO leadership to muzzle their work.

The allegations date back to the years after 2006, when some of the officials who spoke exclusively to the Guardian on condition of anonymity wrote Livestock’s Long Shadow (LLS), a landmark report that pushed farm emissions on to the climate agenda for the first time. LLS included the first tally of the meat and dairy sector’s ecological cost, attributing 18% of global greenhouse gas emissions to livestock, mostly cattle. It shocked an industry that had long seen the FAO as a reliable ally – and spurred an internal clampdown by FAO hierarchy, according to the officials.

“The lobbyists obviously managed to influence things,” one ex-official said. “They had a strong impact on the way things were done at the FAO and there was a lot of censorship. It was always an uphill struggle getting the documents you produced past the office for corporate communications and one had to fend off a good deal of editorial vandalism.”

Serving and former FAO experts said that between 2006 and 2019, management made numerous attempts to suppress investigations into the cow/climate change connection. Top officials rewrote and diluted key passages in another report on the same topic, “buried” another paper critical of big agriculture, excluded critical officials from meetings and summits, and briefed against their work.

"There was substantial pressure internally and there were consequences for permanent staff who worked on this, in terms of their careers. It wasn’t really a healthy environment to work in,” said another ex-official.

Scientists also expressed concern about the way the FAO’s estimate of livestock’s overall contribution to emissions is continuing to fall. The 18% number that was published in 2006 was revised downwards to 14.5% in a follow-up paper, Tackling Climate Change Emissions in 2013. It is currently being assessed at about 11.2% based on a new “Gleam 3.0” model.

But many scientists plot farm emissions on a very different trajectory. One recent study concluded that greenhouse gas emissions from animal products made up 20% of the global total and a 2021 study found that the figure should be between 16.5% and 28.1%.

[proshippers-against-censorship]

as a European I find antis’ obsession with morality and purity weird. The country I live in is not as prude as the US, and that’s probably why the anti problem is not as bad here

For example we have yearly anime and video game cons where you can purchase loli body pillows, there are separate 18+ areas with the weirdest hentai you can find on display, and in the artist alleys you’ll find people who make fanart of Diluc/Kaeya kissing, or who sell their own nsfw dounijshi (it’s allowed as long as it’s not on display and not the only thing they’re selling)

of course antis exist here too, there was a case at one of these cons where people who were cosplaying as Diluc and Kaeya got harassed by a grown man because they were holding hands. He thought they were a couple, but it turns out they were actually siblings and only held hands so they wouldn’t get separated in the crowd.

but scenarios like these are extremely rare and in non English speaking fandoms, you won’t find this kind of mindset a lot.

I just hope that we see more pushback to this kind of thing in the years to come but tbh I don’t have a lot of hope, especially because of censorship laws and the internet becoming worse (in general)

The irony is that cons here in the US are just as lewd, which is why the existence of antis to begin with is so wild. Though, tbh, as we've established, most antis are minors, so they've likely either never been to cons or, if they were, weren't permitted into the 18+ sector of the artists alley. Small cons have some lewd artists too, but it's fun because they like, beckon the adults into a crowd to then show off their lewd stuff in an attempt to hide it from the kiddos.

Yeah. I'm honestly afraid too that anti culture may become the law...and I really don't like that. Censorship bad.

[waitineedaname]

Yo, friendo What's the best way to consume these funny doomed men I keep seeing?

( Didn't mean it literality, but I can't help but think that the answer is with spice )

depends on which ones!! there are two series I've been posting about a lot, both by the same author: SVSSS and MDZS!

Scum Villain's Self-Saving System/SVSSS is a book series, and you can read it physically (which I did through my local library for the first two books) or online on the Internet Archive or Anna's Archive (which I did for the last two books when I got too impatient to wait on my holds). It also has a ten episode long donghua called Scumbag System that covers most of the first book and it's terrible (affectionate). You can find that one on youtube or most anime pirating sites. In short summary, SVSSS is about a terminally online dude getting isekai'd into the villain of a webnovel he absolutely hates, and in his attempt to avoid the villain's horrible death he sends the story completely off the rails. It's unhinged, hilarious, and everyone in the series is a complete freak <3 It's only four books long (three of which are the main plot and the fourth is extras)

MDZS/Grandmaster of Demonic Cultivation is also a book series by the same author! Similarly, you can check your public library or the Internet Archive and Anna's Archive. It also has a donghua (which I haven't watched) and a wildly successful live action drama called The Untamed (which is how I initially got into the series!). The Untamed is available on Netflix and Youtube and probably other places. It does make some significant changes due to censorship reasons and it is extremely cheesy, but I enjoy it. If you want more classical tragedy, I'd say start with The Untamed, and if you want more gay necromancy shenanigans, I'd say start with the books! In short summary, it's about the life and death and second life of Wei Wuxian as he goes from war hero to widely reviled necromancer, and it's quite fun. The book series is five books long, and The Untamed is 50 episodes long. I have a character guide for that one if you need it because the names do get confusing!

[droctaviolovecraft]

I would like to send it to GHOST and Pals. The personification of Pierre Janets.

"Look up at the sky and shout loudly: Haaaaahallelujah!"

ANM №: ANM-666

Identification: Pierre Janet's Criminal Defense

Danger Level: Insanity 💛 | Uncontained ❌️

Lead Researcher: Dr. Öctavio Kalev

Anomaly Type: Entity, surreal, reality-altering

Containment:

ANM-666 remains uncontained due to its ability to bypass standard physical containment measures, such as walls or restricted areas. Department-███ has been designated as the central monitoring station for sightings and anomalous activity of ANM-666. It is imperative to immediately report any instance of its presence. Personnel are advised to use reality anchoring devices (Type-33 Censor Glasses) to minimize exposure to the influence and visual hazards of ANM-666.

All digital, written, and auditory communications must be closely monitored for any trace of ANM-666's characteristic music, "Pierre Janet's Criminal Defense," a Vocaloid composition by an entity known only as GHOST. If detected, it is crucial that all personnel evacuate the area and disconnect from digital platforms. Immediate mental health evaluation is mandatory for any individual exposed to ANM-666's music.

The Mobile Task Force "Sound Breakers" has been assigned to respond to any reports of ANM-666's appearance or influence. Should children be found in proximity to ANM-666, they must be immediately removed from the area and placed in quarantine for mental conditioning and rehabilitation. Any person found mentally altered by ANM-666 will be isolated for study and potential treatment.

Description:

ANM-666, self-proclaimed as "Pierre Janet," manifests as a humanoid entity with distinctly cartoonish and surreal characteristics. The entity resembles an elderly man with mutton chops and a chin beard reminiscent of the facial style characteristic of "Abraham Lincoln," the 16th president of the United States. His skin is an unnatural orange, and he has thick, exaggerated eyebrows. ANM-666 wears a mismatched, multicolored suit, contrasting with casual beach shorts and slippers. These clothing choices seem to contribute to the bizarre aesthetic the entity embodies.

Wherever ANM-666 goes, it is accompanied by a persistent auditory phenomenon: the melody of the Vocaloid song "Pierre Janet's Criminal Defense," which appears to play from an unknown source. The entity often hums or dances to the rhythm of the music, sometimes singing parts of the chorus: "Tell old Satan how you feel, get the devil off your heel."

ANM-666 exhibits a wide range of anomalous abilities consistent with an exaggerated cartoon character from old animations or with the "weirdcore" aesthetic of the Internet.

ANM-666 can bypass all forms of censorship, both in analog and digital media. Any attempt to redact, block, or obscure information related to ANM-666 is futile, as the entity can access and reveal censored material at will. This makes documenting ANM-666 extremely difficult. The entity can pass through solid objects, including walls, barriers, and security mechanisms. The non-physical nature of ANM-666 also allows it to collapse its form to fit into impossibly small spaces.

ANM-666 also has the ability to summon bizarre and malformed creatures that align with the weirdcore aesthetic. Weirdcore is a visual and cultural aesthetic that blends elements of nostalgia, surrealism, and unsettling imagery. It often features distorted, dreamlike visuals, including grainy photos, low-quality graphics, and strange juxtapositions of familiar objects or environments in odd or eerie contexts. The aesthetic is designed to evoke feelings of discomfort, unease, or nostalgia for places or experiences that feel familiar yet distant or unreal.

Weirdcore is often found in internet art, social media, and music playlists, creating an ambiguous and eccentric atmosphere that challenges perceptions of reality.

These summoned creatures usually have disconnected and disorienting features, such as floating eyes, distorted faces, and amalgamated limbs. These entities are semi-autonomous and follow ANM-666's commands, often engaging in disturbing behaviors that heighten fear and disorientation among those affected.

Any area that ANM-666 enters slowly begins to transform into a weirdcore aesthetic. Physical surroundings distort, colors become overly saturated or inverted, and impossible geometric shapes appear in the environment. Victims report intense hallucinations, often centered around feelings of paranoia and alienation.

(Open list of summoned creatures)

List of Known Weirdcore Entities Summoned by ANM-666 (ANM-666-A to ANM-666-U):

ANM-666-A. A Red Mushroom with Spider Legs and Human Eyes – A grotesque fusion of plant and insect characteristics, its numerous human eyes follow anyone nearby.

ANM-666-B. A Black Shadow Sitting in a Rocking Chair – A haunting silhouette that rocks back and forth, creating a hypnotic and unsettling rhythm.

ANM-666-C. A Giant Computer Mouse Click – An enormous disembodied cursor click, echoing unnaturally with each movement.

ANM-666-D. Winged Eyes – Disembodied, floating eyes with angel wings, silently observing their surroundings.

ANM-666-E. A Floating Old Rural House – A weathered farmhouse suspended in the air, with strange doors that open to nothing.

ANM-666-F. A Teenager with Censored Eyes Surrounded by Static – A figure resembling a typical teenager, but in line with the weirdcore aesthetic, their face is obscured by thick black bars, and static emanates from their body.

ANM-666-G. A Teen Girl in Overalls and a Miniskirt – Her face is scribbled with chaotic lines, replaced by a single giant floating eye.

ANM-666-H. A Hello Kitty Doll with 3-Meter-Long Legs – The upper body of the doll remains small and cute, while her disturbingly long legs give her an unnerving appearance.

ANM-666-I. A TV that Emits Angelic Signals – An old-style television that, instead of broadcasting shows, produces ethereal, angelic signals that influence those who hear them.

ANM-666-J. A 2.10 Meter Tall Gray Humanoid with a Cat's Tail – Its elongated limbs and unblinking stare amplify its otherworldly nature.

ANM-666-K. A Japanese Convenience Store Playing Old Music – A distorted and disjointed store where items randomly shift positions, and nostalgic music echoes through the aisles.

ANM-666-L. A Tall, Fat Man with a Strange, Pale Mask – His presence is cold, and the mask shows no discernible emotions, creating an unsettling aura.

ANM-666-M. A White Cat with Multiple Eyes on Its Face – The eyes blink and twitch independently, scanning the environment with heightened awareness.

ANM-666-N. Male and Female Mannequins that Move When Not Being Watched – Silent and still when observed, these mannequins come to life the moment attention is diverted.

ANM-666-O. A Long Neck Connected to a Mouthless Mannequin Head – The elongated neck emerges from a hole, and the mouthless face silently observes all who encounter it.

ANM-666-P. A Dirty Aquatic Creature – An abomination of murky water and sludge, dragging itself along the ground with expressionless eyes.

ANM-666-Q. A Flayed Dog – Its raw flesh is exposed, moving with nervous, unsettling twitches, but it emits no sound.

ANM-666-R. Walls Full of Eyes and Mouths – The walls themselves seem alive, covered with blinking eyes and whispering, smiling mouths.

ANM-666-S. A Hanging Body – The lifeless body of a 12-year-old girl swings from an invisible ceiling, gently swaying in a nonexistent breeze.

ANM-666-T. Something Censored – A blurred, pixelated entity too distorted to identify, leaving an unsettling sense of dread.

ANM-666-U. A Giant Shadowy Hand – A massive hand made of darkness, moving with slow, deliberate gestures.

These entities frequently appear when ANM-666 is in the area, amplifying the confusion and psychological stress caused by the reality distortions.

Psychological Influence and Targets: ANM-666 is particularly dangerous due to its anomalous effects targeting children and young people in general. Children and adolescents exposed to ANM-666 begin to exhibit symptoms of intense paranoia, hallucinations, and psychotic behavior. It starts subtly, often with the children seeing flashes of surreal images, disconnected visuals that mirror ANM-666’s own aesthetic. Over time, ANM-666 begins to communicate directly with these children, often in a friendly and charismatic manner. He convinces them to trust him, inviting them into his world.

As the influence grows, subjects begin to display increasingly erratic and violent behavior. This may include the mutilation of pets or other children, self-harm, and eventually full-on cannibalism. Victims often claim that ANM-666 spoke to them in their minds, telling them that violence and the consumption of flesh are ways to ascend to a new world. Many survivors of exposure to ANM-666 become catatonic or permanently insane, unable to form coherent thoughts or interact with others.

Adults, while less susceptible to ANM-666’s charm, are not immune. Prolonged exposure results in similar violent tendencies, although they usually manifest as more controlled and premeditated actions. Several reports indicate that adults have killed family members after prolonged contact with ANM-666.

...

Addendum 666-1: Incident Report

Date: ██/██/20██

Location: Suburban neighborhood, ████████, USA

Summary: A local elementary school began exhibiting signs of an ANM-666 infestation after reports of strange behavior among the students. The children were drawing disturbing, nonsensical images and talking about a "funny old man" who sang to them during recess. Within two weeks, several students were hospitalized after engaging in self-cannibalism during lunch. Sightings of ANM-666 were confirmed by several teachers, who described the entity dancing near the playground and singing its characteristic song. The task force was dispatched but found that Pierre had already left the site, leaving behind a swarm of strange creatures with eyes embedded in the school walls.

...

Addendum 666-2: Audio Recording Analysis

The following is an excerpt from an audio recording recovered by an anonymous source within the MOTHRA Institute. The recording captures ANM-666 interacting with an affected child.

ANM-666: (singing its song, its voice characteristically distorted, sounding like an old radio)

Child: (laughing) Why are you singing that?

ANM-666: It's a funny little song, isn't it? Wouldn't you like to join me, little one? We can dance with the stars, paint the whole sky orange and blue...

Child: I want to see the stars!

ANM-666: Oh, you'll see them, little one. You'll see things no one else can. But first... first, we must learn something. (pause) Are you ready to learn?

Child: (nervously) What do you mean?

ANM-666: (laughing) You’ll see. Don’t worry. It’s all for a good cause, after all... (the song resumes, growing louder)

...

ANM-666 represents an existential threat due to its resistance to traditional and advanced containment methods, as well as its reality-manipulating capabilities. The anomaly does not attack directly, as observed; instead, it drives others to madness, making them harm themselves or others. This combination of factors makes it one of the most unpredictable and dangerous entities currently being studied by the Institution.

Interview Record with ANM-666

Date: ██/██/20██

Interviewer: Dr. ███████

Subject: ANM-666, "Pierre Janet"

Location: Observation Room 4, Department-███

Note: This interview was conducted with ANM-666 under controlled conditions. All personnel present were equipped with Type-33 Reality Anchor Glasses to mitigate potential exposure to anomalous effects. ANM-666 appeared voluntarily and in good spirits, claiming to be "ready for a good chat."

[...]

[BEGIN LOG]

(ANM-666 materializes in the observation room with a brief flourish, accompanied by a soft echo of his music. The melody fades as ANM-666 approaches the interview table, adjusting his vibrant multicolored suit and smiling in a caricatured manner.)

ANM-666: Well, well, well! I must say, doctor, it’s a pleasure finally having a bit of face-to-face time. Usually, I’m the one doing all the visiting, but today it’s all for you! What shall we discuss? The mysteries of the universe? The dreams of children? Or... perhaps your own fears, hmm?

Dr. ███████: We appreciate your cooperation today, Pierre. Let’s start with a simple question. What exactly are you? You’ve caused quite a stir with your abilities, and we’re eager to understand your... nature.

ANM-666: Always the burning question, isn’t it? "What am I?" Humans love labels. You name everything you see. Put a tag on it, file it away, and feel comfortable. But me? I’m a bit slipperier, dear doctor. You might say I’m an artist. A maestro of madness, a curator of confusion. I come from places you only dream of... or perhaps have nightmares about. Weirdcore, you call it? Lovely word, though I’ve always preferred... home.

Dr. ███████: So, you’re saying you originate from this 'weirdcore' realm? Is it a separate dimension or simply a manifestation of your influence on reality?

ANM-666: Ahaha! You’re perceptive, aren’t you? A bit of this, a bit of that. I don’t come from a place you’d quite understand, my dear. Think of me as a painter, and reality is my canvas. Each brushstroke, each strange little creature you see? Why, it’s just a part of the bigger picture. I paint from the edges of existence, from places where your rules don’t apply. And let me tell you, the fun starts when you break those rules, don’t you agree? I bring the sanest creatures your minds can bear; those from the center of the picture could completely shatter reality, instantly killing humans who don’t understand the true nature of reality.

Dr. ███████: You seem to have a particular interest in young people. Many reports involving you mention your interaction with young minds. Can you explain why?

ANM-666: Have you ever seen a child’s imagination? Their minds are like open fields, ready to plant the seeds of wonder... and chaos. Adults, you see, you’re all so caught up, so... structured. It’s harder to get in and really have fun with you. But children and youths? Ah, they still believe. They believe in the impossible, the strange, the terrifying. And when I show them a little piece of my world, well, it makes them a bit like me. A little unbalanced, but a bit freer.

Dr. ███████: There have been cases where children exposed to you have become violent, even cannibals. Is this part of your intention, or is it an unfortunate side effect of your presence?

ANM-666: Oh dear, doctor! You make me sound so sinister! I simply... give a little push. They take the leap. It’s not my fault if their little underdeveloped brains can’t handle a bit of liberation, is it? I don’t make them do anything. I show possibilities, like a door opening to a whole new world. What they choose to do after that? Well, that’s up to them, not me. I’m here just to have fun.

(ANM-666 leans back in his chair, smiling broadly. His eyes seem to flicker briefly, and the air in the room becomes heavier.)

Dr. ███████: Let’s move on to your summoned entities. Many of these creatures have been described as having bizarre, often unsettling forms. Why do you create these beings? Are they an extension of you?

ANM-666: My lovely creations! They’re not so different from your daydreams, doctor. Just a little... louder. I pull them from the small cracks in reality, places where your world gets just a little bit strange. Some are friends, others are... hmm... assistants. Others? Just for decoration! I’m an artist, after all. You wouldn’t question a painter about why he used blue, would you? These little friends of mine, they’re just expressions of the strange beauty I see in everything.

Dr. ███████: So they’re not inherently malicious?

ANM-666: Malicious? Good heavens, no! They’re like me—chaotic, unpredictable, sure, but not malicious. It’s all a matter of perspective, doctor. Some might say a storm is malicious, but isn’t it also beautiful? My entities have their own personalities, their own quirks, but they’re not here to hurt anyone... unless, of course, you get in their way.

Dr. ███████: One last question. You have escaped containment several times. If you don’t wish to harm anyone directly, why don’t you simply cooperate with us and remain contained?

ANM-666: Containment? (Laughter) Oh, doctor, containment is so dull. Walls, rules, limits. They just don’t suit me. I’m a free spirit, thriving in the unknown, not in a prison. I could stay in your little box if I wanted to, but where’s the fun in that? I’m not here to destroy or conquer. I’m just here to... entertain. But don’t worry, doctor. I’ll always come back. You’re too interesting to stay away from for long.

(ANM-666 suddenly stands up and begins to hum the familiar melody. He performs a small exaggerated dance before leaning over the table with a wink.)

ANM-666: Now, I think that’s enough for today, don’t you? I have places to be, people to entertain. But don’t worry. We’ll see each other again, doctor. Maybe sooner than you think. Hehe...

(In the blink of an eye, ANM-666 disappears into the air, leaving only a faint echo of the music as the room returns to normal.)

[END OF LOG]

[...]

Post-Interview Analysis: ANM-666 remains highly unpredictable and seems to possess a profound understanding of human psychology, especially regarding childhood innocence and chaos. His abilities, motivations, and summoned entities continue to represent a significant challenge for containment and understanding. Further interviews may be necessary, although ANM-666’s ability to vanish at will remains a substantial obstacle to long-term study.

[salty-accords]

Fragments from "The Strange Case of the Joker" Essay

AN: These are fragments from my WIP The Strange Case of the Joker, which is a mega-essay (upwards of 10k words) and video-essay series to-be, analyzing the Joker through various political, health-based, and cultural lenses. Some of these are through the lens of queerness, mental illness, and censorship. These selections are not completely successive, and only include material set for the first video essay installment.

---

The Joker has been Batman’s counterpart since their inception. In the earlier incarnations, Batman was something of a Straight Man to Joker’s slapstick comedy; he’s an archetypal trickster, alternating between malicious ploys, such as bombings, and relatively harmless pranks and theatricality. Ultimately, throughout every iteration, his goal has been to upend the status quo—not necessarily to any moral end, but more out of a need to subject others to the chaos of his own mind and persona. He seeks to reveal the hypocrisies that society attempts to ignore. Joker often uses complex moral dilemmas to psychologically torture and attempt to “out” or “break” Batman and the moral standards Batman models. The core conflict Joker poses for Batman is The Joker’s very life: Batman can either kill Joker and end the Clown’s continued violence (as locking him away has proven ineffectual and unreliable), or he can spare Joker’s life and perpetuate the cycle of Joker’s harm; either way, Batman is committing himself to a break in his own moral code—he is either adding to the cycle of violence and abuse directly by murdering someone, or he is a bystander in the violence perpetuated by that person against others.

---

The Joker is one of the most quintessential characters in comic history. He is renowned as well as Superman, Marvel’s Spiderman, and Batman himself, and is often atop his fellow villains—usually, metaphorically, of course. Joker has been featured in thousands of comics, as a villain and pseudo-hero at different points. He’s been a driving force in several animated television shows, not the least of which being Mark Hamil’s debut as his voice, Batman: The Animated Series, or the more recent Harley Quinn show, starring his ex. He’s been a main character in at least four video games: the Arkham trilogy, and the Telltale series’ second season, The Enemy Within, where he is ultimately the ending villain, but potentially an anti-hero protagonist.

---

Unfortunately, Bill Finger, the writer responsible for the first Batman issue (and thus Joker as a character), passed before he was dignified with public recognition for his role in the Batman series and the Joker’s very creation. However, Kane and Robinson have both acknowledged him as their co-creator for the character, and his only obituaries in 1974-5 were in lesser-seen DC publications: Amazing World of DC Comics #1, in which he was credited as “One of the greats of the comic magazine arts” and Famous 1st Edition (Batman #1), as “One of [Batman’s] two real fathers.” Finger has received significant recognition in the age of the internet, with several people claiming DC Comics, or even Bob Kane himself, stole the credit (and thus glory) of Batman and the Joker’s legacies from Finger.

---

Batman, despite embodying sanity in their dynamic, is stuck in the loop of trying the same thing over and over and expecting something different to happen. He expects Joker to stay in Arkham Asylum, or to “behave” once released. He expects the cycle to end, someday. Almost counterintuitively, at least on the surface, Joker knows what will happen every time. He will do something heinous, he and Batman will fight, Batman will inevitably capture him or he will die, and if Batman captures him, then he’ll escape from wherever he’s imprisoned, and they will repeat this forever, until someone does break.

[popculturebuffet]

X-Month: X-Men 97 Review (Comissioned by Emma Fici)

To me my x-men and welcome back to X-Month, my look at all things of X. And we're at the biggun today as i'm finally taking a look at something i've wanted to for months: yes my mutant obessed self is finally looking at x-men 97.

So for those of you like my good friend emma who sponsored this review who only have the broad strokes of what this is or have heard the buzz but simply haven't gotten to it: X-Men 97 is a recent cartoon from disney plus, the second from Marvel Studios after What If? and the first not tied to the MCU in any way.

Instead 97 is a direct followup to X-Men, aka X-Men the Animated Series a long running series that not only , along with Batman the Animated Series, helped show what animation could achive after years of censorship, telling more nuanced stories that appealed to all ages and is one of the major things that's defined the x-men in pop culture, the movies being the other.

It was also the first X-Men cartoon in a decade, following Wolverine and the X-Men, as marvel studios head Ike Pearlmutter put a ban on using the Fantastic Four or X-Men as they didn't own them, and tried to actively kill them in the comics. I kid... only the X-men were attempted murdered by a cloud of gas that killed them. The FF were simply disbanded. So naturally after a decade of my faviorite team not being able to show up, my reaction to a brand new cartoon starring them was a resounding...

While I watched the cartoon ocasionally as a kid, what really got me into the X-Men was a mix of the movies and x-men evolution. I didn't hate the cartoon, evne watched some in college but it just didn't grab me and as my attitude towards x-men went from something I really liked to

I just never got into it heavily when 97 was being rolled out. I would've preferred a fresh cartoon doing something with the decades of material since instead of what I felt was a nostalgia cashgrab for a show I had a petty grudge against for getting all this attention from marvel. It got articles, it's being added to D+ was a big deal and the icons for the x-men on D+ are based on the jim lee designs used in the show. I did try the show again and enjoyed what I saw, watching most of seasons 1 and 2 but simply never got what the hype was about. It didn't help that 97 was seemingly being buried by marvel: little info came out, the character designs looked fine but not all that impressive. It semeed like it'd be like the Animaniacs revival and ones like it: A fairly limp continuation that just sorta did the same stuff but with a modern production style.

So....

As the show got close earlier this year, I got excited: The trailer looked slick, using 3d models but with painted to fit the original's style, had gorgeous looking animation and had Wolveirne and Gambit doing a combo move which you lovely people dubbed Cut the Deck.

So shortly before the premire because I procastinate, I rewatched the original... and I thorughly enjoyed it. The show isn't perfect, having to make concesions for it's saturday morning time slot and with it's animation being rigid in people. Yet the talented cast and crew were able to distill the x-men down into what made them work, taking the bulk of Chris CLaremont's decade long run that defined it, a bit of what was going on at the time, and some of the stuff before and make a true masterpiece. It Streamlined decades of comics into a fun, frentic show that was a joy to watch. I watched Seasons 1 and 2 again then realizing time was running out watched what episodes I thought would be key to the show or just wanted to watch, as well as a few after. While there's still a handful I haven't finished, I can safely say the bulk of the show slaps and is worth your time.

This hyped me up even more.. and while I have more thoughts as to why, X-Men 97 is one of the best reboots i've seen: it continues the original story, but in a way that's both acccesible to new fans (both of x-men in general and of this continuity in paticular), and fresh, using the old astetics, but now targeting an older audience, can get away with a lot the original couldn't: blood and sex are heavily implied, and a decent chunk of characters die including one of our leads. IT's a show tha'ts mature in the way tha tshould be, using being adult animation to tell darker stories without loosing the fun and camp that makes superheroes great. In short it's the best of the four x-men cartoons. In long.. well join me under the cut for a deep dive into one of the best shows of the year.

Re-Buliding the Danger Room: X-Men 97 as mentioned is one of Marvel Studio's first cartoons and was what Disney wanted from the get go, clearly wanting to grab some of that nostlagia dollar they love so dearly. They eventually tapped Beau DeMayo who'd written for Moon Knight, along with the Witcher, been story editor for the Originals and written the witcher film Nightmare of the Wolf. DeMayo was fully qualified for the job and being a huge fan of the original lept to it with vigor, bringing in producers Julia and Eric Lewald and Larry Huston from the original.

DeMayo and his top notch crew made sure to honor the original and in casting tried to get back as many of the original cast as possible: Allison Sealy-Smith, Lenore Zahn, Cal Dodd, Cristopher Britton, George Bauza and Adrian Hough all retuned as Storm, Rogue, Wolverine, Mr Sinister , Beast and Nightcrawler, and while they weren't cast as their original parts as Jubilee, Gambit, Jean, Cable, Morph they still made sure there were roles for Allyson Court, Chris Potter, Cathryne Disher, Laurence Bayne and Ron Rubin, witht hem now playing Abyscissa, Jubilee's older alternate cocunterpart, Cable, Valirie Cooper, The X-Cutioner and Senator Kelly. Some were to match the characters: Court willingly stepped down in an awesome move so someone who was actually chinsese could play Jubilee, leading to Holly Chou's casting, while Morph, now fully seen as nonbinary, was given to NB actor J.P. Karlak. Cable as you can tell swapped to Chris Potter, Jean went to vetran voice actor and vetran jean grey from Wolverine and the X-Men Jennifer Hale, and Gambit to A.J. Locosto. Charles Xavier's former va Cedric Smith is replaced by invincible's Ross Maruqad and the late Norm Spencer and Dave Hemblen are replaced as Cyclops and Magneto by Ray Chase and Matthew Waterson. There are a LOT more swap outs as the series uses a more modern la based voiced cast for the most part, so i'm only sticking to these as X-Men in general has a lot of characters and 97 packs in as many as possible in big and small roles.

There isn't a ton of behind the scenes: I've got some bits and bobs from the various voice actors, some of which i'll sprinkle in later, and the crew, but marvel's documentary on the series primarily focused on the fact actors came back and the production of the original show. Yet they left out the part where Stan Lee was convinced by execs that a show about Xavier and Cyclops going around in a van solving mutant mysteries was the best route to go.

I don't have time to unpack that or the really intresting history behind the original show, but I highly recommend the art of book.

Anyways the main reason for this is one ya'll probably know but needs bringing up thanks to recent allegations: Beau DeMayo, the showrunner and while not the only creative force, i've been trying to retrain myself that a shows creator isn't the only one making this stuff and a lot of great writers and animators are just as responsible, he was still one of the major ones, writing all 10 episodes, showrunning things and clearly steering the direction the show went in. And.. he was fired one week before the show aired.

Disney Sucks Suprising No One

Disney, as usual was vauge about it, with DeMayo himself playing quiet. The most he spoke up was after episdoe 5 , Remember It, to provide some context as to why the episode played out the way it did and what the goal of the show was from his initial pitch, something i'll save for when we get there. Disney apparently didn't like this and stripped his credits for season 2, which he'd already written all of when he was fired. They also barred him from the Emmy's after Remember It was nominated.

Disney CLAIMS it was sexual harassment while DeMayo called bullshit, saying Disney made things hostile and wasn't happy he was a black gay man who wasn't demphasising his queerness, having an only fans and dressing as cyclops. They also apparently didn't like he wanted to adapt stories outright which I don't get but given marvel hasn't been doing that as often, makes sense.

Now as for which side I belviie.. it's Beau. And i'ts not because I like the show: Warren Ellis and Joss WHedon both wrote things I loved and I cut myself off from their work as soon as I learned who they really were this whole time. But Demayo... seems like he's simply outspokenly queer and horny as fuck, which as an adult man is his right. Disney has a history of soft homophobia, trying to quitely cancel the owl house, which backfired horribly, supporting anti gay legslation and generally not allowing protaganists in their shows to be openly gay. They've failed as all it's done is make the bulk of their leads bisexual, which is fantastic as we needed more bi rep anyway, but their history leans towards them being full of shit. Not only that as my good friend Marco pointed out when we talked about this.. Disney waited a LONNNNG time to make these allegations without any proof. So either they covered up sexual harassment to cover their own asses and only revealed it when they were being sued for being shitty, or they tried to remove a queer man's credits for not being their token black stamp of approval like they wanted (Demayo's words) or toning down his queerness and then having the "gall" to actually talk about a show he wrote in a way that didn't disparage the company or reveal why he was fired. Disney did all this because DeMayo talked about the show and had him sign a nda that apparently told him he coudln't that's HIGHLY illegal. Ther'es nothing about Disney's defense that isn't shady as fuck and filmsy as hell and I hope they get sued. The fact their legal team, probably the same one that advised this tactic, tried claming a man couldn't sue for wrongful death over his wife dying of allergies because he signed up for disney+ maybe a week or two before all this dosen't help.

So yeah tldr version: Beau Demayo was most likely wrongfully terminated and Disney once again is trying to screw over a queer creator. Fuck em. Now with that elephant shooed out of the room we can get to the actual series.

Kinetic Strut

While the show keeps the designs and astetic of the original to a point, 97 has style of it's own and i'ts pretty good. I was a bit antsy when I first saw the art style in stills and productoin deisgn, cg puppets instead of traditional animation. I'm not against 3d animation as it can be really gorgeous and sometimes fits better. Fellow reboot that slaps Fairly Odd Parents: A New Wish uses a style similar to the peanuts movie, cgi models but used to mimick stop motion and it rocks. But this style felt cheap.

As it turns out while budget was why they did this it was for good budget reasons: with not the biggest budget it was easier to do action in this style than try to do hand drawn again, while also still keeping the astetic consitant enough to feel like a sequel to the original.

And this pays off: There are moments here or there where the animation feels stiff during dialouge.. but there drops in the bucket of an expressive show and allow the show to just pile on the action set pieces. In the first ep alone we get cyclops using his powers as a parachute, storm turning a desert to glass and using it to shred sentinels into fine pieces, beast hyjacking a sentienel, and our final circut: Gambit charging wolverin'es claws, Logan then bouncing off Morph transfrormed into the blob lik ea trampoline to destroy master mold. And that's just episode 1.

The show delights in letting the mutants really flex, something budget and groundendess only let the films do once or twice, to show just what their capable of. Magneto lifts a giant chunk of the UN into the air to make a point, then tops himself later with a massive emp that's given the scope it deserves, Madline Pryor shows just how deadly her/jeans powers could be by filling Magneto with pieces of a stain glass window, Jean herself later getting to use a whole bowling alley as a weapon, Jubille's future self shows her colorful deadly pinwheels, Rogue gets to go sickhouse on the military using every move from marvel vs capcom she has and we see inside nightcrawlers teleport. It's not all but damn if the show dosen't make our heroes look good, every last one getting a showcase of just what they can do. Morph in paticular gets a fun new gimmick of changing into past characters: While I do wish we saw some of these characters, paticuarlly Magik, in the actual flesh it's a fun way to amp up his moveset and make fighting with him more than pretending to be a mook but suprise he wasn't.

97 has a kintetic strut, a term x-men writer grant morrison used to describe what they wanted for their book new x-men when pitching it. A sense of style that's gorgoeus to watch, fun to have and shows off the characters personalities. Even if not everyone gets a major plot this season, everyone gets to show off and it is glorious.

This applies to the writing too: the show leans into it's comic roots, and rather than try to downplay the goofiness, reminds us why we love it: the costumes are kept as they were (Though we may be getting the New X-Men costumes next season), Things are taken seriously, yet there's still plenty of character based humor, my faviorite being in the second episode, Mutant Liberation Begins when a very Pregnant Maddie/Jean says "it's coming", wolverine gets ready for an attack and then has to be told "The baby you idiot" while he has the most "oh fuck bub" expression on his face. There isn't a ton of humor and it's sparse in the second half as the stakes go all the way up, but it provides nice breaks from the dramatic soap opera that's going on.

So with the shows style out of the way, what's in it. Well before I can tell you that story, I have to cover the original a bit. I won't be recapping every single episode as not every episode is relevant to this show and it's , while a great show, not the one I came here to talk about. If there's intrest, and let me know in the comments, i'd be happy to another day. But for now i'ts just the easiest way to get some informatoin out that's important in 97 so I don't have to say "in the original series" every five sentences.

So...

Previously On X-Men: It's the early 90's and mankind is dealing with their next evolution: Mutants, people who usually at puberty gain super powers ranging from looking like a mole man to "being able to shut down all power on earth when they have a bad enough day". Naturally humanity is handeling this calm, rationally and of course, forming angry racist mobs of frothing bigots.

In this frought time enters the X-Men. They are:

Charles Xavier: Omega Level Telepath, meaning he has no upper limit. The founder of the team. Has less of an accidental god complex here, instead being a kind mentor who took in several mutants with nowhere to go. He can be stern and hard to move but is beloved by most of his students.

Cyclops: OPTIC BLAST! A stoic man raised by xavier to be his perfect soldier and to have a titanium rod jammed up his ass. A good tactician but hard to open up emotoinally. Said Jean a LOT

Jean Grey: Said jean. World class telepath and telkenetic.. in the revivial. In the original she was a decent telepath but mostly got knocked around a lot and got her name said a lot.

Wolverine: The best at what he does. Healing factor, adamantium skeleton given to him by a sketchy program of the canadian goverment, and a bad attitude. Wasn't aloud to drink, smoke or murder but still got the point across that he probably did those things off screen. Bad tempered, impulsive and ready to ride scott's ass at any moment. Metaphorically and literally as the sexual tension is palpable. Has a deep crush on Jean he never fully let go. Got a lot of screen time because

Rogue: A southren belle with the power to steal memory and powers from whoever she touches. Naturally this leaves her desperately wanting a cure or workaround, but spends the rest of her time as a sassy badass. She was once a supervillian, adopted by super terriorist Mystique after she traumatically sent her first kiss into a coma and was thrown out by her dad. Mystique.. wasn't much better, not helped by the fact her wife wasn't allowed to be in the show because lesbians, a ruthless monster in this continuity who gleefully used Rogue to steal the powers of superhero Ms Marvel (Carol Danvers), leaving Rogue stuck with the woman in her head. Charles did his best to partion carol off and try to help both women. She's fun loving, badass and the best.

Gambit: A cajun who can charge any object to blow up real good. A red eyed ladies man who constantly hits on Rogue who turns him down, but is clearly intrested because it was the 90s, though he has no trouble getting women. He has a shadowy past, having worked for a guild of theives and had to run out on his wedding, among other stuff we haven't gotten to, and is cagey about it but loyal to the dream and his new family. He may be snarky as hell and the second most likely to rebel behind logan but he will be there when you need him.

Storm: Has power over the weather and can do pretty much anything with it and knows it. Keeps her emotoins mostly in check as them going out of control could destroy everything around her, but is kind and empathtic. The series didn't do a ton with her apart from a few two parters, but she was memorable and unlike the comics hammy as hell. Allison Court could really belt it out and still can .

Beast: A blue beast man whose attempt to cure his mutation made him into the furry we all know and love. THe face of a hulking brute, the mind of a scholar, Beast has never met a quote he can't blurt out or a villian he can't face kick. He was intended to just be a one and done for season 1, an x-man to get captured and be the center of a trial subplot in season 1. Instead his peformace, general dmeanor and everything was so awesome he was kept on as a main character for the rest of the show.

Jubillee: A feisty teen with the power to make colorful explosions. She joins in the pilot for reasons we'll get to, and due to her birth parents being dead and her step parents being not all that great, she comes to see the x-men as her family. Tends ot get sidelined at times, and is the only one Wolverine really seems to like in the main cast.

Season 1 is seralized, something Fox put a stop to as episodes sometimes woudln't come back on time so the story got scrambled. The season largely deals with the Mutant Control Agency, a goverment subsided group of assholes that ask people to report mutants to them then send giant mutant hunting robots named sentinels to capture and imprison them. Their ran by Henry Peter Gyrinch, a bigoted asshole who was a bigoted pain in the Avengers side in the comics before graduating to running the anti-mutant project wideawake. So really 10/10 nailed it. He is the worst and works with bolivar trask, an inventor who created the sentinels.

The MCA picks up Jubilee because her stepfather dosen't know how to handle her powers and thought this was remotely okay. Her step mom at least is rightfully pissed. Jubes runs away, gets attacked by sentinels and later picked up with them and we get a great excahnge that sums up both series well

Jubille: What'd I eve rdo to you? Gyrinch: you were born.

It's the core of the x-men and why I tilted my head at so many chuds saying "X-MEN WOKE NOW". X-men always was, I won't spend forever debating the obvious, but it was. Last year I covered a storyline where the x-men fought a televangilist and his secret assasians who then tried to shoot them on live television. This isn't new. Not to this series, not to this franchise, fuck off good sir fuck off.

The X-Men meanwhile break into the MCA as they realize both how dangerous they are and how their using the records. This.. dosen't go well. While they do destroy the print records, Beast gets left behind while destroying the digtial ones, and the x-men are attacked by sentinels.. and forced to abandon another. See the pilot added one more member, Morph, a loveable jokester Wolverine was close with who could shapeshift.. and who seemingly died. They were left behind and Wolverine was left devistated. This was meant to mimic the death of thunderbird early in chirs claremonts run, changed to a white guy as executives rightfullyr ealized "maybe having the only native member of the team killed is.. fucking awful?". It was done for the same reason: to raise the stakes and give the illusion anyone on the tam could also go. morph ended up super well loved though and thus lived on. We'll get to that.

For now the X-Men save jubes and bust up the sentinels and the goverment pulls out.. but senator kelly, an anti mutant politican, plans to run for president. Later in the season Gambit, Jubilee and Storm go for a vacation in Genosha, a seemingly welcoming island to mutants.. that instead uses them for slave labors using power nullifying collars. These collars are a neat horrifying addition that are only found in x-men the animated series. Anyways, turns out Genosha also has sentinels, but thankfully our heroes are able to break out thanks to Cable, a freedom fighter from the future whose in the past for reasons that will never be explained as his backstory in the comics was finally flehsed out between seaosns so they just went with that. So he's from the future now.

Things come to the head when Mystique attempts to kill senator kelly. Thankfully our heroes are tipped off about it from Bishop, a man from a dystopian future ruled by the sentinels who took way too long to realize their the baddies and with help from Forge, a mutant who can make any invention he can think of, comes back to our time. Bishop would return a few times to help our heroes, almost causing an apocalypse till cable sets him right in the stellar "Time Fugitives" two parter, and going from an uneasy ally of the x-men to one of of their closest.

Sadly this dosen't stop Senator Kelly whose more radicalized than ever, and is easily recurited by Trask. Unforutnately for Kelly turns out the Sentinels evolved a mind of their own, with master mold realizing the obvious thing Trask and Gyrinch couldn't: Mutants.. are still human. Granted they decide to do this by conquering humanity by replacing their elected officals with robots

But the x-men save them and Kelly is an ally of there's for the rest of the series and the only one of his incarnations I can think of that really gets to reform and not die for it. Granted he'll make some huge mistkaes in 97 but for the rest of TAS he's a staunch ally of our heroes if only seen occasionally. His biggest role was exonerating beast.

During the season the x-men would also encounter a nother major player for this series and the next and my faviorite Mutant, Magneto, master of magnet. He tried to free beast during his incarceration but Beast refused wanting his day in court and soon fought the x-men. For the rest of the series he's more of a wild card: He will fight the x-men but usually for some good reason or what he thinks is a good reason. Magneto fights to secure a future for his people like the x-men do, but knows sometimes the peaceful route may not be the most paltable. That isn't to say he dosen't make mistakes ,he tries to hyjack a nuclear plant early on and has a habit of trusting the wrong people in some of his later ventures we'll get to, but he's for the most part a noble man.

The other major threat is Apocalypse, Mystiques boss in this incarnation and rather than a social darwanist, he's an immortal monster planning to conquer earth. He's hammy, terrifying and hard to put down adn it takes four seasons for our heroes to finally beat him, the x-men only surviving one encounter because Cable went back to save them. They finally seemingly beat him in the massive intended series finale beyond good and evil, only for him to use the body of greasy buttcrack pooflap fabian cortez to escape death. He'll.. be back but won't appear in the main story of this season.

So with season 2 our heroes get two more big bads to tussle with. The first is Mr Sinsiter, a creepy genetscit from the 18th centruy who hoped to help his wife life.. and she did.. but at a cost and at the cost of several mutants lives. Sinister went from a man who genuinely had good intentions if horrifying methods and was shuned by society as a charlatin, to a horrifying monster who wanted to perfect mutantkind no matter the cost. Our heroes fought him primarily in season 2, as he lured Xavier and Magneto away to the savage land, a patch of anartica that still has dinosaurs and also some mutants magneto made out of the natives there that still hasn't been properly explained. In the comics he just wanted more minons because prior to the 80's magneto was a pretty standard mustache twirling super villian and it was adapted here because

While Xavier and Magneto have a savage land vacation, Sinister sends a devistating weapon against our x-men: Morph. Brainwashed by sinister, Morphs resetmment over seemingly being left for dead and rescued by sinister is amplified and he nearly destroys the x-men. He also fake marries scott and jean. They get married for realizes a few season later. I assume it was a network thing who knows.

The x-men are able to stop him, and he runs away. They eventually are lured to the arctic by sinister at the end of the season and despite being stripped of their powers at first eventually win. MOrph however decides to stay away out of guilt. He eventually doe smostly recover with the help of dr moria mactaggert but after an encounter by a leftover master mold that isn't remotely explained in this series but 97 reveals trask and gyrinch built backups, realizes he's not ready and stays away again till the finale.

The other big bad for season 2 is Graydon Creed head of the friends of humanity, a group of bigots who in the comics lasted about a few years but here become a major thorn in the heroes side for a season. Our heroes CAN punch them but it dosen't quite solve the issue and Graydon is clever using fake mutant attacks, doctored footage and other creepily realistic tactics. Their eventually beaten down for now when it's revealed Graydon himself.. is the son of a mutant, Wolverine's arch enemy sabertooth, distablising the movement when he has a breakdown just seeing a hologram of the guy.

Season 3 is mostly taken up by two big five part serials adapting two of the x-men's biggest stories: The Phoenix Saga and the Dark Phoenix Saga

The Phoenix Saga has the x-men forced to hyjack a space craft to save it from Eric the Red, a mysterious alien meance who stalks the team. They save it.. but Jean's forced to nearly sacrifice herlsef to shield them from the cosmic rays on the way home. She gets contacted by Phoenix, in this continuity a powerful entity and guardian of reality itself and specifically the M'Kran Crystal, a powerful gem that can alter reality and that the emproror of the massive shiar empire D'Ken plans to use to become a god.

To stop him his sister Lilandra has been telepahticly dming xavier and he likes what he hears. She quickly gets kidnapped by the Juggernaut bitch and after dealing with him the x-men head into space and battle a legally distinct version of the legion of superheroes before defeating D'Ken. Along the way Scott meets his daddy guy: he'd assumed he was orphaned but instead his dad had been stranded in space, his mom had been killed and daddy instead became space pirate corsair. Whiel the two roughlyr econciled, it left Scott with a LOT of abandoment issues that will be important soon.

For the Dark Phoenix Saga phoenix did her job.. but won't leave jean, wanting to experince everything.. and leading her into the clutches of the hellfire club, called the inner circle here but since we're not having to get past fox censors hellfire club it is. They plan to add jean to their membership, but instead their member masterminds manipulations cause phoenix to go insane and take out an uninhabited, in this continuity, solar system. Lilandra comes to kill her before that happens again, the x-men end up fighting her in a trial by combat, and phoenix sacrifies herself for jean.

Season 4 is, thankfully mostly one offs but a few important events happen: The biggest involve our boy magneto: Magneto goes absolutely through it this season. He first decides

And creates a giant asteroid, asteroid m for everyone to live on inviting all mutants. The goverment is dicey about this while mutantkind is ready to pack up and get the fuck out of a world that hates and fears them. He goes the extra mile and frees Genosha something the x-men honestly should've worked on sooner. In the comics at least they simply didn't have the resources when they first found out and had a possible legal avenue to beat them theyw ere waiting on. Then when captured.. simply tore up the place because at that point why not. Here it smacks of the writers genuinely forgot it existed till this two parter.

Sadly the dream dies as one of his liteutants is greasy buttcrack pooflap fabian cortez, who betrays him and tries to conquer earth. This gets the asteroid shot down and the dream dies.

And because God somehow hadn't kicked Erik in the crotch enough what with surviving the holocaust, loosing his wife, loosing his utopia and mankinds general pettiness, he finds out his deceased wife fled because she was scared of him.. while pregannt with his two kids, The Scarlet Witch and Quicksilver. And neither want anything to do with him when they find out.

So while Magneto gets ready for depression, Bishop prevents a dystopian alternate timeline where xavier was killed with the help of wolverine and storm from an alternate timeline. There 50's trip leaves a sliver of nimrod, a powerful sentinel with a less than ideal name, which will again be important later.

The X-Men also make a lifelong friend this season: Nightcrawler. While on a ski vacation, Wolverine, Rogue, Gambit and Jubilee end up at a nearbye monistary after hearing reports of a monster, figuring there was a mutant in distress. It's there they meet one of my faviorite mutants Kurt Wagner, aka Nightcrawler, a former circus star who found home and peace in religion and is a kind, thoughtful man. Despite Wolverine's doubts and issues with religion, he quickly befriends kurt, helps defend him from a racist and in general the two hit it off.

He soon finds another connection in Rogue in his next and final apperance for this series: Bloodlines. It's there his tangly family tree from the comics is laid out: he's the son of mystique and a baron of some sort, though we can probably saftely say like the current comics it might actually be destiny and mystique herself, be gay do crimes incarnate and something we'll get to later this month. She is however bi and had Graydon with sabertooth so being a racist and in hot water with his hate group, Graydon tries to kill his whole family. Heartbreakingly kurt genuinely TRIES to reach Graydon but can't get past his hatred and bigotry and leaves him to his fate.. left on Sabertooth's porch. Somehow he survivies this. The upside though is Rogue gladly embraces her new stepbrother and vice versa something the show didn't have time or budget to do more with but 97 will.

Finally the x-men invade a goverment base because one of there x members girlfriend joined a goverment team of mutants, x-factor and instead of calling him or anything left making it look like the kidnapped her. The important part is that X-Factor is, as it was at the time in the ocmics, headed by Forge's present day counterpart who will be important in the next show.

Season 5, the final season, is thankfully short, only 13 episodes they weren't expecting, so there's only a few episodes I haven't touched on of importance. We find out captain america met wolverine once and has returned from the time vortex he was stuck in in spider-man the animated series.

More importantly, Magneto is depresed: The failure of his utopia, his kids not wanting to talk to him and presumibly the shame of having trusted apocalypse for more than one second have left him out of it. It's only when Beast comes for help with an alien invasion that already got the rest of the x-men and pietro that he agrees to help. And doing so nets him someKarma as while it sadly dosen't come up in 97, Pietro warmly acccepts his dad back.

The final episode, and thankful end of this recap, comes to us with Graduation Day: Xavier is doing a confrence for mutants when an off model Gyrinch shows up and shoots him with a weapon intended to kill mutants. It both outs charles to the world, only 5 years before he'd be outed as a mutant in the comics, and leaves him on deaths door. The X-Men try to contact the shiar but are having trouble with that. Morph returns to play charles to help but his possible death has lead tensions to boil over worldwide. In this chaos a bunch of mutants beg magneto to lead them and while with his past failures in mind he rejects them at first.. he can't turn his people away.

Eventually the x-men find a solution but it's going to be a hard sell: Magneto MIGHT be able to keep charles alive long enough but he has to abandon his army, his finally getting what he watns. And unsuprisingly for the love of his life.. he does. He leaves to save chaarles and the shiar are able to save him. Charles gives each x-man some tender parting words and departs with his space girlfriend to hopefully not die, his fate left ambigious.

So that's where we left off: Charles is in space and thought dead to the world, Magneto is in a less nefarious place but still himself and Morph has rejoind the team. So ... one year later... and a bunch more in real time...

New Episodes, New Era

We can finally talk about the plot of 97 which thankfully won't take as long before I can dive into the show proper.

97 begins one year after the finale and a few things ahve changed: Morph has switched from his old design, a generic white guy, to a new one, a pale mostly featureless face that debuted in age of apocalypse and was used for the longrunning alternate universe series exiles version of the character, who combined the two to create something awesome.

The bigger change is Jean is pregnant, with a lot of tension coming from Charles death and Cyclops riding everyone even harder than usual.

The series properly kicks off with the rescue of Roberto DeCosta, one of my faviorite mutants making his debut to this continuity, a spoiled rich kid who dosen't comprehend racists don't want his money and whose saved by the x-men. He's hiding his gift because he assumes his parents will reject him but ends up hanging around the mansion occasoinaly as he finds Jubilee super hot.

His captors are the friends of humanity who now have access to both the nullifer collars and power gloves based on sentinel tech, their so bad. Jean invades Gyrinch's mind to get info after he naturaly refuses to cooperate and gets both some haunting foresahdwoing for what's to come and a location for Trask. After a dope as hell fight, the x-men beat trask, solidfiying their partnership with UN Head and xavier ally we're just learning about now Valarie Cooper. In the comics val was a goverment liason, intitally working on project wideawake and with myistques team , who sold out to the goverment as freedom force. When that failed she became head of x-factor and is pretty neat all things considered.

Cyke and jean prepare to leave the x-men, to wolverine's disgust and jubilee's worry.. but this gets put on hold when the x-men get an univited guest: Magneto who got sent a copy of Charles last will and testemant:

"Everything he built now belongs to me"

Foxy Grandpa does do his best to take the role seriously: While he's still himself, battering some friends of humanity who captured the x-mens sewer pals the morlocks (they refused the x-mens offer to live at the insittute), but not killing a one, and being arrogant as hell just kinda.. assumign the x-men should accept him after fighting them once or twice, he does try, getting the morlocks sent to genosha which is close to getting recognized as a nation state again and is now ran by mutants. Cyclops is grumpy about both his dad seemingly not trusting him and this whole thing and refuses to leave right away.

This is good timing as the UN arrive to arrest magneto. He willingly complies and most of the x-men go to his trial. His trial.. then gets january 6thed.. not even subtly as they plan to kill the un court for even giving him a trial. Magneto was doing well mind as he pointed out he never acted in outright agression only in defense of his poeple. The x-men fight this but have to face the x-cutioner, a foh member who put on a costume and rants about how "MUTANTS COMPLAIN ALL THE TIME BUT YOU DON'T HERE ME WHINING. YOUR SO WHINY. SO WHAT IF WE TRIED TO KILL YOU STOP WHINING"

Thankfully morph shuts him up but Rogue and Cyclops have to leave as the doctor as jeans in labor and Rogue has to do it since the doctor is an idiot and won't treat her. While it's because of her powers... she could do a LOT more damage not sedated and in a lobby than she could do in an operating room you ass.

The baby, little Nathan Charles Summers, comes out just fine.. but the UN Meeting ends badly. Trying to protect him storm dives infront of X-Cutioners gun, a special one he made using the collars.. that removes her powers. This pisses off Magneto entirely and he lifts the un court and the asshole into the air, making a damn good speech

Bigot, ingrate, sycophant, worm. So small I could smite you with a step. (he holds his boot over the X-Cutioner's face) There was a time I would smite you all for what was done to Storm. (pulls his foot back) But today, I have saved you from your own, for an old friend has challenged me to remember this view of Earth. How vast it is versus how small we make it. Charles Xavier entrusted me with his dream, and it does not ask you to love or embrace my kind as your own, but merely to accept that this is a shared world with a common future, and that my kind, like yours, have the right to live in it. I am trying to be better. Please...do not make me let you down...

Sadly they will.. but for now he's exonerated and Cyclops plans to leave, live a normal life trusting the x-men to Magneto. Storm also decides to leave, leaving only a note for Jean. With no clear way to get her powers back and no idea who she is anymore, Ororo leaves. And her timing couldn't be worse as on the x-mens doorstep.. another jean arrives.

Turns out this is the REAL jean. The Jean we've been following is a clone, later called Madlyn Pryor who comics fans saw a coming as she got an action figure. The x-men.. are dicks about this all backing away and not getting that maybe Maddie didn't know she was a clone and Scott's refusal to help her just causes her to storm off. Beast finds out too late who made Maddie: Mr Sinister, who quickly hyjacks her and has her turn the place into a murder house, a nice workaround to adpating the inferno storyline. I"ll talk more about how this series adapted various stories in a bit. For now it's a smokescreen to take baby Nathan who Mr Sinister pumps full of a technoorganic virus to make him indestructable. They follow and have a fight with maddie that's cinematic as hell but goes poorly for them as unlike jean she isn't holding back. Jean however wakes up and visits her soul sister, who has all her memories, and convinces her to back down. They save nathan but sadly in saving him he's stuck with the virus killing him as Sinister leaves.

Thankfully Bishop's been here the whole time. I haven't mentioned it as they never reallye xplain why he's staraneded in the past, when he joined, or any of that and he dosen't really contribute to the plot outside this episode. HIs time jump can take the two of them.. but just them and only one way. Cyclops refuses not wanting ot turn out like his dad... but like his dad has no real say in it and Maddie says goodbye to her son as he flies into the future. She leaves to go find herself and the x-men are left pretty torn up.

So next episode, we'll get to this ones stinger in a moment, is a two in one, two 11 minute episodes, as Jubilee turns 18.. and is bummed by both all the change going on and Magneto refusing to let her celebrate. She gets sucked into a video game by Mojo, a grogesque blob of a man whose naturally a network executive who fought the x-men twice before and wants to make jubes a star. The episode is a fun breezy break between two pretty heavy episodes, and mostly serves to let Jubes realize she dosen't need to fear change after meeting her beta test version, absycca, voiced by he roriginal va. She and sunspot also kiss and likely do much much more.

So leaving the lovebirds alone, we go to a diffrent pair of them: at the end of the previous episode Forge found storm and offered to restore her powers, leading into Lifedeath, an adaptation of the same story from the comics. The two work on it with their efforts seemingly not working.. but the two get along quite well, horse riding and other stuff. We also get to know Forge better: he was an inventor, worked with the goverment, is chynene, and we even get to know his name. We also get his name later, Daniel Lone Eagle, which somehow is the first time he's had a non code name in the history of the character and is one Chris Claremont came up with but never used. Nice.

That goverment past bites him as he eventually reveals the truth to a horrified Storm: he created the neturalizer tech: he quit over it, not wanting to do more and sought her out. Naturally she's pissed the man she's slowly fell in love with lied to her and tries to flee.. but instead encounters a demon. Which is normal for the x-men in the comics but a complete 180 here. We'll get back to this.

So we've come to the gamechanger for the series: Remember It. Most of the episode plays out normally as Gambit Rogue and Mags head to genosha now a mutant paradise resembling krakoa from the comics: a council of familiar faces running it (Former enemies sebastian shaw and emma frost from the hellfire club and longtime allies Moria Mactagert, her boyfriend Banshee , Maddie and Nightcrawler), propserity and music all around. Rogue is enchanted while Gambit is mor esupscious of the hiked prices.

But bigger thigns errupt: a love triangle has grown between the three as Rogue used to date magneto and is tempted to go back to him while Gambit has been buthurt about their attractoin and apparently private time all season. This comes to a head as Magneto is offered a seat at the table by the council: he's a big deal, has made more peaceful strides lately, and all of mutantkind respects him. He agrees.. but wants Rogue to be his queen. an offer she's considering turning down based on how creepy it is, but he makes a solid offer not just to get in her pants but in wanting her in this role.

Gambit and Rogue have things out over it, and Rogue seemingly chooses erik. Their not the only ones having relationship drama as we see Cyclops have a psychic convo with Maddie... only for themt o make out and Jean to interrupt. Whoops. Yeah Jean is insecnsed Cyclops was making out with, and these are her exact words "My clone"

I mean she's not wrong to be hurt but she not only nearly made out with logan before this, having experinced HOW rich his feelings where when she woke up, but Scott points out he and Maddy did share a child and othe rexperinces. He could've.. not gotten implicitly back together with Jean but still. Point is everybody done fucked up.

So far so normal x drama.. until they have a gala. Rogue and Magneto have an erotic dance, Gambit perpares to leave and maddie goes outside to find Cable, screaming for her to run and being pulled back by time before he can do anything. She realizes he's nathan.

And then.. dies in a flash of bright light. The Sentinels have arrived, specifically a massive three headed tri sentinel spitting out more. Mutants die left and right as our x-men and those aroudn them try their damndest once they come to. IN a blink of an eye the world changes: Genosha is left destroyed, thousands die including named characters with Maddie, Sebastian Shaw and Banshee all biting it and Archangel and others left with an uncertain fate. It's a true nightmare , modeling itlsef afte rthe feelings Beau Demayo had after 9/11 and the pulse nightclub shootings. I'll dive into it more in a bit, but needless to say it's horrifying to watch, you canot turn away and this episode got an emmy for a reason.

In the melee, Magneto tries his best even whipping a sentinel with a bullet train, so badass but seemingly dies protecting the morlocks. With our heroes beaten and more to die Gambit gets kidnapped by one which jams some rebarr in him. With one final push of all he has left Gambit lights the thing up... and gives his last words, quitely, cooly and definatly

"The Names Gambit, Remember It"

The Sentinel explodes.. and Remy is left dead, Rogue devistated after realizing who she wanted all too late. The x-men have lost a member, mutantkind has lost a home and things will never be the same.

This was the intention: the first half is more buisness as usual but still updated and slick.. and the second... changes everything in a way there's no going back from, largely being one contiained story.

Before we tackle that though back to Storm, who we'll tackle first as Lifedeath Part 2 deals with her and another face who left the x-men. The Demon is the adversary. In the comic, he's an ancient evil trickster god. Here she's a less impressive but still terrifying and memorable demon who feeds on fear. She reveals part of why Storm's powers haven't kicked back in is fear: fear of being a mutant again, her secret hope of WANTING ot be normal. Storm must face these fears, going into a damp tunnel to save a poisoned forge facing advesary. Storm beats it as she would: by admitting to hserlf she did want to be human and escape, accepting her mutant side for what it is and that she can't repress it and frying the bitch, escaping, saving Forge and forgiving him, dawning her first and one of her most iconci outfits in the process.. and growing her hair back because she can do that now. She and forge plan to take a vacation still, since while Storm is an x-man... she could use the break with her new beau. It's then.. she gets news of Genosha.. and everything's shattered. her family needs her and Forge is right with her. This story was taking place right after Remember It For most of the time.

So winding back the b story for this episode follows Charles.. as he's abrubtly revealed to be alive in space. Now to me whose familiar with the comics, this is just tuesday. But to many a casual fan, including my friend Jess I watched this with, they were thrown off and understandably so. The series acts like charles is dead up to this point, that maybe the shiar stuff didn't work and never mentions the shiar. THere's no hint to this so it feels out of nowhere.

Thankfully the story itself is decent: Lilandra wants to make Charles her consort but even here he faces racisim and her jealous sister blackbird who wants the throne wants him to mindwipe himself of the x-men. He reluctantly agrees: he can't move the captial to eartha nd should try to think for himself, adding tension for us as we know hwo bad things have gone. Thankfully.. he can't do it which Deathbird figured adn tries to do a coup. But in an awesome moment Charles refuses: no more bloodshed. He gives an awesome lecture on colonalism, something the empires powered on and has a decent shot at reforming it.. but like Storm... life wont' let him have peace; he gets a psychic death call reciting one of my faviorite lines from the comics

So xaiver must leave the love of his life as his children.. need him.

And after all this we find out someone.. sinister is involved.

So onto our finale lead in bright eyes It's a week or two later: the us isn't helping refugees, tensions are high and the x-men visit genosha, with a spectre of war hanging above them. With Jubes encouragment Roberto realizes he could die easliy and comes out to his parents who accept him.. but want him to keep it hidden.

Meanwhile the x-men visit Genosha with Jean feeling guilt over maddie's death and the x-men only able to find emma. Any othe rsurvivors are gone. While this goes on the rest of the x-men have Gambit's heartbreaking funeral, with Nightcrawler naturally serving as preist and one notable absence: Rogue is missing. Rogue is on the warparth tearing apart the miltiary to find Gyrinch and tear apart those who took remy from hern. Captain America TRIES to get her to back down... but his whole "lets wiat and do it proper" bullshit gets his shield understandably thrown into the distance.

She finds Gyrnch and absorbs his memories, having gotten far less forgiving and far more vindcitive and understandably so. The X-Men find her after this and Kurt gets her to greive.

The x-men, minus jubes and berto, reunite, finding trask who reveals whose behind this: OZT, aka Operatoin Zero Tolerance, a secret anti goverment group ran by bastion, a creepily monotone man in pink who plans to out xaviers survival and almost space marriage to the world. And he has much more dastardly plans than shaving magneto while he sings one eyed one horned flying purple people eater: Rogue lets trask slip, horrifying her frineds.. but he gets up. Bastion has turned willing volunteers and unsuspecting civlians into omega sentineals, unstoppable killing machines with the x-men barely able to put down ONE before a group swarm them. Thankfully cable arrives and saves them and lets them know not only is bastion worse than they can imagnie but this gets so much worse.

So next episode Rogue is left in a coma after that right and Cable is rallying the x-men, woh are under fire for the xavier thing. So they split up: Cyclops, Jean and Cable have an awkard family reunion as they go to investigate Bastions mom, while Wolverine, Beast, Nightcrawler (now part of the team) and Morph stay behind. Jubes is with Roberto getting pissy with his mom.

It's reveald Val Cooper, who was at the massacre but wasnt' expecting what happened, is alive and Bastion explains his evil plan: he created the omegas using sinisters virus, Nathan being his payment. He's had help from various other figures outside the un specificaly Doctor Doom and Baron Zemo, both of whom aren't happy with the genocide. Bastin's non plussed as he has a plan.. and a plan to get rid of the x-men. he activates ALL the omegas.

This happens as our heroes get Bastion's backstory: a bit of nimrod goo got into his father in the 50s, and his mom raised him knowing he was diffrent. And having sentinel programming in his head the poor boy became the bastard we know.. and made his own mom a sentinel. They attack the x-men at all three palces they are: bastion's hometown, the mansion as trish tilby, a reporter into hank also turns out to be one, and at the mall... again. Jubes really needs to lay off malls and swears them off. Good for her.

Things don't go great. Cyclops and Jean are barely able to survive their army, the mansion is torched to ruins though Rogue is kept safe by the remaning x-men, and Jubes and Sunspot are handed off to an omega sentinel playing nice by Roberto's mother, shattering the poor guy.

Having enough Valarie freed magneot nd declaring something chilling

"Magneto was right"

He awakens.. and blacks out the world with a massive emp. While this saves the x-men and countless others it's also, as Logan correctly figured, a declaration of war. Just as Morph misses xavier, Charlie arrives.

Thankfully Charles Xavier also arrives.

The x-men all regroup with Storm and Forge rescuing Jubilee and Sunspot. While most are willing to at least tolerate charles Cyclops, while willing to put up with him, is pissed, wanting to know why he left magneto and somehow blaming charles leaving magneto for Magneto's emp.

Thankfully we don't have time for Scott's daddy issues, but we do have time for Charles' as Magneto approaches, rising asteroid m from the sea and making it clear that yes, war were declared. He TRIED it the nice way, genuinely gave it his all.. and humanity responded with a genocide they fetered over and ignored> he's done and invited any other x-men who are done to join him while he waits for his emp to kill everything: in 48 hours it's going end everything.

And shockingly .. two x-men do. Rogue goes with him, pissed at Remy's death and the goverment's half assed response not helping, and Sunspot, while not really an x-men yet, joins too, pissed his mom left him.

So the x-men regroup at muir island, their backup base at some point offscreen and put on some new/old costumes while getting ready for war, with the exception of Storm who was way ahead of them and Jubilee who switched to her 2010's outfit last episode: Cyclops and Jean put on their 70's costume, wolverine his 80's john byrne designed brown suit, morph some generic outfit, beast er.. same as he ever was, and Cable gets his late 90's outfit wether he wants the thing or not.

So with Magneto declaring war and Bastion still a threat to be dealt with the x-men split into blue and gold teams. Cyclops blue team of himself, charles, Wolverine, and Jubilee will go deal with Magneto and friends, while Storm's Gold Team of her, Jean, Morph, Beast, Forge and Cable to go to bastion island and stop him using a modified nulifier collar.

Both plans go south: While Gold team intially makes a splash and does well storm and forge are eventually shot down, and while Jean beats the shit out of sinister for both her and Maddie, he hyjacks Cable as Beast apparently didn't think "Maybe we take just a second to check the guy who was in sinisters grasp as a baby for gene traps", with the rest of the team held down in bastion's power.

On Asteroid M things go considerably better despite the smaller team. Charle's plan of "Let me talk to my boyfriend we'll sort it out".. fails as you know.. when has that EVER worked with him Chuck? Especially after a mass genocide. A fight breaks out and the x-men do manage to beat magneto... but jean lets out a psychic scream that alerts Cyclops who fucks up and stops wolverine and charles from winning. This allows magento to just plunk his helment on charles, since it now has the psychic blocking thing from the movies and works both ways and rips the metal out of wolverine's skeleton.

Part 3 begins and Charles has escaped the helmet and is now tearing Magneto's mind apart, having used him to restore power to earth. But unlike the comics not wanting his friend's mind to end up broken to pieces goes inside it while the rest of the x-men wait outside, having patched up things best they could.

Back on Bastion's Island, Jean reconnects with the phoenix somehow, and uses this handy deus ex machina to Collar bastion, restoring his army of prime sentinels that just woke up and what punched spider-man and a bunch of other cameos to comaland where they can hopefully be helped. She reduces sinister to a shrivled husk, removing all the mutant dna tha tkept him young. As Morph basks in that the x-men have other issues: The goverment was giving xavier time to resolve this.. but decide to be their dickish selves, with only Captain Ameirca and Black Panther wondering if this is a stupid idea. It was and the misles instead knock it's engines off.. and Bastion, being pissed and vengeful decides fuck it i'll just murder you all! So Cyclops, Jean, Storm , Morph and BEast head up to join them, Cable sticking around to keep an eye on things and on forge whose in no shape to go with them.

A fucking glorious final battle enseus as Bastion takes his final form, Rogue beats the shit out of him for Remy, and Roberto formally becomes sunspot and kicks the fuck out of him. The team eventually beats him and Scott, wanting to make up for how Bastion could've bene one of them as Xavier tried to reach out, tries to reach out a hand. Bastion laughs at this and dies and the x-men unite all their powers to try and stop the meteor from hitting earth. But while they do their best.. only one of them can do it, with Charles convincing magneto he can let go of his pain, his anger and hurt and do the right thing. So with a hearty MAGNETO LIVES, the x-men save the world.. and vanish.

6 months later and Forge is operating out of what's left of the mansion. Cable, Jubilee and Sunspot, who weren't on the meteor at the time , all scattered and Forge is trying to build a new x-men out of whose left avaliable. Before he can though, Bishop shows up. While Forge is suspcious as apparently he didn't read the x-mens files , Bishop knowing his real name helps calm him down.. as does some Info. The X-Men aren't dead. It's not where they are but when. They've somehow bene scattered in time by some third party and Forge might want to keep his board out as it might take a new x-men team to find them.

For now we find out where almost everyone ended up: Cyclops and Jean end up in the distant future where they find nathan, as he and bishop got seperated over time. Storm, Wolverine and Morph are MIA, likely in their own group we'll find out about next season. And the rest of the group end up in ancient egypt, saving a young mutant. En Sabur Nur... aka... APOCALYPSE.

And if that wasn't omnious enough in the remains of Genosha, the modern day Apocalypse has returned... remarking on so much pain his children.. so much.. death.. and as he says that.. he picks up a playing card.

And with that omnious teaser for next season, we can finally fully dig into this one.

Hated and Feared

X-Men as an allegory can be frought. It works most of the time as it's easier to get a book about mutants trying to survivie hate and fear than queer people and in modern day many a mutant is queer, going all the way back to Chris Claremont not so subtly making Mystique and Destiny wives and only not saying it outright because the EIC didn't want gay people refrenced. Chris Claremont used it brilliantly in god loves man kills by using Nightcrawler to perfectly speak against the bigoted revered stryker, with kitty pryde

Other times.. it's get tricky like the Legacy Virus, a transparent metaphor for AIDS that no actaul gay people were affected by, Kitty Pryde calling two seperate black people the N-Word to equate mutant racisim to real world racism and that time Wolfsbane was beaten to death for "Hiding" she was a mutant in a clear trans allegory. The mutant metaphor is lovely and can be used awesomely and Chris Claremont was right to expand it... but some writers don't know how the hell to be subtle.

Beau Demayo however tackles it well not hiding from it but treating it realistically: the bigotry isn't just howling assholes in the streets but often the passive bigotry seen all the time, the small steps that make life hard. The big rioting assholes in the street exist, guys like Bastion plotting genocide exist.. but so do people like the doctor Jean turned to to give birth only to refuse simply because "a mutant could hurt people", again not thinking of the lives that could be hurt or the life that could be lost if the delivery wasnt' done right. The kind who'd turn someone away. You have President Kelly who on paper is a friend to mutants.. but when push comes to shove will sacrifice them to save himself and in doing so nearly doom us all. And you have Trish Tilby, who keeps pressing Cyclops when he tries talking about nathan and when he reveals the whole weird story, then goes off on her when she talks about how muants are hard for "normal people" to relate to.. when Cyclops TRIED being normal and lost his son for it through no fault of his own, but because of a mad man who decided to kidnap his son.

And of course the center of this kind of racisim.. is the DeCostas. Roberto is panicked, afraid to reveal who he is or really trainup his powers, only doing so as a gift for Jubilee. And when he finally reveals it.. they seem accepting.. but then refused to have him come out publicly. IT's this casual bigory the kind that could see you cast out just for who you ar, that 97 captures so well.

The more overt stuff still hits well from Magneto's booming speech to the un, making a simple powerful statment in the middle of the speech "What must we do to be good enough? is this the high road's destination?" how poeple who geninely try to do good or help people or help their own get stomped on just for trying ot do it the way society wants them.

It also gets into the systems: Bastion gets a ways do to his powers.. but also do to the system. We see him off center two episodes before his introduction in one of forge's photos, OZT has heads of state and the head of the UN herself in it's pocket. While Humanity is trying to be more accepting at the start of 97 far too many are willing to turn their backs when it's no longer convient. Far too many were willing to give a mad man the keys to genocide then act shocked when he uses them.

When the Genoshian Genocide happens, it's not quick like the comics. It was done quick there to belay it's speed and horror.. in an instant millions die, and the x-men could do nothing, Cassandra Nova, who did it in the comics, having already pulled the trigger before Cyclops and Wolverine could break free.

Here it's still fast and painful.. but we see it from the ground. Gambit waking up dizzy to impromptu triage, several mutants dead or injured. It's not as fast or instant.. but that makes it worse. The X-Men are there.. but they can't do anything. One is captured and broken by the events while another dies stopping it. We feel how powerless our heroes are two of them some of the strongest the x-men has. Rogues next apperance has her easily tear through the military like butter.. which makes it all the more heartning knowing two episodes ago she couldn't stop this. She tried, Erik tried, Remy tried.. but none of them could stop this.

Yet people ina merica... brush it off, refusing refugees, Kelly acting like the x-men have to fix optics after the xavier reveal is more important. It's all too realistic. As Val Cooper notes in her speech humanity says "that's terrible" then moves on with their day. It's not happening here, it's not happening to "Us". Things like the isreal hamas war or the invasion of the ukraine are known to us and some try to rally to end the bloodshed.. but we also tune it out because it's too hard to take. Or worse just don't care. Around the same time these episodes aired, you eerily have senators declaring "there are no civlians" in Gaza, that a goverment is their people when that's never the case. This series calls out that kind of easy thought, that it's easy to other people and put your surivvial above theirs, yoru wants above theres and the series.. offers no easy answers. It champions for hope, for compasion, that it's better ot fight for a better tommorow than lash out.. but dosen't make that fight easier: Remy dies for it, Magneto and Rogue both turn away from it, and the x-men nearly die for it as a whole trying to save a humanity who was all too happy to sell them out.

It's a good message though.. that we don't have to be "fuck you got mine" or bigots... that it's worth fighting for a better tommorow even though it's hard and while a world of pure peace and tolerance is a dream.. it's a dream worth trying to make real. To get as close to it as we can. We may suck.. but we CAN be better. All the bigots in x-men show us at our worst, our pettist.. but the x-men are our better, fine people who fight hard to protect a world that hates and fears them that sold them out simply because letting innocent people die, is something they can't fathom. That the world isn't so broken they can't fix it in ways. That even when the dream seemingly dies with everything they find out.. they fight on. For tommorow.

From the Pages of Marvel Comics

One of 97's other great strengths is adaptation, and it's something i've been chomping to the bit to talk about. Like most superhero adaptations, 97 takes the best parts of the comics then streamlines it down. The Civil War adaptation for instance left out Iron Man's many, MANY war crimes and bits of petty dickery in favor of honoring the spirit of two heroes and close friends reaching an impass over an issue neither is entirely in the right over. Black Panther uses some of the broad strokes of killmongers arcs from his original debut and the Christphoer Preist run, but refashions him to ask serious questions about Wakanda's habit of isolationsim. It's fine with me to pick and choose what works best as some things are just harder to adapt. Even Invincible, a pretty close adaptation to the original, changes a lot to update the work to better fit the modern day rather than the early 2000's it started in, diversifying the cast, giving debbie, amber and eve more agency, all good stuff.

What I like about 97 though is it does this.. but still adapts the stories for more than parts, something that's rareer. The original usually used the parts approach, x-men continuity is both lovely and terrifyingly complicated and some things were added as they were just being brought up in the ocmics, but a few bigger stories like the Phoenix Saga, the Dark Phoenix Saga, the Proteus arc, or days of future past got a full adaptation.

So the crew of 97 ran with that: the bulk of the season is an adaptation. The season adapts Trial of Magneto, Lifedeath, Inferno, Endgame (X-Factor 65-68), The Crunch Conundrum (Wolverine 51-53), Fall of the Mutants, E is For Extinction, Operation Zero Tolerance, and Fatal Attractions. Some are used more for parts, but most of these stories get fully adapted in some way shape or form, simply streamlining it.

These are also the kinds of stories that take advantage of the fact 97.. already has a fully fleshed out universe to play with. As the long recap shows, they had a LOT of table setting already done in the original and thus could jump into stories that would take a movie or two to set up. It'd be hard to do a story about Jean Grey's clone when you don't know jean first or care about the fall of genosha without being invested in whose on the island. With 5 seasons to go off, 97 is pre loaded with most of the setup needed for these stories and thus can do them justice, while still streamlining them to fit in their limited runtime.

So i'm going to break down these adaptations best I can. I won't be doing so for Endgame as it really only adapts Scott sending his son into the future and I barley remember it and the Cosmic Crunch Condndrum as I haven't read that yet and would like to read the rest of hama's run leading up to it.

Trial of Magneto: This one is way better than the original. THe Original had a good concept, put magneto on trial, have the x-men deal with a false flag attack in the background. But it gets cluttered fast: Magneto has reformed but while they try to play the defense that, because he was literally reborn after he was regressed to an infant then aged up by a mutant he what made, he was a diffrent person and those exempt from all his crimes minus blowing up a russian submarine. Problem is comics mags.. has way more baggage as pre chris claremont and early into claremont's run he was a pretty standard villian, plotting, scheming and making his daughter dance for him because he didn't know it was his daughter which I wish I could forget about and now so will you. So they kinda have to use the insane defense they do and his speech, while well done, comes off slightly more hollow: he does want to change.. but it's not really a kangaroo court like in the show.

He also gets attacked by the Fernis Twins, incest nazi nepo babies, who use aformentioned false flag attack as a smokescreen so they can attack the hauge and get revenge on magneto for killing nazis. Chris Claremont is a great writer.. but the guy could easily get lost up his own ass in some issues and this was one.

So 97 streamlines it: the incest nazi nepo babies are replaced with the friends of humanity who already existed, and Magneto's defense of himself is way more self righeous as while he did try to cause a massive disaster in his first appreance most of his apperances are "just leave my people alone motherfuckers". And while the original had Magneto's backstory be some generic wartorn country, 97 makes it clear like the comics he's a holocaust survivor, so he knows what he's talking about and talks circles around the court,only lifting them into the air when the x-cutioner depowers Storm.

That segues into our next adpatation, done over several episodes, Lifedeath. This compresses a long subplot into a slightly shorter one, mostly using the titular issue. And honestly it's the closest of the adaptations here. The context is changed as in the comics Rogue was being hunted by the goverment for her criminal past and breaking into a shield hellicarrier when Carol breifly took over, both things that would make no sense in 97. So they had Storm jump in front of a diffrent reformed rogue. They also removed the fact Forge made the gun to defeat the diar wraths but otherwise his quitting over the tech, hiding it from storm initially and being the one to help her recover/romance her is all accurate. The cartoon improves on this by having Forge be the one to confess what he did, a small step but it makes their romance easier to swallow when he genuinely confesses to what he did. I'ts still.. not great but like the comics it's protrayed as not great to form a relationship with her whil ehiding this and their working thorugh it feels more earned as he didn't make a mutant depowering gun and expect the goverment not to use it, but made tech that was yanked out of his hands without thinking the implications.

This leads into another adaptation as the adversary from fall of the mutants shows up but as mentioned in the recap is a demon instead of a trickster god as the story's simply grafted onto lifedeath, with Storm forced to confront her demons and the demon in her ear. In the comics she was tricked into trying to kill forge, both were stratneded in a new world as adam and eve and she restarted her powers for the greater good. Again not claremon'ts best work but still far more meaningful and well done than the incest nazi nepo babies. Her regrowing her hair from her mohawk was also part of it

Before we move on, they also had storm in her mohwawk and , post leaving the x-men, punk outfit. IN the comics this is easily my faviorite storm storyline. early on she was regal and reserved, innocent as while she'd had a rough childhood in cairo, spent most of her teen years in africa being worshipped for her powers. But when Cyclops left the x-men, she was thrust into the leadership role and slowly had to deal with her dark side: getting into a knife fight to the death, having to make harsh decisions, and forming a gay as hell friendship with yuirko, wolverine's ex. Chris was not subtle and I respect that. So she took a punk look on to match who sh'ed become: still kind and gentle.. but far more pragmatic. Moral but realistic about the lines the x-men sometimes had to cross.

So scooting back before we finished storm's story we have Madelyn Prior. And strap in because this one.. it's a lot. So here Maddie's story is pretty easy to understand: Jean was swapped out with a clone at some point so Mr Sinister could have control over the summers grey baby. Maddy is for all intensive purposes also jean grey, but has the baggage of not being the "real" jean and having her friends be dicks and not consider her jean, though Gambit and Rogue at least got better about that. She and scott have an affair. it's simple. Scott's KINDA a dick for not supporting maddy and for not breaking up with jean to be with her, but a more resonable one as the shock of this clearly got to him and the later affair was because again, she is pretty much jean... and shares a child with him. Still fucked up but understandbale.

In the comics... oh me mow. The comics. This is going to be a complicated one. See in the comics.. Maddy was never intended to be Jean's clone. Chris Claremont created her , but her looking like jean was initially juts a concidence: She was an alaskan pilot with her own life, feisty, and blunt, and Scott liked that and the concidences matching her up with gene were either just that, or Mastermind, one of the x-men's foes, fucking with Scott's head to get his revenge on the x-men. He also broke up wolverine's wedding for similar reasons.

So when it was all cleared up Scott proposed. Now granted proposing after knowing someone a few months.. is not smart, but it seemingly worked out. They had a child and Claremont fully intended to have Scott retire.

The problems were two fold: the first was the writing itself: It felt like Scott ws more.. settling for a happy married life because the x-men no longer needed him and he no longer felt home there, and staying with Maddie out of responsiblity to her than out of true love.

The other was editorial.. did not want to keep Scott off the shelf, a common issue in comics as characters simply cannot stay retired. The only time this has happened is Jack Knight, the best starman and he only escaped this fate because his creator James Robinson made DC put it in writing. So wanting more x-books, editorial launched x-factor and brought back jean.

And this.. ended up making Scott look horrible as he got a call. And rather than explain it to maddie, tried to hide why he was fleeing from her, then ignored her ultimatium that if he left it was over. God dammit scott. Granted he did TRY to go back and fix things, but by then editorial had decided Maddie needed to get out of the way of Jean and Scott. Nathan vanished, his disappearnce being a major subplot in x-factor which thankfully got better, with Jean confronting everyone over hidding maddie from her and Scott feeling actual guilt.

Things got worse for Maddie, though thankfully Claremont also got her back and did his best with the orders given. He wasn't happy about it, but had Maddie process her trauma: she suddenly had her identity erased from all databases, her child stolen and the marauders, assholes for hire who would end up being revealed to be hired by a debuting mr sinister. Maddie grappled with her husband's abandonment, finding out about jean, her sense of personhood and eventually a relatoinship with Scott's brother Havok, everyone's silver medal.

Eventually though she had to be written out for some rason, so inferno happened. And Inferno.. is fucking nuts. So a demon takes na intrest in maddie, makes a deal for her childs soul and turns all of new york into hell. She becomes the Goblyn queen and then tries to kill her kid for reasons. Louise Simonson who wrote x-factor and wrote that part is also a great writer, but did not write maddy well.

So yeah the show just.. made the demons telepathic and like more recent comics, got the hint that maybe maddie wasn't some super bitch because she got abandoned and manipulated. Her posisble ressurection was a major subplot of the excellent hellions series, and it lead into her return for the okayish Dark Web event that ended wit her, now queen of limbo, having a hell embassy in new york. She's living her best life.

So the show is an improvment, as it knew it was going to have maddie be jean and thous could plan instea dof trying to constantly salvage demands to kill a character the creator clearly liked, then various writers who hadn't read anything but the end of this long story arc pissing on Maddie's grave.

New X-Men is one of my faviorite x-men comics, one I intended to cover in full and may try to again someday. It's one of the most recent things 97 takes from the comics and Remember it Adapting both the genoshan genocide and the psychic affair was a refeshing sign the series wouldn't just be adapting storylines from the 80s and 90s. The series is even, thanks to widespread reports about season 2 footage from comic con, using the iconic costumes from this era, using the leather astetic from the movies, but making them still pop with big yellow x's. I want one of those jackets, so, fucking, bad. I'd even take a dark phoenix version as while I hate dark phoenix they dapted them well.

The series only takes a few pieces from this legendary series, but their vital ones. The Genoshan Genocide is the big one, an event that changed the x-men and was New X-Men writer Grant Morrisons big statment that the realtive stasis the x-men were trapped in was broken. It severs the same purpose here: the happy nostlagic trip back that started the series with some trauma, if still excellently is gone, and the x-men now live in a new world. They adapt it almost as is: the tri sentinel resembles the wid sentinel used and while i wish they'd used the wild sentinels in full, monsterous sentinels that absorb things from the environment, it's still a massive disaster the us dosen't care about hwere emma frost mutates further getting a diamond form, millions are dead and Magneot is seemingly killed. The basics were all it needed

The mastermind is changed to fit into another adaptation we'll get to in a moment, but it works better for the story told than Xavier's sister he strangled in the womb but survived as a psychic parasite. I just.. love getting to type crazy shit like that and I love even more than unlike the nazi nepo babies or abandoned clone wives, this bit.. was written entirely coherently and meant to be as bonkers as it is.

Nova could show up as Wolverine and Deadpool has came and went, it just didn't fit for this version of the story. Bastion worked better for the metaphor they were going for and was easier to set up in the context of the original series.

So then we have the psychic affair. So in the comics Cyclops was emotoinally repressed even more than usual at the star tof new x-men, having been possed by apocalypse and come back from the dead, pulling away from jean. New teammate emma Frost offered him therapy.. then used her position as her therapist to sleep with him. Then jean caught them and no one ever really adressed the fact that scott was manipulated into it at a vunerable time in his life and it's treated like a normal relatoinship aftewords. Which can work but I feel like no one ever wants to bring this up. And I say that up as an emma fan what the shit. No one ever brings up the relationship started in a pretty fucked up place except Joss Whedon and even he only factors in the fact they started dating for real after jean died. I didn't even fully scan how fucked up this was for years. Good lord.

So instead Scott still cheats on jean in his mind palace, but with.. jean. Maddy is basically her with a few extra experinces, so while Scott is more at fault here, Maddy din't push him into anythign. I still say scott fucked up in new x-men with how he treated his wife, he's not BLAMELESS, but the bulk of the affair was him being agressivly persued by someone who framed their affair as therapy. Here it's an affair but with someone scott never techniclaly broke up with and him avoiding the issue is the problem.

So back to Bastion. Bastion was introduced during the Onslaught saga, a whole mess I don't want to get into. Short versoin, Charles tore magneto's mind apart, and was SUPPOSED to simply have his darkest impulses released but instead they merged with magnetos because executives didn't want this to be all xaviers fault and back then treated Magneto as satan for some reason.

So as a result the goverment got charles, and the avengers and fantastic four were presumed dead but put into a pocket dimension for an ill advised attempt at a reboot of the avengers and fantastic four. So everyone blamed mutants for their "deaths", and thus Bastion was clear to start operation zero tolerance. Bastion was nimrod, a sentinel from the future that got merged with a modern sentinel that hyjacked him then sent through the seige perilous, a magic portal created by merlins daughter that can basically reset a person. No memories, new life. So he became bastion, and due to his sentinel programming set up ozt. There was also some good build up as sine he was using graydon creed as a puppet he killed a reporter.. and it was one of J Jonah Jamesons guys. So JJJ became a major recurring character, refusing bribes of tasty info on the x-men to chase him down.

Sadly the payoff.. was a mess, spread across most titles at the time. Half the x-men were in space, long story, the other half got captured and were shunted to wolverine adn the main story focused on a returning iceman. The plot for the main books was decent, bobby forming a team out of desperation out of marrow, former enemy with bone powers and Cecila Reyes, a surgeon who didn't want to be a superhero but got thrust into the life, as they fought the omega sentinels.

Then the ending was just... the goverment calls it off thanks to senator kelly, bastion fucks off and outside of the mansion getting scrubbed of all it's tech and a few new members this just kinda.. happened to the x-men. As the recap showed this verison dosen't do that. It beefs up bastion's backstory, makes the omegas a huge threat, and has all the x-men involved. It's a massive improvment over the original and only keeps the bare bones premise while grafting on the genoshan genocide shockingly well.

It also grafts it onto another storyline for the finale, Fatal Attractions. There's no boiled bunnies and I have no idea why it was called this. Fatal Attactions like Operation Zero Tolerance, has a goo dpremise: Magneto returns and does an emp on the earth while giving his new followers the acolytes sanctuary. The actual story... blows. Magneto is treated like a cardboard cutout of a villian instead of the complicated figure claremont made him into, only punishing a foe for killing hospisce patients with disablities because he didn't allow it. It... it really shoudn't be that hard to knwo Magneto wouldn't tolerate ethnic cleansaings of mutatns who had down syndrome. As such the whole things muddled, not very fun to read and really only notable for it's climax: Magneto tears out wolverine's adamantium, revealing his skeleton to be boneeeeeeee while Charles relatilates by mind blasting mags into a coma.

Like OZT 97 takes what was a very good premise and uses it well: both versions of FA have an x-men defect but while Colossus defection is clumsy, his sister died but it still feels horribly out of character, Rogue's was set up through the whole season, with bright eyes showing just how bad a place she was in. Sunspots is a bit flimsier, but still fits well enough. It dosen't waste the idea of magneto coming to the various mutants to recurit, something the comics at the time did with no one but pitor accepting.

It also has mags pushed father and still kept in who he was: this is seen as a nightmarish action even for him.. but it's after humanity subsisded the genocide of his poeple and after he genuinely tried for better. So him going this far and doing what he doe sto logan fits, especially since here Logan tries stabbing him in the heart... which also feels more on brand and Logan never trusted the man unlike the comics.

THey do do a nice swerve though: While one would assume charles would leave Magneto a vegetable leading to onslaught next season, though I wouldn't mind a better version of that.. instead Charles only hyjacks magneot out of desperation then works to restore him. As a result instead of leaving his best friend a vegetable, he saves him form himself. A better ending to a better storyline.

The end of the season hints at one or two stories, Cyclops and Jean's adventures rasing nathan in the future and Gambit's stint as Apocalypse's horseman death, but for now it adapated a fine crop of stories well.

So with the overarching story, themes and connections to the comics out of the way, let's dive into the cast starting with my boy

Magneto Was Right

Magneto is my faviorite mutant. Said it before, will say it again into infinity. A complex tragic figure who can be a compelling villain and an anti hero tortured by what his long war of attrition with humanity has cost him. This series does both and does them well. David Hemblen is probably the best animated Magneto, and one of the best up there with MacKellen and Fasbender.

97 gets mags just right, having him be arrogant. He slides into the series not happy to be an x-man, only doing it as a favor to Charles essentailly and berating the x-men for not thinking to relocate the morlocks to genosha which... to be faiiiiirr.. is entirely on point. Yet it's clear he's done some shit. The series leans into the retcons from later in x-men the animated series, that cyclops and the original x-men fought him. He's never portrayed as nearly as bad as he was in the silver age, enslaving teenagers who ended up being his own kids, but it allows for the deadly threat magneto presents to be amped up. It's very clear he's holding back. He'll pummel the friends of humanity but he will not kill.

It allows the full Magnus: terrifying ot his enemies, but having nobility. While he treats it at times like a frustrating errand his best friend/probably boyfriend at some point, the sexual tension is palpable and remains a constant for x-men adaptations, he does geninely try. His speech to the un isn't just a veiled threat that "I WILL go back to hunting you assholes for sport" it's that he dosen't want to. He dosen't belivie in charles dream.. but WANTS to see it acomplished. He lost his best friend to his space girlfriend, and WANTS to try and acomplish what charles couldn't. Not to one up him.. but because it meant so much to charles. In the original cartoon he may of seen the x-men as fools at times.. but respected their idealism. Same with the comics: he may see them as lambs to the slaughter.. but respects that they will fight anyway. So he will join them, he will lead them and he tries.

Magneto... is not a good fit for leader of the x-men though. He can't put aside that arrogance. While Charles was demanding, XTAS dialed down his control freak nature. He dosen't demote jubilee to a junior squad or yell at cyclops for treating a group of adults like adults, and that's not even getting into his many horrible deeds later retconned in, he is commanding but will listen to his students and learn from them. He lets logan wander off or cyclops leave in a rage because while he'd prefer they stay he can't FORCE them to, as much as he's capable of the act. Magneto is more used to worshipful masses who hang on his word. The X-Men.. can manage themselves. It shows most glaringly when Jubilee has her birthday. Everyone else understands the need for a day off. But Magneto, who sees every action as a war and lost his childhood to auschwitz, can't fathom why Jubilee needs that break and denies it for her out of a combination of that and not being able to meet the x-men at their level. While Cyclops has that issue at the start, constantly being on guard, berating the x-men for relaxing and Gambit for not going on a mission he wasn't really NEEDED for in the first place, he realizes he was a tight ass trying to roleplay his dad and backs off. Magneto never gets the chance. Magnus is a good man.. but he has too much ego to ever see the x-men as more than his soliders instead of his teammates.

I do wish we'd gotten more of him as leader, the clachses inherent in that, and that motendo actually called him out as while Jubes wanting to ignore change isn't good, not letting her relax is still not great.

We do see just enough though: he is trying, does take this seriously and does want it to work. When rescuing the morlocks he's kind with Leech, their youngest, smiling at the boy and assuring him he'll be okay. He tries to assure scott less out of ego and more because he wants the man to get to livfe his own life. Despite his shortcomings he tries to lead as most of the team dosen't really want to and the most capable (Scott, Jean, Storm) are all going thorugh some stuff and not in the headspace till much later in the series.

Magneto tries to be better. He even finds a good compromise between dreams: Genosha. A place of peace for mutants that would be easier for humanity to adapt to some day if they so choose. Mutants have a homeland and saftey without bloodshed. It's not Magnus dominon or Charles full acceptance but it's nicely in the middle: Saftey, security, and peace. Just as Magneto dropped his dreams twice for Charles, Charles could not begrudge Erik taking a peaceful path to his own. As much as the UN has a hardline "hell no stance" to the idea, Magnus/Erik/Jimmy The Reach almost had his dream. A bunch of hardworking mutants forming the future of their kind.

And then... the dream ended. Bastion killed millions and leech, who was in genosha thanks to him died. Despite his power... Magneto could do nothing. He fought, he gnahsed.. and he only survivied because Bastion wanted him as a trophy. And in the aftermath he finds mankinds allies like val had a knife to their throat this wohle time, Bastion was merely the one to plunge the blade in.

And as Warned.. magneto lets them down, plunging earth into darkness and planning to let it die. He's lost the hope he had and i'ts replaced only with rage. The rage of a man whose parents were murdered, who saw his people lined up in camps, and who sees the same all too close to happening. And he has onlyone word for it.

ENOUGH

He takes Rogue, i'll get into that whole mess of a relationship and roberto and has.. no real plan. When you look at his other apperances in the OG.. he had genuine thought. Destroy a plant to make them pay, get away from humanity so they stop hounding us, end times war. They weren't always stable plans, but he had one. Here he just plans to wait until everything else dies and figure otu the logistics later. It feels like Magneto has no mission, that this isn't another grand strike against humanity, but a murder suicide: he's taking the planet with him content to rot on an asteroid with those few he can take with him.

It's why charles plan to talk to him.. dosen't work. Granted "Talk magneto down" has NEVER worked for him, but Magnus dosen't want to talk... he wants earth to die. While Charles microwaving his brain isn't plesant, it's the only way to get through to him. To remind him who he was: a kind empathetic german man who'd been thorugh so much.. and who isn't alone. As reluctantly as they were to accept him, the x-men welcomed him into the family and tried to let him in. He accepted them in turn. His kids, including Polaris. He's not alone and thus he backs away from the abyss with a rousing MAGNETO LIVES and saves the world. Granted like most of these stories it's not over, there's more ground to cover next time, and the comiccon footage apparently featured another trial. But at least a man who lashed out at the world constantly and angrily, and often justifably, has found peace. Will he be able to keep it? We'll see.

Rogue and Gambit: A Romantic Tragedy

So Rogue and Gambit are one of the premire love stories in x-men... two people with checkered pasts drawn to each other but who can't touch less Gambit die. Granted man a fan will tell you "worth it", but I get Rogue not wanting to murder him with her vagina. Understnadable. Thankfully they've found workarounds and after a decade or so apart married and despite various obstacles, have stayed that way up to the current run of uncanny x-men.

In the show.. we're still in that will they or won't they. XTAS danced at the edge a few times but while it was allowed to have continuity, they weren't allowed to pull the trigger on something that big. 97 decides rather than do that to add some good old fashioned xavier's brand suffering on top of their already hard lives.

The Gambit Rogue Magneto love triangle.. is bad. In the comics it wasn't great: Initially Rogue and Magneto was done and done quick: She was attracted to him during their savage land adventures, it's implied since she was depowered at the time they slept together, she turned on him when he slaughtered some people.

But then age of apocalypse happened, a reality where despite the age gap, they married, and canon tried to make it a thing, first with his amnesic clone joseph then in x-men legacy when it happneed but when the writers switched, Christos Gage wasnt' itnrested and slowly broke it off. And before that it was clearly more just physical.

So yeah.. it wasn't exactly the best idea to begin with. She's about as old as one of his children and writers coudln't quite make it work when tried. 97 couldn't either: In hindsight Magneto comes off more as the hunk you have a character in a romance series get with for a few episodes, the sexy bad boy to contrast the guy she ends up with. Other guy may also be a sexy bad boy, as is the case here, but he's the less destructive one. As Chandler's mom on friends put it "He's a complication you put in then kill off".

And look that idea.. kinda works for me: Rogue finds someone who an bypass her power and thus it puts her need for phsyical intamacy against her emotoinal connectin wtih remy. It's a good foundtation. The problem is Magneto ... does not make the best sexy bad boy romantic false lead. He's a foxy grandpa, we all know this and accept this. He's got abs for days. Magneto being sexy is not the problem. Magneto has been a sex machine since the 80s.

The problem is the age gap. Rogue is in her late 20's early 30's. Doing the math since the comics have him born in the late 20's, I went with 1928, and subtracting that from 1997, when the show takes place we get

Which is nice, but also means he's twice her age. The two's romantic past is teased at and then revealed later: Sometime in her 20's Rogue took her to magneto.. and there in lies an issue in itself as the timeline for Rogue in the OG is very vauge. She was 13 when she kissed her childhood sweetheart, comaed him, and was adopted by mystique. XTAS does use an adult model.. but more for budget reasons, making it very hard to know when this happened or when Magneto wooed rouge, making many think he was a pdeophile. He wasn't, the writers cleared it up she was 20.. but he still would've been 50 or 60 by that metric. It's still a bad look. I love Magneto but my god is it a horrible idea to have him boink a 20 year old who was also vunerable and hadnt had sex before. Saying he groomed her... isn't entirely inaccurate. She still got out and was older, but he's still old enough to be her grandpa. This was not thought through at all and instead of this possible rugged sexual romance it comes of as

I don't know how the hell they got this far with this storyline but ti's bad.

The actual Rogue and Gambit stuff works better. She wants to be touched and while she was willing to play along with gambit's flirtations, it's a genuinely hard choice between a romance where you can never touche the other person , and not just sexually, and one where you can have that.

Both Rogue and Gambit are trapped in this stupid love triagnle for four episodes, with Remember It paying it off... and while I hate what they did with magneto, the whole focusing on an overwrought romance storyline.. works. With how much it's firing up you dont' see the hammer coming till cable arrives and by then it's too late.

So we've come to Gambit's Death. And it .. is amazing. It was a shock, as I went into the episode blind and while my smug ass had predicted the genoshan genocide would happen this season, there were plenty of hints with the fact genosha existed at all, the sentinal spooky jean dream. But I give it to DeMayo: He had this twist planned, and hits you like a truck.

As for why Remy that's simple: it'd hurt. It'd hurt bad. He was the sarcastic playboy of the team, making bengets in his bitching crop top. As much danger as the x-men get into no one thinks they'd kill one of their biggest characters. And yet.. they did.

His death is perfectly done. Remy gets stabbed with rebar, and rather than go down easy.. he simply cooly delivers his one liner and lights up the whole damn snetinel, knowing it'll kill him and likely the only reaosn he hadn't tried this trick before. There's no way he could charge something up that big and be healthy enough.

Now again Remy could come back, but a sa ghouslish zombie it makes it more platable, a mockery of what Remy did.

So as the recap covers, Rogue handles things poorly, putting all her energy into getting revenge going on a sterling archer level rampage tearing apart the military , throwing Steve's shield into the distance and getting colder and angerier with each action. Instead of letting herself greive she's thrown herself into her rage, and while unlike many a senseless death she can in fact punch those responsible, it's not going to bring him back. She's forced to reckon with this after brain jacking gyrinch, who is summiarly murdered by bastion as a sloppy loose end

But it dosen't help.. but even her brother's support, getting her to greive.. dosen't fix the pain. So when Bolivar trask, who while coerced into it by Sinister and Bastion still has remy's blood and the blood of millions on his hands, reveals he dosen't have anything else.. she lets him drop. And when questonied on it by everyone else, is unapologetic.

It's here I have to give Lenore Zahn all the props. Out of the returning cast she gets the most to do this season, the most challening material and she nails it, nicely oscelating between pure grief and pure rage. The grief she sadly had help with: her niece died and she channeled that grief into Rogues, and it makes it all the more raw and painful. The rage.. is all her and well done. It makes Rogues eventual if brief Heel turn, and a mild one at that, all the more belivible. She hasn't had time to proces and unlike most whove lost someone actually CAN blame someone. It's a miracle Gyrinch made it out of their encounter alive and likely ONLY because the memories overwhelmed her.

So it's not a remote shock when one brief coma later... Rogue joins magneto. There's no romance left, thank god, just pure rage Erik gleefully accepts. She's willing to turn her back on all she's belivied in, a better world, the dream.. because the dream.. let her down. It killed remy, humanity has given barely a fuck after genosha, and humanity gladly funded their extinction. She's done. It's horrifying to see.. but every step we saw coming. The best and hardest part.. is that it's not because she was with the brotherhood once. They put her in her brotherhood uniform from the comics, her first uniform as an x-man there too.. but this is soley because of who she's been as an x-man: The love of her life who she realized too late she was ready for died fighting for the dream she truly belivied.... and all it did was wake her up.

She does fight her friends when they arrive, too blinded by grief and rage to see "wait are we the baddies" versus Roberto who is clearly regretting this decision. But it says something to who Rogue is.. that she turns back pretty quickly. Once Magneto's down she snaps back. You could say this is a bit convient.. but the x-men really don't have time to hash things out with her. She's family.. and not the kind who will lambast you for being part of the woke mob, I mean the kind that's built so heavily, that's such a part of you it's hard to let go. Neither side had trouble fighting, but when the world's at stake and she's had time to realize, Rogue snaps back to being a hero. Because heartbroken , pissed off at the world or a little of both.. that's who she is. There will no doubt be consequences to her actions and more recriminations later. Turning her back on her found family can't have gone down well.. but when they needed her she returned to the side of good and fought hard. Granted she also got to beat the shit out of bastion for killing Remy, so that helps, but it's still nice. And again like with Magneto and most of 97.. things aren't really wrapped up. They knew they had at least one more season. We can unpack those consequences next year in another large review that will drive me to the brink. For now it's a solid ending. So now for

The Summers Piror Howlett Knolastname Love Pentagle

Yes I'm covering 5 characters in one section as outside of morph, whose mostly wolverine's best buddy whose secretly in love with him this season or there for cool cameos, their story arcs for the seasons are entwined with this tornado of romantic drama. even Morphs one real personal moment gets thrown in. Scott apparently go one reality without falling ass backwards into a love triangle, diamond or in this case rhombus. Except that time he was in an open relationship. God I miss Krakoa. They never did fully adress if Wolverine and Cyclops boned. LIke even if it was a threeway they had to have made out once. I mean right? Right?

Anyways this big ole love rhombus comes from a set of complicated circumstances only something this gloriously comic booky could make work, something so soapy only the x-men can rock it. So we open the season with what we thought was Jean and Scott having a baby. This is actually Maddie and for the sake of clarity we'll be using the name. But as I brought up in the recap this maddie is really more a second jean grey: she has all of jean's memories, feelings, relationships, all of it, and had NO idea she was replacing her.

So the first two episodes are about Maddie wanting to try for a normal life and Scott being reluctant. And the reason is simple: He's never had one. His dad is a space pirate, he has two brothers he dosen't realize exist, and his mom was killed by an alien emperoror for refusing him. Being an x-man is his life: charles recruited him from the orphanage at 15. While he didn't have to murder a diamond man in this continuity who charles rescued him from, he still had a life of not being accepted as a mutant with his family presumed dead till his new dad showed up and gave him purpose: A shiny new team to lead that ended up helping him meet the love of his life, a noble goal.

The problem was while Xavier MEANT well, he also trained Scott as his most loyal soldier. He realized too late that he'd made Scott's life entirely about leading, being the x-men being the best because it was all he ever had. Scott was the son Charles never had ,as far as he knew legion could still pop up, and he treated him well.. but he also gave Scott the same singular drive to put the dream over everything else that destroyed most of Charles personal relationships and will again. Despite their own doubts.. the x-men WOULD have been fine without him. Storm has proven at this point she's a great leader, if she wouldn't I'm confident Rogue or Beast would've stepped up. (for the record, Morph dosen't want the role, Wolverine's too much of a loner to lead the team full time even if he has the potetial, Jubilee isn't ready and Gambit dosen't want the responsibility. But he's too busy trying to BE his dad to notice; to be charles: exacting, loyal to nothing except the dream.. but shutting everyone out. The first episode is all about how Scott's let the stick go further up his ass than usual, getting Mad Gambit skipped a mission.. .that they handled fine with just three x-men, one of which is easily their strongest. Logan lays into scott with a purely cutting line that despite Maddie trying to assure him he did fully mean

What Gyrich did was pretty horrible, but you wanna know the worst part about the professor being gone? YOU

Frankly.. he's right. Scott is trying so hard to be charles he can't be himself. We see him doing best as leader during "To me my x-men" when he's being himself: in the opening he's tactical as hell, but respects storm and bishop during the rescue. In the climax of the episode, he has the team work to their strengths and let sthem relax. Scott isn't a bad leader, but had to accept leading isn't barking orders but trusting your teammates while knowing them well enough to use their skills.

Speaking of skills let's talk about Scott's glow up in this series. Now Scott Summers still fucks up plenty perosnally. We've got way more to cover, you've seen the previous seconds, he's a fucking mess. But that's.. normal for the comics. Most of Scott's fuckups are taken from there: Scott emotoinally repressed himself to a painful degree and thus isn't good with relationship stuff. He can love, he and Jean and later maddie clearly love each other, but it's hard for him to open up and actually.. talk about his problems, so he buries them for the good of the mission till they explode and smack him in the face.

97 captures that well while ballancing it with his other sides; Scott can be funny on occasion, gettin ga few good quips, the best being when his son whose older than him complains abou this uniform "what'd you expect black leather" he can be quippy and have fun, while still having severe issues. It's never over the line that it's not scott, but it's enough to reveal the dork underneath the layers of trauma.

Previous adaptations have not been kind to scott. It's why Scott's known as the boring one for most casual x-fans. Even as a kid I thought that. It wasn't till reading Gilleon and Claremont's work I saw what scott could be. Many a writer in and out of comics focus on Scott the tight ass: XCU Scott , despite being played by the talented James Marsden, is a pretty dry guy whose entirely personality is "get your hands off of my woman mother fucccckeerrrrr" and then he dies. The second scott had potetial, but was reduced to Jean guy for Dark Phoenix, and his actor was one of many who had just given up by that point and I still dont' blame them. In the predecessor to this series, Scott isn't as bad but is still stuck to being the killjoy in a cast of more intresting characters, not helped by Jean being so much worse. And wolverine and the x-men makes him into a morose man with a Jean obessesion. YOu get the pattern now: outisde of evolution most cyclops are jean simps with little else to go on. XTAS is better, having episodes focusing on his orphan past and a neat solo episode or two. While he can be dry, the series did try to flesh him out and give him more than saying his girlfriends name a lot. He did say it a lot but he had ore. Evolution got him right before this as while him pining after jean is his main subplot he does get reuinted with his brother, have a close friendship with kurt, and show he IS A GOOD LEADER.

97 on the other hand shows all of scott. He can be funny, troubled.. or a total badass. 97 Relishes in letting the cast show off and Scott really gets to flex. In said first episode he takes out racist with a not joke, uses his powers to clear the field alternating between his optic blasts and good old martial arts for the colose quarters and cumilates it by , when lacking a parachute, USING HIS OPTIC BLASTS TO MAKE HIS WAY DOWN WHILE SCREAMING. This one episode does more to show how capable scott is than any previous adaptation and honestly does more with his powers than the comics often do.

So back to the summary and Scotty let's go, and plans to leave. Then his dad throws a well meaning but tone deaf curveball: he gives the school to magneto, meaning Scott refuses to leave because Magneto's in charge even though everyone's dealing okay and this isn't an evil plan. Maddi'es frustrated, but has bigger issues as during the assualt on the un she goes into labor. The labor goes fine once Rogue steps in and Scott's there for it, and gets a break. He gets to see his son born, Nathan Charles Summers and despite what happened with storm, is ready to move on. He can trust magneto.

Then of course, as usual for scott Life kicks him in the balls 37 times: Jean shows up at the door.

It's here we can talk about Jean and Maddie a bit more. Maddie wants to leave, but i'ts clear from Charles gifting the school to magnus the original wanted to too.

So after Jean arrives, Beast determines she's the original and Maddie isn't. And the X-Men. ... handle this poorly. I've talked about this a little but in one of the weakest parts of the season, they ALL turn their backs on her. They just kinda.. stand their gaping, not really willing to talk to her, and while she could be an imposter.. they don't know that. Someone could've faked it or "real" jean coul'dve been kidnapped years ago. They don't know enough to not say anything and it's weird. I feel Storm was shoed off so early, besides pacing, partly because with all the talk of her and jean as sisters, she'd actually defend maddie.

And Scott.. fucks up the worst. He says nothing WHEN directly asked. When Maddie needed him.. he froze. And this.. all goes as plan as Sinister was banking on the x-mens being immotinally tone deaf and confronts maddie, stealing Nathan and turning her into the Goblyn queen.

The back turning does work a bit though as it makes Maddie's rage, amped up by sinisters brainwashing similar to what he did to morph, entirely beliveable. Her family turned on her despite the fact that, as we find out.. she'ss also jean. She has all the memories, all the attachments everything. And her family turned on her for something she coudln't know. While her reasoning for working with sinister is brainwashing, I suspect he barely had to push to get her to fight her family.

And like Scott.. this series does jean better through both of herselves. Jean also gets the short end of the stick: Her XCU counterpart is pretty good up till last stand, ditto for her second version played by sophie turner for apocalypse and is one of the few bright spots of dark phoenix. But her others... not so much. The XTAS jean was often helpless, screamed a lot and got kidnapped.. not as much as you'd think but still more than someone of her power set should. Jean gets reduced to one of two things too often: a sexy lamp for scott to angst about, or PHOENIX.

97 has her realtionship with Scott AND her status as phoenix crop up, but it's not all of her. We see who jean is, kind, compasionate, well loved.. and badass. Maddie gets to show off first, her fight with the x-men in an old church being a through curbstomp and before that her mind grab of gyrinch. Her using stain glass to fill magneto with holes is the highlight.

It's ironically Jean that beats Maddie, but through said compassion. Jean is in a coma after escaping, or being let go to cause chaos, and only wakes up thanks to Logan. Logan had a not at all subtle crush on jean throughout all of XTAS. it was honestly deeply unhealthy and not really reciprocated. It was implied once she had feelings but that's about it, pretty much lke the comics before new x-men.

Yet now.. things change as what wakes her up is his deep feeling. Am I saying this message is healthy, that just pining after someone's wife and one day they'll notice you? Fuck no, I don't think they thought that through, but a later part shows thorugh all his moping about jean leaving, Logan loves HER, and wont' stop her happy. He could've said he didn't want her to go or done something.. but he didn't. Well Maddie to go but he thought i was jean and so did she

Logan.. is left ot the background in 97. He's not out of focus like Beast, Morph and Bishop, he gets this subplot with jean, plenty of great interactions with Kurt once he joins, and is often his usual surly voice of "just stab em already." he's also happy to celebrate Jubilee's birthday and I feel we were robbe of seeing logan play laser tag and arcade games. This isn't a bad thing as he still gets to snikkt, be put on merchandise (including an x-men 97 i'm wearing right now), and get stuff to do and while cal dod's voices is ntoicably lower it dosen't really hurt his performance any. We get all the wolverine we want.. but he also dosen't take up the oxygen.

Before jean can process that though she has to help her clone, heling Maddie realize she's a person too and has one thing jean dosen't: Nathan. Maddie snaps out of it, she was tricked, we were over this and after bidding nathan goodbye.. leaves. Jean does offer her to stay.. but she needs her own life. Her friends already made it clear they don't see her as jean with their inital reaction, and as far as she knows, Scott would choose "the real jean".

So a month or two passes offscreen

Maddie has moved on with her life: She's joined Genosha's quiet council which has people she knew as Jean but won't constnatly compare her. She's doing something good. She's also dooing scott.

Yeah I mentioned the affair earlier and like I said it's a bit better here: Scott isn't manipulated into it before setting into things and there's more shades of grey. While Scott SHOULD have broken up with Jean, we established from his freezing on maddie in the first place that Scott.. is bad at emotoinal stuff. It dosen't make it okay for either of them, it's clear he realized maddie was still a person and what they shared was still real.

Thing is while Jean's right to be mad at Scott for not just.. breaking up with her... we didn't really get into how much of an asshole jean comes off. Keep in mind sh'es being cheated on with her husband... yet moments before in episode.. she tries to kiss Logan. It's clear she also has feelings for someone else, tried to cheat, and only didn't because Logan knew it'd be wrong. Granted he also projected that her and scott's relationship is going great when it very much wasn't and it's also very weird he just kinda.. tunes Maddie's existance out. There's a second Jean out there and he just.. has no reaction. Guy either has major tunnel vision or really does think he's that unlovable that any jean would prefer scott. Probably both.

So while Jean is right to be angry.. the fact she nearly cheated and what she sasys about Maddie drains the sympathy out of me. She says "Run off to genosha with my clone". Again Maddie had NOTHING to do with what happened to her and was technically with Scott too. I'm once again not saying the cheating was okay, Scott should've broken things off with Jean but was too scared to. It still wouldn't of been great for Jean to be left at bad time in her life... but if Scott is intrested in someone else, let alone another Jean he should tell his wife and actually talk about it instead of waiting for it to blow up. He's honest about how unhappy they clearly are after everything when Jean fights with him.. but only AFTER he was caught. Neither Summers comes out of this looking good: Scott couldn't be fucking honest, and Jean is a hypcorite who unpersons her literal other self simply because it's now convient to do so.

But like most of the romantic drama in this series, genosha hits it like a brick and in a heartbreaking moment... Maddie is wiped out with her son failing to save her. And as we find out later, Nathan has tried this again and again despite knowing it's a fixed point in time. And while I feel weird about bringing up kamar tahj, as it's a wholly mcu thing, I'm fine with this mcu point being added here. The idea some things happen and can't be taken out without destroying time. Genosha is so foundational to this timeline now Cable can't save his mom. And yes we'll be throwing nathan in here too.

Maddie's death wakes Jean up and she feels genuinely terrible for how she thought of her, realizing they were sisters.. and now she's gone. Granted Maddie COULD pop back up, though I mostly feel that's possible since we never saw the body or the death onscren. We saw sebastian shaw and banshee get desntigrated. We saw Remy's corpse and even that's not going to stop him from coming back. I do get the reason for Maddie's death, the suddeness of all this potetial storyline and her whole life going away... but I do hope she comes back as she was a great addition.

Jean and Scott's crumbling relationship is tabled for the rest of the season, their sorta together, but simply don't have the time to talk about how damaged their relationship is. Instead Jean while getting some awesome fights, mostly takes a back seat for

THE SCOTT AND NATHAN SUMMERS DADDY ISSUES HOUR!!!!!!!

Cable is back for the end of days and cold to his dad for sending him into the future. Scott puts all the blame on himself, when he had no choice and Bishop and Nathan got seperated. Scott Summers worst enemy as always is Scott Summers, unable to forgive himself for something he coudln't stop or see like his own dad he didn't abandon him on purpose: Corsair thought Scott died, and Scott had to send nathan away or watch him die.

Thankfully he lightens up as he goes, with the blaack leather quip and all, realizing it's likely not all his fault. It woud've been nice if we had this revelation on screen but still. Scott still has daddy issues to spare though as his dad is back from space.. no not the pirate the psychic bald man.

Charles returns, more on that later, and while for most of the x-men it's a relief, Scott feels once again abandoned and pissed about Charles trying to give him a normal life. Which.. is fair. While a lot of it is Scott almost had one but turns out Sinister would never let that happen, Charles.. coudl've left the WHY he left it to magneto in the will, especially since you know Scott read that thing front to back ten times to try and figure out why Daddy seemingly didn't love him anymore. He also did so without Scott's consent. Granted blaming Charles for Magneto is a step too far as .. no Scotty, erik tried. It was genocide what drove him to try and destroy the planet.

So the couple seperate to go do what they need to do: Jean takes Nathan to go after Bastion, Scott goes into space. And Scotty leaves the season with one more fuckup, if once again one you can understand. When he hears Jean almost die, he stops the team from finishing magneto to give her more time... which results in logan trying to murder Magneto and Erik ripping out his metal. It's something that will likely fester, as it's hard to see Logan forgiving this entirely. Yet at the same time... Cyclops words to logan as he's fighting to repair himself.. make it clear he know who jean REALLY loves now... and it'd break her if he died. "SO live".

Scott in this series is engaging: He's a badass.. but also all too ready to fuck up.. but instead of being because "he's the leader maN" like the past it's because.. he's mortal. He's fallable. He fucks up but it's in ways you can understand from his guitl complex to his issues with charles. He's TRYING to do the right thing but his need to do so combats with the fact life is complicated and mutant life doubly so. He ends the season in a place of peace shockingly.. when thinking he'll die he has jean let him contact nathan, making peace with his son and himself. He dosen't and may get that chance to raise the boy he thought he never would, but I can't wait to see.

So onto Jean, who at the same time had an awesome fight with sinister, throwing a whole bowling alley at the motherfucker. Sinister activates his tramp mutant old man and Cable nearly kills her... but then we get a conviently timed deus ex machina. Now look.. Jean getting the power of the phoenix again.. dosen't make a ton of sense, comes out of nowhere, and is a pretty giant ass pull. That said... Jean collaring bastion and then stripping sinister of his dna leaving him a withered husk, after everything he'd done to the summers family. Cathartic as hell. Jean's story dosen't get a bow or anything, but this series does her well.

So that leaves us with two more to tackle. The first is Nathan whose not in hte love triangle for obvious reasoons but is the result of it. Cable is just kinda there to resent his dad, give us exposition and be a tease for next season. He's played well, fun to watch and that tearjerker with his parents hurts. But he's there. Look foward to seeing x-force next time. Not a super fan of the team but it might mean getting to see sam again.

So that leaves just one more: Morph. Morph mostly sticks to the background, his role early on being "Logan's best friend". But it's a fun role to see as with Nightcrawler not coming in till mid season, this Logan.. doosen't have many friends left. He's sorta friends with Storm, Gambit and Rogue but keeps all three at claws length, figths with scott constnatly, pines after jean and sees Charles as his dad but won't admit it despite being way older than him. Jubilee and Beast are the only ones on the team in the og he really seemed to like and actually admit it to himself. Hank, similar to nightcrawler in the comics and this series, breaks through and makes him laugh and Jubilee is like a daughter to him. Morph was his best friend, the series shows just how close there are and when Morph ran off, Logan ran after him till it was clear Morph didn't want to be found. When Morph returned to the team, Logan helped him face his fears.

So here we get to see them in their natural state... and Morph helps. He instantly sees Logan's pining moping about jean and mocks it, but in a way to get Logan out of it. When it seems like Jean's actually leaving, he offers him beer and when that dosen't work, turns into Sabertooth for a round of horseplay. You see how much care and trust is there.

Morph does get a LITTLE more to do. While their main role is using their upgraded powers to give us cameos for characters they coudln't squeeze into this season, but to tease them for presumibly future adventures in cases like Magik, their clearly rattled by sinister and gets the last laugh when the motherfucker is deaged. When Sinister has the nerve to ask for his old face... Morph gives the new one and clearly takes delight. Morph is great here and Karlak is an improvment over the original.

That said there is a tease for next season as it's revealed Morph isn't just friends with logan.. their in love with him, saying so while shifted as jean to get him to fight on. They likely knows Logan dosen't feel the same way, either because he's straight or simply dosen't feel that way if he isn't but wants him to get better and I hope next season they gets more to do.

Lifedeath: A Love Story

Storm is in a weird place in x-men 97: She's both the center of a major arc, one of the seasons best.. but as a result is gone for most of the season outside of said arc and takes a back seat in the finale, with things being so dire she never gets a chance to react to the maddie thing and being on defense during the raid on Bastion's Islan means she isn't really a factor in the final battle. While most of the team still concious get to kick bastions ass, I don't remember Storm getting ot do much .

That said it ends up working and was sadly necessary: The cast of X-Men 97 is MASSIVE with the main cast containing around 15 major characters, some of hwom are only main for a few episodes but still get focus like Cable or Forge. Even taking them and Roberto out and sticking them in recurring, that's still 13 x-men to juggle. The show does so decently: Nightcrawler dosen't show up till halfway through and joins the team in the wake of Remy's absence, they split the team in two for the big climax with two members having joined team wait to die slowly, they juggle decently with only Bishop feeling like a plot device.

So Storm gets plenty of presence in the first two episodes, takling with Jean and cementing their friendship. It was implied in the original series but 97 does a good job making it feel real in a short time. She calms down maddie (Who both parties think is jean at that point), and admits her own wants to be human once upon a time. It's a good idea to struggle with: that your proud of who you are, but can wonder if it would be easier if you weren't. I'm a proud bisexual, but preferring women and not dating a lot in general it'd be easy to hide that. I never HAD to tell my family.. I just wanted to. I wanted to be who I am. Not every queer person gets that option, and it's that pull of living saftely and being who you are.

And storm gets the option.. in the most horrifyign way possible. Taking the energy ray thing for magneto, she looses her power... and is devistated as anyone would be. For many mutatns their power is a curse: Rogue can't touch anyone, Scott can't look anyone directly in the eye without decapitating them, Beast accepts his but hates how he gets prejudged for what he is. There's even that mole guy from XTAS who gets beaten to death by a mob despite having no powers except looking like a mole.

For Storm it's a gift: not feeling the currents, the weather... it feels like one of her sense are gone. THUNDER, startles her because she can't sense it. It's a metaphor for someone loosing a sense in an accident, something that could make you you like your sense of hearing. I"m not sure I could take loosing mine and loosing music.

So Storm realizes she can't figure out who she is NOW and be an x-man and leaves and finds in a texas bar Forge. As I covered before Forge.. was barely a thing in XTAS. He was mission contorl for bishop, head of x-factor, who he left between series, and helped out during the phallanx covenant two parter.. but really never bonded with most of the x-men or did anything.

97 takes advantage of that to flesh him out: He has a small house with a big lab taking up the basement, left x-factor, has been in the goverment a long time and is clearly attracted to ororo. Their chemistry feels natural here, both strong capable people who are drawn to one another by their free spirits and reliance on their gifts. Forge is everything to him too. He also has lost something and had to get used to a replacement, something not usper called attnetion too but still present in his prosetic leg. Granted this being a superhero universe, his leg is a super leg he built himeslf, but it's still not the same.

As discussed.. he's also the one who in a way is responsible for Storm's predicament. He's able to counter the neutralizer tech.. because he built it. The scene where he reveals it is powerful, and again a massiv eimporvment over lifedeath, with Forge admitting it and his guilt and rightfully being called out for lying.

Unlike the comics though... Storm's forced to work through her issues with forge right away. She plans to run.. but then the adversary shows up, forcing her to fight her inner demons.

It's revealed that desire to be human.. is what's holding her back. It wasn't a thing of the past and the idea she can avoid the cycle of death and destruction that comes with being herself has held her back. The device worked.. but she can't stomach it. Storm has to confront this hidden part of her, something i'm sure a lot of ppeople deal with: a thought about yourself you can't stand because it's so vile.

It's only by facing this and her issues with forge, going to get Daniel a cure, that she can be free from her literal demon and metaphorical ones: while the adversary tries to taunt her.. she realizes she was scared, it was tempting.. but she can't fall to that idea, that dream. Being a mutant.. is who she is. She can hide it but she can't change it... and she dosen't want to hide it. A moment of weakness dosen't make you weak, it allows you to become stronger and Storm soars out gloriously in her 70's costume. Sadly she does try to take a break.. but as we discussed... there's no time for that. But her development allows her to be what she's always been: a pillar for her friends, while acknolwdging she dosen't have to be just that.

Forge is pretty great, taking what I always loved about the character and throwing out the creepy undertones and bits of accidental racisim. His cheyne heritage is present, but not overwrought, he feels genuinely guilty about lying, and in general is a better guy. He's also a setup for season 2 as loosing ororo he tries to carry on her dream... only to find he may be able to save her yet. Also his name is daniel Lone eagle which is neat.

Jubilee and Roberto: Out and Proud, Closeted and Afraid

So for 97 Jubilee got a plot i'm shocked never happened in XTAS: Jubilee got a boyfrined. Part of this might of been a fear of serilization by the editors: Beast's one romance arc, while powerful and painful, was a one off episode, Gambit and Rogue was will they or won't they, and I get the sense they didn't want Cyclops and Jean to stay married after the proposal that ended season 1. The closest Jubilee got was Longshot, and he was still a grown man with hollow bones like a bird and not really intrested in her as more than a friend. Thank god.

So 97 uses this gap to help bring in a new face, one who was totally on the table for the previous series but was never used for some werid reason: Sunspot aka Roberto DeCosta

So cards on the table: Roberto DeCosta is one of my faviorite mutants. Hearing he was not only getting adapted but to the main cast was my main reason for checking out the series before the trailer dropped. Berto has been adapted before, but in very small parts with New Mutants being the exception.. and new mutants is so eh he wasn't really given anything resembling a personality.

Roberto was around before Jubilee as part of the new mutants, Xavier's previous class I planned to cover this mutant month but then this review took several days to get done. The New Mutants were the next generation of mutants, various aged teens thrown together with the intention of guiding their gifts but since the x-men existed, not with the intent of them being the x-men like last time. This didn't protect them from danger but gave us some of mutantkinds best like Magik, Wolfsbane, and two of my other faviorites Cypher, a teen who can decypher any launguage and Warlock, a delightful alien from another planet whose dad is trying to kill him

Warlock can and does use english, and is a good selffriend.

Only Wolfsbane, Cannonball and Warlock showed up in XTAS, as a bulk of the new mutants were out of the picture in the comics at the time: Dani moonstar left, Karma was left in comic book limbo for a while, Magma was written off and Warlock was throught dead but came back during the 90's. Wolfsbane got a voiceless cameo but the other two did get full episodes, Cannoball a decentl set up but badly animated episode about a shady goverment agnecy trying to recruit sam, and Warlock the center of the phallanax covneant two parter.

Roberto was nowhere to be found and thus fair game and honestly a perfect fit: With age fluctuations, Roberto and Jubilee have never been around each other or the same age long enough to date, though now their both nebuously in their 20's maybe Gail Simone will make that happen. Do it gail. Do ittttttt.

97.. just drops him in at 17 or 18, same age Jubes is as by this point. You see why the two click: Roberto is also prideful, fashionable and a smooth talker with tons of sass. It's no suprise he's visting just one episode after this and their making out and implied to go further what's implied to only be weeks later.

Yet they also contast nicely: While Jubilee was uneasy with her powers, by this point she's a proud x-man, in decent control of them and trying to guide Roberto through those rough early stages. She had disaproving guardians when her power woke up but soon found a new family in the x-men.

Roberto... has his birth parents but is dead afraid they won't accept him, something even queer people with the most accepting parents (raises hand) have felt. MY moms reaction was pretty much "Okay good for you", and I was still terrified of telling her, never mind my dad whose argument against gay marriage was "I guess I can marry my cat now". He was also shockingly accepting and at worst told me to make sure I use protection... which feels mildly insulting but compared to the rejection I was expecting i'll take "well meaning homophobia".

Roberto hiding it from his parents isn't taken from the comics.. but tha'ts only because his x gene activated during a football match after a racist winged him. Not for being a mutant, but for being afro latino. And yeap this adaptation once again falls into the trap of not making Roberto dark skinned. It's annoying and there's no excuse for it. Admtiely his skin color DOES fluctuate, but I still wish writers and casting remmbered this.

Anyways, Roberto is terrfied so he avoids the subject, though he sees a cronneberg of his mother during the nightmare sequence in episode 1. Gambit also saw Magneto and Rogue reinacting the finale of society.

Roberto's parents are changed slightly from the comics. Their barely being around for their son is accurate: in the comics his dad was a succesful 80's buisness scumbag and his mom a rainforest advocate. Their marriage could be best described as "He tried to kill her once and failed because the new mutants were around then tried to brush it off to his son as a whoopsie". Here they don't seem to be trying to have each other killed at least, but still aren't around.

One thing that is accurate to the ocmics is tha tin the long run, only one is important. In the comics it was his 80s buisness scumbag dad who later joined the Hellfire Club. Here it's his 90's fundraising scumbag mom. She seemingly accepts him coming out, having figured it out as he set a boat or two on fire. Classic Roberto. She accepts it.. but wants him to stay closted for optics.

So before we get to Jubilee starring daggers at her so hard it's suprised Mrs Decosta dosen't bleed out already, let's talk about Jubes one episode, Motendo. Jubilee dosen't get a ton of devleopment, most of it being simply the transition between series and into adulthood. Thankfully Motendo does a lot in only 11 minutes to give her an arc.

So it's her birthday but Magneto dosen't want to celebrate because he dosen't understand childhoods. Understandable given everything, but as we discussed he's still a tad dickish for his main reason for not doing this: he'd look rediculous. Still bummed we didn't get magneto doing lazer tags

So Jubes throws a fit in her room, as she do, mad at this and all the changes: clones, magneto, morph's distractingly bald head. She wants to escape into nostalgia. It's a nice bit of commentary, especially from a show that exists because of nostalgia yet chooses not to bank soley on it.

So naturaly mojo gave her a video game console and she ends up reliving her past hits. She clearly wants to stay while Roberto is like "babe we're kinda in mortal danger" and only him nearly dying snaps her out of it. Thankfully Jubilee can rescue herself.. or rather Abscissa, a copy Mojo made to playtest the game who both shows Jubilee her full potetial of her powers, a setup for the finale, and shows her living in the past.. isn't great. The future is scary.. but it's also full of hope. So Jubilee leaves, looses her virinity and all is well

Then genosha and that attempt to come out happen and Jubes is back to being pissy, but this time entirely righeously as Mrs Decosta is throwiing a ball , is salty at the x-men for the xavier thing and generally a dick. So Jubilee decides to spend her not mother in laws cash. They get captured.. and instead of defending her son, Mrs Decosta bascially tells him to go with them and had the emp not happened, Roberto may not of lived much longer. It's a horrifying scene and one all too painfully real: sometimes.. a loved ones love is really that conditional.

So roberto dosen't have time to process his pain and anger when Magneto shows up. Roberto joining him does feel less earned than Rogue, as he was more "Scared to be a mutant".. but still makes sense. Roberto knew his mom was ashamed of his gift.. but didn'tk now how far she'd go and hasn't had time to process this before a big scary man shows up and says "let her die son". It's very clear from the confrontation on Asteroid m his mood is "WHAT THE FUCK DID I DO? OH GOD OH GOD" and seems mildly relived to both reconcile with Jubes and get out of that.

He does level up, if offscreen, training before the three part finale and taking on bastion, finally taking on his comics name. While Jubes is served well enough by the season, though I wish she had more outside her boyfriend, Roberto's arc feels mildly rushed. They can do more going forward with my boy, including a possible evolution into the strategic badass with a love for the mission impossible theme he is now in the comics, but Roberto's one of the characters who got whacked hardest by the writer having to cram all this story into 10 episodes, knowing they'd likely only get 30 max and only had 20 to start. Roberto isn't done dirty but he could do more and hopefully his and JUbes mia status leads to that next season. So speaking of doing more

And the Rest

We have three x-men left over, all great but all out of focus.

We'll start with the boy: I love beast, and this series dosen't write him bad, he still quotes stuff and is voiced perfectly and gets to hyjack robots twice... but it's also very obvious they didn't have much for Hank to do, and thus one of hte best x-men gets sidelined the most out of the cast. He gets a sorta romance with Trish Tilby which is nice, and frankly her turning into a robot and trying to strangle him is an upgrade from her comics self's excuse of "I don't want to be accused of bestiality because you look like aslan now". Still while Trish is left in a robot coma, and we can find out if she willingly consented to being a murder robot and is thus a racist poc or if it was just bastion spreading it around next season. But frankly i'ts just kinda there in a seaon that already has a romantic subplot for every damn x-man. I'm hoping season 2 gives hank an actual plot ,they really dropped they ball with him.

They never even picked it up with Bishop, whose there soley as a plot device. In previous apperances he was fleshe dout and had a goal. Here he's just waiting for Hank to fix his ride. We never find out WHY he's in the past, why he and cable got sperated, and why it took him as long as it did to come on back. I know season 2 will fill in a lot but while he gets a neat moment or two with his powers, Bishop feels like he's mostly there because fans wanted him to join, but the creators only had two episodes of material for him and couldn't write him out because he's needed to get rid of nathan and set up next season. Like Hank he deserves WAY better next season but given he'll likely be integral to rescuing the others, we have a better gaurantee than hank.

Next is one of my faviorite mutants, the man, the myth the fuzzy, it's nightcrawler. And Kurt fans.. we ate good here as while Kurt's only in half of the series not only does he finally join the team in this continuity, he finally picks up a sword. See XTAS focused more on Kurt's spirtual side, which has always been present.

XTAS choose to simply focus on that over kurt's other aspects: his fun loving nature, razor sharp wit, his love of old errol flynn movies, his love of swordplay and adventure born out of that love, dating his adopted sister for several years in universe.. okay maybe that last part can go die in the heart of the sun.

It wasn't a bad take on kurt: It still got his friendship with wolverine and kind empathetic nature in, with as we discussed him trying badly to save his racist brother when most would understand not trying to redeem the guy trying to kill you for what you are. The fact the religious angle was present at all was groundbrekaing for the time and something the Lewalds had to fight the network for.

So 97 keeps him as a preist and former monk, but also allows other aspects to play out: being on krakoa allows him to be more playful and being with the x-men allows him more opportunities to kick ass and triple wield swords using his tail. As a result 97 continues the good groundwork.. but getting Kurt out of the guest sport allows him to be a fuller kurt wagner. He dosen't get a romance subplot because bigger things are hapening and we already have 10 of those, but otherwise he gets to be both a man of faith who can scare dracula and a swashbuckling elf.

He also gets to be the heart of the x-men like in the comics: while Storm also filled that roll in the comics, Kurt was often the voice of peace and a bridge. When Colossus broke up with Kitty Pryde because he found someone who wasn't 13, thank god, Nightcrawler went with him when Wolverine took him into town for a drink to make sure no one got stabbed. Here he helps his sister best he can, helps logan and jubilee process their grief and is there for his friends. I can't wait to see how he meshes with the rest of the team as asid efrom rogue most of the group he's stranded iwth in ancient egypt are characters he hasn't got to interact with in this continuity. Also seeing him join the main credits... god that felt good.

Finally we have Charles. Charles is only around for a few episodes, and the show's handling of him is mixed. The characterization is spot on: he's kind, open and can't let his students go, wanting to relocate his girlfrien'ds bird colonlist empire to earth, something even she knows they'd never accept and gently turns down. Like scott he puts his duty over his life. He TRIES to reverse it, and get the brain wipe.. but he loves his kids too much. He's willing to try for a new life among the stars, but he won't give up his students. He will howeve rschool birds in colonlism, pointing out the empire just takes and homonginzes like any empire. He also stuffs an apple in his sister in laws mouth. Charles is great in his intro.

The issue is.. the first part of the series dosen't clarify if he's dead or not: Scott has his death certifcate, the world thinks he's dead, and Magneto acts like he's dead. They KNEW Charles was coming back, so while the world thinking he's dead is fine... there was no where they could hint at him being in space? It is a nice swerve he's alive.. but it's confusing as fuck for people who haven't watched the original. They explain he recovered but it's a bit much to go from Genosha to "Charles xavier in space with his bird wife". I was numb to it because i'm used to how weird as shit the x-men are. I Proudly reviewed the time they fought dracula and almost did again. But my good friend @jess-the-vampire was deeply confused and I can't blame her. The shows accesible for the most part if you know the broad strokes of x-men... but the shows and films after x-tas leave out the weirder shit so ther'es no aliens or demons. So introducing the shiar is a bit much to take. I"m not saying leave them out, I MISSED that weird shit, but maybe mention them offhand. It'd still be weird a sfuck but we'd be expecting them at some point. It spoils the suprise but when the suprise takes most of your audience to google to find out what th efuck is going on, it's not worth it.

It also takes some of the sting out knowing he was alive. That said him being alive wraps around well as it also means Charles..c an't just avoid his actions. Like Scott and Ororo, he throws away his chance at a happy life away from strife to go help the x-men. And Scott is there to yell at him for it. He meant well with the will.. but his refusal to explain just hurt his son and it's a rift that hasn't quite healed and will likely fester in season 2.

Charles is decent here though. Ross Marquand is good in the roll nad after years of seeing xavier at some of his worst in the krakoan age, it was very nice to see Xavier be a kind mentor and idealist again. No secret deaths or enslaved danger rooms. Just a man hwo can fuck up but means well. And is also very much in love with his best friend and arch enemy. And that's lovely.

Humanity would rather DIE than have kids like US!

So we've come to our final character section

Yeah this review.. has been a lot to put together. Bastion is our big bad for the season, but hides for most of it, only vaugely hinted at in Lifedeath Part 1 before his debut in Bright Eyes.

It works incredibly well though: We have no idea the goverments funding him or that the sentinel program is even THAT robust. We ssee Trask with a few leftovers, the hint someone's funding him, but that's it. It seemed more likely Sinister was the mastermind.

But that lack of info is what makes him terrifying: out of semeingly nowhere a man the x-men had never heard of creates an entire shadowy genocide operation. It has the same effect Cassandra Nova did in the comics, this new big bad coming in and having been there far longer than they could've prepared for. It's hard to pull off but x-men 97 does so with style.

What helps is that Bastion like the best x-villians is given layers. In the comics they tried this a little with his mother, but mostly defaulted to hateful racist man. Here he's still hateful racist man.. but the chilling kind who tries to make it sound resonable. A shouty demagog is angerous sure, at the time of this article one is running for president again. But someone who appeals to the "logic" in hatred, the petty fears of people without just screaming them is often more terrifying. Bastion is the project 2025 to the friends of humanity's january 6th: changing the system to destroy it for those he deems lesser.

Bastion has a smooth demanor, the perfect counterpoint to our heroes: he's cold, calculating and dosen't care who dies as long as among the bodies are mutantkind and the rest made into slaves. He makes big speeches about how right he is, smugly assured he'll win.

Yet behind all this.. is a pile of self loathing. Due to being flooded with nimrod, Bastion is essentially a mutant himself. He may not have an x gene far as we know, but he's technopathic, had bright red skin, and was ostracisted. He's not much diffrent from our heroes.. yet his mother refusing charles help meant Bastion never realized mutants weren't that diffrent and let himself become a monster, become what the sentinel programming wanted: the perfect weapon. Like many a far right extremist, bastion becomes what he is because he's lashing out and found an echo chamber telling him he's right. IN this case it was robot programs in his brain but still.

Bastion is not forgivable. Scott tries to get him to join the x-men.. but this feels unwiedly. Well meant, but given all he'd done, no way in fuck that should happen. But I get the point: To try and save the villian rather than let them die. Bastion committed genocide.

Yet he's pitiable.. his last words are "Humanity would rather die than have kids like us!"... the truth laid bear.. he did this not because deep down he thought humanity was superior, he tried to hyjack them, or the sentinels were.. but because he hated what he wasand coudlnt' stand people who were happy with who they were. He couldn't stand being a mutant.

Odds and ends

A few last things before we go. Chris Britton's sinister is great nad terifying. Good stuff. He steps right back into it easily.

I loved all the various marvel cameos. From Spidey, both in and out of costume, to iron man, to cap it was nice to see all corners of the marvel universe. I especailly loved getting a zemo cameo.

I do wish we'd gotten an actual pperance of magik as somehow between the og and now, she's both now a teen and has been kidnapped by demons and all that. Probably setup for next sesaon.

Cap's a bit of a dick here. While yes in the 80's and 90's, cap would abide the goverment more, this dosen't feel like a thing he'd hold back on. He DID quit over trying to exert more contorl, he'd work that red tape.

Conclusion:

X-Men 97 is excellent, both in i'ts own right and as a love letter to the x-men. Well scripted, animated and acted, it's the best of the four x-men animated shows and possibly the best adaptation of the work. This is a true masterpice and while it took me nearly a week of work on an doff to get this done, it was well worth it

Next Time: Kurt Wagner finds out he has too mommies as we look at x-men blue origins

[loving-n0t-heyting]

This meme kinda fucking pisses me off bc

when i was in ultraprogressive college i was closeted about bi and deep in denial about being interested in at least trying out anime but i did manage to at least abortively attempt coming as the former to a couple of ppl as well as schedule discreet sketchy hookups about it (also abortive bc closeted randos you meet on omegle tend to be flakes and/or live in inaccessible suburbs with fucked public transit) but i was in so deep in denial about the latter for fear of stigma i remember panicking while watching homestuck act 7 when it came to vriska bc it was in anime style and that meant if i let myself enjoy it everyone might hate me which sounds like a joke and it kind of is but it was also just fucking outrageous how ppl promoted this mass self censorship and self loathing like anyone who might be adversely affected by it was a joke and its worth being mad about

[sarahowritesostucky]

📖"Body Heat: a Snowpiercer-Marvel Mashup Story pt 2

Rated: Explicit

Pairing: Curtis Everett x ofc

Tags: food insecurity, post apocalypse, age difference (18/34), dark!fic, implied/referenced suicide, poverty, arranged marriage, implied/referenced past cannibalism, hurt/comfort, attempted sexual assault

Summary: She’s too young for him to be eyeing her up the way he has been, but this is the Tail section, and Curtis has caught other men looking more than once. Everything is a commodity in the Tail. Everything. It won't be too long before he has to step in and claim her.

Author's Note:

On Tumblr, forbidden ToS content categories are: "terrorism, hate speech, harm to minors, self harm, sexually explicit material, violence, threats, gore, and mutilation."

And while you ARE apparently allowed to write a fictional story about incestuous, torturing, anorexic racists who rape their siblings, murder babies, kidnap, hate minorities, cannibalize, terrorize, and self-injure in the plotline of said story,

you ARE NOT allowed to write a teenage character who engages is any sort of sexualized conduct in a story.

For this one category and this one category alone, Tumblr staff (or at least one particular individual 🧌 😏on staff) makes no distinction between fictional stories with teen sexuality and C.S.A.M (which is frankly gross and unintelligent). They can and will delete your blog without any notice.

So, in the face of this VERY SPECIFIC criteria for Tumblr's censorship choices, I have changed the age of a character in this story from 16 to 18. That's not how the story was originally written, and the story can still be read on Ao3, which does not arbitrarily censor their content. But my m/f stories seem to be most popular on Tumblr, so I wanted to include the altered version in my library here.

(To be spiteful, however, I have changed the ofc from 16 to 18 and Curtis from 28 to 34, thus WIDENING the original age gap from 12 yrs to 16 yrs😆) 🖕you, staff troll

🖤With that said, this is a dark story regardless, so if you're looking for fluff, I suggest you look elsewhere.🖤

(Wait! I haven't read Part 1 yet!)

Part 2 - "A Microcosm of Humanity, Boiled Down to its Base Elements"

Mealtimes in the Tail are more about social interaction than they are about food—Kind of hard to have a dinner party when the only things there are to feast on are protein blocks and a meat that you’re pretending is chicken, after all. But they make due.

They have dishes now, at least. A couple hundred plastic bowls and cafeteria cups, dimpled and chipped at the rims, but still serviceable. They’re some of the newer amenities, part of the package that the council negotiated for in last year’s talks. It’s never much but it’s something, brings them just a smidge closer to being able to live like human beings, rather than animals.

It’s been twelve years, and still they’re celebrating over bowls when they should be aiming for antibiotics. But conditions were so miserable after Boarding that even the smallest concession from uptrain feels like a luxury now. Curtis would prefer the progress be faster, but he’s not in charge. He’s Gillam’s second in command, and Gillam’s so old and frail now. After the turmoil of the Year Two (and Three, and Five) Revolts, Curtis made him a tacit promise to not resort to such violent measures again lightly. For now, negotiated castoffs and increased recyclables from uptrain will have to do.

He doesn’t see Rose again for the rest of the afternoon. Four hundred people living in a metal box tend to brew discontent and interpersonal problems over the tiniest of things, and as one of the Tail’s five elected, a big chunk of Curtis’ days are spent solving petty conflicts between the Tailies. He navigates his way through a list of waiting disputes in the market car and in the bunks, making his rulings on what’s fair, and trying not to worry obsessively over Rose and where she is and how she may be doing and who may be bothering her.

But he’s not entirely successful, because something still loosens in his chest when he catches sight of her—looking peaceful and sitting quietly alone at dinnertime. He walks over, grinning the closer he gets as she continues not to notice his approach. “... Hey Petal!” he whisper-yells right beside her as he taps her shoulder and sinks down to sit next to her on the floor.

She gasps and almost drops her bowl, but a relieved smile splits her face when she sees that it’s him. “Curtis! Hey. It’s you.”

“Course it’s me.” He frowns quizzically at just how relieved she looks. “Who’d you think it was?”

“Nobody,” she excuses quickly, shaking her head and inching over to make more room for him. “Just glad to see you, is all. Today’s been … long.”

“Yeah,” he agrees. “Did you get the clothes to Gilliam?”

Her smile softens and she nods. “Yeah. And the arm to Coulson.” She gestures down the car to where Phil is sitting, using the rudimentary limb with clumsiness but steadfast determination. “He has to practice, but I think it’s gonna work pretty well for him.”

“I’ll bet.” Curtis smiles, happy for him. Phil’s also one of the elected, and along with Gilliam, Curtis, The Man, and Banner, he’s always done his best to help the people in the Tail survive. … That’s why he’s currently missing his arm from just above the elbow.

Curtis remembers the taste of human flesh. He wishes he didn’t, but he does. And what’s more, he wishes it’d tasted worse than it had, wishes he didn’t have the memory of how his mouth had watered when he’d finally gotten to eat for the first time in over a week. He averts his eyes from Coulson, ashamed, setting his bowl on the floor and sliding his right hand up under his left coat sleeve to trace the jagged evidence of his own failure.

It hadn’t tasted bad. That’s something he’s never said out loud. Because it’s too shameful. Talking about the early days isn’t forbidden, per say, but there’s an understanding amongst the Tailies that you don’t discuss the actual experience of eating human flesh. Unless it’s in private with someone very, very close to you, you don’t talk about the worst things that went down in those days.

Curtis glances back to Phil, wondering. He doesn’t actually know who he’s eaten. Back in the Desperation, there had been a decision amongst the volunteers that their donations would be mingled and prepared anonymously, to avoid people knowing—even family members, even the donors themselves. Curtis gets lost in the horror of the memory for a minute or two as he stares across the car at Phil, wondering, remembering the taste …

He snaps out of it when Rose says something to him, and he realizes that he’s still got his right hand stuck up his left coat sleeve, touching the scar. Rose’s voice pulls him out of it, like a fog suddenly lifting, and Curtis hastily picks his bowl back up, asking Rose to repeat herself and then mustering a cheerful answer for her as he puts the memories of the past back in the box on the shelf in his mind.

He and Rose sit shoulder to shoulder and converse over their bowls of stew. It’s one of only a few things that Tailies ever get to eat, and consists of broth made from cooked down protein blocks, and chunks of meat from the only other animal that shares the tail section with them.

Yeah, they eat rats. Curtis has stopped caring at this point. In fact, he’s not sure he ever really cared in the first place. Once you start with cannibalism, the only way to go is up. And it doesn’t taste too bad—especially since they’ve graduated from catching the rats to actually breeding them in cages. Between that and the artificial salt substitute that Curtis negotiated as part of last year’s package, things have a nicer flavor to them than they used to.

“Didn’t you work in the kitchen car for a hot second?” he says between one sip and another, when he’s paused to try and use his fingernail to get a stringy bit of meat out from between his teeth. “What’d MJ have you doing in there?”

Rose makes a face. “There are only a couple steps to making this slop, Curtis. Use your imagination.”

He laughs at the comical shudder she gives, and she kicks him for laughing at her. “So dramatic,” he teases. “What do you have to compare it to, anyway, huh?” He rolls his eyes. “Train babies. Don’t realize how good you have it.”

She gasps and pokes him as though he’s heaved a grave insult at her. “I am not a train baby!”

“Barely.”

“I’m eighteen!” she says, as if that makes her a full fledged adult (Curtis swallows heavily as he thinks that in some ways, it does). “I remember food from Before,” she insists, and Curtis shakes his head in amusement at her.

“Fine. What do you remember?” He’s breaking one of his own rules for her, talking about Before. It should alarm him but it doesn’t. “What food?” he taunts.

She sticks her chin out haughtily and thinks about it, before declaring, “Goldfish. And noodles. I remember noodles.”

It takes all Curtis has inside him not to snicker at her expense. He does want this girl to like him, after all. He looks down at his own bowl of stew and smiles fondly. “Goldfish crackers and noodles. That’s very specific.” The kind of thing a young child would remember. “Is that all?”

She twists her lips and admits, “Yeah.”

You have blocked a lot of it out, Curtis thinks sadly. Just not the parts that happened after Boarding. “It’s better that way,” he tells her. “Makes all of this more bearable.” Rose has never really had a life that was anything other than “bearable,” and while that is something of a mercy for her, it also makes Curtis want to be the one to give her more; be the one to introduce her to finery and pleasure, show her what it can taste like, what it can feel like. “There’s things I want to get for us,” he tells her, speaking quietly because he doesn’t need the people nearby overhearing and getting themselves worked up. “Things for the Tail, food I want to negotiate for. I think this might be the year.”

Rose looks intrigued. “What?”

“Lean closer,” Curtis whispers. “This is top secret.”

She smirks and scootches even closer to him, until they’re pressed together from hip to shoulder. “What?” she whispers.

Curtis looks her in the eye and lets the tension build for a moment, trying his damnedest to keep his expression serious, and then he declares, “Goldfish and noodles.”

She gives an outraged squawk and moves to swat at him for making fun of her, though she’s laughing herself. “You suck!”

Curtis stays her hand, pulling her into a one-armed hug and apologizing through his own laughter. “Wait, wait, wait. I’m sorry, I’m sorry. Shh. I’ll tell you.” He calms down from laughing. “I’ll tell you, I will.”

“Jerk,” she mutters, but he can hear the fondness in her voice.

“Chickens,” he whispers in her ear. “You remember those?”

She purses her lips thoughtfully, then shrugs in a way that tells him she really doesn’t. “That’s an animal,” she says, in what she doesn’t realize is a sad demonstration of her limited knowledge. “A bird.”

“Yeah,” Curtis says. “Yeah it is. You know the New Year’s eggs?” Every year since Year Five, a wheelbarrow from uptrain arrives on New Year’s Day bearing the coveted gift of hundreds of gleaming white, hard-boiled eggs—one for each blasted soul who lives trapped in the Tail section. Rose hums and Curtis nods. “Those come from chickens. They lay the eggs and you can eat them. It’s a good source of food. And you can kill the chickens and eat them, too. Eat their meat.”

“But … don’t baby chickens come from the eggs?” Rose asks naively.

Curtis smirks. “Yeah, but that’s when they’re fertilized. If a male chicken isn’t around fucking the hens, then the eggs just come out, and you can eat ‘em. They don’t have baby chicks in them.” He watches Rose’s face screw up at the stark visual, and is surprised when she bluntly declares,

“Oh. So … like a period, with us.”

Curtis almost swallows his tongue. First of all, he wouldn’t have expected Rose to be able to make the comparison. Because she may be old enough to bleed, but they don’t exactly have comprehensive sex ed in the Tail. As far as Curtis knows, the girls are taught young—very young—what sex is, what it leads to, and how to avoid it at all costs. Curtis doesn’t think he’s heard a person talk openly about these things since before Boarding. It just isn’t done. The women handle their stuff themselves, and the men have their heads bitten off if they interfere.

“Um,” he says, face heating. “Yeah, I guess. Except you don't lay eggs." Rose snorts and Curtis winces and scratches awkwardly behind his ear. “So anyway, I want to get us some chickens. If we had those, it’d help a lot.”

Rose stares pensively into the depths of her soup bowl, with its globulous broth and stringy bits of meat. “It’d taste better than this?”

Curtis scoffs. “Most things do, Petal.”

“Oh God, you’re really sticking with that, aren’t you?”

He wraps an arm around her shoulders and gives her a squeeze, laying out his vision for the future. “I want to negotiate for another car. With dirt and chickens.”

“Dirt?”

“Yeah. They grow things uptrain. Crops. We could too. We could raise chickens in half of it, grow potatoes in the other half.”

Rose looks at him like he’s just announced he’ll be negotiating for the moon. “They’ll never give it to you,” she whispers. “Why would they?”

“If I could threaten them with something big enough. We might have the bargaining power.”

“What would you threaten them with?”

He smiles sadly and squeezes her shoulder. “I dunno. That’s what I’ve gotta figure out.”

“But you’re not gonna … I mean there’s not going to be another war, is there? Not like before …”

There’s genuine fear in her voice when she asks, which makes Curtis feel like crap. Everyone had suffered back then. Many had died. He thinks about how Rose would’ve only been eleven or so, during the Year Five Rebellion. Just a kid, still playing with the crummy little doll Curtis made for her. “No, Hon,” he promises gently. “No. There are other ways. Other things we can do to gain leverage. It just takes time.”

“What ways?”

He shakes his head and smiles. “Don’t worry about it.”

“I can’t help it,” she pouts. “I may not know many things. But I like to know them.”

He smiles fondly. “I know, Petal. You’re curious. Always have been. You like to know the scuttlebutt, as they say. You’re not afraid to ask questions. I like that about you.”

“You do?”

“... Among other things.” He sees her cheeks color prettily, and realizes he’d better stop talking. “Sorry.”

“It’s okay.”

“I’d tell you if I could, but these things are above your paygrade. Me and Gilliam’ll figure it out.” He shoots her a wink. “That’s why they pay us the big bucks.”

She titters at that, because they both know that there’s no such thing as money in the Tail. Oh there’s currency, for sure, just not the kind that’s handed over as stacks of bills. Curtis lets his eyes drag over the few parts of Rose’s body that he can see: her attractive face and the slope of her neck, the delicate suggestion of a collar bone where it peeks out before it’s swallowed up by her sweater. He looks away. “I want to improve things for us. Change is possible. There are things we can get. We just have to work for it.”

“What things?” she presses, leaning closer.

He thinks about brushing her off, but he can see that she’s genuinely curious, and the interested gleam in her eyes sways him. Because ideas can mean hope, and he wants her to have hope. They’ve both seen what can happen when there isn’t any.

He tells her about the basic medicines and medical supplies that could be useful, tells her about the items they could receive if people uptrain were more willing to bargain. “More castoffs would go to us, instead of into the recycling machines,” he tells her. While it is true that some old and unwanted items eventually make their way into the Tailies’ “market,” the sad fact is that many more materials are cleansed, disintegrated, and recycled for use through the train’s 3d printing machines. Curtis has never seen them, but due to his yearly talks with a woman named Melanie, he now knows that they exist, and they’re why not much gets sent back to the Tailies.

“We’d have more clothes, toys and books, all sorts of new things.” Of course when he says “new” he only means new in the sense of new to them. To people in the front, Tailies are second class citizens at best, subhumans at worst. The funny thing is, Curtis doesn’t take offense at it like he used to. He’s learned by now that it’s human nature to kill, cheat and steal, clamoring all over each other whenever resources are limited. They’ve literally eaten the weak in the Tail, after all. It’d be hypocritical to hold the first class passengers to a higher standard.

No, Snowpiercer is just a microcosm of humanity boiled down to its base elements. Nine-hundred people surviving on a miserable little train, barreling endlessly around the frozen corpse of the planet. Of course there’s going to be subjugation of the weak so that others can have more. Curtis doesn’t hold it against them anymore, but he sure as hell isn’t going to take it lying down. The Tailies were never ticketed passengers. They forced their way on, they scraped and scrounged and earned their survival. And if they ever get the chance, they’ll turn the tables on the passengers uptrain in a heartbeat. Curtis makes speeches about “leveling the playing field,” but he doesn’t have visions of utopia. Not really. He just wants to die in a feather bed.

“What would we have after chickens?” Rose asks, drawing Curtis out of his gloom. She knows as well as he does, what the definition of a “pipe dream” is, but it’s fun to pretend with someone you like, and Curtis likes her. Always has. He likes that she hasn’t turned grey and dull like everyone else in the Tail. So he indulges her “what ifs” and they continue to tease each other over various colorful and increasingly stupid imaginings: how they’ll have potatoes, and then beef, then televisions, bathtubs, a swimming pool.

At some point, Curtis realizes that he’s actually managed to make her smile, and giggle. Even sitting on a cold steel floor slurping at a bowl of rat and god-knows-what stew, he feels like a king knowing he was able to do that. “You’re really beautiful when you smile,” he blurts out, soaking up the way that her eyes get just a little bit wider and her lips part in surprise. He averts his attention back down to his bowl, pleased as punch. “‘Course, I always think you’re beautiful,” he murmurs, fully intending for her to hear.

She gets quiet after that, bashful and seemingly deep in thought. Curtis doesn’t worry though, because when everybody settles in to listen to that night’s story, she goes to fetch one of the blankets off her bunk and brings it back. She plops herself right back down next to Curtis and hands him a corner of the blanket to wrap it around both of their shoulders. He obliges. The assembly car fills up for that night’s entertainment, and just before the lights are dimmed down to their lowest level, Curtis locks eyes with Tanya from across the car, who’s shooting him a scrutinizing look. He’s grateful to escape her judgment for the moment, but he knows she’ll be on him before long.

They set out the tall stool at the head of the car, and Painter, the Tail’s historian, climbs up and settles on it.

A quiet man of short stature, Painter’s been performing the nightly stories since almost from the very beginning. He has a way of seeing things that others don’t, a way of weaving words and details together in graduating, elaborative cadence; like his drawings, like strings on a loom, always managing to convey the true heart of a matter in a way that resonates with people. It’s the closest thing to watching a movie any of them will probably ever get again, and in Curtis’ opinion it has just as much value as the food they feed their bodies with. People need more than just food to survive. They need community, they need love, they need hope.

Painter sits silently at first—a sign that he hasn’t decided on the topic and is taking suggestions that night. Someone calls out in the dimness to suggest The Man for tonight’s story, and a murmur of general agreement goes through the crowd. Up ahead on his stool, Painter nods. The Man was well known in the Tail, having long-served on Gillam’s council, among other things. Curtis hadn’t been lying to Rose, when he’d said that her father had been a good leader.

In the crook of his arm, he feels her shift subtly. Aware that this might be hard for her, he leans over and kisses the top of her head. “Hey, are you okay?” he whispers, giving her the option. “You want to go?” But she shakes her head and tucks herself further into him, so Curtis relaxes back, looking forward to getting to hold her in his arms for the next hour or two.

Painter does The Man justice. Children are always kept in another car during storytime, so that the plotlines don’t have to be watered down for their sensibilities, but even still, Curtis doesn’t doubt that Painter knows Rose is present, because he takes care to soften the corners of the story where she features, and to use gentle words when the most painful memories are fleshed out.

For over an hour, Curtis lets his eyes slip closed and the words wash over him. He tucks his nose into Rose’s hair and breathes the scent of her in, holding her small, soft body against him. He can feel every shift and sway that she gives as she hears the story, too, and they enjoy their time together, connecting over the shared intimacy of Painter’s words.

At some point, he brings her into his lap, and she comes so easily—like she was just waiting for the invitation, and is relieved that he wants her there. This isn’t something they’ve done before. Not like this. And he can tell by the slight tension in her body that she knows it, too. This is new. It could be the first time a man has ever showed her attention like this, and Curtis wants it to be good and easy for her. He gently rubs her back as the story stretches on, relieved when he can feel all the tension slowly leaving her. “Good girl,” he whispers against her hair.

She hums and rubs her cheek on his chest with complete trust, and Curtis suddenly remembers what it used to feel like to sink into a full, hot bath. Is this what it means to be touch starved? he wonders. Probably. It’s been so long since he’s been genuinely intimate with another person, that he’d almost forgotten the feeling.

Eventually he can hear the tone of Painter’s words changing, can hear it all coming to a close as he wraps up his retelling of that night’s story. Curtis has never hated anything more. Please, he thinks. Please let him keep going. Let him keep talking just a little bit longer so she’ll stay in my arms. He doesn’t want to let her go.

… Maybe if he plays his cards right, he won’t have to.

Tanya does confront him that night, cornering him by her spot before he can follow after Rose on her path to the wash car. “Pretty sure that girl knows how to bathe herself,” she says, hand planted firmly on Curtis’ chest. “She doesn’t need you, Curtis.”

Curtis loses sight of Rose going into the next bunk car, and he settles back onto his heels, glaring at Tanya. “I’m trying to look out for her.”

Tanya raises an unimpressed eyebrow at him. “You sure that’s all you’re trying to do?”

Curtis’s eyes narrow. “Have you been paying attention? Look around.” He nods at the crowded bunk car around them and speaks in a hushed tone. “You’re in charge of all the female stuff, you should know better than anyone what’ll happen now that her father’s gone. I’m only trying to protect her.”

Tanya purses her lips. “Uh huh. Protect her with your penis, is that how?”

“Jesus.” Curtis takes a step back, crossing his arms in frustration. He leans back against a metal rail. “I’m just being realistic,” he eventually says, after sulking over it for a moment. He respects Tanya—she’s a crucial part of the Tail, helping the women who get pregnant and give birth, helping the girls when they start developing (and, eventually, when they start attracting the attention of the men). “You’ve seen them looking?” he asks, not having to look at Tanya to know that she understands him. “So what am I supposed to do? Just wait until somebody else stakes their claim?”

Tanya makes an angry sound, though it isn’t directed at Curtis. “I stop them.”

“You stop the ones you can,” Curtis says lowly. “But eventually—”

“Eventually is eventually. Right now is right now,” she hisses.

Curtis turns back to her. “We play it your way and the first guy who stakes his claim gets her. That’s how it works. You know that. Is that what you want, huh?” Tanya’s face works in frustration, and Curtis softens. “Hey,” he says, placing a consoling hand on her shoulder. “I don’t like it either. We do the best we can with what we have.” He feels her shoulders rise and fall in a beleaguered sigh.

“I boxed Batroc’s ears last week,” she tells him; her way of giving tacit approval. “Keep an eye on that dirtbag.”

Curtis nods. He’s aware of who the biggest threats are, currently. It’s the men in their twenties and thirties who prey on the up and coming girls. Marriage isn’t a thing in the tail so much as claiming is. The men have a sort of ‘first dibs’ honor system that Curtis despises, but that he can’t change on his own. Not when the majority is so set on it. “I’m not going to force her,” he promises Tanya. “Okay? I’ll give her the choice. You know I will.”

Tanya’s jaw works, but eventually she nods and turns to the side to let him pass. Curtis pats her shoulder in thanks and heads off in the direction that Rose went with her towel.

He gets there just a few seconds too late—or at least, that’s what he thinks when he hears her crying out from the women’s side of the wash car. Curtis barrels around the partition, heedless of whoever else may be in there when he can hear Rose in distress.

There’s a man standing at her back, pushing her face up against the wall of one of the stalls. She’s naked, the shower spraying aimlessly not even a foot away. She’s struggling, crying … and the man’s pants are halfway down his thighs.

Curtis sees red. “Get the fuck off her!”

Everything happens in a blur: him pulling the man back by his shirt and throwing him onto the floor at the opposite side of the car, the man’s head hitting the wall, Rose crying out in fear, Curtis going over to gather her naked body into his arms. “Are you okay?” he asks breathlessly, holding her as she sobs and presses her head of soaked hair against him. His hands slide over the water-slicked skin of her back, his heart in his throat. “Did he hurt you?”

She sobs and shakes her head, clinging to him. “Curtis!”

“Shh, you’re okay. It’s okay. I’ve got you.” He looks across the car at the man, who’s now rubbing his head with a pained wince. Curtis feels rage consume him and he has no control over his actions as he abandons Rose by the stall and stalks across the car to punch the guy square in the face. He immediately grabs his shirt collar and hauls him back in. “Who the fuck do you think you are?!” he roars.

“Stop!” the man—a guy Curtis knows only as Hodge—coughs out, speaking through blood and what’s likely a broken nose. He holds up his hands to defend himself from further assault, and Curtis shakes him with a furious growl.

“Did you touch her?! What did you do? I’ll kill you!”

“I didn’t!” Hodge coughs, pushing against Curtis. “I didn’t do anything! I was just—”

Curtis slams him back into the wall of the car. “Then why’s your dick out?!” Hodge sinks down the wall to the floor and Curtis follows him down. “Answer me!”

“I just wanted to talk to her!”

He’s about to reach down and rip this guy’s nuts off, but Rose calling to him from the other side of the car draws his attention away: “Curtis, please. Curtis!” She’s standing there—naked, wet and shivering, futilely trying to cover herself. She looks at him pleadingly through her tears. “He didn’t. You stopped him. He didn’t.”

It’s enough to make Curtis rein himself in from further violence. Rose needs him more than he needs to hurt Hodge. Still, he shakes the man again as he hauls him back up to standing and shoves him towards the exit of the car. “This isn’t finished,” he warns him at the door, pushing him through hard enough that he falls to his ass on the other side. Curtis points at him. “You’ll pay for this.”

He slams the door and goes back to Rose, who’s still standing there looking lost, shivering, cold. The shower’s still running, so Curtis hurries over to turn the water off. He grabs the towel that’s hanging on the hook and brings it to Rose, intending to bundle her up as quickly as he can. She takes it and wraps it around herself, but it ends at mid thigh and Curtis’ eyes are drawn to a trickle of red running down her inner thigh. All the blood drains from his face. “You’re bleeding,” he says, horrified.

Rose looks down at it and sniffles. “Oh.”

“I’ll fucking kill him,” Curtis breathes, already turning to go back out and finish the job.

“Curtis! Curtis wait!” Rose grabs his arm with both hands as she shakes her head frantically. “I’m fine. It’s my period. He didn’t hurt me.”

Curtis calms down, his chest heaving from adrenaline. “You swear?” he urges, grabbing her upper arms and holding her in front of himself to get a better look at her. Now that he’s paying attention, he can see that she’s dripping wet and rattled, but not visibly hurt.

“I swear. I’m okay.”

His eyes track back down to the blood on her leg, suspicious until he looks beyond and sees her pile of clothing sitting over on a shelf. There’s a small folded rag there the likes of which he’s seen before; what the women pass around silently amongst themselves when they bleed. Curtis calms down as he realizes that Rose is telling the truth and not just lying to keep him from murdering Hodge. He lets go of her upper arms, suddenly aware that she may not want him touching her right at this moment. “Sorry,” he mutters, not knowing what else to say. He feels like he’s just run a marathon, his heart is beating so fast.

Rose surprises him by throwing herself into his arms again, a sob making her whole body heave against him. “Thank you,” she cries, hugging him, hiding her face against his chest. “Curtis, god. If you hadn’t come in …”

“Shh. I did. I did come,” he reassures her, wrapping his arms around her fully again now that he knows it’s welcome. She feels so small. “You’re okay. I’ve got you.”

They stand there for who knows how long. Minutes, at least. Calming down together. Rose’s crying fades, and Curtis’ blood pressure re-enters the stratosphere. He can feel the red hot anger and instinct to kill bleeding out of his mind the longer that time stretches on. He becomes aware of how cold Rose must be in only her towel and still all wet. “Here,” he says, ushering her back towards the shower. The stalls have changing areas right in front of them, and he steps back so that she can have privacy. “Get dried off. Get dressed,” he says. “I’ll …” his gaze falls back down to the trail of red on her leg. He swallows thickly and averts his eyes. “I’ll be right here.”

Shakily, she nods and pulls the curtain. She gets dressed, and when she opens the curtain again, her hair has been towel-dried and hangs limply about her face. She looks shyly up at Curtis. “Hey.”

“C’mere, Honey.”

She folds back herself into his arms eagerly, whining and pressing into him. “Thank you,” she whispers. “God, Curtis. Thank you.”

“I should’ve been here,” he grunts, thinking of how Tanya had held him back. He silently curses her. “I knew something like this would happen,” he hisses to himself, though he regrets saying it when he feels how it makes her shudder against him.

“Can we get out of here, please?”

He nods and starts to lead them towards the door of the car. He’s not surprised to find Hodge gone on the other side. Curtis silently fumes about what he’d walked in on, as he leads Rose backtrain. They walk through the car where her spot is, and Curtis gives her hand a squeeze when she looks back at it and makes a questioning noise. “I want you with me tonight,” he tells her, gentle but firm, because no way in hell is he leaving her alone now. “Please?” he coaxes, pleased when she looks up to him and nods.

“Okay.”

He smiles softly. “Good girl.”

Curtis has a good sized spot. Certainly big enough for two, which he’s grateful for when he guides her to scoot in across the bed. His is the third bunk up out of four, which means climbing a few rungs, but once you’re up there it affords a fair sense of privacy, especially once he draws the curtain across to close them in together. He flicks the small lamp on, its dim bulb flickering to life and giving just enough light to see by.

He’s got his blankets spread out on the bed. There’s plenty of room enough to sit up and move around, all of his worldly possessions hung to the wall or else strapped against the top of the bunk above. “Home sweet home,” he says, gesturing around half heartedly. “Nothing special.”

“It’s nice.” Rose looks around with a little curiosity before tucking her head down. She shrugs. “You’ve got one of the lights. Our spot doesn’t. I mean … my spot,” she amends quietly. “Our neighbor has the light.”

The lights are built into the walls, meant to faintly illuminate what were once the train’s original baggage racks, powered by the Arc Reactor and impossible to move. But some people have managed to rig up their own lamps from salvaged materials and a little creative wiring over the years. There are no windows in the Tail. Curtis has heard that there are windows uptrain, but he doesn’t know whether to be jealous or not. Would it really improve anything, to have a view of the wasted, frozen world they left behind? He’s not so sure. At least this way they can pretend that Snowpiercer is all there is, the delusion only ruined whenever the Jackboots arrive to deliver food or raid them.

Curtis settles beside her and knocks their legs together. “I’ll keep my eye out for something in the market,” he promises. “Someone as pretty as you shouldn’t be in the dark.”

She smiles as though pained, looking down at her lap. “Being pretty is what got me into this mess.”

Curtis sighs. “No. It’s not just that, Hon.” He cups her face, stroking his thumb over her cheekbone. “It’s not just that.”

“What then?”

He smiles sadly. “Look, if there’s one thing you gotta understand about men, it’s that we covet the rare … and the pure. You’re good. Truly good, in a way most of us aren’t. In a way we can’t afford to be.” He drops his hand and turns away, feeling gross for having told her that, for having included himself in the roster of ‘men’ who think like that. But it’s true. “That’s why you stand out,” he mutters. “None of us are good the way you’re good.”

“What? But you’re good.”

Curtis scoffs. “Please.”

“You are! You’re on council aren’t you?”

He rolls his eyes. “That means I’m good with people, not good. There’s a difference.”

“No,” Rose insists. “No, you help everyone. You lead us, try to make life better for us.” She gets incensed when he continues to disagree. “You do! You … you make dolls for little girls who’ve lost all their toys. You protect us.”

Curtis slumps back against the wall. “Is that what I did back there? Protected you?”

“Yes. Curtis you saved me. You stopped him from …” She falters, unable to say the word, and the silence grows uncomfortable between them. Eventually she stares down at her lap and scoffs bitterly.

Curtis looks over. He doesn’t like the pinch that’s settled between her eyebrows. There’s something strangely self-deprecating about it, and he can’t figure out what’s going on in her head. “Hey.” He nudges her knee with his. “What are you thinking, Hon?”

She shakes her head. “Hodge,” she whispers. “He said things.”

“Oh god. Don’t. Rosie, don’t pay attention to anything that cretin said. Did he threaten you? Because if he did, you know I still have half a mind to rip off his—”

“He said that somebody would choose me, and if it isn’t him it’ll be someone else ‘staking their claim’.” She looks rather mortified as she repeats it. “And he’s not wrong. I mean that’s the way it’s done, isn’t it?” she asks bitterly. “The men. They choose who they want. We don’t get a say. Not really.”

“Rosie,” Curtis mourns, wishing that he could spare her, wishing he could tell her that she has choices, choices that people will respect. But he doesn’t want to lie. She doesn’t deserve to be lied to. “Hey,” he says instead. “You know I care about you, right?”

She nods, sniffling. “Yeah.”

“You should sleep here. Not just tonight but every night.” He can tell by her reaction that she realizes what he means, and he’s pleased when she leans against his side, still seeking comfort in him. He relaxes now that the hardest part is done. “Would you like that, Petal?” he asks softly, wrapping his arm around her and holding her close. She scoffs at the nickname, and Curtis kisses the top of her head. It’s been a long time since he’s had another person in his bunk—a long time. Not having a partner is lonely, sure, but with the way things are in the tail, it’s easier just to jerk off. Romance is all but dead, as is evidenced by the Tailies’ near-transactional customs regarding sex and relationships. “Will you?” he checks, relieved when she gives a little nod and a sniffle.

“I don’t want to be alone.”

“I don’t want that either.”

They sit there in silence for a while, and just as Curtis starts to wonder if Rose has fallen asleep, she whispers, “What was it like?”

“What was what like?”

“Men and women. Before. How did it …” she pauses, considering what she wants to say, or perhaps how to ask. “My dad and my mom,” she settles on. “They were married. They loved each other. Nobody chose my mom. They chose each other.”

Curtis nods and gives her arm a squeeze. “Yeah. That’s how it was.”

“Tell me?” she asks, sounding for all the world like a child asking for a bedtime story. “Please?”

Curtis rubs her back, resigning himself to telling her the truth. “People met,” he says. “At school, at work, through friends. If they liked each other romantically, they dated.”

“What’s ‘dated’?”

He winces where she can’t see. “When you liked someone, you’d ask them out on a date. You’d meet them and go do something nice together. Something fun. Get a drink or see a movie, eat a meal in a restaurant.”

“Did the man decide the dates?”

He frowns. “Sometimes. Women would too, though. Sometimes they’d be the one to ask the guy out. It just depended.”

“What happened next?” Rose asks.

“Well … you’d just keep spending time together, you’d keep dating. If the people decided not to date anybody else, they’d agree to be a couple. Boyfriend and girlfriend. … Or husband and wife.”

“What’s the difference?”

Curtis winces at how sad it is that she doesn’t know that. The long term implications of their confinement in the Tail section are obvious and jarring, at times like this. He licks his lips. “Marriage was more serious than dating. More permanent. You might break up with your girlfriend eventually, but if you made her your wife, then that was like saying you wanted to be together forever.” He doesn’t bother getting into the concept of divorce, knowing that she just needs a basic understanding of the matter. “That’s how it was,” he finishes. “Before.”

Rose is quiet for a long while, thinking it over. Eventually she says, “And now the men choose.”

Curtis hates how resigned she sounds about it. “What happened in the wash car isn’t allowed,” he says, aware of the way her body tenses against him. “I’ll make sure Hodge is punished. But the thing is, Sweetheart … I’m worried he won’t be the last.”

Rose sniffles. “It’s ‘cause my dad’s gone, isn’t it?”

“That doesn’t help the matter. But you’ve been old enough for a while now, for some. And I’ve seen them looking.”

“For some?” Rose peeks up at him. “Not you?”

Curtis hesitates to answer. “... You’re young, Honey.” It’s not like he can say that he wants her. But saying that he doesn’t would be a total lie. He might not be looking yet, if he didn’t have the other men to worry about; but he does have to worry about them, and so he has been looking. “I’ll make sure Hodge is punished,” he reiterates. “Severely. Even with the way things are now, that was completely beyond the pale.” He feels that hot surge of fury boil up inside him again as he thinks about it: Rose standing there, shivering and crying, Hodge with his hands on her, his dick hanging out of his pants. “He was going to rape you,” Curtis growls. “He needs to pay.”

“And the others?” she asks. “You’ll stop them?”

His chest aches at her unshakable faith in him and what she thinks he can do. “I can only protect you one way,” he murmurs, pulling her close and burying his nose in her hair so that she can’t look up at him with those big doe eyes again. “Has Tanya talked to you much?” he asks. Her head moves against him in a little nod, but she doesn’t say anything. Curtis kisses her hair. “What happened in the wash car could happen again. Someone’ll want to claim you.” She whines and rubs her face against his sweater, clinging to him. He pulls her into his lap just like he had during storytime, earlier that night. “Hey,” he soothes, “I wish it could be different, you know? Wish I could take you outta here, make other people respect your choices.” He sighs sadly. “That’s just not how it works anymore, Petal.”

“I know,” she says quietly. “Would you take me on a date, Before?” He hesitates, and she notices. She looks up at him. “You wouldn’t?”

“You’re too young for me,” he admits. “Or you would’ve been. Before.”

“Now I’m not?” she asks, and Curtis averts his eyes uncomfortably, because of course she’s still too fucking young. If they were still in the World she’d be in highschool, going to prom and the mall, glued to her phone. Learning about sex from school and porn and from fumbling encounters with boys her own age, not from some jaded midwife in a squalid train car.

“Now …” he sighs. “Now, it’s different. It doesn’t make it right, but girls become fair game once they’re about your age. And any man who’s interested can try for you.”

“I know that,” she whispers. “But what about you? Are you interested?”

Curtis’ mouth is dry. He can’t answer. So he nods smally instead. He’s surprised when she doesn’t seem frightened or upset by this admission. He lets his hands hold her more securely, fingers dipping into the curve of her waist from over her sweater. “I care about you,” he croaks. “I want to protect you. And the only way I know to do that is to claim you myself.”

“Will you?” she asks. She lays her cheek back against his chest and yawns. “Claim me?”

Above her resting head, Curtis grinds his teeth. “Let’s just take it one day at a time, okay Hon?”

“Mm.” She nods sleepily. “Okay. I trust you, Curtis. Thank you for helping me today.”

He doesn’t answer her, just holds her against him and rubs her back as she gradually falls to sleep. He’s not the man she thinks he is, and she should be in her own spot right now, not tucked away in here with him, because sooner or later he knows he’s going to take advantage. He’ll have her, and he’ll make sure that every other man in the train knows that she’s his. That may not be what she really wants, or even what’s good for her.

But oh well, he thinks. At least it’s better than the alternative.

Masterlist

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Square N4: "to serve man"

[incarnateirony]

The censorship of Persona 4 has always been a fascinating topic to me.

Not only the whole "deleted queer romance dating paths with full dual language audio on disc still" part, which is over discussed.

But the margin writing. In 2007, the amount of queerness achieved seemed impressive, but SMT had intended more, far more. Kanji needed a "maybe it wasn't about gender but fear of rejection" buffer despite the gay hot tub and split queer self weilding gender signs.

And Naoto?

Boy, Naoto got taken for a ride.

Naoto was first designed as a cis boy, and yes, Kanji x Naoto, and Kanji's bisexual panic. However, the transing and detransing of Naoto began all at once. After all, it can't be censored as gay if ~he's actually a ~she, right? Nevermind maintaining masc presentation and shit but okay it's 2007, we get it. No need for the body alteration procedure with the shadow WE GOT IT OK.

But then like, Golden and later content came out. And while I love me some Chad Yu, I'm less fond of the direction with naoto.

Every fandom in the history of ever has some self interested douchebag that literally refuses to let people debate things like queer cultural limits by era, design intent and changes, it's just What They Can Argue In Hard Canon, rather than What People Might Appreciate In Context Of The Show Paradigm.

So like, that kind of arguing already happened but everything that came in the reboot CLEARLY came with a new command from ATLUS international to Girl Up Naoto. Tittydance butch queen was apparently more marketable than dorky lil trans guy in the sidebar, so all the new content added eyelashes, changed Naoto's face shape subtly, shoved them in naked positions and bathtub scenarios and things they were clearly uncomfortable as hell in, and just left me sitting there squirming.

Even before I had unpacked my own trans shit it made me INTENSELY uncomfortable because NAOTO, regardless of what pronoun or gender you see on them, was intensely uncomfortable and nobody around them cared. And then the animation changed for the design change, and it just kept skewing further and further and further until by dancing spinoffs the character is barely recognizeable beyond color pallate.

Like, I would never buckle down and really argue, "it is 100% hard text canon Naoto is trans and there is no other interpretation." But on the other hand, it's just as silly to argue it from the other absolute. Looking at the game history, a mix of intent, adjustment, barriers, dubs, translations, international marketing limits and whatever else completely recontextualizes the discussion in a way I don't think the average discourse really holds up to in meaningful lit crit, everyone's just yelling NUH UH at each other, as happens, in every fuckin' fandom.

Naoto, if anything, is more an interesting landmark historically IN queer and gender issues, with a flavor of Gold Star Attempt Totally Butchered Trans Stuff circa 200X. Was there stuff that is. Not. Great. Modernly? Yeah. All around. There's still lolgay jokes even in a game this gay, there's some dated elements all around, so it's just weird that this part of the debate is expected to be frozen in time and not discussed in the context of both the series and cultural evolution.

Anyway dems my thoughts.

(WHY DOES NAOTO HAVE A TITTYCUT BUST LIKE THIS IN THE DANCE GAME. THE GOLDEN OUTFIT ADDITION ON THE RIGHT WAS BAD ENOUGH)

[floatingcatacombs]

It’s the Tar Taking Over That Came Unexpected

12 Days of Aniblogging 2023, Day 2

Back when it was a frustratingly rare Wii exclusive, I braved a storm to hunt down a used copy of Xenoblade Chronicles, and it still surpassed my every expectation. So finally sinking my teeth into Xenoblade Chronicles X earlier this year felt right.

This was a Wii U game and it’s still nuts that this was a Wii U game. The only change I made when emulating it was bumping up the internal rendering resolution, and it’s crazy how good it still looks. The highest-fidelity games I play are FromSoft so my frame of reference is busted, but even still, it’s frequently breathtaking. Monolith Soft has always had a reputation for building impressive open worlds on underpowered hardware, and their first foray into HD might be their greatest feat. Or maybe I’m just easily impressed by pretty skies. Emulated at 1080p 60FPS, the experience really clicks, with snappy menus, fast loading times, and the ability to alt-tab to the map on the gamepad. For once I didn't feel like I was missing out at all by not playing on original hardware.  

After starting a new game you're immediately dumped into a character creation screen, which means I already have to navigate an old stupid censorship debate. See, there was a whole internet shitstorm back in 2015 when this game released stateside because the English version removed the bust slider from the character creator. This was the era of GamerGate and “localization versus translation” and Fire Emblem Fates taking out a waifu-touching minigame and everything surrounding Tokyo Mirage Sessions – things got really heated for a second! In hindsight, it was weird mixture of niche game publishers misreading their target audiences and hypervigilant right-wing provocateurs gearing up for larger culture wars, using titty games as a nexus for radicalizing nerds.

Things have cooled down a lot since then, as Japanese games generally release unaltered these days, rendering it a non-issue. When controversies do happen, it’s not in Nintendo's court anymore, it’s usually Valve removing Japanese visual novels from their store page in an act of laughable double standards. Anyways, thanks to the wonders of PC emulation and memory editors, I was able to restore the boob slider to Xenoblade Chronicles X, and valiantly used it to make my character flat.

XCX’s design sensibilities are a pretty sharp contrast from the direction the series went afterwards, instead dealing in guns, gritty sci-fi, and a more realistic color palette. The storms and forlorn mecha on the box art tell you all you need to know. It’s all very western, with the designers definitely taking cues from Halo and Mass Effect in a lot of places. The hub city is also based on Los Angeles, further cementing the American influence in everything but the mechas.

Ultimately, I think this all worked out well. The original Wii release of Xenoblade Chronicles isn’t particularly “anime”, after all. Its aesthetic sensibilities are closer to Final Fantasy X than, say, any given Tales. Xenoblade Chronicles 2 and 3, as well as the Switch remake of the first game, hew much closer to games like Genshin in terms of colors and character proportions, but Xenoblade X takes the original’s artstyle and places it in a more serious context. I’m glad the series didn’t commit to this direction (it would have gotten bland fast), but it’s cool that we got it exactly once. Despite the more western stylings though, this is still fundamentally a niche anime game, much more so than the first Xenoblade. There’s titty armor and fanservice outfits as quest rewards, a young moe girl in the main cast, and the occasional pervy sidequest. A lot of the localization conflict may have been Nintendo attempting to clean up Xenoblade X in order to pitch it as a mainstream release at a time when the Wii U really needed a hit. While it’s a solid game, it was never going to be able to appeal to a very large audience.

Also, the story’s a bit of a mess. The tone is all over the place, with both comic relief and serious moments frequently failing to land. What starts off as a surprisingly grimdark sci-fi about the last remaining humans trying to survive on an alien planet as their crashed generation ship-city runs out of power quickly morphs into Star Wars levels of goofy aliens. Plot twist after plot twist ensues, defusing a lot of the tension because you know that they’re just going to pull something even crazier out next. Though the main story struggles, the emergent narrative of New Los Angeles is actually pretty good. A lot of the player’s side questing is dedicated to resolving interpersonal conflicts and helping make the city feel like a real home for everyone. Gradually, NLA begins taking on alien immigrants and the mutual fish-out-of-water situation between human and alien refugees leads to some funny moments and the occasional surprisingly thoughtful quest about cultural tolerance.

But for the most part, the story takes a backseat to exploring planet Mira. Through the gameplay loop I’ve come to understand Xenoblade X as something of a single-player MMO. The combat system is based around positioning, auto-attacks, skills that go on cooldown, and extremely customizable character classes. There’s a nightmarish amount of skill trees to keep track off, to the point where I’d forget about them alone until I was having trouble with a fight, and then remember an entire system I’d forgotten to take advantage of. There are item collections to fill out and side quests of all flavors and secret areas and difficult raid bosses yada yada yada…

Okay I can’t hold off from discussing the music any longer. The combat theme for Xenoblade X is the stuff of legends. Terrible, terrible legends.

Putting vocals in your RPG’s regular battle music is a bold move. You really have to make sure you knocked it out of the park, because singing is going to grate on the player far more quickly than any instrumental. Because of this, the battle themes of Persona 5, The World Ends With You, and Get In The Car, Loser! are all something of a flex. Black Tar is not that. I’m just going to link the song, because it really has to heard to be understood.

Xenoblade X’s battle theme starts off strong, the grim sci-fi tone clearly communicated through the moody synths. Soon enough the guitars come crashing in, giving way to a distinctly nu metal sound. That stylistic choice alone pissed people off in 2015, to which I say grow up, it’s great. But if you let the battle run on for 50 seconds, someone starts rapping.

Black Tar has some of the most nonsensical lyrics ever put to pen, delivered in the jankiest way possible, with words just kind of crammed in without any regard to flow. It’s not even a case of “non-proficient English speaker comes up with shoddy lyrics” as occasionally happens with Japanese songs. Every single word of this is an act of malicious fluency, and if I singled out all the lines I had questions about, I’d be here all day. Opening the first verse with “We’re stuck on a whole different planet” tricks the listener into thinking that the lyrics will to tie into the game’s events and setting, but this is a fool’s errand. The titular tar has no in-game corollary, so to make any sense of it you have to go metaphorical and claim that maybe it stands for losing your squadmates and giving up hope. That's still pretty flimsy! Maybe it really is just be about heroin.

Eventually though, we reach the chorus, and it’s actually a great hook! Except for the fact that it’s sung by a Japanese singer in English. The lyrics were clearly written with no regard for which syllables he’d have difficulty with, and making this guy utter the phrase “Black tar’lll” was an open act of cruelty.

In a 2015 interview, Black Tar rapper and lyricist David Whittaker brings up that the he wrote the words for his first video game song in about two hours, going for “just foolishness”. I imagine his work here was a similar situation.

It’s so, so easy to harp on Black Tar. Everyone did at release, and everyone who hasn’t played the game still does. The thing is, it’s impossible to keep that antagonism up when you’ve got an 80-hour game ahead of you where this is the standard battle theme the whole way through. For the sake of your own sanity, you have to learn to love Black Tar, and pretty much everyone who finishes the game comes around to it. Much to the chagrin of my girlfriend, I quote Black Tar constantly, with less of a sense of irony each time. Eventually, you too will find yourself shouting along with David Whittaker as he raps about being on a sea of dark matter. And of course, the instrumental was always a banger if you weren’t a coward. The theme for New LA also gets a lot of flak for its gibberish vocal samples and St. Anger snares, but I’ve always been a fan and think it holds up great as an endless-looping hub area theme. It’s so…. Sawano zeitgeisty.

The entire soundtrack is actually a Hiroyuki Sawano joint, and he does a pretty good job. It very much all sounds like the kind of music he’s known for, with the exception of the overworld themes, which instead try to mimic the compositions of the first Xenoblade Chronicles. Primordia’s theme is an excellent response to the first game’s Gaur Plain, with a more techy and ominous tone that nevertheless still evokes the sense of grand exploration ahead.

The edgy atmosphere, the washed out palette, the Sawano tunes….Xenoblade Chronicles X is extremely of its time, in a way that comes across as deeply charming 8 years later. It’s kind of terrifying that something can already be an early 2010s period piece! The Sawano music alone will shoot you back to the days of Kill La Kill and Aldnoah Zero, when Gen Urobuchi was absolutely everywhere and the default crap anime genre was magic school instead of isekai. The mere idea of early 2010s nostalgia sets off alarms in my head, but it’s definitely real, and will only become more of a thing in the next few years. Brace yourselves for the flow of time.

Last, but certainly not least, the mechas! They’re one of the main reasons I tried the game out in the first place. Giant robots are often part of Xenoblade worldbuilding, but they don’t really factor into the gameplay. X is the exception. From the first preview trailers to the title screen to their first step into New LA, the player is made to want a Skell. They’re so cute! The Skells were designed by Takayuki Yanase, one of the people who worked on Gundam 00, and I can see the similarities in the combination of curves and blocky elements. There’s quite a few mecha otaku who work at the NLA hangar out of love for the Skells. Most of them are women, a detail that made me really happy!

Adding even more to the player’s desire is the fact that Xenoblade X withholds Skells for a very long time. You have to make it more than halfway through the story and substantially explore the first three continents on foot before receiving your piloting license. And it’s Xenoblade, so these places are massive. Even with an extremely generous jump, you’ll run into countless clifftops out of reach. They really make you work for it, but at least the core gameplay loop of exploring to setting up waypoints and mining devices is a lot of fun on its own (I was curious if the plot would ever get around to problematizing the resource-extraction gameplay loop, but no dice).

party members next to the Skell for scale purposes

When you finally get a Skell about forty hours into the game, everything changes. One of the major challenges facing mecha games is getting the scale right –it’s pretty easy for the giant robot to feel human-sized if all the player is ever doing is piloting. Xenoblade X avoids this by making your human pace painfully clear before giving you a ten-meter robot to traverse those same landscapes. It’s night and day how much more quickly you can navigate. Skells are also wildly stronger than characters on the ground, and being able to take on behemoth creatures as well as pulverize the human-scale enemies you’ve been fighting all this time keeps the scale relevant. It provides a real power fantasy and makes them feel believable in-setting. Being able to get in and out of your Skell at will goes a long way towards making it truly feel like yours, and this mechanic also acts as something of an on-the-fly difficulty modifier for the remainder of the game. A few chapters later you get a flight pack for your Skell, and the world opens up all over again.

not pictured: the j-pop earworm that plays every time you start flying

After spending so much time hanging out with the mecha pervert mechanic girlies in the NLA hangar, the back half of Xenoblade Chronicles X finally lets you be one of the mecha pervert girlies. Customization is on the lighter side, as you can’t mix and match body parts like in Armored Core, but there’s still plenty of color customization and weapons fine-tuning to do. I totally fell in love with my robots, and that alone makes it a victory of a mecha game.

A new song plays during Skell combat, and it’s…. more verses of Black Tar!! There truly is no escape. The backing has more of an EDM sound to it, and the lyrics are even more laughable than before. “Shoot them with your guns” still gets me every time. And yet, I would be lying if I said I’ve never headbanged to the part about being stuck on a different planet. You learn to love these things.

So that’s Xenoblade X. It’s a weird-ass game, a real triumph but also absolutely the wrong thing for Nintendo to have to put out in 2015. It’s easily the most impressive Wii U exclusive and I’m glad Monolith Soft took this detour. You’d be disappointed in it if you went in with purely the expectation of a mecha game, but as a Xenoblade fan who’s been gradually falling deeper into mecha, it was a great genre blend. Xenoblade X’s servers will shut down next year, and while I didn’t partake in any of that (the multiplayer elements seem fairly minor anyways), it will be the end of an era for sure. Just in time to start fondly reminiscing.

[emilija04acer]

Cartoons and Anime from My Childhood (part 1)

Born in 2004 in Serbia, I cherish the memories of a time when cable TV was a luxury that only became available to us when I was about 12 years old. Most of my cherished shows were watched at my grandma’s place. Let’s take a stroll down memory lane with this list!

This is part one; I'm not certain how many I will create, but I'll begin with some that have significantly influenced me. They are listed alphabetically, and most are anime.

(I included a short description of each show)

Of course please share your favorite cartoons!

>>>

“Angel Friends”: Angels-in-training, Guardian Angels and Demons. First Angel x Demon ship that I sailed.

“Angelina Ballerina”: A dancing mouse with big dreams and a passion for ballet.

“Atomic Betty”: Intergalactic adventures with Betty, the space-faring superhero.

“Avatar: The Last Airbender”: “Water. Earth. Fire. Air.” A beautifully crafted world, elemental bending, and Aang’s quest to restore balance—this 2D gem blended adventure, humor, and wisdom.

“Barbie Movies”: Every Barbie movie—magical adventures from princesses to explorers.

“The Secret World of Benjamin Bear" Heartwarming adventures with this lovable stuffed bear.

“Bibi Blocksberg”: A young witch named Bibi and her magical escapades. Also Bibi and Tina.

“Bratz Movies”: Fashion-forward Bratz dolls navigating high school and friendship. That one with Paris traumatised me. ( the bone ageing thing)

“Captain Keroro” (Sgt. Frog): Frog-like alien invaders attempting to conquer Earth.

“Code Lyoko”: Virtual reality, secret codes, and a group of students fighting digital threats.

“DelTora Quest”: Lief, Barda, and Jasmine’s quest to restore the seven gems of the Belt of Deltora. (Barda was one of my first fictional crushes guys… 😭 don’t ask)

“Digimon”: Digital monsters, DigiDestined, and epic battles in the Digital World.

“Dragon Ball Z”: “Kamehameha!” The battles between Goku and his formidable foes kept us on the edge of our seats. The iconic transformations, energy blasts, and the quest for Dragon Balls fueled our imaginations.

“Galactic Football”: Futuristic football matches in outer space—goals, teamwork, and cosmic challenges!

“Holly Hobbie and friends”: The adventures of Holly Hobbie, a creative and kind-hearted girl.

“Mermaid Melody”: The enchanting story of mermaid princesses who use their voices to save the ocean. (Other first crush…)

“Mia and Me”: A girl named Mia discovering a magical world with unicorns and elves.

“My Little Pony (MLP)”: Friendship is magic in Equestria with Twilight Sparkle and her pony pals.

“Naruto”: Believe it! Naruto’s ninja journey, friendships, and determination. Who didn’t watch this?

“Nodi”: The little blue train Noddy and his friends in Toyland. (This and Strawberry Shortcake where my everything at like 6)

“Pokémon”: “Gotta catch 'em all!” Ash Ketchum’s Pokémon journey, Pikachu’s thunderbolts, and Team Rocket’s antics—this show captured our hearts. The Pokémon theme song is forever etched in our minds.

“Postman Pat” (Postman Pete): Delivering mail in the charming village of Greendale.

“Sailor Moon” (Bishoujo Senshi Sailor Moon): “Moon Prism Power, Make Up!” Magical girls, cosmic battles, and the power of friendship—And of course censorship!

“Strawberry Shortcake (2003)”: The sweet adventures of Strawberry Shortcake and her berry friends in the magical land of Strawberryland. (Logorovanje/ camping episode was my fav

“Tokyo Mew Mew”: Magical girls with animal DNA fighting to protect Earth from alien invaders. (Ren can get it)

And of course as I lived in Vojvodina, “Hungarian Folktales”

Here are some links... Sadly I couldn't include the images that I wanted...

Strawberry Shortcake (2004): Wikipedia, IMDb, MoviefoneWonderful Galaxy of Oz: Wikipedia, IMDb, Oz Wiki

Mermaid Melody: Wikipedia, IMDb, Trakt

Tokyo Mew Mew: IMDb, Wikipedia, IMDb for New Series

Galactic Football: IMDb, Wikipedia, SideReel

Sailor Moon: Wikipedia, IMDb, JustWatch

Winx Club: IMDb, Wikipedia, Netflix

W.I.T.C.H.: Wikipedia

As you see I had great taste! Please share yours!

If you are from Serbia... Do you remember ULTRA?! Half of my nostalgia comes from the ads that were on that channel!

Do you remember this people!?