#au; all alone

[bigfatbreak]

Birds of a Feather previous / next

[ew-selfish-art]

Dpxdc AU: Damian decides that it’s time to go collect his brother from his assignment. Danny is starting to sniff out some non-ghostly bullshit for once.

Damian knew his twin had been exiled from the age of seven, banished to travel and observe how scientists around the world engaged with Lazarus water. The only word that Damian received that his spare was still alive were the letters of lab reports and findings that were sent back to base. As the Heir, he’s pushed to be better lest he himself be exiled or simply executed. Danny becomes a fleeting thought and then once Damian arrived in Gotham, a none existent thought.

They weren’t raised to be friends or even friendly. The were not taught codependency or allotted time to bond. The could have been perfect strangers if not for their appearance and the stories of Danny’s shortcomings becoming Damian’s praise.

It’s only once Tim informs him of an intercepted letter, one sent and saved from years prior, that Damian recalls Danny enough to care. Tim prompts him to share more, especially given the coup recently committed by Deathstroke (Slade) and Talia gone into hiding with her zealots.

At family dinner that night Damian supplies: “I suppose I should be the one to bereave my twin of his assignment. His reports will certainly go unread.”

Chaos in the Batfam ensues- meanwhile across the country- Danny sneezes and finishes writing his yearly report: “No major discoveries aside from public record patents (attached), No assistance required. -Spare”. He doesn’t know why he bothers, he hasn’t received any contact from his mother or grandfather since he was 10ish and certainly hasnt thought about his twin. But, if there’s a chance (even an itty bitty one) that his reports are being read and are holding off his reassignment, he’d rather keep assassins out of Amity Park.

Little does he know that this letter is about to be intercepted by Pru, former assassin and friend of Tim Drake. He hadn’t expected his twin to suddenly arrive and tell him that his job was done. And certainly, seeing a plane filled with an uncomfortable looking ‘family’ that requested he join them and get to know Gotham and his birth father, was not on his bingo list.

Danny does his best to let them down gently- and they seem to be accepting that he’s acclimated to this weird little town and will leave him be- when Danny suddenly has to transform into Phantom in front of them to handle a rocket sent by Skulker.

They are less willing to accept his appeal to be left alone after that… Damian is trying to “bond” with him and all the others are trying to “help” in their own way.

Sam and Tucker howl with laughter at Danny’s suddenly very large family- all while secretly working with the Wayne’s to get Danny the fuck away from the Fentons before the scientists do something they can’t undo.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[electrozeistyking]

Tiny Disassembler Tries To Put Himself in Second Food Coma; Girlfriend Won't Let Him

(you better believe that first time was an accident)

[sualne]

freedom & hope

[ohno-the-sun]

They used to be so close

[heartscrypt]

the web - fear of manipulation and lost control made manifest

[emry-stars-art]

Wymack be careful your luscious flowing hair is dangerous for a single dad like you to have

Find the mer aus masterpost here 💕

[thelone-copper]

WHOOOO MISSED HIM???????

He’s the silliest ever,,,,,I missed drawing him I’m ngl

ALSO WOWZERS MOB ZACH IS FUCKIN RAD AS HELL— I’d imagine him being very mf good with meat hooks so of course I drew his scary ass with some🤭🤭🤭

[brighteuphony]

Got a bunch of Sasuke-centric asks, so here we are!

Sakura has some complicated feelings about Sasuke.

In my AU, Sakura was born to civilian parents who didn't really want her to become shinobi, even though that had been her dream for as long as she could remember- and it was no secret in the Haruno household that they were hoping she'd drop out, or at the very most, be career genin.

So Sakura never really had anyone to believe in her and had to go into the academy (late!) as a civilian-born, meaning she was automatically behind in development (and status) compared to the clan kids. (I headcanon that until the Academy, Sakura didn't ever spar with anyone, versus clan kids who had probably learned how to wield kunai before they knew how to walk).

So Sakura worked hard and did her absolute best to get the barest minimum that clan kids were afforded by default. Unfortunately, her best, without the resources/opportunities, just wasn't good enough. And Sakura knew it. Academically, she was brilliant, but that's not enough to be a good shinobi. And somewhere deep down, Sakura (at the very least Inner Sakura) knew it.

It's why I headcanon that she developed such a violent temper. People who are secure in themselves don't have such explosive, uncontrolled outbursts- it's why she picked on people like Naruto, who was probably the only person below her in the pecking order (maybe Tenten? But they're equals I guess). It's why she's so quick to anger and usually has those responses OUT of combat- it's because that's the only place her violence is actually effective.

It's also why she's such a teacher's pet- she needs validation from others to try and fill the gaping void.

So when Sasuke appeared on the radar, and everyone wanted him, so did Sakura. Because if she got him, she would do something that no one else- clan-privileged and better- could do. In fact, she staked most of her identity (her hair, her diet, her clothing) on it.

None of this was conscious. She really did have a crush on Sasuke, but the seed of it was born from a very misguided desire to prove herself on an even playing field.

After all, she didn't have a clan upbringing/resources to teach her how to find self-worth and actualization through her skills (she went home, and her civilian parents praised her for things that absolutely didn't matter in shinobi reality, amazement that she could throw a kunai! how good her grades were! and how cool it was that she could jump high!)

(and Kakashi absolutely didn't help, lol), so she defaulted to what she knew- which was being a regular girl with a regular crush.

Now, as an ~adult, she's come to the painful realization that her love for Sasuke was just a goalpost. Ironically, she set her sights on someone who would inadvertently feed into all of those insecurities, and because Sakura didn't love/believe in herself, she accepted Sasuke's abuse.

She also understands that she ran into the Chidori/Rasengan deathmatch of her own stupidity, but she just can't forgive Sasuke for leaving. For never owning up. 'Cause that's just coward behavior..

Basically, Sasuke's cruelty was just a reflection of her own self-loathing, and unfortunately, Sakura just wallowed in denial and ended up paying a hefty-ass price.

So if she ever sees Sasuke again? Honestly, she doesn't know whether she wants justice or revenge. It's complicated.

Whew- that was a text dump....

Once again, thank you so much to everyone for all the interest and asks! I'm so happy we can all share Naruto rotbrain together.

[ayyy-imma-ninja]

goodness, poor lunar is feeling really strong emotions isnt he..? This poor little guy..

all alone...

[tobylovesick]

Noah’s death hurt me a LOT more than it shouldve and im embarrassed to admit that i cried for an hour straight..

A little redraw in my style !!!

[poorly-drawn-mdzs]

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]

[beybuniki]

the batman piece is tagged with quirkless au now, i try to tag my specific "aus" etc if there's lore :) the lore is rarely explicitly in the sketches but i DO like to imply it and some sketches have the same context idk if i make sense

[zu-is-here]

make teleshopping great again ♪

[nina-scribbles]

Finally done with this piece for my 🪐🛸Space Au🚀🌌 !!!

+ some bonus closeups on details i really liked 💕