pls… for your consideration: ex/toxic baby daddy patrick 🤐
STAWP ‼️‼️‼️‼️ patrick is so deadbeat father who has a sudden realization he needs to get his shit together years later coded. like oh my god, i have a little babygirl and a hot wife and she sent me divore papers years ago but I've never signed that shit - we're still married - she's still my wife - thats still my kid -
its easy to hate patrick zweig from afar when hes just the man who broke your heart and left after he knocked you up - its not so easy to hate him when hes leaning against the doorframe of your home and then bending to his knees to meet the ball of sunshine thats your daughter - its not easy when you remember the nights spent dancing to electric music horribly until you collapsed into giggles into his chest, when you remember what his nose feels like skating up the collum of your throat, when you remember how he makes you laugh and how good he smells and how hes so intense, the way he looks at you, really looks at you and you want to sway into him, fall into his broad body and warm hands and feel him again.
but no. you have to remember the fights. the nights spent crying - while he lost himself in the bottom of a bottle - you have to remember the horror on his face when you'd told him you were pregnant like you'd slapped him. you have to remember how he left without a word.
he tells you he hasn't stopped thinking about you. he tells you he misses you. he tells you he was a fuckup and young and impulsive but he wants to try and be a man now, he wants to be a dad. he wants to take care of you.
you have the decency to wait until your daughter is tucked away in bed before you unravel. throw things. yell at him. tell him you hate him, he has no right to come here to you, to want to play house like its a game like its so easy. you dont need him. you dont, you've never needed anyone, especially not him.
he takes your anger - he lets you beat his chest. until you're wilted with exhaustion from it and then he reaches up to grasp your wrists. gentle. you startle to feel the wedding band around his finger - his eyes are sad. but he still has that fucking infuriating half quirk to his lips he'd always had.
"I'm not going anywhere."
"you can't fix anything, patrick. we're done. its over."
that fucking smirk. "yeah, we'll see about that."
270 notes
·
View notes
Ride 749: The last Straight Road*
(NdT.: same pun Kinaka always makes with his name and the word for straight road)
Pag 1
1: I....
3: Imaizumi-san!!
4: Go- good work!!
Good work!!
You were taking a long time for this lap
Pag 2
1: Yes, teh, I got a fl-fl-flat- my bike!!
Yessir!!
2: It's the tire!!
4: Only tires can get a flat
Ah- damn, yes, that's right
Right!!
6: I thought something like this might have happened, so I brought these
Replacement tubes, tire levers, and a pump. Use them
Pag 3
2: This is unusual!! I never thought Imaizumi-san was the attentive type – is it just for us!?
Yeah!! I thought first and second years were just not important to him....
3: You don't want to use the,?
We'll use them, thank you so much!!
4: You saved us, teh....!!
That's true
6: Ah, uhm... but..... Imaizumi-san
Earlier you said that
7: Sugimoto-san won't come”, what did you mean?
Pag 4
1: He retired
Pag 5
1: He's still displayed on the board, but
3: There's still time until midnight
If Sugimoto-kun....
4: Please leave the possibility open in case Sugimoto-kun wants to come back!!
5: Onoda insisted
6: Re... tired.....
Sugi..... moto-san....
Pag 6
1: He used up all his stamina and mental strength in his fight against Danchiku, and he was defeated
2: You didn't notice because you've been on the course the whole time
4: Ah... actually, when it got dark, Sugimoto-san and Danchiku-san passed us various times... teh
Huh!? That? So at that time-!?
5: You have no time to talk about unimportant things
As soon as you're done with the repairs, run, first years
6: Soon
Pag 7
1: Waa, ye-yes, teh, thank you for the tools
Yeah, there's still 40km
2: If we join our strengths....
Don't cooperate
5: Teh!?
7: From now on, you can't allow yourselves to run like friends
8: Huh....
Our “buddies” stickers.....!?
You have to fight
Pag 8
1: And win the last spot to be an Inter High member!!
Pag 9
1: Fa.... ight....
2: Against.... Kinaka-kun
3: Against.... Rokudai
4: 35km left!!
Gooo!! Kinakaa, Rokudaii!!
Do your best...!!
5: I feel like they'll be able to run the 1000km!!
Amazing!
Ah, but there was no distance between them just now?
Pag 10
1: Fight....
2: The spot as a regular in the two-times national champion, Sohoku....
3: I can't take it by just being friendly....!!
4: And also
5: There's Sugimoto-san's wish!!
Pag 11
1: Wa- wait, please, Imaizumi-san
But.... if in this training camp the condition to become the sixth regular was to finish the 1000km first....
2: Then why did Sugimoto-san and Danchiku-san race!?
4: I came here to give you a message from Sugimoto
5: I think, I think it's necessary, you know
Sohoku is a team that connect and support each other
6: Just like during our first year, you, Naruko, and Onoda, connected your wishes and aimed for the goal
7: And last year Kaburagi ran with Aoyagi-san and carried the team until the mountains on the third day
8: So I think we need it
9: Our third year Inter High members
Pag 12
1: Definitely need a “first year”!!
3: Even if he knew he was making his own situation worse, he thought about the best shape for the team would be
4: He accepted it, and fought
Pag 13
1: For the fifth place
3: Among the first years, those two are left, I look forward to see what they do!!
That's too much food
4: Danchiku probably understood it, too
That's why he fought with all his strength
6: Now you two have to run with the weight of those expectations on your back!!
7: Fight, against your opponent and against yourself!! Use all your strength
Pag 14
1: And pull to yourself that last jersey!!
2: Straaa-
Pag 15
1: Straight roaaad!!
2: - traight!!
3: …. ngh
Ugh.....
4: Kinaka-kun.....
5: Don't cry, Rokudai!!
Pag 16
1: What are you doing, oi!! I'll leave you behind like this!! I'll tear you off!!
If you give up, then it's lucky for me!!
2: My goal has always been the Inter High jersey!!
To get back at those senpai who made fun of me!!
3: To show it to the Onii-san who taught me how to ride bikes!!
So, for that....
6: So I'm telling you not to cry!!
Pag 17
1: But, Kinaka-kun....
It's that your “Straitgh road”, wasn't fast at all....!!
4: You knee? It's your knee, right?
Since when? Since a while ago?
5: Since when we were at about 800km
Pag 18
1: It's a race, Rokudai
2: You should have told me, teh
I didn't notice, teh!!
3: I'm such an incapable former manager, teh....
4: Since when I lost to you in the first years' race
6: I've been thinking that I would definitely not lose the next time we race
7: Even though the truth is that I don't really care about that anymore
So, once again...
Pag 19
1: It's a race, Rokudai!!
3: Let's do it, Rokudai!!
I can't, teh
4: Race me, pedal!!
I don't want to, teh....
5: Fight me!!
I won't pedal, teh
Pag 20
1: Because, if I fight you now, Kinaka-kun, I'll end up winning, teh
Pag 22
1: With that kindness of yours, support our senpai during the Inter High
99 notes
·
View notes
I went into Ruth expecting a dreary read. How could a Victorian "fallen woman" story be anything other than dark and depressing? So I was shocked right from the beginning to find a sweet, gentle, romantic story. The dressmaker's apprentice who sits in the coldest, darkest part of the workroom because that's where there's a panel painted with flowers that remind her of her country home? How could I not adopt her as a favorite character? Ruth's innocent, romantic outlook on life gave us some beautiful descriptions of the scenery of both city and countryside, and my imagination went on overdrive to create very vivid images of the story. Even the love story, which we know is going to go very wrong, starts out sweet, with a kind, charming love interest who only shows flashes of just how wrong his character is going to go.
Even after Ruth's fall, the story is so gentle, putting Ruth among kind people who are willing to risk and sacrifice a lot to help her. And then the story gets almost too gentle--after some initial struggles with depression, Ruth resolves to bear her troubles patiently and work toward virtue, and her sweet, too-innocent character gets flattened out into someone who's just Good. Life just goes on, with things generally going well, and every potential turn toward drama results in someone deciding to be reasonable, which can make the story drag.
But, in a story like this, the lack of drama becomes the plot twist! It is refreshing to see characters who don't always jump to the worst conclusion or take the worst action, who pause and consider the whole story and act like decent human beings.
And in the places when the drama does kick in, it's good drama. Painful drama. It's also (especially in the last section of the story) melodrama. There were sections of the book where I was rolling my eyes at the cookie-cutter Victorian path the story was taking--but then there'd be one line or one moment that would just stab me in the chest because of how beautifully specific it was to this story. Just enough to elevate it from something bland to something unique and fascinating.
I often had the thought that this book could be about a third of its length without losing anything--yet it should also be just as long as it was. If the story cut all its repetitive musings about Ruth's regret, and used that space to develop the side characters and and show the plot instead of telling us about it, it would be a much deeper story. I found myself wishing Gaskell had reworked this one later in her career--the way that North and South was a more skillful reworking of the issues explored in Mary Barton. In a way, she sort of did in Wives and Daughters, with the story of Molly the quiet innocent getting tangled up in the intrigues surrounding her headstrong, flirtatious stepsister Cynthia serving as a more layered, personality-flipped version of the story where headstrong, sheltered Jemima gets tangled in the story of quiet, sweet Ruth and her past romantic intrigues. (The doctor at the end of the story also feels like a proto-Mr. Gibson).
Yet I'm still fascinated by the themes specific to this story. Contrary to expectation, this "fallen woman" story isn't about sex, or gender, or how unfairly women are treated (though it does touch on that in the end). It's about sin. It's not questioning why Ruth's behavior is considered a sin or looking to dismantle the society saying that it's a sin. It comes from the Christian perspective of saying that sin is real and harms people--so how are we going to deal with that?
The story shows lots of people struggling with temptation, failing, and dealing with the consequences (or harming others with the consequences). Sin is always a case of either not caring enough to do the more difficult, good thing, or a case of "the ends justify the means", where people rationalize their bad behavior as something necessary in this specific case. It always leads to harm, but some people--and some sins--suffer greater consequences in the eyes of the world, whether or not they deserve it. I wish the story had developed and resolved this theme better in places, but the raw material there is fascinating food for thought.
This book is Gaskell at her preachiest, but also Gaskell at her kindest. It explores deep, difficult issues in a very loving way. As a story, there are ways it could be better, but I'm very glad I read it. Perhaps I'm making a point to be kinder to it because I know it's the type of story that today's readers tend to judge harshly. But amid my issues with the story, there are some lovely images, some great messages, and some wonderful characters that going to be living in my heart for a long time.
42 notes
·
View notes