cry-ingdutchman

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[magicaltimelady44]

so like. if anyone else, like me, still has the occasional fanfic they follow on fanfiction.net, and hasn't been getting the update emails for the longest time and was wondering if ti meant the site is on its last legs

no

no they've done something stupid as fuck

you have to opt back in to getting the emails/notifications of new chapters every six months, because they automatically assume you don't want to know when the fics you followed for the updates have updated

[starcurtain]

Hey! I apologize if this question has been asked before since it seems like a pretty obvious one, but where do you think the idea of Aventurine being a sex slave came from? Other than the obvious factor of it being something fun for the fandom to mess around with, I mean.

It's something I kind of took for granted as being true before playing his quest, but after finishing it I realized there wasn't really any indication. The only thing I can really think of is his master's comments about him having a good body. Is there anything in his behavior you can think of that would lead to this conclusion if it wasn't a popular fan interpretation already/kind of just an easy conclusion to reach with a slave character?

(also kind of related but what do you think of the idea that he sleeps around/with his clients to make deals? he's obviously willing to sexualize himself with the boob window, but that doesn't necessarily mean he goes further.)

As far as I can tell, the idea that Aventurine was involved in sexual slavery comes from three (maybe four) places:

First, the comment from the master about Aventurine's appearance. People were holding this comment up as refutable proof that Aventurine was used in sexual slavery on top of being tossed into the Hunger Games; however, the response from other players on this interpretation, especially the Chinese side of the fandom, was very mixed, with a lot of people pointing out that the context in the game probably meant the slave master was talking about Aventurine's ability to attract attention from fans watching the literal Sigonian Hunger Games, rather than having a direct sexual-slavery connotation.

Second, the comment from Sparkle about stripping naked and getting on his knees for Sunday. This one has way more implication in English than I think it might for an Eastern audience, actually. In English, this pretty much sounds like Sparkle saying Aventurine trades sexual favors for success in his gambles. However, I suspect the original intention in Chinese was more about humiliation. Western audiences don't have as much history with honor-based prostration, i.e. accepting corporal humiliation as a form of reconciliation that Eastern audiences might be more familiar with. And in any case, Sparkle is Sparkle. She probably just went for the lowest blow she could think of here.

Third, the general assumption that if Sigonian slaves were being chained, branded, beaten, sent to death matches, etc., it seems logical that they would also be taken advantage of in other ways. I honestly think this is probably the fairest take--many, many real slaves around the world faced (and still face!) sexual abuse, so if slaves from Sigonia were treated so poorly you could make them fight to the death for entertainment, it stands to reason they were probably also not safe from other forms of assault. We also have no idea what happened to Kakavasha in any of the years between his being a tiny child fleeing the massacre and then being purchased as a slave as a late-teens-early-twenties person. That's a very long time for a child to have to survive on their own on an extremely hostile planet and not face risks of all kinds or end up needing to do unspeakable things to survive. So I think this is at least not that far-fetched, although it's important to say there's nothing in the game that directly confirms this.

And fourth: I read a tweet semi-recently that stated that one of the Chinese (or maybe it was Japanese) names for a quest Aventurine was involved in was actually a reference to a book about a teenage sexual assault survivor. However, when I tried to verify this myself, I couldn't find any quest Aventurine was in that was based on a book about sexual assault in either English, Chinese, or Japanese. It's possible I just missed something, but I'm taking this one with a bit of a grain of salt currently, since I can't confirm it personally.

Regarding your other question, about whether I think Aventurine sleeps around to make deals...

I definitely think he does not, for one major reason.

First, I will admit that Aventurine is definitely willing to use his appearance to his advantage. This is pretty obvious. He wears incredibly flashy clothes, baths himself in cologne, overloads on glittering golden jewels, and absolutely calls attention to his appearance when working with clients.

We see him actively doing this in his Moment Among the Stars video, where he is clearly using his looks as an equal tool (to his wealth), to daze his target.

It's not an accident that he says things like "Use me as you wish," with all the explicit connotations preserved. The implication is there. However, unless he was absolutely backed into a corner, I think that implication is all it will ever be.

The reason I think this is that the devs go out of their way to give Aventurine three fairly noticeable physical behaviors in his in-game scenes:

For one, he has some of the most closed off body language of any character in the game.

Aventurine's default conversation pose is arms crossed directly and tightly in front of himself. This is like "Defensive Body Language 101." By crossing your arms, you put a symbolic barrier between yourself and the person you're speaking to, and also ensure that your hands are up and available in case you actually need to physically defend yourself.

Virtually all of Aventurine's conversations take place from this stance, no matter who he is speaking to (from the Trailblazer all the way to Topaz). He deliberately closes his pose off and tightens up his silhouette, which just sends a glaring "Don't touch me" message.

This closing off is also blatantly apparent when you compare it to the deliberately open poses he strikes while trying to make himself seem accessible to others (like tempting clients) or seem powerful (to intimidate):

Complementing this habit of closing himself off is a second noticeable aspect of his body language: He frequently avoids eye contact to the point that he even holds conversations while entirely facing away from the person he's speaking to.

I might be a bit lenient and say maybe he's doing this to on purpose to be mysterious, whoo~~ But... in all honestly, he just does this with everyone, even with Ratio while trying to talk about an actual important issue (wanting to look into Acheron's real identity). Hell, even the fake Aventurine does it to himself!

We can even say that wearing the rose-tinted glasses in the first place is another intentional barrier, one Aventurine deliberately removes in specific moments to give people the (false) impression that he's "letting them in" to his circle:

Now, this might be a bit more complicated in Aventurine's case, because eye contact has a whole extra meaning when eyes are the defining trait of your species and come with particularly challenging racial stereotypes. So it may be that Aventurine is simply used to conducting conversation while looking away to minimize racial prejudice against his eyes' unique appearance.

However, I'd also argue that the devs deliberately turned his entire model away in cutscene after cutscene to create a clear sense of being inaccessible, unapproachable, and unwilling to engage in the physical intimacy of standing closely, directly facing, and staring at his conversation partners.

While he faces away, he controls both the figurative and the literal direction of conversation, forcing people to keep their eyes on him while he is free to move as he pleases. Over and over again, it just says "I want to be the one in control. I'm not afraid to show my back to you, but you are not welcome to come near me."

And, in fact, that's a third aspect of his character's body language that I am sure the devs did not include accidentally: More so than other characters, many of Aventurine's conversations are conducted from weirdly far distances. Like, half the time he's talking, he's standing all the way on the opposite side of the room!

This habit of speaking from a-larger-than-normal distance is apparent in the first scene with Himeko...

And then in just about every other conversation too:

The bubble is twenty feet in every direction.

Like yes, he does approach and have conversations like a normal person... sometimes... But it is significantly more noticeable with Aventurine than with other characters that he often conducts whole conversations--even with his allies--from a distance. Just genuinely weirdly far apart.

Leaving space for Gaiathra, I guess.

And it's because these significant decisions were made with Aventurine's in-game body language that, when he deliberately alters his own behavior, it is instantaneously noticeable.

In 2.0, he closes the distance, the glasses come off, and he gets directly up in the Trailblazer's face.

It's uncomfortable not just because the player is suddenly being loomed over, but because this behavior has already been subconsciously established for the player as out of character for Aventurine.

The barriers the character himself was putting up are deliberately stripped away so that he can use physicality and demanding eye contact to intimidate his target. He has to reverse his own normal body language in order to come across as domineering (and, I guess if you're into that, appealing in a domineering manner).

And ummmm, just a tiny aside here because I can't resist:

This does mean that when the game goes out of its way to demonstrate Aventurine altering his own normal habit of distant and defensive body language, it is absolutely intentional.

Yes, this is a Ratiorine post in disguise. There literally isn't any other character in the game that Aventurine is shown being comfortable standing so close to and interacting with in this manner. This doesn't occur in every one of their scenes, but Ratio is the only character that this happens with repeatedly. It's not an accident that the devs literally added "They were walking side-by-side" as flavor text.

But look, I'll be fair: There's a great example of this in Aventurine's scene with Acheron too, where he closes the distance and attempts to make eye contact with her--seeking her guidance and closeness--and she is actually the one stepping away, speaking with her back turned, demonstrating her power and control (and issues with connection!) in that scene.

Anyway, this was a whole longggg tangent into analyzing Aventurine's body language, but my point is that, overall, the devs deliberately adjusted his model's actions in-game to give the impression of a person who clearly wants to be in control of every interaction he has with other people, who insists on distance over intimacy, and whose stances and habits suggest that he is significantly less accessible and open than his "Use me as you wish" motto might suggest.

Long story longer, I think that there is almost zero chance Aventurine is willingly ceding control over himself or the actions expected of him to anyone he isn't 100% comfortable with, and I think that using physical intimacy of any kind would be an absolute last resort for him. Frankly, he comes across as more likely to shoot himself in the foot than let someone he doesn't trust lay hands on him.

To me, he reads very much as "You may look, but you may not touch."

[mechacringekitty]

shoutout to people who didn't always know actually. shoutout to those that didn't have dysphoria since childhood or know something was different about them or act different or be noticeably queer. i can't be the only one and i love you

i love you <3

[thefrogdalorian]

A little love letter to Din Djarin writers... 🤍

I love that some of you write him as soft and gentle while others focus on the darker, harsher parts of his personality. I love that he can be both a quiet, kind man caring for his child or an intimidating, terrifying bounty hunter who is a lean, mean killing machine... depending on what the fic warrants.

I love how you write him with other characters from The Mandalorian or even with those who would never cross paths with him in canon, from Star Wars or elsewhere. I love how you write him interacting with yourselves and us, and some of you even create your own original characters to exist a long time ago in a galaxy far, far away alongside him.

I love that some of you ship him with that one other special person, while others recognise how desirable he is and ship alllllll the ships. Not forgetting those of you which are here for none of those ships and/or even headcanon him as ace. I love that any of those options allow you to explore your own identities and sexualities through him.

I love that you can write the most tooth-rotting fluff or filthiest smut, and all of those things in between. Whether it's for general audiences or explicit and strictly 18+ ... all of your fics have an audience and someone out there who appreciates your writing.

I love how differently you can interpret him, but there are also so many common themes and tropes running through your writing. I love that there is room for all of your Dins here.

I love that he means so much to you and that all of us here hold him in our hearts a little bit. I love that we can all watch the same episodes and come to entirely different conclusions about him. I love how much we love him.

Getting to be a part of this wonderful community and interact with so many people who love the space tin can man as much as I do has truly been one of the best things that happened to me recently. I'm so glad I made this little blog... It reminded me just how good fandom can be. I am blown away by the number of talented people here!

So, I just wanted to take a moment to express some gratitude towards all of you! Thank you for writing your Dins and please don't ever stop. Finally.... last, but not least:

I love Din Djarin!!!

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[unrelatedghosts]

These shits own my brain, one of them more than the other.

Looking at you Augustine. Get out of my head. /j

[loweryourriskofheartdisease]

So...

WHERE IS THE FIC??!

[flyingwargle]

august fanfic recommendations!

this is indeed going to be a series. check out july's recommendations!

(also, feel free to give me recs! i'm kind of picky, but i promise to look at what you suggest before adding it to my 80 tabs of fics hehe. rec your own fics if you want 😎)

some of these fics are rated e!

sakuatsu

Take My Hand (Take My Whole Life Too) t. 6.1k. sakusa gets hung up on the idea of indirect kissing and indirect hand holding and becomes enamored by the idea of holding atsumu's hand. lovely prose, sakusa is insane in this (affectionate) and atsumu is very loving.

Watching You for Love t. 6.6k. sakusa moonlights as a dj and atsumu finds him out. THIS FIC!! amazing prose and imagery, and sakusa falling for atsumu is also beautiful. please give it a shot <3

Hall Pass t. 6.8k. sakusa and atsumu discuss one another's hall passes and sakusa gets hung up on why atsumu's is saeko. i admit, i still don't know what a hall pass is despite reading this, but it depicts a somewhat jealous sakusa and saeko kissing atsumu, which is more than i could ever ask for.

atsumu, atsumu, let down your hair t. 7.1k. sakusa and atsumu move from fwb to being in a relationship but it's hard to be domestic after being physical. we love healthy communication in a relationship in this house.

the 28 postcards you left me t. 8.3k. after breaking up, atsumu leaves postcards for sakusa in animal crossing. this hurt to read, especially with how in love they were, until they weren't. there's a happy ending, though <3

The Jacket In Your Closet t. 8.6k. once upon a time, atsumu gave sakusa his newly purchased jacket because he saw him uncomfortable in a crowd. atsumu's forgotten about it but sakusa never did (and continues to have a crush on him).

stuck between a rock hard place, or something m. 10.4k. atsumu starts popping boners whenever sakusa opens his mouth. hilariously written and sweet <3 this made me so glad that i like girls because the way sakusa is described here is just. wow. he really is attractive. good for atsumu.

Situated Motionless in the Center of the Heavens t. 15.1k. "For a very long time, Atsumu could barely stand Sakusa. And can you really blame him? It’s Sakusa, the human equivalent of the feeling you get when you bite into a chocolate chip cookie and realize with profound disappointment that it’s actually oatmeal raisin instead." if that doesn't convince you, just know that atsumu is dense af but he ends up realizing his love in the end.

From Afar t. 17.4k. i could probably make a list of skts fics where sakusa has some kind of ability and intends to keep everyone at arm's length until miya atsumu ruins everything. the ability that sakusa has in this is unique and plays into his mysophobic tendencies beautifully. the way he and atsumu compromise with his gift is a delight as well. just beautifully written overall <3

Again, until it's perfect. t. 18.2k. sakusa and atsumu accidentally pull off a minus tempo quick and they start practicing it. i read this after situated motionless in the center of the heavens, and let me tell you - going from dense atsumu to dense sakusa is so, so good. they're so dumb, i love them /affectionate

One Track Mind m. 18.8k. suna and osamu publicly break up and sakusa is left wondering if it's a good time to tell atsumu that he loves him. hilarious, introspective, with some spice. a perfect blend for an excellent fic <3

In Pursuit of Happiness t. 19.1k. modern magic au where sakusa works at a magic shop after selling his happiness, and atsumu is a pest trying to make him feel happy again. lovely worldbuilding and slowburn!

Better Find Another Superstition t. 21.3k. 7/7. another modern magic au where sakusa and atsumu are forced to work together to resolve an issue with the city's magic supply. hilarious prose, and very light-hearted with a cool magic system in the background. one of my favorites <3

how can I not be moved (by you) t. 26.4k. 3/3. an achingly beautiful magic au where sakusa runs an apothecary and atsumu is a warlock. the worldbuilding is rich and the slow burn is delicious. absolutely beautiful and fluffy <3

pascal's wager t. 34.1k. 6/6. a sakusa character study and his obsession with superstition from atsumu's pov. beautiful writing, lovely wingmen to help atsumu (gourd bless osamu, akaashi, and bokuto) and lovely prose <3

the awful daring of a moment's surrender m. 34.2k. 7/7. in which sakusa lies to himself that he wants nothing with atsumu but atsumu is persistent. beautiful prose (i read so much of this writer's works, they're all so good) and lovely ending <3

Teach Me, Tune Me, Tempt Me e. 38.8k. 10/10. sakusa asks atsumu to teach him about the many firsts needed to enter his first relationship. oh, the pining, the angst, and of course the smut was on point.

sunaosa

working backwards till it rhymes t. 4.2k. gin congratulates suna and osamu on their anniversary, except they aren't dating. or are they? hilarious prose and premise, absolutely loved it.

reasons to microwave an elixir t. 8.2k. university au, modern magic au, roommates to lovers galore. i absolutely loved the prose and how sunaosa developed over the fic. definitely one of my favorites!

you never have to wander, wonder t. 22.6k. suna is the cameraman for the twins' buzzfeed-like worth it youtube series. lovely, lovely pining and prose.

iwaoi

What spring does with the cherry trees e. 7k. pwp with lovely prose and so much love between iwa and oikawa. reading it made me feel soft and fluffy.

galaxies, within you t. 21.1k. makki and mattsun are the absolute best in this. i love the seijoh4's banter and friendship, and how iwa and oikawa eventually confess their feelings for each other. the prose is hilarious and beautiful!

bokuaka

35mm t. 20.9k. 3/3. another fic where akaashi and bokuto slowly fall in love through high school but more movies, akaashi is a movie buff, and lovely prose <3

other

but i am strong (strong enough to carry him) t. 5.3k. atsumu gets a call that osamu has a breakdown and he, aran, and suna comfort him. a beautiful brotherly fic and the helping hands around osamu.

A Full Stomach g. 6.9k. kageyama notices that hinata is eating less and less these days and intervenes. hinata protection squad arise! so much fluff to the hurt, my son deserves everything that karasuno gives him <3

if it's me, it'll be okay t. 9.1k. yachi discovers she's aromantic and goes through it. also, she's best friends with sakusa and it's the best thing ever. a lovely exploration of aromanticism, please give it a shot <3

city's on fire t. 10.5k. cyberpunk au where the twins can hack into memories and rewrite them. the worldbuilding is unique and the twins' relationship is achingly tender but painful with a happy ending.

An Opponent Is Announced g. 13.1k. sakusa has no idea who oikawa is while the rest of the jnt does, hence commencing a (non-serious) investigation into him. love the character dynamics and plot, just a fun, light-hearted read.

a best man's worst problems t. 14.1k. kagehina. tsukishima is asked to be kageyama's best man at his wedding and to give a wedding speech. lovely outsider pov of kagehina's blooming relationship through the years from one very exasperated salty dinosaur.

Safe & Sound t. 17.3k. 5 times kitagawa daiichi ignored kageyama's suffering and 1 time karasuno didn't. oh boy, this hit me in the face with the ANGST and then the comfort. emotionally prepare yourself for this (i wasn't, and my heart shattered in a million pieces).

Common side effects m. 89.9k. 16/16. kuroken. THIS FIC WAS SO GOOD. kuroo is a depressed 30 year old reconnecting with kenma after 3 years of silence. it depicts the monotony and depression of adulthood so well, and the cast is so loving and supportive of kuroo while he was going through it. please give this a shot <3

[vicontheinternet]

I like dickory more than i like dickbabs but as soon as you make either a bitch or an obstacle just to get the other together I’m leaving the fanfic immediately no matter how good the fic is. It could have all the tropes and tags and be completed but as soon as I see that I get immediately pissed off cuz I’d rather a 3rd act break up or miscommunication trope then turning an canon love interest into a jealous bitch for romantic drama that is so misogynistic and insulting to me

[erinwantstowrite]

i know jondami is gonna win the poll but i really do hope you don't do it just bc of a poll. i sort of agree with the ppl saying that considering the original age gap it'd be weird? like im all for you ageing jon up but i feel like shipping him on top of that's a bit eh especially considering everything's based on the comics and the original characters are the ages they are. ofc it's up to you and i love the story but it sort of feels weird to me considering their original versions are 11 and 14

to be honest that's really why i didn't want to include jondami in the first place. it felt weird to me in general and i'm not the biggest fan of the supersons ship because of it. but people kept asking and i decided to make the poll to see if there was smth i was missing (not really). I know it's a popular ship but I don't really like it and I think I'm going to stick with the original plan of not having Dami with anyone, even Nika. I like Nika and think they're cute, but if they do have a "thing" in this fic, it's not gonna last

the poll was never a deciding factor for me, it's mostly just to see what everyone is thinking. Jon might even go back to his original age in general. he wasn't aged up for the ship, i just considered it because i wanted Dami to have more friends closer to his age that aren't. like. villains. Cause I think Dami deserves at least one, yknow? but Jon being 11 is actually growing on me + i'm nearly finished reading their comics so far

[lillymakesart]

my new OC: cempaka!

she is based on the story/universe that my friend @haydardotjpg's OCs indra and yuwei exist in! pls go checkout haydar's art he is amazing!! his ocs can be found more easily on his ig but if you're lazy this is his oc indra (cempaka's one-sided love interest) and yuwei (indra's fated lover)

also, cempaka means "magnolia" in malay!! (she gets a flower name bc my name is lilly which is also flower c:)

bonus first iteration under the cut!

i accidentally had "poinsettia" flower in mind when i did this iteration instead of an actual magnolia, hence the color scheme. but yeah, this is as self-insert as it gets LOL like she's literally MEEEEEE but still very different and i love her as she is <3

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[iamamythologicalcreature]

Let's Pretend for a Second it's Still Wednesday

I know it's not technically Wednesday, but my Wednesday ended up going in all kinds of directions I had not anticipated, so we're pretending for a second. Mental time travel.

I'm working on four different projects right now. I know, I know, but they're collaborations, and collaborations are my very favorite way to create things. Seriously, I've been looking forward to this stuff all year!

Three of those projects are for @carryon-reverse-bang. I get to work with three extremely cool and talented writers, and it's so much fun getting into the projects with them.

These snips are from the sketches I initially posted for the fest. We'll see what happens going forward XD

I'm also working on something for @carryonthroughtheages. (Which, btw, if you haven't noticed, is in ONE MONTH!) I'm not going to share a clip from that because there isn't much I could share that wouldn't give it all away. I'm very excited, though. Also nervous. Mostly excited.

Personal update: In between art endeavors, I've been very busy. Just made a huuuuge life change uh... exactly two weeks ago. I'm still adjusting to that and it's taking a lot of time, energy, and spoons. But I think/hope it will all be worth it. Also hoping to find my presence on Tumblr again after being a bit absent of late. Missed you all!

Since Wednesday is past, I'm going to tag all the awesome people who have tagged me even though I've been super absent the past couple of months! (Under the cut)

Thank you for not forgetting my existence even when I wasn't around to remind you of it <3 <3 <3 @monbons, @mooncello, @thewholelemon, @fiend-for-culture, @youarenevertooold,

@whatevertheweather, @blackberrysummerblog, @you-remind-me-of-the-babe, @that-disabled-princess, @imagineacoolusername,

@orange-peony, @rimeswithpurple, @cutestkilla, @bazzybelle, @drowninginships,

@hushed-chorus, @bookish-bogwitch, @shrekgogurt, @roomwithanopenfire, @alexalexinii,

@noblecorgi, @best--dress, @artsyunderstudy, @prettygoododds, @ic3-que3n,

@emeryhall, @tender-ministrations, @supercutedinosaurs, @leithillustration

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[crazy-fangirl2524]

I cant imagine new people joining the fandom now that tsc is out and imagine people being able to read all five aftg books at the same time??? They will never get the feeling of finishing the third book and thinking it’s the final final and then discovering there’s the EC (that doesn’t exist anymore rip) and then Nora disappearing for years and suddenly back with news of a new book of a couple that was so good the author came back to make them canon and then us just waiting for news and everything and I’m so glad to be here when history was made and to experience everything I wouldn’t have it any other way