#because of how things ended

[johnconstantinekissesmen]

oh eddie

[poorly-drawn-mdzs]

The math just adds up!

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[oobbbear]

I want to post this here too because I’ve seen it happen a few times

Please understand that there are cultural differences and language differences, if you see this happening let the person clarify what they meant, that person might just not be familiar with words the western side of the internet use

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[savanir]

DP x DC prompt [3]

during one of the final psych evals at Arkham right before he gets to be released, the whole thing wrapped up so tidy, just a little relapse which involved a robbery. Getting sent back to Arkham, but he got to stay at the asylum so long that he no longer has to serve a prison sentence, score!

But during that eval his overseeing psychiatrist recommended him to have a change of scenery, some fresh non polluted air.

Riddler was rather convinced the guy was making this recommendation to everyone in Arkham in their own weird way to convince them to just leave Gotham and become someone else's problem. should he notify Batman about it somehow? nah, it’ll be more interesting to see how this is gonna turn out in the long run.

But can he leave the state? Can he even leave the city? he never really bothered to look into it, at least not legally, up until now if he felt he needed to leave for one of his plans he just did it.

Turns out he can, it’s a whole hassle and a half though, first a judge and then a probation officer and he’s pretty sure both were like “what the hell is this psychiatrist guy thinking!?” but at the same time, shrink probably knows what he’s doing (WRONG) so he’s allowed to go visit out of state family or whatever.

he had to wear this nice ankle monitor though, Wayne Enterprises™ tech, not overly bulky but still very present. real fancy, and a fun extra challenge heh.

now as for a good reason to leave New Jersey he’s going to need distant relatives, and he finds some, great grandpa walker also has a son, who had a son who had a daughter Madeline, who married some guy Jack Fenton, and she lives somewhere out in the boonies Illinois. great he’ll visit her.

far enough away in all sense of the word that there is no way she knows anything about him. it would be best to call her first though, be polite about it.

“hello, you have reached Fenton works, this is Maddie speaking” 

“Riddle me this-” ah whoops, habit, oh whatever, “we don’t share parents, but certainly a part of your life, from laughter to strife. Who am I?”

there is a pause …  he’s going to be a bit disappointed if she hangs up if he’s honest.

“cousins~” comes the cheery reply.

“correct! the name is Edward Nygma, we are distantly related you and I and well-”

“oh you simply must come visit!” 

well this was rather easy, perhaps a little too easy, but she lives in the midwest so maybe just going with whatever some guy says over the phone is normal there? stranger danger not really a thing in a small town where everyone knows everyone?

things start to make a little more sense once he gets there and he’s starting to think some things might run in the family. like a preference for the colour green and weird hyperfixations and genius bordering on insanity. Though that remains to be seen, Jack does not seem like a very bright light after his very enthusiastic welcome.

their kids however are observant and sharp. young Jasmine is wasting no time trying to psychoanalyze him. and the boy, Danny, he had not really meant to and he swears he’s sticking with calling the kid Danny so he wouldn’t seem overly familiar, but he might have called him little bird a couple times now.

but that’s all whatever, he’s playing nice here. and he doesn’t even have to worry about his eccentricities tripping him up because this place is insane.

There actually is a local teen vigilante active but he seems about as loved as he’s disliked. and the ghost boy’s enemies are basically all his own kind, which another crazy thing to now know about. ghost. they are real actually, how is Gotham not completely overrun? and how do they even work? and where do they keep coming from?

Edward might be getting a little sidetracked here. He had fully intended to sneakily get his next big game plan underway all the way out here, ankle monitor be damned. but he hasn’t made any progress at all.

Instead he’s been listening to Madeline and Jack to maybe figure out what the deal is with these ectoplasmic entities, he has to know, at this point he might go crazier if he doesn’t. 

He’s making Jasmine promise him not to get her doctorate in Gotham, he’s going back and forth with space riddles with Danny.

so yeah the whole thing kinda just became a vacation, maybe the psychiatrist had the right idea after all? hmm nah, probably not. but this is fun. He’s thinking about recommending this place to some of the others.

It's different enough to get the vacation feel, but enough crazy shit happens to make it all feel like home.

it is not until Maddie wants to talk with him about potentially switching the position of godfather of Danny to him rather than some weird rich friend of theirs that Edward realizes he might have lost the plot somewhere

Apparently the little bird basically begged them with a powerpoint presentation on how he likes Edward so much more than that Vladimir guy. 

And honestly, the fellow sounds like a Dracula Lutho so even if it’s kinda sad Edward can understand why he’d be considered a better option. Even if the guy has more money and a huge company that makes him said money. And it’s not like the Fentons know about his Riddler activities.

Thinking it over, Edward does think that Danny would like Gotham and Wayne has that space program thing right? The kid is definitely smart enough for that (Nygma certified), and yeah Edward does quite like their space themed back and forth. So, fuck it, why not, what is the worst that could happen?

He doubts Maddie and Jack are gonna kick it any time soon anyway out here in the boonies, it’s just a title thing, a stamp of approval or something.

he should have known he was going to eat those words later… he had this whole beautifully elaborate trap set up for the whole Batclan, and he was just getting to the good part when his phone went off.

Had to put the whole thing on pause cause that particular contact wasn’t gonna get ignored. He did promise to be available.

If the whole thing he had planned now went tits up he could at the very least laugh later at the reactions of the bats as he told them to “hold up one second, I have to take this.” while they were all in various perilous positions. 

Sadly he did have to go, he had a very distressed godson to pick up.

[basslinegrave]

pin-up

b&w originals

[electrozeistyking]

"She's Gone"

This bad boy was started on the third of November, and finished on the seventh. In total, there are thirty panels (all of which were drawn separately).

A good chunk of N's dialogue near the end came to me after I did some improv to figure out what he should say. I have since dubbed it "N's Failure Monologue."

[dykealloy]

[bixels]

tarpit site.

[kingofmyborrowedheart]

Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

[First] Prev <–-> Next

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[egophiliac]

just thinking about hair and faces

[a-cipher]

etho has had his keyboard for 20 YEARS. WHAT