#beyond this point there are spoilers

[secondbeatsongs]

new year, new food crime

I hate it when recipe bloggers tell you the entire rundown of their day before giving the recipe, so just to start off, I'm going to put this here:

3 cups of liquid (water + shrimp water) 3 packets unflavored gelatin 1 tbsp vegetable base (or a bouillon of some kind; that'd probably be fine) 1 large handful of shrimps (approx 20) 3 eggs, hard-boiled and sliced 1 small bag mixed frozen vegetables, thawed a gelatin mold or bowl with a capacity of 4 cups

now, looking at this ingredients list you might be asking, "hey SBS, what the fuck did you cook this time?" and to that I say: buckle up.

so I've been watching Arne & Carlos' videos for a bit, firstly because I was curious if they were gay (they seem to be), and secondly because I like their knitting patterns

but their channel isn't just knitting! they also cook together, and it's fun and chaotic, and one of the things they cooked…intrigued me.

I don't know how this dish is spelled. cabaret? kabaret? there are only a few recipes for it online, and most of those are not in english. but essentially, it is a Norwegian aspic with shrimp, vegetables, and hard-boiled egg in it.

what is aspic, you might ask? well, it's…I mean…it's meat jello. that's what it is. you cook meat for a while (some recipes say to use pig's feet, snout, etc), and it makes a gelatinous broth, which solidifies when it cools.

delightful!

however, I am not willing to make aspic from scratch for this, so I substituted it with unflavored gelatin packets. hooray!

(apparently in Norway, you can buy packets of instant aspic! but since you can't do that here, I looked up what ingredients are in instant aspic, and after putting them through google translate, decided "huh, seems like gelatin powder with some kind of bouillon", so that's how I ended up here)

this recipe isn't so much cooking as it is…construction. like sure, you heat up the gelatin, but after that it's pretty much just putting stuff together.

and apparently you can make this with pre-cooked or canned shrimp, but I only had the raw frozen kind, so I put them in a saucepan with just enough water to cover them, heated them until they were fully cooked, and then saved the water from the pan to mix in with the gelatin.

so, shrimpy water + enough water to make 3 cups of liquid, and then I mixed in vegetable base until it tasted…fine. (it didn't taste good, it just tasted…okay.)

then I heated up the liquid in the microwave (in a big 4-cup measuring cup), mixed in the three gelatin packets, and there you go! that's all of the cooking done.

now, for the assembly.

I put some of the shrimp all the way at the bottom of the jello mold, trying to arrange it so that it would look nice. I sliced the hard-boiled eggs, and put the prettiest slices of egg around the edges, sprinkling in some vegetables and pouring gelatin as I went.

…and then I gave up on being artistic, and just kinda lumped everything else in, and covered it with the gelatin mixture.

(unfortunately I didn't think to take pictures of the assembly portion of this, because I was multitasking at the time and got distracted, but you'll just have to trust me that it was a tolerable experience, and didn't look very interesting)

after that I chucked it into the fridge (gently), and left it alone while I streamed with makerrcat for a bit, stayed up way too late, and then passed out in a dramatic fashion.

13-ish hours later, I rescued it from its frigid prison.

hmmm

stare into the murky depths with me for a moment. look at this…nightmarish placid soup. this motionless broth.

one of my egg slices definitely didn't get covered all the way. 

ah, well.

to unmold this monstrosity, I put it in a bowl of hot water for a minute or so, until it seemed like it could pull away from the edges. it really didn't take much, so if you (god forbid) try this yourself, keep an eye on it. gelatin melts fast.

then I put a plate over the jello mold, and flipped it over.

after a few tense seconds, it released from the mold with a slimy kthnk sound.

carefully. nervously. I lifted the mold.

and then I let out an involuntary "oh!" because…

…it's kind of…eerily beautiful?

like in a horrifying sort of eldritch way, it looks…lovely

vegetables and shrimp and eggs, suspended not just in space but in time, preserved and surrounded by a gelatinous cocoon…

I just like staring at it, okay! I just think it looks cool! so here's another picture of it from the side:

the egg slices…the little bits of yolk…enchanting

it definitely smells like food. but it's unclear what kind. vaguely shrimp-vegetable-egg, but muddled

let's cut into it

oh. oh god. it made kind of a…squelch? when I cut it?

hold on, you have to experience this for yourselves

god. deeply unsettling.

now, seeing what the inside is like is kind of interesting! there are places where the gelatin has sort of splintered apart from being cut, and there are gaps where pieces of vegetable have fallen out.

but...how does it taste?

...

fuck.

I really like it

this bizarre combination of textures is weirdly satisfying! the squish of the egg and the gelatin, the slight crunch of the vegetables and shrimp, it's just…good?

the gelatin itself just tastes vaguely of broth, but I don't mind it! I don't know if I would eat it by itself, but with the shrimp, egg, and veggies, it's perfectly okay!

the shrimp, egg, and vegetables of course just taste (respectively) like shrimp, egg, and vegetables, but that's...fine? I like all of these things, so this is pretty enjoyable!

so, some of the recipes I managed to find mention serving it with sort of a mayo-mustard mix, so obviously I have to try that

this...helps? like, it tastes really pleasant?

not that it was bad before, but it remains an enjoyable experience!

and a video that I saw (but could not understand) seemed to show it served on a piece of bread, again with the mayo-mustard.

this is also fine! I enjoy this too! I don't feel like it needs the bread, but it's all right!

this is bizarre.

I think most people would probably hate this. it's got the look of a 1960s party food (which is probably what it is), and "meat jello" isn't a texture that modern society regularly enjoys, but…I love it.

I actually love this.

I kind of understand now why people call dishes like this a "jello salad", because…I mean, I'm eating it, and my brain is saying, "yup. this is a salad" and I have no fucking idea why, but this right here? salad. for sure.

cold, wet salad.

damp, even.

so like...is this objectively good food? probably not.

but is it fun to eat? I think so. 

it's refreshing, somehow. it's light, but also more filling than I expected it to be. I have no idea how much would be considered a reasonable serving, but I intend to figure it out as I go along.

so I'm not saying "go make this!" because although this combination of textures plays well with my brain in particular, I don't think that would be the case for everybody.

but I will be eating the rest of this.

weirdly? weirdly, it's just good.

-

an edit, a few days later:

I have done it. I have consumed the entire thing. and I enjoyed every bite of it.

in fact, I plan on making it again! probably more than once!

food crime? no. food…

(pauses to look up what the opposite of "crime" is)

…food blessing. food virtue. food achievement! food…benevolence.

this is what cabaret is.

at least, that's what it is to me.

(create and consume at your own risk.)

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful

[niyana-the-ambiguous-mobian]

This whole scene with Allen talking to Nolan in the prison was so good on its own merit, finally getting to hear how Nolan himself had internalized everything he did back on earth during the S1 finale had not only affected him, but his son as well, and he feels absolutely TERRIBLE about it.

But that last bit of dialogue he says right before the screen cuts to black caught me so off guard, left me speechless for a moment.....

The way JK Simmons delivers the line, it's a line of honesty but of total surprise as well. The way his voice softly quivers and trails off as he starts to realize this, like he wasn't expecting to feel this way, after everything he had said about her and how painful was for Debbie to even hear those words.

After all of that, he still misses her.

Way to go, JK. You are a GOAT for voice work like this.

[satsuha]

home

[whoopseydaisy]

Suvi [Aabria]

“Anything you need, Witch of the World’s Heart”

[corduroykoala]

I don't know that I can articulate just how perfect of an ending this is for the show, particularly as an adaptation, but damn I'm going to try.

I recently reread the chapters covered by this episode in anticipation of rereading the rest of the manga after this. This sequence is only about three pages long and, for someone who knows what is coming, who knows that Frieren will meet at least some of these characters again, it didn't have much of an impact on the page.

On the screen, however, this sequence carries so much more weight. The flashback is reframed to be from Frieren's perspective, the montage is expanded to include other characters from her life—both living and dead—and, of course, the excellent EP is timed to deliver the maximum emotional impact. The entire show is filled with these kinds of changes that expand on and enhance what was in the manga, to say nothing of the beautiful animation.

The thing that stuck with me most when watching this, however, was what Himmel says: "I'm sure we'll run into each other again if we continue traveling. Tearful goodbyes aren't our style. After all, it would be embarrassing when we met again." This was not just a goodbye between characters; it was a goodbye between the show and the audience.

This, I think, is the ultimate expression of this show as an adaptation. In an ongoing manga—or three chapters into a ten-chapter volume—this kind of farewell couldn't work. As the end of a season with no guarantee of another, however, the message is made even clearer.

I very much want a second season of this show. I want to see these characters again, to see their journey continue. While I am sad to see them go now, all I can do is continue on my own and have faith that I will meet them again.

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[keepyourpantsongohan]

Meaningful Highlights from Kakashi Retsuden:

Minato catching Kakashi before he falls, the same way Kakashi always does for his students. And Kakashi, even at eight or nine years old, straight out of his father's funeral and before being his student, immediately relaxing when he runs into Minato: His feet tangled beneath him and he pitched forward. Into someone’s back. “You were really strong back there,” a voice told him, and he suddenly saw bright golden hair. He felt his breathing become a little easier. The Yellow Flash of Konoha. Namikaze Minato.

Kakashi describing his current feelings about his father: Now he felt proud from the bottom of his heart to have been born the child of the White Fang of Konoha.

Kakashi wanting to help the people of Redaku in a way that they can sustain themselves, even as he actually is providing a great deal of support through the process: The people of this country had to learn how to stand up and walk under their own strength. Give a starving person bread or teach them how to grow wheat. As Hokage, Kakashi had always chosen the latter.

Kakashi reflecting on his time as Sixth Hokage he eschewed tradition to build something that developed beyond shinobi: A never-ending peace. That was what Kakashi had sought as the Sixth Hokage. An orderly society that would go on and on even when he was not the Hokage, even when the day came when the role of Hokage disappeared. To create a framework so that they would never again fall into the quagmire of war.

The way Kakashi shows that he still views all of the former students taught by him and his friends in a parental and protective way: They had long since reached adulthood, and some were now parents while others were active on the front lines as shinobi. Even so, no matter how many years passed, to Kakashi, they were his precious students and the next generation who needed to be protected. Seeing them having so much fun was enough to ease his heart.

[essektheylyss]

As much as it is fun to joke about how absurd Trent's plan was (and on its face, considering just his perspective alone, it was!), I do think we need to acknowledge that it wouldn't have worked as a threat if it had not been reasonably concerning to Caleb.

When you think about how little the Nein know at this point about the Solstice (meta pigeons notwithstanding), there are a lot of factors that play into this being a credible threat. For instance:

The collars are no longer working, as are some wards, in which case it's not unreasonable to wonder if any of the Amulets of Nondetection are out of commission.

It's possible that the Dynasty genuinely does not have that much evidence to go after Essek—that he managed to fake his death and cover his trail that way, or he left well before the pressure really began to encroach, as a preemptive measure, and with him out of sight the rumors died down (or were even quashed by his mother for political reasons, regardless of her feelings on the matter).

There's no good way to know what information or evidence Trent may have stashed away in the event that it was necessary later, which could be delivered anonymously to the Dynasty and not rest on Trent's credibility.

Regardless of Trent's relative ability to capture Essek on his own, which is probably low, he is enough of a loose cannon that he could seriously hurt him simply in a one-on-one duel, because Trent has clearly gone beyond any considerations of self-preservation and is trying to inflict maximum damage, which makes him dangerous all on his own.

It doesn't have to be any one of these, but the important thing is that the plot hinges upon Caleb believing this is at least a semi-credible threat. If there really was no danger to Essek, then it would be reasonable for Caleb, who is very intelligent, to dismiss it and focus on something more important. We've seen that Caleb is perfectly capable of shutting Trent out in the face of larger priorities even when his threats were very affecting, and Caleb's had an extra seven years since then to move past that trauma.

But given that the point of threatening Essek, on a meta level, was to ensure that the plot of the one-shot moved at the pace it needed to, then Caleb needs to believe that this is a credible threat. Regardless of the efficacy of the particular plan outlined, we must be willing to believe that, if he is not confronted now, Trent will make good on his threats in one way or another.

[cordycepspog]

I mean I was expecting some horrible awful shit to come out of David’s mouth this episode but I was Not expecting him to connect Cordyceps to the absolute devastation that love causes, the kind of love that makes you do things you never thought you could for someone you love.

“What does Cordyceps do? Is it evil?

No.

It's fruitful. It multiplies. It feeds and protects its children, and it secures its future with violence, if it must.

It loves.”

That’s the most fucked up and terrible way of explaining it, and it’s exactly what Joel and Ellie are willing to do for one another. Thanks for that, David.

[lildoodlenoodle]

Why I think Spider noir is on the younger side(18-20) in the new spiderverse movie per my previous post:

Let’s break it down by Context, Timeline, Mood, and ATSV

Context:

Spider noir has two comic runs that happen before COMICS spiderverse. With that said, there were like inter dimensional energy vampires and that’s obviously not the direction the spiderverse movies went with. So we’re going to largely disregard them for this. To expand, there was a big time jump between that last noir comic and the spiderverse ones. Peter would be closer to mid/late 20s at the start of the comics spiderverse and therefore ITSV if we were to integrate and replace the timelines, BUT I always hated the way they did that time jump in the comics and what it did to Peter’s character.

It felt like they were trying to tie him into 616 Peter wayyyy too much by making his love interest MJ(who we rlly haven’t seen and what we have seen hasn’t had good chemistry), have a good relationship with May(they rlly brushed him shooting someone in front of her and calling him an animal under the rug Huh), and going to college(I get it I do, but unlike most universes I don’t think this Peter could ever stop spiderman enough). There wasn't really any mention of Felicia, Urich, or Robby and their past. They also changed his webbing, his look, and his spider senses.

I felt like that was completely getting rid of all of Peter's characterization and he just becomes the spider with a gun from the 1930s. But the point is they clearly went in a very different artistic and narrative direction after the time jump to a point where it doesn’t feel like the same character.

Refitting the timeline:

So, scrapping the comics spiderverse timeline, I don’t really see a reason for a disjointed time jump. And after those first two comic runs it can be argued, for this Peter, that ITSV happens much sooner for him after that second run, possibly even after the first comic. Then ATSV would happen after that second run. There is an 8mo. time jump between the two runs so it is definitely feasible.

But let’s talk about mood between the runs.

We all know at least somewhat this Peter's origin, and if you don’t, to sum it up: organized crime, monsters, socialism, cannibalism.

The first run ends, Peter beats the goblin without killing him and he’s feeling pretty good about himself/confident. But he’s still got a lot of well deserved angst and self hatred. His uncle is dead, his new mentor/father figure is dead, his relationship with May is on the rocks to say the least, and there’s the whole Felicia thing. He’s still a high schooler and in that teen range, but a big ass lanky teenager who's only solid looking because of the gear he wears. I’d place him around 16-18, a case could be made for 15 but I’m going to politely disagree. ITSV could very easily be fairly soon after these events.

It’s 8 months after the first run. He becomes cocky and overconfident this whole next issue, possibly because of an interdimensionally inflated ego? Point is he feels on top of his game. Also worth mentioning, he’s ignoring MJ this whole issue to the point the audience knows basically nothing about her while he is having a very intense relationship with Felicia(which we already know how I feel about that whole mess) and who MJ is very blatantly and very badly a foil to.(I love MJ she is just not well written here).

The second run ends, his best friend/possible love interest(I said what I said), Robbie, is dead and unavenged.(I can talk a lot more about Robbie and what effect he had and will have on Peter going forward, also the disservice of his ‘death’) Felicia is disfigured and blames Peter. Peter not only blames himself for all this but the comic ends with him saying he feels powerless and a constant sense of impending doom. He really did not get a single win during this comic, man got the shit beaten out of him too. The age at the end of this comic is 17-19. After the last comic dude was messed up but still had hope, after this one we don’t see the fall out, but I can assure it was BAD. That whole ‘you don’t have to kill the bad guy thing’ is probably out the fucking window. I’m more hesitant to think ITSV happened after this run because of that. He isn’t just depressed or self loathing anymore, he isn’t just playing fast and loose with his life to get results. He does not care, he has no hope, and he doesn’t see a good future.

Pre - ATSV predictions with mild spoilers:

With the year and a couple of months time jump for ATSV it’s very plausible that the events of that last run plus possible spider task force shenanigans could happen before the movie. For more context in the comics spider noir was a recurring spider in the ‘elite strike force’. Personally, if he was invited, I could very much see him accepting, especially with his current mental state, and being very aggressive about it. Which, theoretically, could cause him to get kicked off or make a rash decision to leave bc fuck those guys. But the point is at the end of that last comic this man really doesn’t have a single win, he is in a prime state to be manipulated in.

Edit: my dumbass forgot literally the most important detail. The year 1933 is when ITSV noir comes from which matches this timeline with the comics as well.

To sum everything up, the reason why I think spider noirs age is in the 18/20 range is because it fits the above timeline, which I believe to be the most probable timeline of events that are canon by the movies while also staying consistent with at least some of the original comics. It should be further noted there is no evidence of his age throughout the ITSV movie, besides him being played by Nicholas Cage and being tall. In fact, I’d argue due to his excessive use of slang it would naturally place him in a younger category as well as the classic melodramaticness that can come with being a coping teenager. The most important thing that makes his age and at what point in his storyline he’s in up to interpretation is the fact that we see his face once and it’s heavily shadowed. If we saw his face more I’d feel better about giving him a more solid age, but till then context clues for the win. But anyways, this was long and I still have more I could get into/say and I will eventually. Feel free to ask any questions or even tell me why you disagree!

[fantastic-nonsense]

I wake up. It's Tuesday. My online friends are upset about Tom King writing a woman badly. I ask "which woman? He's not historically great at writing them, you know. You're going to have to be more specific." They tell me he fucked up Wonder Woman. Again. I sigh. It's Tuesday.

[peachducy]

Get To Heaven

[solivagantingrebel]

Thinks about Soap who felt so out of place with his family that he ran to enlist the moment he could to avoid dealing with the complications of his future with them in it.

Thinks about Soap who felt so out of place with his family that he ran to enlist the moment he could to avoid dealing with the complications of his future with them in it.

Thinks—

[r0semultiverse]

Classpects & Canonicity (an observation & speculation)

Vrissy isn't the same classpect (thief of light) as Vriska or just can't have a classpect due to this timeline lacking canonicity; alternatively, the difference in classpect is in part due to the timeline falling outside of or (in other words) beyond canon.

Is that part of why Vriska can tell it's phony? The lack of Vrissy having her own classpect? Or is Vriska cosmically tuned-in somehow to knowing something is wrong? I mean some of the stuff that has happened is pretty wonky, but I feel like this is part of her powers as a character. She's always been a key point in moving things forward & now that things aren't moving much at all in regards to canon, she is here to steal the spotlight & shed some light on this whole thing.

When/if Vriska fixes the canon, will Vrissy vanish along with the other characters or become changed? Similar to the hypothetical dream sequence we see near the end of Adventure Time Fionna & Cake, perhaps. Alternatively, will classpects suddenly be thrust upon all the new characters & their existence as well as their personalities remain??

There's much to think about here, let me all know what you think! 💜

[thetrashppl]

this revelation has awakened *things* within me, long dormant