#but again. a little mean probably

[bookwyrminspiration]

queering your gender gives you a fucking critical hit on disguise or something I swear. I could be in a room full of classmates from 5 years ago and they'd have zero clue who I am. every day I walk past people I know 100% aware that they do not and will not recognize me ever unless I tell them. it's absolutely delightful I feel like an undercover spy

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[poorly-drawn-mdzs]

My Lawyer is going to Get Your Ass.

[First] Prev <–-> Next

[willthespy]

Nico di Angelo ; Fallen Angel (ft. Will Solace)

(sorry for being inactive. i promise I’ll still do the requests…one day (soon))

[lulu-draws-stuff]

My sort of future au designs (traced/edited their psychonauts 2 renders for this) :] they are like 13 here

[b4kuch1n]

same teacher, different lessons

transcript

[gramnel]

absolutely unrelated arts because I didn't want to spam post it

[sysig]

Two skeletons in a trench lab coat (Patreon)

Bonus:

He’s very careful! Everything was fine before you interrupted!

[egophiliac]

WHO IS THIS PINK HAIR GENTLEMAN YOU JUST POSTED? HES SO PRETTY???

he's Hayate from Ride Kamens! 🦩 he is my bird son a very silly guy who's part of a superhero (well...hero-ish) group trying to take down a cult, although his real passion is lattes. also, he is very pink!

(the fancy outfit was just for a game event, alas, although I spent way too much time grinding to get the pink variant so now it is mine forever, mwahaha. >:)

[lemonhemlock]

I did not get into Game of thrones when it first started airing. In fact, I waited until it was long past it's heyday (around s6 or 7) to check it out because the marketing and the conversation surrounding it misled me into thinking it was nothing more than "grimdark" bullshit. As one famous YouTuber sarcastically called it "hot fantasy that fucks." So, I avoided Martin's work for literal years due to the impression that I got from online reactors and show-only casuals who did as you and a few others have described as his work being fundamentally misinterpreted.

Fortunately, I overcame my hang-ups, purchased the books (even the supplementary material) and fell down an entire rabbit hole of ASOIAF which led me to recognizing that this world he spent decades creating is far more complex than what had been portrayed onscreen. Regardless of the possibility of the books remaining unfinished (which I am fine with, personally), what George has created is a genuine work of art that I imagine took a tremendous amount of time and energy. So, for so many people online to behave like children and throw tantrums because they feel entitled to him (ew) instead of ushering forth more reasonable conversations and legitimate debates about the nature of his situation frankly makes me look at this fandom with a heavy dose of skepticism.

It is truly baffling to hear even professional critics and see articles describing George as being "ungrateful" or "unprofessional" when it has been well-documented just how often authors get locked out of the adaptation process and left to the wayside as consultants. Look at what happened to Rick Riordan and Christopher Paolini! George R.R. Martin is not the only author to have qualms with how a multimillion dollar studio has mishandled his creative work, and to act like he should remain silent just because he's amassed a certain degree of wealth is quite frankly, ridiculous. He shouldn't have to settle down, be grateful, and stay quiet because the greedy corporate executives and their media drones will get offended by actual criticism that could alter the perception of the adaption being revealed as mediocre for having departed from the source material.

TLDR: authors should be allowed to speak up about their art being sacrificed for commercialization.

Thank you so much for this message, anon! This needs to be talked about more, because I don't think a lot of commentators truly understand the vulgar, late-capitalistic sheen that seems to set in and slowly poison any ASOIAF adaptation. It honestly baffles me how quick some members of this fandom are to rush to the defense of, what is essentially (let's not be kidding ourselves here), a cashgrab by a giant corporation to the detriment of the actual artist and the actual creative foundation behind it.

Why else would "MAX" (if that is even their name) make another (or several other) ASOIAF adaptations? Not to stay true to any philosophical aesthetic vision, as it has become more than apparent with Season 2, but to increase shareholder profits by appealing to the lowest common denominator. Even the basic premise has been shifted in order to address popular trends and satisfy the mindless consumer that doesn't want to engage with anything deeper than their favourite tropes, prettily packaged:

from a story about a doomed ouroborous family superimposed on the pitfalls of feudalism, with villainy and heroism to be found on both sides, it has been simplified and reduced to a narrative that exalts white feminism and disqualifies anyone who opposes its girlboss protagonist. This is Sheryl Sandberg's version of Fire and Blood.

Truly, I think Sara Hess did (unintentionally) outline it the best: "civilians don't matter in Game of Thrones". They don't matter in Game of Thrones, but they matter in A Song of Ice and Fire. The entire heart of the series is contained in Septon Maribald's speech. The writers "kind of", must have forgotten, though.

[sweatandwoe]

Love Garrus' negative traits

Love that he embodies everything negative we usually associate positively with renegade Shepard. Love how it doesn't fit him, how it fails him each time he tries. Love that he tries to blind himself into a world where there's only good or bad people (like a cop). Love that he decides Omega, the greyest of grey places, is a place full of bad people. "All I have to do is point my gun and shoot" but not for the people he's trying to save, the peope who call him "Archangel". Who were they again? Does he even recognize them when he's aiming for criminals on the station?

Love that Garrus is forced to confront seeing the world this way in a paragon route, that he's forced to see grey, address the grey. Realizing that everyone has something, a cause, a reason and that his brand of justice may not be just.

Love that Garrus hates the rules that surround him but he is in fact the reason C-Sec has so much red tape, to try and stop injustice among their forces. That Turians aren't meant to question but he does so much but about the wrong things; he's too blind by hate to understand what he's doing. Garrus wants to take care of people and protect people like a good turian however he thinks the best way to help is killing the "bad people". He believes in eye for an eye but hasn't heard the full quote, doesn't know "An eye for an eye will make the world blind". Mercy for one person he despised, who he hated, causes him to rethink his whole character and his previous actions.

I just love this level of tragedy and self-evaluation to a dorky, alien sniper

[lucabyte]

you dream of devouring your friends whole

[itsybitsybatsyspider]

Despite everything... is it still you?

(more Dark Matter art for y'all. This fic is once again living in my brain rent free. @mysterycyclone)

[mokutone]

i wanted to see what a piece would look like if i finished it in my three main mediums, pencil, ink, and watercolor (+colored pencils) >:*)

[tj-crochets]

So it turns out there's a big craft guild organization thing only a few hours from where I live (I saw an ad for their craft fair), and I got like half my holiday shopping done on their website, and the box arrived today! The thing I was most excited to see in person is fragile, though, and it's really well wrapped in bubble wrap and I don't want it to break when I mail it to the friend it's for, so I am not unwrapping it, but oh man the temptation is there lol I also got myself a little metal bug made of a bottle cap and some wire. It lives on my little corkboard where I put postcards and thank you cards now