I need to talk about my positioning on the Zenix/Vylad/Malik Death thing too because i may have changed that opinion a teeny bit with a tiny bit of speculation... but i digress. that'll be another post, i'm just warning you that the yap travelling circus is coming to your city
anyways
SKs!
tw, this is discussions about SKs, and so will be talking about themes involving death, torture, and manipulation.
Lore about Sks really becomes defined after Laur becomes one, because he's a major character and it really makes sense that way, but we do get a lot of lore even before he becomes a recurring character, really. Especially through Zenix and the storylines adjacent to him. I really do think that Sk lore was peaking when Zenix was one of the major antagonists for the series, because it was just very interesting to have to explore that he was experiencing it away from the main storyline, and Aphmau would have to make an active effort to understand and build that knowledge, and even as she is starting to know more she is still kind of in denial that he is capable of the things he is doing.
And this becomes especially interesting that she is learning this through other people, when we compare it to what Zenix himself says about being a Shadow knight.
SKs have been around since episode one, maybe not in the way they were later developed to be, but the idea of this little band of antagonists that follow 'The King' and want lords dead, and are stunting villages, and we don't really know why except for monarchism. And as we build upon our knowledge over the episodes we find out they don't live in an active monarchy, but that the King is some supernatural force, and that the little band of villains are too, and they're trying to bring him back.
And then we get, in episode 31/32, that not all SKs are guards, and they don't only kill lords. Of course, the baker is only a knight in training, but the idea remains. The following of the King is ideological, they don't only recruit guards off of some need for the bond between lords and guards, they will recruit whoever is willing to do what they want, kill who needs to be killed.
In fact, the first time we ever really get the guard/lord talk in regards to Shadowknights is in episode 35, by Zenix. Zenix seems to have this idea that Guards and Lords are intrinsically connected, that the life of one is dependant of the death of the other, and there is always this idea that guards are expendable and so they are the ones to die and the lords live. However, if the guards kill the lords instead, they become the King's loyal servants, blessed with power, with immortality.
He cannot be killed like when he was human.
This is the origin of the idea that Sks are not only immortal, but have to kill the one they love most to transform into that immortal state. And it's not exactly what he's saying. He's saying that guards are always expected to die for their lords, but then the King tells them 'hey you kill your lord, i'll let you live forever' and then they're like 'oh neat' and kill their lords to gain that immortality and power.
I understand how this little rant of his later turned into that lore, but i think the implications here are much more interesting. Again, he says 'No one can touch me! No one can kill me like when i was human' and whilst you can take that to mean that he is no longer mortal, it also kind of reads like he has been killed or at least severely harmed before before... which has been implied by Azura earlier on, and sort of himself in the same conversation, where he says 'Garroth told you... didn't he? How he found me?' 'I wasn't in such good shape then either.' What this all overall implies upon SK lore is that the King preys upon victims to find followers, he takes those who have been victimised before, and he offers them the chance to not have to suffer that way again, they just have to do as he tells them to.
It's not some urge they cannot shake off, it's not this feeling deep inside of them that they cannot remove. They have been hurt they have been offered to not have to never be hurt again. It's a choice, through and through, but in the same way it isn't. It's not this primal hunger for blood, so much as a scrabbling for survival, it's fear, and desperation, it's a needing to not suffer through that trauma again and so they say yes. They say yes, because they will do these awful things because it's better to do bad to others than them do bad to you.
Later lore has them do these things because Shad has taken their bodies, and brought them back, changed their memories and given them the urge and the want to kill. He preys on victims because he can only turn those in his clutches into Knights. Earlier lore has him turning people by ideology, he is preying on those who he knows are already vulnerable, he is not limited by scope of domain, but merely by how convincing he can be. And that is terrifying.
Guards aren't killing lords because they need to kill who matters most to them, because they can't stop themselves no matter how much they try.
Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.
can you please write about Mick getting carried away making out with you in his drivers room
hi, nonny, since you did not specify I went for a small blurb, I hope that was ok and hope u like it 🫶🏾 here you go.
pairing: reader (no pronouns used!) x mick schumacher
wc: 0.5k
warnings: suggestive language, mentions of crazy places to have sex, dry humping, not proofread. +18. Minors DNI!
It was a bit after quali, the atmosphere hectic in the garage since Mick got P6 to start the next day, but he was just happy you could make it the whole week with him after struggling to match both of your schedules. So after talking with everyone and basking in the happiness of a good, almost incredible, position, Mick went to his driver's room to get back to himself, breathe, drink his water, and eventually change from his race suit.
Both lying on his couch, half of you draped over his still fireproof suit-clad body, you were lazily running your nails on the nape of his neck and even threading your fingers through his short hair. Mick was anxious, but a good kind of edgy, more relieved after all the stress, but he was happy with the fact that he had you around to pamper him. The truth was, he missed you like crazy.
So when his hands tightened around you and his lips found yours in a heated kiss, you were not even slightly surprised. He surprised you though when he moved his body to have more access to you and pushed your dress higher exposing your thighs and panties.
“Mick,” you breathe, trying to catch up with both: the fact that he doesn’t usually make out like this outside your house especially not at his driver's room where god knows anyone could walk in, and the fact that his kisses were hungry, taking everything he could. Curious, but precise, hands wandering around your torso, or legs.
“I just- missed you so much, and I am so relieved I got a good start for tomorrow,” he mumbles against your neck, lips biting and kissing your flesh and consequently getting a whimper out of you.
He hardens against your tighs when he hears and feels how your body answers to his. It’s just a beat before his lips find yours in another kiss, and his fingers brush against the inside of your legs nudging them apart and fitting his body there. You moan when your most intimate parts brush together and Mick swallows it grunting and smashing your bodies even closer.
“Fuck, Micky, you’re making me horny,” you hiss, grinding your pussy against his hard cock, still covered by his race suit.
Schumacher smirked against your lips, biting your chin and kissing your jaw, his hands starting a path to your chest, he was well aware of how hard your nipples were against the fabric of your dress, however when he was almost there, finally on the verge of throwing everything throw the window and fucking you on his driver's room couch, someone knocked on the door.
“Media duty again in 15, Mick!! We will be waiting.”
“Scheiße,” he cursed, dropping part of his weight deliciously on top of you.
You giggled, bringing his body closer and hugging him.
“Guess we won’t be able to tick driver's room from the crazy-places-to-have-sex list just yet,” you joke.
“Well, we still have 15 minutes,” Mick grins suggestively.
silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww
(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)
i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!
the head circles are there for emotional support
very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.
(i will now comment on my process and it is not brief sorry)
usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.
according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it
the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!
Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.
background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!
for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway
that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it
Mi povas mergi min en Esperanto čar mi ne faris multe da progreso ekde 2019. Mi kredas mi komencis lerni en 2019, sed mi rezignis dum (por?) unua jaro. Mi rezignis la hispana, la franca, la japana kaj la irlandano čar… nu, estas evidente kial. Tro da lingvoj lerni (por lerni? Lerni sentas malgxuste.)
Sed, mi restis kun la Esperanto(n?) čar gxi estas facila. Mi volas lerni lingvon por la sakeo (that’s… is that seriously the word? Sakeo? I joked once that Esperanto is 80% English words with -o and the end and 15% other languages with o- at the end, but I digress) de lerni lingvon. Homoj diras ke tio estas malbono kialo, sed, kial? Estas amuza… ne estas krimo amuziĝi.
Honeste, mi estis (estis for ‘have been?’ doesn’t feel right…) uzi Google Translate por helpi min, sed ne por lambastono. nur por kontroli se mia gramatiko estas bona. Ne estas, evidente, sed… mi estas nesekura pri gramatiko. Mi scias ke gxi ne estas bona, sed gxi estas probable pli bona ol mi sed mi ne uzis gxin.
Cxiuokaze… mi havas punkton kun ĉi tio; estas malfacila mergi en konlang! Jes, mi povus aligxi servilo de Discord, sed… la embaraso. Mi estus kiel, “Bonvolu… mi estas…” kaj havas furzo de cerba! Cerba furzo? (Googling how to stutter in Esperanto. Great.) (also I’m realising I said bonvolu instead of… oh my god? Am I seriously forgetting hello? Oh, Saluton!)
Cxu mi probable lernu la lingvon de miaj lando, la irlandano? Probable, sed honeste? Neniu parolas la irlandano en la nordo. Ili apenaŭ en la sudo. (Ne estas sude, mi ne zorgas se Google translate diras alie… ne sentas gxusta.)
Cxu mi havas punkto kun cxi tio? Ne. Sed, hej, diras al mi kiel CLAPPED mia Esperanto estas. Kaj, jes, mi eĉ ne provis traduki clapped cxar gxi estas pli amuza al ne.
Mi estas tiel malbona pri Esperanto. Mi devas fidi al tradukistoj por helpo. Mi uzas Google Translate por helpi kun tempoj kaj gramatikoj, sed la vortoj estas plejparte el mia cerbo, se tio havas sencon.
Mi ne havas kialon pri ĉi tio. Mi supozas, ke ĉi tio estas testo de miaj kapabloj. La rezultoj? Tre malbona, sed, hej, mi afiŝos ĉi tio, ĉiuokaze.
Edit: after writing this post, I got an easy, actually video about languages recommended… lol
actually since i've broken my streak on not annoyedposting anyway i might as well get this one outta the way too. look the second i saw the "does sans actually care about papyrus dying" discourse pop back up i immediately recognized it as something very annoying that i couldn't care less about and don't want any part in whatsoever because WHO CARES that being said if i keep seeing those posts about it in the papyrus tag im going to meticulously comb through each of my aus to see how exactly i can kill sans off in every single one
Considering how much focus Holly got on the soft rebrand era, its crazy to me that she doesnt have much going on in the show. Like, aside from her side appearences and such she is never given any sort of storyline or major appearance idk, like not even an episode centered around her (her introduction episode doesnt really count cause again, intro episode) you'd think that giving her focus on merchandise would make us have more lot content of her in the show.. (yeah ik she has a book abt her and poppy but its not enough idk...)