#but i just needed to get my thoughts out

[zeezu-ix]

More Triple S stuff yippee!!!!!!!

It's not uncommon for one of them to not be at the condo for the night, sometimes they'll go to their own respective homes to see family (though they usually need permission from Eggman first BOOO)!!

Shadow lived with Gerald and Maria prior to joining the band!! Gerald has VERY high expectations for him, hoping that he could carry on his legacy and research after he retires (SHADOW DOES NOT WANT THAT!!! ) and as a result is fairly strict with him over a lot of shit and one of the main things is how Shadow chooses to present himself!!

Shadow loves alt fashion however Gerald DOES NOT, he'd made the mistake of dressing how he'd like once at home and never again!!! Now he makes an effort to dress rather formally around Gerald to make sure he doesn't piss him off.

So yeah the first time Sonic and Silver saw him in his more formal getup they're SHOCKED. They're so used to seeing him decked out in piercings and cool outfits that it's slightly jarring.

ALSO MARIA IS VERY MUCH ALIVE IN THIS AU - still ill but definitely not dead!!! If it weren't for her Shadow would not be visiting home regularly.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[starry-bi-sky]

danyal al ghul memes because i don't think i've done those yet for this au.

(the jason one is in reference to the fanon headcanon/au that Jason and Damian potentially knew each other and interacted while jason was in the league. I've thought about it before in context of this au, but haven't thought about it enough to feel inspired or motivated to make a post exploring the idea)

(diablito means, as you can guess, 'little devil'. while i'm neutral to latino jason, i think the nickname is cute as fuck and was danny's main nickname from Jason. i don't wanna touch that timeline so im not gonna decide how old they were when Jason was there.)

Skulker: i am the ghost zone's greatest hunter! i capture and hunt creatures both rare and dangerous. Danyal: a poacher?? you're a poacher?? you poach animals??Skulker:...i sense i've made a mistake of some kind.

anyways that was the day that Skulker cemented himself as Danny's no.1 opp, and still remains there to this day even if he and Vlad are both viciously fighting for second. Out of everyone in the the AP rogues gallery, Skulker will be the first to be thrown under the bus in terms of 'o shit here comes phantom fucking RUN'.

[as-para-gus]

Miles' universe is Blank.

Right at the beginning of the movie, the lady explains that its her job to 'capture his universe', but she has no idea who this kid is, so she has nothing written.

Miles is the 'original' anomaly, who—according to Miguel—was never meant to be spiderman. It makes sense that no one quite knows what to expect.

But hold on a second, in a universe where spiderman already existed, would changing a canon event still be catastrophic when they've technically already happened?

If it is, why hasn't the universe where Miles' spider came from collapsed in on itself like Miguel claims it should? Because the spider never bit Peter Parker in that universe, I'd say that several canon events have changed, but other than chaos due to lack of a spiderman, the universe has yet to tear itself apart.

Why do they listen to Miguel anyway? Oh right, because he's experienced it the consequences of changing canon events. But in that case, wouldn't that make him the original anomaly?

It would make sense, both him and Miles have distinct powers that seperate themselves from the other spiders, like invisibility or vampire-esque teeth.

Dont let all the different versions of spiderman confuse you, they all have things in common—outside of canon events—and Miguel is an outlier in all of them.

No humor, distinct webs, and whatever the hell he injected himself with aside, Miguel has not only lost sight of what it means to be spiderman, but also managed to drag everyone down with him.

Maybe thats why Miguel makes such a good antagonist, because I dont know about you, but alot of what he explained made sense. I found myself even agreeing—greater good and all that. Sure it sucks, but thats the responsibility of Spiderman right?

But wait. When did spiderman become so cynical? As of now, Miguel is not Spiderman. Maybe he never was. I hope for Miles sake thats not true.

But back on topic. Just like that lady at the very start, Miguel also has no idea who this kid is, or how his universe is going to turn out - and thats a little scary. Especially when its possible Miles can achieve everything he wasnt able to. There are a million reasons why Miguel's univeres collaped in on itself, and I'm not inclined to take his word.

[wasyago]

we're at it again🕺

[dysfunctionalcreature]

just rewatched Dune Part 2 and noticed something, when Feyd Rautha enters the area for his birthday fight, and after he wins the fight, the people in the audience of the arena are chanting his name in a very rhythmic and quite frankly terrifying way - "Feyd Rau-tha! Feyd Rau-tha! Feyd Rau-tha!"

And after Paul kills Feyd Rautha, takes Irulan's hand in marriage, and declares war on the great houses, the Fremen people around Paul begin to chant - "Lisan al Gaib! Lisan al Gaib! Lisan al Gaib!"

They chant for Paul with the same rhythm and ferocity with which the Harkonnen audience chanted for Feyd Rautha earlier in the movie. If that doesn't show Paul's transformation and loss of humanity then idk what does

(also FeydPaul parallels in general yessssss I love every connection between these two fucked up boys, it's tragic that they barely even get ten minutes of screentime together)

[biggest-gaudiest-patronuses]

*tries to organize my thoughts*

*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*

*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*

(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next

[gatorlovebot]

nsfw. mdni. this is self indulgent but its my right as a 20 something who is getting ready to move out on their own for the first time to write about landlord john price ok <3

landlord price who buys a nice looking duplex in the city and fixes it up himself. lives in the top floor because he doesn’t need much space to himself and rents out the bottom unit. so far it had mostly been couples or smaller familes renting out the bottom unit, until you came along.

you, who had been saving money to rent something nice for yourself, something with a little extra space. the two bedroom downstairs unit is perfect for you, but you have pretty mixed feelings about your landlord living right above you. until you actually meet him.

upon moving in your greeted by the warm accent of john price. his eyes crinkle when he smiles at you and you can pick out grey hairs in his full beard. it’s so cliche, feeling butterflies for an older man whose kind to you but what are you supposed to do when he offers to help you bring in boxes, muscly arms on full display?

he allows you time and space to get settled in, with a promise of, “i’m just upstairs if you ever need anything.”

you don’t see him for the next few days until there’s a knock at your door and its him, looking soft and sweet in a grey henley, just in time for the colder fall weather. “would you care to join me for dinner? i tried a new soup recipe and seems like a i have enough to feed a small army.”

and that’s how you end up in his space for the first time. it’s tiday yet lived in. furniture dark and worn. you can tell a man lives here. dinner is nice, soup rich and filling. but john makes it so much better. effortlessly making you laugh with his bad jokes and stories. he’s warm and personable. your little crush grows when he walks you back downstairs to your unit when the sun goes down. you find yourself struggling to go inside to your empty apartment.

some days you see him and some days you don’t. your work schedule is consistent but you can’t get a read on his schedule, coming and going unpredicatably. life of a retiree, you think.

sometimes you catch him when you’ve come home from work. usually you’re thrilled to see him, an immediate smile stretching across your face and a blush on your cheeks as soon as you see his smile and hear his voice.

sometimes you curse his presence. like now, when you can’t even wait until you get inside your place before the tears start to fall. and of course john has to be in the front yard racking up leaves. you try to give a polite hello and walk up the steps inside, but john price can already read you like a book.

he’s pulling you into his chest before you even know it, big, solid arms wrapped around your shoulders holding you snug to him. “what’s got you so upset, huh?”

and you let the tears fall in earnest, feeling safe and secure with john. “work…just fucking sucks.”

“oh you poor thing,” he coos before gathering you up in his arms and leading you up to his place. he brews some tea as you sink into his couch, the leather warm and soft underneath you. once the teas done, he settles next to you and let’s you warble on about how unsupportive your work environment is and how your boss never follows through on his promises. he mostly just lets you talk, letting out an occasional hum in affirmation. that night he’s not very talkative, he’s much more tactile. running his hands up and down your arms, rubbing the tension from your shoulders and back as he allows you to lean on him until you’re practically in his lap. you’ve exhausted yourself crying and he thanks you for being so vulnerable with him and tells you that even though you don’t deserve all the bullshit at your job, you’re such a brave girl for fighting through it.

things continue to get more and more comfortable between you two. you would almost go as far as to say you would consider him a friend. you do still sometimes have awkward moments though. like when you go down to the basement to change your laundry from the washer to the dryer and you find him already placing your garments in. “oh sorry,” he says, flustered, a tinge of pink dusting his cheeks at being caught. “i spilt some paint on myself earlier while touching up the trim outside and really needed to get some stuff in the washer. i was going to message you asking if all this stuff could go in the dryer.”

he’s so thoughtful, you think. “yeah, it can all go in. thanks, john!”

hours later when you’re finally putting away your clean laundry you realize some of your panties are missing. oh well, its an older dryer, must have eaten them.

its months layer when your stomach drops as you read a text from john asking if you could come upstairs later tonight, there was something he needed to talk to you about. you feel a flash of panic, his text sounding serious. did you do something wrong? you had just seen him the previous day and everything between you seemed fine. you thought you were a great renter, but now you weren’t so sure.

you make your way up to his place and he greets you at the door, usual soft smile on his face.

“i just wanted to get something out in the open,” he starts as you both take a seat on the couch. “i’ve noticed an odor coming from downstairs late at night.”

for a moment you have no idea what he could be talking about, an odor, you think and then it hits you. your late night smoke sessions. “oh, yeah.” it dawns on you. “i’m so sorry about that.”

“no, no, it’s fine.” he reassures, “i would be a bit of a hypocrite myself to be honest, i smoke cigars constantly. try to keep it to just the back balcony but sometimes i break my own rules.”

“yeah, i don’t do it in the apartment because that would be rude, but,” you wince, “sometimes i get a little too lazy to go outside so i just do it out my bedroom window.”

“ah, no worries, dear. just wanted to let you know that i know.”

with your panic subsiding you feel a little bold, “would you like to smoke a little, john?”

“if you’re offering, i’ll be on the balcony.”

you would have never imagined sharing a joint with john would lead you here. in his lap, legs splayed open with your pants around your ankles. listening to the wet sounds of your pussy as he dips his big fingers inside you, hitting all the right spots. your brain is floaty and your limbs feel weightless against his big body that surrounds yours.

there’s a constant stream of nonsense and whimpers that leaves your lips as you dumbly watch him pet your swollen clit. but its the filth from his mouth that really gets you. “such a pretty little thing fo’ me, huh?”

“this little cunt ‘s all mine, right?”

“i’ve been thinking about touching you like this since the day you moved in.”

“cum on my fingers, sweet girl, i know you want to.”

and you do, clenching around his fingers as you keen and moan through it. there’s a whispered, “good girl,” deep and gravelly in your ear before you’re being lifted into john’s arms as he carries you back inside, to his bedroom.

[moeblob]

So does he, Gallagher.

[nouverx]

The thing I love the most about Alastor is that we can't truly know what to think of him, if he is being truly manipulative or if there's a genuine undertone behind any of his words, and that allows people to interpret him differently from one person to another. Like "oh he's being so sweet and supportive", to "no actually he's just saying what people want to hear because he's an evil manipulator". Maybe some fans are being too trustful, just like Charlie, and falling into his lies. BUT maybe there's a true genuine undertone to everything he says, maybe he can be a sweetie behind his evil mask. And maybe he'll turn out redeemable. Or not at all. Who knows?

His character could go in two completely different directions in the next seasons and we have no way of telling how he'll turn out. It's still fully open because he showed he can be awful and evil and manipulative, but since there's been very few hints here and there that he could get attached to the hotel, that means he could be sweet despite all that. The mystery and uncertainty is keeping us thinking and hoping and I LOVE that. He's such a unique and amazingly written character.

On a personal note, I think the two different directions his character could take should coexist. Yes, he's going to be a main villain in the future seasons and betray Charlie and the hotel, yes he's an evil manipulator, BUT he could also get attached to them and show redeemable qualities at the same time. For me it would make the heartbreak even greater and his character even more satisfying.

[eggwishing]

short & stout rose And awkward and gangly dave >>>> i think rose would move with a ferocity like she could accidwntally bump her elbow onto the corner of a table and the table would crumble . dave posture’d be so rigid that he’d fall like a tree and shatter like glass from a light breeze

[too0bsessedformyowngood]

Okay so I’ve been reading a lot of reverse robin AUs recently and I have a hot take. Duke Thomas should be the Dick Grayson parallel instead of Damian.

Hear me out. So bare bones Duke was the last to join in cannon, so he should be the first to join for reverse robins. But to get deeper into it Duke lost both of his parents at the same time setting him down a path of becoming a vigilante. He becomes Bruce’s ward instead of being adopted because he already was raised with two good parents and doesn’t want them to be replaced. He also created his own mantle that was the opposite to Batman, the light to Batman’s dark, inspiring hope against Batman’s fear. He’s friendly and works well and inspires others, but also extremely sharp and smart which people often forget.

Damian would work well as a batgirl parallel more. He would join after Duke but be a few years older, got there already trained and immediately jumping into crime fighting. Covering the areas that Bruce and Duke don’t fill. While Duke takes up his own name Damian would use a name more inspired by Batman himself.

I just think this dynamic of Bruce and Duke being the first dynamic duo would fit so well (also get to spotlight Duke who so often gets overlooked).

[starry-bi-sky]

(Part of this post with older brother danyal al ghul)

...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.

She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.

Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.

The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.

Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.

He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.

He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.

But she's starting to see the resemblance, as subtle as it is.

And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.

His eyes turned on to her, and they locked gazes for a moment.

Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.

Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.

"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.

"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more

Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"

Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.

On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.

And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.

Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.

Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?

She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.

Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."

She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?

Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."

"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."

Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."

The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.

She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.

But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.

"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.

Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."

Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.

(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)

"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."

"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."

"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"

Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."

Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."

It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.

"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.

Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.

She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.

"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."

(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)

(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)

Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.

Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."

With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.

[starflungwaddledee]

some rather strong first impressions were made.

required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !

[pinkcadavart]

I'm still learning the characters rn so this might not be accurate but please tell me its at least funny

[scourge-sympathiser]

SCOURGE SUNDAY 010/???

classic