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#but in the end i just don't see them constantly fighting about the same thing ya know?
lenakluthor · 4 months
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18, 19, 27, 38 for supercorp!!💙
18. What are they like when they're drunk? How do they act together? & when 1 is drunk, while the other one's sober? okay we've seen both of them drunk before, and i feel like that rings true for me. kara is a silly and giggly and probably very touchy feely (with lena only) and lena strikes me as a depressed drunk, especially since we've really only seen her get truly drunk was when she thought she poisoned the city's children with lead. however, i think if she gets drunk with kara she is also probably a little bolder, maybe drops her filter more. she's flirty and much more suggestive. if only one of them is drunk, i think sober lena would be exasperated but also extremely enamored by drunk kara. she'd be so SOFT with her and have a smile on her face the entire time, even when she drags her home to get some rest. and if kara is the sober one, it depends on what mood lena is in. if she's being suggestive, kara would be a blushing, stammering mess until she can get them home where she can actually act on what she wants to do in response. and if drunk lena is depressed, she'd instantly switch to protector mode, adamantly reminding lena of her goodness and threatening to throw anyone who hurts her into space.
19. What do they fight about most often? (Alternative: what was their biggest fight?) i mean, their biggest fight will always be the fallout after kara's identity reveal. and honestly, i think it probably remains the thing they fight about the most for a long time. wounds like that don't just go away, even if you've talked and reconciled and moved past it. sometimes it just hits you (also i'm a SLUT for angst). if we're going with a version of events where kara tells lena in 2x15 (which is when i think kara had the perfect opportunity), i genuinely don't know what they'd fight most about. i've been sitting here thinking about different possibilities, but honestly it feels like they wouldn't really argue over small stuff more than a few times. after that, they just learn to compromise and move forward. (if you're curious, my top choices in that department were food and tactical strategies, but it just felt weird thinking they'd continuously fight over either of those things)
27. Craziest place they had sex? oh, hands down in the air. maybe in space.
38. If/when they have kids, what is their parenting style (or pets-who does what)? hmmm i think i'm gonna go against what i think most people expect and say, in terms of like a "good cop, bad cop" scenario, lena is good cop and kara is bad cop. kara is a fierce protector and it's something she never got to do with kal. and this is their child. she is going to make sure that kid is safe above all else. meanwhile, lena came from a family that never showed love or affection. she'd absolutely be the one to say yes to everything. she'd be more inclined to let their kid have fun and be a kid without the burden of any sort of expectation. not that i think kara wouldn't also shower the kid with copious amounts of love, but she just usually has to be the one to put her foot down.
send me a ship + questions!
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skrunksthatwunk · 6 months
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playing dmc1 with my earbuds in (but on low volume bc they're being weird) while my roommate and her shitty bf argue. i feel like i'm recreating the very specific experience of some child of divorce out there
#how do i tell her she needs to break up with him immediately. posthaste.fuck it funny post over rant incoming tw emotional abuse i think#nyarla dni#(<- roomie and nyarla have met and i don't wanna air roomie's drama to ppl who know her w/o her consent. anon internet ppl only)#listen i'm normally for gentle advising and that's probably what i'll do since i don't want to stress her out but oh my fucking god what is#his problem. he's constantly putting her in these weird no-win situations where the only right answer is to never be upset or disagree or b#wrong on accident or be misunderstood by him and to tell him everything she's feeling so she's not 'playing mind games' but if she says wha#she's feeling he'll interrogate her and badger her with the same questions over and over again insisting she's unreasonable until she gives#in and says she's sorry with an attitude he likes. i fucking don't like him. and a lot of this is observations from today. the day after sh#GOT INTO A CAR ACCIDENT AND BROKE HER NECK. WHAT THE FUCK.#it's like he expects to be treated like a king on one of the worst days of her life and when she's upset he's like OH. OH I GET IT.#and lectures her on having attitude and taking things out on others when she's literally not even doing that. not to an extent that matters#anyway. like. there's more productive ways of dealing with that. where you don't treat them like a bad kid for getting overwhelmed#he has made her cry multiple times today. i have been around multiple arguments and fights and he's just genuinely. awful i hate him#hell the first argument i overheard *i* was in tears by the end (luckily they left soon after bc i had to run to the basement laundry#dungeon to bawl my eyes out because 1. i can't handle confrontation 2. i've never seen roomie cry and 3. she just seemed so hurt and tired)#anyway he just left again after a fight because. god this is so dumb. she told him to move while they were sleeping in the same twin bed#(remember she's in a neck brace) and he fucking. left the room for an HOUR bc he thought the only thing that could POSSIBLY mean (as he#insisted) was for him to get out of here and then when she was like oh hey i'm sorry i didn't mean it like that he decided to spend the nex#half hour of his short time on this earth chewing her out for not giving him a lengthy explanation while half-asleep as to like. why he#needed to move (she wanted to grab smth) and apparently he sat in the chair by her bed for like 10 mins before leaving so he probably saw#her fall back asleep. and then he got pissy when after he left she didn't pick up her phone when he was calling her? even though he knew sh#was asleep?? she didn't even know he was gone. fucking. i need to get him away from my roomie YESTERDAY#look. miscommunication happens. i'm not saying he's an asshole for wanting things said clearly. i am pro-saying what you mean.#but if every time your gf tells you what she means you make it into a 30 minute lecture (no matter how small the slight and w/o examining i#you're actually right or not) she's not gonna wanna fucking tell you if she doesn't think it's worth the argument. especially if you never#let her rest until she concedes. apology isn't enough. clarification isn't enough. she has to say how wrong she was and beg and GOD. UGHHH#and he's always on about how she hurts his feelings. a gust of wind could hurt his feelings. he's constantly berating her manipulating her#and then he's like >:( see that hurt my feelings you can't hurt ppl's feelings. you're disrespectful. HE"S THE WORST I FUCKING HATE HIM#look sometimes adversity reveals the truth of a person and this just amplified his shittiness so much. mr OH i slept in a HOSPITAL and it#was so bad... you can't be in a bad mood bc i've been doing the bare minimum and you need to prioritize MY feelings rn. also i won't leave
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sceletaflores · 3 months
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where there’s sparks, there’s fire!
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pairing: patrick zweig x fem!reader
summary: you can’t tell if patrick hates you as much as you hate him. every time you see him he’s constantly talking to you, touching you, trailing behind you. but he’s only doing all that to piss you off. you think back to tashi telling you it’s obvious that he wants to fuck you. you don’t see it. patrick wants to fuck everyone, you’re not special.
—or: patrick zweig is a slut. you can't stand him.
word count: 4.6k
contains: 18+ SMUT MDNI, p in v, rough sex, unprotected sex (wrap it before you tap it y’all!), public sex (doing it in a coat closet lmao), more hate sex, swearing, fighting as foreplay, light choking, light hair pulling, degradation, even more hints of mean!reader cause i really do live for that shit, tashi and reader are cute besties always, porn with a little plot, no use of y/n.
author’s note: i originally wanted to post a tashi fic next but i realized i don't have any like actual full on plot filled patrick works lmao i felt bad neglecting him and my patrick girlies so yeah. once again had literally so much fun writing this, like i hardcore love this niche!!! i ride so hard for it!!! the tashi fic i'm working on also falls into this category lols and yes this is fourth of july themed and it's late shut up i cannot write fast for the life of me...anyway! to the anons who requested something like this, hope you love it! okay bye mwah xoxo.
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Patrick Zweig is a huge slut.
Everyone knows that. He doesn't even go to Stanford but he's still somehow managed to sleep with a third of the girls on campus, maybe even more than a few guys too if the rumors going around are true.
You hate him. Hate isn't even a strong enough word. You loathe him. You despise him. You detest him. Pick any other fancy synonym, the point still stands. You just really fucking hate him.
It blows your mind that someone as sweet and angelic as Art would be best friends with someone like him. Someone who's so obnoxious, so arrogant, so crass. Art’s the guy that goes out of his way to protect you from the gross frat bros at parties, only to bring his very own as a plus one.
Sigma Nu throws a rager every year on the fourth, extending invites to those who are still in Stanford for the summer. The women’s tennis team is always invited, and Tashi always ends up convincing you to go. Well, she’s less convincing than she is more forcing you, but it’s basically the same thing to her anyway. She did your makeup and wrestled you into a Hollister dress, vowing to get you laid as she straightened your hair.
Tashi’s almost more invested in your sex life than you are, constantly hand-picking guys on campus for your consideration. She actually offered up Patrick once when you told her you wouldn’t fuck any of the guys on campus at all. The two of you were practicing, she suggested it as casual as ever while returning your serve. You were so shocked you stopped in your tracks, letting the ball fly right past you. She assured you she wouldn’t mind if you did, that what the two of them had was quote “Nothing serious, he’s just a really good fuck.” and that you should “Totally do it. He definitely wants to fuck you, I can tell.” 
You just brushed her off, ignored the way she smirked knowingly at you over the net. Your cheeks burned as you served again, you wrote it off as annoyance. As if you would ever let Patrick Zweig fuck you.
You lost Tashi when she took off to the bathroom, texting you that she’d be a while thanks to a long line outside the door. You were leaning against a wall nursing a half-empty cup of jungle juice when he came up to you. You can’t remember his name, you think it starts with a B. Something like Brandon? Or maybe Brian? One or the other.
He’s Sigma Nu’s secretary, you sit three seats down from him in your economics lecture. Tashi says he has a crush on you, and he’s nice for a frat guy but he’s definitely not your type. He’s been droning on about his upcoming trip to his family's summer house in Cabo for almost ten minutes. You try your best to seem interested, humming and nodding every couple seconds. You’re in the middle of tuning him out when a loud, familiar voice calls out your name. 
“There you are!” Patrick Zweig shouts from a few feet away, ugly American flag patterned flip flops smacking against the ground as he makes his way over to you. He’s wearing a bright red button down and white cargo shorts you scrunch your nose up at. He’s tanner than the last time you saw him, legs long and even more toned. “I’ve been looking everywhere for that pretty face.” He coos sweetly, his hand that isn't holding a bottle of Bud Light comes up to pinch your cheek.
You scoff, smacking his hand off your face. “You found me, so you can go bother someone else now,” you say, rubbing your cheek lightly. “Bye.” You press, waving your hand dismissively when he makes no move to walk away.
Patrick grins, unfazed by your reaction, he steps in even closer. “Yeah, I missed you too,” he says breezily, his breath smells like cheap beer and camel blues. He’s just as tall as you remember. He has tacky blue shutter shades resting on the top of his head. His eyes rake over your body shamelessly, lingering on the low dip of your neckline. “Cute dress.” 
You ignore him, rolling your eyes before turning your attention back towards Brandon/Brian. He’s silent now, eyes flicking between you and Patrick skeptically. “Are you like, together, or something?” 
You laugh loudly, quickly shaking your head ‘No’. Patrick beats you to speaking though, “God no, man.” he says through a laugh, dark curls bouncing as he shakes his head. “I came over here to warn you.” He continues, voice and expression going overly serious like he’s not talking out of his ass.
Brandon/Brian’s brows furrow, clearly confused. “Warn me?” he asks, head tilting to the left slightly. His puka shell necklace makes a small clicking sound as he moves. 
Patrick nods his head gravely, clapping his free hand down on Brandon/Brian's shoulder a little too roughly to be considered friendly, shaking him back and forth like a rag doll. “Yeah, best of luck trying to get inside that snatch, man.” he says earnestly, jerking his head in your direction. “Cause’ she’s really fucking picky–”
You whip your head in his direction to cut him off, grimacing in disgust. “You would say snatch, you sick fuck.” you snap, red solo cup crunching quietly in your hand. Patrick just laughs, dropping his hand from Brandon/Brian’s shoulder. Anger stews inside you the longer he looks at you with that stupid shit-eating smirk on his face. 
You can’t tell if Patrick hates you as much as you hate him. Every time you see him he’s constantly talking to you, touching you, trailing behind you. But he’s only doing all that to piss you off. You think back to Tashi telling you it’s obvious that he wants to fuck you. You don’t see it.
Patrick wants to fuck everyone, you’re not special. Sure, he may feel the constant need to be a horn-dog when he’s around you. That doesn’t mean anything. Patrick’s just gross, constantly making crude comments or lame innuendos. What Tashi fails to see is him making sex jokes around you is just another way he can piss you off. It’s not an open invitation into those god-awful shorts. 
Patrick takes a small step back, big hands raising in mock surrender. “Alright, alright. Put the claws away,” You try to ignore the way him saying your name in that goddamn infuriating condescending tone makes your cheeks start heating up. Patrick leans his shoulder on the wall next to you, looking down at you with a small grin on his face. “I actually wanted to congratulate you on cracking the top twenty.” He takes a long sip of his beer, head lolling to the side lazily as he swallows. “Lucky number 14.”
You’re not too proud to admit that Patrick is kind of hot, especially in this lighting. He’s objectively a hot guy, and he knows it. All tall and firm looking even in his horrendous outfit. But he’s kind of cute too, in an ass-holey way. His hair's a mess of soft-looking black curls and his ears stick out from his head sort of endearingly. He’s close enough that you can see he’s got a little brown in his eyes, and long lashes. There’s a handful of freckles sprinkled over the bridge of his nose. 
His big, strong nose that looks like it could work wonders between your legs. Or at least that’s what you’ve heard from Jen in your chem lab. Maybe this jungle juice is stronger than you thought.
Patrick's smirk widens, wolfish and dirty like he can see what you’re thinking. “That’s pretty impressive.” he continues, his tone a mix of genuine admiration and teasing. "Especially for someone who's always so...busy." He lets the last word hang in the air, a clear innuendo that makes your blood boil all over again.
"Busy training," you snap back, not willing to let him get under your skin any more than he already has. "Some of us have actual work ethic, Patrick. We put in the hours on the court instead of fucking anything that breathes, you know? So we don’t look like idiots that get their ass handed to them on tour by nobody scrubs."
You can feel the heat start to simmer in your stomach, anger and frustration bubbling beneath the surface as Patrick's presence continues to grate on your nerves. The tension between you is thick, amplified by the chaotic energy of the party swirling around you. You see Brandon/Brian take a long, awkward sip of his beer as he steps away, turning on his heel to quickly disappear into the sea of bodies crowding the living room. You roll your eyes internally, pussy.
Patrick grins, not deterred in the slightest. “You’ve been keeping up with my matches?” His voice is low and pleased sounding, shiny green eyes slowly getting swallowed by the black of his pupils. 
You pause, owlishly blinking up at him in silence. You’ve been caught. Shit.
You can feel the immediate warmth of embarrassment burning hot on your cheeks as you cast your gaze to the floor. “Only when I need to cheer myself up, a losing streak that high is actually laughable.” You mutter to the floor, lightly swirling your drink in your cup. 
Patrick laughs loudly, throwing his head back in amusement. “Still thinking about me though.” he says matter-of-factly, a lazy grin taking over his face.
His audacity sends another wave of anger and embarrassment through you, your grip tightens around your cup. "Only because you make such a spectacle of yourself," you retort sharply. "It's hard not to notice when you're crashing and burning so publicly."
Patrick's grin doesn't falter. If anything, it widens. "I'll take what I can get from you," he says, his tone a blend of amusement and something else that you can't place. "But seriously, congratulations. You deserve it."
His unexpected sincerity throws you off, and for a moment, you don’t know how to respond. It's rare to see Patrick in a light that isn’t coated in sarcasm or sleaze. You catch a glimpse of something genuine in his expression, something that almost resembles respect, and it confuses you.
It confuses you, and it makes something warm start to burn in your stomach. You can’t afford to feel any warm, fuzzy feelings around a guy like Patrick, not if you don’t want to get majorly fucked over the second he gets bored of you. 
You don’t know how to react so you do what makes sense, you lash out.
“God, will you just fuck off and leave me alone Patrick,” you say, tone over-dramatic and long-suffering as you tip your head up to the ceiling in annoyance. “I’m trying to have fun.” A lie. The party kind of sucked compared to last years. You were planning on talking Tashi into leaving when she came back, but he didn’t need to know that.
Patrick’s cool exterior finally cracks, letting out a quiet huff of disbelief as a frown starts tugging at the corners of his mouth. “Jesus Christ, what the hell is your fucking problem? I’m being sincere.” The playful light in his eyes is gone, replaced by something darker.
You let out a loud laugh, shaking your head in amusement. “Maybe I’d believe that if you weren’t such an ass. I know you too well, Patrick.” You say, tone mean and condescending. You know he’s right, on some level, but that doesn’t stop you. 
Patrick is silent for a beat, eyes boring into yours with an intensity that makes you want to start squirming. He lets out a quiet, bitter laugh, bringing his beer up to his lips to take a long sip. You watch the way his throat moves as he swallows, the way his lips look wrapped around the neck of the bottle. You feel a familiar heat start to pool between your legs, thighs clenching involuntarily as your mind envisions something else his slick, pink lips would look good wrapped around. 
He drops the bottle to his side, finally breaking the silence. “You know, now I do believe you.” he says casually, swiping his tongue over his lips lazily. “You must really not be getting any dick acting like this much of an uptight bitch.”
You reel back in shock, his words hitting you like a punch in the gut. The wave of fury that sweeps through you is almost tangible, your vision narrowing to a tunnel that begins and ends with Patrick’s infuriatingly smug face. “What did you just say?” you ask completely taken aback, voice low and rough. Your hand twitches at your side with the need to throw your drink in his face, anger and embarrassment lapping white hot flames in your stomach. 
Patrick just scoffs, heated gaze not breaking from your own. “You heard me.” He says, jaw set stubbornly. “You need like, emergency dick, or something to chill the fuck out for once.” 
You feel your heart rate spike, your free hand clenching into a tight wrist by your side. “You’re a fucking pig.” your voice shakes with anger, you feel sweaty and hot all over. The heat swirling between your legs is persistent.
Patrick laughs, a loud and infuriating sound. “Come on, we both know you’re fucking begging for someone to give you what you need.” He says like it’s obvious, you clench your fist a little tighter. He takes a step closer, voice dropping down to a whisper meant just for you. “I can help you with that. I can fuck all that bratty shit right out of yo–”
You’re reacting before you can stop yourself, hand flying up to slap him hard across the face. The loud crack pierces through the room, loud enough that a few eyes turn in your direction. Patrick's head snaps to the side, the shades resting on the top of his head fly off. 
Your heart stops, hands shaking with the realization of what you just did. You expect Patrick to flip out, start shouting and threatening to sue you or whatever else it is that rich people do. Time seems to slow down as he turns his head, and when he looks back at you, there's no trace of anger in his eyes. Instead, they're dark with something else entirely— something that makes your stomach flip.
He licks his lips, a slow, deliberate motion, and then he laughs, a low, throaty sound that sends shivers down your spine. A clear hand print grows steadily, red and angry on his cheek. "Fuck." he breathes, his hazy eyes locking onto yours with an intensity that makes your breath catch in your throat. 
You’re stuck staring at each other for what feels like hours, the music and chatter from the party reduced down to a low hum as you’re caught under Patrick’s heavy gaze.
He drops his beer bottle on the floor carelessly, hand shooting out to grab your wrist tightly and drag you away from the living room. Your cup falls from your grip, splashing down onto the hardwood in a red sticky mess. You fall into step behind him, letting him guide you into the hallway outside the living room before he lurches to a stop in front of a closed door, ripping it open and shoving you inside. Patrick follows quickly, closing the door behind him and bathing the coat closet in darkness. 
It’s a tiny closet, you’re pressed up against too many coats fighting for space on the tiny rack, kicking loose shoes around as you try to find your footing. “Patrick, I–” You start, but you're cut off by a strong hand gripping your forearm and whipping you around. Your back hits the door with a dull thud, you don’t have any time to react before his lips are on yours.
The kiss is the opposite of gentle, Patrick’s lips are almost violent as they move with yours. Your hands tangle in his soft hair, kissing back just as roughly. He hisses into your mouth as you twist the strands in your grip meanly, pressing you into the door harder. His tongue forces its way past your parted lips, claiming your mouth fiercely. He tastes like beer, his fingertips are rough and calloused on your skin, pulling you closer as if he wants to meld into you.
“If you don’t want this, say the word and I’ll stop right now.” He says against your lips, breathless and rumbly. His hands squeeze your hips reassuringly, his own version of sincerity softening the moment.
Yeah fucking right.
“Zweig,” you say slowly, yanking his hair roughly. “If you don’t shut up and fuck me in the next ten seconds, I’ll kill you.”
Patrick grins wildly, surging forward to connect your lips again. Your hands find the buttons of his shirt as the two of you kiss, working them open one by one until you get too frustrated and rip the two half-open sides apart. Buttons clatter onto the floor of the closet, Patrick groans into your mouth, breaking the kiss with a huff. “I liked that shirt, dick. You owe me twenty bucks.”
You’re not listening, eyes trained on the bare skin of his chest as everything seems to slow down for a second. Of course, you’ve seen Patrick shirtless before, when he’s on the court and it’s above ninety or when he’s taking up space in Art’s dorm. This feels different, a completely new situation where it’s actually okay for you to stare at the expanse of his torso. 
You can’t help reaching out to touch him again— running your greedy hands down his chest, his abs, the sharp ‘v’ cut of his hips that makes its way into the waistband of his shorts. Your manicured nails scratch through the dark hair of his happy trail, you can see the muscles in his stomach jump.
“Fuck,” you whisper breathlessly and immediately regret it. He was already insufferable— all you fucking needed was for him to know how you felt right now. How the sight of his barely undressed body is making your pussy soak through your panties.
Patrick doesn’t even gloat, just uses his tight grip on your hips to flip you so you’re pressing onto the door harshly. He impatiently yanks the skirt of your dress up, wasting no time in hooking a finger on the lace of your panties and moving the fabric to the side for easier access.
You hear him pop the button of his shorts open, his zipper following close behind. “You have no idea how long I’ve waited for this.” He says, sliding the thick tip of his cock through your slick lips, brushing himself against your entrance teasingly. “I’m gonna make you think twice about bitching me out ever again.” He seals his promise by grabbing your hair and yanking, causing a surprised whine to fall from your lips. His voice is so patronizing, but you aren’t getting mad like you should be. You’re just getting wetter, getting desperate with the need for him to get inside you right fucking now.
You grit your teeth in frustration, exhaling sharply through your nose. “I hate you.” You hiss, grinding back against his hard cock. You gasp raggedly as he starts to sink himself inside you, not stopping until his hips are flush against your ass. “Shit!” Your hands grip the door so hard you’re scared one of your nails will break. The stretch of him burns in the best way possible. You’d never say it out loud, not wanting to inflate his ego anymore than you probably already have, but he’s definitely the biggest cock you’ve taken. Almost porn-star big.
“I know.” He replies easily, hiking your thigh up with his hand as his hips start to pound mercilessly into the meat of your ass, not even giving you time to get used to the thick stretch of him. The loud smack of skin on skin fills the tiny closet easily, you hope to God the amount of clothes shoved in here somehow muffles the sound. The rough denim of his shorts scratches against your raw skin, adding to the sting of his hips.
Patrick was pounding into you in a way that makes you feel every inch of him. His cock felt impossibly big, filling you up like he was carving a place for himself inside of you. The sting in your pussy at the stretch of him is mind-numbing, you think you’d collapse from how hard your thighs were shaking if he wasn’t practically holding you up.
His big hand grips the sensitive skin of your inner thigh hard enough that it’ll probably be bruised by tomorrow. You distantly hope he’s high up enough that your tennis skirt will cover it, because if not it’ll be a hard thing to talk your way out of.
You throw your head back, a strained moan erupting from your lips. Your nails scratch at the paint on the door's edges, raking small lines down the wall. The loud squelch of your pussy’s overflowing wetness every time he sinks back inside you would be embarrassing if you had the mental capacity to care.
“Fuck yeah, keep making those slutty sounds, baby. Want the whole fucking party to hear how good I’m making you feel on this cock,” he mutters, hiking your leg up higher so he can pound into you deeper.
He drops your thigh, sliding his hand up your body and around your throat. You whine loudly, pushing back into his thrusts harder. Guys have tried the choking thing in the past, but Patrick’s hand is the only one that’s felt right. His long fingers curling around your throat like they belong there.
“Shit, fuck- don’t stop.” you mewl, lips parted in ecstasy. His hand squeezes a little tighter, not enough to cut off your breathing, just enough to get your eyes rolling back into your head as your pussy weeps around the thick length of his cock.
“That’s it, taking my fucking cock like you were made for it,” Patrick grates through a groan, gripping your hips and pulling out from your tight hole to spit on where his cock bumps up against your entrance before plunging back in.  You jolt at the extra wetness, whining at how dirty it is. “So fucking tight— does it hurt, baby?” he asks in a barely breathless voice, laughter edging his tone. “Is my fat cock hurting your tight little pussy?”
“God– shit, yes!” you sob loudly, cheek rubbing against the wood of the door as you nod your head frantically. “Hurts so fucking good.” You stop caring about inflating his ego, letting moans fall freely from your lips as you get closer to the edge.
“Fuck yeah, I’m gonna come,” he grunts, his rhythm growing sloppy and erratic as his muscles tense. He wraps your hair in his other hand, pulling hard enough to make your neck crane back awkwardly. He leans forward, lips brushing against the shell of your ear. “I can feel you, fucking clenching up on me so tight,” he whispers, still pounding into you roughly. “I know you’re close. Do it. Come all over my cock like a slut.”
Patrick's hand tightens around your throat as he talks, cutting off your air for just a second. “Patrick!” Your voice sounds weak and strained, your hand coming up to wrap around his wrist desperately.
He pulls out abruptly, dropping your hair from his fist to frantically jerk his cock, burying his face in your neck. You can hear the lewd shlick shlick shlick of your wetness help his hand glide over the skin of his cock quickly. Patrick lets out a loud growl before you feel the sharp bite of his teeth sinking in where your shoulder meets your neck, muffling a loud groan of your name as he sprays hot come over the skin of your lower back and the swell of your ass. 
The feeling of Patrick’s hand wrapped around your throat as his come paints your skin has you catapulting over the edge. Eyes rolling back in your head as your convulsing pussy gushes wet over his spent cock. 
You drag in greedy lungfuls of air, chest heaving as you try to catch your breath. “You came first.” You say breathlessly, voice scratchy and hushed. Patrick chuckles against your skin, swatting the tender flesh of your ass lightly. 
“Shut the fuck up.” He mutters half-heartedly, nuzzling his nose in your neck in a way that seems far too intimate for what the two of you just did. You don’t say anything.
Patrick eventually peels himself off your back, but the warmth of his body stays wrapped around you as he starts to gently wipe your skin clean. You’re ready to scold him for using some poor guy's coat as a come-rag, but when you turn your head to glare at him he’s using the inside of his own shirt. You wrinkle your nose, but a tiny smile fights its way onto your lips. So gross, you think with a sort of reluctant fondness.
He leans over to fix your panties back over your puffy, abused pussy. Your thighs continue to shake weakly as you try to stand on your own, still unsteady without Patrick holding you up. He gives you a sweet kiss on the back of your shoulder, smacking his lips loudly. You huff out a tiny laugh, pushing away from the door to face him.
You watch him as he languidly gets re-dressed. He looks well-fucked, his hair and clothes are mess, his face is flushed and sweaty. Your eyes trail down to where he’s buttoning up his atrocious shorts. 
The fabric around the crotch is darkened with your release, wetness soaking the denim around the zipper and front pockets. You gawk at it, a mix of terror and excitement swirling through your stomach. “You can’t go back out like that.” you say to his shorts, shame burning your cheeks. 
Patrick follows your gaze down to his crotch. A pleased smirk plays on his lips when he looks back at you. “I’ll text you later.” Is all he says, zipping his fly and turning towards the door. 
“You don’t have my number.” You say, tugging the skirt of your dress down over your hips. You can slowly feel the horny fog leave your brain, leaving you clear-minded and a little panicked.
He cracks the door open, but before walking out of the closet he looks back at you over his shoulder. “Art’ll give me your number. “ He says casually with a small shrug of his shoulder. You suddenly feel sick, wondering how many other people have heard that line before getting completely ghosted. 
Patrick must see the negative thoughts running through your mind play out on your face. He gives you an actual smile, one that has his eyes crinkling up the tiniest bit at the corners. “Promise.” He says with a reassuring nod, it’s the most sincere you’ve ever seen him. You bite your lip to stop from smiling at the hope blooming in your stomach, nodding back at him slowly. He throws you one last toothy grin before he’s walking out and closing the door behind him.
You sigh contently, staring at the closed door for a few beats before your phone buzzes to life from where it's laying on the floor. You bend over to search for it, blindly rooting around until you see the tiny display light. The ringing stops before you can answer, when you flip the screen up to check your inbox you have seven missed texts and two missed calls.
Four texts and two calls from Art, and just three texts from Tashi.
arty where are you? i’ve been looking for you are you okay? hello???
tash you know you're not invisible right? everyone saw your little show have fun <3
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tags are now in the comments! if you want to get tagged for any of my works just fill out this form!
mini a/n: yes i did change the title leave me lmao love you!
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saturnrings77 · 4 months
Text
intoducing sleazy!rafe
note: this was not supposed to be smutty. I got carried away 😭. i need more dialogue... HOW DO I ADD MEORE?!?!? I gave up at the end, im sorry
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oh, how you ignored all his red flags just because he had a pretty face and striking blue eyes. you've come to regret it and there's not much you can do about it.
on your first date, rafe shows up half an hour late, in a wrinkled, orange polo shirt, high with a freshly rolled blunt behind his ear. there's remnants of white powder along the edge of his nostril. his hair is greasy, and you wish he had put more effort into his appearance with all the dirty stares you were receiving.
he lazily chuckles at god knows what. his pupils are blown and his eyes are lidded. he has to tilt his head slightly up to be able to see you.
"let's eat?" you're unsure at this point, hesitating to call up one of your friends fo an excuse. your friends warned you about this. did you listen? no. you didn't want to prove them wrong though, always seeing the best in people.
"yeah... yeah"
when you flip you hair over your shoulder he says "i wonder how many times it'll wrap around my wrist." you freeze.
you fight every nerve in your body to refrain from rolling your eyes. gosh, he was so high.
the whole date went by with him making crude remarks directed towards you and the alcohol you guys were getting served was not doing anything to help the situation. you were buzzed and horny.
his gaze kept dropping towards your glossy lips and chest accentuated perfectly by the silk dress you were wearing. with the way he was licking his lips and shifting in his seat, there was no way he was letting you go home without him.
you felt exposed with the way he was eye-fucking you and you felt all the more turned on, your nipples hardening and poking out through the thin fabric.
you, were no better. you mirrored his actions, eyes constantly flicking down towards his lips every time he licked them, suggestively taking food into your mouth and leaning down enough to expose as much flesh of your tips without flashing him your nipples. something about his nasally, rich kid voice had you hanging onto his every word.
"y'look sexy." rafe's licking his lips, undressing you with his eyes. you squirm in your sit at his gaze. "got such a beautiful little thing sitting in front of me."
he's hot, that's for sure. maybe, one night wouldn't hurt.
"wanna go back to mine?"
"mhm" the moment you affirm your answer, he throws a wad of cash on the table, grabs your bag and drags you out the restaurant. he's taking large steps, much to large for your stiletto clad feet. "rafe, slow down." he slows down and looks back at you, before he starts walking towards you and throws you over his shoulder.
you squeal and he gives your ass a firm slap making you yelp. "what a slut. y'ass is basically hanging out." you gasp at the delicious sting on your cheek. "fuck, I don't think I can wait." he hissed as his truck came into view.
unlocking his truck, he pushes you into the back-seat, grateful for his illegally tinted windows. and then his lips are on yours.
he's everywhere, all at once. hands grabbing whatever he can, wherever he can. thighs, cheeks, ass, tits. he's groaning into your mouth, tongue pushing past your lips and fighting with yours.
short, heavy breaths fill the vehicle. your flushed with need. a needy moan leaves your lips as rafe starts undulating his hips into yours. your hands snake to his belt. "I need you." you whisper against his mouth. he just hums and rolls his hips with more insistence into you, chasing his own pleasure. he clasps both your hand between his and puts them above you while his other hand continues groping your tits.
he trails his kisses down to your shoulder, nipping and sucking along the way. a particularly harsh suck has you hissing, knowing it would leave a mark. he bites the strap of your dress, pulling it down your shoulder. he does the same to the other side, his hands finding the zipper on the back of your dress, pulling it down.
your panties are drenched, sticking to you like a second skin. the friction of rafe's tip underneath his jeans, rubbing against your clit has you mewling in pleasure.
"I'm gonna cum" he snaps out of his horny daze and stops moving. he pulls his lips back but attempt to chase after him yet you fail. there's a string of saliva connecting the both of you together.
rafe fumbles with the buckle of his belt and leans over to open the centre console. he pulls out a condom, putting the edge of the wrapper between his teeth and tugging to rip the foil open while pulling himself out his boxers. you pull your own panties off, chucking them at rafe's face.
he rubs his tip along your folds before pushing in all the way. rafe looks at you to find you already staring up at him with doe eyes and your bottom lip between your teeth. a nod from you, and a roll of your hips is all he needs before he starts pumping in and out of you. fast.
it's not long before you hear the squelch of your pussy and the sound of skin slapping. "fuck. y'feel s'good, baby," rafe grunts out. a desperate, whimper escapes from your lips at his praise and you wall flutters around his thick cock. "y'like that, don't you?"
you let out a needy whine. "more." rafe flips the two of you over so that you're straddling him. one hand gripping your hip, the other grabbing handfuls of your ass as he starts fucking up into you.
rafe's focus goes down to your tits and the way they jiggle every time he slams his hips into yours. he brings his mouth down and starts sucking on your nipple and you choke on a moan.
he brings one hand down to your clit and starts rubbing, listening to the way you let out an unrestrained sob, the pleasure becoming too much.
"w-wait" you feel the familiar tightening in your stomach and squeeze if your pussy, trying your best to push yourself away.
"y'bout to come, hm?" you nod your head, getting a small, breathless "yes" out. "cum f'me, baby." you feel your body convulse as your orgasm washes over you, however, rafe keeps fucking into you chasing his high, finishing moments later.
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aceyalonso · 8 days
Text
that's the thing about illicit affairs - OSCAR PIASTRI
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pairing : ex!oscar piastri x fem!reader ↳ slight lando x fem!reader at the end
summary : a maid of honor and a groom that she knows all too well, only one of them gets their happy ending.
warnings : swearing, drinking, fighting, relationship issues, mentions of settling down, marriage, majority of story takes place in 2027
word count : 6.5k
song : illicit affairs - taylor swift
a/n : happy 400 followers with a not so happy post! and a special ty to @iamred-iamyellow for convincing me to write this <3
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September 10th, 2024
Y/n lifted her head from Oscar's chest, shifting her position to look at him directly. She took a moment to gather her thoughts before speaking. "Have you ever thought about getting engaged or married someday?"
Oscar's expression turned slightly cautious as Y/n asked the question. He paused for a moment, thinking about it. Finally, he responded, "Well... I haven't really given it much though, to be honest. I've been focused on our relationship and enjoying our time together."
He shifted a bit on the couch, now sitting up straight. His gaze remained fixed on Y/n as he continued. "Why do you ask? Is it something you've been thinking about?"
Y/n nodded, a mild sense of disappointment showing on her face at the realization that Oscar hadn't seriously thought about it yet. "I was just wondering. It's something that's been on my mind for a while."
The conversation turned into a more serious tone as the topic escalated to an argument. The initial lighthearted mood was replaced with tension and disagreement between Y/n and Oscar.
Y/n's frustration began to show on her face, her voice getting slightly louder. "I don't understand why you haven't thought about it yet. We've been together for 3- Almost 4 years, Oscar."
Oscar's initial surprise at the escalation of the argument slowly turned to frustration as well. He responded, his voice rising slightly as well. "It's not that I don't want to marry you, it's just... I don't know if I'm ready for it yet. The thought of getting engaged or married is a huge commitment.
Y/n scoffed a bit, her agitation growing. "I know it's big commitment. But that's exactly why it's important to discuss it and be on the same page about our future. I need to know what we agree and don't agree on!"
Oscar sighed, running a hand through his hair in frustration. "I don't want you to feel like I'm avoiding the topic, but it feels like you're putting pressure on me to make this decision. I just need more time to think about it, alright?"
Y/n crossed her arms, clearly dissatisfied with Oscar's response. She lets out a huff before responding. "More time? We've been together for years, and still need more time to think about it? How much more time do you need?"
Oscar's irritation grew at Y/n's response. He raised his voice slightly, matching her heightened tone. "I understand that we've been together for a long time, but that doesn't mean I have to be ready to get engaged or married right now. And constantly pressuring me about it isn't going to make ready any faster.
Y/n shot back with a bit more heat in her words. "I'm not trying to pressure, I just want some clarity about our future. It's not unreasonable to expect some form of commitment after being together for this long. You make it sound like you're not even sure if you want to marry me at all!"
Oscar's expression hardened at Y/n's accusation. "That's not fair. You know I love you, and I don't doubt our relationship. But marriage is a big step, and I want to be absolutely certain that we're both ready and willing to commit to it for the rest of our lives."
Y/n let out an exasperated sigh, feeling increasingly frustrated. "I understand that, but I feel like you're keeping me in limbo. You can't ask for more time without giving me some assurances that you do see a future with me. I need some sort of confirmation that we're on the same page here."
Oscar let out a deep breath, trying to calm himself down. "Okay, look, I do see a future with you. I do want to be with you for the rest of my life, alright? I just need more time to mentally prepare for the idea of getting engaged or married. It's a lot to process all at once."
Y/n relaxed slightly at Oscar’s reassurance, but their concerns still lingered on their face. “That’s good to hear, but it’s still not enough for me. I need more than just words. I need some kind of proof that you’re serious about our future together.”
Oscar, now clearly irritated, threw his hands up in desperation. “What more assurance do you need? I just told you that I see a future with you and that I love you. What else could you possibly want from me? A written guarantee? A legal contract?”
Y/n, equally frustrated, shot back with an aggressive tone. “No, I don’t need a written contract. I just need some sort of action, some steps towards making our future together a reality. You keep telling me you’re sure about us, but then you hesitate when it comes to actually making a commitment.”
The argument continued to escalate, both Y/n and Oscar becoming more frustrated and emotional. Y/n’s voice continued to raise, their words now filled with frustration and hurt. “I can’t believe you’re still making excuses. I’m tired of feeling like I’m the only one who wants to take our relationship to the next level. You keep stalling, and it makes me question if you really want to marry me at all!”
Oscar, in his frustration and anger, snapped back with a hurtful remark. “You know what, if you keep acting like this, maybe I won’t marry you at all! At least I'll be free from you and your stupid neediness!”
As soon as the words left his mouth, he regretted them. The pain and shock on Y/N’s face were evident, and he knew he had crossed a line.
Y/n stood up from the sofa, tears beginning to well up in her eyes. Her voice trembled slightly as she spoke. "Fine, if that's really what you want, then it won't happen. If you don't see a future with me, if you don't want to marry me, then there's nothing more to discuss."
Y/n, moving with purpose, made her way to the bedroom. There, she hastily grabbed a suitcase from the closet and began stuffing it with clothes and essentials. A sense of anger and determination filled her actions, her emotions still heightened from the argument.
Meanwhile, Oscar followed behind, trying to stop Y/n form leaving. He entered the bedroom and pleaded with her, his voice filled with regret and desperation. "Where are you going? You can't just leave like this!"
Y/n snapped back at him, her voice still angry and strained. "I can and I will. You just made it clear that you don't see a future with me. What am I supposed to do? Stay and keep hoping that someday you'll change your damn mind?!"
Oscar, his emotions conflicting, tried to find the words to convince Y/n to stay. "I didn't mean it. I was just so frustrated and angry, I didn't what I was saying. Please, don't go. We need to talk this through."
Y/n, who was still packing her suitcase, paused for a moment to look at Oscar. "There's nothing more to talk about. You said what you said, and I heard it loud and clear. You don't see a future with me, so what's the fucking point?"
Pausing once more in the midst of packing, looked directly at Oscar. "When we first started dating, I made it clear that I wanted to settle down one day. I was upfront about my expectations, and you knew what I wanted. Yet, here we are, years later, and you're still not ready for that commitment.
Oscar, feeling a mix of guilt and frustration, responded defensively. "I know I haven't been ready yet, but I told you I need more time. That doesn't mean I never want to marry you. It just means I'm not ready right now."
Y/n, now fully packing their suitcase, shot back with a hint of sarcasm. "Right, because waiting endlessly for you to make up your mind is so fun. You've had years, Oscar. How much more time do you need? A decade? A lifetime?"
Oscar, starting to get frustrated again, tried to defend himself. "You're acting like I'm doing this on purpose! I'm not stalling or avoiding the issue. I just need more time to figure things out. I have to be sure about such a big commitment!"
Y/n zipped up her suitcase, expression hard and uncompromising. "Spare me the excuses, Oscar. You've had ample time to reflect and consider. And here I am, still waiting for you to make a move. Your inability to make a decision speaks volumes, and I refuse to continue wasting my time, hoping for something you're not even ready to give."
Y/n, now walking out of the bedroom with suitcase in tow, was stopped in her tracks by Oscar's gentle yet firm on her free wrist. As she turned to look at him, he called out to her with a pleading tone. "Baby, wait. Don't go. Let's talk about this. Please."
Y/n looked him in the eye with a mixture of hurt and anger. "Don't call me 'baby'. You don't get to use endearments on me now. You lost that privilege when you made it clear that you don't see me as someone worth committing to."
Oscar, realizing his mistake in using the endearment, looked at Y/n with a remorse and desperation. "I'm sorry. I shouldn't have called you that. I'm just trying to get you to stay and talk to me about this."
Y/n shook her head, her expression still firm and determined. "No, I'm done talking. I'm done waiting. You had your chance to discuss this, and you dismissed it. I don't want to hear any more excuses or apologies right now. I need space."
Oscar, growing increasingly worried, pleaded with Y/n once more. "Please, don't go. This is the same old argument we've had before, but we've always worked through it. Let's take a break, cool off, and come back to this later."
"Exactly!" Y/n's voice is laced with frustration and exhaustion. "We keep pushing this issue aside, hoping it'll resolve itself. But it never does!" she says, tears starting to fall in between sobs. "Instead, it just becomes a bigger problem each time we avoid it. We can't avoid this conversation forever, and it's tearing me apart."
Y/n, determined to leave despite Oscar’s efforts to hold her back, breaks free from his grip and walks towards the door.
Oscar, watching her walk away, calls out to her pleadingly. "Please, don’t go. We can work this out, can’t we? You can’t just leave without resolving this."
Y/n, standing at the door with suitcase in hand, responds with a mix of determination and pain. "You’re right. There won’t be anything to resolve if there’s nothing left between us. And right now, it feels like there’s nothing left to salvage."
Oscar, panicked and desperate, tries one last effort to make her stay. "No, don’t say that! We have years together, a life built together. You can’t throw it all away just like that."
Y/n, her voice tinged with hurt and bitterness, answers with a sharp response. "When you said you don’t feel free around me, it felt like a slap in the face. As if being with me is some kind of prison sentence to you. So maybe it’s better if you are free, without me in the picture."
Y/n opens the door, her steps resolute and determined. Without looking back, she walks out and slams the door shut behind her. Oscar, left alone in the apartment, stands frozen in place, the sound of the door slamming echoing in his ears.
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February 12, 2027
Three years have passed since Y/n left, and she has found herself in a different place, both geographically and emotionally. She has moved from Monaco to France, and is now living in a cozy apartment with her roommate, Alexandra.
Y/n and Alexandra are folding laundry and chatting away in the living room, enjoying each other's company. Suddenly, Y/n's phone buzzes, signaling an incoming call. She glances at the screen to see that it's her cousin calling.
Y/n, spotting the caller ID "lily 💗", excuses herself from the conversation with Alexandra. She picks up the phone, her voice tinged with curiosity. "Hey, what's up?"
Lily, sounding excited on the other end of the line, wastes no time in telling her the news. "Hey, guess what? I'm getting married! And I'd really love it if you could come to the wedding. It wouldn't be the same without you here!"
A smile spreads across Y/n's face as she listens to her cousin's cheerful announcement. She feels a mix of joy and surprise. "Oh my goodness, that's wonderful news! I'm so happy for you. Of course, I'd love to be there for your wedding. It's going to be a beautiful occasion. Have you set a date yet?"
Her cousin, still beaming with happiness, replies warmly. "Yes, we have! We're getting married in two months, at a beautiful venue here in Monte Carlo. It's going to be a wonderful celebration. I can't wait for you to be there with me."
Y/n's cousin, continuing the conversation, extends a special invitation. "Oh, and by the way, I wanted to ask you something else. Would you do me the honor of being my maid of honor? It would mean the world to me if you were by my side on my special day."
She feels a wave of warmth and appreciation at her cousin's request. She quickly responds with enthusiasm. "Oh my goodness, of course I'll be your maid of honor! It would be my absolute honor to stand by your side on your wedding day. I'm so touched that you asked me."
Her cousin lets out a happy sigh, feeling relieved and delighted at Y/n's acceptance. "Thank you, thank you, thank you! I'm so glad you said yes. I can already imagine us having so much fun during the preparations and on the big day. You're going to be the best maid of honor ever!"
She rejoins Alexandra in the living room, her expression a mix of joy and excitement. "Sorry, that was my cousin. She's getting married apparently? She asked me to be her maid of honor too!"
Alexandra, hearing the exciting news, lights up with delight. "Oh, that's fantastic! Congratulations to the both of you!" she says, clapping lightly. "Being a maid of honor is such a special role. When's the big day?"
Y/n's voice brims with anticipation as she responds. "In two months, it'll be in Monte Carlo."
Alexandra, curious to know more about Y/n's cousin and her fiancé, poses a question with a tone of intrigue. "That sounds wonderful! So who's the lucky groom?"
Y/n opens her mouth before slowly closing it. "You know, I just realized, I don't actually know..." she replies sheepishly.
The two girls sit in awkward silence for a few moments before bursting out laughing. Y/n can finally say that she feels happy. At least, way happier than she was with Oscar.
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April 26, 2027 | Chapel
The long awaited wedding day, and the setting couldn't more picturesque. The venue is adorned with elegant decorations, and Y/n stands by chapel doors, ready to walk down the aisle alongside the best man and to see the groom for the very first time.
Y/n, in her satin green dress, is arm in arm with Lando, the best man (who she met a week ago). They make their way up to the altar, and as her eyes scan the surroundings, something catches her eye. She turns her gaze towards the altar, and there she sees the groom awaiting his bride.
As the groom turns around to face the aisle, Y/n's heart skips a beat. There, standing at the altar, is Oscar, her ex-boyfriend. Y/n feels a mix of shock and disbelief. Lily is getting married to Oscar.
Oscar, caught off guard by the sight of Y/n, manages to keep his composure despite the surprise. His eyes go wide with realization, but he quickly masks his emotions and turns his attention back to the altar.
Lando, feeling Y/n's grip on his arm tighten ever so slightly, turns his attention to her with concern. He senses something is amiss and leans in slightly to inquire in a low whisper. "Hey, is everything alright? You look like you've just seen a ghost."
Y/n, struggling to find her words, manages to compose herself enough to respond to Lando's question. "I'm... I'm fine." she mutters, forcing a smile. "Don't worry about it. Let's just focus on the ceremony right now. I'll explain everything later if we have time."
Lando, sensing Y/n's unease, nods in understanding but keeps a watchful eye on her throughout the ceremony. He feels there's more to it than meets the eye, but he decides to respect her request to wait until later to explain.
The processional draws to a close as Lily walks down the aisle, looking stunning in her snowy white dress. Y/n, unable to help herself, steals a glance at Oscar, who stands at the altar, his eyes filled with awe as he gazes at the bride- his bride, in all her splendor. There's a mix of shock and a tinge of melancholy in Y/n's expression as she observes him.
Her thoughts race through her mind as she stands alongside the other bridesmaids. She watches Oscar at the altar, his eyes fixated on Lily, and a sudden pang of bittersweetness washes over her. In that moment, she can't help but wonder if this is what it would've been if she and Oscar had gotten married, if they would've worked it out. A mixture of nostalgia and melancholy fills her heart as she contemplates what could have been.
Her inner turmoil intensifies as she struggles to reconcile her current circumstances with the memory of the dreams and aspirations she once had with Oscar. The weight of the unspoken emotions between them hangs heavily in the air, and split second, Y/n finds herself caught in a whirlwind of "what if?" scenarios before she snaps back to reality, reminding herself of the reasons that led them down separate paths. The same reasons that led them to this day.
Lily reaches the altar, and Oscar assists her with her beautiful gown, his hands gently arranging the fabric. In the process, their eyes meet for a fraction of a second, and the intensity of that brief glance nearly brings tears to her eyes. The connection, though fleeting, stirs a mix of emotions within her, bringing back memories and longing she thought she had buried in the past.
Unable to bear the weight of Oscar's gaze any longer, Y/n averts her eyes, feigning the need to fuss with her own gown. She busies herself with adjusting her attire, using the action as a guise to avoid looking at Oscar, who stands just a few steps from her. She tries to mask the turmoil within her, hoping no one notices the storm of emotions brewing beneath the surface.
Oscar tears his gaze away from Y/n and redirects his focus to his bride. A genuine, radiant smile illuminates his face, and in that moment, Y/n realizes that she has never seen him smile quite like that before. The smile is wide, full of joy and contentment. Y/n can't help but feel a sharp pang in her heart.
The sight of Oscar's unabashed happiness with his bride strikes a chord deep within Y/n. It awakened a mix of sorrow, regret, and a hint of resignation. She understands that his smile, while beautiful, is no longer hers to witness. The reality of their broken relationship, and the different paths they've taken, is now undeniable, and the weight of that realization settles heavily on her heart.
The mixture of emotions in the air is palpable as Y/n stans beside the other bridesmaids, her eyes till fixated on Oscar and the bride. She can't help but feel a jumble of sadness, envy, and acceptance, witnessing the unfolding scene in front of her. The moment seems to stretch on, each second reminding her of what could have been.
The ceremony continues, and as the moment arrives for Oscar to kiss his bride, the air catches in Y/n's throat. Y/n, along with all the guests gathered, watches as the newly weds lock lips, sealing their union in a heartfelt kiss. Y/n's heart clenches as she longs to be the one standing with Oscar, to be the one he's kissing.
Their kiss seems to last an eternity, each second a poignant reminder of the love that Oscar now shares with someone else. Y/n's eyes are fixed on the couple, her heart wallowing in sorrow and acceptance. The realization that she is no longer a part of Oscar's future washes over her, and she finds herself in the same bittersweet feeling that she found all those years ago.
Y/n, although her heart is heavy, knows she has no choice but to join in the applause. She raises her hands and claps along with the guests. Her hands come together in a rhythmic applause, the sound blending with the collective joy and celebration around her. Inside, her heart is aching, but on the outside, she manages to maintain a semblance of composure, hiding the storm of emotions within her.
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April 27, 2027 | Reception
Time swiftly moves forward to the reception. Lando, as the best man, steps up to the podium, ready to deliver his speech. The room falls silent, and all eyes turn to him, waiting to hear his words. Lando takes a deep breath before starting, his voice filled with a mix of humor, warmth, and genuine affection for the couple.
Lando begins his best man speech with a warm smile, his eyes flickering across the guests. "Good evening, everyone. I feel incredibly honored to be standing here as the best man for this beautiful couple. Today we gather to celebrate love, commitment, and the beginning of a new journey for our newlyweds, Lily and Oscar. I've known Oscar for a long time, and I can confidently say that I've never seen him as happy as he is today, all thanks to the incredible woman sitting beside him."
As Lando continues with his speech, Y/n sits in her chair, listening intently. The mention of Oscar being the happiest he's ever been makes her chest tighten, as though an invisible weight is pressing down on her heart. The reality that Oscar has found true happiness with someone else, the very thing Y/n had once hoped to provide for him, is a bitter pill to swallow.
Y/n, lost in her thoughts, zones out during the last part of Lando's speech. The words around her turn into a blur, and she becomes unaware of the speech's conclusion. Her mind is preoccupied with the barrage of emotions swirling inside her, and she finds herself in a state of partial detachment from the ongoing celebration.
Lando, sensing that Y/n was lost in thought, gently places his hand on her shoulder. This gesture snaps her back to reality, and she becomes aware of the room around her again. Seeing her jolt slightly, he gazes at her with a compassionate glance. "Hey, it's your turn to give a speech."
Her heart rate quickens as she realizes it's her turn to give the speech, and she takes a deep breath to steady herself. She glances around the room, the weight of the moment settling heavily on her shoulders.
Y/n slowly walks up to the podium, her steps deliberate and measured. As she stands in front of the microphone, she can feel the eyes of gathered guests fixed on her, waiting for her words.
She stands behind the podium, taking a moment to collect herself before speaking. With a mixture of joy, love, and disbelief, she begins her speech.
She starts, "Good evening, everyone. For those who may not know me, I’m Y/n, the bride’s cousin, but truly, we’ve always been like sisters. Standing here today, I feel a flood of emotions - joy, love, and perhaps just a hint of disbelief that this day has finally come."
Y/n continues, "You see, when we were children, Lily and I would often engage in 'wedding' games. We'd don makeshift wedding veils made from pillowcases and fiercely argue over who would get to be the bride. It was a serious matter for us back then, and more often than not, we’d ultimately settle on her being the bride. According to her, she just 'looked more like one.' Well, Lily, I have to admit, you were absolutely right—because here you are today, looking stunning, more beautiful and radiant than I could have ever imagined."
Her voice is a mixture of warmth and sentimentality as she continues her speech. "It’s fascinating how childhood dreams have a way of becoming reality, and yet, it’s even more astonishing to witness how you’ve grown into the remarkable woman standing before us now. Over the years, I’ve watched you navigate the ups and downs of life with such grace, and today, as you marry Oscar, my heart swells with happiness for you both."
In the midst of her speech, Y/n’s eyes inadvertently meet Oscar’s, and a wave of emotions courses through her. The weight of the moment, combined with her feelings for Oscar, causes tears to well up in her eyes, making it increasingly difficult to continue speaking.
She pauses, attempting to blink back the tears that threaten to spill. Clearing her throat lightly, she tries to push through the momentary emotional wave that has struck her. The pain in her heart is evident, but she forces a smile, determined to complete her speech with a semblance of composure.
Taking a deep breath, Y/n collects herself and presses on with her speech, "While I’m brimming with joy for you both, I must admit I feel a tinge of bittersweetness, for today marks the beginning of a new chapter in your life — a chapter where you start your own family. But if there’s one thing I know for sure, it’s that no matter how life changes, no matter where you go, we’ll always be as close as we’ve been."
Y/n steals another quick glance in Oscar's direction before continuing. Her emotions are still close to the surface, but she plows on, speaking with a mixture of bittersweet happiness and nostalgia.
"You’re not just my cousin; you’re my sister, and this connection we share is something that will forever remain unchanged. So here’s to the both of you. May your love be as strong and lasting as our bond has been all these years. And Lily, if this day proves anything, it’s that you were always destined to be the bride." she says, wiping away her tears with a small handkerchief Lando handed her.
As Y/n completes her speech, her eyes inadvertently find their way back to Oscar. The gaze she gives him mirrors the one she had when they parted ways three years ago. The pain, the longing, and the unresolved emotions are all still there, making her next words more strained.
With her gaze still fixed on Oscar, Y/n struggles to keep her emotions in check as she continues her speech, her voice trembling slightly. Despite the ache in her heart, she forces a smile, her words now directed towards Oscar.
"And to Oscar, I hope you enjoy growing old with her as much as I enjoyed growing up with her." Each word feels like a dagger to her heart, but she finishes her speech, the pain in her eyes reflecting the depth of her unspoken feelings.
Y/n, fighting to maintain her composure, finally comes to the end of her speech. Her voice wavers slightly as she utters her final words. "A toast! To Lily and Oscar!"
Her words hang in the air, a bittersweet sentiment that lingers in the room. The guests raise their glasses in agreement, blissfully unaware of the turmoil within Y/n.
Lily, moved by Y/n's heartfelt speech, stands up and embraces her cousin in a tight hug. But while Lily basks in the moment, blissfully unaware of the pain her happiness is causing Y/n, the latter can only focus on Oscar, her eyes filling with tears as she gazes at him. The raw emotions bubbling beneath the surface seem to intensify, and it takes all her strength to hold back the floodgates.
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April 27, 2027 | After the Reception
The reception has come to an end, and the hotel lobby is relatively quiet at this late hour. Lando, getting ready to head out, spots Y/n standing in the corner, holding her crumpled gown in one hand and her phone in the other. He approaches her with a concerned expression.
"Hey," Lando says softly, standing beside Y/n. His voice is gentle, tinged with concern as he looks at her. "Are you alright? You seem a bit... off?"
Y/n glances up at Lando, her expression weary. The emotional toll of the evening is evident on her face. She forces a small smile, trying to appear okay. "Oh, yeah, I'm fine," she replies, her voice slightly strained. "Just a bit tired, you know."
Lando can sense that Y/n isn't being completely honest, but he doesn't press the issue. Instead, he offers her two options. "You sure you're okay? You can always crash at my place if you want," he suggests. "Or, if you're up for it, we could go for a drive. Whatever you prefer."
Y/n ponders for a moment, weighing her options. Finally, she decides to take Lando up on his offer for a drive.
"A drive sounds good," she says, her voice slightly weary but also filled with a hint of relief. "Lead the way."
With a nod, Lando leads the way towards his car, parked outside the hotel. He unlocks the door, takes her gown, and gestures for her to get in. Once they're both settled in the car, Lando starts the engine and begins driving.
The silent drive envelops them, its quietness only interrupted by the soft hum of the engine and the occasional sound of passing cars. Both Lando and Y/n seem weary, the evening's events taking their toll on them.
Lando glances over at Y/n periodically, noting the fatigue etched on her face.
He drives them to an empty beach, where only the signs of life are a few stray cats and dogs sleeping beneath a nearby bridge. The beach is mostly deserted, and the soft sound of waves crashing against the shore adds a soothing atmosphere to the surroundings.
He parks the car and shuts off the engine, the sudden silence feeling both peaceful and surreal at the same time.
Lando gets out of the car and opens the trunk. He rummages through it, pulling out two bottles of beer. He closes the trunk and walks over to where Y/n is standing, holding the bottles in one hand.
"Wanna share a cold one?" he asks, offering her one of the bottles.
As Lando hands Y/n a bottle, she glances at him with a puzzled expression on her face, her confusion evident. "You just happen to have cold beer in your trunk?" she asks, raising an eyebrow.
Lando laughs at her questions and explains, shrugging his shoulders. "Nah, I don't keep beers in my car!" he says, chuckling. "It was supposed to be for the wedding, in case we ran out. You know how weddings can be."
Y/n nods in agreement and requests a bottle opener. Lando pats his pockets, searching for one. After a moment, he pulls out a small, multi-purpose tool from his pocket that serves as a bottle opener.
"Can I?" he says, gesturing for her to hand him the beer.
Y/n thanks him and hands her bottle to him, waiting for to him to open his bottle. As he uses it to pop the lids off both bottles with a satisfying fizzing sound, she takes her bottle and watches the foam settle on the top of the liquid.
Lando closes the trunk and follows Y/n down to the sand. They walk down in silence, the soft sound of their footsteps blending with the gentle rhythmic crashing of the waves.
The cool night air wraps around them, offering a refreshing reprieve from the day’s festivities. The soft light of the stars and the moon casts a gentle glow over the beach, making the surrounding area appear almost magical.
As they reach a spot on the beach and sit down, Lando takes a sip of his beer and sets the bottle down in the sand. He glances over at Y/n, his expression curious. “Hey, can I ask you something?” he says.
Y/n looks up at Lando, her expression open. “Sure, what is it?” she responds, her curiosity piqued by his inquiry.
Lando takes another sip of his drink before continuing. “When we were standing there, right before you were supposed to give the speech, you started acting kinda strange. I’m just wondering… did something happen?”
He pauses for a moment, the memory of their walk down the aisle surfacing in his mind. His tone becomes concerned and inquisitive. “And when we were walking down the aisle, you seemed… I don’t know, kinda on edge too. Did something happen back there or…”
Y/n sighs heavily, knowing she can’t avoid the question any longer. She gazes out at the ocean, the weight of her emotions visible in her expression. “I guess you noticed that something was up after all,” she says, her voice tinged with a hint of regret. “It’s a long story, Lan.”
Lando looks at Y/n, giving her a reassuring smile. “You know what? We’ve got all the time in the world right now, it’s just you and me.” he says, his voice gentle and inviting. “And I’m all ears if you need to talk about whatever is bothering you.”
Y/n feels a mix of emotions, knowing that Lando is willing to listen to her and that she can finally open up about what’s been bothering her. She takes a deep breath, her voice slightly shaky as she begins to tell her story.
“Okay… So I guess I should start by telling you that Oscar is my ex-boyfriend.” She sighs, feeling the weight of her words settle over her.
As Y/n drops the revelation about Oscar being her ex, Lando’s response is somewhat unexpected— his beer goes up his nose, causing him to cough and splutter lightly. Y/n stifles a laugh, finding a brief moment of humor amidst the intensity of their conversation.
“Hey,” she giggles playfully, “you okay there?” Lando clears his throat, wiping away the remnants of his beer mishap.
“Yeah, sorry about that,” he laughs, his eyes still watering slightly. “I just… did not expect that detail?”
They both laugh softly, and the moment of levity helps to alleviate some of the tension hanging in the air.
Y/n takes a deep breath, regaining her composure, and going on with her story. “Long story short, things didn’t end well between us… I guess seeing him again as the groom, all dressed up and looking ready to start a new chapter in his life, well, it just hit me pretty hard,” she confesses, the sadness and lingering pain evident in her voice.
Y/n takes a moment to gather her thoughts, summoning the courage to share the painful truth. “The main reason we ended things was because he wasn’t ready to settle down. He didn’t want what I want— commitment, a future together, you know? It hurt, but I had to respect his decision.” Her voice trails off, memories of their breakup flooding her mind, stinging her again.
The mention of Oscar’s reluctance to commit triggers a painful memory for Y/n, causing her eyes to cloud with a mix of sadness and longing. “And now, seeing stand there, so ready to marry someone else, with the biggest smile on his face… It’s like my hope of us being together has been shattered all over again.”
Her laughter is tinged with bitterness, the irony of the situation not lost on her. “To make matters worse, it just had to be my cousin, right? Like some sort of fucking soap opera. I mean, what are the odds of that?” Y/n muses, shaking her head slightly.
Seeing the sadness etched on Y/n’s face, Lando can’t help but feel empathy for her situation. He reaches out, gently placing a comforting hand on her shoulder, his touch conveying a silent understanding.
As Lando reaches out and touches her shoulder with a comforting gesture, Y/n feels a wave of gratitude towards him. She looks at him and forces a small smile, appreciating his support.
“Thank you, Lan,” she mutters, her voice barely above a whisper. “It’s just… hard to see him so happy with someone else when I still have feelings for him- well, I thought I didn’t love him anymore, I thought I had moved on, but seeing him today… it just brought everything back.”
Hearing Y/n’s words, Lando clears his throat, a thoughtful expression on his face. “Y’know, Y/n, it’s completely understandable that you feel this way. Seeing an ex move on can be incredibly difficult, especially when you’re still clinging to those lingering feelings and hopes of what could have been.
He pauses, considering his words carefully. “Maybe it’s time for you to actually let go and move forward. Leave the past behind.”
In the midst of their conversation, a small tabby kitten suddenly appears and jumps into Y/n’s lap, surprising the both of them. The sudden appearance of the kitten seems to momentarily distract them from their heavy discussion.
“Whoa, where did you come from, little one?” Y/n exclaims with a surprised laugh, as she gently pets the kittens fur.
Lando chuckles and remarks, “Y’know, they say cats are surprisingly good at sensing emotions. It must have sensed your sadness, Y/n. They can absorb negative vibes like little fluffy energy absorbers.”
Y/n couldn’t help but smile at Lando’s explanation, the idea of the cat absorbing her sadness somehow comforting. “That makes sense, I guess. It’s kind of sweet, in a way,” she muses, continuing to pet the kitten which responds with a soft purr. “Maybe this kitty will absorb all of these painful emotions and turn them to into something positive.”
As if sensing the conversation, the kitten nuzzles against Y/n’s hand, it’s purring growing louder, sending gentle vibrations throughout her fingers. The warmth and innocence of the moment provide a brief respite from her emotional turmoil.
Y/n chuckles, but her laughter is tinged with bitterness. She looks down at the kitten in her lap. "I realized something earlier. I'm always be the bridesmaid, and never the bride. It’s like my destiny is to always be the supporting character in someone else’s love story, not the one who gets their own happy ending."
She sighs softly, a mixture of resignation and disappointment in her voice. “I never thought that I’d be that cliché— the forever bridesmaid, never finding true love. Yet here I am, witnessing it all unfold in front of me.”
Lando locks eyes with Y/n, his gaze sincere and filled with a hint of something more than just friendly concern. “Love has a mysterious way of hiding in the most unexpected places. Maybe… the person you’re looking for is right in front of you, and you just need to open your eyes to see it.”
His words hang in the air, leaving them both pondering the possibility of love closer than they think.
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masterlist
taglist:
@nepobbylver @wobblymug @xoscar03 @irishmanwhore
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cyberjam · 1 year
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ATSV HEADCANON: the spiders as yanderes . . . ☆
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warnings - usual yandere themes, use of (bug) pet names like ladybug, no use of y/n or reader, stalking, manipulation, paranoia, a hint of kidnapping, a suggestion of stockholm syndrome, not proof read etc...
word count - 814
i was sleep-deprived while writing this request, so i apologize for any errors or mistakes, enjoy :)
main masterlist <33
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MILES - the delusional yandere.
Miles would be so deeply in-love with you that there wasn't much you could possibly do to get him away from you. You could kick and scream at the top of your lungs and he'd just laugh to himself thinking you wanted to play fight. He would go to the ends of the earth for you and he assumes you would do the same for him as well. You could tell him how much you hated his guts and he'd simply take it as you being a bit cranky and in need of a nap. There wasn't a single thing in this world that could make him think you hated him, and once you found out he was Spider-man, that tiny bit of assurance that you were safe was completely washed away and you no-longer felt secure in the city that was supposedly protected.
"you're shaking, bug..don't worry your friendly neighborhood spider-man is here."
GWEN - the overprotective yandere.
You were just a sweet quiet kid. You sat in the back of the class, constantly in your own world. You didn't disturb anyone, always got your work done, and simply just tried to make yourself invisible to the best of your abilities. But It didn't take long for gwen to take notice of you. (you did share multiple classes together..) gwen took pity on you for some time, you were so quiet and innocent...so weak. How could someone like you survive in this world without her? It didn't take long for gwen to take on an aggressively protective role over you. She just knew deep down in her heart that people were gonna walk all over you and she had to be the one to stop them before they reached you. You don't need to be involved with the filth of the world, you need to be with her. So, once she takes you please don't be mad, she only wants what's best for you.
"i finally got you in my arms, ladybug..shh, don't worry i'm not doing this to hurt you, i just wanna protect you."
PAVITR - the clingy yandere.
Pavitr becomes so emotionally attached to you that he truly believes a second without you by his side would shatter him completely. It was rough for him in the beginning, not being able to hold you, smother you in kisses, and talk your ear off about his endless amounts of love for you. But once you two became well acquainted enough to his liking, he won't hold back at all. Pavitr will always be able to slip in his obsession with you in any conversation you two have, always going a bit overboard when he mentions how the reason he's able to live and be the best version of himself is because of your very existence. He gets overwhelmed when you're not close by, it worries him when he doesn't know what you're doing 24/7. What if you're talking to someone else? Laughing at someone else's joke? Surely whoever you're talking to isn't as amazing as Pavitr and If you can't see that he'll just have to show you.
"being away from you causes too much pain, jalebi...we were meant to be one."
HOBIE - the manipulative yandere.
Hobie will make you feel like you can't live without him. That you need him for absolutely everything, wether it be running to the store, picking out an outfit for the day, or even eating food on your own. He will break you emotionally until you're fully dependent on him and feel absolutely useless. He wants you to ask him for everything, he wants to hear the sweet sound of your voice calling his name for help, He needs to hear you say that you need him. Because you do, don't you?
" I don' know why you continue to fight my affection, darling. I'm the only one who's gonna love you the way you need to be loved. Why don't you get that? "
MIGUEL - the possessive yandere.
Miguel wants to be wanted by you. He wants you to be so dependent on him that the only words that ever slip past your lips are silent pleas for his help. He wants you to cling to him and whine at the absence of his presence. He wants you to be fully dependent on him. Any ounce of freedom you used to have before you met him is completely stripped away. Whenever he feels as if you're being independent or going about your day without acknowledging him, he gets extremely upset. You are his and his only so he will not hesitate to remove family and friends from your life if he has to, because in reality you don't really need anyone but him, right?
"tsk. this is why you should always come to me for help, it's what i'm here for, baby."
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maybe i'll make a more descriptive one in the future, who knows...until then, send me some requests :)
likes, reblogs, and comments are always appreciated <33
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diorcities · 5 months
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⠀   ⠀ ── ㅤ୧⠀ׂ ★‌ nct dream having a bossy gf !
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nct dream sfw headcanon. library.
said by the dreamies themselves, jisung can't live alone, which to me translates to having someone tell him what to do. plus, he actually likes it, he thinks it's tender that you care about him, he feels loved when you ask him if he has eaten and in the negative when you tell him to do so. or when you constantly remind him to wear a coat and take breaks. while to others it would look a bit bossy, jisung knows that you do it because you worry too much about his well-being, and for him, that just goes to show that the love you feel for him is the same love he feels for you.
haechan is the typical boyfriend who would stop whatever he was doing to do what you say... and also the type to ignore you to the point where you lose your composure because he likes to see you upset; he finds it cute. but, seriously, he'd be attracted to bossy girls because then he can romp around and make out. don't expect too much from him, you never know. i think he likes the teasing but eventually, he'd do what you want, pretending to take orders from his superior commander type of thing.
jeno, being the man he is, would do anything you want. he likes to keep you happy, and he is also very indecisive when making decisions, he would leave them in your hands, and he would just follow whatever you choose. it's not that you control everything he does, jeno knows that sometimes it's better to listen to you because you know better. the type of boyfriend who says you're always right and therefore does what you tell him, but not because you're bossy, god forbid; he would never think and/or say that... in front of you.
there are no times when you can be bossy with renjun. there is no bone of contention. usually what he does is the most seated. you're probably feeling anxious because you really want to be bossy with him, but it's almost impossible: the boy knows what he's doing, not a single thought of yours that hasn't already crossed his mind. with him, it would be 50/50. he loves you so much that he'd pretend to do what you say even when it's what he was going to do just to see you happy and because it looks like you'll have a meltdown if he doesn't.
mark finds it hot when you boss him around. yes, tell him what else you want him to do, and he'll do it. you know better than he does what is best for him, he trusts you completely, although sometimes he may try to convince you of something that has entered his head. he'll make you see that it's a good idea even if you're not too sure; you feel guilty because it's like you're in control of everything, but seriously, he likes it when you do, because most of the time, you're right.
don't tell chenle what to do. period. there's no way it's going to happen unless he's already thought about doing it. once an idea has entered his head, there's no way you're going to get it out of it. he won't give in, forget it, unless it ends badly, then he might beg for your opinion after you swore never to tell him anything again. sometimes he may spoil you and do what you say, but don't get used to it because usually he just does what he wants. finds you cute, tho, for trying.
jaemin follows what you say most of the time because it's the sensible thing to do and because he's not very confrontational; not that going against you would end in a fight, but jaemin prefers to avoid divisions or taking sides on things. he's alright and compliant with you most of the time, but when he doesn't, he thinks that the solution to everything is communication, and talking you through the reason behind why he has decided not to do what you wanted.
© diorcities / tagging @tddyhyck ♡
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andavs · 5 months
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sorry what do you mean by eddie & shannon being a classic military couple?
Sorry it's been a minute, but this got away from me.
So military couples are notorious for getting married very young and very quickly for the benefits, and they’re also notorious for their relationships failing and getting divorced.
They skip the time usually spent building a solid foundation and partnership, and jump straight into marriage. Then if deployment comes up, one of them leaves for an extended period of time. This leads to a lot of relationships where sex is the only area where they’re compatible, because they’re both growing as people completely separate from each other. They’re handling different stresses, different schedules, sometimes completely different realities, until they’re finally reunited and a lot of the common ground they built their early relationship on isn’t there anymore. So they focus on the good things to keep things going because it’s easier, which is often sex.
Sound familiar?
Eddie and Shannon both said that they were always good at sex, but that’s about it. They never learned how to work as partners before they got married and became parents, and with Eddie deployed almost straight out of basic and overseas for half of their marriage, they never got the chance. Even just communicating was a struggle; anytime they tried to broach a difficult subject, it devolved into a yelling.
Like the fight about Eddie reenlisting:
Readjusting to civilian life is always rough, even with a really solid support system and no PTSD. Not just coming back to safety from danger, but while you're deployed, everything is relatively "simple". Even if you’re in a warzone and seeing combat, everything else is handled for you—food, clothing, medical, housing, etc. Coming back to suddenly having to worry about rent and paying for the dentist and grocery shopping and feeding the kids and getting them to school is a big adjustment and it can be overwhelming.  
So is coming back after a year and really realizing how much of your family's life you missed. They handled things without you, your kids grew and changed without you—you don't even know what you missed but you know you're out of sync, and it can be incredibly isolating. Reenlisting to get back to the familiar and "simple" life of the military isn’t uncommon.
Eddie didn't even know how to hold his son, let alone process the CP diagnosis, and all the bills and headaches of everyday life on top of that. Shannon was used to the bills and headaches and wanted him back so she wouldn’t have to handle it all alone, but he was so incredibly overwhelmed and disconnected that reenlisting was, in his mind, the way to solve a lot of those problems. (It’s also possible he got a pretty good bonus for reenlisting, which it sounds like they really needed, and Eddie was raised to do whatever it takes to provide.)
Then the welcome home party:
This comes with all the same problems as the reenlisting argument, but this time with more trauma and no exit strategy because Eddie was shot multiple times and discharged. The only way he's been able to "be a man and provide" for his family is unavailable, and he's clearly struggling with feeling useless and out of his depth.
Each member of his family in that scene puts pressure on common points of stress of returning from deployment:
Helena's on him for not knowing how to care for Christopher, and everything he’s missed while he was away.
Ramon's proudly holding up the symbol of his trauma and reciting the certificate, lauding the job Eddie can't do anymore.
Shannon's clearly been living for the day he gets back so she wouldn’t have to do it all alone anymore and they could get out of Texas. It was her light at the end of the tunnel, and she wants to get out of there as soon as possible.
None of them were being intentionally malicious, but Eddie constantly downplays everything about his military service ("I was just doing my job" / "I just did what anyone else would do") so none of his family really knew what he went through or how much it affected him. He came home pretending he was fine, so they expected him to be fine. Maybe they wanted him to be fine so they didn’t see how much he wasn’t. 
This is a really common problem for combat veterans and their families. They don’t want to think about what they’ve been through so they shove their medals in a box in the closet. They don't want to talk about it because their family won't understand or they don't want to go into the gory details, maybe they feel ashamed, or maybe they just aren’t ready to revisit it yet. But by not talking about it at all, the disconnect grows and they feel more alienated from their family, who has no idea how much they're struggling so they don’t know how to help, or even that they need help.
And Eddie’s clearly struggling in that scene, literally backed into a corner, snapping that he needs time because he doesn't know how to say that he can't handle up and moving to another state on top of everything else he's still not adjusting to. He probably can't even admit that he's not adjusting because this stuff should be easy and everyone else can get his son a drink, but he can’t even do that right. He was an incredibly competent and capable soldier and medic, and now he doesn’t even know where the juice boxes are.
But to Shannon, who doesn't know what he's feeling, he's being stubborn and dismissive of what she needs and everything she's been dealing with alone. And again, they never learned how to tackle these kinds of issues without fighting each other.
They were both at the end of their rope, and had similar responses that were incompatible with each other. Eddie dug in where it felt familiar and safe to him, in El Paso with his family nearby. Shannon retreated to where she could feel safe: LA, with her mom, where she wouldn't have someone correcting everything she did and constantly breaking her down further. It's possible she had her own support system there that she'd been largely cut off from while in Texas.
It's also not uncommon for a returning soldier to get boxed out of childcare and family decisions; their partner has gotten so used to handling it on their own that it can feel like they aren’t needed anymore. But sometimes the opposite happens: their partner has gotten so overwhelmed handling it all on their own that they end up dumping it on the returning soldier, like what happened when Shannon left. She was able to get away and breathe without everything on her shoulders, but then it all fell on Eddie who was already struggling with the basics.
Combine all of that with the stigma of PTSD within the military and so many soldiers willfully ignoring the symptoms, the way Eddie was raised to “brush it off, keep moving forward”, and Eddie’s very internal, freeze response PTSD symptoms where he just kind of shuts down and tries to stay where it’s safe, and you’ve got a dude silently drowning in Texas until he’s forced to make a move because his parents want custody of his son.
Most of this came from the book I Always Sit with My Back to the Wall, which again, seems like the instructions Eddie was built from.
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xerith-42 · 8 months
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Some things we may have forgotten
I've been rewatching MCD and taking extensive notes on it in hopes that I'll never have to watch it again and this is just a list of things that I don't see mentioned or brought up very often/ever that we should talk about and think about more
In the first episode Garroth tries to attack Vylad (angst potential) and Vylad literally just combat locks him by logging out of the game. This is objectively funny and should not be rewritten in any capacity. This should be canon as it is in every universe.
Aphmau's cat Meowki gets randomly killed in Episode 12 by a skeleton while Kiki is right upstairs. Just saying, there's some angst potential there.
In episode 11 Garroth reveals that he knows some medicine. Pretty sure this is never brought up again, but we could always bring it up.
Logan is apparently good with a bow while Zenix is trash at it despite being a self proclaimed "expert archer" which I think is very funny (I know this is part of Zenix's cover but what if we took it seriously it would be so funny)
Zoey is originally from the river village, as is Donna. Pretty sure they retcon that for Zoey, but I like to think the two of them could have been friends before Phoenix Drop.
Garroth actually almost dies in episode 15. Like Dr. Doctor says he will probably die soon at the start of the episode. And he doesn't get healed until episode 20. He literally spends 5 episodes laid up in bed dying.
Brendan's at his side probably angsting the entire time I'm just saying if you want sad gay fanfics, it's sitting right there!
Azura and Garroth were friends as kids??? Hello???? I think this is just a massive plot hole considering what Garroth's actual backstory ends up being asjfgshjdfgjk
Okay but if we twist it a little bit, they were friends as kids as in like at the guard academy??? Bc they're like vaguely teenage/young adult so maybe that's what she means? In which case I wanna think about that more because childhood friends to lovers is one of my favorite romance arcs ever. But is it really childhood friends if you met when you were like... 18?? And you're in your like mid to late twenties probably, I wouldn't really classify that as childhood friends.
WAIT IT GETS WORSE!
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I don't... I don't even have a joke here, this is just a massive plot hole. Like all of this is just not true to Garroth's backstory as we know it. Grew up in the same village? You mean O'Khasis?? Where Garroth also FAKED HIS DEATH????
I literally don't know what to say to this I was just trying to find silly little facts to try and incorporate into my rewrite and instead I found a massive gaping plot hole
Moving on, in episode 19 when Aphmau confronts Zenix and they fight, he actually apologizes to her. As if he regrets having to hurt her for the sake of his/the Shadow King's goals.
The Lord of Brightport says the Shadow King "used to be a lord". Which like... Okay, I can bend backwards a few ways to say that he could be referring to how Shad started Falcon Claw, but how the fuck does this dude know that??? I feel like Laurance constantly just stumbling into plot holes by complete accident
Dale is apparently a Garmau shipper, going as far as to ask Aphmau if she plans on hooking up with Garroth. I like to think that he and Molly have a bet going for how long it takes for one of the two of them to finally fess up.
Raven's mom tried to eat him??
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Okay then.
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twst-hottest-takes · 1 month
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Tweel Anatomy discussion!
Part 1.
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(Ask and ye shall recieve! This will be split up into a couple of parts because this could get long and it's easy enough to break up into pieces. [I definitely wasn't putting this off until the cards officially released.])
For starters I have to say again that I just love the twins and their merforms are so cool. I just want an excuse to gush about them. A lot of this discussiom will involve headcanons and hypotheticals and estimations, so there is your warning to not take anything in this post as law. This post, like pretty much all the others is very opinionated. Some of the fun bits about contemplating the anatomy of a fantasy creature involves drawing the imaginary lines between where the fish parts end and the human parts begin, and where the two become a blur and turn into something completely new. I like to think I strike a balance with my hypotheses, but perhaps others might not feel the same way. This is a post meant to start a discussion, not a fight. So let's see how far down the rabbit hole we can go . . .
Starting with a classic: How big are these guys?
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Let's answer Ace's question. (While laughing like middle-schoolers about how that question was phrased.)
Now there is no canon answer to my knowledge so I can only give my best estimation. (Corrections welcome!) I firmly believe that they do not change "size" between their land and sea forms. For all intents and purposes, the twins are being treated as though their heads, arms, torsoes, and pelvic regions are the same size between human and merforms.
BECAUSE EVEN WITHOUT CHANGING SIZE THESE GUYS ARE ABSOLUTE MONSTERS IN THEIR MERFORMS.
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I have no real proof of my theory. I simply compared the sprites and scaled the chibis until they had the same head size. Forgive me for not having a better method of measurement. I am not going to try and unravel the live 2D mermodels and I think trying to measure their shadows from their intro scene would be even less reliable. The length of the tail is approximately 75% the length of the rest of the body after where his feet theoretically end.
I didn't do the same with Floyd because I feel that it's safe to assume that he's probably a few cm longer (3-5 cm max) due to his 1 cm height difference when they are in human form. I hazard a guess that only the two of them actually care about that difference in length.
332 cm. (Or around 11 ft for those of us stateside.)
We know they're huge, but tying a number to the length REALLY puts things into perspective. Like it's actually a little scary.
Next: Gill placement.
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I am a big fan of the gill slits being around the ribs! Not only do they look cool, but I like that it can be read as a combination of human and eel anatomy in their merforms.
Since they have a humanoid chest cavity, it makes sense that even though they don't have lungs, they may have a muscular structure similar to a diaphragm. By having a muscular system that works passively/sympathetically they could have a "breathing" motion similar to humans; but, instead of taking air in, it simply keeps water moving across the gills to maintain gas exchange.
Benefits of this system include: Being able to sleep (as I would assume merfolk do), and being able to stay in one place (most fish need to be moving constantly to keep their gills working). The ability to be stationary isn't necessary for fish, but for merfolk who have social conventions, even being able to sit still to have a conversation is a boon (unless the world of mermen is built around the idea that no one ever sits still, but I feel like the photograph from Book 3 proves otherwise).
Furthermore, having the gills on the ribs as opposed to somewhere farther up--for example, on the neck--the twins can reasonably stick their heads out of the water without fear of limiting their breathing ability. Though these new card illustrations show that they don't seem to have any problem with having their gills exposed to the air (at least as far as being photogenic is concerned), I can see it being convenient for merfolk to be able to poke their head and shoulders above the water and still be able to breath regularly (which definitely doesn't have anything to do with luring unwary travelers to their deaths. . .nope. . .not at all).
I have seen people say they don't like the choice and that the gills should be on their necks. If that's coming from a place of personal preference and is purely aesthetic I guess I can see it. But if anyone tries to tell me that it's not "eel-like" enough and they need to have the gills closer to the mouth, I will fight you. From a design and functionality standpoint the rib gills are fantastic!
For the last bit of this entry, let's talk about the elephant in the room: THE EEL ABS!
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I'd say "don't get me started on this one" but I'm already here and we're already too deep in, so here we go.
Things are about to get spicy!
~They're fine.
Like, as a choice, the inclusion of these muscles is likely just for fanservice points, but it's not an anatomically strange thing.
Come here and I will explain to you a thing:
MERFOLK DO NOT SWIM WITH THE SAME MUSCLE GROUPS AS HUMANS DO!
Once upon a time, (this is going somewhere, just stick with me!) people complained that Ariel, the Little Mermaid herself, was too skinny and not built like a swimmer. People insisted that she not have such a tiny waist and her arms should be bigger. Now I, here and now, should not have to tell the reader why this is so ridiculous to say, but I'm going to anyway~ ARIEL DOES NOT USE HER ARMS TO SWIM! Those who have watched the movie may have observed that she swims like an aquatic mammal. All of her momentum comes from the verticle motion of her tail, and to some extent her abdomen, not her arms. When she turns human, Ariel does not even know how she can use her arms to help her swim upwards and out of the ocean. She struggled without her tail so much Sebastian and Flounder basically carried her to the surface.
In this way, merfolk do not need to have the same type of body as a human swimmer because they are functionally different and some people seem to get stuck on that.
Now returning to Jade and Floyd, again, their arms are not "built like a swimmer's." Once again THEY DON'T HAVE TO BE. There is nothing in all of Twisted Wonderland that suggests they swim with their arms at all. These boys have 5 foot long tails that are probably primarily muscle to propel themselves through the water. The arms are not for propulsion. The tails do the grand majority of the work, but this conversation was started about abdominal muscles so we'll circle back to that now. Unlike other merfolk (as exemplified by Ariel) who swim with verticle motions of their tails, eel-based mermen would swim by making horizontal motions, also primarily with their tails. I do say primarily because the idea occurs to me that there may be situations where the limits of their ability to move might be tested. If a merman built like this wanted to go significantly faster than whatever is "normal" for them, muscle groups higher in the body would get used. Essentially, given Jade and Floyd as characters, I don't find it hard to believe that, at the speeds they swim, they would be using their very human-shaped abdomens to increase their speed. That's a workout, especially for the obliques.
So, in conclusion, I don't think the abs are weird. Gratuitous? Absolutely. But they aren't the anatomical monstrosity some people seem to think they are.
Let me say once more, if you simply don't like how it looks, or the fish abs squick you out and you like to headcanon they don't exist--that's fine. But don't argue with me on the basis that it's not realistic. Mermaids are, after all, fictional creatures and depictions of them tend to be fanciful. The tough conversation comes about when we choose to draw the lines with how realistic we actually want them to be, HENCE THIS ENTIRE POST!
(Laughs like a maniac before signing off.)
Thank you for coming to the first part of my rambling. What should I talk about in the next part?
Other than the throat teeth. We've got a miniature essay about the throat teeth just about ready to go.
Also, apologies if there aren't enough visual guides. I really wanted to get this posted, so if anyone wants me to I can doodle up some more stuff to help with things like the image of the breathing aparatus and swimming motions. I have just not had much time this week.
(Going to fall asleep thinking about how sparkly these boys are.)
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pistatsia · 9 months
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Shidou Ryusei: as free as a bird
Shidou is uncomfortable, imperfect. He's vulgar, he's gross, he's blatantly cruel, and he's incapable of compromise. He's hyper-excitable, constantly ready to fight and even looking forward to that brawl. He switches between moods like a kaleidoscope, and what falls out in that kaleidoscope is unpredictable.
Shidou has absolutely no understanding of morality.
This is especially evident in his encounter with Kunigami.
He has absolutely no understanding of the concept of protecting someone simply for no gain. Trying to protect someone heroically, purely because of an understanding that it's wrong, is ridiculous to Shidou. Shidou has only "his" and "others", and that "his" so far includes only Sae, as shown in the episode where he tries to turn Sendou's face into mush.
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Nor does he understand the moralization that it is wrong to hit people. He just doesn't get it, and it's probably ridiculous for him to even think about it, because at the deepest level he has an attitude to respond to any hint of a threat with a fight.
Most likely Shidou grew up in an environment where brute force decided everything. That's why he's so hyperexcitable.
Shidou is in a constant state of tension, waiting for even the slightest hint of a threat, which he is happy to crush immediately. He's constantly ready to strike because he's used to constantly feeling a threat - one that he had to respond to with violence because he wouldn't have survived otherwise. His "fight" response, out of a combination of ancient instincts called "fight-flight-freeze," is always switched to the max.
We all know that the attack is the best form of defense, and Shidou follows this motto with his entire being. "Beat your own so that others will fear you" is about him.
Shidou doesn't mention his family at all in his Blue Lock profile like other players do. Remember how he talks about Santa in the same form - "I can buy something on my own" sounds very childish and unhappy. When you're trying to prove to yourself that you don't need it at all - because if you need it, you won't get it anyway.
Beyond that, even leaving aside his family and theoretical home environment, we know for a fact that Shidou didn't play for any football team before Blue Lock.
He was a loner, and therefore the only space where he could practice was the street.
And street football is insanely, inhumanly violent.
And it makes sense that this similar environment, both at home and in the game, formed the core of Shidou's personality that we see in the manga. The core of personality, which is based on the desire to survive, and not just survive, but to show everyone around him that despite everything he has gnawed out a life for himself with his teeth. A life in which cruelty is the law.
A life where he exists.
Shidou is probably one of the most evident Blue Lock players, for whom football is not only inextricably linked to life - it is life. And Shidou is absolutely explicit about this both in the interview and in the manga.
For Shidou, football and life are one and the same.
The same thing that Aiku says: Shidou is incapable of separating the field and life. They're inseparable in his world in general; they're one and the same.
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It is only logical that Shidou transfers the laws of his life to football as well; and ends up playing football the same way he plays life - a football of the "survival" kind. Where it is his biological need (I'm sorry), his only aspiration, the violence that breaks everything in its path. Where the way to "survive the game", just as in life, is to leave your mark, to somehow prove your existence in people's lives, to be remembered by them and imprinted in their memories.
And pay attention to the way Shidou lives: not according to the rules, uncomfortable and bright, believing that it is better to burn to the death than to lie in a corner as a gray shadow, but alive.
There are no rules in Shidou's football; therefore, there are no rules in Shidou's life.
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And that's why Shidou despises heroes and "good guys"; because only naive idiots who don't understand real life, the one where your survival is all that matters. That's why he mocks Kunigami's principles so much: because to him, a child for whom his whole life has been one big attempt to gnaw his teeth out to survive, such principles are irrelevant.
Because there are no heroes in Shidou's world, and even if there were, they've long since broken.
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And there are no restrictions in Shidou's life either. He lives a violent life, and it makes sense that he lives by the same principles in Blue Lock, not hesitating to threaten Rin with the end of his career or Igaguri with murder.
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He's not violent because he takes some special pleasure in bullying Igaguri: he's violent because that's just who he is. He doesn't have a "harming others is not okay" attitude. It's instinct - as seen especially in his episodes of fighting with Rin. He doesn't care at all about causing him long-term harm or ruining his career - on the contrary, he enjoys it in the moment.
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And this is especially evident in his relationship with Isagi; while Shidou had nearly smashed his head in the day before, on the field he already openly admires him and is quite friendly. Shidou doesn't give violence any particular importance - you don't give any importance to brushing your teeth or throwing out the rubbish in the morning, do you?
For Shidou, it's just insignificant, because violence is the organic basis of his life, its law and right.
Today he's trying to kill Isagi, and tomorrow it's Isagi-chan.
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Because Shidou has no social competence - he had no parents to bring him into society and set some morals.
And his desires are pretty simple and even primitive. When he learns of his potential salary, his first thought is how much he can eat on it. All he basically wants, almost to the point of obsession, is to induce vivid emotions, explosion, adrenaline - something Shidou is addicted to, living in constant danger and something that allows him to feel alive and existent.
You know who that sounds like? Denji. A main character from Shidou's most favourite manga.
They both had no guides to society. They're both unfortunate kids who were deprived of absolutely everything when they were young. Who are so vulgar and repulsive not because there's anything wrong with them and they act so deliberately and meanly - but because they just don't know any other life. They just don't understand what it's like to live differently. They both live on base instincts.
And they both try to greedily claim as much as they can from the life around them - the food, the people, the sensations.
Because they had nothing before.
Back to Shidou and his football.
The most amazing thing about Shidou is the way he treats his opponents (omitting attempts to injure them). Shidou, even when losing, finds time to admire them - to admire those who took the ball away from him or stole a goal. He's really just having a good time - while for Rin, football is something to be taken completely seriously, for Karasu it's a need to pre-analyse opponents, and for Snuffy it's work, Shidou is just having fun.
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And at the same time, what, along with "watch as world reaches its end" and "at the end of the day, when I became nothing, tears came out" demonstrates the duality of his nature is his attitude to losing.
He and Kaiser actually have too many parallels, but this is one of the most obvious - even though they treat the issue differently, they act in the same way.
They're both prepared to admit when they're losing - and they're both willing to break themselves for the sake of the goal. They both know how and when to tame jealousy and the losing parts of their being.
Because they don't believe in winning (explosion) any other way.
Shidou knows when to back down. Because he learnt this too from his childhood - that if the opponent is stronger than you and you keep carelessly breaking forward, sooner or later it will destroy you. The only way to win is to recognise his superiority and fracture yourself, forming a new self - one that can defeat him (as seen in Shidou's willingness to stop fighting so that Ego would let him out, and Kaiser's with his story with Noa).
The ability to appreciate and recognise the strength of your opponent is a basic principle of survival.
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But at the same time (just like Kaiser), Shidou doesn't believe that there are invincible opponents. You just have to know the way to break them.
Or rather, not know: feel. Which is what happens at the U-20 game when Shidou enters the flow.
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Logically, with all of the above, Shidou is a complete individualist, and is unable to comply with Rin even for the sake of a goal - because Shidou knows he can beat him. The point at which his PXG game has evolved - with two formations, one centered on Shidou and the other on Rin - is the clearest evidence of this.
Shidou knows when to back off - but Shidou isn't going to back off until circumstances force him to.
And in the end, this approach of Shidou ended up being too egoistic for Blue Lock, which is insanely ironic. What's also funny is that along with it, it's his attitude towards football that epitomises Ego's ideal - a player who puts everything he has into it because it's his way of surviving.
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And so we come to that one scene of punishment. And it's this, along with Shidou's monologue from the U-20 game, that reveals him the most.
Because in the first few frames Shidou looks frankly miserable. Of course, anyone would look that way in his position. But suddenly Shidou starts talking calmly, offering a compromise - and then in the same second he snaps.
He explodes, cursing Ego - though as his words show he understands the reason for the punishment - he's even willing to compromise. It's illogical to curse the one on whom his salvation depends, isn't it?
Shidou acts this way because he's afraid.
Because in this moment - bound, locked up, and alone - he is defenseless.
He's like a caged animal that can't think logically - he's terrified, he's scared, he can only throw himself helplessly around the cage, grinning his teeth wantonly. This is the first time we see him so seriously angry (he still did get some fun, adrenaline rush during the fight with Rin).
The worst thing for Shidou, free as a bird or a tiger and most of all wanting that very freedom (more about that later) is vulnerability and limitation. Powerlessness. For the sake of overcoming this, he is ready to give up violence and his principles of life, as long as he is released and pulled out of this hell of helplessness.
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And this fear is actually incredibly characteristic of his personality too.
But in order to understand why, of all the possible punishments of the world, it is the restriction that drives him to panic, let's remember what football means to him and his style of play in it.
Shidou has sharp and monstrous, even beastly reflexes and instincts. They are honed to the max. He is very strong physically, fast, agile, flexible, perfectly sensing the space around him. Optimal in his movements. Unpredictable. His illogical patterns are impossible to read.
Shidou is all of one naked reflex and instinct, free in his absolute savagery. He is a completely separate character outside of the Ego's system. He literally speaks a different language.
And Sae happens to be the only one who understands that language.
And up until their moments together, this is most vividly shown when Sae stops Shidou from beating up another player - and not just stops him, but understands what needs to be said.
Which again proves that in the violent chaos of Shidou's life he does have a certain logic. A constantly shifting, flexible one, but one...
Which, again, Sae alone understands.
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And it is through playing with Sae that the whole point of why football is so important to Shidou is revealed. Why he plays it so instinctively, despising the rule, the tactics, and his teammates. Why is he suddenly willing to "break himself" for Sae, adjusting his rules of life to fit him, yesterday's stranger - because Sae accepts both him and his football, and doesn't try to limit or remake him. And that's exactly why Shidou is willing to be changed to match him.
Because Shidou's football, the life he wants to achieve, is all about freedom.
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And that's not enough for him. It's not enough for Shidou just to play, just to live. It can't be enough for a man who is used to living on adrenaline and fighting for his existence every day.
Life for Shidou is about freedom, just as football is his escape and a place where he can exist.
Shidou stands out, doesn't follow the rules, exists so vividly and with every action clearly and distinctly proving his presence...
To live.
Both football and Shidou's life are about escaping, about breaking out of his limits. To see the world as himself - free and alive.
Football makes Shidou feel whole, feel alive. Football is what glues him together. It's the only way he can prove what he is - by achieving something. By making himself colorful, visible, uncomfortable - in a way that he can't be turned away from.
One that will allow him to leave a trace of his existence in the world. One that will prove to him that he is.
For Shidou, all these metaphorical (or not) explosions are actually a way of proving that he exists.
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Even his fights and quarrels actually serve his purpose - and Shidou himself confirms this in his monologue. All of this is to be vivid, to imprint, to exist.
To be someone who cannot be forgotten or turned away from.
Who cannot be overlooked.
Who exists as obviously as he can.
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Even his favorite subjects at school - Art and Physical Education (the latter obviously about football) - are related. Because it's possible to leave your mark on the world with art, too - and it makes sense that Shidou admires it so much. Because art is, after all, the most colorful thing a living person can leave behind.
And for Shidou, art is football.
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For him, to exist is to be free. And to burn so brightly that it blinds his own eyes - otherwise both life and football become bland, boring and insignificant to him. Just like his evenings - remember "When is the last time you cried?" from The Egoist Bible? And remember Shidou's response?
"At the end of the day, when I became nothing, tears came out."
Because in the evening, emotions and people disappear and you're left to yourself. Empty, aimless and in a way pathetic - because you're no longer on fire. Because you lose all the things that made you feel during the day.
Shidou depends on vivid emotions - because, due to his difficult youth, they are the only things that allow him to feel that he is alive.
That he's free.
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Shidou's favorite song is also about freedom and trying to break free from the constraints of his life.
There is nothing in the world Shidou longs for more than freedom.
And the spider in Shidou's favorite song is limited and weak.
A spider without wings is incapable of flying. The spider without wings is trapped in unfreedom, looking at the blue and vast sky above his head every day - one that he cannot reach.
A spider without wings is incapable of flying - and those wings Shidou himself, like the spider in the song, could not get, no matter how hard he tried.
But Sae gave Shidou those wings. Sae gave Shidou the ability to play to his full potential, the way he craved with his entire being. Sae took him out from Blue Lock. Sae acknowledged him. Sae gave him a chance to make his mark on the world and gave him purpose, he showed him that there was someone who understood him and his aspirations on this base, animal level.
Sae gave Shidou freedom.
And Shidou learnt to fly.
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shorlinesorrows · 5 months
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my jean & neil qpr agenda (part 1?)
after Neil orders the hit and Greyson becomes another Former Raven statistic for the media to go wild with, Jean ends up texting Neil. It's definitely not a thank you, but both of them know it kinda is (prob something like "you're an insufferable disease" lol)
They don't have contact for a while, but one day Neil reaches out by sending Jean the most atrocious multilingual French meme with "Kevin doesn't appreciate me or my humor, this is a hate crime"
It's sporadic from there, and maybe at one point they meet up while Neil and Andrew are on their summer road trip. Neil and Andrew end up in Colorado, and Jeremy, Cat, and Laila practically drag Jean there to see them (he'll deny that he had a good time, but he really did)
Andrew and Jean have a bizarre and interesting dynamic where they don't speak to each other often, but they eventually grow a mutual respect and shoot each other Looks about their "I'm Fine" partners. They don't mind just sitting in the same room and sharing space while they do their separate things.
When Jean and Jeremy start their pottery class, Jean takes to it like a fish to water.
He ends up majoring in Ceramics & Multimedia Art. Something about using his hands to create, rather than destroy.
He makes Neil a little exy racket charm for his keychain.
At one point, Jeremy makes a gc with Jean, Neil, Kevin, and Andrew on impulse. Jean "hates" it but doesn't leave the group chat. Andrew only stays in it because he can mute it, and it's useful for when they plan to meet up sometimes. It also makes Neil happy and it's not something he really minds
Jean also takes LOTS of pictures. With his phone, his friends' phones, a polaroid camera he gets as a gift from Cat, anything he can get his hands on. He hangs them up on his half of the room with Jeremy.
Eventually Jeremy and Jean do get separate rooms. They usually still sleep in the same room, but it's an important milestone for Jean and his recovery. Being able to have his own space, and know he's allowed to control who comes in it.
He decorates that room so much it's chaotic and beautiful and there's probably little pencil doodles on the wall next to his bed from when he can't sleep. He tends to draw daffodils :]
It becomes a bit of a tradition to meet Neil and Andrew every summer.
When they go pro, Jean and Neil end up on teams only a few hours' drive from each other. Neil and Andrew start on the same team, but the whole Minyard-Josten Rivalry is still a Thing because they're always shooting heated Russian at each other while "glaring" and no one else seems to realize it's their equivalent of flirting.
Jean thinks it's hilarious. He harasses Neil about it constantly.
Him and Kevin eventually mend their friendship, and they care about each other a lot.
Neil probably made the three of them matching "I survived Castle Evermore" shirts just to be a menace, and then Jean and Kevin have to make him swear that he'll never wear it in public.
Neil has a habit of just. Showing up at Jean's house and crashing sometimes.
Jeremy at one point jokes that he'll have to fight Neil for Jean's time in the future, but he's not really worried. They're happier when they spend time together. Jeremy and Andrew are chill with it.
When they meet up for the first time after a game between their pro teams, none of their teammates have any clue what's going on. Jean and Neil insult each other ferociously, but also can't seem to resist hip-checks and shoulder bumps and almost affectionate shoves.
Neil constantly sidles up to Jean and pretends like he doesn't know what he's doing. Jean usually responds by absently grabbing his hand so he knows where he is.
They are literally a cat and dog. Neil will deny that he's being caring or affectionate towards Jean all day long while actively attempting to be in Jean's space, and Jean practically perks up when Neil enters a room.
When their teams play against each other, they talk in French sometimes. Their checks are always a bit brutal (they know very well how far the other can be pushed before they break) but they help each other up at the end of quarters.
Jean is constantly antagonizing Neil by smiling and complimenting his striker skills while blocking him, and Neil is constantly taunting him with words that are plenty sharp, but never actually aimed for vital spots
Jean gets a service dog and Jeremy decides to name her Mr. Barkbark Flufferpants, following Andrew & Neil's naming scheme for their cats. They usually just call her "Mr."
When they make Court, the two of them practically live in each other's pockets.
Jeremy and Andrew watch both exasperatedly and amusedly (though Andrew just calls it annoyance when asked) as the two of them dance around their Big Queer Platonic Feelings
When they finally manage to actually communicate about it, it goes something like "Idk what's happening, I'm kinda obsessed with you but it is Not Romantic and I don't know what to do with that." And then "Oh thank hell, me too, I thought I was even weirder than I already am. Wanna go harrass the fbi together?" "No."
They become even more attached at the hip after that, can practically finish each other's sentences. It's like they freaking mind melded tbh.
At first Kevin gets worried that they're slipping into old habits from the Nest, especially Jean, but when he brings it up to Andrew and Jeremy, Andrew just goes "No, they're idiots." and Jeremy nods and says "I think they're in a honeymoon phase. If we see them slipping, we'll pull them out."
Kevin decides to wait and watch, and thankfully their relationship ends up being as healthy as Neil and Jean can be. There might be a little codependence going on, but they have other people and other grounding forces to help intervene if it seems to be unbalancing.
They both put each other on their emergency contacts list.
It's a common sight to find the two of them twisted into impossible positions together just doing their own things, Jean drawing, Neil watching reruns of Exy matches, whatever.
Their dynamic just becomes Jean, who genuinely grows up to be a pretty chill dude, and Neil, who's an absolute gremlin. Except they kinda absorb each other's personalities, so they're both little shits together. They fit.
There is definitely all sorts of weird conversations that they have at 2AM in little sleepovers they do together (sometimes with Kevin, Jeremy, or Andrew) because they never got that as kids.
I bet Neil mercilessly teases Jean for being allosexual, especially when he gets flustered (all in good fun, of course)
Jean just snarks back with a "shut up, I literally saw you look at Andrew like a besotted elderly man with his partner of fifty years like five minutes ago." Neil sticks out his tongue at him.
Jean actually can sometimes read the ways that Neil and Andrew show affection for each other because of how much time he spends around them, which leads to him occasionally getting confused when other people don't automatically Get It
Neil takes a while to warm up to Jeremy because he seems Too Nice, but once he does he helps Jeremy plan to absolutely torment Jean with silly little romantic gestures that make him flush all the way down to his neck
At one point Neil tries to get Jean to explain what it feels like to be sexually attracted to someone without knowing them really closely, and it leads to a really surprisingly deep conversation about attraction before it turns into neil making dick jokes.
Cat and Laila still keep in close contact with Jean, as well as Renee. They make sure to meet up as often as they can. Cat and Jean always go for a bike ride together and they all cook dinner as a group.
They're both cuddle monsters when in the right mood. They also have the convenient ability to fall asleep Anywhere when they feel safe. So finding them curled up together in weird places at home is pretty commonplace.
They're forever partners, not in the way that the world and the Nest tried to make them be, but in a way that they created themselves.
It doesn't have to be romantic to be special, and if anyone ever suggested that they should be in a romantic relationship, they would both look at that person with absolute judgement and disgust. This person interrupted their conversation. They were talking shit about someone. Neil is lounging in Jean's lap. Andrew is saying he hates them both, and Jeremy is cackling at it all while taking a low-res picture for Cat and Laila.
idk i have a Lot of thoughts and could keep going. (i might write a fic if anyone wants to read it, and I'll definitely write little snippets for myself if I get the time. )
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romaniacs · 2 months
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▌ㅤKIM MINJEONG — SWEET COATING
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( read more ) synopsis — minjeong hated sweet scents until she met you. warnings — female reader x coworker kim minjeong, messy headcanons without bullet points, enemies to lovers, cussing, fluff. text in bold is minjeong's.
minjeong has always had an aversion to anything sweet — perfume, food, kisses even, since she's always been too busy to enjoy any of them as she should. but when she comes across you, the company's rookie, things can't stay the same for much longer.
the first thing you do is offer her a cake, carrying your sweet scent along its slice in your hands. it's a chunky, heavy cake covered in glacé that you made yourself, and just looking at it gives her a headache. she refuses it. once. twice. thrice. "will you leave me alone if i take a bite?" she asks. and you nod quietly.
minjeong gets sick the next day and silently blames you for it.
she was too stressed and tired to notice it the first time, but eventually, minjeong catches on to how strong your perfume is. it feels like it's taking over her whole brain.
she refuses to even be around you for the first few days. she hates the sight of you, thinks you were too insistent the first time, and finds you annoying. your smiles bother her, your sweetness in general gets under her skin. this girl tries to avoid you in every way she can.
but when she sees you fighting to keep your job, her job and integrity, looking beyond fine bending down to grab anything far from her in your skirt, it's as if the world fell into place. you are in her brain, along with your nauseating scent. and minjeong knows that she's completely fucked.
"i’ll let you take the credits this time" you tell her while you're still brave. "i’ll let you stare because i’m feeling generous today" you tease. your perfume won’t leave her mind. neither will your voice. she doesn’t know if she hates you so much that she wants to get her hands on you or if that’s just a lame excuse she’s using to avoid admitting she’s feeling something deeper.
what she doesn't know is that you're not as sweet as she thinks, nor naive, nor innocent. you've got your eye on her. you know from jimin that she hates your scent, but blushed when she teased her about staring for too long at your figure.
"shut the fuck up, jimin" is her most used phrase now. and you smiling at her gives her butterflies, crazy as it might sound. minjeong doesn’t know what’s happening to her. she doesn’t even know what she’s trying to run from, but her feelings hit her like a truck.
it's cruel of you not to end her suffering; you see her staring at your lips, your waist. "are you paying attention to me, romanoff?" you ask, and she nods absentmindedly. "good. can you repeat what i just said?" and she cannot.
it's funny how she attracts a whole fucking lot of attention, but while all eyes are on her, hers are on you. and yours are on her. and company meetings are almost obscene in your own head, because you can't seem to focus anymore, but only replay a thousand times in your head the thought of being kissed by her. and the same happens to minjeong, who hates that, and no longer you at this point.
"can you stop wearing this strong-ass perfume so early in the morning?" she'd ask. "can you stop being grumpy?" you'd retort. but now, the tables have turned. months have passed.
"i haven't heard you complain in a while" you say. "got no reason for that, dear. it's like a sweet coating all over you, isn't it? and everything else. ever" she replies distractedly, looking out the window. meanwhile, you cough and blush. "excuse me?" and then minjeong comes to her senses. "yeah, excuse you. get going. we got men to ruin and i still don't like your perfume."
not true. she has even dreamt about it, somehow.
minjeong's thoughts are constantly interrupted by the realization that she now finds comfort in the very thing she once despised, what was once a headache is now addicting. and despite her best efforts to stay focused on the mission at hand, natasha can't help but keep her attention on you.
minjeong leans in over you to show you something on your computer screen, then looks down and rejoices a bit in your suffering. "you look red" she mumbles, watching you swallow hard. "you okay?" she asks.
your eyes are wide. she's close. "y-yeah. just allergies" you say shyly. minjeong notices the blush creeping harder onto your face and can't help but smirk a little. god, she's cute.
minjeong is tired of keeping herself so composed, now knowing she has an effect on you too. so she makes her move. "i have a feeling you’re not as put together as you want me to believe."
"stop being cocky" you whisper back, avoiding eye contact. but then she reaches out and gently takes your chin between her fingers, tilting your head up so your eyes meet.
"then quit acting tough and like a coward altogether" she says softly, her voice barely above a whisper.
"coward? but-"your heart races as you look into minjeong's eyes, your breath catching in your throat. "fuck, minjeong. you’re not entirely wrong this time" you admit it. "i know i’m not" minjeong grins softly. you can't move, like a real coward. but she does the hard work, slowly brings you closer by the collar of your shirt.
her lips press against yours, soft and warm, while her hands grip your waist tightly, and after seconds you're already wanting more. minjeong senses it, gives you more, tilts her head to deepen the kiss, and a wave of warmth spreads through your spirit. you melt into her touch. the only sound you can manage is a soft whimper that escapes your lips, and you think fuck me. i should've done this before.
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hughiecampbelle · 2 months
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The Boys Preference: Being Self-Destructive
Requested: Heeeeyyyyy can I request an angst but hurt/comfort request with a main lot from boys where r is like a younger sibling to them but struggles with self-worth and is self-destructive and it worries them? - anon
A/N: Thank you for requesting my love! I really hope you like it! Feedback is always appreciated my loves!!!! 💜💜💜
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Butcher wants to smack some sense into you. Literally. But he can't because that would be wrong and probably drive you away even more. Instead, he yells and screams and badgers the same old subjects because you don't change, you don't listen. You fight back. The screaming matches you two get into are legendary. You fight anywhere and everywhere. The drinking, the drugs, the hurting yourself and other people, it was all unacceptable. He saw you as a younger sibling, someone to protect. He wasn't going to be around forever and you needed to get your shit together before then. He had to know you'd be okay without him. This was your life. If you wanted to set it on fire, you had every right to. Butcher was a hypocrite and you both knew it.
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Hughie worries about you constantly. Every time you miss a meeting or a mission, every time you disappear for days on end, it fills him with anxiety and dread. There's nothing he can do to stop you, you're an adult. And yet, he goes through every scenario possible, every worst case scenario. Everyone tells him to give up on you. You're trouble. But he can't help but feel responsible for you the way an older brother would. When you show up at his place in the middle of the night he drops everything. You're so unhappy, it hurts him to see. Drunk or high or just messed up, he always let's you in. He makes sure you're fed and safe even if it ends up hurting him in the end. He can't turn his back on you. And when you leave again, because you always do, he'll call and text and make sure you know you have someone in your corner.
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Annie gives you your space at first. She thinks you need some time to deal with your shit just like everyone else. But when nothing seems to be getting better, when your tendencies become even more self-destructive, she can't sit by and watch. She hates to do this, especially when she sees you as a younger sibling, but she gives you an ultimatum: her and your friends or throwing your life and potential away. Blinded by your insecurity and shame and self-consciousness, you pick yourself. You havent spoken to her since, but she reaches out constantly. Texting and calling and showing up at your place, waiting for hours, hoping she'll run into you. You don't want to see her or any of them. If you wanted to hurt yourself then you would. You wouldn't let them control you. She doesn't regret what she's done, but she feels terrible about it. Everyone says she did the right thing.
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M.M. can be cruel at times. He doesn't want you throwing your life away like this. The drinking, the drugs, hanging out with the wrong crowds, this isn't you. He takes more of a fatherly role than a brotherly one. He can't help himself. He sees the self-destruction and he wants to shake you, snap something in you until it makes sense. Until you see the value you have as a person. He's nit the only one who sees the decline, but he I'd the most vocal. Sometimes it's tough love, other times it's gentle parenting. He'll try anything and everything if it means going back to the person you were. Sure, the team needed you, but Marvin needed you more. He didn't care about the things you've done in that were done to you, it didn't matter to him. Just getting better was what he cared about. Getting better and finding your way back to yourself.
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Frenchie knows exactly what you're feeling. You hate yourself and you hurt yourself and it's a vicious cycle of bandaging your wounds only to reopen them again. He tries to talk to you, to get through to you the best he can, but it's so hard to listen. You really don't believe you're worth an ounce of kindness or forgiveness. Your past haunts you. Your decisions, your experiences, what's been done to you. When you mess up, he's always there for you. He knows what it's like, he wouldn't wish it on anyone else, but especially not you. He doesn't believe in lost causes and he would never give up on you the way others have. You just need time and understanding and someone to tell you they care about you. That's all. It'll go a long way. He sees a future for you, one that is bright and happy, you just can't imagine it.
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Kimiko hates that you're throwing your life away because you think you're not worth it. She tries tough love and talks to you and when that doesn't work, she gives you the silent treatment. It hurts both of you, but she can't let this happen. She can't let you drink or smoke or anything your problems away just because you think you're a bad person because of what you've done. You've all done things you aren't proud of, but you're trying to do better now. She can't help but take a sisterly role and that hurts her even more. You beg and plead for her to listen, to understand, but she can't. You're bright and funny and caring. You're a good person whose had some bad stuff happen. That doesn't make it okay to hurt yourself and everyone around you like this.
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Bonus! Homelander hunts you down and talks to you. There are no threats, but you know he's angry. Furious, even. So you stay and you listen and you don't fight back. Getting into trouble, hurting yourself, that's wasn't you! You were part of The Seven, you were powerful and intelligent and, though he hated to admit it, like a little sibling to him. He wasn't going to watch you destroy everything you had ever worked for because you felt bad about yourself, because you didn't believe in yourself. It wasn't just that though. It was the things you'd done, they haunted you. The people you hurt. He didn't really care about that though. All he cared about was you. You getting better, you figuring it out, you going back to the person you were.
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chefkids · 3 months
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thoughts on this article: https://dnyuz.com/2024/06/29/the-bear-jeremy-allen-white-explains-why-carmy-daydreams-of-sydney/
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Sorry but I refuse to believe that Carmy finds peace in Sydney because she's just such a wonderful coworker. His panic attack in Season 2 was about his relationship with Claire and his family, nothing at all work related. He was not thinking about "Wow Sydney has some serious cooking skills!" there. He thought of the first time her met her, and when she came back to him when he thought she was gone forever. He has also worked with the best chef's on this planet with far better skills than Sydney, many of whom were calming and supportive presence in his life.
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In Season 3 the thing that sets him off is seeing an imagine of meeting Claire in his mind. Then he is reminded of his fight with Richie.
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He tries to think of The French Laundry and then Noma to calm down. Then he tries to think of Nat at Marcus's mom's funeral.
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And only after that when Sydney talks to him he calms down. He's always stressing about work, in that moment the trigger was Claire, not work, and the peace was Sydney. Not because she is helping him do his job or work, but because her presence brings him peace and pulls him away from what causes him anxiety, which is remembering Claire who is tied in his mind to so much family trauma.
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You can't shoot down what was already written! Carmy took Claire to Sheridan Road and Post Office like UPS, those are both tied to Sydney. He made her Sydney's pasta that led to her coming to him. He had a far more intense and passionate moment with her under the table making promises of prioritizing her over his girlfriend, never letting her fail, promising to always be there for her, giving her the most thoughtful gift one could imagine. Far more than he has ever had with Claire.
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So what he's trying to say is that they have this deep cosmic connection, intense passion, and she brings him peace and happiness and security but the only thing he could never possibly have is any form of physical attraction towards her? That Sydney can meet all of his emotional needs and work needs and share the same interests and goals and passions. But Claire will always win at the end of the day, in spite of the lack of peace she actually brings him and there being seemingly no actual shared interests between them, because he just wants to sleep with her? Like...
1. I don't buy that Carmy has absolutely no possible interest in Sydney in terms of physical attraction.
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2. If that's genuinely the case, and this is all ending with her either leaving forever and Carmy giving up or staying as his calming sidekick while he's endgame Claire, it is basically putting Sydney in some sort of black woman savior trope for him whose purpose is to serve him and his story and his progress while remaining undesirable, while also simultaneously giving her nothing back because he can't uphold any promises to her cause he's too damn busy thinking of Claire.
If they wanted to keep them platonic they could have done so after Season 1 without constantly drawing comparisons between Sydney and Claire and making her everything he wants and needs except being ya know.... his white girlfriend.
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I'm obsessive over my Constantine Jr Au (which still needs a fic name for, I'm open to suggestions) because
this is a cranky danny. he's spent years fighting with no end in sight, with parents who he can't trust and his only companions never truly understanding what he's going through.
he vapes CBD for the pain he's constantly in. he drank alco/hol once to help him sleep, but his parents smelt it on his breath and, just like with their research, took that to believe EVERYTHING they'd ever suspected about danny to be true: that he drinks, he does dru/gs, he's in a gang. the only thing they've never suspected their son of--being a ghost--is the one thing he actually does.
then, right on the cusp of eighteen and freedom, he gets outed. AND transformed into a seven-year-old.
this is not a danny who is willing to play at being a child. and if anyone tries to, they're in for a foul time.
Danny was 17, transformed into a 7 year old and hides in Bludhaven, and is 8 when the police finally figure out that, hey, this weird kid who keeps altering us to crime scenes is usually right on the money about who the killer is, we should investigate that. Officer Grayson is on the case!
And discovers that he absolutely can't STAND this kid.
He thought he liked kids! Everyone thought he liked kids! but this kid...
This isn't called the Constantine Jr AU because Danny is a supernatural detective, or because Danny might be Constantine's kid. Its because Danny is an unrepentant little bas/tard and he makes it everyone's problem.
Danny vapes and blows bubblegum smoke in Grayson's face.
He takes out a flask and Grayson's grabs it, learning its full of orange juice. Danny then takes out a second flask, this one with vod/ka.
He wears a trenchcoat he found in the trash (the same trenchcoat Nightwing wears in DC vs Vampires, if you know you know) but the end and the sleeves are cut off for his hands and legs. the pockets are roughly around his knees.
Grayson is desperate to figure out more about this kid, but he doesn't go to batman because, time-line wise, this is right before red hood starts running around. Jason is dead/alive-in-hiding, Tim is Robin, and Dick is mad about it. (ages-- Bruce: ? Nightwing: 24 Jason: 19 Tim: 15 Danny: 8 Damien: 7-8)
he doesn't really bond with the kid until they're both kidnapped by a gang for hostages, and Danny's big kid emotions get a hold of him (he thought he could escape them bc he's an adult, he's gone through worse, but nope! child brain chemistry). Grayson is worried that he's hurt and in pain, but Danny confesses that he's always in pain. he has nerve damage all over his body, and the only thing he really trusts is CBD. He feels like shit for taking his juul away, but more importantly, because he's been treating Danny like a irritant and just a little kid.
they get rescued and Grayson tries to take him back to his home, but Danny reveals he's homeless, saying something like "I sleep where it suits me, just drop me off whereever."
Absolutely not, Grayson is taking kid back to his place for a bed, food, and a shower, in whatever order the kid wants.
Danny stays semi-perminantly at his apartment, but Nightwing tries not to push it, because this kid practically screams flight risk. unfortunately, the paparazzi have nothing better to do and snap a pick of Grayson and Danny getting dinner together, speculating that Dick's taken after Bruce
Danny doesn't care too much; I think his ghost form is the same, if glitchy, so his parents don't know about the deaging. Grayson is mildly panicking, but its not like he HASN'T been considering adopting the evil troglodyte. Even Bruce, Tim, and Alfred aren't the problem.
No, the problem is the Red Hood, a crime boss who just cut 8 people's heads off, seeing what looks like Nightwing pulling an innocent kid into the neverending fight against crime and Seeing Green.
Edit: Had to censor sh!t because ths wasn't showing up in the tags
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