#but it all depends on your device

[suburbanlegnd]

im a sucker for their wrappeds. if I use a mod apk will I be able to see the wrapped

YEAH, YOU WILL! Here's my spotify wrapped from last year if you don't believe me!

[beatriceportinari]

The manticore, origami, one square sheet of paper

[lucalicatteart]

-- Poorly Constructed Enchanted Tool --

A small tool carved from a fruit tree seed. Energy to power the enchantment has seemingly run-out long ago, and the method of recharging is unknown - but, based on the appearance, it's very likely that this was once used for detecting magic. Usually, looking through the glass center would highlight areas of higher magical energy concentration present in the viewer's environment, even if they were otherwise obscured to the naked eye. While this form of enchantment itself is highly advanced, the craftsmanship of the item is far less neat or complex than what might be typically seen in similar devices. It may have been made as part of training/practice, or as a hasty replacement for a previous tool that had broken.

[my-thoughts-and-junk]

thinking about dream daddy again and god brian makes me so mad

[moonsidesong]

i think its kinda funny that ibis paint is regarded as the Broke Artist App or whatever (as opposed to more mainstream programs like csp or procreate) because its free and because of how popular it is with phone + finger artists while im jusg sitting here having used ibis for a cool eight years on purpose.

like i have an ipad and an apple pencil and all theyre very nice and i absolutely could move to a more powerful program i have the resources to do so but my change averse brain has decided they like it here a lot and im not leaving

[worldwhampion]

hello all nms fans i'm seriously thinking about starting a nms discord server where we all discuss lore and theorize about stuff, so here's a poll

here's some more info if you're interested:

the whole server would be like a database of collected lore, or at least a big part of it would be dedicated to that. i'll gather ALL sources of lore there (by that i mean stealing it from other sites lol) and putting them on google docs, including my own half-finished transcript of the artemis path (i have no idea how to datamine the entire thing from the game so poor me has been typing it all out for months. maybe other people can help me with that on docs). this way everything will be easily within reach for our viewing pleasure.

and ofc there'll be more than this but that's for when the basics have been set up

[thatdogmagic]

...that your audience won't hate.

This is a method I started using when NFTs were on the rise - thieves would have to put actual work into getting rid of the mark - and one that I am now grateful for with the arrival of AI. Why? Because anyone who tries to train an AI on my work will end up with random, disruptive color blobs.

I can't say for sure it'll stop theft entirely, but it WILL make your images annoying for databases to incorporate, and add an extra layer of inconvenience for thieves. So as far as I'm concerned, that's a win/win.

I'll be showing the steps in CSP, but it should all be pretty easy to replicate in Photoshop.

Now: let's use the above image as our new signature file. I set mine to be 2500 x 1000 pixels when I'm just starting out.

Note that your text should not have a lot of anti-aliasing, so using a paint brush to start isn't going to work well with this method. Just use the standard G-Pen if you're doing this by hand, or, just use the text tool and whichever font you prefer.

Once that's done, take your magic wand tool, and select all the black. Here are the magic wand settings I'm using to make the selections:

All selected?

Good.

Now, find a brush with a scattering/tone scraping effect. I use one like this.

You can theoretically use any colors you want for this next part, but I'd recommend pastels as they tend to blend better.

Either way, let's add some color to the text.

Once that's finished,

You're going to want to go to Layer Property, and Border Effect

You'll be given an option of choosing color and thickness. Choose black, and go for at least a 5 in thickness. Adjust per your own preferences.

Now create a layer beneath your sig layer, and merge the sig down onto the blank layer.

This effectively 'locks in' the border effect, which is exactly what we want.

Hooray, you've finished your watermark!

Now let's place that bad boy into your finished piece.

You'll get the best mileage out of a mark if you can place it over a spot that isn't black of white, since you'll get better blending options that way. My preference is for Overlay.

From here, I'll adjust the opacity to around 20-25, depending on the image.

If you don't have a spot to use overlay, however, there's a couple other options. For white, there's Linear Burn, which imho doesn't look as good, but it still works in a pinch.

And for lots of black, you have Linear Light

Either way, you're in business!

EDIT since this has escaped my usual circles, and folks aren't as familiar with my personal usage:

An example of one of my own finished pieces, with watermark, so you can see what I mean about 'relatively unobtrusive'-- I try to at least use them as framing devices, or let them work with the image somehow (or, at the very least, not actively against it).

I know it's a bummer for some people to "ruin" their work with watermarks, which is part of the reason I developed this mark in particular. Its disruption is about as minimal as I can make it while still letting it serve its intended purpose.

There's other methods, too, of course! But this is the one I use, and the one I can speak on. Hope it helps some of you!

[sttoru]

‘if there’s anyone in this world who loves being a girl dad the most, it must be your husband — gojo satoru.’

☀︎｜tags. girl dad!gojo x female reader. fluff. you’re married. reader gets called ‘mama, sweetheart’. wrote this at work so not beta read. fic one out of two for satoru’s birthday!

giggles fill the living room — familiar laughter that sounded like your daughters’. a more sultry and manly voice also resonates in the background. one that you could recognise from miles away.

your curiosity leads you to investigate the source of the joyful sounds and soon enough, you find your dear husband and daughters sitting on the couch. though, in a situation you hadn’t quite foreseen.

satoru was talking on the phone about important business whilst your little girls were giving him a rather sparkly makeover. the most heartwarming thing was satoru’s surrender to your daughters’ antics — allowing them to do whatever to his face and hair.

“mhm, yeah..” the white-haired sorcerer hums over the phone, not having the slightest idea about what ijichi was yapping about. probably something that has to do with the recent sighting of a special grade curse in the city.

but, that wasn’t satoru’s priority at the moment at all (even if it should have been). his focus was all on his two daughters that were enjoying their playtime with him.

“papa’s so pretty.” one of them comments with a big smile — a smile satoru wishes to protect until his last moment on earth. her fingers push and pull on a small strand of his hair, trying to tug it into another ponytail.

satoru had already lost count of how many messy and half-done ponytails his snowy hair got divided into. the same goes for the amount of stickers on his face and neck.

the two sisters work together to put another pink and glittery sticker on satoru’s chin — though were no match to their father’s playful attitude. he jerks his head forwards and teasingly nibbles on their tiny hands that came in touch with his face.

this causes almost ear deafening squeals to reverberate through his ears. not that he’s complaining — satoru loves to hear them.

“. . .gojo, are you listening?” ijichi’s shaky voice over the phone interrupts the squeals. satoru doesn’t even try giving a proper response and only mutters a quick ‘yeah’ between snickers. that was enough of a sign for ichiji to understand that he couldn't get through.

everyone knew how much satoru loved his little family. he cherished them and put them above everything, including his work. sometimes it was necessary for you to remind satoru that he's needed outside your home - that he was and will keep being the strongest sorcerer that people depend on.

"wow, you two really made papa super pretty!" satoru coos as his daughters bring him a hand mirror. his phone had already been discarded somewhere on the couch - not even bothering to hang up on ijichi first.

your husband effortlessly picks the children up and cuddles them close to his body, smothering them both in sloppy wet kisses on their cheeks and necks - making them giggle uncontrollably. "y'know, papa will give you both a nice little reward for making me so beautifu—”

a faint cough echoing from the mobile device next to them reminds satoru that he was still on call. he reaches out and grabs his phone, rolling his eyes in a sassy way before clearing his throat;

"i need to attend important business. see ya." the sorcerer declares and hangs up right after. to him, playing around and taking care of his daughters was more than necessary. even in comparison with an actual critical situation: it wasn't like there weren't any other special grade sorcerers that could take on the mission.

the second his phone plops back down on the couch, satoru's hands fly over to tickle his little girls' bellies. they wriggle and squirm around in his lap - squealing for help from their mama.

you had been watching the scene unfold from the doorway and decide to join in on the fun once you hear your daughters’ call. you gasp dramatically before scurrying over to the couch, acting like you were genuinely scolding your husband for his 'torturuos' tickles;

"oh no, my little girls!" you pout, taking in the way your daughters laugh and outstretch their tiny arms towards you, searching for an escape in your arms. you gladly help them away from their dad's grasp, though not without getting a whine out of satoru.

one of your daughters sticks out her tongue at the sulky sorcerer on the couch, the other mimicking her sister's actions. you chuckle and decide to do the same; frowning and sticking your tongue out.

"ack!" satoru clutches his chest, fingers curling around the material of his shirt like he just got shot. he topples over on the couch and acts dead with his eyes half closed, "i can't. . . believe. . . it. my girls hate me. ugh, my heart - can't take it."

you scoff at his exaggerated act. you were used to it after years of dating and marriage, but your daughters seemed to still take the bait. they writhe around in your arms and once you put them down on the floor again, they run back to their 'fallen' dad.

they shake him by his shoulders and harshly pat his cheeks in attempt to bring him back to life. a constant loop of 'papa!'s and 'wake up!'-s echo throughout the house. even some 'we're sworry!'-s thrown in-between.

satoru couldn't take it anymore and his arms move at the speed of light so he could pull both of his daughters in a big hug. he squeezes them a bit too tight to his chest, causing them to shriek and laugh.

"are you not joining us, sweetheart?" satoru asks with a shit-eating grin. it's then that you realise that he was blushing from pure joy — his cheeks rosy. well, you couldn't possibly deny his request when he was this ecstatic.

the high-pitched 'mama too! mama too!' coming from both girls mellowed your heart even more. and thus, you give in.

you happily join the pile - climbing on top of your husband and between your daughters which lay on each of his sides. your head rests on his chest, your eyes closed and your ears filled with laughter.

satoru eventually relaxes, however that genuine smile never leaves his lips. this is where he belongs. with his family - the most important thing of all.

[ms-demeanor]

So you know absolutely positively nothing about photography

Cellphone cameras are fucking great. I love them. I love the ability to take photos whenever and wherever at basically zero cost.

Point-and-shoot cameras have always been awesome and accessible devices.

This is not a post shit-talking "basic" cameras. This is a post for people who have only ever used basic cameras who want to know at least slightly more about photography.

Because, the thing is, a remarkable amount of photography is math. And if you don't know it's math, it looks like a mystery. And you may be standing there snapping a photo with your phone that looks pretty good, but your friend with a DSLR looked at the sky, twisted a dial, and took three steps to the left and they took a photo of the same subject that looks like it belongs on a magazine cover.

How did they do that?

Probably math.

If you've come into possession of a DSLR camera and are disappointed that the photos you're taking aren't looking like the photos you thought came from DSLRs, I'm here to tell you about the math you may not know about.

What is a photograph?

At its most basic, a photograph is the result of light on a sensor. Let's consider a pinhole camera for a moment. A pinhole camera is a lightproof box with a piece of photographic paper on one side and a tiny hole in the other.

When you create a photo with a pinhole camera, you're using pretty much all of the math you would in a big fancy camera, just in a cruder form they are:

The sensitivity of the paper, film, or camera sensor to light (this is your "ISO" if you're using a digital camera or film). Light sensitivity can be easily changed on a digital camera, but on chemical-treated paper or film the sensitivity is predetermined and cannot be changed. If you want to change the ISO on an analog camera, you need to change the medium that's being exposed.

An opening to let light in - your F-stop, or aperture. The F-stop of a photo is how wide open the lens is to let light onto your film or sensor. In a pinhole camera, you have something that is theoretically a very very large F-stop because you have a very, very tiny opening to let light through (F-stops run in reverse - the bigger the number, the smaller the opening).

Exposure - your exposure is the amount of time you leave your sensor open to the light. The majority of photos you see in the world have exposure times that are measured in tiny fractions of a second, sometimes in thousandths of a second. If you're using photo paper in your pinhole camera, you may have an exposure time of minutes rather than tiny portions of a second, but your photo exposure will still depend on how long you want to leave your "lens" open.

Focal length - your focal length is a description of the relationship of the distance between the light source and the light sensor. You can manipulate this in a pinhole camera by making the camera longer or shorter. A larger focal length means a narrower field of view - it zooms in on the subject.

A pinhole camera is the simplest camera that lets you, the photographer, control all of the elements of a photo. This is, functionally, fully manual photography.

So what's the difference between all that and a cellphone camera?

Point-and-shoot cameras like those on cellphones give the user more limited control over these settings. For instance, think of a disposable camera. On a disposable camera, the photographer has control over one setting - the ISO of the film, which they can select at purchase. They can't control how wide the lens opens or how long it stays open, and the only way they can compensate for lighting that is a poor match to the ISO is flash.

Cellphone cameras are very much like a standard point-and-shoot. By default, users point their cameras, then shoot a photo. Many cellphones have a "pro" mode that will allow the user to emulate different ISOs or f-stops, but the sensors in cellphone cameras aren't as good as the ones in camera-cameras, and the lenses are very limited as well. Some cellphone cameras and point-and-shoot digital cameras WILL allow users to set longer exposures, and many cellphone cameras have multiple lenses which does allow for some lens effects, but they don't give a huge amount of control to the user.

Okay so let's say I've got my new shiny camera, what do I need to know?

For best results, you want your ISO to match the light you're shooting in. Low ISO is for bright light, high ISO is for low light. If you wanted to take snapshots of your family outdoors at disneyland in the summer, you'd buy 100 ISO film. When I used to shoot football games at night in oddly lit stadiums, I'd use 1600 ISO film. If you have a DSLR camera, there's a setting somewhere in there that tells you how to set the ISO. If you are shooting in relatively low light and the photos are turning out darker than you'd like *but* things are moving too quickly to use a longer exposure, you can bump up your ISO for brighter, sharper images but they will be more noisy and grainy than ones shot at a lower ISO. If you want clean, smooth, crisp images, your goal should be to shoot with the lowest ISO possible.

The Aperture of your camera lens determines your F-Stop. This acts like the pupils of your eyes. When it's really really bright out, your pupils shrink down to let in less light. When it's darker out, your pupils get bigger to let in more light. If you are shooting in low light, you want a low F-Stop, which means that your camera's lens is open really wide. If you are shooting in a bright environment, you want a higher F-Stop, which will mean the opening is very small. Since your F-stop interacts with the focal length of your lens, you will find that zooming in with the lens often makes images darker. To shoot clear images from far away, you need to be very conscious of your F-stop, your ISO, and ambient lighting conditions.

Exposure describes the length of time you set the camera to leave the aperture open. In many DSLRs this can span from 1/3200th of a second to infinitely long (the "bulb" setting means "aperture is open until you close it.") If you want sharp images of frozen motion, you want the fastest speed that you can get. Sports photography and photography of things like insects or milk crowns often use extremely short exposures to get sharp images. If you want blurry images you want slower speeds. If you want to take a photo in a low-light environment and capture motion within that environment - for instance, taking photos of cars on a freeway at night - you want slower speeds (if you want to do this in a brighter environment, like taking photos of a stream in the daytime, you want slower speeds and a specific kind of lens filter called a neutral density filter). When exposures are set to be longer than about 1/60th of a second, images with motion start to look blurry.

Focal Length determines the field of view of your subject. If you have a lens with variable focal lengths, this is called a zoom lens. A longer focal length zooms you in and a shorter focal length zooms you out. Lenses with fixed focal lengths are called prime lenses, and can't zoom in or out.

Depth of Field - your depth of field is a combination of the interaction of your focal length, your distance from your subject, and your F-stop. The depth of field describes the relative amount of space in a photograph that is in focus. A long depth of field means that much of the image plane is in focus. A short depth of field means that a narrow portion of the image plane is in focus. A low F-stop produces a narrow depth of field. A long focal length produces a narrow depth of field.

You can think of your camera as a tool that measures time and space. Your ISO and Exposures are measurements of time (how quickly the sensor senses the light, how long the sensor is exposed to the light), the F-Stop and the focal length are measurements of space (how wide the aperture of the camera is, how far the lens is from the sensor).

The pre-set modes on your camera, the ones on the dial that show a person running, flower, or a cloud, or a lady with a hat - these are generic settings that combine an ISO, exposure time, and f-stop that are likely to work well for outdoor action shots, landscape photography, cloudy light, and portraits. When you're using those pre-set modes, you control the focal length and not much else.

When you understand that the running person/action mode means low-ish ISO combined with high shutter speeds, you can start just setting your own ISO and shutter speed when you're shooting sports. When you know that portrait mode sets you up for low-ish f-stops, relatively quick shutter speeds, and mid-range ISOs, you can just start setting those things on your own so you can have more control.

"What about light metering?"

Since your camera is a machine that records light, light metering is pretty important. The light meter of your camera will tell you if your settings are "correct" for the amount of that the light sensor senses. In most modern cameras there is a light metering display on the bottom edge of the viewfinder that goes from negative to positive; if the meter shows that you are in the negative it means that your photo will be under-exposed (too little light will get to the sensor and the image will appear dark), if the meter shows that you are in the positive it means that your photo will be over-exposed (too much light will get to the sensor and the image will appear too bright - "blown out"). The way to correct for under or over exposure is to change the length of the exposure, making it longer for underexposed images and shorter for overexposed images.

What the light meter is doing is thinking about all of your settings and the lighting for you. It looks at the ISO, focal length, f-stop, light hitting the sensor, and planned exposure time and tells you what that combination of settings is likely to produce - something too bright, or something too dark.

When you are more experienced with photography, you get good at juggling these things on the fly and messing around with them more, which is how you can do the magic of looking at the sky, twisting a dial, taking three steps to the left, and knocking it out of the park with a picture.

It only looks like magic because you're doing a ton of math under the hood that is extremely non-obvious to people who are new to photography.

Anyway, here is a good guide to depth of field and what goes into it.

Here is a basic photography textbook that explains the principles that I've gone over here in a lot more detail with a lot better explanations. It's a film photography textbook, but one of the cool things about photography is that a lot of stuff from the analog era is still relevant in the digital area, and the basics haven't changed.

However all of that is about the *technical* aspects of photography. Photography isn't just a record of exposure time and focal length, so here's a basic photo composition textbook that talks about the artistic principles of photography.

[kxsalt]

(Hot Coffee, part one. Part two is here.)

Hot coffee pours from the carafe. The young lady turns back to her customer and hands him the steaming cup. He pauses to look thoughtfully into the brew. Pointing at it, he asks; “Is this vegan?” She stares at him blankly. “Uh, yes. Coffee is vegan.” He nods in approval and wanders over to the condiment bar to pour cream into his cup. The girl watches him with dead eyes, shakes her head, and returns to her work. “Oookay… I can help the next customer!”

The next man in line steps up to the counter. “Small coffee, black, please and thank you.” She’s relieved by his basic manners and comprehensive understanding of how to purchase coffee. Pouring his cup, she looks back at him and meets his eyes. “You look super familiar. Have you been here before?” He leans against the counter as she steals a peek at his toned arms. “No, I haven’t. I might be coming by regularly; I just started some work nearby.”  The barista brings the cup to him. “Ah, well, I hope you enjoy your new job!” Handing the man his coffee, they both glance over to see the first customer adding honey into his mug. He looks back at her with a compassionate smile. “Thanks, you too.”

She thinks about him for the rest of her shift, crawling through traffic on her bus ride home, and throughout the evening. I know I’ve seen him before, but where? He didn’t seem to recognize me at all. Finishing her night early, she crawls into bed. The girl opens up her laptop and reaches into her bedside drawer. Pulling out her strongest vibrator, she speaks to it. “It’s been a long day.” Pulling up an old comfort video she presses the buzzing toy firmly against her clit. She exhales deeply and finally starts to relax. Her eyes are fixed on the porn on her laptop. At first, she focuses on the man’s strong arms, gripping the woman by the hips – something that always excited her. But as the video carries on, she finds herself looking at the woman’s face. She looks so excited. Pleasured. Happy.

“You like that, slut?” The girl almost screams, dropping her vibrator between her legs. The man in the video has leaned into the frame. That’s him. From the shop today. That’s him. The woman in the video moans; “Yes! I love it!” He grabs her by the neck. “Do you want to be a good whore?”

She looks into his eyes. “Yes, I do.”

A few days later, the girl clocks out for her break. She spends it like all her other breaks, sitting outside, vaping, and fantasizing about sex or getting hit by a bus, depending on her mood. Today is a bus day. She blows a cloud of vapour into the air which drifts past the entrance to the coffee shop. A customer emerges with his coffee, lights a cigarette, and sits down next to her. The girl barely notices: She’s at the part of her fantasy where she’s in the hospital with a lawyer getting a giant check from the city. He takes a drag of his cigarette and gestures at the cloud in front of the shop.

“That stuff will kill you, you know.”

She jolts from her fantasy and turns to the smoking man. “What? Oh, hi! It’s you again. Um…” She fumbles with her device. “What do you mean? Smoking isn’t any better.”

“What? Really? But it’s vegan.” He retorts in a sing-song voice.

The girl clues in on the joke and they laugh together. She expected to be at a loss for words when she saw him again, but she finds herself oddly comfortable.

“So… I know where I recognize you from…?”

“Shit, really? They still have those wanted posters up? Please don’t call the cops.”

They laugh some more. “I just wanted to say… That I’m a big fan. I think what you do is… cool?”

“Oh, thank you! It takes a lot of vulnerability, so hearing that means a lot.”

“How did you start… you know… making porn?”

“What do you mean? I just started. Life’s short. I wanted to do it. So, I did.”

She nods slowly, stunned by the simplicity of his answer.

“You know, I’m filming right around the corner. If you ever wanted to come by and see the process, you’re more than welcome to. Just so long as it doesn’t ruin the magic for you.”

“Really? Yeah. Yeah, I would love that.”

“Great, here’s my number. Just let me know when you want to come by.”

He stands up and puts out his cigarette.

“By the way, you should quit. It’s bad for your health.”

“Oh please, vaping is the only thing that gets me through the day.”

He walks off to his job. “I wasn’t talking about that!”

She approaches the unassuming apartment door. Hanging from the door handle is a small sign: ‘Filming, don’t knock.’ The girl turns the handle carefully and sneaks inside. All the lights are off, except for the bedroom which is flooded with light. The familiar sounds of sex drift through the apartment. She stealthily approaches the doorway and peers into the bright room.

Three people with various film equipment surround a couple on the bed. She immediately recognizes her new friend kneeling behind a woman. He’s gripping her waist and forcing his cock deep into her. She’s bent over, ass up in the air, with her wrists handcuffed to the bedframe. The woman shrieks in delight with each thrust.

The director sees the young girl at the doorway and slips away to go and talk to her.

“Are you the fluffer?” The director whispers.

“What’s a fluffer?” The girl whispers back.

“Oh, you’re his friend. Never mind. Can you just wait here until the scene is done?”

The woman returns to the improvised set. The girl watches greedily, enjoying her voyeuristic perspective. She feels a combination of fascination and arousal that she’s never felt before. After a few more minutes, the director calls cut and asks the couple to switch positions. The woman on the bed rolls onto her back, her face flushed with ecstasy. The director waves to the actress. “Sorry, we gotta fix your makeup, take five, okay?” The woman releases herself from her handcuffs and scurries off to the bathroom.

“Hey, you made it!” The man sits on the bed, stroking his cock. “Come in, don’t be shy.”

She wanders over to talk to him, giving an awkward wave to the camera crew. Sitting on the bed next to the naked man, they make small talk and he explains a bit of how they work. All the while, he leans back against the bedframe, showing off his muscular body, and stroking himself. She finds himself staring at his thick cock running through his hands.

“Sorry, I just need to stay hard for when we get going again.”

“No problem… That makes sense. Nothing I haven’t seen before!” She jokes and toys with her hair. “Question: what’s a ‘fluffer’?”

“A fluffer is a girl who’s not part of the scene, who helps keep the actor hard during downtime like this. She might have sex or give head.” She catches him glancing at her chest. “…or sometimes just flirt and look cute. Usually, people just do it for fun, but it’s very useful.”

“Aha, okay…” She looks around the room. The crew is entirely ignoring her, scrolling through their phones. Looking into the bathroom she sees the actress still working on fixing her makeup. The girl turns back to the man.

“I don’t want to get in the way, or anything. But… Can I try? Being a fluffer?”

A sweet smile. “That would be really helpful.”

The girl smiles back and lowers her head into his lap. Taking his cock from his hand she strokes it softly, admiring its size. It’s bigger in person. Hungry for him, she wraps her lips around his head. He growls, sending warm waves through her body echoing in her pussy. Her mind goes blank and she slips him into her throat. Wet lips push into the base of his thick, shaved cock. Pride and excitement fill her as he starts to mumble and gasp from her fellatio. Saliva runs onto his balls, which she gently plays with as she deepthroats him. Her pussy drips as his breathing becomes raspy and shallow. I’m deepthroating my favorite porn star, and he loves it. She always knew she was a good cocksucker but getting this reaction from someone so experienced felt incredible.

His hand still softly stroking her hair, she sucks his dick joyfully. Lips wrapped around him, her tongue pushes firmly below his tip, licking upwards to squeeze a little taste of his precum. Still caressing his balls with one hand, the other strokes his shaft. The girl tightens her grip, maximizes her suction, and increases her pace. The man makes another primal noise, and the hand running through her hair finds its grip. Holding onto the back of her head, he pushes her face down again. The girl clamps onto his dick, forcing him to pull hard back up to slide her head up to the top again.

Willing tears roll down her concave cheeks as she holds his cock in his mouth with everything she has. The girl only relents her throat’s hold to let him force his cock deeper. Her shiny eyes meet his unfocused gaze. Her expression is one of complete submission. His expression could easily be mistaken for rage. The man’s other hand reaches down under her dress to find her without panties, and a smooth, bare pussy. She’s wet with her cum, and he grips her bum with the palm of his hand, sliding two fingers into her with ease. The girl’s eyes cross from the feeling of him penetrating her. He bares his teeth and shoves her head down again, and his fingers deep into her pussy.

Sparks fly across her vision and her head swims. A lack of oxygen from her deepthroating of the man’s thick cock, and adrenaline from his touch cause her to come close to fainting. Her pussy only gets wetter at the thought of passing out from getting used by him.

Moments away from darkness, the actress returns from the bathroom and steps over the girl to return to her position. As she reattaches the restraints to her wrists, the director asks them to resume the scene. The fluffer pulls her head off his cock with a pop. She looks up at him, teary-eyed, gasping for breath, and panting for his dick. His eyes are locked deep into hers with a feral glow. Teasing him, she gives him a naughty grin, strings of drool running from her chin to his throbbing cock. “Back to work for you!” Her voice is playful and confident, but her eyes betray a needy disappointment with their interruption.

The girl slowly slides off the bed, standing to face away from him. She looks over her shoulder, down to her exposed bum. His hand still deep between her thighs, gripping her ass, fingers still in her pussy. Not wanting to let go, he doesn’t break eye contact, holding her there. Pushing back just an inch, she fits a little bit more of him inside herself.

“Let’s keep going, we’ve still got a lot to shoot.”

The man gives a disappointed groan and releases the young lady. His fingers slide from her eager slit and he rolls over onto the actress. The girl walks back to the doorway with a sly butt wiggle. The man pushes his cock against the bound woman’s pussy, trying to resume the scene. The actress complains and whines, “Fuck, you’re so hard. Jesus, go slow to start.”

The camera rolls. The man is a professional, and he resumes fucking the actress, with just slightly less enthusiasm than before. Buried deep inside her, he looks up, past the lights, straight into the girl’s eyes. She winks at him and bites her lip.

[splatsvilles-fashionista]

Nintendo is removing twitter integration next week, here's what to do to share screenshots instead

So in case you missed it, Nintendo announced last month that they're removing the Switch's twitter integration on Jun 10/11 (depending on your time zone) as a result of twitter jacking up their API fees to absolutely ridiculous degrees. This will not affect making posts in the plaza (at least in Splatoon 3) but it does mean you will not be able to upload screenshots and videos to twitter for easy access.

If you're like me and do this a lot, then you've got two alternatives.

One of these methods is significantly easier than the others, but requires a computer that runs Windows and a USB cable. With your Switch in portable mode, go into your System Settings and find the Data Management section:

Click it and scroll down to the "Copy to PC via USB Connection" option.

Click it and you'll be prompted to connect your Switch to your PC via USB. When you do, a folder containing all your Switch screenshots and videos will pop up on your PC. From there, you can copy as many videos and screenshots as you'd like to a location of your choosing, at which point you can disconnect your Switch.

And now you're done!

The other option is a bit more finicky (and also I can't take screenshots to show you the process), but can be done with any smart device. Go into your Album and pick a video or screenshot you would like to share. Select Send to smart device, after which you'll be prompted to scan a QR code. Scan it with your smart device and you'll be given a link to connect to a Wifi, which sounds weird but is just how the console and smart device connects. Once they have, you'll be able to send your images and video to your phone.

[shiroisotto64]

UPDATING MY OZZIE AND FIZZ HEADCANONS 😁

ASMODUES

- Ozzie spoils his significant others. He loves to see them happy. Literally anything you want you get no questions asked!

- ( i don’t know what I was on when I said fizz could cook forgive me ) Ozzie tries to make breakfast whenever he isn’t to busy in the morning! And he lets them ramble on about whatever they want to!

- he’s super supportive of you and whatever your profession is! He doesn’t take disrespect towards his partners. You can dress as sluty or as comfy as you want. No judgement.

- he just tends to sit back and watch the chaotic things you and fizz do and get into. as long as your both not hurt in the process. If so then you’ll be (very lightly) scolded! Be careful next time.

- you’re really only seen next to Gina me fizz. He’s a sin fizz is super popular and you may be to depending on what your profession is. It’s just the best way to keep you safe honestly. You all go on trips whenever y’all wanna get out of the house tho. He lets you both choose we’re to go.

- ozzie checks up on fizz to make sure his limbs are functioning and while the smaller imp bounces around you sometimes cuddle fizz while he waits. Ozzie thinks it’s really cute.

- asmodeus is REALLY bad at keeping your relationship a secret. Yet so is fizz so it’s alright. They can’t hide the way they look at each other! And you of course. Ozzie has been caught on camera making lovey eyes to many times to count. 😭

- he’s always down to fuck if your up for it. It’s pretty easy to get him going. As we saw a good pair of puppy eyes and a smooth big daddy and your good. 👍🏽

Fizzarolli

- he’s so silly. Like actually. He’s all over you and flirting non stop! You can barely keep ‘em off you. He loves quality time and physical touch.

- he runs off of praise and attention from both you and ozzie. He’ll roll over and play dead of left to his own devices for to long.

- you and Ozzie watch in awe as he fusses over his little girls. He pampers his little pets like no other. He has the most fun during walks and bath time! They get water all over the place and he loves whipping his skates out! (Doesn’t want him skating in the mansion.)

- random fashion shows. He loves showing off all of his outfits and stuff. Different hats and everything. He even convinces Ozzie to get him different color limbs for when he wants to match em with the current color.

- he curls up on which ever of you is close when he’s tired. Just slings himself onto you honestly. But be careful! Sometimes it’s a trick. 💀 he’ll nip at you when you let your guard down and run off while giggling the little shit 😭

- Ozzie randomly hums and sings and he randomly imitates different horns and loud instruments. Fizz has made a beat out of his horns before.

- he still pulls pranks. Like screaming in your ear to wake you up in the morning. He’s been fussed at to many times for this so now he uses his horns. (Yay?)

- blushes when shown genuine affection or compliments but turns his head away to hid the blush if in public and regain his composure.

- a total show off but who’s surprised.

- fizz gets turned on if your protective of him. Especially if you can fight. Ozzie is more lax if he knows you can take care of yourself and fizz. But fizz brags about how safe he feels and how sexy it is that you get so worked up over his safety.

[pshcomforts]

ᴅᴏɴ’ᴛ ᴛᴀʟᴋ ᴛᴏ ᴍᴇ | psh.

: ̗̀➛ synopsis: you test sunghoon on his reaction to a girl hitting on him after finding one of those videos on tiktok.

: ̗̀➛ warnings/content: written in third pov. fluffy fluff! suggestive jokes (help y/n). hoon’s a little clueless, and gets hit a lot (help sunghoon). lots of teasing. not proofread.

: ̗̀➛ word count: 1.7k

comments, likes, and reposts are appreciated :)

: ̗̀➛ a/n: new formatting for my imagines without song inspirations! let me know if you like it <3

༘˚⋆𐙚｡masterlist⋆.✧˚

y/n and sunghoon were sprawled out on the couch, laying side by side while on separate devices.

the girl scrolled through social media, passing each video until a particular one caught her eye. she let it play, a curl coming onto her lips as mischief formed in her head.

“hey hoon?” she chirped to her boyfriend.

sunghoon nodded his head in response, attention remaining on his phone.

“can i see your reaction to if somebody hit on you at the store?”

he quickly shifted his gaze to his girlfriend with furrowed brows. “what??” he chuckled, slowly processing her idea.

“come on, just like this video.” she shoved her phone into his face, displaying the video of the couple giggling in the store.

a look of disbelief morphed on his face as he turned back to y/n. “am i gonna get into trouble from this?” he asked, raising one of his thick brows.

the girl giggled, softly shrugging her shoulders while replying, “depends on how you react.”

sunghoon sighed, small grin taking over his face. he wasn’t opposed to the idea after all.

“fine, but if you yell at me, just know that this was your fault to begin with.” he teased, quickly leaning in for a peck on the cheek to distract his girlfriend.

“wh— hey!” she wiped off the kiss. “you can’t just say that and kiss me!”

“too late.” he flashed a toothy grin, plastering on his charming fangs as she sent a smack.

“ow, okay!” he draped a hand over the ‘bruised’ hit and murmured, “you can stop hitting me, i’ll do the video!”

y/n huffed out a sigh and rolled her eyes. “my hits weren’t even that harsh…,” she mumbled, allowing a small smile to be seen on him.

“i know, i just wanted to annoy you.”

she reflected his adorable grin, nudging him away as she began propping the phone up.

.　 . • ☆ . ° .• °:. *₊ ° . ☆

sunghoon took up half of the screen, looking busy with his eyes focused on a product that was definitely not his already when y/n walked in.

“oh excuse me…,” she prettily blinked, making him glance up with a little snicker. “can you help me? do you know where i can find this specific soap here?”

the girl let her hands lay on his muscled arms, softly squeezing it, making hoon raise his brows and smirk.

“so.. do you think you can help me?”

he gave a quiet scoff. “yeah, and then maybe you can help me.”

she quickly hung her mouth open in shock. “sunghoon!!” her hand that rubbed his arms smacked him multiple times. “you’re gonna say that when a girl comes up to you??”

hoon giggled, nose scrunched and eyes shut from the joy he got in teasing her. “you rubbed my arms, how else should i have reacted!” he yelled, attempting to shield himself from the continuous hits when the recording paused. “that hurts, gorgeous!!”

“that’s what you get!” she laughed back.

“okay, okay! i got it this time!”

his girl huffed before letting the video start again.

“hey..,” y/n approached him. “i just saw you from far away and you’re just so handsome…, can i get your number?”

sunghoon bit back another smile, trying to stay in character as he cleared his throat, “i know i’m handsome, you didn’t have to come up to me to say that.”

her brows quickly scrunched together in disbelief at his words, though still attempting to be the stranger. “so is that a no, pretty boy?” she blinked her eyes, waiting for an answer from the male who was suddenly blushing.

his cheeks grew red and a smile began to show on his lips. hearing that nickname was definitely not what he was expecting.

y/n lingered her stare into his, enjoying his flustered state when she was usually the shocked one.

he quietly hummed, blood still rushing to his cheeks as he uttered, “… y..yes.”

she quickly tilted her head with scrunched brows. “yes??” another smack to the shoulder. “you cheater!”

sunghoon threw his hands up in defense, smiling at her reaction. “what was i supposed to do?? you never call me pretty boy!” he shouted back, trying to get his girlfriend back into his arms.

she clicked her tongue and rolled her eyes, softly letting out laughs since she knew it’d be his weakness. “so if some girl calls you pretty boy, you’re gonna cave in and say yes??” she tested, crossing her arms.

he huffed out a chuckle, stroking her locked hands with his thumbs. “only if that girl is you.” he leaned in for a kiss, expecting a forgiving and sweet pucker up when she turned away.

hoon plastered on a pout, bottom lip pushing out as his eyes glistened. “baby…,” he tried to sooth, but she only shook head in a teasing way.

“again, hoonie.”

he sighed before letting the video start again.

“excuse me?” y/n tapped his shoulder. “i just saw you from over there, and i really wanted to ask for your number. i think you’re definitely my type.”

the male let out a soft exhale, finding his girlfriend unbelievably pretty. his eyes glimmered with love as he shook his head.

“i’m sorry, i have a girlfriend. she’s all i need.” his head held up high, proud of his answer when he felt a soft hit land on his arm.

sunghoon whipped his head in confusion, making y/n playfully click her tongue. “why are you apologizing for having a girlfriend?” she teased, replaying his words in her head. “and you’re supposed to say ‘leave me alone.’”

he scoffed out a laugh, lips coiling into a grin when letting out a quiet scream. “okay, i got it this time, trust me!”

her eyes squinted in disbelief before complying, clicking record once again.

“sorry..,” she walked close to her man. “but do you know where i can find the—“

before she could even finish her sentence, sunghoon was swiftly moving pass her, not uttering a single word.

“hey! excuse me!” y/n tried to stay in character, stifling back laughs from the cold shoulder she was receiving. “i’m talking to you!”

she reached out for one of his arms but he harshly retracted it back and shook his head.

“sir!” she yelled, unable to hide her wide grins. “sir!! i just wanted to know where—“

“go away!!”

“sunghoon!” y/n laughed, huge amount of giggles escaping her as he turned back with a mirrored smile.

he had a cheesy look on his face, brows raising for her approval while she remained to burst in laughter.

the boy approached her, arms wrapping around his favorite girl as they giggled together, adoring how much y/n found his reaction funny.

“that was good, wasn’t it?” he chuckled, pulling her closer to his chest.

she let out muffled laughs, nodding her head while nudging his arm. “i was definitely not expecting that.”

“so should i always do that?”

“maybe another try.”

he scrunched his nose before sighing and agreeing, pressing the record button.

“hey, you’re a really handsome guy, do you have a girlfriend?” y/n asked, hands playing around with her hair strands.

hoon hid another smile, frowning to stop the corner of his lips from curling as he furiously nodded. “yes i do, her name’s y/n and she wouldn’t like you so please go away. i love her, and i’m all hers.”

the girl softly grinned, almost satisfied with his answer. “she doesn’t have to know about us, you know? i can always come back another time.” her hands reached up to his arms like earlier and squeezed them. “you have nice arms, by the way.”

it took his all to not fold right there, but he stayed composed. “yeah, they’re for my girlfriend, not you, so get out of my sight.” he instantly pushed the hands away, almost shoving his girl a little too harsh.

“ah! hoon!” y/n yelled.

“who’s hoon?? how do you know my name? are you a stalker?” the boy remained in his role, eyes squinting in slight disgust. “you’re weird, leave me alone. don’t talk to me.”

he attempted to push the ‘random’ girl away, hands shoving against her.

when y/n almost took a tumble to the ground, sunghoon pulled her back into his arms as instinct; but with the sudden weight shift, the two actually fell together.

they both yelled in sync, hands gripping onto each other as his person landed on top of him.

they giggled, resting against each other as y/n let her hand lay on his chest with his arm held close by her waist.

“so how was that?” he chuckled, breathlessly staring at the ceiling with his head thrown back.

he heard a soft laugh escape from her as she played with the faint ruffles of his clothing. “you better not catch the girl if that happens,” she playfully smacked his broad chest.

sunghoon scoffed. “you think really low of me.”

“no..,” y/n grinned. “you’re just really nice… and awkward.”

he rolled his eyes at her words before pulling her closer by the waist. “then you have nothing to worry about, pretty girl, because only you know my teasing side.”

her heart fluttered at his response, feeling butterflies rupture in her stomach as she snuggled near his upper body.

“i hate you.” she teased, slapping his arm and earning a deep chuckle from him.

the girl felt his rapid heartbeats while he uttered, “no you don’t, you love me.”

he let her glance up at him, loving the way her eyes beautifully sparkled in any light. his face glowed at the mere thought of her as he leaned in, lips curling and eyes lingering.

a finger hooked under her chin to bring her closer, urging for the yearning kiss he’s been wanting ever since the start of this situation.

their lips finally touched and he automatically grinned, pushing her for a sweeter taste as he held her cheek.

when air became a critical need, they both pulled away, sunghoon smiling ear to ear especially more with his fulfillment of a kiss.

“please tell me that was the last one we’re recording, i don’t know how many more hits i can take until i get a bruise.”

y/n snorted out a laugh before nodding her head. “that was definitely the last,” she murmured, leaning in closer to her favorite person.

hoon sighed in content, loving the way him and his girl were — locked on the ground with nothing but love for each other.

★・・・・・・・・・・・・・・・・・・・・・・★

a/n: wrote and published this with little to no sleep, i couldn’t tell if it was good or not but it was very impulsive.

[abbyshands]

PALESTINE LINKS

in honor of the media blackout this week, i wanted to compile a list of links and resources regarding what’s going on in gaza. i advise all of you to give these links a look at, or to at least reblog them. the people in gaza need the bare minimum from us in that sense. &, well, if you can’t take enough time out of your day to give these links at least a look, a like, or share, then, bye !

& for all the the last of us fans out there, you need to see this. it’s genuinely a must. not to call anyone out, but i see a lot of people who have not spoken out about this at all, who, for example, keep publishing or reblogging fics etc during the blackout. i love a good fic as much as anyone else, but you can wait a week. there’s really no excuses here. if you didn’t know about the previous blackout, then now is your chance. don’t turn a blind eye to this.

at the end of this post are links specifically for those engaged in the last of us tumblr. if you aren’t going to look at the links before that, then at least look at those.

oh, & for the dumbasses who are unfollowing me for spending a week to post about a fucking genocide? fuck you, & good fucking riddance. you are not and never were welcome on my page. i don’t want you here anyways!

PALESTINE LINKS

SEVERAL ways you can help the people in gaza. some of which are fully free.

SEVERAL links regarding info around this genocide, such as places to boycott, and ways to learn more about the nature of it all.

SEVERAL ways you can help, including ways to donate, petitions you can sign, and campaigns you can join.

places you NEED to boycott. don’t buy from them, regardless of if they really fund israel or not. if they support them, that is more than enough. boycotting is a way to resist, so do it. at the end of this post are also places that are helping those who are in gaza, and families you can help escape by donating.

know that this issue did NOT begin oct. 7th. this is so much deeper than you know, and has been going on for 70+ years. click the above link to educate yourself on that front.

CLICK HERE TO HELP PALESTINE! this site has already been debunked on if it really helps the people in gaza or not, and it does. just one click is all you need. one button, once per day. you can even do it on different devices or browsers so you get more than one click in. click it daily!

CALL YOUR REPRESENTATIVES using this link, and this link (this will help you find ways to call or email them depending on where you live). also, urge biden and congress to do right by the people in gaza. the U.S. sends billions of dollars to israel every year, funding the genocide that’s ensuing as we watch on from the comfort our homes. do the bare minimum, & hold them accountable. please.

HERE ARE WAYS YOU CAN DONATE or find a PROTEST near you! not everyone is readily available to do these things, i know that. but looking into them could never hurt, or at least sharing it elsewhere so there is more awareness surrounding it.

LEARN OF AFRO-PALESTINIAN EXPERIENCES, & the efforts they have made over the years. i think it’s so, so crucial that we hear their voices, &, god, learning of all that they’ve been through, & all that they’ve done, is so inspiring.

here is some more info regarding BOYCOTTING. boycotting does, and has been proven to work. this post explains the subject a bit more in case it happens to confuse anybody, along w/companies and such that need to be boycotted, & why. as i said before, boycotting is a way to resist. so do it!

HERE IS A 🇵🇸 MASTERLIST including ways to educate yourself, donate, books you can read, & films you can watch. this is one of the best links i have regarding this genocide, and i highly recommend you look at it!

SOUTH AFRICA took israel to court for this genocide! read about it in the above link.

FOR THE LAST OF US FANS

do not remain in the dark about the last of us’s link to the ongoing conflict in gaza. neil druckmann, the director of the game, is a ZIONIST. he grew up in israel, and TLOU2 is rooted in israeli themes. now, no one is saying you have to quit playing the game, or dislike it, for all you dense ones out there. but i ask that you remain aware of this aspect of it, especially if you are regularly engaged in the last of us tumblr.

this is a link that i highly, highly recommend you read through. it discusses the HEAVILY ISRAELI THEMES TLOU2 displays. click the following link to learn more on TLOU2 & NEIL DRUCKMANN.

DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.

if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.

it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.

boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist.

i understand that not everyone is educated on this subject, and that not everyone knew of the previous media blackout. for the last of us fans, i understand that not everyone knew about the game or show’s israeli nature. but it is never too late to take part. it is never too late to care. i promise you that. if you purchased the game, at least donate to one of the sources above. that’s just bare minimum.

get educated, get loud, & GET PROUD! these are innocent people who are dying as you read this from your bed, couch, whatever. the least you can do is like & reblog so this reaches more people. your voice matters, big account or small.

FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉

[ao3commentoftheday]

Hey!

This is something that's been rolling around in my head for a while, and I'm wondering if you or any of your followers have experience with getting back into writing after illness.

I've been chronically ill for a long time. My symptoms vary a lot depending on external circumstances. From about 2019-2021 or so, I was updating an AU about once a month and having an absolute blast with it...then my health hit a stumbling block. Then it hit another, and another.

I'm now at a point where the stumbling blocks don't seem to be going away anytime soon. I'm starting to feel the mental health effects of not having the spoons to work writing into my day.

I spent the past couple years trying to let myself lie fallow and be kind with my brain when my body needs so much help. I'm at a point where even when I WANT to write, it feels like it's been so long I've almost forgotten how. I'm stalled on all my WIPs from that AU, but it doesn't feel like writer's block so much as it feels like writer's atrophy. I miss it terribly, but I'm having a lot of trouble getting back on my feet.

Thank you for everything you've given our community over the years! 💜💜

*hugs* that's a rough spot to be in, and I hope that we can offer you some ways to get out of it. I'll offer some suggestions from my own experience with a change in health status, but I'm really hopeful that the rest of the blog have some tips to share as well.

Don't hold yourself up to your previous standards. Your abilities have changed, and you should take that into account. If you used to be able to write for 2 hours and now you can only manage 10 minutes, don't see that as a failure. 10 minutes is now your success point. If you used to be able to manage 100K stories with intricate plots and now you find it a challenge to write a straightforward oneshot? Then finishing that oneshot is an accomplishment to be proud of.

If the way you used to do things doesn't work, don't keep trying to do them that way. If you used to type onto a laptop but now staring at the screen makes you feel exhausted? Try dictating into your phone and using speech to text to transcribe it. Then you can go through and edit what's already there. If you used to write at a desk but now sitting up for long periods wears you out? Try tapping it out on your phone in bed. You can't focus for long periods the way that you used to? Turn on the TV and write during commercial breaks.

Don't try to pick up right where you left off. You need to get yourself back in writing shape before you can take on a story that's already halfway written. Those WIPs will still be there, even if you start off with a ficlet or a missing moment or a post-episode coda etc. Start off small. Use ideas or plots that are easier for you to write. Get back into the swing of it before you try to tackle a big project again.

As you try to write something and you find yourself unable to, take a moment and try to identify what the hard part is. Are you having trouble finding words? Are you in an uncomfortable position? Is the device you're using annoying you or difficult to work with? For each problem you can identify, see if you can find an accommodation for it - and look to see if other people have had to accommodate the same issue before you. It's very likely that they have.

I'll stop here and let the spoonies share their thoughts in the notes. I look forward to picking up some advice for myself too ❤️

You can find this question and answer over on Dreamwidth as well, if you'd like to join the conversation over there.

[curiositysavesthecat]

Additional comment from the submitter: ❝ 'chapter by chapter' and 'entire work' refer to the button at the top of a work on AO3, to either see only one chapter at the time (i.e. you have to manually click at the end of a chapter to read the next) or see the entire work all at once (i.e. to pass from one chapter to another you only have to scroll down), regardless of the amount of chapters / words ❞

This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If you’d like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and we’ll post them anonymously (for more info, please check our pinned post).