#but like if the entire story's just about these 2 characters going at it.

[creatingblackcharacters]

“Why’s she so rude?” (She’s Not)- Stereotypes, pt2

So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!

Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.

I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.

TRIGGER WARNINGS: mention of sexual assault, assault

Misogynoir

What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.

The Jezebel

The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.

This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".

Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?

Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?

The Sapphire/Angry Black Woman

Ohohoho, I have infinite amounts of feelings about this one.

This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.

I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)

If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?

Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.

I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.

The Mammy

This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)

A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother… trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.

The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.

The Strong Black Woman

If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!

Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!

The answer: US. 👍🏾🤣

This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".

Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).

It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.

Standards of Beauty

These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣

It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.

Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!

Black Women as Women

“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars

Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.

I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).

Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.

Adultification

“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q

It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.

I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?

It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.

Conclusion

There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.

That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.

Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.

[justphilia]

Rating Dungeon Meshi Characters Based on How Well They Can Take Care of Me When I'm Sick

Scale of 1 to 10, 10 being the best. Precaution I have bias for women.

Laios - 7/10 He'll definitely try his best, but he's not very good at it. Achieves the bare minimum of keeping me fed and making sure I take my meds, but most of the time he wouldn't really know what to do to help more. As I drift in and out of consciousness, I see him staring at me with his autism eyes through the gap of my door.

Falin - 9/10 Practically my bedside nurse. Checks my temperature every so often, makes sure to keep my forehead cool. She makes it possible for me to be glad I'm sick, though I am not sure if she knows how to cook. Fortunately, too ill to gaf. Also it's Falin.

Marcille - 9/10 She will think I am dying and because of this she's desperate to help me recover. Heh. I love the attention. But I think. I THINK. she may not know what she is doing about a quarter of the time. She'll read the instructions on my meds like 5 times before giving it to me. She'll research what kind of foods is good for speedy recovery. She'll forget to wring the cold rag before putting it on my head, and every time I fall asleep she thinks I passed away.

Chilchuck - 6/10 Like my dad. "Don't forget to take your meds." Feeds me porridge for lunch and dinner. I don't see his face like the whole day, but I'll be unsure if it's because he's purposely checking in on me when I'm knocked out or he just doesn't want to bother me at all. I can't ask, because he wouldn't answer honestly (he's embarrassed).

Senshi - 8/10 I feel like he's gonna be like my mom and feed me herbal medicine and home remedies. My recovery will be slightly slower, but I'll recover. I will be eating soooo good, 'cause he'll definitely put a spin on every meal meant to help me recover. He sits by my bedside and does his own thang while I sleep, or talk about what he put in my food as like a bedtime story. When he goes to the toilet, I cry.

Toshiro (without his retainers [not including Izutsumi]) - 4/10 Porridge is simple enough to make, I think he is capable of that at the very least. I think he'd make sure I drink enough water, and will ask if I've taken my meds yet. But that's all his efforts and capabilities. I wouldn't blame him. He wears a mask when he enters my room.

Toshiro (with his retainers) - 9/10 Maizuru alone bumped the score by three points because she'll make sure to help Toshiro keep me well fed. But because she's only helping me for Toshiro, she wouldn't go all out with the care. It's okay, their company is enough. I will most likely think I died and went to heaven. They all are wearing masks under Maizuru's order—don't want them catching it and spreading it to Toshiro.

Izutsumi - 2/10 It may be over for me. But if she sleeps at the foot of my bed the entire time and gets me packaged food and water when I ask, I'll live.

Namari - 8/10 Idk. Like! Idk! I think she's gonna be like Laios about it, like she really tries her best, but she's unsure. She's like a combo of Laios and Chilchuck—she can make me food and make sure I take my meds, but I would hardly see her throughout the day. Sometimes she'll come in and ask if I need anything, and if I ask her to stay she'll linger at the doorway then step inside. When I wake up, she may be gone.

Kabru - 7/10 I kinda...don't want him here.....like....I like his face and everything, but I feel. scared. at the thought of being sick and him taking care of me. Might be the blue eyes. Nevertheless, he's able to make sure I don't get worse. He can cook and will help me take my meds, put a cool rag over my forehead, and keep me company until I fall asleep. "I guess you owe me one!" he'll laugh lightly as my fever-fried brain stares at him, and I won't know if he's serious until he tells me so.

Mithrun - 1/10 I am Gone but also he's very attractive so I think I'll die happy.

[wardenparker]

Hummingbird Has Landed, ch 13

Marcus Pike x female reader Co-written with @absurdthirst

After the debacle of his failed engagement and relocating to Washington to take charge of his task force, newly minted Special Agent Marcus Pike is ready to get back out into the dating pool once more. A slew of bad dates has him feeling a little down, and he takes an old friend up on an invitation to get away and get his head on straight. Imagine his surprise when he finds not only fresh air, but his soulmate as well - hiding in plain sight but in the unlikeliest of places.

Rating: M for Mature but this blog is always 18+ Word Count: 14.5k Warnings: *Blanket warnings for this series: occasional mention of American politics, pregnant character, food/alcohol consumption, mentions of clothing/regulated dressing for occasions, mentions of therapy because we believe in self care here, reader is in a previous relationship, love triangle, reader is mentioned as turning 30 during the course of the story, dom/sub dynamics* Shitty exes being shitty, anxiety, stress of confusion, attempted sabotage. A bit of dirty flirting in there for good measure. Summary: When you and Marcus stumble upon the perfect place for your engagement party, things get complicated by Sam's plans to rent the very same venue. Notes: I'm sure I missed some errors in the proofreading, but such is life. Please enjoy, my dears! Chapter photo from Monticello's website.

Ch1 ~ Ch 2 ~ Ch 3 ~ Ch 4 ~ Ch 5 ~ Ch 6 ~ Ch 7 ~ Ch 8 ~ Ch 9 ~ Ch 10 ~ Ch 11 ~ Ch 12

The idea happened a bit by accident, but a few days after your goddaughter was born, once Sydney and Juan and Constance were comfortably and safely at home, Marcus had convinced you to take the last of your days off and go out to Monticello with him for some fresh air and historical tourism. The numerous tours and lunch at the café on the vast grounds are exactly the break that you need, and you're bent over the map together on the sunny grounds when you tilt your head and look up at him beside you.

"Ya know..." The idea is just a hum in the back of your throat. "I bet they're booked ages in advance to do events here...but it might be worth asking if they have an opening or a cancellation sometime soon."

"What are you thinking of having here?" He's not even arguing against the idea, just trying to get a feel for what you are starting to plan. "I don't think we can build our house here." He teases, having nearly gone cross eyed from going through house plans with you over the last two days.

"No, we're definitely not doing that." You roll your eyes playfully and nudge him. The work on the house is finally underway and now you've moved on to talking about decorating so it feels like square one of an entirely new project instead of just a new phase on a continuing one. "I was thinking it would be a hell of a place for an engagement party if they have an opening before Thanksgiving. But I doubt it."

Marcus contemplates it, looking around with his hands on his hips and hums. "I think it would be good." He agrees before glancing back at you with a smirk. "There's only one way to find out if they have any dates available." He teases. "We've got to ask."

"Gee, what a shocking idea." When you poke him in the side it comes with a giggle and you motion back at the visitor's center behind you. "Let's go see if anyone is in to chat with us about it."

Marcus snickers, wrapping his hand around your waist and tugging you closer while he snatches up the map with his free hand. "Let's go. Touring can wait."

Inside the Visitor's Center, the middle–aged woman sitting at the desk is pleasantly chatting with the last guests of a long line before turning her smile on you and Marcus. "Well hello there dears," she greets, just as pleasantly as a sunshiney summer day. "How can I help you?"

“My fiancée and I were hoping to talk to an events coordinator?” He glances back at you for confirmation at the title and when you nod, he turns and beams at her. “Is there one available, or do we need to make an appointment, Miss….” He glances at her name badge. “Amber?”

“Well certainly there is, but she is just finishing up a meeting at the moment.” Amber glances at her computer screen and back again without the smile ever leaving her face. “They should be done in just a few minutes if you’d like to wait and speak to her afterward?”

Marcus turns back to you, “do you want to wait, sweetheart?” He asks, rubbing your waist gently. Still proud as a peacock at being your fiancé.

“Why not?” There’s still a chance that there are no openings anytime soon, but waiting around for a few minutes to ask won’t hurt anything.

“Wonderful.” Amber picks up the telephone on her desk and pushes a few buttons with that everlasting smile on her face. “I’ll let her know she has someone waiting. May I have your name, sir?”

Marcus smiles as he gives your name and tries not to smirk when it’s obvious she recognizes the surname. “And Marcus Pike.”

“One moment, please.” The conversation that Amber heads into the receiver is hurried and she tries not to be terribly animated but you catch her glancing up at you once during the frazzled conversation and you smile kindly in response.

Marcus leans over and nuzzles your neck. “Hopefully she’s a political support of your mom and not firmly against her.” He teases quietly.

“Fingers crossed,” you laugh back quietly.

Marcus chuckles in your ear, holding you close as you both politely wait for the phone call to be finished.

When Amber sets down the receiver, she offers you and Marcus a warm smile and motions to a set of chairs to your side in the lobby of the Visitor's Center. "Melanie will be right with you. She will only be a few minutes more."

“Thank you.” Marcus thanks her sincerely and guides you to the chairs.

It's about ten minutes later than a tall, pretty blonde in a floral dress appears from around a corner, leading two people back toward the lobby of the building. If you hadn't watched them come into view you would have said it was too ridiculous. Too much of a coincidence. But there they are – Sam and Vanessa side–by–side with a notebook and pen in Vanessa's hands and Sam gesturing authoritatively all the way.

Marcus stiffens slightly, his hand squeezing yours gently and he wonders if he should stand and greet them or pretend that they aren’t known to you or him.

It only takes a split second, but the decision is taken from you almost instantly. Sam spots you from across the lobby and pauses only momentarily before aiming the group of them directly for you instead of toward the exit. “Looks like we’re doing this,” you murmur to Marcus, and stand with his hand still in yours as your exes approach.

“Congressman Chase, Vanessa.” Marcus greets both of them politely, if a little stiffly. Formal. Something that couldn’t be misinterpreted by anyone as rude. “What a surprise to see you both.”

“Well this is a surprise.” Sam doesn’t offer to shake Marcus Pike’s hand or yours, barely looking at you while the well–dresses blonde that had been walking with them senses the tension right away.

“Congressman. Miss D’Amario.” She looks nervous too, by association. Unlike Miss Amber at the desk, she knows exactly who is in front of her. “Let me just get you that last brochure, shall I?”

Marcus doesn’t say anything else, just rubbing the back of your hand gently and watching as the blonde guides them back towards the desk. “Well, I’m not sure why they are here.” He murmurs quietly.

“Who knows?” You huff quietly, holding onto him for stability. “Maybe the same reason we are.”

“No, no.” Sam’s voice is distinct in the echoing building. “We want to have the event at the house.” He is insisting loudly. “Not on an overlooking lawn.”

“I’m very sorry, sir, but as I explained to you, we have four locations across the grounds for private events.” With the patience of a saint, Melanie explains yet again. “Each location has multiple rooms available for hosting. However, the historical house is not one of them.”

“That’s is not good enough.” Sam tried charming her, but now it’s time to be serious. “Don’t you know what this is for?”

“Yes Congressman, you’ve been very clear about that.” Her painted on smile is placid and professional, even if her nerves are fraying slightly. “But with respect, even if the president wanted to have a campaign event here, the house would still not be an option.”

“There has to be a way to make this happen.” He glances over at you and Marcus, frowning slightly at why you are here. Another symbol of why he is having to fight so hard to make things happen. You’ve screwed him over.

“It is not an option we have available.” The woman’s eyes track his, glancing over at you in the lobby. She knows the ticking time bomb she has in her hands. She had been following the new first family in the news since the election. “And I assure you that our answer for anyone else will be the same.”

The shift of her eyes irritates him. Signifying that he’s not the most important person in the room. Clenching his jaw, he shakes his head. “I would hate for this to descend into a legal battle.” He speaks as if it’s not a threat but then he shifts topics. “What days are available?”

“If you are looking to hold an event next month, our lawn here is entirely booked aside from the night of Saturday the fourteenth. We had a cancellation that night. Otherwise we have smaller spaces available on several days but your maximum capacity for the event would be sixty people.”

"That will not be enough for our needs." Sam insists. "We would need the entire venue."

"We will be happy to accommodate the number of guests you quoted on the lawn on Saturday the fourteenth." The otherwise very pleasant looking blonde smothers a sigh of frustration and hands a brochure over to Vanessa, who accepts it with a snap of her hand and clips to the folder she is carrying. "Beyond that, our next available date to accommodate that many guests would be in January."

"Fine." He's not happy and he will be having a word with the proper people to get the answers he wants. "We will let you know, but pencil us in."

"The date will be held for twenty–four hours. At which time I will be happy to accept your deposit or establish an alternative plan with you for another space on the property, otherwise the availability will be released to other clients." When she smiles this time there is a measure of relief in it. "If there is anything else I can do for you, or anything other questions I can answer for you, please feel free to contact me. My office hours and direct line are listed on the card that I gave to your assistant."

Vanessa straightens slightly, tall and proud beside Sam. Her eyes flicker over to the pair of you to see if you are watching. Curious to know why you are here and desperate to not appear that way.

“Fine.” Sam bristles, disliking being told ‘no’ and placing the blame squarely on one single set of shoulders. No one had told him no while he was publicly dating the First Daughter. His effort to organize re–election events shouldn’t be nearly this hard, but here he is. Having to take meetings himself instead of making a simple phone call or just sending Vanessa on his behalf. But without knowing for certain why you and that FBI lackey of yours are here, he wants to see if he can at least eavesdrop on the beginning of your meeting before he leaves.

When Melanie shakes hands with Sam and Vanessa again, turning to walk towards you and Marcus, the two of you stand. “Thank you for taking the time to see us.” He starts, offering the slightly frazzled woman a sincere smile. “Hopefully our questions won’t be too arduous.”

“I’m sure they won’t be.” She wants to say that nothing would be as arduous as the meeting she just took, but that would be less than professional. She shakes your hand in turn and motions toward the direction she had come from with the congressman. “Why don’t we go to my office?”

Marcus does the polite thing and nods to Sam and Vanessa, a little surprised when the woman who had ended things with him amicably turns her head to snub him. He doesn’t say anything, just guides you to office, following behind Melanie at a few paces.

“Here we are.” Down a hall and up a few stairs, she stops and opens the door of an office to let you and Marcus inside. “My name is Melanie O’Neil and I’m the special event coordinator here at Monticello. I understand you’re interesting in planning an event with us?”

“Sweetheart?” Marcus looks towards you to take the lead, smiling softly.

"We were hoping you might have availability in the beginning of October, though I know that is short notice," you explain, but you did hear her rattle off some dates to Sam in the lobby. "We're interested in having our engagement party here."

“Engagement?” Her eyes widen happily as she takes in the sight of a happy couple in love. “Delightful.” She shuffles through the book and nods. “We have Saturday the fourteenth, I’m afraid that it is the only date available.” She tilts her head. “Someone else has expressed interest, but they have not paid to reserve it.” She would not feel bad about direct Sam Chase somewhere else.

"That would be fine with us, but I insist on waiting the appropriate twenty–four hours to give the other interested party their fair chance." You won't have Sam whining to some blogger about how you stole his venue space. That just won't fly. "Can you tell us a little about how you organize the space or if you have caterers on site?"

“It is the lawn area.” Motioning to the large detailed map of the event areas, she indicates a gorgeous area close to the water. “We can set up the space to accommodate practically any needs. A dance floor, a bar, string lighting.” She explains. “Tents are approved but they have to be provided by Monticello, to make sure that we don’t have someone coming in and destroying the grounds. Catering can be provided or you can invite someone in to cater for you.”

“That all sounds very reasonable.” The pricing is also reasonable for the location and what is being offered, and Melanie shows you and Marcus a brochure of price packages. “So we could select to have you provide the bar, tents, tables, chairs, lighting, and a dance floor…and we can bring in our own catering?”

“Absolutely.” She agrees with a nod and smile. “We pride ourselves on making sure that our clients have the best possible time.”

“And…” Glancing over at Marcus and then at the door where Agent Bailey is currently standing as nonchalantly as possible while keeping her eyes open. “You won’t have a problem with having the Secret Service on property?”

“Oh no.” If she’s shocked by the question, she doesn’t show it. “We will follow the lead of your security at all times. I do have to warn you that there are other events that day, but we keep the spaces separate.”

“That’s wonderful.” It’s hard to believe that anyone would have a problem doing business with this woman, but then…some people are quite picky. And you know Sam is one of them. “Honey, did you have any questions or ideas?” You ask, wanting to make sure Marcus is in on this planning.

Marcus considers the space and looks towards you. “Live band?” He asks. “Can there be speakers placed?”

“Certainly.” Melanie smiles at that and scribbles an additional note in the pad in front of her. “We have a bandstand ready to be put up when needed. As long as we’re not talking about a full scale orchestra, that can be accommodated.”

“No, nothing like that.” Marcus laughs. “I don’t think we would want to be that pretentious for an engagement party. We just want to have fun, right Birdie?”

“I don’t even want a big orchestra for the wedding, let alone the engagement party.” You agree, laughing a little at the very idea of it. It’s utterly ridiculous. You’re not orchestra people even if you do both like classical music sometimes. “No, I think we’re talking about something very reasonable. Nothing too big or too nit–picky.”

“I think that’s the best option, a live band and then we have a playlist for when they are taking breaks.” Marcus agrees looking towards Melanie. “Do you have a lot of bands that you work with? I’m not too familiar with the scene here.”

“We have a few.” She nods, turning to her computer, presumably to print out a list. “Mostly the kind you would hire for a wedding. Cover bands like that get a lot of work out here.”

“I would imagine they would.” Marcus agrees, looking towards you. “What do you think, sweetheart? Unless you have someone specific?”

“No, I think that sounds perfect.” Live music is definitely something you both feel strongly about, and it continues to incorporate local artists into the fold of every one of your events. It’s an excellent plan. “Can I leave you my number, and ask you to give me a call tomorrow to tell me whether or not Congressman Chase decides to take the date?” You ask Melanie as politely as possible. “If he doesn’t, I think we’ll be very glad to have it.”

“I will most assuredly call you.” She promises with a smile, hoping that she deals with you instead of the congressman.

“Then how about a tour?” You suggest, offering the woman a smile.

“That would be wonderful.” Marcus agrees. “If you have time, of course.”

“Of course.” Melanie stands from her desk again. “Come along with me.”

******

“What if we just stayed here?” You groan for the second time this morning, burrowing deeper into Marcus’s side in bed as the sun rises higher in the morning sky. It’s early but you have a lot to do. His parents and a few other friends and family are arriving this morning for the engagement party tonight. The planning had gone well for being such short notice, but that still doesn’t mean you want to leave the warmth of your fiancé’s side just yet. There are a thousand things to do today before the party tonight, but you’ll manage. You just want a few more minutes of quiet with Marcus before facing it all.

“Then we will have a party that will be will be talked about for ages.” Marcus hums in amusement. “An engagement party where the couple doesn’t arrive.” He rubs your back gently. “We could start a new fad.”

“It would be very mysterious of us,” you snicker, knowing you and Marcus are some of the least mysterious people on the planet.

“Yes it would. I think everyone would start a manhunt for us.” He laughs.

“Probably not the best idea,” you admit, even if it makes you laugh. “Since the Secret Service would be involved in the manhunt.”

“Millions of taxpayer dollars, wasted.” He snorts, smirking at you slightly. “All the helicopters they would bring out.”

You snort, looking up at him in the morning light and sigh dramatically to get one more laugh from him. "I guess we should get up then, huh?"

“If we have to.” This time, he’s the one pouting. “Our honeymoon needs to be someplace quiet. A cabin in the mountains. Where we just stay in bed all day.”

"You know you can go stay at the hotel where they filmed Dirty Dancing, right?" As you drag yourself out of bed on the morning of your engagement party, talking about your honeymoon sounds like the perfect conversation.

“Really?” Marcus hums, intrigued by the idea. “It’s really up in the Catskills, isn’t it?”

"It is." Unconcerned with wearing anything night for the first part of the day, you go straight to your closet for jeans and a t–shirt. You'll change into the silver cocktail dress you have picked out later tonight. "And they supposedly really lean into the Dirty Dancing thing, which is fun."

“I’m sure Agent Bailey would love an isolated cabin to have us locked away.” He teases. “If you want to look into that, I’m completely game.”

“It’s a far cry from our original idea.” Which is neither good nor bad, just worth pointing out. “Paris is very different from a cabin in the Catskills.”

“That’s true.” Marcus stops and turns to you. “I love the idea of both, each for very different reasons.” He admits with a grin. “Whatever you want, as long as I’m with you, I’ll be happy.”

“We could always make up a little list?” You offer, ultimately pulling an old college t–shirt out of your closet with a clean bra. “And then narrow it down after we settle on a wedding date?”

“That works for me.” Marcus agrees, watching you as you start to get dressed. It’s probably his favorite part of the day, unless you count undressing.

"Where else might you want to go?" He's watching carefully and you wiggle your hips a little in his direction.

Marcus grunts, feeling his body respond to the little tease and he’s honestly wondering if he can take you back to bed for another hour. “Um…you pick.” He tells you. “A beach?”

"The beach is good." If you reach for a pair of nearly non–existent panties just to keep teasing him? Well, who can blame you for that? "Sand and swimming and sunny skies. Are you thinking Mexico or Mediterranean?"

Marcus blows out a breath when you pull out the see through lace that is literally just scraps of cloth posing as panties. “Mexico would be nice. Somewhere off the beaten path?”

"Someplace with a little bungalow and a private beach?" Since Marcus likes to tease you just as much as you like to tease him, you don't feel bad for even a second about bending over dramatically in front of him so he can have the best view of your ass when you put your panties on. "Hawaii could be fun, too."

“Too many people.” He immediately grunts. “Too many cameras.”

That makes you smirk, and you throw it over your shoulder at him. “So you’re looking to have me all to yourself?”

“Absolutely.” He nods immediately, finding your eyes for a moment before he goes back to ogling you. “All mine.”

“Well that’s true even if we go someplace not isolated.” Deciding to continue messing with him just a tiny bit, you grab your tightest jeans to slip into while you’re still talking. “I’ve been yours since the day we met.”

“But I’m thinking more of being able to strip you down whenever I want.” He admits with a grin. Completely unrepentant at the idea. “Maybe not even pack clothes.”

“If that’s what we’re going to do, we can lock ourselves in the house and Door Dash every meal.” You remind him, finally going to put on your bra and shirt. “Our honeymoon is a chance to have an adventure together. A sexy adventure, but still an adventure.”

“Get your head out of the gutter, got it.” He winks and shoots finger guns at you playfully. “Like it said, just ideas.”

“Listen,” you grin in response to his silliness. “If we decide on a winter wedding, we’re absolutely going someplace tropical to get away. I’m not looking to put snowshoeing on our itinerary.”

“So an Alaskan dog sledding race is off the table?” He jokes, snickering to himself.

“You don’t like snow either, Texas.” But both of you laugh, and as you shimmy into your t–shirt you’re already feeling better about the day. “Also…I don’t think a winter wedding sounds ideal. Even DC gets snow, and we lose any chance of having part of the night outside.”

“Yeah, I’ve never understood the ‘Winter Wonderland’ theme some people go for.” He admits with a huff. “Freezing my nut— uh, toes off doesn’t sound fun.”

“No,” you snort and tug him up out of bed to get dressed with you. “Freezing your nuts off does not sound fun.”

“Caught that, huh?” He huffs, even if he’s well aware that you don’t mind that kind of humor. “I don’t think you would like it either. You seem to like that part of my body.”

“I like that part of your body very much.” Your smirk is puckish. “Just as much as you like my tits.”

“Don’t forget your ass.” He reminds you, smirking as he pulls off his sleep shirt to get dressed. “I like that too. Oh and your thighs.”

“I like all parts of you and you like all parts of me.” You bite your lip unconsciously when he starts to change, always admiring of your fiancé in as many ways as he’ll let you at any given time. Marcus isn’t vain. He doesn’t dedicate himself to cut abs and weight lifting. But he does go to the gym to be in shape for his job and that combined with his love of food has made him broad and strong with a layer of cushioning softness that you adore.

“Then it sounds like we are a perfect match.” He winks at you as you eye him. Turning around and wiggling his own hips playfully, even though he has a flat ass.

It gets a snort and a giggle from you, and you swat at him playfully. “Do you want to go downstairs for breakfast or have something up here?”

“Completely up to you, love.” He promises. “I’ve heard rumors that Syd has been haunting the kitchens with a snuggly little Constance strapped to her chest.

“I keep telling her that maternity leave exists for a reason, but she can’t stay away.” Not that you blame her. You know for damn certain that you won’t be able to stay away from the inn after you’ve had your kids, either. “Let’s go down and say hello.”

He snorts to himself, well aware that he will be fighting the same battle Juan is when you are recovering from giving birth. “I think we need to just build her a house on the property too.” He tells you. “Make sure she’s close enough to rest.”

“The house is almost done.” Just one more month, according to the contractors. “Maybe we should keep the apartment up here as a resting space for the staff for a while? Before we turn it into a guest suite.”

“Orrrrrr…” Marcus tilts his head as he looks around the apartment. It’s not large, but it’s large enough. “What if we turned it into a small area for a nanny?” He asks. “Someone to come and watch Constance and the future Pike brood for us?” He had been thinking about it and it seemed like a good idea and it would allow everyone peace of mind in knowing the kids are close.

“That…” Your eyes flick up to his, wistful smile tugging at your lips and warmth blooming in your heart. “Sounds like a wonderful idea.” Marcus has an uncanny ability to see the future so clearly that it might make you envious if you weren’t so grateful to have him as your partner. “I genuinely love that, baby.”

“You do?” He asks, wondering if you are just agreeing to it because you are so in love with him right now. “I figured it would be a good way for you to see the babies, ours and Syd’s, anytime you get a chance.”

“It’s a lot more practical than driving them to daycare in town only to come back here for work.” Instinct and affection make you want to snuggle into his side again, but you know you have things to do around the possibility that your baby goddaughter is downstairs make you reach for a cardigan instead of your fiancé. “I think it’s smart. And will probably save us some anxiety in the long run.”

“I think so.” Marcus agrees quickly. “There’s someone dedicated to watching them, so work can be uninterrupted, but you can see and snuggle them when needed.”

“Don’t pretend you won’t be working through your lunches sometimes just to get home to them sooner.” It’s an image you can see so vividly that it almost makes you glow, knowing how much Marcus is looking forward to being a father to as many kids as you can manage together.

“Have to make it home before the sun goes down.” He scoffs. “How else will we play ball? It can’t be in the house.”

“The only balls anybody’s playing with in the house are yours when I give you head,” you tell him unequivocally, nudging him toward the bedroom door once you’re both dressed to go brush your teeth together so you can go downstairs and eat.

He snorts in amusement, although he can’t deny that you do play with his balls while you are blowing him. Smacking his lips to your cheek before he loads up your toothbrush and then his, he winks in the mirror – thoroughly enjoying the everyday chores with you.

You’re on your way downstairs within about fifteen minutes. Agent Bailey is downstairs by your office when the elevator opens, having opened up to giving you more space now that you have an armed federal officer in the apartment with you every night. Around the corner and into the kitchen, you have to smother a squeal of delight when you see Syd hovering by the line with little Constance in her baby carrier strapped safely to mama’s chest.

“Told you.” Marcus bumps your arms and immediately grins when he sees the little girl. Shes not too old to stay awake for long and she’s snoozing peacefully while the chaos of the kitchen goes on around her. “This has to be her lullaby.” He jokes. “She grew in the womb to it.”

“Oh my goodness, oh my goodness, oh my goodness.” You scurry to Sydney’s side without hesitation to hug her gently and peer into little Constance’s face. “Hello angel! Oh my goodness she’s so sweet when she sleeps!”

“She’s actually one of those babies that sleeps better amidst the noise!” Sydney laughs and rubs her daughter’s back through the sling, leaning against you instantly. “You caught me, huh?”

“I’m not even cross that you’re poking around work while you’re supposed to be resting because you brought the baby,” you admit, although you restrain yourself from doing anything besides admiring Constance. Waking her up by accident would be awful. “Are you guys feeling okay about coming out tonight?” Juan’s mother had assured her son and daughter–in–law that the baby would be in expert hands if they wanted to make the engagement party their first outing since her birth. And you had also assured them that you wouldn’t be offended if they only came to the party for dinner and headed home before the dancing to be with their little girl.

“I’m looking forward to it.” She admits with a lopsided smile. “Just forgive me if I text my mother–in–law six hundred times to check on her?” She asks, knowing you would never be upset about that. “I don’t know how we are ever going to drop her into a daycare. That’s if we find one that will open up in the next six months.” They have been on a wait list for the daycare of their choice since she found out she was pregnant. There are still twelve other couples on the wait list ahead of them.

“Marcus actually had an idea about that.” A proud grin to your fiancé on the other side of the kitchen where he is getting your breakfast from Syd’s sous chef lights up your whole face. “Why don’t we bring dinner over to your place after the weekend is over and the chaos subsides, and we’ll tell you about it?”

“Of course.” She grins at the way the two of you had made deep and lasting plans. Knowing you deserve all that and so much more. “Indian?” She suggests. “I’m craving curry.”

“We’ll get take out from Rasika. Whatever you want.” While it might be one of your and Marcus’s favourite take out spots, it’s also a favorite of your friend group so that is an easy answer. “And you text home as much as you need to tonight, love.” Casting your eye from mother to daughter, your smile softens and your heart aches from wanting one of your own. “This little angel is worth it.”

“Isn’t she?” Like any new mother, her daughter is the most perfect thing to ever exist. “She’s feeding for longer. She ate four whole ounces yesterday when Juan fed her a bottle.” She’s pumping and they are bottle feeding to make sure Juan gets his own bonding time with Constance when Sydney isn’t breastfeeding. Plus there are times the still recovering mother is too tired to do it. So it helps them tag team their newborn.

You and Syd can and have cooed together over her growing girl for hours at a time, so you don’t even realize you’ve been standing there for ten solid minutes being an absolutely doting pair of sentimental idiots until Marcus comes up behind you and gently slides one hand around your waist.

“You need to eat, sweetheart.” He reminds you, whispering in your ear as he watches the baby sleep against her mother’s chest. He’s gotten to hold her for a bit, but he lets you hold her more when the opportunity presents itself. “We have a lot to do before the party.”

There are two plates with pesto–prosciutto breakfast panini on them sitting on the counter nearby along with two oversized ice coffees and you relent, leaning back against Marcus after giving Syd one more gentle squeeze. “You’re right,” you sigh. “I just want to stare at this little nugget of a baby forever.”

“I know.” Marcus chuckles. “How many times have you thought about having our first since she’s been born?” He teases, knowing he’s also been hit by baby fever as well.

“Like fifteen times a day every single day.” You can’t help but laugh, knowing he feels the same, and you let him peel you away from the baby reluctantly when Syd’s sous chef has a question for her. “Fifteen is a minimum estimate, by the way.”

“I was honestly thinking it was more like thirty.” He laughs. “I’m about that too.”

“Maybe we shouldn’t wait a whole year to get married?” The idea hums through you with excitement. Being able to have a wedding date by tonight would be a fun little plus.

“When’s the last time the roses bloom in the Rose Garden?” Marcus asks, knowing you want to have your wedding there.

“September, really.” The first week of September would be a full year from when Marcus proposed, which seems tidy to you in a way you weren’t expecting but makes you smile. “What if we did early September? Would that step on Constance’s first birthday?”

“I think we should talk about it with the parents, but I don’t see that being a problem honestly.” Marcus hums happily.

"I heard parents!" Syd calls across the kitchen, fearless in the face of a miracle baby who truly can sleep through the chaos of a kitchen. She bounces subtly as she walks across the room, making sure her daughter is comfortable against her chest, and leans against the counter where you and Marcus are having your breakfast. "What's up?"

“We were talking about wedding dates.” Marcus admits, glancing at you with a small smirk. “We don’t want to schedule something to step on the birthday girl’s toes.” He reaches out and caresses the sleeping baby with the back of index finger.

"Were you guys thinking of doing it in September?" She asks, eyes sliding over to you and when you nod through a bite of food she smiles. "What if we pick a different weekend?" Sydney suggests. "I don't want to suggest doing the baby's birthday in place of a day–after brunch or anything. So we can just do two weekends in a row?"

“Or we could.” Marcus offers with a grin. “I know my family is up for celebrating a baby’s first birthday. Especially since they are going to fall in love with her tonight.” He warns. “Constance will be gaining a lot of aunts and uncles.”

"We weren't really planning on having a day–after event anyway," you assure her. There are already so many wedding events on your plate that adding one more sounds overwhelming to you. "What if we added more of Juan's family to the wedding guest list so they'll already be in town, and the next day we can all relax with something much more casual? It sounds...kind of perfect, actually."

“I think that Juan would like that. I thinks it’s perfect.” Their friendship had grown even closer and Juan had confided he wanted more time with his family. It’s the perfect opportunity. “We can book out the inn, right?” He asks you. “And get more hotel rooms, of course.” He chuckles. “My mom has already said she wants to stay here but the Watergate Hotel is calling her name.”

"We could have Connie's birthday here?" You raise an eyebrow to Syd in question. "We'll be surrounded by family and friends and you'll barely have to roll out of bed to get here." The Badillo house is close by and you and Marcus will be more or less in the inn's backyard.

"Comfort food, family event, and very casual." Sydney laughs, but she is nodding her head. "Sean has been a great sous chef. I know he can handle that even with my nitpicky ass hovering over everything."

“It sounds like we have a plan.” Marcus agrees. “So I think our wedding day needs to be the day before little Connie’s birthday.”

"September ninth." Of course you and Sydney say it at the same time, grinning at each other. Constance was born in the wee hours of the tenth.

"That means it will be a long weekend for people. It will be good to give them the date well in advance." It will be beautiful, is what it will be. Beautiful, and fun, and an occasion well worth celebrating.

**

His suit and your dress in the trunk of the car, Marcus steers towards the venue happily. “So we start getting set up, the band should be there first, right?” He asks. “Get the sound check done before the other vendors?”

"Yeah, that's what we planned on." A White House photographer will also be on hand, documenting the event for any press that Annette deems appropriate. You've left it entirely to her. "Melanie will be there to direct traffic, and she has a room for us to change and keep personal affects in."

“My parents are landing in about an hour.” He reminds you. “They will be out here to help and generally support us as soon as they drop bags in the hotel.”

"Selena, Leo, and Clark are all meeting us out here around the same time. They're riding together." The contingent from Dallas that has moved to DC in the last few months have banded together well and are all excited to join the next board game night. Bringing your friends and his together has been exceptionally easy.

“Perfect.” Marcus chuckles. “It’s a good thing the bartender will be showing up next.” He jokes. “Seriously, if we need to get any last minute items, mom said she’ll send dad.”

"I'm just glad we decided not to do flowers." It had been Junie's idea. During the Friday night dinner after you had booked Monticello, the discussion at the table had turned to decor and when your mother's ideas for florals got overcomplicated it had been your sister who suggested having a few large, live plants amongst the tents and lights and candles on the tables instead. "Melanie pulled those potted plants and light plans out of nowhere and I love her for it."

“I think it will make the wedding even more special.” Marcus admits. “Flowers don’t need to be at every event.”

"The rose garden is going to be spectacular." Your genuine excitement for that is infectious enough that it makes Marcus beam brightly at you as he pulls his car into the large lot around the Monticello visitor center.

“Wow.” Marcus frowns slightly as he sees all the vendor vans. “Are they early?”

"They must be." You check the time on your phone and frown to see that it is a full forty–five minutes before the caterer is set to arrive, and two of the vans nearby are marked with a florist's logo. "Maybe it's for one of the other locations on the property? Melanie did say they had multiple events tonight."

“That has to be it.” He agrees, although he knows the other venues have their own designated parking on the other side. He sends you a smile as he parks. “Let’s go get started.”

Melanie is waiting for you inside, smiling and ready in the lobby. “It’s so good to see you!” The nice thing about her is that she seems to actually mean it. “Your caterers just got here, and the florists are starting to unload. We’re doing great for time.”

“Uh...” Marcus shakes his head and looks towards you. “We don’t have a florist.” He reminds her. “The potted plants were what we decide, right?” He asks, wanting to make sure that the plan hadn’t changed.

"And I confirmed the arrival time with the caterers this morning. They aren't supposed to be here for another hour." Your worried eyes meet Marcus's and then Melanie's. "I think there has been some kind of mix–up."

Her brow furrows for a moment and she nods. “I will go make sure they aren’t supposed to be on the other side of the mansion.” She decides, sure that it’s a simple mistake.

"I'm sure it's nothing." The words come out of your mouth but you aren't convinced. Instead, you squeeze Marcus's hand in yours and head to the small room beside Melanie's office to store your party clothes and purse until you're ready to change.

“I’m sure it will all be worked out.” Marcus promises, reassuring you even if he has his own worry. “Come on, let’s go see the space.”

Once your things are stowed away, the pair of you step outside to the lawn to check out the tents, lights, and plants as they should be finished being put up. But instead of seeing potted plants and fairy lights there are sunflower arrangements and autumn harvest centerpieces stacked out on the banquet tables. Even the tables have the wrong color tablecloths – deep navy instead of the seasonal shade of red that you had picked out.

“Well, shit.” Marcus huffs, clearly seeing the problem and he quickly steps over to the young lady that is directing the flowers. “Excuse me.” He interrupts politely. “I’m afraid there is a problem.”

"There is?" She looks spooked, almost like a deer in the headlights with the large arrangement of flowers in her hands. "I'm sorry, I'm not sure–who are you, exactly?"

“Sorry.” He’s always going to fall back to manners, so he offers her an apologetic smile. “I’m Marcus Pike and this is my fiancée.” He introduces you. “We are setting up for our engagement party tonight and we don’t have floral arrangements.” He explains kindly. “Are you sure you have the right spot here? I know there’s several events happening tonight.”

“Oh!” She laughs in obvious relief and digs in her pocket to pull out some folded paperwork to show you both. “I think you’re in the wrong place, Mr. Pike. We’re setting up for Mr. Chase.”

Fuck. Marcus feels you tense beside him, but he shakes his head. “No, I’m sorry, but I’m not in the wrong place.” He tells her kindly aware that she is a vendor caught in the middle of something. It’s not her fault. “My fiancée and I rented out this space for tonight. Mr. Chase must have gotten his dates mixed up.” Marcus is well aware that isn’t the case, but he won’t air dirty laundry in front of her. “Here.” He pulls out his own contract for the venue that he had slipped into his pocket, always one to cover his bases and he’s glad that paid off.

“That’s weird…” Looking at both contracts, the florist frowns heavily and offers you both an apologetic expression. “Let me get my boss. Hang on one second,” she says before scurrying away.

“Shit.” Marcus hisses, turning towards you. “What are the odds it’s a mix up on Melanie’s part?” He knows the answer, and so do you.

“Zero. That woman is so meticulous it makes Juan look scatterbrained.” Closing your eyes against the frustrated outburst that is pushing on your chest right now, you lean into Marcus and exhale slowly. “I honestly can’t believe he’d go this far.”

“Just plaster on that amazing customer service charm and I will dazzle them with kindness.” He murmurs, leaning in and kissing your temple. “We have the contract for the venue.”

“I love you.” Murmured words aren’t enough to keep your heart from pounding with anxiety, but his arms around you are. Marcus hugs you tight and you just find yourself wondering what the hell happened to turn Sam into this vindictive monster…or if he was always this way and you never knew him at all.

“I love you too, sweetheart.” He promises. “It’s just a small bump in the road.”

“I hope you’re right.” It’s terrifying to think that things might go so entirely wrong so early. It isn’t something that sits well with you, especially not when you have almost a hundred people coming tonight.

“It will.” He promises again, kissing your forehead again. “We have a legal contract.”

A serious looking woman with short gray hair and a clipboard comes back with the girl who had scurried away, and she introduces herself only to Marcus with forceful authority. "I understand we have some confusion on our hands?"

“Yes madam.” Marcus shows her the contract that Melanie had given him, clearly stating the space and date were his and gives her an apologetic smile. “I’m afraid your client is mistaken.”

"I'm sure that's not right." The prim woman doesn't even look at the paperwork that is being presented to her. "The Congressman was very specific in his planning and we are right on time in setting up for tonight."

“The Congressman was mistaken.” Marcus insists, a little more firmly. “The First Daughter signed this contract to rent this space tonight for her engagement party. Which the President will be in attendance for.” Titles seem to impress this woman, so he throws out a few that are sure to get her attention.

"Let's see if we can't get all of this sorted out." Melanie has appeared, looking frazzled but quickly recomposing herself with a young man in tow behind her. "It seems that our event staff did not verify paperwork for the caterer or florist when you arrived." She offers the gray–haired woman a professional smile, but you get the impression that the kid behind her with his tail tucked between his legs is going to get his ass kicked for this mistake. "May I see both sets of reservations, please? I'm sure we can get this cleared up quickly."

Marcus steps back and lets Melanie take over, sure that she will be able to clear things up quickly. He turns to you and gives you a reassuring smile.

"Well, I'm not sure what went wrong." After looking over both contracts, Melanie holds tight to both and looks between her actual clients and the florist who apparently should not be here. "But unfortunately, Congressman Chase never reserved this date or location with my office, did not make any payment on the space, and certainly is not hosting an event here tonight. So I'm going to have to ask you to leave, I'm afraid. We do have a contracted event here tonight and our security will be very tight."

“I’m sorry?” Blinking owlishly, the prim woman shakes her head, obviously not used to being told no. “Congressman Chase has a campaign event here tonight. Many important people will be here.”

"More important than the President of the United States?" Melanie challenges, not backing down. What she does, though, is turn to you and Marcus and apologize. "I will take care of this. If you would like to have a seat inside, I will absolutely come and let you know when everything is resolved."

“Thank you.” Marcus takes your arm and leads you towards the building so Melanie can deal with things. “You might want to call that White House press person.” He murmurs quietly. “I have a feeling Chase did this on purpose.”

"I don't know what the hell we did to deserve this," you huff, pulling out your phone to call Annette. She's probably on her way to the venue already but you know she was coming with her husband so hopefully he's driving and she can talk.

“I think he’s got a fucking screw loose.” Marcus mutters, shaking his head at the increasing antics the congressman is pulling.

When the call connects you have to swallow a sound of relief mixed with frustration. Getting to talk to Annette is a relief but you're so frustrated you could scream. "Annette? It's Birdie. We, uh...we have a situation. It appears that Sam Chase has attempted to double book the same venue as us for tonight."

“Oh dear.” The soft sigh is one of practiced patience, having put out many a fire in her day. “It’s not a mistake on the venue?” She clarifies.

"No." You shake your head as though she can see you, but it's just an emotional reaction. "Miss O'Neil is certain there was no mix up in the booking, but there are vendors here to set up for a campaign event that is definitely not supposed to be happening." Glancing up at Marcus beside you, you sigh softly. "Marcus and I suspect that Sam is trying some kind of indecipherable stunt. To make us look heartless or something equally outlandish. Like we stole his venue, I guess."

“Gotcha.” Her voice is slightly terse but it’s not towards you. “I will start making calls to his office right now. You just hang tight and I’ll be there in a few minutes. Don’t worry.”

"Thank you, Annette." Your eyes close against the sinking feeling in your stomach that the night is starting to unravel at an alarming rate. "We'll see you soon."

You end the call and Marcus reaches for you, pulling you into his arms. “It’s okay, sweetheart.” He soothes you, quietly.

“She’s almost here.” The urge to cry out of sheer frustration is strong, and you bury yourself in Marcus’s chest for strength. “What in the hell did we do to deserve this?”

“I don’t know.” He answers honestly, unable to fathom the malice behind the way Sam Chase is operating. “But we will show him that we are not to be messed with.”

“How?” The question is incredulous, but it’s honestly because you’re feeling so at sea with confusion in this whole situation. “By running to my mommy about it? The President can’t kick a Congressman out of power for being a dick to her daughter.”

“By showing him that he holds no power over us.” It’s a bit unsatisfying, being the bigger person and not using his own status to make like difficult for Congressman Chase, but he wants to be above reproach when shit hits the fan. And he has no doubt it will.

“Ugh, that’s so unsatisfying,” you groan, unknowingly echoing his thought exactly. It’s a small mercy to have the same thought, though, and you both laugh. “I want to nail him to the wall but there’s no crime against being an asshole.”

“I know, but he wants to get under your skin.” He reminds you softly. “That’s the entire point of this, I think.”

“Well he’s succeeded.” As much as you hate to admit it, he really has. He’s made you feel guilty and selfish for wanting to celebrate your love with your soulmate, which isn’t fair in the least.

“I know.” Marcus kisses your forehead again. “I’ve never wanted to hit someone more in my entire life.” He huffs. “Not even Patrick Jane when he convinced Teresa to choose him.”

"And that guy was an asshole," you huff, having heard the entire story from Marcus early on in your relationship.

“Yeah…he really is.” He chuckles and pulls away slightly to look into your eyes. “He did me a favor.”

"I don't know what I did to deserve you." His kindness and his support mean the world to you, and the ugly realization that if Marcus had not appeared in your life like a whirlwind that you might still be with Sam? It stings your heart in a way that isn't quite aching or envy but that smacks of bitter regret.

“Just being the most wonderful woman in the world.” He teases, nudging his nose against yours.

"Hardly." Or, at least, it doesn't feel like it right now. But you sigh, letting yourself settle against him and accepting the kiss he offers you before you stand straight again. "We should change a little early," you decide after a moment. "Present a united front of joy instead of looking like we're not quite prepared."

“Whatever you want to do, sweetheart.” He will follow your lead of course, wanting you to feel in charge. Especially with the turn of events.

"I think it might be better." Or, at least, it well help you feel less at sea. Because right now you just feel like you're floundering in uncertainty. "Especially if we have to deal with Sam directly."

“Do you think that he will actually show up?” His brows lift and he doesn’t like that prospect at all. Sam has been exhibiting dangerous behavior, even if he can’t prove it has been him behind the vicious rumors.

"At this point I'm not really sure what to expect at all." But confidence comes from all places, and if right now it comes from putting on the beautiful dress that Alex and David helped you pick out and going out there holding Marcus's hand? Then so be in. Sam does not get to ruin to night, and he does not get to ruin your joy. "But I guess I would rather be mentally prepared for the worst."

“Whatever happens…” Marcus smiles at you proudly. “I’m going to be right there beside you.”

**

It takes nearly a half an hour to calm down, change clothes, and do your make up, but once you’re ready you head back outside with Marcus to find Agent Bailey waiting for you in the lobby and a commotion outside. “What’s going on?” You ask, though you’re afraid for the answer and not even sure if she will know.

“Miss D’Amario is trying to get the Congressman on the phone,” Agent Bailey explains. “Your vendors are starting to arrive and Melanie had them prepping so they can set up the second the others are cleared away.”

“Vanessa is here?” Marcus looks around warily and spots her standing off to the side looking slightly frazzled as she furiously types on her phone.

“Awesome.” The obvious sarcasm in your voice comes out in a huff. Your exes always being together is more like a Nightmare Team than a Dream Team.

“I’m going to talk to her.” Marcus decides, done with them upsetting you.

“I’m going to stay nearby so that I can intercept anyone who arrives,” you decide. Going up on your toes to give him a kiss, you brush the sharp lapel off his blue suit and offer him your most encouraging smile. “Go get ‘em, Slugger.”

Marcus smiles at your reassurance, but it drops into a frown when he turns and walks towards Vanessa. He’s tired of the games and now, he’s going to face the problem head on. “What is going on, Vanessa?” He demands when he reaches her side. “This is getting ridiculous.”

“What’s going on is crossed wires.” She doesn’t look up from her phone. She doesn’t need to. She still knows Marcus Pike’s voice. “I don’t know how this woman could possibly have booked us both tonight and now she’s playing dumb and getting defensive about it.”

“She’s not playing dumb, but I’m disappointed you are.” Marcus states flatly, sighing softly. “This little game you and Chase are playing needs to stop.”

“I’m not playing dumb.” Vanessa defends, brow furrowed in frustration as she looks up at Marcus after hitting the send button on her text. “The Congressman booked the location himself. All the other vendors were booked by me personally. We’re supposed to be here.”

“Did he forward you the contract and emails?” Her reaction is more honest than he expected and the fact that Sam booked the venue makes him wonder if she was kept in the dark. He pulls out the contract he had tried to show the vendor earlier. “Where is this if Chase actually was double booked?”

“He has the contract. I’m trying to get ahold of him to get a copy right now.” She huffs, frustration and uncertainty lining the worries creases in her brow. “Why couldn’t you two have just had your little party at her hotel anyway? Isn’t that what the place is for? You don’t need the clout of a place like Monticello.”

“Why should she always have parties where she’s doing most of the work? This is our engagement party.” Marcus fires back, unable to believe the condescension in her tone. “What do you have against her, Vanessa? You ended things with me not the other way around. And I thought we ended on good terms.”

“She’s a snob. And dishonest, too boot.” Vanessa doesn’t hold back, obviously pushed to the edge of whatever manners she usually has by the situation at hand. “Almost an entire year in the campaign trail as her mother’s Golden Child preaching freedom of affection and holding Sam up to be the next Jack Kennedy and then she flips her entire platform on a dime when she claims to find her soulmate. It’s pandering, Marcus. And I honestly thought you were better than that.”

“I am her soulmate, Vanessa.” He murmurs quietly. “We didn’t know when we met. I figured it out, that night you broke up with me. Hell, she knew before I did and didn’t say anything because she was with Chase.” He sighs. “So freedom of affection means you can’t choose your soulmate?” He asks. “What about you? You chose your soulmate when you broke up with me. Should I have been spiteful?”

“I always wanted my soulmate.” Vanessa defends, standing up a little straighter and squaring her shoulders. As it that stance somehow gives her a moral high ground. “I support him, and take care of him, and do whatever he needs. That is what love is.”

It clicks, like a bolt of lightning. “It’s Sam, isn’t it?” He asks. “Your soulmate is Sam Chase. That’s why you are doing this.”

The frown on her face flattens into a thin line, unwilling to say a single thing against the man she’s been loyal to for years now. “If I can’t give him the position he wants, I can at least help him make up for what he’s lost,” she reasons, not thinking for a moment that Marcus would understand. He isn’t ambitious the way Sam is. He doesn’t want to lead. To mold an entire nation. Dating the First Daughter was supposed to get him there in leaps and bounds.

He shakes his head sadly, hating to see that Vanessa is blind to what is happening. Willingly looking the other way. “Are you happy?” He asks. “Not being enough?” He folds the contract up and puts it back in his pocket. “If losing access to the White House on a personal level is a detriment, then he’s not a very good politician.” Marcus turns around and starts to walk back towards you.

“No one gets into the White House without knowing someone.” She tells his back, tone laced with bitterness because, No of course she isn’t happy, but why does her ex boyfriend have to be the one to point that out to her? “Just like you don’t get to Hollywood or a record deal or a place in an Ivy League without it.”

He doesn’t answer her, knowing that nothing he says will get through to her. She’s blinded by her loyalty to Sam and her utter devotion to the idea that she should support her soulmate no matter what. It’s a twisted logic and he feels bad for her. When they were together, she was a sweet and earnest woman, looking forward to having a family and building a life with her soulmate.

When Marcus comes back to your side he looks sad rather than angry, and you frown all the more deeply for it. “What’s going on?” You ask gently, letting him lean into your side for comfort. “What did she say?”

“Well….I figured out why Vanessa is so blindly helping Chase with his revenge.” He sighs and glances back at the other woman. “She’s his soulmate.”

“Ah shit.” It was somehow in the back of your mind the whole time, you realize, and now that he’s said it there are puzzle pieces that click into place all too easily. “So this…all of this really is just about the fact that I dumped him?” It makes your skin crawl to think about, a grotesque and unsettling feeling that you know is going to haunt you far longer than you want to admit.

“He wants the White House one day.” He reminds you. “I’m almost positive that he either made promises to people because of having access to the President, or was using that relationship to bolster his career.”

“Well that doesn’t make me feel used and disgusting at all.” You cringe, eyes set down on the sturdy flooring beneath your feet. It’s worse than disgusting, actually. It’s downright humiliating. You’d fallen in love with his act. Bought it hook, line, and sinker. Meeting Marcus may have snapped you out of it, but you had still be entirely fooled for a year.

“Hey.” Marcus reaches for you, rubbing your arms and pulling you closer. “Don’t blame yourself, sweetheart.” He hums. “Chase is a man who put on an act to get what he wants. He has fooled plenty of people.”

“Please know that none of this is because I missed him or still had feelings for him.” Careful not to get makeup on his shirt, you tuck into Marcus’s embrace and breathe in the strength of him. “I’m embarrassed at being taken in so completely. And love you impossibly more for being such a good, honest man.”

“I don’t think you feel anything but heartbroken that he could feign affection for his own personal career gain.” He promises. He would have thought it was because of his feelings for you that he was reacting so badly to this, except for what Vanessa had told him. “Even if you still had feelings for him, I would never expect you to turn off a year of emotions like a switch.” He’s secure enough in your love that there is not any reason to doubt you or be jealous.

“Whatever I felt for him started dimming the second I met you,” you assure him. Even though you and Marcus are strong in the love you have for each other, a bit of reassurance never goes amiss. “More than anything I’m upset with myself for being so blind to his true intentions.”

“Honey, you can’t always see the darkness in someone’s heart.” He reminds you, not wanting you to feel guilty. You have nothing to be upset about. Your intentions have always been good.

“So what do we do now?” He seems to have the answers tonight and there is comfort in that — on top of which, he is the one who talked to Vanessa. “Is she backing down? I don’t want to have to have an altercation.”

“I don’t think she knows what is going on, to be honest.” He admits, looking back at the very flustered woman. “I told her that if it was a venue mix up, the congressman would have a contract.”

“Vanessa does all his bookings.” You look up at him in confusion. “Shouldn’t she have the contract?”

“She said he booked the venue and she booked everything else.” He explains, shaking his head. “It’s pure fucking malice.”

“He never booked it.” The realization kicks you in the gut with the force of a wild stallion. “He’s going to go to the press with a story about us stealing his event venue to make us look bad.”

“What better way to do that, with all the press already here for his ‘event’?” His smile is brittle and humorless.

“I heard the press.” Annette comes swinging around the corner and into view like she’s late for a cue on stage. “Tell me what’s going on, kids. I’ll handle it from here.”

Marcus looks at you for the go–ahead and when you nod slightly, he turns to the White House press agent. “We think Sam Chase did this deliberately.” He explains quietly, not wanting the conversation to go beyond the three of you. “Vanessa D’Amario is his personal assistant and apparently his soulmate.” The older woman’s eyes widen in surprise. “She says that Chase personally booked this venue and she booked the vendors. I think he set this up, knowing we were considering this place to force some kind of public ‘they are pushing their weight around’ accusation.” When it’s voice out loud, it sounds like some kind of conspiracy theory, but he knows it’s true.

“Interesting…” Annette looks between the two of you and offers you both what she hopes is a reassuring smile. “If all of that is true, which sounds alarmingly plausible, by the way…well, it means doing a little politicking of our own. Are you two going to be okay if a little press leak happens ahead of your party?”

“Whatever we need to do.” Marcus agrees easily and then looks at you. “What do you think, sweetheart? I think we’ve been on the defensive long enough. Time to play a little offense.”

“There was going to be press coverage for this party anyway, so why not?” You shrug slightly “Do whatever you think will help, Annette.”

“I’m on it,” she promises, disappearing again in a flash with a wink and a thumbs up.

“Well, if anything, we can prove when we sent out the party invites.” He reminds you with a shrug.

“Annette seems to have it in hand.” The best you can do right now is shrug and check your watch. “Your parents, my siblings, and the first carload of our friends should be here soon.”

“We are a little bit behind, but nothing we can’t deal with.” He promises.

“At least I can hear the band doing sound check.” That in and of itself is a huge relief. It means things won’t be too behind schedule. “Let’s go see who’s here.”

“Of course.” Marcus grins at you. “Maybe we stop by the bar and grab a drink to calm our nerves.”

“Slow sipping,” you agree with a nod of your head. “It makes me extra relieved that we have those charcuterie tables as part of our appetizers. Even if the caterers get held up with the other things, people can graze.”

“You loved that idea and I have to admit that it’s a good one.” He steers you towards the lovely little alcove that the beer, wine and cocktails will be handed out from. The bartender is already set, since the venue provides ice and he is handing you drinks in no time.

The first to arrive are Marcus’s parents. Matthew and Donna practically smother the two of you in hugs immediately, so glad to be here to celebrate that they’re buzzing. How handsome Marcus looks in his suit, how lovely your dress is, the perfect warm autumn night for the party, they’re just delighted to be there and a balm of positivity over your soul.

Marcus points his father to the bar while his mother coos over you with a proud smile. Donna Pike absolutely adored you, it was evident from the way she always asked about you and reached out to you without him as an intermediate, wanting to forge a relationship with you separate from her son.

“We’re so glad you were able to come up on short notice.” It’s a relief (one of many tonight) to have such a good relationship with your fiancé’s mother, and you walk with Donna toward the bar with Marcus walks ahead with his father. “We both would rather have waited on the party than do it without you here.”

“The good thing about what I do is that I can teleconference when needed.” It’s not something she employs all the time, but her only child’s engagement party warranted the change of pace.

“We’re grateful.” Especially now that their presence is a calming balm over both you and Marcus. “And I thought…while you’re here…I was hoping to ask a small favor of you?”

“Anything.” The answer is immediate and doesn’t need any consideration. “What do you need, sweetheart?”

“I was hoping you would be willing to come to lunch with me tomorrow,” you glance up at her with a small smile. “At the White House. For a little wedding planning.” It’s both to include your future mother–in–law in planning that she will not be close by enough to really take part in, but also to have your family around you for an afternoon. “My grandmother’s wedding dress has been passed down and I’d like for you to be able to see it. You know, before any decisions or shopping or anything happens.”

“Oh…” she exhales softly, tears immediately making her eyes water and she nods. “Absolutely. It would be— of course.” She insists. “I would be delighted to come to such an important event.”

“I know it will be hard to have you included in most aspects of the planning,” you explain, wanting to make sure she understands how much you’ve thought about this. “So I wanted to have to you included in the most important ones.”

“And I would have understood if you hadn’t included me at all.” She folds you into another warm hug. “Thank you. And I have something for you.”

“Oh?” In all the commotion you can’t think what it would be — after all, you and Marcus had specified that gifts were not necessary in your invitations for tonight.

She pulls back and reaches into her purse for a card. "I know that we aren't supposed to bring gifts, but..." She looks fondly to where her husband and son are at the bar talking and smiling. "It's the groom's family's responsibility to take care of the rehearsal day and I want you to plan exactly what you want."

“Donna.” She knows very well that you and Marcus are doing well in your careers. Well enough to be able to build a house and plan for a family and all sorts of other things. “You really didn’t have to.”

"Yes we did." She tells you with a small smirk. "You have made Marcus completely happy and that is worth more to me than the national debt your mother inherited."

There is the barest moment of pause before you snort, and you and Donna both bust out giggling. “Well, thank you.” You’ll open the envelope later with Marcus, but for now you give her a very tight hug. “I’m sure everything will go smoothly. It’s just the nerves of everything.”

“Anything else we can help you with?” There’s the briefest flash of unhappiness on your face before you hug her and she knows it’s nothing between you and Marcus that caused it.

"Not at all." Their being here is wonderful, and they're helping financially when they're not obligated to. That is more than enough. "Why don't we grab you a drink and we can take a look around. The view from here is beautiful."

“You have chosen a gorgeous venue.” She marvels, even as the people working continue to bustle around to put the event together.

After procuring a glass of the same spiked hot apple cider that you're drinking for Donna, you turn to look around the lawn with her and actually let yourself smile. "We were here for a day out after our goddaughter was born and we fell in love with it," you tell her. "It was perfect, so we dove in and talked to their event coordinator that day."

“It’s a mixture of homey and sophisticated.” She admires. “I think it’s very fitting for the two of you.”

"I think that's sort of the vibe we're going for with everything," you admit, sipping your drink beside her. "Comforting and fun Americana, but a little sophisticated."

“I think that you’ve nailed it, love.” She agrees, taking a sip of her drink and humming in approval.

"I'm really glad you're here." And while you know that isn't something a lot of people say to their in–laws, you count yourself as lucky. "And I'm just as excited for tomorrow as I have been for tonight."

“I am too.” She admits with a grin. “I am just happy to be included.”

**

On the edge of the lawn, nearest the parking lot, Annette has intercepted the first batch of friends and family to arrive with a plan and a spark in her eyes. "Alex! June!" She knows the First Children well, and Sydney Badillo as well, flagging down the new mother and her husband when they get out of their car. "I'm very glad to see you all."

“I wonder what this is about.” Juan murmurs to his wife, taking her hand after he rounds the front of the car. “I don’t know.” Sydney frowns slightly, knowing that you hadn’t said much about Annette doing the publicity for the party, but it’s unusual to have her meet them out in the parking lot. “But we will find out.” She murmurs before sending the older woman a warm smile. “Annette! Lovely to see you.”

Alex’s soulmate David, his brother Noah, and Junie’s soulmate all pile out of the cars as well, followed closely by the arrival of Marcus’s cousin Selena and his friends that had moved to DC. This is Annette’s army assembled, and she smiles at the large group. “I wonder if I could ask a favor of all of you?” She poses, knowing there will be a few skeptics in any group. “We’ve had a little mix up here tonight but everything will go smoothly will your help.”

“What happened?” Alex demands, aware more than Junie about all the negative press surrounding you and Marcus lately. He and David both agree it’s a smear campaign.

“It’s not necessary to go into deep detail,” Annette insists. She doesn’t want anyone being pointed or cruel tonight. “But there is someone trying to claim that Birdie and Marcus stole this venue from them for an event tonight. They don’t have any proof that they booked it, of course, but I suspect they’ll try to go to the media with a story for the morning. So I was hoping I could get all of you onto your social media accounts tonight with positive posts from the party and a few mentions about how excited you’ve been for this?”

“Done.” Junie immediately agrees. “I’ve got photos of the invitations to the party when I opened them. I’ll post those with the ‘it’s finally the day!’ theme.”

“We’re on it. A hundred percent.” Alex agrees, glancing up at David and getting a nod from his partner. They don’t have to be told to know who is behind this, and they’re going to do their part to stop the stupidity.

“Do we have an official Insta for Birdie���s wedding?” Junnie asks. “Or should we tag mom’s White House account?”

“Definitely tag the White House.” Annette nods, but she chewed over the question. “But we should do a tag for the event, and maybe a tag for the First Kids? What do you think?”

“It is our sister.” Alex muses. “We should also do a tag for the engagement. Something like fairytale2017 or something as equally disgustingly cute.”

“Maybe we could think of something unique and a little catchy?” Sydney suggests, pulling out her phone. “Something we can use through all the events?”

“Birdie&Marcus’TilEternity?” Junie offers, a slightly dreamy smile as she thinks about soulmates. Since discovering her own, she’s become more of a romantic.

“It’s a little long…” Alex chews on the thought. “FirstWife2018? Like a reference to being the First Daughter?”

Sydney laughs softly, shaking her head. “It would work,” she admits with another laugh. “Except he’s been married before. So technically she’s the second wife.”

“We will come up with something.” Annette agrees. “May I text you all when it’s decided.”

“Of course.” Selena nods her head along with several of the others. “We already have a group chat for planning their combined bachelor/bachelorette party. We can do a version of that group that has you in it, too? In case you need us again.”

“That would be perfect.” Annette agrees. “I will not text without a good reason, I promise.”

There is a little bit of back and forth conversation, but Alex adds Annette’s number to a new group chat with everyone involved and renames the new group Mythbusters with a giggle.

“Oh that’s good.” Sydney snorts when the welcome text pings through and quickly responds with who she is so Annette can associate numbers with names.

“It’s the Congressman, isn’t it?” Selena asks, saving Annette’s number to her phone like the others.

Her brow wings up, nothing getting by the friends and family you have, but she doesn’t answer in the affirmative. “We would just like to get ahead of any potential issues a quickly as possible.”

“That’s yes, in White House Staffer,” June translates for anyone who isn’t familiar. “And I can finally say with glee that something about that guy always felt off to me.”

“I tolerated him.” Sydney admits. “I know Birdie would huff, but he just always was so smug. I wanted to slap him.”

Alex offers here a high five for that and Juan nods in agreement while Annette bites her lip from saying anything unprofessional. “How about something cheeky?” She suggests after a moment, when the murmurs about disliking Congressman Chase have subsided. “The press called her the First Princess after she and Agent Pike were photographed dancing together. Maybe we can do something with that?”

“#PrincessPike2018.” Sydney supplies immediately and Juan chuckles. “They will love it and she will be a tiny bit embarrassed when it trends.”

“Which is perfect.” Selena agrees. She’s taken to this new group of friends like a duck to water, sense of humor included. “We can also do a plain and simple #PikeWedding2018 for all the event photos we’ll end up posting.”

Juan nods. “Well, the official day should have the hashtag #WhiteHouseWedding2018.” He offers.

“Perfect.” Annette agrees with that right away. It’s good social media coverage in every way. Let’s use #PrincessPike for anything relating to Birdie as a bride, #PikeWedding for planning and events, and then #WhiteHouseWedding for the day.”

“That sounds like a plan.” Everyone nods as Sydney answers. “We will start posting things now. Tagging them and Monticello for the engagement party.”

“I appreciate all your help.” Annette steps away, as if she is releasing the group into the wild. “We’ll nip this in the bud and have fun doing it.”

“Is there anything else we can do?” Junie asks seriously, her hand in her soulmates and looking determined.

“Help your sister have a great time.” Annette tells her seriously. “Right now she’s a bit stressed, and nervous. Just go celebrate with your family and she’ll feel better being surrounded by it all.”

“That’s easy to do.” Alex grins. “Come on, Junie.” He chuckles. “Let’s go lovingly bully our older sister.”

**

"Baby, come here. You have to try one of these." The catering company had agreed to tweak their stuffed mushroom recipe to meet the one created by the Kennedy family's personal chef as written down in his cookbook, and the result is absolutely stellar. "Tell me this isn't the best stuffed mushroom you've ever had in your life."

He hasn't strayed from your side for more than a few steps, so it's easy to come closer. Grinning as he opens up for you to feed him one of the stuffed mushrooms, closing his eyes in utter delight as the flavors burst on his tongue. "Oh god, we are keeping the leftovers, right?" He moans.

"Absolutely." You grin and giggle a little that his face matches yours perfectly. They're little bites of heaven. "I have half a mind to have these at the wedding, too."

"We should." He agrees quickly, picking up another bite off the table and offering it to you since you sacraficed one of your mushrooms for him.

Without looking, he has grabbed one of the little cornbread cups filled with pulled pork with has been your other favorite bite at the beginning of the party. You hum around the delicious choice and sigh happily. "Everyone seems to be having fun. And the band is great, thankfully."

"They are good." Marcus has been impressed with the range of songs they can play, but it's to be expected for a good wedding band. "I'm so glad that tonight has gone off with little more than a slight hitch." He leans in and kisses your cheek. "Everything worked out."

"Fingers crossed that the rest of the night runs as smoothly." It's almost time to start dinner, which will surely come with a couple of speeches but should be a beautiful meal. This catering company is fantastic and the two sisters that run it deserves as much recognition as you can possibly heap on them. They, along with the band, will hopefully get lots of coverage from the White House.

"It will." Marcus doesn't mention that there is the best security that could possibly be provided by the Secret Service at this event. He pecks your lips. "Tonight is amazing and it will continue to be so."

"Are you sure about that?" Having not seen her in a while, it is a surprise when you glance past his shoulder and see Vanessa approaching from the corner of the lawn.

Marcus hisses a quiet sigh and squeezes your hand. "I'll ask her to leave and then I'll have someone escort her out." He tells you quietly, waiting for you to agree with a quick nod before he moves to intercept her.

"I come in peace." Vanessa insists, holding up a hand briefly as though it were a white flag.

"I'm not sure that I believe that." He admits, not calling security over simply to avoid a scene. If he can get her to leaving willingly, it would look better.

"I just came to tell you that my vendors are packed up and we're leaving the premises." She's feeling deflated and frankly embarrassed by being stuck in the middle without any kind of life preserver. The shouting match she had with Sam over the phone inside the Visitor Center did not help. At this point she just wants to go home and open a bottle of wine.

His brow lifts in surprise, sure that she would once again insist that this was their venue. "I have to say....I'm surprised that no guests of the Congressman have shown up." He comments quietly. "It's…almost as if they weren't invited."

"Please don't prod at me." Vanessa huffs, shaking her head slightly. At this point being kicked while she's down would be deserved but humiliating. "I just spent forty minutes making phone calls and having arguments. I have no idea what happened, but it's–it is what it is."

"I'm sorry." Marcus apologizes and bites his lip for a moment. "Why don't you join us for a drink?" He offers, motioning towards the bar. "I'm sure you could use one?" He wants to know what has transpired but he also wants to prove that, despite everything, you and Marcus are not her enemy.

"That...doesn't feel appropriate." It's kind of him, but Marcus is kind. That is part of him. "You guys enjoy your party. It...it looks nice. And the hashtags are a cute touch. Very media friendly." Vanessa sighs again and her deflation happens all over again. "I should...I should go. There are campaign events to plan. Even if this one sort of...imploded."

"Listen...." Marcus frowns slightly and looks over at where you are watching him with avid interest. "I know that we are kind of on opposite sides of the sand, but Birdie and I— we aren't— we don't wish you and the congressman anything more than happiness." He offers softly.

"It's all a little complicated," she admits, though she doesn't relish it. "Sam feels so strongly about this whole situation having two sides but I have to admit that I feel like that attitude is starting to do more harm than good."

"I think it is too." He agrees, nodding and offering her a small smile. "If you need anything..." The offer dies, unspoken, but it's there in case she needs it. Vanessa bites her lip and looks conflicted so Marcus takes that as his cue. "Have a good night, Vanessa." He offers before he turns back to return to your side.

"Is everything okay?" There wasn't any shouting or any real fighting that you could see, but Marcus looks upset when he comes back to you.

“Yeah, it’s good.” Marcus reassures you, rubbing your shoulder and bringing you closer for a kiss. “I think – I hope – that she’s starting to see the light in this entire situation.”

“Some cracks in the shiny veneer of it all?” You feel bad honestly. Vanessa might be blindly loyal but she never seemed outright cruel to you.

“I think so.” He hums. “She desperately wanted her soulmate, so I think she justified a lot in her mind.”

“I feel so bad.” There are a lot of people in the world who suffer in different ways for want of their soulmate, and Vanessa might not be your favorite person but she still doesn’t deserve to have that kind of pain.

“I do too.” Marcus admits, but he shrugs. “No one ever said every soulmate match was good.”

“I’m just glad I have you.” Your arm around his waist and your head momentarily on his chest are so grounding and so incredible calming. Just because you could weather the storm of the old without him by your side doesn’t mean you ever, ever want to. Not anymore. Not now that you know how much better it can be. “I love you, Marcus. More than words.”

“You are part of me.” He promises. “My soul, my heart, my thoughts.” He smiles softly, unaware that the moment is being photographed and posted online with the captions declaring true love was real.

“I’m stealing that for my wedding vows,” you chuckle softly, admittedly because you’re so choked up in the moment.

“Steal away, sweetheart.” He kisses your forehead and sighs, letting the problems of the day fade and just reminding himself that everything is perfect now. He has you.

______

Master Tags: @pixiedurango @chattychell @winter-fox-queen @lady-himbo @artsymaddie @princess76179 @paintballkid711 @missminkylove @pedrosbrat @ew-erin @sarahjkl82-blog @sharkbait77 @justanotherblonde23 @lv7867 @recklesswit @mylittlesenaar @f0rever15elf @gallowsjoker @steeevienicks @athalien @sherala007 @skvatnavle @thatpinkshirt @jaime1110 @girlimjusttryingtoreadfanfics @goodgriefitsawildworld @greeneyedblondie44 @littlemousedroid @harriedandharassed @churchill356 @ajathegreats-blog @haylzcyon   @beardsanddetectives @kirsteng42 @ladykatakuri @adancedivasmom @madiebear @tanzthompson @emilianamason @bigsdinger @xocalliexo @pedr0swh0r3 @avaleineandafryingpan @charlyrmv @avidreader73 @iceclaw101 @loveslide @elegantduckturtle @becsworld @julesonrecord @its-nebuleuse @itsrubberbisquit @mikeyswifie @guelyury @lizzie-cakes @for-a-longlongtime @vabeachazn @purplerain04 @weho2kcmo @madnessofadaydreamer

HHL: @haileymorelikestupid @anoverwhelmingdin @storiesofthefandomlovers @missladym1981 @babeincolor @angelofsmalldeath-codeine

My Masterlist!

[blkkizzat]

one pet peeve i have about certain anime/manga is the lost potential of a manga-ka not properly developing/exploring the world and characters they created.

after gege finishes this bullshit i want someone to buy them out and remake the jjk anime. ideally (spoilers): season 1 & 2

make jjk 0 the start of the series and yuta the main character (as was originally planned).

flesh out the student relationships that year with yuta, maki, inumaki and panda more

inumaki backstory (apparently he is from a sorcerer family too)

fleshout inumaki feelings/struggles with not being able to speak actual words

laying foundation for future maki/mai resolution later in series and the treatment of non-cursed energy users by zenin family. brief mentions of toji and perhaps megumi.

more history of how jujutsu society works as there's a whole hierarchy alluded to we never find out about and also would help on how they are in or have ties to the government which is revealed later in shibuya arc.

more confrontation between gojo and geto. theres 10 whole entire years between geto's defection and jjk 0. these two were practically inseparable (whether you see them as soul-besties or lovers) and theres an active bounty on geto. there had to be more passing moments, tension and smaller battles/struggles there.

show adoptive family relationship between geto, nanako and mimiko.

in fact theres a whole unexplored dichotomy between geto's mentorship to his sorcerer family he made from his followers and the found family of jujutsu high under gojo.

yuta struggling more with the guilt/burden of rika and mastering his ct

okay then finally we can have 'night parade of a hundred demons' and that resolution.

season 3 - hidden inventory arc

honestly this arc was pretty solid and can stay mostly the same but could be expanded by 3-4 episodes

show more of the dynamic between geto, gojo and shoko give us some more history/backstory of shoko.

give us an episode with haribara. like yes its sad he died but we didnt no anything about him really for it to be as impactful as it should have been as its literally the reason nanami stayed on to be a jujutsu sorcerer and what finally made geto snap.

give more backstory on gojo's family and expectations of him and how him being "othered" as the most powerful makes him more disconnected from people

something a bit more substantial to show even through gojo and geto were super close gojo couldn't emotionally empathize enough to see how much geto actually was struggling and the fact he failed him there

also see yuki interact with the rest of them more as she literally popped up out of the blue

movie break before season 4 for toji backstory movie

season 4 - the actual first season of jjk

i know yuji isnt the brightest crayon in the box but you'd think he'd actually go to the high school library/raid gojo's family library for ancient text/info on the actual curse living inside him. we should learn more of sukuna in this way, hell you could even rope in his old occult club for this.

more of sukuna mocking yuji. we see sukuna show interest in megumi which is good foreshadowing but we have nothing to hint of their actual relationship connection. i don't think sukuna would just be silent i think he would be mocking yuji internally alot.

sukuna should take over yuji's body temporarily due to their vow and we should have an early intoduction to uraume.

can we develop junpei more? he can have the same fate eventually but i feel like he should have joined jjk high briefly (still being manipulated on the side by mahito) before turning on yuji and this also is a good parallel to yuta story of how not everyone can be saved/converted.

introduce ino and show his and nanami relationship. how nanami struggles with it after haibara death

an episode or two just seeing the kyoto students interact and develop more of the relationship between mechamaru and miwa.

more information on how/why megumi sister got cursed. i assume megumi looses his shit later bc his sister is the only family he had that he gave a damn about but we need to see some more flashback scenes with them. i gotta be honest idgaf about her at this point and we certainly didnt see enough for megumi to completely lose the will to live or be as suicidal summoning mahoraga at every inconvenience lol.

season 5 - shibuya arc

things here would have made a lot more sense/felt better if things earlier were developed more as i mentioned so i dont think there needs to be a ton of changes.

we DO need to see how inumaki lost his arm because its so confusing he all of a sudden doesn't have one.

in all honesty zombie!toji should have been able to sense jogo if we are running with the theory he is programmed in that state to fight the strongest. sure megumi may have more potential than jogo but same could be said for dagon then. there was really no need for jogo show up at that point just to leave two minutes later.

nanami not dying to jogo/mahito. i appreciate how they did it and isolated i dont hate it tbh. its fitting although sad af. however choso's death and the subsequent power up yuji gets invalidates nanami's death/power up. Power ups from deaths are fine but it happening twice in pivotal moments is lazy writing. Nanami's death subsequently isn't as meaningful and choso's death (as his bro it is going to hit harder regardless). plus killing sukuna is way more substantial than than mahito.

given what happens later it also would have probably been good for megumi to realize thats his daddy back from the dead. maybe he realizes as toji's offing himself due to tid bits/things gojo or others have revealed to him in the past. but theres no other good time to do this before he becomes sukuna's vessel.

season 6 - culling games & gojo's release

explain in a less convoluted way idk how they are going to do this for anime cause i read the manga and bitch im STILL confused??

honestly though id say keep nanami alive tho just so he can meet higaruma because we need nanami + higaruma scenes they would fr be gojo and geto level besties istg.

would like a bit more on noritoshi kamo backstory and he seems to have this twisted fondness for his "children" so to speak so a bit more on that creepy mofo.

season 7 - prep for sukuna fight & sukuna gojo's fight

we skipped MONTHS here. wtf!? we need to see:

choso and yuji relationship

choso mourning yuki and realizing he probably wont be able to keep her promise as he has to protect yuji

yuji's training

maybe see more of sukuna's past

gojo reflection thoughts on all tf that has happened and his mental state.

season 8 - post gojo, current fight with sukuna

if nanami has to die he can go out fighting sukuna.

thats really all i have so far. the previous changes would make choso's death make more sense and although i hate it, it would serve its purpose more than an earlier nanami death.

thank you for coming to my ted talk.

[sugawhaaa]

SEONGHWA X READER

{Chapter one}

Blue paint red apple

Warnings:: mentions of guns and swords/abusive relationship

Pairing:: pirate!Seonghwa x princess!reader

Genre::pirate AU, ur fiance is clearly jealous LOL

A/N::I got this idea from a character of janitor ai so credits for the inspiration: marshwa4! I don't have this story fully planned out but I know it'll work out and PLEASE TRUST ME IT LOOKS SUPER STEREOTYPICAL AND CRINGE BUT JUST READ THE FIRST 3 PARAGRAPHS ITLL GET BETTER‼️

REMINDER‼️ this isn't 100% historically accurate and should be taken with a grain of salt. This story is also set in the late 1800s to early 1900s specifically in Europe but if you want you can imagine it wherever else you'd like, it is a fictional story after all 💗

Park Seonghwa wasn't an uncommon name to hear around the kingdom. It was more of a fairy tale name than anything. Stories of his rebellious and vicious acts travel around villages and kingdoms quickly. He has been seen by many royalty and merchants but rarely caught. Officials estimate that he's killed over 400 people in his 2 years of being a pirate, with the help of his crew of course.

You were much too concerned with your citizens to care about politics and things. Being the second heir to the throne meant that you didn't have to worry about politics or officials, you were worried about your people. You were a big part of one of the children's schools. A few times a week you'd head down to the children's school and teach them some things about being a princess and simply just hang out with the kids. That was pretty much the entire highlight of your life.

Most of the time you spend in your castle. You didn't really have duties to attend to and you didn't have many friends. Most people your age were too scared to talk to you.

You sat in your room painting a massive canvas in a soft green dress, a little apron over your body to protect your expensive dress from getting ruined. You held your palette in one hand and the paintbrush in the other. You step back to look at the entire canvas, a sad sigh escaping your lips. Disappointment in your eyes. The maid in the corner comes to your side.

"Is everything alright princess?" She asks kindly.

"Yes, quite alright," you say as you put down your palette and brush. You take off your apron and hand it to the maid. "I'm going for a walk around the village," you say as you leave your room. You go downstairs to see your fiance and father talking by the doorway. You stop your hurried steps and go down the stairs cautiously and gracefully, switching your persona. "Prince Herrington," you say as you approach your soon-to-be husband. He bows to you and you force yourself to swallow your pride and curtsy.

"Where are you headed?" Herrington asks with his chin up, looking down at you.

"I'm going out to retrieve some…" you paused and tried to speak while looking at his dispiteful face. "Paint," you nod and Herrington looks at you suspiciously.

He stands to the left of the door and holds it open for you. You walk out with a respectful nod towards him before heading for the village streets. You gaze around the streets taking in the Seabreeze and fresh air. You stop by one merchant who seems to be painting. You look at his table to see paints and hand-carved palettes. Once he notices your presence he stands up and bows.

"Princess Y/N, it is an honor," he says as he sits back down. "What can I offer you?" He says eagerly with a smile. You spot one beautiful blue paint and pick up the bottle.

"Could I have this? How much would it be?" You ask kindly.

"Free of cost for royalty," he says with an eager smile. You look at the bottom of the bottle to see £1.75. You toss him two pounds before walking off.

"Keep the change," you smile with a gentle wave. You turn to continue your walk before bumping into someone, stumbling backward from their force. You dust off your dress. "Excuse me," you say with a displeased expression as you look up to see a tanned-skinned man with his hair slicked back. Your lips parted in shock from such an exotic-looking man. He looked down at you with a blank expression.

"Pardon," he says in a rough voice. He leans down slightly to reach your height. "My, aren't you a rare sight," he says as leans closer. Your breath quickens as you step back a little. He picks up an apple from the stand next to you. He takes an aggressive bite as he examines you. You're at a loss for words as he analyzes you, his gaze heavy and lustful.

"Y-You're going to pay for that right," you raise an eyebrow at him and he looks down at the apple, standing up straight again. He tosses it behind him and a short and scruffy man catches it, his teeth gold and rotted as he smiles at the apple.

"And if I don't?" He crosses his arms with a little smirk. You adjust your dress and try to stand tall to him. You open your mouth to speak before stopping. "Cat got your tongue princess?" He chuckles as he looks down at you.

"You will pay for it. I command you to," you frown and cross your arms. He puts his arms down and scoffs.

"You command me to? Oh~ I'm scared," he says as he tosses a few coins to the merchant who stands there distraught.

"You should be," you say before instantly regretting your words, realizing how stupid you sound.

"Oh you're so cute," he chuckles and your cheeks grow pink. His eyes flutter down from your pink cheeks to your neck. His smirk faded to a stern look as he followed the chain around your neck, to the top of your dress, his eyes ever so slightly peering down your dress. You cover your chest and look away from him. He puts his hand on your waist and pulls you close. You gasp and put your hands on his chest. He notices a ring on your ring finger, silver with a blue gem in the center of it. He lets go of your waist and grabs your wrist, examining the ring on your finger.

You look at him sternly and he looks into your eyes. His eyes suddenly avert behind you to see a few soldiers. "I look forward to this," he smirks when the soldiers come up behind you.

"Who is this?" Herrington says in a loud voice, trying to stand his ground. You sigh and turn around to look at your Fiancé. You force a smile as you look at him.

"He's just a man I bumped into by accident," you chuckle with an innocent smile, his hand still wrapped around your wrist.

"Let go of my wife," Herrington says in a strong voice trying to intimidate the man holding you. The man scoffed and let your hand down.

"I'm not your wife," you mumble and the strange man looks at you with curious eyes. Herrington grabs you and examines you carefully.

"Are you alright Y/N?" He says as he runs his hands over your body. You look away from him.

"I'm alright," you say in a lifeless tone. Herrington holds you close to him as a soldier points a gun at the man. You look concerned as they point the gun at him.

"What's with the guns~?" He mocks as he puts his hands on his hips. "I haven't done anything wrong, I paid for my food, I conversed with the princess for a moment, and now I'm on my merry way," he says as he turns around putting his hands up.

"He's right," you nod up at Herrington.

"He's armed!" Herrington calls out and gestures to the sword case on his left hip. The man quickly grabs the sword and points it at the soldiers. The dull wooden tip pointing to their guns.

"It's wood," he chuckles. "I use it to teach kids how to use swords," he laughs and puts the sword back in its case before walking off to find his crew of men who ran away earlier. Herrington encourages you to come back with him to the castle as he reminds you to never go outside without protection. As you walk back you look down at your ring, the blue gem glistening in the sunlight.

[Time skip]

That night you lay in bed. Your hand is raised above your head as you admire the ring. A maid rolls in a tray with tea and biscuits on it. "I heard about your encounter with Seonghwa earlier today," the maid says as she waits for you to sit up. You fix your nightgown and look at her surprised.

"Seonghwa? Like the pirate?" You ask confused as she offers you the teacup.

"Yes, princess. I was told by Prince Herrington that he was holding you in the street, interrogating you," she says in a worried tone as you take a sip of your tea.

"He didn't seem like Seonghwa, I thought he was just some man," you say as you look at the specs of leaves in your tea. "He was very well dressed for a pirate," you explain before looking at the maid. She takes your cup and offers you a small plate of biscuits. "I guess that explains his inappropriate behavior," you sigh before taking a bite of the biscuit.

"Oh? If you don't mind me asking, princess, what did he do?" The maid sits next to you on the bed. You clear your throat and prepare to speak.

"He looked down the top of my chest," you say as you rub your upper chest and the maid's eyes widen.

"Oh my," she gasps. "How vile, I'm so sorry for you," she says as she places her hand on your leg comfortingly. You shrug and pick up the teacup. "Well, you need to get some rest for your big day tomorrow. I'll be in my room if you need anything," she says before wheeling the trolls back out to the hallway, closing the door behind herself. You finish your tea and look at the canvas in the corner of your room. How different things would be if you hadn't gone out today, if you hadn't got mad at your painting, what would've happened? You sigh blow out your candle and lie down.

Your mind races with the memories of Seonghwa. His eyes, his touch, his voice when he spoke to you, the way his body was drawn to you like a magnet, his lips inches from yours. You daydreamed about someday meeting him again...

[barbwritesstuff]

1/?

Ashdhdhsg ok if you don’t mind my Chris obsession in your inbox, here’s some more!

Some disclaimers:

1) this is going to get. um. pretty granular.

2) I'm code diving for the sake of optimizing my Comparative Chris Studies.

3) My analysis going to be filtered through the lens of my own playthroughs and emotional reactions.

4) I will be asking lots of questions, mostly rhetorical - I am simply enchanted by the possibilities of the text. Please don’t answer any of them unless you really feel like it - I don’t want to bombard you!!

5) This is already pretty lengthy and I'm far from done -_-; I'm numbering these asks to avoid confusion.

Beginning from the beginning: Chris suing for everything is sooo awful I love them. The later reveal that they’re a lawyer is insane context for the first divorcee scene:

“there is no going back once there are lawyers involved. There is no hope for a reunion, or even an amiable end. Lawyers mean two things. Pain and paper. That's the only way this can end now. Pain and fucking paper.”

Jesus Christ mc, tell me how you really feel. The way this frames their perception of the entire relationship as doomed from the beginning, even if it's just subconscious? The way it frames their perception of Chris as a person? ouch.

Early Chris is so interesting from meta perspective. In these early scenes, your reading of their character changes pretty drastically with your assumptions about the relationship and the character/personality of your own mc. You can totally play as an mc who justifies this kind of treatment and is as uncommunicative, unreliable, and unable to let things go as Chris later accuses them of being and has imploded the relationship on the strength of their own bad behaviour, but if you interpret the relationship as ending more from mutually terrible communication skills and regular stressful life stuff? Going scorched earth like this can’t be seen as self protective in the same way - it’s so extreme. It's fun to ponder on Chris containing all of these messy and intricate possibilities regardless of worldstate. This is the kind of thing I love about interactive fiction as a medium, and you handle it so precisely and delicately here, leaving so much room for the player to build their own character while remaining grounded in the story.

The line that’s been stuck in my head since the first time I read it was this one:

“You got Spaghetti before you even met that lying arsehole.”

The mc is either accusing Chris of being a liar in general (which strikes me unlikely from the sense of the character that we get later) or of being a liar within this specific scenario, the divorce. So what did they lie about? Are they not honouring a prenup? or was there no prenup, only a verbal agreement to split things fairly and lovingly in the impossibly unlikely event of a divorce? Is the mc upset specifically about the breaking of marriage vows? Chris clearly has gotten their ducks in order before serving the mc with the divorce papers (another revealing fragment of character that I obsess over. what was up with that). Is it the fact that they must have been planning to break up for a while and instead of navigating it mutually decided instead to blindside the mc? How do you go from wanting to raise a child with someone to coming right out of the gate with a litigious divorce within a few months?

I want to live inside their walls. who said that.

Copy + Paste:

2/?

Side note 1: that waitress seems really sweet cool and genuinely concerned over the mc :(

Side note 2: vampires flush when sated 👀

Side note 3: 911 calls are generally recorded and can often be accessed after the fact with freedom of information requests. Could Chris have unearthed it during their later search for mc? How creepy, if they did. Heavy, panicked breathing, the crunch of broken glass, the call just disconnects. Confirmation of something awful but beyond understanding.

They way you get me immediately into full breakup mode with one line:

"Come back in the morning," Chris says in that slow, specific way, as if speaking to a very young, very stupid child.

IRL that would be an instant blind rage button for me lmao. How dare you speak to me that way. And again! From Chris’s perspective this is a pretty reasonable boundary! but they way they lay it out is so. IDK. Unbecoming. Unworthy of them. plain mean.

There’s this real sense I get from both sides of the relationship of “I’m not sure I ever even really knew this person” the love WAS there and it was real but in the fog of bitterness and anger they both lose sight of it and each other. There's a through line in this part of the game of the way high emotion can mess with your perception of reality and rational decision making.

“It wasn't all bad, was it? There were times you were happy together. Not that anyone would believe it, reading this.”

I interpret this line as the MC doubting Chris's fundamental intentions and affections. Coupled with Chris's lack of concern over the mc's disappearance (put a pin in it) it's just so INTERESTING to be the way that these two have come to see each other almost as strangers, which is really scary and alienating! Neither can give the other an inch of grace or benefit of the doubt. the cognitive dissonance is so compelling to me.

You've had all of these intimate moments, potentially a CHILD (a grandchild, a whole lifetime), with a person you now cannot recognize, who's actions you cannot understand. Of course Chris isn't going to let mc into their house, they could have been anywhere, doing anything, for two months now! the thought that it might not have been by anything but MC's own volition is anathema.

----------------------------------------------

I'm living for this Chris deep dive that landed in my inbox.

However, I really don't know if i can say anything without spoiling the game... so I'm sharing without comment. 💙

[laughhardrunfastbekindsblog]

The mess hall/food fight scene in "Aftermath" is legit one of my favorite scenes of the entire show, mostly because we learn SO MUCH about the characters in 4 minutes:

- The initial conversation with Tech being dry and logical, Wrecker being loud (and none of his teammates even bat an eye at this), Crosshair being a man of few words but bringing the snark when he does speak, and Hunter primarily being concerned with rumors that are likely to impact his team.

- Then Omega joins the table, all of them are varying levels of confused, Tech and Hunter are the first to recover enough to engage with her, but while Crosshair is in the background pretending to be disinterested he is still listening in closely.

(Also I can't help but giggle at the increasing concern in Omega's voice when she tries to get them to recognize her - I can only imagine her thinking "I know about accelerated aging but I didn't think memory loss started THIS soon!")

- "You WANT to sit with us? That's never happened before." In the intro story we get a good idea that the Bad Batch members generally don't fit in well with the regs; but this one line makes it clear that the Bad Batch members have ALWAYS been outsiders, shunned by the other regs, and have only really ever had each other.

Then we get more in-depth with each individual character based on how they react to Soup Clone's insults and the fight:

- Omega understands what it is like to not fit in, she's determined to take the opportunities she has to be with the Batch, and she's loyal and feisty: she won't just sit back and let others insult her friends.

- Wrecker starts out having no idea what to make of Omega, but immediately backs her up after she confronts the reg, and when the reg insults her ("Know your place, lab scrapper") he's ready to throw hands food.

- Hunter was shown in the intro story to pretty much be the intermediary between the regs and his squad, and here his default is still to try to defuse the situation; but as soon as the fight turns physical, he doesn't think twice about hitting the clone that's rushing Hunter's squad.

- Tech sees a fight going down and just jumps right in, no hesitation at all about defending his team.

- Echo's exasperated "Oh, not again" cements him as one of the most level-headed members of the group and reinforces the idea that the Bad Batch and the regs are almost always at odds (also makes me wonder just how many times this sort of situation has happened in the few months Echo has been with the squad); but despite the fact that Echo was a reg, he is still loyal to his current squad and is willing to fight on their behalf.

- Crosshair is interesting, in that I think there's a subtle detail underlining the effect of the inhibitor chip even before it was intensified: in the intro story, Crosshair was definitely the most openly antagonistic toward the regs, but here he sits quietly and doesn't join in the fight... At least, not until someone messes with him directly - and then it's game over for the regs as far as he's concerned. (Also the fact that he takes out 2 regs in one go will never fail to make me laugh.)

[notlikearegularmom-blog]

I love you, Star Wars. It’s ruining my life. 

I resurrected my long-dormant Tumblr to write 2k words on my complicated feelings about the Bad Batch series finale, and I feel better now.  

I love Star Wars. I love this show. Earlier in the season, I went shot-by-shot on how great this series is when it’s on its game. 

Considered in a vacuum, that final episode is great. The sequence on Tantiss is tense and thrilling. The visuals, as always, are top tier. The epilogue hits the right emotional notes... and it all fell flat for me. 

I think my harshest, but most concise, critique is this: The season went in circles on stuff that ended up being irrelevant and ran out of time to tee up the emotional payoff. 

I’m aware I’m in the minority. If you loved this, I’m not going to tell you you’re wrong to love it. I’m glad people loved it; I wanted to love it. This show remains one of my favorite recent Star Wars things, and the fact that the ending didn’t land doesn’t change that. 

I’m genuinely bummed that this didn’t work for me, but here’s why it didn’t. 

The storytelling fails to get us where we need to be for that ending – and there are two main reasons for that: 

Structural issues with the season-long plot arc that have downstream effects on characterization and themes. 

An over-reliance on misdirection to create tension. 

Big time spoilers ahead, obviously.

Structure 

For the first two seasons, the show is episodic – you get these tight little two- or three-episode arcs but there’s never a season-long plot. For the final season, they set up a central story around the show’s mythology (Tantiss). All the action should lead to that end, even if we get some one-off episodes along the way. That’s something they hadn’t done before, and I was really looking forward to it. It’s ambitious to switch things up, and I like it when shows take risks. 

Setting up the mytharc 

The actual plot progression when we get there, though, is weird. No one loves a hunt for a MacGuffin more than I do – you often get some of your best character moments in those stories – but you have to eventually find the MacGuffin, or your audience starts to wonder where things are going. 

It takes nine episodes to get to a significant plot reveal. That’s more than half a season of not giving the audience information – not teasing partial clues, just not giving. And the main thing the characters find is something the audience already knows (what’s an m-count), even if the characters don’t*. The big problem is that there are no breadcrumbs leading to the next part of the story, and I started to get concerned that it was because the central plot wasn’t going anywhere. 

* I find that really hard to believe. In TPM, Qui-Gon tests Anakin’s m-count on his iPhone. There’s an app for that.  

The story arc 

Two-thirds of the way through the season, the arc laps itself and circles back to where we started. 

It’s a decision that could make sense – the basic premise of the show is Omega daddy-daughter bonding with these guys while helping them do their missions.  

You can’t entirely blow that up in the final season. You still need some episodes of exactly that, and that’s why she returns to them early in the action.  

But once she gets taken to Tantiss (again) we basically just do the arc over — and we’ve already had mini versions of that exact arc in both seasons 1 and 2. We’ve been here before and it doesn’t really show us anything new – and, for it to work, it should. 

This is all too bad because individual episodes are fantastic: 1 and 3, and 10 and 11 are all no notes amazing. Episodes 5-7 form a really effective short arc, and 9 has some of my favorite visual moments in the entire series in it. 

But episodes often felt like they’d been written in isolation – excellent by themselves, but they don’t do the thing they need to do: introduce the next progression in the mytharc. 

That isolation also seems to mess with some key characterization. 

Character 

Everyone feels a little inconsistent from episode to episode, but it’s especially noticeable with Crosshair because this is his season. 

Episode 7 Crosshair and Episode 14 Crosshair feel like different guys, both of whom aren’t quite the same character as Episode 15 Crosshair. 

In 14, Rampart says something to Crosshair like “people like us are only ever loyal to ourselves” and he responds, “I’ve changed.” But that’s never been his character’s central struggle. He’s incredibly loyal with deep values even when they’re badly misguided and THAT is his problem and has been for three seasons. He did war crimes out of a belief in something larger than himself. He’s a good candidate for the chip because he’s inherently loyal. They say that explicitly early on in the show.

And sure, maybe Rampart is projecting his own experience onto Crosshair – but then why does he accept that framing and respond like it’s true? And we get a foreshadowing moment like this tension is going to come to a head – but then these two are never in the same scene again and the question about Crosshair’s loyalty never comes back up. 

Also in 14, there’s an exchange where he tells Wrecker that he ‘owes’ Omega for not leaving him behind on Tantiss and essentially that’s why he’s there. 

But my dude has been openly established as loving Omega even more fiercely than the others, all the more for being late to it, since like a third of the way into the season. Putting us back in a place where he’s pretending that he doesn’t care as much about her as he does ignores like nine episodes of character growth.  

This was the point where I started wondering if they’d written the final two episodes first, and then backfilled the rest of the season. 

In 15, he’s willing to throw his own life away for everyone else, and that’s much more in line with the rest of his arc. But... 

This would be a really affecting line, but it kind of comes out of nowhere. I think it’s a moment to create tension: if their team as an idea – and the thing the whole show is centered around – is dead, maybe they’re also individually going to die? Probably, because they end this scene with a visibly injured Wrecker saying ‘we all know the risks.’ But up to this point we’ve gotten nothing about how Crosshair felt about Tech – or even more broadly about their team being irrevocably changed by their experiences. He literally never talks about it, even in scenes where it would have made sense to talk about it. 

(This would have been the perfect time to tee this up.) 

He avoided talking about it so thoroughly that I thought we’d get a watershed emotional moment at some point, like late in the third act of the season. Add 45 seconds of meaningful dialogue to Episode 12 (it’s barely 20 minutes and the shortest of the season, so there was definitely time), then this all falls into place and that Episode 15 line lands perfectly. 

(This is the scene, right here. It’s even nicely framed for it.) 

And I’m just not sure how to feel about the fact that they resolved Crosshair’s PTSD arc by... removing the outward symptom of his trauma. 

Misdirection 

They spent a lot of time on misdirection in order to create tension, like a whole lot. So much so that there’s not enough time spent laying the groundwork for the ending we get. 

These are the main teases: 

Omega is probably Force-sensitive, and that will have big implications. 

I love Ventress but there’s no reason for her to be here. The problems and questions she introduces don’t end up being relevant. ‘Can you grow to your full potential without giving up the people you love?’ But Omega doesn’t end up faced with that hard choice. 

No one ends up facing hard choices – like, have we earned our rest now or do we keep fighting? That’s a really compelling question — but the characters never have that conversation on screen. The choice just sort of happens to them in the space of like 10 seconds, right at the end. They’re not even active participants in it. 

No one is safe; everyone might die. 

Not a bad choice at all for a final season. But we go from ‘you’ll never grow with these guys holding you back’ at the midpoint to ‘you have to live because she needs you’ in the finale with no stops in between. It feels like Episode 15 is the conclusion of a different season than the one we’d been watching — and I think I would have really liked that season. 

CX-2 is someone significant. 

Even if a reveal is a non-reveal, you should still, uh, reveal it. 

The other guys, though, look badass and are cool af, and we should have gotten more than seven minutes from their first introduction to them dying en masse in the dark (in a sequence where it was hard to keep track of who was who). 

If it doesn’t matter who CX-2 is, what were these guys being held back for? 

There are a bunch of smaller moments as well that seem to be leading the story in a direction, never to be addressed again. You know that saying about how if you introduce a gun in the first act of a play, it needs to go off by the third? 

That one’s a literal gun, which is funny — but there are several plot elements that just appear and then disappear. 

Focus  

In the final season of something, you really feel that ticking clock. Where and how the story spends its time feels more urgent, and I thought the choices here were odd. 

We get a few side plots and character cameos that feel like filler, which is probably to be expected. But I think the best example of what I’m talking about is this: 

The comedy villain from season one gets nearly 35 minutes of screen time down the stretch, while Wrecker, a main character whose fate we care deeply about, gets maybe half that.  

And, sure, Rampart’s death was satisfying because that guy is the worst. But I honestly don’t know why they brought him back and chose to spend so much time on him. 

Justice for Wrecker, in general. He gets nothing to do. Echo has more impact on the plot (and possibly more dialogue), and he’s only in a third of the episodes. 

And to be clear, I would be fine spending time on things like past characters if the story had really hit the other beats along the way, but what we get feels unfocused. 

Is the main theme of the season redemption? Loyalty? Self-determination? Letting go of who you thought you were supposed to be? Ultimately, it’s none of those things because it tries, at different times, in different episodes, to be all of them — sometimes in contradictory ways. 

And with that… 

I’m being really hard on something I love here, but... I wouldn’t give this much thought to something mid. I care because it’s really good, even if, ultimately, I feel like the execution could have been better.  

(I went with The Tortured Poets Department for the musical joke in the title, because it’s topical — but Never Let Me Down Again was sitting right there.) 

[thevelaryons]

Am I the only one who doesn’t get why Corlys is acting foolishly in Hotd? He’s supposed to be a really intelligent political figure in this story (F&B) but the decisions he makes (Hotd) are the opposite of intelligently sound. Ngl I hate how he bends over backwards to go to war for Rhaenyra when he was complaining about her just before.

This is actually one of my criticisms of how Corlys has been portrayed in the show. I’m on mobile right now (and Tumblr search function sucks on the app) so I can’t link them, but I actually have a couple of old posts about this. The show has changed several key aspects of Corlys’ characterization so now a lot of his actions make him appear politically inconsistent, especially with actions he’s supposed to take later on in the story.

Like you said, it makes no sense for show!Corlys to be supporting Rhaenyra. He DIRECTLY blames her for his son’s death and yet despite his complaints, he prepared his fleet and even helps make war plans for her. This is all without Rhaenyra offering him anything in return, like making him Hand. Meanwhile, when book!Corlys INDIRECTLY blamed Rhaenyra for his wife’s death, several concessions have to be made to appease him and get him back on her side. Nor does Corlys tolerate any harm done to his family: he wants vengeance for Laenor’s death, he commits treason against Rhaenyra to protect Addam, he commits treason against Aegon II to protect Baela.

In terms of show!Corlys’ political intelligence, he doesn’t really display much. Moments he has in the book were removed in season 1 (and based on the leaks I’ve read for season 2, other aspects of Corlys’ story that show him as a political power won’t be in the show). In the bts material for the show, it’s actually said that Corlys doesn’t really understand politics much but he fares better on the battlefield. And that is where the problem lies.

You can also see a similar sort of change with other Velaryon characters. Laenor’s entire characterization was changed. Show version of Laenor is depicted as someone who goes as far as to abandon his family and dragon because he craves the violence of the battlefield more. Some of the things he says on the show are very reminiscent of a display of toxic masculinity + him having internalized homophobia which his book counterpart was not even implied to have. Show version of Addam and Alyn are unnecessarily aged up and might already be battle hardened soldiers from the Stepstones, instead of being innocent young boys who know nothing of war (and that’s actually quite relevant to their story arcs).

HOTD showrunners have made many changes to characterizations. But in the case of certain characters, those changes seem to be based on racist stereotypes. Similarly to how show!Laena got reduced to a fast black girl/unwanted wife who’s violent death is meant to serve the story of Rhaenyra (a white character) there are actually several aspects of Corlys and Laenor’s stories that were changed to uplift the white characters around them. The essence of their characterization in the show is altered. As I’ve mentioned before in another post, the black male characters in House of the Dragon are depicted as more hypermasculine, violent figures than their white book counterparts in Fire & Blood.

So yes, Corlys is meant to be an intelligent character but the show reduces that aspect greatly to depict him as more violent than his book counterpart. Show version of Corlys participates in the Stepstones through engaging in physical battles. Book version of Corlys does so through tactical command of his ships. Show version of Corlys returns back to the Stepstones to participate in more battles. Book version of Corlys does not (it’s actually Daemon that sticks around in the Stepstones). Based on leaks for season 2, if those leaks turn out to be true, then show version of the character will continue to be portrayed as more a soldier used to commit acts of violence than a politician who can act very intelligently to outmaneuver his opposition.

[konigceo]

modern booktok romance books SUCK and i'll leave it at that

[s0fter-sin]

gotta love hassan “i have broken no laws” zyani. i guess illegally crossing borders, arson and attempted murder aren’t crimes?

[junonreactor]

someone tell me why so many 'western fantasy' setting kr webcomics have some kind of weird orientalism arc and the 'modern/dungeon break'-ish ones have some kind of weird nationalism arc. do they think that's a prerequisite for the setting. does it make the domestic audience more invested/engaged in the setting somehow. are they just so tired/brainless that they are slapping in "easy" plots and that's what they default to. can we do what bad kdramas do and start hitting people with cars in dramatic slow mo so people can have angry hospital hallway confrontations instead

[dungeons-and-dragon-age]

forever mad about how dirty they did aveline from act 2 onward

[blueskittlesart]

i miss the champions so much i know there's like no logical reason for them to come back in totk but i wanna see my guys again even if it's just more memories or something. do you think there's any way they could pull that off based on what we know about the game already?

i really hope so! at the very least i hope the abilities you get in botw won't be removed bc i cant navigate that fucking map without revali's gale. even the lack of expedited cooldowns from the dlc starts to get to me after a while at this point LMAO. in terms of actual implementation i'm trying to think if there's an easy way to give us more champion content in totk. In theory, we could continue to recover link's memories and see more of the champions that way, but from a writing standpoint that might feel clunky & at odds with the rest of the story unless it's VERY carefully implemented. My honest answer from a writing & game dev standpoint is that i don't think we're likely to get many more memory-style cutscenes, especially with the release of hyrule warriors a few years ago sort of serving as an extra source of champions content already. that might have been the point of hyrule warriors from a game dev standpoint, actually, if they realized while in production that totk wasn't going to have a lot of room for champion-centric content, hyrule warriors would have given them an easy way to satiate fans who really loved those characters without compromising the integrity of their already-written story in totk. tldr realistically i don't think there's going to be a whole lot of champion-centric content in totk but for now we can pray that i will have to eat these words in 3 months

[thefirstknife]

Peeked at twitter again unfortunately, and apparently people are mad that this week's seasonal story update was shorter? Literally it's a season that launches with the expansion. Every single one of those was smaller and lighter on the content.

Personally, I am enjoying that this season's storyline isn't too demanding. Clearly I love when we get a lot of lore, and we still get the usual initial dialogues, a lot of new weekly mission dialogues, ending dialogues and radio message + 2 lore pages. I have so much shit to do with Lightfall AND the exotic mission launched today which added so much new stuff to do so I was super glad that I was done with the weekly story in like 20 minutes.

Obviously the story was shorter due to the exotic mission launching alongside it. This seasonal story is also shorter in general, with only 6 weeks (6 lore pages to earn) which I am honestly relieved about because there's so much Lightfall content that I'm barely catching up with and there's the pinnacle grind that's kicking my ass because I don't want to die in every activity because an enemy looked at me. I get so overwhelmed with content when an expansion launches and there's also seasonal content. Sometimes I wish we got no season with the expansion.

So many people want things to slow down a little because we simply do not have time to grind 24/7, but then there's strange people who want a weekly update to require 6 hours of investement I guess. And of course everything in those 6 hours has to be brand new content, never before seen. If I see a single blade of grass that has been used as texture before, then Bungie is lazy. Obviously. /s

The only legitimate problem with this setup is for people who didn't get the expansion and only have the season. Their season is then not the exact same quantity as others. But it's never those people that make these complaints.

[dullahandyke]

and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain