#but please you get what I mean right

[itsnotacostume]

we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?

[mossy-aro]

ultimately i think my insistence on aro positivity honestly is as much a political stance as a personal one.

when i say aro positivity is crucial and that i dislike doomer-ist posts that express sentiments like 'I hate being aro so much I wish I was dead instead’ it's not because I don’t think there can and should be a space for negativity and acknowledging self-hate, or the many ways being aromantic can really suck sometimes. i find that to be very important!

that being said. there is smth here about how self-hate posts are sometimes just arophobia that we inflict on ourselves. and when we put that out into the ether it (intentionally or not) can become arophobia that we inflict on other members of the community. i think there absolutely needs to be a place for negativity and the expression of anger and frustration and self loathing even - these are all good things to talk about because these are things that we experience. that being said, it can also be genuinely upsetting and triggering to people to have what is essentially arophobia shown to them and then have that be validated by other aspec people. your personal thoughts can affect your wider community on a level you may not anticipate. and i understand it i truly do! it took me so long to be able to recover from accepting being aroace - it threw my entire world off kilter and made me question everything about my place in the world.

but my insistence on aro joy and positivity is because ultimately i do believe that building is at the core essence of it all. that ultimately discussions and the purpose of community should be about construction, not destruction. and this is both a personal and a political stance. talking about how much you hate yourself and cultivating online discussions/spaces where negativity about aspec identity is the main and only theme is destructive - if that’s where we let the conversation end. these thoughts can and should be used as a vehicle to look for a path forward!

joy and positivity create a space where the focus can become on forging a path forward, on construction, on community building instead of tearing ourselves and others down with negative thoughts. it’s not productive or healthy when it stops at a place of negativity - it becomes actively destructive to the essence of community.

and i do think that this is especially poignant considering the fact that being any kind of queer, but especially aromantic (and/or asexual) means forging a path for yourself and making your own happiness where there is no obvious way forward. our communities exist mostly online (right now, anyway), there is little recognition of our existence in the real world, the effects of amatonormativity are both pervasive and actively dehumanising, and there are legal, economic and social structures in place actively making our lives more difficult. yes that all sucks! it’s good to acknowledge that. we need to in order to change it. but more importantly, that’s not the end. we are still here and our happiness, our future is for us to determine. even if we can’t change the laws or society, loving yourself and understanding aromanticism as a political identity (as well as personal), as a radical worldview, and as a protest against amatonormativity is essential for both community and personal well being. the personal is political.

tldr. i guess my point is that as a community, we should focus on building, improving, and nurturing ourselves and each other (construction) as opposed to destruction. we should recognise aromanticism and asexuality as political identities as well as personal ones and rely on community and self-love in the absence of anything else as a form of protest and political power. destruction (the recognition of everything that is wrong) is essential as a starting point - but where do we go from there? we rebuild.

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[scrappy-possum]

(good grief it been a while......)

anyway hi im not dead

heard it was a special bee's birthday (@realizinau )

so i opened ms paint and doodled this real fast

he put his knitting skillz to use and made a cute sweater :)

the next challange however is giving it to Bailee

[ffc1cb]

i’ve always found it peculiar how during meeting the chargers cutscene the game just assumes your character automatically understands what krem is talking about when he mentions binding (though, granted, it’s all very unsubtle). like, this is a roleplaying game. what if i want to play a character who just doesn’t get it

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.

[bonefall]

Divorce was right around the corner...

Team of writers that thought it was romantic when Clear Sky was attracted to Star Flower because of traits he was grooming into his child: "The emotionally unstable boy who is unable to reflect on his own behavior and makes impulsive decisions is the best version of himself with an enabler who has a repeated problem with telling people no."

[floralovebot]

i know there are only like five of us but i feel like garth stans really don't talk enough about how left out he feels with the titans. dick and wally are Best Friends. donna and roy are on and off again. dick and donna are too much to explain. on average, roy is close with at least one of dick's siblings. dick donna and wally all go on to be in the new teen titans. garth isn't Close with any other titans but the originals

and it's this thing where,,, it's not his Fault yknow? he's not mean or spiteful or creepy or anything that would warrant them not liking him as much. he joins in on their jokes, he risks his life, he shares his feelings, he does everything that he knows friends do. but just the virtue of him being atlantean and them being land dwellers ruins everything. he Can't spend more time with them, he doesn't understand their culture, he will always choose atlantis.

they'll always be his friends but he can never truly be with them or form deeper bonds. he'll always be the last one to know what's going on, the last one they call, a complete shadow and afterthought.

and sure there's a part of him that knows this, that feels bitter and lonely. but he can't even be that mad at them because he does the same thing. the titans are never his first thought, he never calls them first, he doesn't reach out and ask if they're okay, they're always the last ones to know what happened to him. the titans are such a huge part of his life but they're barely in it.

there's just something so inherently lonely about garth that i feel most dc writers don't understand. they just don't get it. they don't get what it's like for this boy who was all alone, never had parents or a family, suddenly being taken in and having to act like he knows how to be a son, a friend, a partner. meeting kids his own age and wanting to bond with them so bad, having to watch as they all get closer to each other and leave him behind, not being able to do anything about it. never being taken seriously, always the last choice... garth man.....

[monsoon-of-art]

I am once again saddened by how people push aside the rest of the cast of PLA for Ingo

[megaawkwardhuman]

*in the voice of one of those old ads about mesothelioma*

if you or a loved one have an adverse reaction to the words "that's his boss" you might be entitled to financial compensation

[skitskatdacat63]

2012 Malaysian Grand Prix - Sebastian Vettel & Fernando Alonso

[outlying-hyppocrate]

well. did you fucking miss me.

[nerevar-quote-and-star]

Trying to transliterate Leara's name into Quenya, and it somehow becomes, uh,

Lëarra

Which basically means "You Sealion!"

And I'm just, "Oh yes, this is That Sealion Woman, and she can breathe fire, as all sealions do."

If Leara, for any reason at all, needed an actual Quenya or Sindarin name for any fun Elvish shenanigans, we'll just use Calairie/Calearil, which is "Light of the Sea" in Quenya and Sindarin, and what Leara actually means.

[charlesemersonwinchesteriii]

Ignore all logistical considerations of "would they ever meet each other under these circumstances". If you don't think Jules Bashir would have chosen to join Starfleet, imagine he is on the station for some other reason, or they meet in some other location.

I wanted to make this poll because I've seen various fics where Garak reassures Julian that far from being upset over him being augmented, Garak is grateful for it, either explicitly because (he thinks) they wouldn't be able to have their usual conversations if it weren't for the augmentations, or simply because he likes Julian "just the way he is" and wouldn't want him to be "different". I disagree that Garak would think like this (or at the very least, I think Julian would react negatively if he did, rather than be reassured), so I wanted to hear everyone else's thoughts.

[tootalltech]

okay. i feel like theres still Some People who may check the land of stories tag on here the way i occasionally do i know theres some fans of the series here at least. since a while back i wrote out an entire paragraph to briefly explain why im insane about lloyd bailey to my friends who dont know tlos, i figure, WHY NOT POST IT ON HERE where people who also know the series (and therefore this character) might see it <3 its at least a little funny to see how i try to explain things in tlos like the hall of dreams briefly with little to no details. this is also kind of like a brief summation of everything we know about lloyd AND JOHNS childhood which is interesting. see below.

sits down. let me set the scene. lloyd bailey is the younger son in a set of two. his mother is a very powerful fairy (#fairygodmother) who’s kind of like the chancellor of an entire kingdom. lloyd and his older brother john both very much have magic in their blood because of this. lloyd’s father dies when he is very young. he is “not the same” afterwards. he thinks his older brother john, who handles his fathers passing arguably “better”, is the favorite child. john is happy and cheerful and everyone loves him. lloyd sits in his dark room and reads books like the iron mask all day. lloyd’s mother does not know how to get to him. she figures out how to make a potion that can bring books to life, since he likes to read so much. she offers it to him. he turns her down. she goes into this magic little hallway (infinite space) where she can see what people truly desire. lloyd the 11 year olds desire (i don’t know how old he is.) is to take over the world. hm. a bit concerning. his mother takes him out into the forest on a nice walk, chains him to a tree, and drains his magic from him. lloyd is not a fan of his mother for this. he tells her that she never would’ve done this to john. his mother considers her action stopping him before he wreaks havoc on everything. lloyd considers this having his “birthright” stripped from him for “a crime [he] never committed” (direct quote). lloyd despises his mother. he runs away from home not long after. he considers the potion his mother made his. he only comes back home to try and steal it. he fails. he is sentenced to life in prison. his mother gives him a mask to wear so no one knows he’s her son. john moves to the otherworld and starts a family. lloyd rots in prison. lloyd’s son who he doesn’t know about is born. lloyd rots in prison. john dies. lloyd rots in prison. his mother loves john’s children and starts to train one of them in being her successor. this could’ve been lloyd. lloyd rots in prison. he doesn’t escape until his niece and nephew are teenagers and his niece is about ten times more powerful than him. because she has the gift that was ripped out of his hands. lloyd hates the world he lives in and its people and seeks to destroy it as soon as he’s out. i wonder why. in conclusion. im normal about him.