THE LEFTIST THIRD PARTY HAS WON SRI LANKA'S PRESIDENTIAL ELECTION.
WE HAVE A PRO-LGBT, PRO-UNION, ANTI-ETHNOFASCIST, ANTI-IMPERIALIST PRESIDENT. MY ANTHROPOLOGY PROFESSOR IS GOING TO BE PRIME MINISTER. A COMPETENT ACADEMIC WHO HAS WORKED ON FEMINIST INITIATIVES AND RESEARCH ALL HER CAREER.
please please please please god don't let them fuck this up don't let them turn into a bunch of cunts to retain their new voter base don't let them fuck up the economy don't let them let the minorities down please please please they won't ever get another chance if they ruin this one we'll be stuck with more idiot corrupt nepo babies till we die please please please PLEASE LET THIS BE THE END OF THE EXECUTIVE PRESIDENCY AND PREVENTION OF TERRORISM ACT AND PERSECUTING THE NORTH please please please let them decriminalize being gay and not bury LGBT rights please please please let there be a god I can't take anymore of this shitshow please please please don't let hope be something that keeps pissing in our faces please please please please please please please
ANURA KUMARA DISSANAYAKE WILL BE THE NINTH PRESIDENT OF SRI LANKA. TAKE THAT YOU TWO PARTY VOTING MOTHERFUCKERS.
Edit:
WHAT DO YOU MEAN FUCKING COLOMBO WENT TO THE IDIOT NEPO BABY???
AKD HAD 52%!!!!! HE WAS ALL BUT SWORN IN?????
THEY HAVE TO COUNT THE SECOND PREFERENTIAL VOTE FOR ONLY THE SECOND TIME IN HISTORY??
There is a very real chance that nobody will get over 50% of the vote. That would be really, really bad.
Fuck.
I HATE YOU MOTHERFUCKING URBAN MIDDLE CLASS LIBERAL CUNTS SO MUCH. PLAGUE ON THE WHOLE DAMN COUNTRY. FUCK YOU.
Edit 2:
Ok so first counting gets AKD 42% and SP 32%. It's very likely the preferentional vote will put him over the 50% line.
It's so poetic that Ranil's greed for power ended up handing the country to the very Marxists that his uncle hunted like animals. You love to see it. 🥰
Edit 3:
So the preferential vote didn't give anyone a 50% majority and we're still at AKD 42% and SP 32%. But apparently that's enough to declare AKD President as per the Constitution. I don't think that's ever happened before. He was sworn in an hour ago.
Point of clarification: The NPP are not Marxists. Foreign news is just uncritically regurgitating the pro-government Red Scare propaganda. AKD and his JVP party used to be Marxists back in the '80s and '90s. They're now more very pro-union socialist. The NPP is their coalition, which is even more mildly social democrat and just happens to be a little more left than the other two. Calling them a Marxist is like how MAGA thinks the Dems are commies. 😂
I truly don't have great hopes that much will change, but there's a chance one or two important things might. Which is more than we've been able to hope for in decades.
See this post for a run down of the what's really been happening.
Edit 4:
I retract the "openly bisexual" part with many apologies. I completely misremembered. It wasn't AKD but JVP senior K. D. Lalkantha, who said in a 2018 interview is that he has also had same sex encounters with his friends as a boy and young man, and that he knows others who have had as well. And he specifically said he doesn't see the need to maintain a label for his sexuality. Still, the fact that his party allowed this in a country that still criminalises homosexuality, to a Sinhalese magazine, speaks to a commitment to LGBT rights. He also explicitly stated his support for women's rights, trans rights, polyamory, open relationships, explicit sexuality in media. It's impressively progressive for this country. The interview is in Sinhala and you can read it here.
Here's an excellent write-up of AKD's career, political outlook and creation of NPP in The Hindu by correspondent Meena Srinivasan, a journalist whose reporting I've always liked.
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The Bruce-dies-not-Jason AU...
Because I love angst :)
That part about Titans coming around to offer emotional support for Dick...I am now picturing ways for it to go really wrong.
Dick, who at this point is still reeling from the death of Bruce and running himself ragged trying to keep Gotham more or less intact (the Rogues seem to have sensed something is up), breaking down and telling one of the team that he feels so messed up.
He's grieving, but he's also really really angry. Not just at the Joker who deserves all and more of it, but at Bruce for dying and leaving him a mantle too big to step into, and even at Jason for running away and triggering all of this.
He doesn't really blame them, he knows it wasn't Jason's fault, but he's still so angry. He's muffling it all up within, but that's only hurting worse.
Pretty much a natural reaction, given the condition he is in. And understandable that he will be masks-off with the Titans after having to play the emotional support for his family.
Only, unknown to them, Jason is eavesdropping...
Well, as much as it isn't a bad idea to cause some drama, I don't think Dick would really go that way with his feelings? He does hate wearing the cowl and feeling like he's cosplaying the Batman instead of fitting the suit as the new protector of Gotham, but he's not the type to put the blame on others.
If anything, that mostly happens with Bruce. Like when Jason died and he blamed Dick, or when Alfred died and he implied it was Damian's fault.
Dick would most likely blame himself, as he admits having a tendency to do so.
The New Titans #57
The New Titans #55
While the angst sounds good, I can't picture Dick saying something like "I'm angry at Bruce for dying" or "I'm angry Jason fell into the Joker's trap".
You could say he was angry at Bruce when Jason died, but that was mostly because Bruce didn't tell him anything about it, tried to make him feel guilty for not attending the funeral when he hadn't even been notified, and then proceeded to basically tell him it was his fault his little brother was dead. So, yeah, Dick was angry, but that wasn't unprovoked. He actually had come originally to talk with Bruce because he knew he was going through a rough time after Jason's death.
Now, he can be more angry when the people he loves die, and he snaps more often than he normally would with all the stress, guilt and grief added into the mix, but he isn't angry at people, he's just angry. Or I would rather put it as the anger being a mask for the pain he's feeling because he can't always allow himself to be truly vulnerable when there's so much he still needs to do.
When Bruce "died" in the main continuity, there was a lot he had to do. Gotham needed him to be Batman, Jason needed to be stopped, Tim needed him to be the rock of the family, Damian needed him as a mentor and Alfred needed him to keep going, knowing that while one son was gone, there still was another son left. (Yes, Dick is Alfred's second son.)
And despite everything, he never stated being angry at any of them for the situation. Not even Bruce. What he did was lament his death because he wasn't ready for him to go.
Batman #687
I think the only way I could make this scenario work is if it's all a misunderstanding or Jason misheard something Dick said.
But if you like the idea, you do you. We all have our opinions and interpretations.
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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… �� I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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Existential despair is so common in a person's twenties, I think, because up until that point, we've had a pretty clear road map for what's expected of us and we haven't had much reason to question that map. There are still a few milestones outlined for us (start a career, get married, make babies) but more and more young people are entering the post-school world and realizing:
A) that career thing just isn't happening like they said it would
B) I'm not ready to get married/I don't want to get married/marriage isn't the sort of life-altering event that it used to be
C) I'm not ready to make babies/I don't want a baby/I can't afford to raise children right now (see point A)
And in the absence of these milestones to shoot for (which one could argue weren't the promise of fulfillment they claimed to be in the first place), what we're left with is this aimless abyss of "the rest of our lives" sprawling out ahead of us with no indication of how it will go or what we should be doing to shape it. Young people start their first jobs, find they hate them, and think to themselves, "Is this it? Am I just supposed to do this job until I'm too old to do it or die first?"
Which is, yeah, really fucking depressing!! So here's my best attempt at an alternate roadmap for young people that don't vibe with the old model. Please feel free to add in your own suggestions!
Learn how you work and what you want out of a job. Unless you've been in a job-specific training program that gives you hands-on experience, your first jobs should be experiments. Learn how a full-time job feels for you, what elements are more or less difficult. Different workplaces have different cultures and expectations - what do you need out of a job environment? Do you need to find fulfillment in your job or is it enough for it to pay the bills and leave you time to find outside fulfillment? Do you want to climb a corporate ladder or are you content to hunker down as long as your bills get paid? This period of experimentation is exhausting and may feel like it's consuming your whole life.
Learn how to make time for things outside of work. Adapting to a full-time work environment often leaves you feeling so drained that you can't do anything but go home and collapse on the couch every day. That's fine - for a little while. But it can also become a habit. You need to learn how to do things after work or you'll go crazy. Go to a trivia night. Start an exercise schedule. Take a class in your community. Find volunteer work. Join a band. You will find that putting more things into your day makes you feel like you have more time, not less.
Find a community. Making friends as an adult can feel impossible. Where do you find these mysterious friends everyone seems to have?? This goes along with #2, though. As you start regularly attending the same activities, you will find that repeat interactions with the same people turn into friendships or at least friendly acquaintances. Say yes to invitations. Get involved in your local community. Strive to be connected enough to bump into people at the grocery store.
Unlearn bad lessons. We all internalize some messed up things when we're growing up. As you start off your adult life, that's the time to actively work at unpacking the things you've brought with you from childhood and deciding which things are helping you and which things are harming you. This might mean therapy or joining a spiritual group or reading new things or just making special time to be in your own head.
Learn the lessons you missed. In this, I mostly mean practical things. "Adulting." Areas of your day-to-day practical life that are causing you extreme stress are probably related to a knowledge or experience gap. Do you hate cooking and cleaning or were you not taught how to do it properly? Are you afraid of making medical appointments or is it just something new you're not used to? Does money make you queasy or do you need to learn how to make a budget?
Find something fulfilling. This can be your job. It can be volunteer work. It can be faith. It can be a hobby. It can be creating things. It can be challenging yourself physically. It can be activism. It can be going for walks in nature. Everyone finds fulfillment in different places. If you're not finding it where you are, look somewhere else.
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