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lyneira · 1 year

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♤ "Not worthy?" I'll show you differently ♤

SMUT - MINORS DNI

-> how would he react to a reader who's self-conscious and ends up distancing themselves from him when others insult them and say that they shouldn't be together? (based on this request!)

All characters are depicted as 18+

fem!reader x twisted wonderland characters / cw: penetration, cunnilingus, fingering, blowjob, mirror sex

"I'll make you feel loved enough that you won't forget it"

Epel, LEONA, Jack, Ace, Silver, Floyd

I don't see them viewing it as a big problem initially because he's confident that he'll be able to make things right quickly. You just need some reassurance, that's all.

He's not going to confront you directly. He won't need to; His actions toward you would be enough to say that what others were saying was indefinitely wrong.

He'll become more handsy and more forward with his PDA, always making sure that he's holding you or touching you in some way. He'll put his hand on your waist and pull you in close, seldom ever releasing his grasp on you; He'll kiss you more often, ensuring to elongate the kiss for a long time even when there were a lot of people around. When he'd pull away, allowing you to take a breath, he'd shoot a glare at anyone who was staring, daring them to say something.

He'll do all of this as to indirectly tell you, "Hey, I don't care what anyone says or thinks. I'm not letting you go". Yet, if you were still acting distant, then he'd have no choice but to confront you directly.

When he finally does, he'll back you into a corner and ask with frustration, "How come you're still distancing yourself from me? Am I not showing you enough affection?" He'll then lower his tone, "You don't need to run away from me...I love you, y/n...and there's nothing that anyone can say that will ever change that...", looking at you with that rare softness in his eyes that he only showed when he was pouring his heart out. And that's how you know he really meant it.

That look would further soften when you suddenly hug him tightly, and after melting in each other’s arms, he'll whisper into your ear, "I'll make sure you understand how much I love you tonight. Remember this moment whenever you find yourself doubting it"

And when you two make love that night, he'll seem a bit rough initially. He'll be pinning arms above your head, grasped tightly, kissing you ferociously that your teeth often clash, sucking on your skin so intensely, leaving marks of purple, and thrusting himself into you with so much force that you feel like the bed is going to break (which, it almost does, heh)

But after his first climax, releasing his remaining frustrations, he'll slow it down, also releasing his tight grip on your wrists to embrace you protectively, kissing up and down your neck as he thrusts long, slow strokes into you. He'd be all over you. His hands, his lips, and his tongue would again caress every spot on your body, especially on the spots he left a hickey on. He'd kiss them softly, and would cheekily smile into your skin, knowing that these marks would be visible for all to see the next day. After all, they need to know that you belong to him, just as his heart belongs to you.

"Can you SEE how much I love you?"

VIL, Jade, Rook, Jamil, Lilia, Rollo, Azul

You're self conscious? On his watch? Absolutely not.

Seems like you need to SEE how much he loves you in order to really believe it. So after quickly dealing with those who had planted their foolish ideas into your mind, he'll immediately take you to his room to help you confront your problem head on.

He'll be sitting at the edge of his bed, as he speaks to you, "Dear, I've noticed that you've been shying away from me because you've become self-conscious...you need not be. Do not listen to what others say, they don't matter. I adore you just as you are."

When he sees you finally ease up by his words, he'll smile tenderly at you and will then pat his thigh, "Come here..."

You do as you are told, and when you get close to him, he'll suddenly pull you onto his lap, wrapping his arms firmly around your waist, trapping you in his embrace. Funny thing is, up until now, you hadn't realized the grand mirror that was in front of you two. Had he always had that there? In fact, he did not. But today, he needed it for his plan to help you become less conscious. Oh, you're in for it now 😏

"I'm glad you've noticed the mirror. Keep your eyes on it...no matter what I do", he'll mention as he narrows his look into your eyes in its reflection, and you can definitely tell he was plotting something. You were about to ask about it until he surprises you with a multitude of kisses up and down your neck and down your shoulders. If you asked if you could face him, he'd immediately turn you down, telling you to look into the mirror.

And as he became more sensual, letting his hands roam up your body to cup your breasts and fondle them as he continued to kiss your jaw and insisted you to keep your eyes glued to the mirror, you eventually realized his plan: he was going to make you watch yourself as he made love to you.

You figured that it would be easy to endure, but soon enough, you'd think otherwise as he'd further surprise you with his touches.

He'd bring his hands down to your waistband and begin pulling your pants off so that your lower half was now bare. Then, bringing his hands back up to your thighs, he'd begin to spread your legs open slowly, while looking in the mirror to enjoy the view of your pussy all soaking wet for him. "Ah~ You're so wet", he'll grin, eyes half-lidded at the sight. He'll hover a hand over your heat and begins to rub his middle finger up and down your slick, earning a shudder from you. After rubbing it enough, he'll insert it into your hole, massaging your insides and finding that sensitive spot that has you squeezing onto his finger.

You look away from the mirror and shut your eyes at the pleasure he's giving you, but he'll click his tongue, and stops his motions at your reaction, "That won't do, dear. Don't look away". With his other hand, he'll grab your chin and make you face the mirror once more, "Open your eyes. You need to watch as I pleasure you" and with the lack of friction making you antsy, you open your eyes to watch the erotic sight of him touching you. "Good girl", he'll hum. And for that, he'll reward you by using his other hand to rub circles on your clit.

He'll continue to pleasure you while making you watch him, becoming pleased with himself as he was getting you to stare at the sight with less hesitation each time.

When at last he has himself inserted in you, thrusting up into you relentlessly as you both watch yourselves in the mirror, mouths agape as you both moan and pant, faces flushed, eyes heavy with lust, bodies wet from sweat and arousal, he'll lean in towards you ear, sultry whispering,

"Get used to this image, my love...become so accustomed to it that it won't matter what anyone says. You'll remember that you and I are meant to be together...joined as one both body and soul, just like this"

"Do you know what you do to me?"

MALLEUS, Sebek, Deuce, Riddle, Idia

He'd full of worry when you distance yourself from him, wondering if he had done or said something to cause it. Though, hen he finds out that the reason for it was your self-consciousness and the gossip of others that had influenced it, he is fuming. Who dares to insult his darling?! To make you feel this way? He'd be so tempted to make them endure his wrath, but he'd ultimately decide to deal with it later. The most important thing right now was you. It pained him to see you look at yourself that way when he thought the entire world of you. (He practically kisses the ground you walk on, lol)

So he would waste zero time to confront you because there's no way he was going to let you think that he didn't love and care for you.

Do you know exactly the effect you have on him? He'll let you know. He'll tell you how warm you make him feel inside, how you ease him while still managing to give him butterflies in his stomach everytime you laugh or smile at him, how grateful he is to have you in his life. He'll then take your hand, bring it up to his face, and lean his cheek into your palm, telling you how he easily melts into your touch and submits himself to you.

He'll guide your hand down his body, allowing you to feel the heat of his skin, down to his chest, where you can feel the pounding of his heart.

"Feel the rhythm of my heart...it only beats like that for you. You mean everything to me, y/n. Never forget that", and he would press a kiss onto your lips, desperation imbued into them. That desperation would soon turn into passion when you gladly returned his fervor, letting him know that you understood him and relief washed over him.

As you two fiercely kissed, devouring each other's mouths, letting your tongues dance, he realized that he was still holding your hand. So, he'd take the chance to continue guiding your hand further down his body to show you another effect you had on him. You'd gasp when your hand met with his clothed erection, breaking the kiss to look down at it and back up at him. He'll have a faint blush on his cheeks, but will look at you with a firmness in his eyes, "Only you make me feel this way." He'll release his grasp on you, yet, you'll maintain your grasp on him, ready to show him the love and affection that he showed you.

And indeed, you'll feel how enamored and obsessed you make him when you pull down his pants to free his throbbing cock, to lick it, suck on it, bounce on it, ride it, and squeeze it so good that the evidence of his love will be buried deep inside of you and will continue to overflow.

Extra:

He'll also show you what you do to him even when he wasn't with you at the moment. Even if you were away for a while, he'd send you a video touching himself to you. In the video, you'll see his beautiful face twisted in need as you listen to him panting, gasping, and moaning out your name numerous times, accompanied with the wet sounds of his sex being attended to. This would go on for several minutes for you to enjoy, and in the after his release, he'll look hazily to the camera, cheeks flushed, semen stained on his hand, abdomen, and thighs, lips parted as he breathlessly heaves out, "This is what you do to me"

If you were there, he wouldn't have made such a mess everywhere 'cause he would have made his mess inside of you instead, just sayin' ;)

(Cater isn't a part of this category, but I can totally see him doing this too!)

"I love your..."

NEIGE, Cater, KALIM, Che'nya, Trey, Ruggie

You distancing yourself from him would immediately have alarms going off in his head because this would be highly unusual. You two were always joined at the hip (sometimes literally) after all. When he realizes that you're self-conscious, he'll immediately reassure you.

"You know what I love so much about you? I'll tell you!" He'll grab your hand and bring it up to his lips, "I love your touch", and will kiss your palm. He'll then lean towards your face so that his lips were ghosting your forehead, "I love your beautiful mind", and kisses it. He'll then kiss the corner of your lips, "Your pretty smile", which would earn him that beloved expression from you, to his delight. He'll kiss down your neck, "Your voice and the things you say to me", and as he tries to kiss your collarbone, he will pull off your top to expose more of the skin he can kiss. He'll continue down towards your chest, kissing your warm bosom, "Your kind heart and affection". And he'll go on to kissing all over your body as he says what he adores and loves about you, removing any more clothing that might hinder his lips from meeting your skin.

With all his kisses, you were nearly laid entirely bare. All of your clothing were off except for your panties. As he lowers himself down to hover his lips on your clothed sex, he'll look up at you, blush dusted on his cheeks and a sensual look in his eye, "Would you allow me to continue saying what else I love about you?". And with your nod of permission, he'll slip the garment off, and whisper, "I love the way you taste" before giving a deep kiss to your lips. He'll go on to kiss it repeatedly and as you moan and sigh from his kisses below, he'll shakily breathe out, "I love the sounds you make when I'm making you feel good...a-ah..! You make me feel so good" as he mindlessly grinds into the mattress, pre-cum staining the bed, aroused by you.

You'd think he'd be done after letting you know the numerous things he loved about you, but he still had one more he had to say. So after letting you release your nectar onto his lips and drinking it, he's gonna line himself up to your dripping entrance, and will say, "I love being inside you", before inserting himself into your heat. He'll continue to mutter on with each thrust, "oh, you're so warm...you take me in so well...I love it...I love you....so very much"

And with all of the places he's kissed and all of his words of adoration, I'm sure you'll understand the magnitude of his love for you by the end of the night

a/n: this one was much longer than usual! Some seem a bit ooc and I honestly kinda gave up at the ends of most afshdkwgjak oh well 🫤

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co-dependance · 1 year

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I’ve seen people talk about the main theme of the owl house being acceptance, and I think they’re completely right about that. But I haven’t really seen anyone look at the sub themes depicted in the show around the acceptance theme.

Specifically how the owl house is really advocating for child autonomy. Specifically in the ways of discipline, showing that communicating and talking with children ends up being a lot more beneficial and effective than punishing them.

The most obvious example comes with the collector, where instead of talking to him, King’s dad punished the kid by putting him in essentially time out, for the actions of his siblings. Which he would’ve learned if he had talked to the collector. And then following that, every interaction before talking with Luz, has the collector being used or placated in some way instead of being treated like an actual child due to the amount of power he has. The titan trappers revering him as some sort of god, Belos manipulating him, and even king attempting to appease the collector, instead of really talking to him. Though for king it’s a bit more understandable. Even so, the show showcases the collector’s change only after he’s talked to like a person, and then shown why his views were wrong.

Luz, who’s the main focus of the show, has her character arc and journey centered around being punished for her not fitting in at school. And while, yes, some of Luz’s antics that were shown seemed to be legitimately dangerous, the real solution would’ve been to talk with her and teach her about safety and why bringing wild animals and fireworks into a school building is dangerous. It should have also been that Luz should be able to talk and negotiate with her teacher about what would be acceptable for her projects with her endless creativity. The solution was not to essentially punish Luz for being creative, and what that only did was make her feel worse about herself and more isolated from the people she thought would be on her side. And then we were shown in thanks to them and for the future, Camilla’s growth into understanding that not talking to Luz about this, and essentially forcing her into normality, was not the way to go about things.

And we see this theme again, with Willow forced into the abomination track because her parent’s thought that was what was best for her, until she was able to showcase her skills and switch to what she was actually good at. Alador realizing he missed a lot of Amity’s growth by not talking to her, and then making it up to Amity by letting her set the boundaries and reestablishing their relationship. Odalia being controlling and not listening to her children which lead to actively harming their social development, until she was confronted and then shut out. Belos manipulating Hunter, isolating him, and abusing him, not even listening to what he had to say. And all of these situations were made better and more bearable when they were given the chance to take charge and be heard.

All this, in an attempt to showcase that children can be vulnerable and malleable, but they are also smart and understanding. And instead of deciding what a child needs, it’s important to communicate with the child instead, asking what they need and listening to what they’re saying. And implementing that by guiding and supporting them, not attempting to control them to what someone else thinks is right.

Children are smart and observant, they just need to be taught how to communicate, and viewed and thought of as actual human beings.

In a way, the owl house is attempting to advocate for it’s audience, and that’s beautiful.

#the owl house #toh #toh spoilers #toh season finale #luz nozeda #toh hunter #willow park #amity blight #child autonomy #honestly i think it's a really important thing to be taught to everyone at every age #Children are seen as dumb and it's disheartening because they're not #they're open to new ideas and possibilities and not yet stifled by their own learned w-orld veiw #and they don't know everything so that's why they need to be taught #refusing to teach them ultimately takes away any chance of growth #no kid is a lost cause #and kids can understand when something is wrong #ignoring them looses the chance for the kid to learn how to understand and indepen-dently come up with a solution later #toh meta

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tossawary · 8 months

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The last time that I rewatched "The Fellowship of the Ring" (extended edition, of course), my favorite new detail that I noticed is that the characters, once they set out on their journey, are pretty much always traveling from screen-left to screen-right.

It had been a few years since I'd seen the films and I'd learned more about filmmaking in that time. I'm completely biased regarding the LOTR films; they're not perfect, but I grew up on them, I love them. I was trying to take notes on all of the little details that made the world of the films seem so rich and so enchanting to me. The camerawork, character staging, and editing is one of the many things that just happened to jump out at me at this time.

When Frodo and Sam are leaving the Shire, the camera is set up in such a way that they start on the left side of the screen (<- that side) and travel across it to the right side of the screen (-> that side).

This way to go the farthest you've ever been from home. ->

As the hobbits travel from Bree to Rivendell, as the Fellowship travels from Rivendell to the Misty Mountains, all of those gorgeous scenic shots of the Nine Walkers show them moving from screen-left to screen-right. I haven't rewatched the entire trilogy lately, but in "The Fellowship of the Ring", it is so beautifully consistent.

There are a handful of reasons why this is done. In staging and editing, consistency regarding where the characters are placed on the screen is a storytelling tool. For example: the "180 degrees rule" says to generally keep the camera on one side of the characters within a scene, so that the audience can mentally keep track of the characters within the environment and focus on the action/dialogue. If we're watching two characters talking in a diner, even in the close-ups, one character will usually be kept on screen-left and be shown facing screen-right, and the other will be kept on screen-right and be shown facing screen-left. It feels stable. (People will sometimes choose to break the "180 degrees rule". It can be a tool to create a sense of disorientation and/or instability in the audience.)

In "The Fellowship of the Ring", the maps that the audience is shown of Middle Earth tell us that the Shire is located in the West (left side of the map) and everything else of relevance (Rivendell, Moria, Rohan, Gondor, Mordor) is East (right side of the map). As the characters consistently travel screen-right, the audience builds up a firmer mental map of Middle Earth and can better keep track of the characters' progress on their long journey. With every step that Frodo takes towards screen-right (->), we know that he is traveling East, taking another step towards Mordor.

Left to right may also instinctively feel like the way forward in a culture that writes and reads from left to right. Regardless of which way you write: if your film establishes extremely consistently that one direction is forward, then this visual language can be used to tell the audience that something is wrong if the characters start traveling from right to left. They might be lost! It builds suspense in the visual depiction of the characters going backwards and undoing progress! This all suits the lengthy hero's journey of LOTR very well, in my opinion.

There's an old joke that knowing how anything is made ruins the magic, and another old joke that knowing anything about filmmaking makes you insufferable to watch movies with, but I've never felt that way, especially not here. How does that quote go? It's still magic even if you know how it's done. (GNU Terry Pratchett.)

I find it enchanting, honestly, that so many people can work so hard for an effect that can seem so simple. Actors, directors, camera operators, editors, storyboarders, and so many others on the crew of the films consistently placed characters, sets, and props just so! So that the audience could more easily keep track of where everyone was and lose themselves a little more deeply in the story.

It's such a simple rule! And it works so well! Left -> Right. West -> East. Shire -> Mordor. Home -> Adventure. Known -> Unknown.

I personally recommend trying to keep track of character movement across the screen in films, especially if you have any interest in visual storytelling (films or illustration or something else). It's fun! It's impossible for me to unsee, watching "The Fellowship of the Ring" now, and I think it's a wonderful piece of movie magic.

#tossawary tolkien #frodo baggins #samwise gamgee #long post

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shirefantasies · 30 days

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This is something no one requested, but that I wrote for sheer comfort at a rush of bad memories. Warnings are fairly obvious, but this post will contain implications of abuse, though no graphic/explicit depictions.

The Hobbit Characters Finding Out You Were in an Abusive Relationship

Balin

His gaze drops from yours, but you are not offended by the pensive expression that crosses his face- what you said would take anyone time, let alone someone as thoughtful as Balin. Several heartbeats pass before he speaks. "My heart breaks for you," he begins, "that is a fate no one deserves. I can hardly begin to imagine... But what I do know is you have every right to do things at your own pace. Don't push yourself for me, love." Eyes shining, you nod. "And if I ever raise my voice at you, it'll only be for good reason, say, in a battle or because my old ears don't work so good." Giggling, you accept his proffered hand. "I admit, I can't picture you raising your voice like that at anyone." "It's happened," he jokes back, "those nephews of Thorin's have earned it a few times. But not you. I'm not here to control you, I'm here to love you, and you tell me if I'm making good on that." "It's a deal," you reply, smiling softly as Balin squeezes your hand.

Dwalin

“I know you may not understand or that my fears may seem weak-” “Weak?” Dwalin cuts you off. “Ya know who’s weak? That coward for picking on someone who loved ‘em. You are strong as hell for telling them yer done.” One final question rose to your lips. “So you don’t think differently of me?” At that, the tattooed dwarf shakes his head, placing a hand upon your shoulder and breathing your name softly even in his rough voice. “By my bear, you’re about the sweetest soul I’ve ever met and this only serves to confirm it. I’d have pummeled the sod at first insult.” “I probably should have,” you remarked, arms crossing over your midsection. “Not so fast,” Dwalin’s hand clapped over your chest, taking yours, “that’s what you have me for!” The hearty, devilishly proud laugh he burst into was enough to have you joining the mirth, your head falling gently against his.

Thorin

His eyes darken, jaw setting in a way that sends shivers of intimidation down your spine even in spite of your knowledge that it is not for you. You know it because of the way Thorin pulls you into his arms, because he breaths his condolences into your ear as he does so, warm air ticking the shell of it. "And your fire still burns," he remarks, wonder coloring his voice and shining in his blue eyes. "In a way," you reply, gaze still a bit downcast, "I use it as fuel. Never again will I be somebody's plaything." "Never indeed," Thorin agrees with a small nod, "and you may not need it, but while I remain at your side you have my sword and my word that no harm will come to you so long as I draw breath…”

Oin

His eyes go moist in a moment and he holds up his ear trumpet, clearly hoping beyond hope he heard you wrong. Hands clasping his, you shake your head. “So I’m sorry if I ever seem afraid to-” “You are sorry?” Oin asks incredulously, his tone still managing to be quiet, subdued to the volume you normally know him for. “You don’t have a damn thing to apologize for. That is not your fault in the slightest. Do you have any scars? Any bruises? I’m only asking because I want to take away your pain.” Likely it was in the past, long enough ago for those worries to fade. Scars to score only your heart. “Aye, if I can…I want to heal that, too. Treat you like the jewel you are.”

Gloin

His wide-eyed expression is almost comical despite it all, bringing a hushed, nervous chuckle past your lips. Gloin continues staring at you like you're a new creation for a moment longer, dragging the silence out until you feel you might burst. Finally, he stutters out a reply. "You- you endured all that?" "Yes, though I cannot help wondering if I could have prevented it. You see, I-" "Oh, no," Gloin cuts off your spiral, clutching your gesticulating hands and shaking his head firmly at you, "don't you dare let that coward off one bit. No one asks for anything that bastard did. They always say pressure makes a diamond, but you, my dear, were a gem far before and only shine brighter with each passing moment. Diamonds are gifts of this earth, though, not just some trinket for rich arms. If it was you or all the wealth in the Lonely Mountain, I'd choose you every time. Remember that. Please." "How could I forget words like those?" You grin at him, heart still hammering. "I will do my best to carry them in my heart."

Bifur

Soon as your confession leaves your lips, Bifur backs up from you, dismaying you with his own pain in your eyes. “Scared?” He signs, and your heart breaks anew. Quickly you step forward, bridging the gap again, and reach up to tuck some of his wild hair behind his ear. Shaking your head, you reply, “No, dear Bifur, I am not afraid. If anything, I apologize if I ever seem that way. If my nightmares frighten you and I either hold you closer or push you away. If I startle a little too easily. If I am quick to say no.” He finally tilts his head back up to look you in the eyes, moving it to the side to rest his cheek against your palm. “I, too, have nightmares. Bad things happen when I sleep,” he signs to you, “I get hurt. You get hurt. I need space sometimes, too. I may tell you no, too.” “But when you love someone,” you finish, a tearful smile rising to your face, “You want to see them fulfilled.” At that, the dwarf nods vigorously. “I love you. I never want to scare you. To hurt you.”

Bofur

“A star as bright as you?” Shaking his head, Bofur removes his hat, clutching it in both hands. “Guess that’s beside the point. Someone like that only thinks o’ themselves. But hey, you know that wasn’t your fault, right?” You just nod. “And the fact that you still give your heart to everyone… you’re nothin’ short of amazing.” Tearing up, you burst into a smile, exhaling your relief and falling into Bofur’s open arms. “Was gonna do it anyway,” he mumbles into your neck, “but I want you to know that I’ll treat you like royalty. Much as I can give. I really will.” “I believe you, Bofur, I believe you.”

Bombur

Never have you seen his face fall like you do in that moment. All but instinctually, he opens his arms. “May I?” Nodding, you fall against his chest, the beat of his heart calming your racing thoughts. “I don’t know what to say other than that you don’t deserve that,” Bombur tells you, a hand gently cradling the back of your head, “you deserve the finest man who tosses roses at your feet ‘n’ sings your praises day after day. Someone with half an eye who can see how lovely you are. You deserve all the pretty things in this world.” “And I have that. I have all I could ever want right here,” you reply, a tear slipping from the corner of your eye, “you give me all the love I deserve.”

Dori

"What gives them the right? Nothing. It's not right, any of it! Why is it always the prettiest flowers that get plucked?" Even in his righteous anger, Dori pays you a sweet compliment, a small testament to his value of you. Cupping his cheek, you interrupt his rant, shifting him to meet your eyes and feeling tears prick at you when you see how wet his eyes are. "I don't want you to live with that pain," he adds, voice breaking slightly. Heart dropping, then soaring again at the love in his eyes, you reach up on the other side, and his hand comes up to cover yours. "These roots are strong," you assure him, leaning forward to rest your forehead against his, "with care they grow anew." "I will take care of you," Dori whispers your name, blue eyes fluttering shut, "Always. I swear it."

Nori

“Where is the rat? I’ll kill ‘em, gut ‘em like the pig they are!” Nori’s rage rose an odd flush of endearment through you; murderous as his words may have been, your heart was lightened for his care, the sheer vindication that what you went through was not deserved. But then again, the way that person hurt you was something you would never wish upon any living soul and you knew that. Sheepishly, you shook your head, stepping forward to take one of the dwarf’s wildly gesticulating hands. “The way you love me has avenged enough,” you cut into his harsh words, “no one has fought for me before you, Nori. Thank you.”

Ori

“Somebody really did all that to you?” He doesn’t mean to sound stupid, but the revelation is nothing but dumbfounding. “Yes,” you nod, breath catching in a half-sob, “I didn’t even feel like a person by the end of it.” Your arm is crossed over your chest, but Ori removes it, gently, intently, to hold your hand in his. “You are, though. You’re…you’re more than anything I could have ever imagined. And I like imagining things quite a lot,” he smiles softly, almost sheepishly, “in fact, you know what one of the things I imagine is?” You cringe, see his eyes widen that he accidentally hit a sore spot and feel the way his hand involuntarily tightens. He continues, though. “How I can show all that to you.” Head falling atop his, you succumb to a grin- he is leagues different from that person without even lifting a finger. “You do that just by being you, Ori.”

Fili

You hardly expect his first words to be thanking you, but indeed as both of his hands grip yours, he smiles sadly and does just that. "Thank you for trusting me with that. Fighting the fear. I don't take it lightly. But if you think this does anything but make me love you more," his smile shifts, returns to something more like the amusement you more often saw, "I'm afraid you are solely mistaken. The fact that you trust me, feel safe around me...why, I'll work to keep earning that until the day I die." Grinning, you fall into Fili's arms, feeling utterly secure in the warmth of his embrace. "And that alone means the world," you whisper, "I love you." "And I you. Forever."

Kili

"No," Kili shakes his head, "no, you cannot be serious!" "So you think I lie?" You shoot back, tone sharply defensive in your hurt. Kili's dark eyes widen, glossing over with tears; he shakes his head again, this time slower, but much more vehement, "Not at all. I simply can't believe it. Why anybody would want to hurt someone like you. I admit I can't fathom it." "It's because I didn't matter in that person's mind," you reply, your own eyes tearing and your voice going soft, "I was not a consideration." "Well, let me consider you," Kili replies quickly, straightening and reaching out a hand, "I'll not do anything you want me to do. And if I ever raise my voice at you, feel free to slap me." "Kili," you half-chuckle, half-sob, "how would that make me any better than-" "It was a joke, but see? Now I have you smiling again. That's all I want. For you to be happy. I love you, truly, I do."

Bilbo

“Any chance we would…run into this person?” So casually, almost awkwardly phrased, and yet you deduced exactly what Bilbo meant with his question. “Are you…” Your expression widened back to a tentative smile. “…hoping to have a fight with them?” Plenty of people had been on your side, nearly everyone agreeing that what you endured crossed every line, but hearing it from a partner was an even stronger spike of the vindication you never tired of. Plus Bilbo’s scrappy side was all but the cutest thing in the world. “Well,” the hobbit straightened his coat, “I simply think they need to be put in their place. Why, of all the… how could anyone take a look at someone like you and see anything but the greatest treasure they’ve ever known, it’s insulting, maddening, uncouth beyond all-” He stopped when he heard you giggle, felt your arms snake around him. “Oh Bilbo…my greatest treasure. I’ll always feel safe when you’re here.”

Thranduil

Rarely do you see the woodland king’s eyes harden, go so cold like shards of pale blue eyes, as you do when he hears your admission. “This person saw fit to treat you like property?” Thranduil’s voice is dangerously low, his gaze drifting distantly from yours. “I felt that way, yes,” you quietly agree, nodding. The king’s expression sends a shudder of intimidation down your spine. He must notice, the way he offers you his hand- tentative, eyes softening in question. Telling you wordlessly that acceptance is your choice. A small nod and you take it, his fingers closing over yours as he lifts the back of your hand to his lips. “Never again,” he breaks the silence, voice low but all ice drained from it, “while I wish your time here to never end, our gates are open to you. My halls are as your own. If that…that fiend even thinks to cross the Woodland Realm’s borders? Some gates shall be closed forever.” A part of you wishes to cringe at Thranduil’s harsh words, but as he winds you into his chest you simply feel the heat of tears prick your eyes as you whisper your thanks, an answer coming in the form of the elven king’s lips upon your head.

Bard

He stepped back, eyes widening at your revelation. Every aspect of him softened. “How? How could anybody…” Eyes distant, you shook your head. “At the time, I felt like it was because I wasn’t good enough. Now I see how sick it was. How I was…just an object,” your voice faded into a near-sob, prompting Bard to catch you about the waist, lower you into a chair. He moved to put a hand on either arm of it, thought better of making you feel trapped. Instead he simply let you keep hold of his hand, tilting your chin with the other to meet your eyes. “By every power I hold dear I hope you never feel too afraid to tell me no. To tell me if I’ve hurt you. And by that same light we’ll spend every day filling your heart. Never should you apologize for your scars- those are signs of your strength.”

Beorn

He never does this. You've never known the Skin-Changer to be one for spontaneous affection and yet he's pulling you into his arms the moment you finish, your head falling against his chest or wherever it falls upon his massive height. Several breaths pass like this before either of you speak again. “There is cruelty in this world I will never understand. No excuses exist for it. None. But I will do everything in my power to keep you safe from it.” True to his word, the Skin-Changer is there for you after every nightmare. Never once does he raise his voice or his hand to you. He may not always understand you, but well does he know the feeling of chains, physical or metaphorical, and he would die before casting his own. In moments surpassing his understanding of you, he takes to the woods, offering space over harsh words and freedom of travel over control. True love, after all, always returns.

Taglist: @lokilover476 @fuckyoumakeart @kilibaggins @mossthebogwitch @ibabblealot @stormchaser819 @pirate-lord-of-narnia @datglutengoblin @letmelickyoureyeballs @mossyskinn @wordbunch @tiny-and-witchy | Message/Reply/Ask to join 🥰

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salaciousdoll · 9 months

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꒷︶ ̇ ̟ ෆ ‿︵‿ The Salacious Exploits ‿︵‿ ෆ ̟ ̇ ︶꒷

You’re a girl who was brought into this world with riches. Many thought that you had it all but the act of abandonment done by your father says otherwise. Don’t get it misconstrued though, your father is still alive and in your life just doesn’t even glance your way even when you broke into the famous stadium near your house with your friends, leading to sending you away to boarding school. Boarding School was an experience. Getting through that obstacle only to end up at a nice 4 year University. Easy-peasy for you right? except two and a half years later you’re sent to Private College. You hated your mother for thinking what’s best for you but “The Kaizen of Maria” Private College was a risqué experience, way better than boarding school, am I right? Am I? See how you deal with being with the social classes you don’t usually be in. Hardships, flowing red and orange leaves hitting the ground in the opening season of fall, volleyball practices, majors, sexy instructors and classmates, and finally realization of issues.

Be apprised of the warnings before you read below: smut, heavy smut, plot build-up, angst, heavy angst at the end chapters and maybe beginning too, chubby reader in mind but everyone could read, age gap, reader is in her early 20s( 21-23), tw.taboo, teacher/student relationships, reader could be considered hyper feminine and Bimbo/ditzy, very different and wrong depictions of boarding school( just for the plot), trauma( heavy and light), power dynamic relationships, sex with no relations on one side( yours), large age gaps so please be aware, written with black reader in mind but again everyone could read, volleyball player!reader, fashion major!reader, chubby reader in mind but everyone could read, daddy issues are high here but this in no way to describe it in a sexual manner only( this also goes into depths of it), heavy drug use! But the reader is not doing it just watching + dark content!, threesomes, classroom fucking, under the desk, Pervert reader and some characters, size kink but not major, false!corruption kink, reader is very seductive without even doing anything, body fluids( squirting, creampies, cum on body), mention of the younger cast of each series( not everyone though), Fem!reader, the men and Hange are between the ages of (30-50, so exit out this series if you’re uncomfortable), some fluff here and there, a little self indulgent, small descriptions of body parts( cocks, pussy, hair, etc.), heavy body worship, oral( f & m receiving), mentions of alcohol/parties off campus, strict teachers( Nanami, Erwin, and Levi), toxic!relationships, unrequited love( male wise), modern!au, joint modern au, crossover au!

Characters: Erwin smith, Levi Ackerman, Onyankopon, Hange Zoe, Miche Zacharias, Gojo satoru, Geto suguru, Nanami Kento, Toji Fushiguro, Shiu Kong, Hiromi Higuruma, Keith shadis, Kishibe, Eren Kruger, Principal Yaga, Zeke Yeager, Atsuya Kukasabe, Grisha Yeager, Kenny Ackerman, and Choso Kamo

Wc: tba ( tie it up at the end of the series)

ෆ ‿︵‿୨♡୧‿︵‿ ෆ ̟ ̇ ┈•ﾟNote from Salaciousdoll: Thank you to Deja for the pictures/headers, I adore you so much for this because you did this for free and just for your own entertainment, I was so scared to ask you but we up!! 😭 read the warnings carefully everyone. As always, MDNI; 18+ only

Taglist

｡ﾟ•┈୨ CHAPTERS ୧┈• ｡ﾟ

i. The opening of Fall 9/19/23

ii. Friends? 10/1/23

iii. You can’t always get what you want 12/16/23

IV. I wouldn’t do a thing like that, that’s for sure! 1/16/24

V. Be my Daddy(1/24/24)

VI. Ridin’

VII. I put you down because I want you

VIII. Slut Pop

IX. Strawberry Pound Cake

X. Thee Five Star Bitch

XI. Cherry Cola

Xll. Ten men on my line tryna fuck me, your daddy’s the biggest spender

XIII. He calls me lavender

XIV. Just wanna have fun’

BONUS CHAPTERS

XV. Holding hands with an bad old man

XVI. Allure

XVII. Wanna know how red taste?

XVIII. Blood Rush Slut

XIX . Candy Necklaces

XX. French Restaurant

｡ﾟ•┈୨ SALACIOUS PLAYLIST ୧┈• ｡ﾟ

1. Boarding school- Lana Del Rey 2. Party Girls- Victoria Monet

3. Love Language- Sza 4. Open Arms- Sza ft Travis Scott

5. Mermaid Hotel-Lana Del Rey 6. Girl that got away- Lana Del Rey

7. Go Go Dancer- Lana del Rey 8. Off to the Races- Lana del Rey

9. I’m that girl- Beyoncé 10. Rocket- Beyoncé 11. You can be the boss- Lana del Rey

12. French restaurant- Lana del Rey 13. Fucked my way up to the top- Lana del Rey

14. Attention- doja cat 15. Daddy issues- The Neighborhood

16. Older- Isabel larosa 17. Naughty Girl-Beyoncé 18. Valley of the doll- Marina

19. What was I made for- Billie elilish 20. Baby doll- Mariah Carey

21. The roof- Mariah Carey 22. Body Electric- Lana del Rey

23. All Up In Your Mind- Beyoncé

Tagging: @chosoist @honeybleed @emomanswhore @simpingfor-wakasa @happygoluckyalexis @mastermindenoshimaalicia @angelshub and if anyone else wants to be tagged in future chapter, fill out the taglist form.

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just-some-random-blogger · 8 months

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Safe Keeping | 4

Part 1 2 3 4 5

"What say you, lady? Don't you think the Hound would make a fine husband? He would protect you, yes, and you would bear him many babes." I curtsy again but this time, my voice falters when I speak, "I- I think he would," I turn to my left, "Lord Sandor would make a fine husband... a fine father."

Sandor Clegane x Reader | 8k+ | cw: fem!reader, DEATH of characters/animals/monsters, POV shifts, mentions/depictions of violence, forced marriage, enemies to lovers, slow burn, angst, emotional unavailability, emotional constipation, miscommunication, The Hound being abrasive, canon typical casual misogyny/violence, themes/mentions of menstruation/pregnancy/miscarriage, baby fever, angst, typos, etc.

A/N: ❗❗please proceed this chapter with caution. i killed a bunch of characters/animals (well and monsters but i think deserve lmao)!!! ALSO POV SHIFTSS!!!! originally posted on ao3 but felt like posting it on here. also fyi i post this story on ao3 first

Tagging: @otteropera @poisonsage808 @glitterandgoldfinds @the-queen-of-sorrows @j3nn-1

The Hound found himself wrong about the thieving, wrong about the missing livestock. He was so wrong it nearly cost him lives, including his own.

He was so sure about himself when he went into the woods, so sure that he was going to find at least two men, at most five, luring sheep there. It was the men he was prepared for. Fuck the livestock, the farmers can get them back after he killed the fucks stealing them.

Ah, the farmers, barging into his wife's estate... into their house, into house Clegane.

Fuck 'em, fuck the lot of them, complaining again, complaining about their sheep and their cows. He had enough of their yapping, now was the time to act.

Fuck 'em twice for being shocked when he said he'd go into the forest to kill the fucker causing all of them trouble.

The superstitious peasants warned him. The Hound heard; he even humored them by letting a few spring chickens, boy-soldiers in the making, 'aid' him as he went to the forest.

Between the young farmer's lad, Andrew, and the man-boy, Carter, who he had been training be a soldier, it was actually the Hound who was the one most frightened by that thing that stared back at them.

It looked as though it was twice his damn size. It was darker than tar, and stinkier than shit. It made an unholy sound before attacking them.

He doesn't remember what happened after that in all honesty. His instincts kicked in and he can't recall what he had done. All he knew was, in the end, the two boys were cheering and dragging a black corpse all the way back out of the woods.

The villagers looked at him. They walked towards him and shouted. It was not an unfamiliar greeting-- being pursued by villagers, and yet, it shakes him; it takes him off-guard. They come upon him and begin to weep at his feet. They thank him. They thank them as they hug each other. The thank him as they wave at him. They thank him as they touch his armor like a devout would touch an idol.

The Hound is perturbed.

"Thank you, milord! You killed the beast!"

"You saved our sheep!"

"You saved our families!"

"You saved our lives!"

The Hound was never one to back down, but Sandor found himself taking steps back when a group of children ran up to him and began to ask him how he killed it. Their little hands and big eyes demanded answers from him. His insides rise up to his mouth.

The children begin to talk about how they can go to the woods now.

"Oi!" Carter calls to the ones in front the Sandor, "you do know there's more than one woodland monsters, aye?!"

"But now milord Cligay killed one! He'll teach us how to kill the o'vers."

"It's Clegane. Lord Clegane! And even then, you buggers can't just play in the forest. The brown bears still live here."

"I haven't seen a brown bear!" a little girl cries out. She looks to the Hound, walking up to him, grabbing his hand, "there aren't any brown bears in the woods, right, milord?"

Sandor looks at the small thing. His hand burns at her touch. Her hand was not even hot, not even big enough to grasp half his palm and yet he feels lightheaded. He feels like he's going to pass out.

The Hound finds their sentiment to be all too much at one point. He grumbles he's going home; he's got much work to do. The villagers thank him as he leaves.

When he gets home, just as he gets near the gate, he beholds Lady Clegane, the people's champion, his poor bride. She is outside, speaking to some peasants; it was all she did as of late.

A breeze blows and her dress dances with the wind. Her hair follows as well, and along goes the air from his lungs.

She is the sun. He is a mountain trying to reach her.

Sandor, who hadn't realized that he stopped in his place to gawk, is shaken out of his trance when the stable boy opened the gates for him. The small child named Polly, about as old as his wife when she fled this place, nods at him and motions, "pardon, milord," he says nervously, "I didn't know you were waiting for me to open the gates."

The Hound looks at the boy as he walks in, "I wasn't," he gruffs, eyeing him as he passed, "don't worry about it, laddie."

Lord Clegane looks away from the stable boy when he hears the shrill cry of a babe. He spots the maester walking over to his wife with a wailing child in his arms.

He thinks about the letter he had to write to the Citadel, requesting a maester come to Brown Wood.

Lady Clegane thinks her husband's initiative for it stems from his sense of duty as a Lord, but she'll never know he did it for her, for her to know if she really did have a late blood cycle, or if she lost a baby. Maester Yannick told him it was, regretfully, the latter.

The Hound waited for his lady wife to tell him about it, to ask him to hold a mourning ceremony for the unborn child. She never did.

Sandor watches Lady Clegane willingly embraces the woman who thanked her up and down, over and under, for saving her baby. She tells the weeping woman that it was not her work but maester Yannick that saved the babe. Maester Yannick says it was not his work but the gods.

Sandor tastes something putrid in his mouth when his wife coos at the child, who immediately calmed when the maester reunited the small thing to mama. His insides tingle at the sound of his lady's laugh.

He curses under his breath when she turns to him. He realizes then he had stopped in his tracks again.

The Hound begins his march.

Lady Clegane greets him, but he is not strong enough to reply with a greeting himself. He doesn't know why he stops to tell her that he killed a woodland monsters though. She looked very shocked after hearing that.

He wonders if she was disappointed. He wonders if she wanted him dead.

She touches him and questions if he was injured. Sandor flinches and steps back. She recoils her hand quickly and wipes it on her skirt-- disgusted.

The Hound says she shouldn't worry her pretty squirrel head, then walks away.

His footsteps are heavy as he heads to his office. He didn't want to go through the fucking endless piles of paperwork, but the apprentice he had couldn't grasp basic mathematics quite yet, so, there he went, to go through paperwork in a musty office.

He wonders if doing this shit made a difference to her, or if she'd always see him for what he was: a groom, forced upon her as a joke from a stupid blonde boy; a beast with ill features and temper; a Hound.

He is almost tempted to look over his shoulder at the loud sound of baby's laughter. He doesn't, cause he wouldn't see anything but a wall of he did anyway.

He wonders when she'd ask him again, when she'd ask for a child from him.

He promises he'd be gentler this time, gentler.

He doesn't mean to be so rabid with her.

She just had such an ablaze spirit, she was so fierce, and so vivid that he found himself wanting to devour her whole-- a true predator.

He wishes he could be more than that. He could be more than that to her, but it's so hard to fill in to be someone you're not. The Hound was not a proper lord, he was not that pretty boy Alistair. He can only do so much.

Sandor would do much and more for her than that scrawny, faerie pretty-boy ever could.

She might not like it, but he'll do his best to give her what she wants, to give her a family in stead of the one she lost. She will never love him, but he knows she'll love all the children he could give her, and that was more than enough, more than he could ever hope for or deserve.

I carefully walk up to the office, clutching my hands together as I prepare myself to knock on the door.

I clear my throat and retell myself what I mean to tell my husband. My palms begin to gush like geyser. I dread the fight I know will be had because of this topic.

I let out a soft gasp when someone calls me from behind.

It was the stable boy, Polly. He had run up to bow and greet me good morning. I smile at him and reach out to him. I brush his hair back, "good morrow, Polly, dear."

The boy grins and bows again, "I'll be learning how to ride a horse soon, milady!"

I link my hands together as I chuckle, "my! Will you now? How awfully courageous of you."

The boy pushes his shoulders back, "it's no'ffin, milady. Just what a man ought to do. I would go to war for you, milady, I would!"

"My boy," shake my head, "I pray you never need to do such a thing. I hope you enjoy riding though. I find that I do not."

"Do you find riding scary? I wouldn't! I'll let you ride with me once I know how, promise," the boy nods as he places a hand on his chest.

"You are very kind," I smile, "I thank you for it, Polly."

The boy puffs his chest out and bows, "I'll be goin' then, milady!"

I chuckle as I watch Polly run off as quick as a rabbit.

My soul nearly leaves me when I turn around and see the Hound looming over me.

I gasp and step back. He reaches out to me and grabs my arm. He keeps me upright and leans down, "you better stop calling the boy dear." He releases me and begins to walk off, "he's already in love with you as is."

I blink rapidly at his words. I turn to him and watch him march away before scurrying after, "he's a child."

"Aye," says Sandor, "all the children adore you."

My stomach curdles at his words; I am unsure why. I rub my hands together, not sure what to make of myself, or what to reply.

"What were you doing outside my office?" he asks.

I run up in front of him and grab his arm, "there is something I needed to discuss with you."

Sandor stops. He looks at my hand on his arm, "can't it wait?"

I pull my hand away and shake my head, "I understand that you are very busy, my lord, but I-"

"Fine," he mutters, "I'll lay with you tonight."

My eyes widen and I topple back at his words, "what?"

The Hound steps forward, keeping me upright again, "that's why you're here, aren't you?" He releases me, "your bloods have waned."

I feel my face burn. I gulp and force a smile, "I-" I chuckle nervously and straighten up, "y-yes. My bloods have waned."

Sandor watches me closely.

I rub my neck and blink rapidly, "I thank you for your thoughtfulness," I dig my thumb nail into my pointer finger. I turn from my feet then to Sandor, "but that is not what I wished to speak about."

His face falls. It's not anything noticeable but I have become quite good at it, reading his face. He purses his lips then says, "be done with it then, I've got work to do, pretty squirrel."

I feel my face burn even more at his horrible nickname.

A group of women had been complimenting my dress when the Hound passed. I knew they did not know he would react that way, but it did not help the embarrassment I felt when the women asked my husband if he thought my dress suited me and he replied 'pretty for a squirrel'.

"I wanted to tell you that I... I still very much wish to be the one to speak to the people about their concerns," I am unable to look at him when I say this, "it is not because I think you are unfit for the task, my lord, but I have seen the way you act around them."

"Like a dog?"

I knit my brows deeply and look to him, "Daisy is a dog. And I love her very much."

"That makes one of us."

We stare at each other for a long, blistering moment. My throat constricts at his words, "... Sandor."

His face contorts. He scoffs and averts his gaze, "don't say my name like that."

My heart begins to race, it twists and clenches. I step forward and reach out to him, "I see how you try to listen, how you try to help, but it scares you-"

I gasp when he rips his arm away before I can even touch him. He grabs me instead though, ripping me close as he leans down, "I'm not scared of peasants."

My eyes water. It's not even because his grip hurt, but because it was as painfully clear as it could get that this man did not like me at all, no matter what I did.

The Hound mutters softly, "do what you wish," he releases my arm, "you want to do my work so badly then? Fine. I didn't want ya to do anything you're not meant to, but have it your way."

I scratch my eyes before my tears could fall. I try to look at him as I speak, but the tears threaten to fall when I do. Instead, I fix my eyes on the floor, "I do not do this to upset you, Hound. I do this because I mean to help you. I swear it."

He is deeply disturbed by the softness in which these words are spoken. Hearing himself be called Hound was unreasonably heart piercing.

"I do not like it when you are angry," I whisper, "it would have been fine if it was only directed at me, but you spur everyone around you."

I flinch when he calls my name.

I shake my head, "if it pleases you, lord, I will do as you said the other day. I will no longer speak to you. I will not bother you. I will not stand in your way." I step back and pick at my fingernails.

Sandor holds back from stepping forward.

"Maester Yannick has been giving me herbs to help with conception, but he said that I should be in good spirits when... consummating... I do not think we should do anything tonight--" I look to him through my wet lashes, "unless you want to--"

"No, I do not," he says coldly.

I gulp. Tears begin to stream down my face. My lips quiver. I shudder. Of course he doesn't want me.

I curtsy and walk off. I break into a sprint after a few steps, as I am no longer able to hold in my sobs.

Sandor watches this. He furrows his brows, unnerved by the interaction, gutted by the fact it ended in tears yet again. He replays the conversation. Was his touch truly that hard? He looks at his hand. He curses loudly and storms off to fuck all.

Sandor wakes before the sky does. He opens his heavy lids and sighs. He turns to his right on instinct; he watches his wife stretch out her arms in the expanse of nothingness between them. He likes to think that she is reaching out to him. He likes to think that if he reaches back, it'll make everything fine between them.

But then again, it had never been fine between them in the first place.

He makes sure not to touch or move her. Last time he did, she woke up. She truly was a light sleeper.

He slowly gets up. He quickly gets dressed. The moment he gets out of the room, he heads to his office.

He's finished his work by the time he hears a dog barking. He looks to the window, the sun looks back at him. He stands, stretches, and walks over to the sill, pushing the curtains open. He sees her, Lady Clegane, cuddling the mutt she named Daisy. Fucking Daisy. Polly, the stable boy was waving a stick, but the bitch could not care less about it, too preoccupied by her master.

He watches Daisy lick her neck. He watches how she scolds the dog for it but giggles anyway. Sandor sniffles. His mind wanders to the one time he had his face pressed on her neck like that. Fucking dog.

He watches the pair go inside. The Hound heads to the dining room promptly after.

He mutters to himself, trying to decide how to start, "I don't meant to make you cry-- I keep making you cry-- Fuck-- .... I know you don't like me," he stops in his tracks before he can get to his destination. He mutters to himself some more.

Fuck it.

He hears the telltale patter of Daisy's paws. It makes his fingers tingle.

When he gets to the dining room, he furrows his brows at the emptiness.

Lucy gasps at the sight of him. She topples back then regains her composure. She puts the plate of food she was holding down on the table with a bang. She looks at him and curtsies, "your food, milord."

"Where is she?"

Lucy's glare darkens, "she is dining with the servants."

He chuckles drily. He feels disappointment. He feels hurt. He immediately plays it off, "pretty squirrel's finally had enough of me."

"WILL YOU STOP CALLING 'ER THAT!" Lucy bursts, taking the Hound off-guard.

They both stare at each other, as if equally as shocked by the outburst.

Lucy fumes. Sandor freezes. The former decides she's already spoken, so she might as well continue, "she is a lady! You took her for this," she motions vaguely. "You need her," she speaks firmly, "just as much as she needs you."

The Hound scoffs. His insides burn and curdle at the idea of the little girl needing a beast to keep her safe. He snaps, "well, go ahead and tell her I will gladly be her hound and breed her little monsters as thanks for her nice, warm castle!"

Lucy makes no attempt to hide the revulsion she feels at the sound of the hound's words.

"You know what," he snarls, "why don't I breed her right now as a thank you?"

Lucy's face drops. She runs up to the Hound when he begins to storm off. She crumples like paper when he shoves her away. He doesn't do it hard enough that she shoots off to the table, but it's enough for her to get the message: he was deadly strong.

Lucy does her best to stop him. She cries and begs and screams. She digs her heels into floor and yanks him back but it doesn't do much, it doesn't do anything.

The Hound only stops when he finally sees her.

Lady Clegane is laughing with the servants as they watch Daisy roll on her belly for food. She feeds the dog just as Lucy runs up in front of him, severely distraught and tear stained. Lucy pushes her hands on his chest and begs him to punish her instead.

The Hound is sickened when Daisy runs up to him and whines. He recoils his hand when the bitch licks it.

"Lucy?"

Sandor flinches at the sound of his wife's voice and turns the other way.

I was in the middle of playing fetch with Daisy when she caught wind of something and ran off to the gate. Usually, this meant Sandor was home. Lo and behold, this moment was not any different.

I turn away immediately when we lock gazes.

The Hound had a large cut of meat on his shoulder. He grunts as Daisy barks and runs up to him, "fuck off, bitch."

He does his best to avoid the dog, nudging her away firmly with his leg as he walks up to a wagon and plops the hind of a cow on there. He hisses at Daisy when she gets on her two back legs and rests one good leg and bad one on his hips.

"Daisy!" I call.

She ignores me.

Sandor looks over his shoulder, "your mam's calling you, dog. Go on!"

Daisy clearly doesn't understand, or doesn't care, and barks at Sandor when he shoves her away.

"Daisy!" I call and jog up to her when she follows Sandor out of the estate. I run up to the gate and watch as she is chased by the Hound. She runs as fast as her three paws will allow, clearly enjoying what she thought to be a game.

"Come here, you stupid bitch!" the Hound screams.

I turn to one of the men near me. I call Arron over and tell him to tell the Hound not to chase after her. He does just that, "milord! She will stop running if you stop chasing!"

I make a face as Lord Clegane curses and does his final attempt at catching the dog.

"Shall I bait Daisy with some meat, milady?" Arron asks.

I am about to respond but then there is a loud shriek from afar. It makes my blood go still.

The Hound immediately stops, straightens up, and looks at the distance.

I turn to Arron in a panic and tell him to get bait for Daisy. He quickly does that and calls for the dog to come back.

A bunch of peasants run and scream towards the estate; they scream milord.

Sandor goes to them.

When he reaches the panicked townspeople, he tells them all to shut the fuck up and explain what's happening. The old one clamours out that her daughter's been taken, says she was herding the cows then she was suddenly screaming, and he tried to reach her but it was too late. He says his son went to the woods to try and save her sister.

The Hound nods. He easily decides to go into the woods. The man's other son to leads the way.

In truth, the boy didn't have to go with him, he could just head to where the animals were fleeing, but he allowed it because he recognized the boy to be one of the ones in training. He has no idea what his name was though.

He was glad to hear the screams when he did, at least the ones that sounded human.

The Hound sees a lad and a lass running up to him, "RUN WHILE IT'S DISTRACTED!"

The boy by his side screams back, "the Hound is here! He's going to kill it!"

Well, Sandor was only meant to save the girl, and now that the girl was about to run past him, he didn't have to do anything, really. For some reason, he felt compelled to press on. Maybe it was the lack of his sense of self-preservation as of late, or no, don't call it that; it was his need for a distraction, his need prove something.

He sees it, the monster and its fresh kill. It must have been one of the girl's cows, or at least what was left of it. Gods, the abomination was a messy eater. He was glad, at least, it seemed to be starved and solely focused on eating.

His boots stomp into a puddle of blood when he charges at the thing and cuts its head off. That's was quick... and simple...

He's shocked when he hears a hellish scream behind him and gets knocked into a tree.

The Hound is dazed. He hears the battle cry of two voices. He watches the brothers do their best to stab at the thing that towers and claws at them. He promptly gets on his feet and charges at the disgusting fuck, managing to chop off its arm before it chops off the boy's head.

Just as he thinks he's about to get the upper hand, another vile beast pops up from the shadows. He fixes his footing and slashes his sword for his life.

One of the boys get injured. The boy's scream attract the monsters towards him, allowing the Hound to stab through one of them when it's attention is averted.

By the time one of the two vile cretins drop to the ground, the two boys are running for their lives with one monster on their tail. The Hound is forced to chase after them and curses the boys for running. He's not as quick as he was before.

He screams and grabs a rock, chucking it at the slimy tar creature. He throws and shouts some more until the monster is turned back and running towards him.

He slashes the stupid fuck with his sword when its close enough. It still picks a fight though.

He's losing his breath.

The next thing he knows, there's another monster screaming from behind him. The Hound prepares for the one behind him, but it doesn't reach him because its busy ripping something off it with a growl. It chucks something to the side. There is a separate whine that hisses with the wind.

The Hound finally kills the first monster that attacked him. It doesn't take much for him to kill the other as its belly was already gushing with viscous blood.

Once he's the only thing alive and standing, catches his breath and curses. He looks upon the fallen black creatures before him and reckons he ought to get out there before more come out.

But then he hears a rustle to his side. He immediately goes on the defensive and readies for another fight.

He follows the sound of heavy breathing.

His face drops when he hears the way the dog whines when he's spotted.

The Hound sheathes his sword and drops to his knees. He looks at Daisy, her one front paw bent, the other one not. Her hind legs were twisted unnaturally, her side was clawed. She was soaking in red, both hers and otherwise. She was panting and quickly losing blood.

Sandor reaches out to her. Her eyes were wide and teary. She leans into Sandor's touch and licks her nose in a panic.

He begins to feel a rage burn in him. He begins to feel loathe. He whisper-yells, "you stupid dog. You should have stayed home."

Daisy's breath quickens. He realizes see that she is trying not to whine. Gods, the pain she must be in.

He is about to tell her she was stupid for doing that, he is about to tell her she didn't need her help, he is about to tell her she was so fearless for no reason, but then Daisy whines. It was the most horrible thing he's ever heard.

Sandor huffs like he had been stabbed. He grips his hilt tightly, "thank you for saving me, Daisy."

Sandor screws his eyes shut and decides on what he has to do.

He draws his sword. Daisy does not flinch when he presses the sword onto her neck. He thinks about the day they'd first met.

Fearless.

He strokes her face with his hand once. He screws his eyes shut when he feels her shiver.

So afraid.

"You're a good dog."

His next stroke pulls Daisy's final breath.

The Hound stands. He looks upon his dog.

He screams.

He screams, hell-bent on summoning more monsters. He kills three more stupid fuck, particularly enjoying how he butchered killing a young one.

He takes Daisy's body after. She is rigid against his chest when he reaches the village. He barks out an order to the villagers: burn those fucking monsters he killed. They were more than happy to oblige.

He passes the family he had helped. They are about to come up to thank him but they don't when they see what was in his arms.

He is swarmed with dread with what he is faced with when he reaches the estate. It was very clearly as search party for Daisy.

"SANDOR!" I cry out when I spot him from the distance. "DID YOU SEE DAISY WHEN-" I stop myself when I realize he is covered in blood. Suddenly, I feel awful for not asking him if he was injured before anything else.

His form becomes clearer as I jog up to him and call, "ARE YOU AL-"

I stop in my tracks when I see him adjust something in his arms. I knit my brows and continue walking towards him. Was it a head of a monster? Why was it brownish and not black?

The Hound gives me a solemn look as he inches closer. I furrow my brows at his expression.

It takes a second then suddenly, it clicks.

I let out a horrified cry.

The Hound buries Daisy in the garden himself. Everyone in Brown Wood watches. I force a glance at my poor dog, even though I wanted to do nothing but turn away. Her injuries chill me to the bone. Lucy stands beside me, clutching my arm as she weeps, but does not look at Daisy once.

Maester Yannick speaks some words for her, as per my request, before Sandor covers the grave.

Once it was done, maester Yannick comes to me and says he will plant daisies at her grave come morrow. I cannot find solace, I cannot find myself to care.

"Did you have to slit her throat?!" I demand lowly, voice aching and angry. I eye the Hound with hot contempt and cynicism, "was there REALLY no saving her?!"

"My lady," the maester holds me back, "I saw her body. Lord Clegane showed her mercy."

"Did you enjoy executing your mercy?!" I wail, ripping my arms away from Lucy and Yannick. My gaze does not trail to them at all, as I am intent on getting answers from my dog's executioner.

The Hound's face is blank, it enrages me.

I snarl through tears, "gods, I hope you did! I hope you savored finally being free of your bitch!"

Lucy calls after me as when I storm away. She means to run after me but shoots a glare at the Hound before doing so. She is momentarily stunned when he sees how distraught he looks at the moment.

Sandor marches out of the estate.

I jolt awake when I hear the front door opening. I wipe my face and quickly stand from the chair in the middle of the living space. The fireplace near me had already burned out.

After the sound of locks disappear in the darkness, I take the unlit candle on the table beside me and walk up to the burning candelabra to light it.

I hear heavy footsteps draw closer.

Boots skid, "fuck."

I look up after lighting my candle. The Hound looks back at me.

"What are you doing?"

I purse my lips and turn to my feet. I clutch my candle, finding it hard to speak.

"Lucy kick you out of her bed?" he mutters then begins to walk off.

I look up and follow after him. I finally muster out, "you arrive later and later."

He scoffs.

"It's been five days. I fear you'll not return by the tenth."

I pull my head back and stop in my tracks just as the Hound turns and chuckles, "don't worry, little girl. I like the wages of a Lord. Your hound isn't running."

"I know you're not running!" I snap, "I wonder why you think so poorly of yourself!"

"I think poorly of myself?" he hisses and points to his chest.

"Yes!" I bark and push myself up on my tiptoes to prove a point, "and since you are so keen to put words in my mouth, I hope you shove all the fucking pie the unwitting peasants gave you down your blasted throat!"

The Hound is shocked by my profanity. His face slips into confusion.

I heave and pull back, intent on walking away. And I do. I should have never waited for him.

"What fucking pie?"

I snap and turn back at him, "the one you could have eaten fresh had you spared a moment this morning before leaving for a monster hunt!"

Sandor is wholeheartedly confused.

I am aggravated by his expression. I wave my hands, unintentionally putting out the flame of my candle, "they love you, Hound! They're thankful and grateful!"

Though it was darker now, I see his face pinch in to a sort of disgusted disbelief. The sight infuriates me, it squeezes my heart, it pricks me frustration. I wipe my face and repeat the words that were spoken to me, "tell Lord Clegane that without him my children would be dead. Tell Lord Clegane that he has saved me family from hunger. Tell Lord Clegane that me, and my sons, and my sheep are happy to-"

"I didn't do it for them," Sandor cuts me off with a hand raise.

I purse my lips and slowly pull my head back at his words.

He lowers his hand and eyes me for a moment. I see how his gaze drinks my figure. He clenches his jaw and looks away, "you should be asleep."

My jaw slacks.

I wait for him to look at me. I wait for him to ask if I was going to sleep with Lucy again. I wait for him to apologize for keeping me up worrying. I wait for him to bring up Daisy. I wait him to do something, but he doesn't.

My eyes water, "my lo-"

"Good night," he dismisses and turns around to walk away.

"Aren't you-" my voice cracks, "-going to ask me to go to bed with you?"

He stops in his tracks. He does not look back, "do you want me to?"

I furrow my brows deeply. I feel like I was drowning. I let out a shaky breath and wrap my arms around myself. I shake my head and turn away. I chuckle dryly, "forgive me for even asking."

Sandor turns back, jaw hanging, hands clenched. He does nothing but watch.

"Do you know what's going to happen now, little girl?"

"Yes."

"What's going to happen?"

"You're going to fuck me."

Sandor laughs lowly, placing his hands on my cheeks. He swipes his thumb on my lips, "filthy mouth."

He kisses me deeply.

"Tell me honest," he mutters through kisses, "have you ever done this before?" he speaks as his hands paw at my sides, "I would not judge you if you did."

I squeak when he touches me between my thighs.

He draws out a deep breath, "no, of course you haven't; you're a good girl."

I gasp at the sound of thunder. I jolt up from my bed-- I turn to my side, seeing a sleeping Lucy's form-- or I mean, Lucy's bed. I look for Daisy in the room as I slowly push the blankets off me. I still when I realize she wasn't here.

I huff and wipe my face. I try to push away the thoughts of Daisy out of my head. I try not to think of her so much because I end up melancholy and furious. I, instead, find myself drifting to the dream I just had-- been having.

The mind can be so treacherous. I nibble my lower lip and rub my belly.

I tried, you know. I went to the Hound the morning after we fought about his coming home late. I tried to make peace with him. I tried to persuade him. I tried to kiss him.

I gasp again when another crack of thunder echoes through the room.

He wasn't having it though. He pushed me away and told me it was wrong, that we shouldn't be doing that. He left the estate shortly after. He hasn't been home since.

I get out of bed and light a candle for myself. I walk to my bedroom and light any of the candles that went off on my way. I wrap my arms around myself and rub my skin. I open the door to room as softly as possible, though it didn't really matter in the end because it was pouring outside and the noise wouldn't be loud.

With a barely audible creak, the door opens.

And it was also empty.

I sigh at the made bed. I walk towards it and smoothen out the already smooth sheets. I decide to get dressed for the day.

I head to the office, which as empty as the bedroom. I light the candles there.

I sit down on the desk and go through the papers, the letters of requests, the list of complaints, the finances, the works. I rub my eyes, willing my sleep away. I look out my window, seeing barely any hint of sun through the dark clouds.

I don't know how exactly how much time passed between then and when Arron burst in, but it must have been a while, considering how nice it felt to stand after hearing him shout, "HE'S HOME, MILADY!"

I immediately blow out the candles as Arron tells me the Hound was in the living area. I thank him for telling me, gather my skirts, and jog out of the room.

I cannot hear the click of my heels over the sound of the persisting rain-- the persisting storm.

I stop in my tracks when I see a trail of water in the corridor that led to my bedroom.

A crack of lightning bolts through the sky when I walk in and ask "where have you been?!"

The Hound is dripping in rain water. He has his back turned to me. He is undoing his armor.

I clench my fists and storm up to him. I circle in front of him the same time he walks towards the closet. He stops there, still undoing his armor, back turned to me again.

I scowl, "Hound! I'm speaking to you!"

He looks over his shoulder, the one he was trying to undo, "what? I can't hear you over the rain."

I burn hot with anger and march up to him, "I asked where you've been!"

The Hound looks down at me. He releases the grip on his shoulder, "does it matter where I've been?"

"Yes!" I snap, "you haven't come home in 7 days."

He scoffs, "thrilling to know you've been counting," he points to the window, "well, as you can see, it's fucking storming."

"It wasn't storming the day you left," I hiss.

"Well, it was when I decided to come to my beautiful wife," he leans down and jeers.

I knit my brows at him and pull back when I smell the alcohol in his breath.

He takes my chin between his fingers, "come on give us a smile."

I pull away from him, heart racing, chin burning, even though his touch got my skin damp with rain water.

The Hound straightens up and undoes his armor again.

I step away from him, "Job said he saw you in the next town over."

"Who the fuck is Job?" he asks, not bothering to look at me.

"Polly's father."

"The stable boy?" he turns to me.

"Yes," I hiss and I feel anger build up in me.

He says nothing.

I nearly choke when I say the next words, "he said he saw you coming out of brothel."

The Hound stills. He drops his hands to the side.

Both of us just stand there for a moment. The rain seems to intensify, and so does the tension between us.

"Tell me the truth," I mutter, "do you-"

"It was the town with the fucking unavailable inn," he shifts in his spot to turn to me, "I went to the brothel instead and paid for lodging there."

I purse my lips at his words. That was not what I was going to ask him. I battle with myself, trying to find the words I want to say. I revise my words over and over again in my head. There were so many things I wanted to say, yet so little ways to make it easy to speak out.

I shake my head, "am I very hard to want?"

Sandor feels rain water drip from his fingers.

I don't know how I feel about the bewildered and perplexed expression that spreads across his face. I do know one thing at least, I feel too exhausted to cry.

I sigh and shrug, "I am no fool, Hound. I learned through the gossip of my maids and my aunts growing up that men are simply like... this. It is their nature to stray. Of course, I hoped different for myself, but we cannot have it all, can we?"

"But I didn't do anything," he snaps. He deflates, "I swear by the gods, old and new."

I press my lips into a tight smile. I slowly walk up to him. He watches me intently. I hear his breath hitch when I begin to undo his armor for him. I half expect him to make me stop. He doesn't.

Sandor steps forward. There's barely any space between us anymore. His heart is racing. His hands itch to touch. He releases a breath when his hand comes to my side.

My stomach swirls at the feel of his palm but I do nothing. Neither do I look at him when I mutter, "maybe you should."

Sandor watches me remove his armor. He furrow his brows and whispers, "what?"

I drop the steel plate to the ground with a clank. It is loud even with the sound of pouring rain.

He doesn't like it when he receives no reply. He takes my wrist. I stop my task. His hand is warm albeit the dampness, and so very gentle.

I finally look up at him.

He leans closer and speaks louder. He shakes his head and furrows his brows, "what did you say, pretty squirrel?"

I raise my brows, "maybe you should."

"Should what?"

"Do something in the brothels."

His face falls. We stare at each other for a moment. He is clearly in disbelief.

I pull my hand out of his grip. He almost doesn't let me.

"It's not a trick, I swear it."

"What are you saying?" he shakes his head faster and finds himself playing on the offensive, "you want me to be with someone else?!"

"I want a baby," I mutter.

Sandor's face falls again, but then it twists. It is unbearable to look at.

"Find a woman you desire," I turn away from him, "and give her your seed. You may keep her here if you like, and I will let her take care of the babe, but the babe will be mine."

His lips part.

"You're right. I don't want the memory of my family to be tainted by monstrosity-"

He shakes his head once more.

"-and I am the last of my line. My line lives on with House Clegane. People remember names, not blood."

He takes my hand, "I desire you."

I cannot help it. I begin to cry because of that. I break into both tears and laughter, "you needn't shield my heart, Sandor."

Sandor's stomach drops, both at the fact his own words have been used against him and with how his name was spoken.

I place a hand on his cheek.

His knees go weak.

"We've both hurt enough," I smile, "I know you think otherwise, but I'm not a little girl. I know sometimes winning means admitting defeat when the loss is great."

He grabs both my wrists when I try to pull away. I gasp when he does so. He holds me for a second then releases my wrists to capture my cheeks instead. He wipes my tears with his thumbs. He swipes my lips, "I love you."

I screw my eyes shut and cling onto his forearm. I let out another laugh, "I don't think you hurt people that you love, my lord."

The Hound is pierced through his armor.

He doesn't put up a fight when I pull his hands off me.

I continue to undo his armor. He doesn't move an inch.

"Will you sleep with me tonight?" he whispers. The sound of the rain is too loud that only him and the gods heard it.

Sandor had been out of it ever since his pretty squirrel ate his insides. He was thick faced, literally and figuratively; he's learned to take pride in it, to find solace in the fact all the years of flesh ripping torture-- figuratively and literally, had made him indifferent to what people think, made him apathetic, numb.

And yet her smile that day was worse than a sword through the spleen. Her disbelief in his words-- because she was right, you don't hurt people you love-- was heart wrenching, blood draining.

What do you say to that? How do you fix that?

You don't.

He knows you don't. You can't fix something like that.

And since this truth has dawned on him, since this truth has slit his throat, he's been a headless, mindless fucker. He was a dead man walking, and one more unwitting monster attack away from making it real.

"MILORD!" Carter cries, raising his sword to hack at the monster who managed to swipe his lately-been-aloof Lord Clegane.

The boy is fired up; his blood is pumping enough to enable him to cut the black demon's arm off and sequentially pierce it through its heart. Carter does it with a scream and regrets it a moment later; after all, they were in the middle of the woods.

They have to get out of here.

Sandor makes a pained noise. He feels heat surge down his arm and cold shiver up his spine.

"YOU'RE BLEEDING!" Carter gasps, mortified that his lord's armor was scraped off his back. The boy realizes suddenly that his Lord, the fearsome Hound, was not invincible. This newfound truth rips into his ribs the way, he thinks, the monsters would.

The boy immediately takes the Hound in his arms, though it wasn't like he could actually carry him if he wanted. Sandor steadies himself on the boy; Carter struggles even with that task.

Still, the smaller manages to support his Lord out of the woods.

The next thing Sandor knows, he's screaming and thrashing. He vaguely hears the sound of footsteps skidding away from him.

"What's happening, Maester Yannick?!"

A deep sigh, "he probably feels the pain now."

Sandor realizes he's sat down on a stool, leaned against a table, or at least he was before he started flailing his arms around. He lets out a guttural cry as he pushes himself up. He realizes he's in the ward, being attended by the maester, and his wife was present and very troubled.

"My lord!" Yannick exclaims, raising his hands in both surrender and an attempt to soothe, "it's alright. I have stitched your wounds closed. Do not tear them open "

Sandor huffs through his nostrils. He turns to his side when he hears the soft way his name was spoken. Lady Clegane walks closer, hand wanting to reach out to him. He almost reaches back but then she digs her nails into her palms.

He sinks into the stool and watches her look at him. Her eyes are glassy. Why are they always glassy?

"My lord," Yannick walks towards him, "I'm going to wrap your wounds now."

Sandor huffs in agreement, or more accurately, acknowledgement. His eyes are still fixed on her though. He watches her hover around him, evidently unsure about approaching him.

He wants to reach out to her. He wants to touch her, to soothe her so, so badly.

He's shocked when she decides to take his hand and whispers, "shall I get you milk of the poppy?"

Sandor looks up at her. Her voice was shaky and he hates how worried it sounded, how desperate. He hates how her eyes were constantly red. He knits his brows, "no."

She hisses, "are you certain? Your gashes are deep. No one in the world would fault you for wanting something to relieve the pain."

"I want to feel it," he mutters, "I want to feel."

She looks between the two of them in a panic, "but you've lost so much blood--"

"Perhaps," Yannick interrupts firmly. He starts binding his wounds, "he wants to feel precisely because he's light headed after losing blood."

Sandor straightens up slowly as he is instructed to. His attention is solely focused on the sensation on his hand though, on how the jittery squirrel was rubbing her soft fingers on his calloused skin.

She persists with this action until his chest and back is bound, she persists until Maester Yannick leaves the room, she persists until, next moment, she drops on her knees beside him. The Hound reacts in an instant.

He gets on the floor beside her, uncaring how it hurt his back, and clutches her face. He calls her name in horror.

"Are you punishing me?" she whispers as water in her eyes threaten to spill.

Sandor knits his brows deeply. He can't speak. He's too afraid to. Everything he's said up until that point has done nothing but rip them both apart. He was a hound after all.

"Are you trying to kill yourself to get back at me?" she mutters, distressed, pained, and defeated.

His face contorts even more. He hesitates but then shakes his head, "no."

"The boy said you've been acting differently as of late!" she grabs his wrists, "ever since I told you what I wanted from you."

His lips twitch. He looks away.

She tightens her grip, "please."

He is suddenly so acutely aware of his injuries. The pain throbs all the way through his heart.

"Please," she begs softly, "just tell me what you want from me-"

"Everything."

The way he responded was quick, as if it was practiced, as if it was reflex.

He avoids her gaze. He takes a deep breath. He waits for a response he somehow knows will never come.

When he turns to her, he notices how her face dropped. Gods, Sandor. Get it together.

"I want-" he starts but cannot continue because of how guilty he feels over the sight of her wobbling lip.

Sandor's hands loosen. They melt from her cheeks, down her shoulders. He grips the area, as if she was water about to slip through his fingers. He releases a breath, and with it, it seems, his thoughts escape. He mutters somethings that mean nothing. She doesn't understand anything.

She whimpers, "I have nothing left to give; you already have it all."

The Hound freezes when his cheek is touched, when his scar is touched. It's like it's being burned all over again.

"Is there something I can give you now?" she huffs uneasily.

He sighs. He feels the wounds throbbing; he feels his head pounding, "no."

"Then will you let me go now?"

No. No, no, no, no-

"Or, please, at least loosen your grip."

Immediately, Sandor releases her shoulders. She sequentially lets out a breath and rubs the area. There is an imprint on the area of her exposed skin.

Fuck. Fuck, fuck, fuck-

"Do you want me to stay?"

Yes. "Do you want to stay?"

"I had planned to finish some errands before going to bed."

Sandor averts his gaze then slowly crawls back to his stool, "then leave."

It almost hurts as much as his cuts how quickly she stands. She looks down at him, "I will leave you to your solidarity."

Please don't go.

"I will tell Maester Yannick to come back to attend to you, Hound."

Hound. It sounds like shattering glass.

Sandor listens to the click of her heels as she leaves him.

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