A DPxDC soulmate au idea
So DCverse is a soulmate world (pick any soulmate way btw, words, touch, drawings on the skin, can't see color(s) until they see or touch them, etc etc)
DPverse doesn't.
Meaning Danny wasn't born with a soulmark BUT he gets one after becoming a halfa because he is now connected to the Infinite Realms.
SO its during another one of Vlad's schemes, he's popping into different worlds and stealing things or something like that (basically like that one ep where Danny chases Vlad through the timeline after he stole Frostbite's map)
During the chase they pop out into the DCverse in one of the hero cities (pick any, not picky on which) and their fight is getting a bit out of hand (Vlad's fault, he's using the stuff he's been stealing, and Danny is doing his best to getting innocent people from getting hurt)
ANYWAYS during the fight, one of the cities hero's come to try to help/find out whats going on when Danny is hit by Vlad and gets tossed at them. The moment they either touch or Danny/Soulmate says something to the other, Danny feels the odd mark on him burn up and is MEGA confused on whats going on but decides to do what he does best.
Ignore it for now. He'd figure it out later he still needs to stop Vlad.
He apologizes to the other hero and gets back into his fight, missing the look of complete smitten awe/shock said hero had on their face.
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I'm a trans dude and I'm sick of all of the transandrophobia truthers out here. you're using the exact same arguments as menenists, instead of just acknowledging that specific men will face oppression over things that aren't their manhood, and that doesn't mean we are are uniquely opressed by some cosmic power that trans women are magically exempt from. they face all of the same stuff we do. plus also misogyny.
am I missing something here ?
it's literally just about the concept that trans men and mascs face certain types of oppression that are specific to (not necessarily exclusive to, but common among and often exacerbated by) being transmasc, and we deserve space and language to talk about those things without being told that we're talking over anyone. nobody* is saying that transmascs are like... more oppressed than trans women. if you are thinking in terms of more or less oppressed, you've already lost.
if you don't think that there are certain experiences with transphobia that trans men and mascs in particular are more likely to have, then I don't know what to tell you.
trans men and trans women are not opposites. trans masc and trans fem are not opposites. we are sides of the same coin. we are community. we are all gender minorities. I don't understand why there is so much harshness around the idea that transmascs deserve language and space to discuss our unique experiences. I'm not silencing anyone else by speaking about my own experiences or sharing those of other tmascs.
some of you people are starting to talk like you think transmascs are an oppressor class. please remember we still live in a cisheteropatriarchy, and that the cis part of that is still very much well and alive. we don't just opt into unfettered privilege when we pick up the he/him pronouns.
*nobody engaging in good faith anyway. there are bad faith actors in every group. don't take them as the face of anything.
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fucked up that dropping gillion off for his training was done as unceremoniously as it was btw. it wasn't some grand goodbye, they didn't do anything special that day for their little boy -- it was just gillion and his father. his sister, his mother, his grandfather, they weren't there. it was just gillion, his father, and a quiet, possibly several day long trip to the capital. it was just gillion and his father at the steps of the palace, just his father that saw the big smile on his face, heard the little boy's promises of telling them everything when he got home. no one had even bothered explaining what was going on to him. he had to figure it out on his own, when papa never came back.
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All That's Left follows two journalists and their friends in post-apocalyptic United States as they travel from the fallen east coast megalopolis Opportunity back to Los Angeles, crossing through a harsh wasteland overrun with zombies— only to find out that there is a lot more life left than what the protected cities want them to believe. On their journey they meet dozens of people living their lives as peaceful as possible away from military forces, corporations, and corrupt governments; and they learn that the same mutated ghouls that took down Opportunity are spreading rapidly through the country, destroying everything in their path.
Will this finally be the end of the world as we know it?
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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What's up with the wolves?
This post made me want to talk about Duo and how he was initially conceived as Gundam Wing's protagonist, but instead of derailing OP’s post with my ramblings, I thought it better to make them a separate post.
We all know this shot of Duo in the first opening, and like many others I, too, have wondered why on Earth the American street urchin character would be sporting heraldic wolves on his jacket as though he’s European nobility.
They never show up in the series proper, just the opening. And there is absolutely nothing about Duo that could remotely relate him to nobility. He's pretty much the furthest thing from it.
...unless we count Deathscythe H's design, which does sport a strong romantic death theme. But that's about as European as Duo gets.
So what if this is the creators being cheeky and including it as a nod to his initial protagonist status before it was given to Heero? Because if Duo was the protagonist, that would mean he would have been Relena's foil, who is of royal blood. And then we would have had the same juxtaposition as this:
Oh, look, another orphan wearing fancy clothing.
But back to Duo. The precise term for what Duo has emblazoned on his jacket is a wolf rampant. Well, two actually. Would that make them combatant..?
When they're mirrored like that, you expect them to hold a shield. Like these two unicorns here:
Do you recognize it? It's Romefeller's crest. Romefeller has two white unicorns rampant on a red background while the guy who fights them gets two golden wolves rampant on a black background.
Wait a minute. White, red, gold, black?
Really?
Someone must have had a field trip with the designs.
Back to the wolves. According to Wikiwand, wolves in heraldry "typically symbolised the rewards of perseverance in long sieges or hard industry." A long siege is definitely what the colonists were going through. Doubly so regarding Duo's crappy childhood.
So is Duo really connected to wolves?
Well, here's a fun fact.
The wolf (French: loup) is often used for canting (meaning heraldic bearings that represent the bearer's name in a visual pun or rebus) by families whose names feature some variant of the word 'lou/wolf'. Examples include Videlou, de Lou, Lupus, Wolferston, Wolseley, Lovett, Lowe, Lovell, Lupton or Wolfe.
Lowe. As in, Odin Lowe. This dude:
Heero got cheated out of fancy wolf crests.
And here you have it. Before Heero stole Deathscythe's parts for Wing, Duo had gotten Heero's wolf crest. Then again, they would have been wasted on Heero's green tank top anyway, so good for Duo.
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I was reading some of your spies comments. And decided to take a few hours to just watch Buddie and Tommy scenes. And it was interesting because while I completely ignored them, I now understand why they are pissed.
As a Buddie shipper, S7 was actually 10/10, no notes, fully recommend. We were served in every aspect behind the scenes and in interviews. And we ate every scene!!!! It was Buddie at perfection, really. In turn after the wedding. When I saw the medal ceremony, I just sighed. Then, in the finale, the whole time, I was getting excited maybe it was cut. But no, there it was.
After re-watching, I remembered 2 things. During speculation, they swore that the desert scene was going to be BT go Karting (remember they thought it was his truck), and they thought he had a big Maddie scene. And one was Bobby, and the other was JLH acknowledging yeah, sure I sat behind him. Also, there was a Hen, Karen, and Tommy scene cut, right? No big declaration of what their relationship even was. Hooking up, situationship nothing.
And back to the dinner scene when I view it from them. We had a heavy buddie family moment. That leads to Buddie at the hospital together. Then, when the danger is gone awkward dinner. Then, it ends with a heavy Buddie scene. It wasn't even placed at the end of the episode. A total throw-away scene.
I mean I guess I get why they are so salty now??
Imma be honest with you, after the 706 kiss, I was kinda expecting Tommy to have Taylor's level of involvement in the plot, especially after we saw he was at the station for 709, I was fully bracing myself for an episode like 411 focused on building their connection. I was always in the "Buck is not the one in the desert" speculation, so I wasn't thinking about the go-karting, but I was ready to admit it would make sense. Make them go on a date, make something go wrong, bond through first responder effort, kinda like how Buck and Taylor bond through detective work. And then he was barely there. I feel like even our initial speculation where Buck would leave a date because of the crisis with Chris would've been better for the relationship because that type of situation would force the relationship to be defined in some way. The dinner is just there to remind us of how bad Gerrard is. It's 57 seconds that add no definition to the relationship, it just lets us know they are still hanging out, there's no touching, no declaration about what they are. And it's completely buried by the weight of the buddie scenes. Buck and Eddie were being partners and co-parents and there was this tiny scene that's mostly there to remind the audience of who Gerrard is rather than to actually build their relationship because all they got is a really weird-toned scene that makes Tommy seem very dismissive of Buck's feelings. Again. When I was doing the math on how much screentime they had I was legit shocked. Because they had 4 minutes in 7b. The kiss scene in 704 has 4 and a half minutes. The kiss scene alone is more screentime than he had in the rest of the season. He made it known Buck is bisexual, he helped Buck come out and then he vanished into the fog. People got so caught up in the way 911 had a canon m/m ship involving a main character that they built a fantasy on what the relationship would look like, even more so considering the space we had between 704 and 706 that upped everyone's expectations and a lot of these people just kept doubling down because they were in too deep to walk themselves out when the show didn't deliver. What do they actually have? Two kisses, two and a half dates and kink joke? All that after being told the relationship was "thriving"? Even the interview with Oliver and Lou didn't deliver. And at some point, people need to accept they were prompting what Lou was saying in those cameos, especially now that well dried up. Them being mad makes a lot of sense. But, obviously, we're the delusional ones because our ship, uh *check notes* hasn't kissed?
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