#definitely is long for me lol

[usgsnajs]

God I can’t wait until tomorrow’s episode of secret life… it’s obviously gonna be the finale, and unlike previous seasons I watched live, I have wishes for every server member except for the previous winners to win lol

I want Cleo to win because she deserves this story arc, surviving the zombie apocalypse and turning human as a result, being the last green name, and also getting back with her ex husband lolol (just so you know, I have essays of thoughts about Cleo and Ethos character arcs this season that I cannot put it into words. Just trust me that this and Ethos sections should be a lot longer)

I want Etho to win because oh my god??? What has he been on this season??? First off, he has somehow reached higher set cat status than he did in Limited life, which I thought was impossible, but he just struggles so. hard. in the earlier sessions especially. Secondly, he plays the secret aspect of the game really well, where he almost always comes up with a fake task for him to do in addition to his actual task, and sticks with it completely. He’s just really good at the secret part of it while also hiding what he’s doing really badly, which is the best thing to watch ever. But thirdly and most importantly, the fucking…zombie apocalypse session…He failed his task, and made the ENTIRE SERVER also fail their task just because he didn’t want to give up Cleo and Grian… He jumped in front of Bdub’s arrow to protect Cleo… ‘I’m a survivor’ this ‘I’d probably run’ that, you are a liar Mr Etho Slab!! Face it, you’ve had character development since Last Life!!! Stop thinking the worst of yourself!! Also, in addition to all that, he also fits the fact that all the previous winners played the game differently than how it was intended, with the previously mentioned failing of the task, so he also deserves to win because of that.

I want Scar to win because this entire season has been him fighting against what the secret keeper pushes onto him, with him not wanting to be the villain but repeatedly getting villain related tasks, so him winning in spite of that would be so satisfying. Also the idea of Scar, who has spent previous seasons constantly fighting to make friendships, winning the season where everyone on the server hates him does something to me the vibes are just immaculate. Also also! Please let him win he’s come so close so many times 😭

I want Gem to win because Geminislay next question. lol but actually I think it would be really funny if she joined the server for the first time, killed all her friends, won, and then left. Also something something her bringing the boogeyman curse to a season that was never supposed to be cursed in that way, and then fighting her way to victory is really cool. Also also Gem is just cool so I want to see that victory

I want Impulse to win because he’s gotten so close in like almost every season before this!!! He got second last time please just let him win and go apeshit, he deserves it I think. Also last yellow??? He deserves to pop off in the final session and take the win

I want Bdubs to win because this season has been peak Bdubs allying with half the people on the server, and he deserves to win at his worst /j But seriously his perspective so far has been one of my favorites this season because of how funny he is. He spent over an episode building the world when he didn’t even need to. He was murdered by Scar when both of them were green. He has a room in the Roomies base when he’s not even part of their group. He’s so silly he deserves to murder Scar in revenge for his first death and then gloat as he wins.

I want Joel to win because he deserves to go apeshit and then not die from recklessness. I think he should be insane and murder a bunch of people while still staying alive, like Last Life but without the ending part. His base is filled with joy but he is not, and that’s hilarious to me. Please let Joel win one of these he’s come so close

I want BigB to win because out of everyone in secret life he was the one to truly take the ‘secret’ part of the title to its very max. BigB gaslighting everyone he comes into contact with for literally no reason is my favorite part of secret life lol. He should win just for that as well as having the funniest life series base ever. Also his storylines tend to get ignored by a bunch of the fandom, and while it’s definitely improved a lot this season, it still could be better, so I’m hoping he wins just so more people will watch his perspective 😭

I want Skizz to win because like BigB, he is seriously underrated. He still doesn’t have 100k!! Subscribe to him right now!! But other than that, he also deserves to win just because it’d be funny if, now that he’s lived past the third death, he promptly switched his curse as far around as possible and just won lolol. Also also the Heart Foundation has been one of the silliest groups ever, and their base was really cute while it lasted, so any of the members of that group deserve to make it far if just for that. Plus him immediately going after Tango once he got infected with boogeyman was very funny. You go king! Drag your friends down with you! In conclusion Skizz is very funny and deserves to win purely because of that as well as the underdogness of it all.

I want Tango to win because of the Heart foundation stuff I mentioned with Skizz, but also he deserves to win just so he can break his curse of always having a kinda stupid final death 😔 I think it would be really funny if he broke that curse in the coolest way possible, and then in every season after this one he immediately goes right back to silly final deaths.

(Also if a previous winner won this season again I would not be upset as all of them have storylines this season that are really good for it, I just want them to win a little less than the others)

This season has been incredible so far, and it might even end up being my favorite season yet!

[ask-queen-arti]

(the ask box is open!)

[mobius-m-mobius]

Lokius in Loki 2x03 - "1893"

[deadsetobsessions]

Once more the hallucinations hit, and once more I am here writing it out.

My brain is fucking terrifying and I want out, so bad. This came to me in the form of a nightmare.

Also, please don’t take the timeline into consideration, because I have no idea what’s going on. Again, nightmares and dreams tend to not have the best coherency when it comes to plot and timelines. The reincarnation doesn’t have a name, I was too busy feeling terrified. Shit in parentheses was how I experienced the nightmare. Everything else is just me adding sprinkle sprinkle.

——

Ra’s al Ghul.

Talia al Ghul.

Two names that she had been aware of, in the peripherals of her hyper fixation. Two characters meant to enhance the story of the Dark Knight. Side characters, on a good day. Perhaps, a main antagonist on a better day.

On a bad day?

Main characters. Real, living people. Real, living, breathing assassins.

Unfortunately, they’re her new family. One she remembered coming into, bathed in a pool of blood and screams.

She was not a baby.

She is now, a baby. The first of Talia al Ghul’s children. The eldest, once Damian al Ghul was born.

Swaddled in emerald green and gold silks, she was presented to a man with silver streaked hair and a receding hairline. He too, was robed in green and golds.

“A daughter, Talia?” He rumbled, the smooth Arabic flowing out of his mouth failing to hide the acrid disappointment. The child, past the haze of confusion of suddenly being deported from her own adult body into one of a helpless child, felt a stirring of irritation. It’s good she learned the language, because now she knew exactly how Ra’s felt about her. The child grumbled a displeased sound. Not that she would have ignored the fact that her grandfather was Ra’s al Ghul. (He smelled like moth eaten fabric and blood- but I think that was because my cat accidentally scratched me.)

“My apologies, father.”

“Do not tell the young detective of this. Had it been a son, perhaps things would have been different. No, a daughter would only hinder him.”

Talia bowed, hands tightening on her daughter. “May I raise her, father?”

“A resource is still a resource. Go ahead, Talia.”

“Yes, father.” Talia took the dismissal and bowed before leaving.

On her way back to the room with the reincarnation’s crib, Talia al Ghul stroked her daughter’s head.

“I wish you were born a boy, my daughter. I am sorry my beloved will never know of you.”

The reincarnation looked at her new mother. She’s young, the woman-child realized. A teenager.

“You’ll have to be useful, my daughter. Your grandfather is not so kind as to keep the useless. I… do not wish for your death,” her mother muttered.

Great. She got new life and it’s already in danger.

——

She learned to swing a knife. Swords. She learned and devoured the teachings. She learned to be useful.

But then they asked her to take the life of a man who did her no wrong.

Her baby blues clashed with her grandfather’s Lazarus green.

She was still young. A child.

“No.”

“No?”

“He did no wrong.”

“He failed, granddaughter.” Ra’s smiled down at her, patronizing. Cruel. “Perhaps you possess your father’s heart, and you are foolishly sentimental, as women and children tend to be. But in the end, you are an al Ghul and you will obey. Plunge in your blade and I will reward you.”

The reincarnation looked at the man kneeling in front of her, resignation and a hint of pity in what little she could see of his face.

She’s already died before. What did she have to be afraid of?

“No.”

They tried to beat the weakness out of her. It didn’t work.

——

The reincarnation stared at the mirror, left alone in an opulent cage of gold and emeralds and precious stones that meant little to her now.

Her hands traced her back, small fingers finding purchase in soft skin. Her mouth opened fruitlessly, noise refusing to escape. She still felt the burning magic, the brand her own blood had carved into her skin and soul because she refused to kill. The chains her grandfather had shackled around her with magic and cruel amusement.

She had killed him, in the end. Obey, or be punished. Her body had moved without her permission, the reincarnation a prisoner in a body that refused to do as she commanded. The knife swung, a life taken, her hands dipped in red.

She learned a valuable lesson that day.

There were things worse than death.

“This is an order, granddaughter.”

The Magic had flared a searing heat at her neck, forcing her to kneel on broken legs. Ra’s loomed above, authority in his voice. She was bound to obey, regardless.

“You will never speak another word of affection, you will never speak another word to anyone unless I allow it. Perhaps this will teach you of your folly, and your place in this world.”

The loss of her freedom and the fear that came with it was a bitter and devastating lesson.

——

Ra’s al Ghul was so much worse than what little she knew of him.

She was right to be afraid for herself.

Her mother had worried, when she’d withdrawn and refused to speak to her. Even if she could, the reincarnation would not have wanted to. The reincarnation had felt furious, back then, when she thought of Talia. Her mother who refused to protect her. Her mother, who claimed she loved her but refused to see the chains Ra’s wrapped around her neck. She who plied the reincarnation with a supportive hand but forced her into the fighting pits.

But, as the reincarnation stumbled out on bruised and used legs from Ra’s al Ghul’s meeting chambers where he had allowed his business partners to partake in her, she realized that Ra’s was a monster in a human’s body and her mother was a victim of his making.

The lesson Ra’s taught her that day was that if she was not useful, if she did not kill, he would take what was left of her and make use of her.

Hate flared in her heart, and the beginning of Ra’s downfall began the day he let her go from the chambers alive. Injured, but alive. Injured and violated, but alive and furious.

——

She carved her hate and rage and helplessness and fear in the bodies of the people he bid her to kill. Her silenced screams were expressed in the way she splattered blood, the way she covered herself in it. A killing machine first, a stress reliever second, and a child… wasn’t on the list of things she was allowed to be.

His enemies were felled, one after another. He gave her his approval, something she detested.

But still, she continued, bodies racking upwards, tens turning to hundreds, hundreds edging into thousands.

The red in her ledger became ichor and guilt. Her language became violence and obedience.

“You have become a sharp tool, granddaughter.”

She was a genius, after all. And now, she could not disobey. A blade that Ra’s believed will never point towards him. She kneeled. She obeyed.

“Thank you, grandfather.” Her words were only allowed to come out- without searing, terrible pain- when she was thanking him. She tried not to do it as often as he wanted. He thought he broke her when he read the obedience she carved into her body language.

But she never bowed. Never. Not to him. Never.

——

“My weapon could learn much from your granddaughter,” David Cain sat across from Ra’s, wine in their stupid goblets. How she detested the green and blacks he’s seen fit to dress her with. She’s dressed provocatively, not of her own choice. She doesn’t have much of those- doesn’t have much in ways of choices- these days.

She was twelve, and Ra’s al Ghul deserved to die.

“Her combat is a higher form of what my daughter has achieved. How did you do it?”

When Ra’s began to reply, she slipped away.

She found the girl. She found… the cage- the black box- the child was placed in. The child flinched from her when she opened the metal box, fear only easing as the reincarnation kept her body language neutral and kind. (It was pitch black, and about the size of like, a closet. No light. Only from whatever door the box had.) (Cass’ hands hurt from banging on the walls to be let out)

David Cain’s daughter, her mind whispered, the memories of another life once more making itself known.

“Cassandra.” She whispered, regretting it immediately when pain wracked her body. She fell to her knees as the punishment for disobeying an order slammed into her.

The girl looked at her in concern, but did not move closer. The reincarnation stared at this girl and saw a reflection of herself.

David Cain would be here for a month. She will free Cassandra in those days.

——

The weapon stared at the girl in front of her, kneeling in pain.

She did not understand.

-

The girl came back. Water. Food. Kind.

The weapon felt warm. The girl was quiet. No sounds. Good. The weapon knew the girl understood. The weapon thinks that the girl is a weapon too.

-

The girl comes back, again. This time, she makes a sound. It hurt her, but she did it again. The weapon understands when the girl points at herself and repeats the sound. The sound means the girl. The girl expects something from the weapon.

The weapon makes the sound, flinching to see if the owner will come to punish it. The girl purposefully sits, relaxed but vigilant… and protective. Of the weapon?

The weapon relaxed. It repeated the sound, pointing at the girl.

The girl smiles, in pain. But approval. The weapon feels- the weapon is warm, like under the blanket. Approval.

The girl teaches her to make sounds but the weapon communicates without it. It does not like the sounds, does not need them, but the girl seems to think it’s important.

The weapon likes the girl, so the weapon learns. They still understand through no sounds, through reading each other.

-

The girl comes back, silently. Secretly. The weapon does not notify the owner. The weapon feels- does not want to.

The girl- the girl with the sound- she says a different sound. Her body tells the weapon that it’s important, this sound.

And when the girl points at herself and says her own sound, then points at the weapon and says that new sound again, the weapon begins to understand.

The girl had given the weapon her own sound.

“Cass—n- ra.”

“Cass,” the girl said, and Cassandra understood.

“Cass.” Cassandra pointed to herself.

-

The owner wanted- wanted Cassandra to end a life. Cassandra watched the owner kill and gesture to the dead thing.

Cassandra did not want to.

When Cassandra is placed back into the pitch black box, she waited for the girl.

The girl came.

“Don’t want.” Cassandra clung to her, reading the welcome and the sadness in the girl’s body. Cassandra tucked her face into the girl’s shoulder. She is cold. The girl is warm.

The girl hugged her back. The girl understood. Sadness hardened into lines of determination. Cassandra felt… light. Felt hope.

-

Cassandra slipped away from the place, water in her pack for the dessert and money to run from the country. The girl stayed behind, seeing her off. The girl tells her to never come back.

Cassandra did not want to leave the girl behind, but the girl could not go.

“Be free, Cass.” The girl had whispered through the pain. “For the both of us.”

——

Her grandfather knew. He allowed David Cain to break her, not kill because she was of use to him still, as a lesson. She found that she hated his lessons. But, she hated his attention more.

And still, she could not regret. How could she, when Cass trusted her with what fragile hope she had?

So, she lets him beat her, and provokes him with smirks and fearless eyes because the longer he’s focused on her, the more time Cass has to run.

Then, he gets too angry, and insults Ra’s, whose eyes grew cold. Her grandfather gestured and while she usually hated the command that followed that gesture, she could not feel that hatred now.

She got back up, legs broken and arms twisted once more, and attacked David Cain.

Ra’s would not follow Cass. Not when she was not his business to deal with, and not when David Carin’s fury amused him so.

David Cain would not follow Cass. Not while she still drew breath. The reincarnation stood, and threw herself at one of the best assassins of the century.

She tore his throat out with nothing but her teeth. She felt, for once, not like a monster. Not even when Ra’s nodded in approval and ordered for David Cain’s broken body to be cleaned up.

——

She’s been granted a mission in New Jersey, once her months of discipline- of torture- ended. She does not get ordered to find Cassandra. She’s fourteen now, and as silent as ever. Her mother had adjusted to her silence by then- long ago, actually, taking it as a quirk her daughter had developed. She hadn’t been a terribly vocal child, after all. Talia praised her for being useful even as a woman- the self degradation something the reincarnation had no doubt Ra’s had insidiously trained into Talia- and for being loyal to Ra’s.

Sometimes, she hates Talia for being- for-

Never mind. She couldn’t afford to hate anyone else.

She killed her targets early, determination and wistfulness urging her movements into sharp . Then, she made her way to Gotham and slipped into the city of darkness- where her father was.

She watched as he hid in the shadows almost as easily as she did. She watched as he flew and glided with the younger Robin. (He was younger than her by a year. She checked.) He was free. They were free.

She wished…

As she turned away, she saw a child tumbling from the edge of a roof. It was an instinct she’d thought Ra’s had managed to bury after the months he’d spent making sure she killed only children.

She hated him.

She caught him, swooping in and tucking him against her side as she plucked him from the air and plopped him back onto the crumbling roof of Gotham’s slums.

“Oh, thank you! So much- are you a vigilante?” The boy asked, looking at her masked face. It’s a good thing she wasn’t exactly dressed like a regular League operative.

She shook her head. Her eyes fell onto his camera, faint memories rising once more. She had an inkling-

“I’m- uh- Tim!” The boy introduced himself nervously, edging away from her silence. “Thank you for saving me…?”

She nodded. She pointed to the camera, tilting her head.

“Oh- you… want to see it?” He clutched his camera closer. Oh, he did have some sense of self preservation. She wondered why a seven year old was allowed to roam these streets… but she did worse at seven.

She held her hand up and back up. The boy hesitated, and then showed her the camera. “Uh- I took pictures of Robin and Batman!”

They sat on that roof for hours, and she let Tim Drake tell her stories about her father and his son. Ward. Son.

She could tell that Tim didn’t have anyone to listen to him.

She didn’t have long until she had to go back or risk severe punishment, but… she could make time for Tim, to listen to him.

She wondered if Cass managed to escape completely. She wondered if her sister all but in name and blood learned how to smile.

——

Tim had never had a friend before!

She listened to him! And gave him hugs the one time he was brave enough to ask! And she seemed to like Batman and Robin as much as he did! No one who didn’t like them would listen to his endless rambling otherwise, right? (Tim was super skinny, like ribs poking out skinny. He looked like a sickly Victorian child and he was kind of cold)

“And then, Robin went like this,” he pantomimed the awesome punch Dick Grayson did on a Joker goon. “And the guys got knocked out just like that!”

His new friend nodded, looking interested.

“Sorry, am I talking too much?” Tim asked anxiously. He didn’t want to make his friend hate him!

She shook her head, and gestured for him to continue.

“Are you sure?”

She nodded.

His new friend was so cool! She even taught him how to throw a punch and to fight!

——

When she had to leave, she prepared Tim for it.

“Do you have to go?”

She nodded and placed a hand on his head, ruffling his hair. Her other hand held a duffle bag with an assortment of weapons she carefully kept from him. (One of the blades still had guts on it, which, ew.)

“Try not to fall off anymore roofs, little photographer.” She said, smiling at his shocked look before leaping away.

“Wait, you can talk?!” He shouted at her back. She smiled a little wider.

——

“A son, this time.” Ra’s al Ghul’s voice echoed in his disgustingly flashy throne room. It rings of approval.

The reincarnation stood behind her mother, eyes cast downwards.

“Well done, Talia. I finally have a worthy heir.”

Damian al Ghul cooed.

The reincarnation was scared. But… she could not allow her younger brother to be trapped like she was. She’s fifteen now, a decade of slavery having worn her down and nearly broken her. But with her brother… no, she could not allow it.

She met her mother’s eyes and knew then that they agreed. Protect Damian, at all costs.

She ignored the sting of envy. So what her mother could not find it in herself to protect her daughter? So long as she protected Damian, it didn’t matter.

Maybe she didn’t matter. Maybe she wasn’t worth anything. Maybe- maybe- maybe.

She also ignored the seed of disgust she had for mother’s actions in conceiving Damian. She couldn’t do anything about it. Talia was also a victim.

A louder voice in her asked if she could really excuse that, when Talia had a choice and she chose to hurt and violate Bruce Wayne like that. She wondered if she could truly ever forgive Talia. She wondered if Bruce Wayne got therapy.

——

She stared at the tome in front of her, eyes blank. (Actually, she had no eyes. Like? Empty sockets, but then later she had eyes???)

The brand- the shackles- the chains could only be broken if Ra’s died. She wasn’t opposed to that. But if he died, so did she. She couldn’t even kill herself to get out, because the chains would be there even if she died. If she was revived- a high chance, thanks to the fucking pits- then the chains would still be there.

Perhaps… she could use the pits?

Her mind turned and turned.

——

“This is your ukht.” Her mother pointed at her. Damian stared up at her, and she melted. Her brother was too damn cute.

“Ukhti?”

She nodded as her mother smiled in joy. “Yes, habibi.”

She was better at hiding the pain, now. She was better at enduring it, too, that fucking burning feeling. She spoke more, but only to Damian.

It would not do for her brother to grow up not knowing how to receive verbal expressions of affection. Not like she did, in this life.

Still, it hurt to speak. But then, she had an idea, based on Cassandra.

She could not speak, but speaking wasn’t the only way of communication. She’ll teach Damian sign language- standard, as commanded- but also her own version. Yes, she could do it. It wouldn’t be hard.

She was a genius, after all, and creating languages wasn’t as hard as people seem to think.

——

Damian copied her, small fingers patting his hand four times.

She did it back to him. “I love you.” She tells him, with sounds and with motions.

He does it back, excitedly, because he had a secret with ukhti!

——

Sometimes, she dared not to touch Damian. She wants to ruffle his hair and give him hugs but the ichor on her hands reminds her to not get to greedy. She did not deserve it.

Not when her hands were stained with the lives of so many people.

——

Another mission.

She was twenty now, and not much closer to escaping her bonds. Though, once she hit her majority, Ra’s lost interest in her in that way. A blessing, even if she had to seduce his “business partners” into giving him better deals more often now.

She stops by Bludhaven. The Robin she watched so many years ago- six, by her count- had grown new wings and moved. She wanted to see if he could fly still.

He could. He flew as free- no, freer than his days as Robin.

She dipped away to complete her mission (nuclear weapon trading, really?) and swings back to see a spider trying to break the former Robin’s wings.

“No.” Nightwing whispered, staring upwards at the cloudy sky blankly. “Please, stop.”

She didn’t need to hear any more. She saw red, and dove feet first straight onto the spider’s head, knocking her out.

She picked up a near-catatonic Nightwing, and helped him to his apartment. She left Tarantula in the rain and felt zero guilt about it.

He changed mechanically, some kind of instinct keeping him from removing his domino, but it was a bit pointless considering she escorted him to his personal apartment.

She watched as Nightwing slipped into an exhausted sleep before leaving. She had a spider to squish, and traces to hide.

——

Dick wakes up, drained and exhausted. He… someone saved him.

He sees a scrawled note, handwriting impeccable enough to be a font, written with his pen. He picked it up from his table, and his eyes tiredly read the message.

“Don’t worry about Tarantula. Or your identity.”- A friend.

He remembered- the mask- the mask of the stranger that saved him vividly. He’d remember. And he’d thank them if they ever came back.

——

She was in charge of training assassins, these days. A year and a half later after Bludhaven, she was back in Nanda Parbat, and she’s devoured every magical tome she could get her hands on. They all say the same things.

Her assassins were trained well, and Ra’s praises her with more responsibilities as he followed the pit in his obsessions. Her mother began to splinter the group, not knowing that as Ra’s began his descent into madness, people looked towards her instead of Talia for leadership. They did not know that her unwavering presence by Ra’s side wasn’t voluntary but it is their true that she became his right hand out of pure skill. And flawless obedience, of course.

Then, someone new joins.

Someone with pit rage and empty eyes that goes rigid when she approaches.

Then again, most of the operatives freeze up when she walks towards them.

Her memories roar. A child.

He bowed, and her eyes followed the streak of white hair at the forefront of his skull.

She gestured at him to follow, and ignored the pitiful eyes the rest of the assassins gave to the kid- they act like her training was hard when she went easy on them (it was)- and led the kid towards the training rooms.

She knew who he was, even if her grandfather and mother didn’t think she knew.

Her… Bruce Wayne would probably appreciate his son being returned relatively sane.

But first, she had to beat the Pit out of him. Then, she could assign body guarding duties to him, in an attempt to protect him.

——

“Grandfather, I will take Damian’s punishment.”

“A whipping girl, granddaughter?” But he nodded anyways. He made Damian watch.

She kneeled and allowed the punishment. She couldn’t always protect him from Ra’s, but this she could do anytime. It’s not like she was unfamiliar with the torture. (The whip had barbs. Rusty. And they sprinkled salt.)

——

“I liked poetry….” Jason Todd tells her after a training session. “I think.”

“Sure. I’ll call you Grave, then.” Pain. But she was used to it.

He tilted his head, eyes going blank once more. She sighed. There went his memories again. (His eyes were blank and glazed. Like looking at someone you love and knowing they’re looking through you.)

——

“I would not trust her,” she says to the air, next to a Red Hood emerging from Talia al Ghul’s chambers. She could see it, the beginnings of Gotham’s new crime lord. But still, “Talia al Ghul is known for her lies.”

She pushed away from the wall. It was up to Grave if he listened. It was out of her hands now.

——

She’s twenty-five, and she’s helping Damian pack for his first meeting with Bruce Wayne.

“You must not tell him about me.” Because he’d come rushing here, and she had worked too hard to save Damian for her fool of a father to come and ruin all of that effort.

“I promise.” Her little brother said solemnly. Ukhti said it out loud, which meant it was important and she expected him to keep that promise.

The only other time he’d heard her speak was to tell him she loved him.

The reincarnation smiled and told him through their special sign language, to treat the current Robin with respect and to try his best to get the current Robin to pass down his title.

‘Robin is earned. They have different rules, over there. Try your best to learn those rules.’

Her brother was sheltered. She loved him, but he was spoilt and sheltered. Of course she was worried. Talia barely mothered him.

“I know. You do not have to remind me so often, ukhti.”

She smiled, and patted his head.

“Be safe,” she whispered. “I will miss you.”

Damian darted in for a hug. “Of course. Goodbye, sister. See you soon.”

She hoped not. It was hard enough to convince Ra’s that Damian would learn more under Bruce Wayne.

(She was locked in a small closet- like Cass- for about a week, because she brought up the idea first.)

——

She found it.

The answer to pit rage laid in an old, all but crumbling tome from Atlantis- answers “from a ghost.”

——

Bruce Wayne died. Months after Damian came to live with him. That- irritating- she sighed and worked with her mother to turn Ra’s al Ghul’s attention away from Gotham, lest he called Damian back in Bruce Wayne’s absence.

The little photographer caught grandfather’s attention. She stood vigil as he played chess with Ra’s. His interest in Damian wavered. Anticipation blurred in her veins.

She saved his friends. Her assassins. She let them go, telling them to wait for the little photographer’s plan. (Y’all miss girl had fucking bloody handprints on her pants like someone tried to grab it.)

The first few people who had an inking she might not be loyal to Ra’s… and it was them.

When her other assassins attacked Red Robin, she cut them down before they could touch him, helping him with a furious League of Spiders or whatever operative. She hated spiders.

“What…?”

“You’re a lot of trouble, little photographer.” She sighed. His jaw dropped.

“It’s you!”

“Go,” she cut him off. “Blow this place up. I left a surprise for you outside.”

——

“Owens?! Z?!” Tim trembled, exhaustion and shock and wonder hitting him at once.

“Heya, boss!” Z chirped. Owens helped Tim up while Z helped Tam. Pry walked around them, looking out for further threats. “The nightmare trainer let us go. She knew you, I think.”

Tim smiles, all shark teeth and zero hero. (In the background, the song zero to hero from Hercules 2, played in reverse.) “Tell me more.”

——

Damian grunted, bracing himself for the magical creature’s attack.

“Robin!” His father barked out, panicked. Damian hoped he’d survive-

Shhhlk!

He looked up and there stood his ukht. She bounded forwards, using the odd fauna of the magical plane to bolster her movements as she sliced the creatures apart with her swords, magic humming brightly as she cut through them… and the magicians attacking them.

“What- what are you doing here?” He asked. She greeted him, three fingers curled over her shoulder.

‘My question is,’ she signed. ‘Why were you here without a magical weapon.’

Damian sighed as father stepped in between them.

“Who are you.”

“Batman. Cease your excessive worry. I trust her with my life,” Damian snapped. He stepped around a shocked Batman, looked him in the eyes, and unsheathed his katana. He handed it over to his ukht, who took it with amusement.

‘See?’ His eyes seemed to say. Father tensed when his sister unsheathed her own blade and handed it to him.

‘Are you here for a specific reason?’ His sister signed to him.

“Uh, you gonna introduce us, little man?”

Damian sent the Flash a derisive look and ignored him.

“We’re looking for a magician. He set a squadron of demons loose into D.C. last night. He has a tower.” Damian added.

“Robin,” Father growled. “Who is this.” Damian shot him a look and turned back to his sister.

The reincarnation tilted her head. ‘Tower… it’ll have to be that way.’

“Could you take us there?” Damian asked. Truthfully, he could find the way himself. But he wanted more time around his ukht. She nodded and Damian straightened.

“I feel like we should be concerned that Robin’s friend just murdered a bunch of people.”

His sister glanced back and ignored them.

“Silence, incompetents. Speak another word against her, and Batman’s no killing rule will be applied creatively.” He hissed. (The fucking surroundings hissed with him y’all what the fuck)

He turned when his sister ruffled his hair (Superman muttered a super shocked “what the fuck.”) and Damian allowed it. He had missed his sister.

——

[marley-manson]

the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

[roscoehamiltons]

"working on my masterpiece, i'll be the one to decide when it's finished" - lewis hamilton

[k-wame]

Emerald Fennel Writer/Director of 'Saltburn' Breaks Down the Arrival Scene from 'Saltburn' for Vanity Fair Magazine via Youtube

[pftones3482]

A mini collection I'm calling: "Protective Big Brother Vibes" bc I'm a sucker for Donnie and Mikey's relationship

[uncanny-tranny]

The obsession with "natural = good" isn't truly rooted in what is "natural" but is rooted in complex politics based on what is deemed "natural" by others - those in power. The whole "natural is pure, is right, is morally just" has not historically applied to the marginalized because of our supposed proximity to the "unnatural." Our bodies, our behaviour, our lives and souls will continuously be defined as "unnatural" so long as "natural" remains seen as pure and godly, so long as "natural" is equal to power.

[crybaby-bkg]

cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism

as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.

Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.

it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.

“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.

“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”

his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.

and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.

the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.

the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.

“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.

“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.

he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.

“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.

“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.

“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.

“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.

“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.

you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.

is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?

“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”

you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?

[sentientstump]

that melting expression spoke of troubled analysis of surroundings, it appears on my face every day too. (translation: ayo, my eyesight is also goofy!!!)

doodle page with exploration of the theme for this comic below 👇🏼

literally drew that face and was like "huh, i will implement this idea into the very core of my being. no one can stop me " or something like that- xD

[ragnarokhound]

((you don’t have to do both if you don’t want to, you can consider this one a back up / alt))

“If you don’t know where to go, you can always come here.” 💞

From this writing prompt list i reblogged in...november lmao fljdsjfa

anyway this grew legs and sprinted away the second I picked it up yesterday - clearly it just needed some time to proof lmao. Thank you for the ask, tauria!! From *checks watch* almost 5 months ago fjdslafjsa I will be cross-posting it to Ao3 in my new oneshot collection fic :)

Warnings for: Vague allusions that Ra's Al Ghul is a creep (what else is new), threats of gun violence, canon-typical violence

15. “If you don’t know where to go, you can always come here.”

When Tim arrived in Gotham this morning, he had no way of knowing that his day would end in Jason Todd’s bed. 

Frankly, he wasn’t really sure what bed he’d end up in— because his own certainly wasn’t an option right now. But If he had to pick, Jason Todd’s was somewhere near the bottom of whatever list he’d make.

He didn’t exactly plan on this, okay? 

But, uh. Let’s back up a little.

—

Tim knew his day was going to go to shit when he got back from the airport at 7 AM.

He had his driver drop him off two blocks away from his townhouse for the sake of caffeine at the hole in the wall place he likes. Wealthy CEO he may be, but a sixteen hour flight is still a sixteen hour flight and Tim is cursed with an inability to sleep in the air. 

Don’t ask. He’s tried. It doesn’t work.

So he wants coffee, and he wants a shower, and he wants his own bed. In that order.

With the first thing on his list acquired and blessedly burning his tongue, he managed to tug his brain cells together enough to realize that the building they’d passed that had been shrouded in tents and canvas was his building.

"What's going on here?"

The worker outside his building looks up from her clipboard, her face wrinkling into apprehensive confusion.

"Hello, sir. Can I help you?”

He hasn’t slept in roughly seventy two hours. He is not awake or patient enough for this.

“My name is Tim Drake. I own this building. What’s going on here?” He repeats.

The woman raises her eyebrows and looks down at her clipboard again. “Mr. Drake?” She questions, clearly expecting him to look like a grown-ass man and not a sleep-deprived college student coming home from spring break or whatever.

“Yes. Timothy Drake-Wayne. Why are you—” he tries to gesture with the hand still holding his suitcase handle, walking towards the tarps and tents erected around his townhouse with increasing trepidation, “—here?”

“I’m sorry sir, but you can’t go in there. Not for at least forty-eight hours.”

Tim stops in his tracks.

“Forty-eight—?”

“We've been scheduled to fumigate the property today.” She says it like she’s reading it out of a handbook. “It won't be safe to enter the building for at least forty-eight hours. You should have received prior notice. Uh. Sir.”

Tim's jet-lagged brain kicks into overdrive. 

Bruce hasn't made any disappointed noises about Tim’s perfectly normal work ethic lately so it probably wasn't a misguided attempt at benching him. And besides, rendering Tim’s apartment inaccessible is counterproductive on that front. 

Dick wouldn’t. They haven’t been exactly— great, lately but he wouldn’t. Besides, if he wanted to get Tim out of the house more, he’d show up to drag Tim out into the daylight himself. This is a little too roundabout for him.

It’s too much work to be Steph. She would think it’s funny, but there’s no way she’d follow through.

Damian might, but this doesn’t quite fit his preferred methods for making Tim’s life hell. It could be some cloak and dagger maneuver to leave him vulnerable, faking a complaint to the city so he’ll—

And then Tim thinks about the call.

The call he’d brushed off at fuck o’clock in the morning somewhere over Europe, too busy with another project. The call his secretary took for him instead. He thinks about the distracted confirmation he’d given to whatever it was she’d asked him about five minutes later. 

He also thinks about the form he signed about two weeks ago, before this last minute trip to Hong Kong had consumed his entire attention. The one with “Two Weeks Notice” stamped across the top. His stomach sinks.

“Today,” he repeats.

She looks apologetic. “Today,” she confirms. “And we just started about an hour ago. I’m very sorry, Mr. Drake-Wayne but—”

"No it's—" he says through gritted teeth, "fine. I'll just. Make other arrangements."

—

He does not make other arrangements. Though not for lack of trying.

Tim has a handful of safehouses scattered throughout the city. He has options. He gets a taxi to the closest neighborhood, and nearly falls asleep in the backseat. The cabby has to knock on the glass divider to get his attention when they come to a stop. He grumbles and hauls his suitcase out of the backseat, and tips the man excessively.

Shower. Bed. Sleep. He’s so close he could cry.

Except when he finally rolls around the block, coffee half gone and trying to remember if this safehouse is the one with in-unit laundry or if he’ll have to haul his shit down to the laundry room, his building is a blackened husk with police tape all around it.

He stops on the sidewalk. He peers up at the window of his unit, squinting at the peeling black wood and shattered glass. He ponders whether two is enough data points to be considered a pattern. And whether he could get away with napping in the alley on this street or if that’ll end with him stabbed and robbed.

As he’s pondering, he catches sight of a passerby and stops him.

“‘Scuse me,” he says apologetically. “What the hell happened here?”

The guy looks up from his phone and takes in his rumpled clothes, his suitcase, and the scorched remains of his apartment.

“Oh, uh. Yeah, there was a big fire about a week back? Bad fire. Took out, like, half the block. Cops are saying it’s arson.”

“A week ago,” Tim repeats. The guy’s eyes widen.

“Oh shit, bro, did you live here?”

“I’ve been out of town,” he explains numbly.

“Dude, that sucks. And right in the middle of con’ season. Good luck finding a hotel!”

“Yeah,” Tim sighs as the guy walks away. “Thanks.”

—

The next safehouse he tries isn’t in much better shape. 

He remembers hearing about Freeze going on a rampage a few days into his trip, but he hadn’t realized another one of his places had been caught in the cross-fire. The cold burst the pipes, and now the whole place is undergoing renovation.

He hears all this from the crotchety old lady who lives in the next building over (her building needs renovation too, but will the city pay for it? Of course not, they weren’t ‘directly impacted by disaster’ so they won’t see a penny of relief funds even though their pipes are on the same line. Typical) and when he finally extricates himself from the conversation, it’s almost noon, his second cup of coffee is long-since empty and he’s at the end of his goddamn rope.

By the time he sees his next safehouse, he isn’t even surprised anymore.

“Does God hate me?” He asks the boarded up building. “Is this a punishment? What did I do? What the fuck did I do?”

He is 99% sure at this point that someone is burning his bolt holes. There’s a short list of people with the resources and the intel to do it, and while he’s not above ruling out the likes of Damian just yet, he seriously doubts anyone wearing a bat is behind this. 

Besides, Dick would have noticed by now if Damian were sinking this many resources into convoluted covert ops designed to make Tim suffer. Definitely. Probably.

Fuck it.

He goes around the back and hops on top of his suitcase to reach the clunky camera watching the back entrance. This building is on the shittier side, closer to Crime Alley than his other haunts; cameras break all the time around here. He’ll have it replaced after he’s a functional human again.

Reportedly, this building was tagged for ‘high toxicity levels’—  which is pretty typical for any building where fear toxin or Joker gas are found in any amount. They must have found a lot to condemn the whole building, but Tim is confident he’ll be fine. The airborne shit dissipates to safe levels within hours depending on the ventilation. If it was in the air, it’s long gone. Anything else needs to be injected to be effective.

Once the camera’s busted, he kicks out the boards and heads inside.

He drags his suitcase in after him, and mourns the shower he probably won’t be getting. The hall lights are out, and chances are the water’s been shut off along with the electricity. But at this point, he simply does not give a shit. All he wants are four walls and a mattress.

Leaning on the door to his floor to make it open, he stumbles out into the hallway—

And catches sight of the glistening curved dagger stabbed into the wall next to his door, the hilt gleaming green in the sinking sun.

“Nope,” Tim says, spinning on his heel and going back down the stairwell double time. “Nope, nope, nope.”

He is now 100% certain that the League of Assassins has been burning his bolt holes. Ra’s al fucking Ghul can eat his whole ass.

—

Seven blocks away, Tim sits on the sidewalk in front of a bodega and contemplates a third cup of coffee. The shittiest one yet.

See, here’s the thing.

The thing is, he has options.

He could go to the Manor. Or the penthouse. Or to Steph’s place. He’d have to answer some unnecessary questions like ‘Master Timothy, you know you can’t sleep on aircraft, why didn’t you sleep before your flight’ or ‘Tim, why didn’t you come here first, you know you can still come to me if you’re in trouble, right’ or ‘why did you agree to fumigate your fucking house, you loser, lmao’. (Stephanie is not going to let him live this down). 

He is absolutely certain that he would be welcomed in any of these places and after a completely undeserved amount of fussing, he could take a fucking nap and someone else would deal with the League bullshit for him.

And that’s the thing. There’s the rub.

No one should have to deal with the League bullshit for him. This is his problem. He’s not in a hurry to bring them down on anyone. Not even Damian.

With grim resignation, he reaches for his phone to try and find a hotel room (during a con’ weekend apparently, RIP) and maybe get a fucking handle on this whole stupid thing, when he hears:

“Hand over your wallet!”

He lifts his head slowly and finds himself looking down the barrel of a gun. A gun held by some guy wearing a ski mask in broad fucking daylight. There’s another guy next to him who’s watching the street. There’s a third guy somewhere behind him who he can’t see, but he can hear the scuff of his boots.

Sure. Why not. With the day he’s had, this might as well happen. He holds up his hands placatingly.

Tim contemplates his muggers. The guy with the gun is jittery, probably new to this, or hopped up on something. He keeps glancing between Tim and the bodega behind him, so they were probably planning a run on the till. Might have chickened out, or thought Tim was an easier target, an unexpected meal ticket plopped right in their path. Or they were already inside when Tim sat down, which wouldn’t bode well for his situational awareness seeing as he just came out of there himself.

The grinding gears of his tired brain keep getting caught on the fact that this is happening in the middle of the fucking day. Tim glances at the street corner and bites his cheek in frustration. Yeah, he’s smack dab in the middle of the Alley. Figures.

“Are you deaf or somethin’ man?” The guy with the gun is saying. “Hand over your fucking wallet!”

The other guy doesn’t seem as crazy-eyed. He’s nervous, though. He keeps looking around like he’s expecting Batman to materialize, to come whistling down the street like a beat cop.

“Dude, come on, it’s not fucking worth it,” he says, grabbing at the gunman’s shoulder. “We got the money, let’s fucking go.”

The third guy kicks over Tim’s suitcase. “Yeah, come on, Don, let’s just grab this shit and bounce.”

Tim can’t do anything. He’s not Red Robin right now. He’s Timothy Drake-Wayne, CEO of Wayne Enterprises, and he’s getting mugged in front of a bodega at two in the afternoon in a rumpled suit and tie and still toting his suitcase from his early morning flight. 

His hands are trembling from unspent adrenaline, too much caffeine, and not enough sleep. His eyelids are the heaviest they’ve ever been in his godforsaken life. His ears are ringing. He could knock all three of them down in less time than it takes to tie his shoelaces. But he can’t.

“Shut up, Johnny, look at him shaking! What’s he gonna do? If he doesn’t wanna get shot, rich boy’s gonna hand over all his fucking shit!”

“Hey, let’s just—” Tim tries to say.

Stars explode across his vision as Tim takes a punch he genuinely wasn’t expecting. He stares up at the blue sky for about half a second, more confused than anything else, before the gunman grabs him by the front of his shirt and hauls him up to shout in his face.

“What’s it gonna be, pretty boy?!”

Caught on the exhausted edge between vigilante training and the preservation of his identity, Tim is frozen. He doesn’t know what to do. He kind of wants to cry.

“Gee, Donny, what is it gonna be?” A fourth voice says, full of false cheer.

Tim blinks. So do the muggers. 

He knows that voice.

“Who the fuck—?” The gunman drops Tim, spinning around and into a fist. He tumbles down to the ground, out cold.

Everything happens pretty quickly after that.

Jason Todd is in civvies. He’s sporting a worn out looking hoodie and a pair of jeans that have seen better days. But his heavy boots are the same ones he wears for his uniform, and the kick he delivers to Johnny’s face is all Red Hood.

Almost in a daze, Tim watches him fight with the usual mix of seething envy and raw desire that rears its ugly head any time he gets to see Jason in action. He’s fast, decisive. Efficient. Beautiful. Tim wishes he had Jason’s skill. And he wishes— 

Well. He wishes a lot of things about Jason Todd.

Tim is pretty sure he and Jason are friends. Maybe. Probably. They’ve pretty much moved past the whole “replacement”, “zombie-dickhead” part of their relationship and have graduated to occasionally providing backup on ops that overlap in each other’s sectors, ganging up on Dick when they’re all in the same room, and maintaining a surprisingly steady stream of vigilante gossip to keep each other in the loop. 

So, ok, yes, due to the aforementioned, he’s pretty sure they’re friends. And also because Jason wouldn’t have stuck his neck out for him otherwise. He would have just let him get mugged.

Watching Jason fight is one of Tim’s favorite pastimes. But right now, Tim’s usual appreciation is soured by the gut-roiling embarrassment of being caught in this position by Jason of all people. His eyes itch. His cheek throbs. He’s so fucking tired.

“Hey, little stalker,” Jason says suddenly, holding out an expectant hand in Tim’s face. The muggers are groaning on the ground around them. Tim isn’t sure when that happened. He might have zoned out. “Did you know that you had a stalker for a change?”

Tim flushes. “I resent that. I haven’t stalked anyone in years.” He takes the hand. It’s warm, and calloused, and big around his.

Jason laughs at him and yanks him to his feet. “Liar.”

Tim’s mouth twists into a scowl. He tries to glare at Jason, but he can feel himself swaying and Jason still hasn’t let go of him, and it’s ruining everything.

Also, lowkey, Jason is right. But in his defense, it is literally their job to stalk people, so.

“I haven’t stalked you in years then. Just other guys. Bad guys. Not non-bad guys. Fuck. You know what I mean. Whatever.” He pauses; recalibrates. “Had?” He asks.

Jason’s eyebrows inched higher and higher the longer Tim talked. Tim doesn’t blame him.

“Yeah. Had.” 

So much for the League, Tim muses.

Jason gives him a once over before tugging decisively on Tim’s wrist, easily grabbing the handle of his suitcase and starting to walk with both in tow, to Tim’s rising horror. 

“You’re coming with me, shortstack. What’s wrong with you? Are you drunk? You look like shit.”

Tim tries to yank his wrist out of Jason’s grip, but the asshole doesn’t budge. “I’m not drunk,” Tim snaps. “I’m fine. I’m just. I’m just… really tired.”

Jason stops abruptly, and Tim stumbles into his shoulder.

“I can see that,” he says, steadying Tim with an amused but ultimately sympathetic look. He loads Tim’s suitcase onto the back of a motorcycle that Tim literally just now noticed. 

God, he’s fucked. And not even in a fun way. 

“C’mon,” Jason says. “Don’t fall asleep on the way over— road rash sucks ass.”

—

They don’t talk on the way to— wherever Jason is taking them, but once they’re parked in a random garage and walking towards the elevators, the game of twenty questions begins.

“So why’ve you got League assassins after you, anyway? Piss in a lazarus pit? Push over the baby brat on the playground?”

“Ra’s al Ghul wants my body,” Tim says, dejected but resigned to this bizarre fact of his life. “Since I was seventeen, I’m pretty sure.”

Jason wrinkles his nose. “Ew.”

“I don’t think it’s a sex thing? But it could also be a sex thing.”

“Again. Fucking ew.”

“Yeah. Also I blew up a bunch of his shit and I think he’s still salty I got away with it.”

“Is that why you weren’t at the Manor?” Jason asks, herding Tim out of the elevator and down a long hallway. “Or anywhere but a random street in Crime Alley?”

Tim nods. “Yeah. They found all my safehouses, but— my mess. My problem.”

Jason thwacks him upside the head.

“Ow! What the fuck?”

“You’re the dumbest person on the planet.”

“Am not. B is on-planet right now.”

“Then you’re pretty fucking close,” Jason snarks, fishing out some keys and opening one of the apartment doors.

Tim scoffs at him as he’s pushed inside. “Oh, please. Don’t try to tell me you would let Dick swoop in and solve all your problems for you.”

Jason rolls his eyes, stepping into the side kitchen and popping open the freezer door of the fridge.

“Dickiebird can’t even solve his own problems,” he says as he rummages. “But maybe when I’m fucked up enough to let three nobodies robbing a fucking bodega get the jump on me, that’s a sign that, maybe, it might be time to call in the cavalry. Dick isn’t the only person who’s got your back.” He presses an ice pack to Tim’s face until he takes it himself, and keeps steering him through the apartment. “Just saying.”

Tim would protest with all of his very good reasons why Jason is definitely wrong here, but he’s too busy processing the fact that Jason has led him into a bedroom. With a bed. There’s a bed, with a mattress and pillows and blankets. Right there. Tim stares at it with lustful eyes.

Jason catches him staring. He rolls his eyes, but he’s sporting a small smile that Tim has the presence of mind to memorize. He walks over to a dresser and pulls out a big shirt and a pair of shorts that he hands to Tim.

“Look. If you don’t know where to go, you can always come here. No guarantees I’ll be always around, but, yeah. Mi casa es su casa, or whatever.”

Tim eyes him up, clutching the bundle of Jason-smelling fabric in his hands. “And you’d do that for me because…why, exactly?”

Jason flicks his forehead, a stinging reprimand. Tim hisses.

“Because, dumbass, you need help and I feel like it. And you don’t actually suck to be around, so shut up and be grateful.”

“Oh, yes,” Tim deadpans, rubbing at his forehead. “So grateful to be allowed the privilege of squatting with you.”

The thing of it is, Tim is grateful. But Jason doesn’t need to know that.

Jason squawks, and before Tim can duck, he’s snatched Tim around the neck in a headlock. His arm is thick and doesn’t budge no matter how Tim shoves and kicks. The ice pack and the clothes go flying, and Tim just about dies. Jason is warm.

“Jason—!”

“Brat!” Jason crows, not giving an inch. “I paid for this place fair and square— you’re the only squatter here!”

“Blood money doesn’t count as square!”

“Tell that to half of Gotham, kid.”

“I’m trying to, thanks for noticing,” Tim says, finally wrenching himself free of Jason’s grip, stumbling into the bed and giving into its siren song. He sits down heavily on the edge, toppling over sideways and reaching pathetically for the fallen ice pack that’s just out of his reach.

“And don’t call me kid—” he complains, muffled by the pillow. It also smells like Jason. “You’re barely two years older than me.”

The cold ice pack is pressed into his fingers. He cracks an eye open to look, but Jason is just smirking at him, like he’s giving Tim the win. Ass.

“Coulda fooled me, shortstack.”

Tim rolls his eyes, and onto his back, toeing off his shoes and letting them clatter to the floor. He can’t tell if Jason’s bed is the best bed in the world, or if he’s just deliriously inventing things.

Frankly, Jason Todd’s bed is the last place he ever thought he’d end up, this morning or otherwise, so he’s never bothered to speculate. He does not have a contingency plan for this.

“Is there a reason you keep calling me short,” he complains, “Or will I just need to fill in the blanks myself?”

“Can’t help it. You’re just so small,” Jason coos. Tim props himself up on an elbow at that, raising a disgusted eyebrow.

“You don’t hear me constantly talking about how big you are.” 

Jason grins like he just won the lottery; Tim shuts his eyes the second it’s out of his mouth.

“Baby, you don’t know how big I am.”

He does, actually. Not in a creepy stalker way, just— there was this one time. A big rogue breakout at Arkham, all-hands on deck type of situation; Tim, Cass, and Jason were covering Poison Ivy in the park. Acid-spitting pitcher plants were involved.

And look, Jason’s tactical gear is fine in the day to day, but it’s not like any of them had time to prep a neutralizing agent, so when Jason needed his pants off, stat…uh. Well. Tim was right there.

He knows, okay?

“Alright,” he rallies, trying desperately not to replay the memory of Jason adjusting himself through his boxers. All of himself. “I walked right into that one.”

“Oh, trust me. You’ll know if you’ve walked into it.”

Tim scoffs, but he can feel how red his face is.

And the thing is. He says it without really meaning to. 

But he still means it.

“You gonna put your money where your mouth is, big guy?”

The change is immediate. Jason had been halfway out the door, but now he turns to Tim, giving him his full, undivided attention. He looks at Tim, laid out in Jason's bed, giving him a very slow once over. The scrutiny is at once nerve-wracking and thrilling.

“Thought you didn’t want my money,” Jason murmurs.

The temperature in the room spikes. If it weren’t for the slow throb of his bruised cheek, Tim would think that he’s already asleep and dreaming.

But he isn’t. He’s very much aware that he’s wide awake.

Tim swallows. “Well. It’s not your money I want.”

Jason’s grin is electric. 

He stalks over to the bed, and Tim is frozen like a rabbit, waiting to see what he’ll do next. Jason settles a knee on the sheets between Tim’s legs, looming over Tim and boxing him in against the mattress. Tim’s free hand reaches up of its own accord to tangle in the collar of Jason’s hoodie, and the cotton is softer than he expected.

Jason’s eyes rove over his face, dark and heavy. He catches Tim’s face in his hand, swiping his thumb lightly across the bruising hot ache of his cheekbone. He leans in deliberate and slow and—

—and stops about an inch away from Tim’s mouth.

“Get some sleep, babybird,” Jason teases, his breath puffing gently over the skin of Tim’s lips. “You can proposition me again tomorrow.”

“It’s, like, 3:30 in the afternoon,” Tim argues, breathless.

“Yeah, and your body thinks it’s 3:30 in the morning. You’re dead on your feet. Don’t make promises you can’t keep, and go the fuck to sleep.”

Jason moves to rise. But Tim hooks a stubborn arm around his neck and pulls him down that last remaining inch. 

The kiss is— bad. At first. 

Tim basically smashed their mouths together to prove a point, and Jason muffles a surprised sound against Tim’s teeth. He lands heavily on top of Tim at an awkward angle, and he’s kind of crushing him. Tim refuses to let go, but— Jason doesn’t pull away.

Jason gentles the kiss instead, and Tim thrills. He levers himself up onto his elbow, wrapping an anchoring arm around Tim’s back. He finds a home between Tim’s legs, and he lets Tim kiss him until Tim's lips are tingling and his fingers go slack; until he can’t keep his eyes open anymore.

Somewhere between fifteen minutes and a small eternity later, Jason presses one more kiss to the corner of his mouth. He curls around Tim on his side, and Tim turns his face into Jason’s neck with a soft wondering sigh.

“I’ll keep it. Promise. Wait n’ see,” Tim mumbles. Jason snorts, but doesn’t budge, and Tim can hear his smile in his voice, lilted and lulling.

“Sure, babybird. I’ll wait. I got nowhere else to be.”

Tim is already asleep.

[aroaessidhe]

2024 reads / storygraph

A Tempest of Tea

first in a YA fantasy duology

follows a young immigrant woman in a fantasy Victorian city who runs a tearoom that doubles as an illegal bloodhouse for vampires at night

when their business is threatened, she gets a chance to save it by teaming up with her best friend, a rich girl with a talent for forgery, a vampire artist, and a mysterious city guard to do a heist to infiltrate high society and collect a logbook that may reveal the extent of the corruption in the city

fantasy city with a masked ruler, arthurian elements, themes of colonialism

[luinhealthcare]

Does Hyrule mind teaching how to assess a patient??👉👈

"You... want to learn how to assess patients?" Hyrule asked hesitantly.

Wild shrugged. "What if I want to be an EMT?"

"You also said you wanted to be a chef in the hospital."

"I can do both, you know."

Hyrule laughed. "I suppose so. Well... we'll need a patient for this to work."

Wild immediately snatched Sky, who yelped as his friend snaked a hand around his wrist. "Sky's the patient, heaven knows he needs to be looked over anyway."

"Look who's talking, Mr. I-Have-Seizures-and-Don't-Tell-Anybody," Sky grumbled as he was manhandled to sit between the other two.

"Well, everyone knows now."

Hyrule and Sky gave Wild a scalding look. Adequately apologetic, Wild shrugged sheepishly.

"Anyway," Hyrule sighed, shifting his focus to Sky. "Assessments come in different forms. You've got a primary and a secondary assessment. Primary is kind of a general overview and checking for life threatening stuff, secondary is in-depth on what the issue actually is. Make sense?"

Wild nodded.

"Great!" Hyrule continued with a smile. "Okay. Sky's our patient. Sky, you got shot once, right?"

Sky nodded, and Wild balked. "He what?!"

"It was a long time ago," Sky waved a dismissive hand.

"Okay, so that's our scenario," Hyrule said, standing. "We're dispatched for a 21-year-old male with a GSW--"

"That means gunshot wound, right?"

"Yeah. GSW, conscious patient. That's all we've got. So, you get on scene, and the very first thing you do is check for scene safety. If the scene isn't safe, we're not going in. First thing you're taught in EMS - your own safety comes first, because if you're shot you can't help the patient. It's you, your partner, then the patient."

"How often do you actually listen to that rule?" Sky asked, raising an eyebrow.

"That's not what we're learning today," Hyrule waved off easily. It was pretty common knowledge that while he would never put his partner's life at risk, he'd gotten himself into dicey situations before. But he knew how to get himself out of those situations too. "So, we determine the scene is safe. Next, is our primary assessment. The purpose of this assessment is to check for life threatening things, and an overview of major body systems. Neuro status, bleeding, and your ABCs: Airway, Breathing, Circulation.

"The situation is pretty dynamic, like sometimes you walk up and somebody's got an arterial bleed and spurting blood everywhere, your assessment stops right there and you go fix that bleed. But generally you'll have time to do the entire primary assessment."

"Okay, so neuro and ABCs?"

"Yeah. And the good thing is that most of it happens all at once, you know? You walk up to Sky and he looks at you, then boom, you've got a good neuro - he's awake, he's alert. He may not be oriented, but you can figure that out by just talking to him. And by this point you can tell if there's life threatening bleeding. Then it's ABCs - is his airway patent, or open? Is he breathing, and is he doing so normally? Is his skin warm, dry, and normal tone for him? You can literally do al these things by just walking into the room and looking at him for five seconds. The primary assessment is done really fast and, the more times you do it, basically automatically."

"What would be an example of something being wrong?" Wild askd.

Hyrule glanced at him. "When I got on scene for your crash, you were unconscious and unresponsive--in other words, you were not only unconscious, but nothing would wake you up--and your breathing was gurgling sounding because you had blood in your airway."

Glancing at Sky, Hyrule said, "Sky can give us an example of a not great primary assessment, I'm sure."

Helpfully, Sky immediately flopped off the chair he was sitting on, collapsing to the ground with a crash. Wild laughed, and footsteps rushed from upstairs into the living room.

Twilight immediately froze in the entranceway, eyes wide and fixed on Sky. "Sky, what the--guys what the hell is hap--"

Sky perked up immediately. "Oh, sorry! I'm just helping Hyrule teach Wild!"

Twilight froze a moment and then sighed heavily, pinching the bridge of his nose and grumbling under his breath.

Hyrule smiled, pointing at Twilight. "He just perfectly showed a good primary assessment looks like! He walked in and saw the patient down on the ground, tried to figure out a neuro by calling out to him, and when Sky woke up he immediately could tell he was fine. Neuro intact, not bleeding, had a patent airway because he's talking, breathing normally, and skin looks normal."

"I hate all of you," Twilight groaned, walking out of the room.

"Okay, but by skin looking normal... what does it mean when it doesn't?" Wild asked.

"Your skin can tell a story," Hyrule explained. "If you're diaphoretic, which means sweating, something is likely wrong. Though it depends on context - if your patient's sweaty but they were just exercising, it makes sense. If Sky's sweaty on the ground after being shot, he's in shock. If the skin is cool, the body isn't circulating well - that can sap the color right out of your skin - the lighter your skin tone the more notable it is, but darker skin tones can become paler too. A lot of times with darker skin tones you'll want to look at their palms or their lips, that'll help you determine it. Another color is grey - that usually means cardiac and it's bad. So skin can tell you a lot!"

"How did my skin look?" Wild questioned, curious.

"Pale," Hyrule immediately answered. "Anyway. Sky's your patient. Look him over."

"Okay," Wild blew out a breath, approaching Sky and kneeling beside him. "So he's unconscious, that's my neuro so far."

"Can you arouse him at all?"

Wild poked Sky in the neck. Sky flinched. Wild poked again and Sky giggled. Wild's eyes widened in realization, and a mischievous smile crossed his face.

"Wild, wait--"

Sky started laughing hysterically as his friend tickled him, wiggling and trying to shove him away.

"Get--off of m--Wild you jerk--"

Hyrule chuckled. "Well, we're not taught to tickle our patients, but that works."

[rosiespokemontwitterau]

Life won't give you lemons everybody! (^o^) /🍋

[terristre]

So there’s a new Twisted Wonderland character, his name is Rollo Flamm. Have you seen him? Any thoughts?

DELIVER US THE TRUTH