#dr. thorn

[knightofthenewrepublic]

[percabeth4life]

Just realized that Dr. Thorn in book three thought it was a grand old idea to stick the son of Poseidon who was specifically warned to never fly again or die on a helicopter to get him to the Titans.

[yonemurishiroku]

Your post the other day about how Nico can't read English gave me a fic idea, purely because it mentioned he was in military school.

So at the time these books came out, America still had a law in place called "Don't ask, Don't Tell" which basically meant that if you were in the military and Gay, if you failed to keep it a secret you'd get kicked out with no benefits. So now I'm wondering if that would apply to military *school* as well. Is there a curve Nico might have gotten expelled from that school if it was discovered he was Gay? Of course, Nico himself didn't even know at the time, but just imagine, Nico acting extremely campy and effeminate, fawning over other boys, just generally being both very obvious and very oblivious and MEANWHILE Mr. Thorn (the manticore, who has no interest in the schools operations and is just there to hunt demigods) strongly suspects Nico is his target but can't *prove* anything yet so has to keep him nearby. He can't just let the mortal school officials expel the boy, he'd lose track of him! So Thorn has to jump through ridiculous hoops to hide Nico from the rest of the staff, or cover for him, or find some kind of heterosexual explanation for his behavior that hopefully the rest of the staff will belive, and he's barely even done with the last problem before Nico is already in a new Situation™️ that he has to deal with.

Ideally it should read like a sitcom. I don't know if I'll ever get around to writing this, but I wanted to share the idea.

HELP THIS IS THE MOST ENTERTAINING THING EVER????

"or find some kind of heterosexual explanation for his behavior that hopefully the rest of the staff will believe" I'm death i'm freaking dead and revived like imagine Dr. Thorn trying to cover Nico's gay ass as he literally goes around dreaming about boys 😭😭😭

like imagine Nico's extremely flustered ab something a boy did to him and a staff just narrows their eyes at him, "Are you blushing at [some boy's name]?"

To which Dr. Thorn just smoothly slides right in "No he's having a fever" and proceed to tuck Nico under his arm, speeding to the infirmary in less than 3 secs as the kid kicking screaming.

Better yet. What if Bianca also knows about the law but she can't be around Nico all the time due to boy vs girl separation so when she realizes that Dr.Thorn is covering for her brother?? She's still suspicious of him but like it's a good thing he does that in her place, so she goes up to him like.

"Thank you for your kind work, I appreciate it" then leaves.

and Thorn just stands there and stares, screaming "i'm not kind you uncultured swine" internally 😭😭😭

PLEASE EVERYTHING ABOUT THIS IS JUST FUNNY PLEASE DO CONSIDER WRITING IT ANON

[darkmessiah2000]

“Who wants to shake hands with the skeleton?”

[100gayicons]

Actor Richard Chamberlain died this week. He had a long and successful career, mostly on TV. Articles about his death provide a summary of his acting roles. Here instead, I will include some excerpts from a 2007 interview where he discussed his sexuality.

(Early life)

“I was born in 1934. Back then, in the 40s and 50s, being gay in America was much worse than being a crook or an assassin. I was scared… being gay was the deepest, darkest secret you could possibly have, and I made a pact with myself never to tell anyone."

(Father)

“Things were not easy in my family. My father drank and was psychologically very abusive: he used to tell my brother and me that we weren't good for anything. It is not a coincidence that I grew up being very shy."

(Straight relationships)

"I had my first quasi-sexual experience with the sweetest Japanese waitress. At college, I had two great girlfriends. I did all what other young people used to do back then: hold hands, kiss on the back seat of the car.... I love women but not up to the point of wanting to marry one."

(Meeting his long term partner Martin Rabbett)

"We met (in 1977). We were acting in a Tennessee Williams play… Martin is much younger; he never hid his homosexuality. For his generation, homosexuality was not something one would hide. It is true that things were not easy for him. Our life was like the life of a dog who has an injured leg and continues running on three legs: this is what it means to hide oneself…

I was not ready (to come out), and he understood. I was scared to draw attention to me. Of course, our friends knew.

My heterosexual friends, who are almost all separated or divorced, always ask me what our secret is. We have grown together, learned from one another.”

(Coming Out in his 2003 autobiography)

"Only at 68 was I able to say the truth, when I no longer could be a romantic hero on the screen…When I wrote the word "gay" in the book, I felt as if an angel had touched my head, freeing me from fear. Finally, I felt free."

(Martin announcing Richard’s death)

“Our beloved Richard is with the angels now. He is free and soaring to those loved ones before us. How blessed were we to have known such an amazing and loving soul… Love never dies. And our love is under his wings lifting him to his next great adventure.” 

[bananaeatstape]

i had the stupid idea to make text posts of my most favorite best tv shows of all time so here y'all go (these are definitely either very right or very wrong pls forgive)

also apologies for the absolute trash quality of these but i'm too lazy to redo everything

extra silly thing under the cut

[blamemma]

behind the scenes of daniel ricciardo at a thorne sponsor shoot in los angeles this week | via

[chao-macchiato]

Love & Thorns - Chapter 5

Chapter 5 - He Promised! - Is out now!!

Fic Summary: Robotnik realises he loves Stone so actively tries to get him to quit by being meaner, as it's "what's best for him".

Please heed the tags!! I may have overcompensated with the TW but i didnt want anyone to get an unwelcome surprise. This is by far the worst chapter before the comfort starts to kick in!

Robotnik is going to get screamed at… a lot. And dont worry, the badniks wont let him within a foot of the agent again…

https://archiveofourown.org/works/64815205/chapters/167336737

[longitudinalwaveme]

DC Comics' Who's Who: Flash Entries

My brother and I recently bought all of the DC Comics Who's Who issues that contain Flash characters in them (except for the ones with Abra Kadabra and Thinker, who I somehow forgot about). These issues were published between 1985 and 1987, and they provide a very interesting snapshot into how the characters were viewed around the time of Crisis on Infinite Earths.

As such, I decided to post the relevant Flash entries and give some of my own commentary.

The most interesting thing about Captain Boomerang's entry, at least as far as I'm concerned, is that it's the first time that we see the name "Ian Harkness" attached to Digger's father. Prior to this point, Digger's dad (who had only appeared once, in Flash vol. 1 #227) had been referred to solely as "Pop" (by Digger) or as "Aussie Green" (by the narrator). Since "George Green" was the alias Digger used to land the Captain Boomerang job at Wiggins' Toys, I think that Cary Bates forgot that Digger's last name had been established to be Harkness, and that his father's last name should therefore have been Harkness as well. As such, I suspect that the writer of this Who's Who entry decided to fix Bates' mistake by giving Aussie Green the more appropriate name of Ian Harkness.

But what's really fascinating about this is that, since this issue was published in 1985, it means that the "Ian Harkness" name predates Suicide Squad #44 (published 1990), the story where Digger's stepfather was called Ian Harkness. I had always previously assumed that Ian Harkness was created for that issue, and that Aussie Green had been retconned out of existence, but it seems that there's an argument to be made that he instead was just given a major personality overhaul, much in the same way that Wally West's father, Bob/Rudolph West, was.

I love that the entry talks about Digger's ability to use his own body as a boomerang, a hilarious feat that only appeared in Flash vol. 1 #227.

The art for Digger was drawn by his original artist, the late, great Carmine Infantino (and Murphy Anderson). I like that it includes Digger shooting the Flash into space on a giant boomerang.

I love the art for Captain Cold's Who's Who entry. Interestingly enough, it was drawn by Bob Smith, rather than by his original artist, Carmine Infantino.

Technically, since this entry is about Alvin, not Albert, his first appearance should probably be listed as Flash #287, since all of the earlier Dr. Alchemy appearances were Albert, not Alvin. But since Showcase #14 was the first appearance of Dr. Alchemy as a costumed identity, I can understand why it was chosen.

I don't think this bio is inaccurate to state that Albert didn't have the ability to telekinetically control the the Philosopher's Stone, since to my knowledge he had not shown that capability up to the point that this issue was published, but for a modern reader it is somewhat odd, since it was established that Albert also had psychic control over the Stone in Flash vol. 2 #40-41 (published 1990), and it was a major part of his powerset during Geoff Johns' run in the early 2000s.

Much like Captain Cold, Alvin isn't being drawn by his original artist, Don Heck. Instead, the art for his entry was done by Mike Vosburg and Dick Giordano.

In speaking of Albert, here's his entry.

Some interesting observations:

Albert is an inch taller and 3 pounds heavier than Alvin. So they wouldn't be physically identical in the costume, as one might assume.

Alvin's parents are identified as Mr. and Mrs. Herman Desmond, a name taken from Flash vol. 1 #288. This is very helpful, as it clarifies that he was the Al born in San Diego, California, and also establishes that Albert was born in Tampa, Florida (as per the backstory given in that issue). Flash #288 states that Albert's parents are Mr. and Mrs. Herbert Desmond, but that was a mistake on writer Cary Bates' part, since in Flash vol. 1 #221, Albert's father was named Peter Desmond. This Who's Who entry correctly identifies his parents by that earlier name, which is a level of ridiculous nerdiness that I can respect.

The claim that the Philosopher's Stone is more powerful than the Element Gun does make sense.

There's also an interesting omission in the entry. In Flash vol. 1 #221, it's made explicit that the Element Gun is at most a conduit for Albert's own natural powers. It doesn't work for the Flash, and Albert is able to use his elemental powers even when the gun isn't in his hand.

I am not surprised to learn that Albert has "little strength in hand-to-hand combat". Nor am I surprised that Alvin is more physically adept than Albert is.

Albert was drawn by his original artist, Carmine Infantino.

At 6'1", Fiddler is a bit taller than I expected. And he is a "vile" and "villainous violinist". I appreciate the Silver Age-esque alliteration.

And the Fiddle Car makes an appearance, both in the text and in the artwork. I love the Fiddle Car. It's so gloriously goofy.

I'm not sure exactly when the Fiddler gained weight, but I guess it's good to know that his diet plan worked out for him.

Artists Sandy Plunkett and Joe Rubinstein did a great job on the main drawing of Fiddler for this entry.

I like that Jay Garrick's name is written in the font that was used for the 1940s All-Flash series, of which he was (unsurprisingly) the leading character.

I actually didn't know that Jay was specifically the head of Keystone Research Laboratories, Inc. I knew that he was a research scientist, but not that his place of work had been specifically named.

Artist Eduardo Berreto did an excellent headshot of Jay, and I like that he included the Fiddler and the Three Dimwits (Winky, Blinky, and Noddy) in the background. That being said, I'm not the biggest fan of the main drawing of Jay here. He looks a bit stiff as he runs.

Barry Allen gets a massive two-page spread. The really interesting thing about this is that, while this issue was published in October 1985, after Barry's series had ended, it was published just before Crisis on Infinite Earths #8 (November 1985), the issue where Barry actually died. As such, he's still alive here, but will be dead by the time the Who's Who series wraps up in early 1987.

Weirdly, Ira West (Iris' adoptive father) is described as Barry's stepfather-in-law, which doesn't seem quite right.

Carmine Infantino, Barry's original artist, does the art with help from Murphy Anderson. He does a good job, as is expected, and in addition to the headshot and the main drawing, he includes a picture of the accident that gave Barry his speed, headshots of Iris and Wally, a picture of Barry shooting his costume out of his ring, and headshots of a ton of Barry's villains.

The villain headshots are especially amusing in an oddly-drawn way, and include, in the words of @gorogues, "shampoo ad Digger, movie star Kadabra, middle-aged Roscoe, and ate-too-many-Twinkies Sam".

In most modern DC guidebooks, Lisa is listed at 5'5" and 115 pounds. Here, she's listed as 5'5" and 105 pounds. In case it wasn't clear that she was tiny, I guess.

The issue with Golden Glider's entry was published in November of 1985, and, sure enough, it's noted that the Flash is dead in her entry.

The notion that Lisa's gem weapons were adapted from some of the Top's designs isn't something that was explicitly stated in any of her appearances, but it is an interesting idea, and it does make sense as an explanation for how she was able to build them so quickly.

Golden Glider's art is drawn by her original artist, Irv Novick, with assistance from Dick Giordano, and it all looks amazing. I'm especially fond of the drawing of her with Captain Cold in the bottom right.

I love that Gorilla Grodd's occupation is "Would-Be World Conqueror".

It's also nice to get confirmation that the gorillas of Gorilla City have amplified strength even when compared to normal gorillas, as I hadn't been sure if that was the case before now.

Grodd's art was done by his original artist, Carmine Infantino, alongside Bill Sienkiewicz. He doesn't really look like an actual gorilla, but there will basically be no realistic-looking gorillas in Flash comics until the early 1990s.

Also, while Grodd is usually big and muscular (since he's a gorilla and all), he's especially massive here.

I think the most noteworthy thing about Heat Wave's entry is the fact that it highlights a very important fact about him: namely, the fact that he was the second-ever Flash villain, and first Rogue, to reform (specifically, in Flash vol. 1 #312, in 1982). He reformed some two to three years before the Trickster (James) semi-reformed in Blue Devil, and six years before the Pied Piper reformed in Flash vol. 2 #20 (1988)! Most people seem to have forgotten about this nowadays.

Another aspect of Heat Wave's character that seems to have been forgotten is that Heat Wave's gun isn't just a flamethrower....it's also capable of superheating the air around it and effectively firing "beams" of heat.

Oh, and Mick's suit used to be made of asbestos. So if you're wondering how he got terminal cancer in Jeremy Adams' run on the Flash, now you know.

I've always thought that 5'11" seemed short for Heat Wave. For some reason, I can't shake this mental image of him as this 6'6" giant (even though the artists don't usually make him that much taller than everyone else). Maybe it has something to do with Dominic Purcell's portrayal of the character on the CW Flash show...but even then, Purcell is only 6'1" (so tall, but not enormous). Maybe it's just because he's often depicted as the least intelligent Rogue, and unintelligent villains tend to be very large in fiction.

Heat Wave's art was drawn by his original artist, Carmine Infantino, alongside Joe Giella.

Wally's entry claims that his parents have never been named, but his father was named Bob West in Flash vol. 1 #116, so he at least had been given a name by this time. (Post-Crisis, Wally's dad was renamed Rudolph, and his mother was named Mary.)

The issue with Wally's entry was published in February 1986, a month before he would take up the mantle in Crisis on Infinite Earths #12 (March 1986). As such, he's still Kid Flash here, even though Barry is dead.

It's interesting that this entry states that Wally was in high school when he became Kid Flash. This is mostly consistent with what we see in the early Wally stories from the Silver Age (even if the art makes him look 10 to 12 years old rather than 14 or so), but it is a noticeable contrast to William Messner-Loebs' and Mark Waid's takes on Wally's backstory, which both claim that Wally was 10 years old when he became Kid Flash.

Also interesting, and sometimes forgotten about, is the fact that Wally went to college towards the end of his career as Kid Flash, and was even hoping to settle down and start a normal life before Barry died. The events of Crisis on Infinite Earths threw a wrench in these plans. Wally became the Flash full-time, and as a result never finished college.

The art for Wally's entry was done by George Pérez, who unsurprisingly did a very good job.

Mirror Master's entry was published in May 1986, four months after his death in Crisis on Infinite Earths #10 (January 1986). As such, his death is described here. His successor, Evan McCulloch, wouldn't debut for another three years (first appearing in 1989 in Animal Man #8).

The entry underlines Sam's popularity in his day; he's described as "one of the Flash's most formidable and persistent foes", and he is accurately credited with forming the Rogues. This is something that often gets forgotten now that Len has taken the spotlight as the de facto leader of the group.

Sam appears to be the least physically capable of the Rogues described thus far ("only a fair hand-to-hand combatant"), which makes sense, given that he was primarily an inventor.

Something else interesting is that it's only starting in this issue that "the Flash's Rogues Gallery" is listed as a group affiliation for the people on the team. Len, Digger, and Mick weren't listed as members of the group, even though they were definitely part of the team. (Golden Glider is a borderline case. She worked with Len and Roscoe before Crisis, but didn't appear alongside the full group until afterwards.)

Carmine Infantino, Sam's original artist, did the art here, alongside Steve Mitchell. I like the background art, but I'm not a huge fan of the main drawing or the headshot, primarily, I think, because Mirror Master looks way too buff. There are a number of better Infantino drawings of Sam.

In speaking of weirdly buff Rogues, here's the Pied Piper, about two years before he reformed (the issue his entry is in was published in August of 1986, and he reformed in late 1988).

The entry claims that "Henry Darrow" was the alias his parents paid to establish for him, while "Thomas Peterson" was the alias he chose for himself. This is an interesting idea, but it doesn't seem to fully align with the Flash comics of the time. For example, during the interminable Trial of the Flash arc, Digger called the Pied Piper "Henry", which suggests that Piper told gave at least him the "Henry Darrow" name, which wouldn't really make sense if "Thomas Peterson" was his chosen alias. (That being said, Cary Bates' habit of confusing characters' names really doesn't help here. Since he later called Piper "Henry Rathaway" by mistake, it's possible that he was intending to have Digger call Piper by his actual name, but forgot that the actual name in question was Hartley and not Henry.)

I am not surprised that Hartley is a poor hand-to-hand combatant. Even if he had a weird period in the early-to-mid-80s where the art made him look like He-Man's stunt double (and you can still kind of see that here), he's usually drawn as being fairly skinny, and he was also a sheltered rich kid. It makes sense that he wouldn't know how to fight.

Pied Piper is kind of the opposite of Heat Wave in that 5'10" somehow seems too tall for him. There's no good reason for it, but I always picture him as being short and slight. Maybe it's just because he's often so thin?

It's also interesting that Hartley's hair is listed as being blonde here. It swapped between red (as per his first appearance, Flash vol. 1 #106) and blonde all the time before eventually seeming to settle on a light red/strawberry blonde color.

Pied Piper's art was drawn by his original artist, Carmine Infantino, and Dennis Jensen. Like with the Mirror Master, I like the background art, but not the main picture or the headshot. Infantino has drawn better Pipers too.

I did not know that Rag Doll was an "eccentric dancer" in addition to being a contortionist until now.

The fact that he used to work for the circus also makes him one of three Flash villains who can make that claim. The other two are Heat Wave (who worked as a fire eater) and the Trickster (who worked as a hire wire and trapeze artist).

Ragdoll was drawn by Steve Leialoha, and I think his take on the character is really unique and interesting. He makes the character look appropriately bendy and rubbery.

Somehow I never realized that Rainbow Raider's eyes were grey.

I appreciate that the Who's Who entry treats Roy as a legitimate threat. Enjoy it while you can, buddy. It won't last.

Rainbow Raider was drawn by Don Heck, his original artist. I especially love the headshot here.

I think this may be the first time that "Professor Adrian Zoom" was established as an explicit alias. (This name, like Sam and Roscoe's middle names, exists entirely because Cary Bates forgot a character's name.)

Barry, Jay, and Eobard are all 5'11" and 179 pounds, and Wally is 5'10" and 179 pounds. I guess we now know why Eobard is so good at impersonating Barry.

Carmine Infantino, Eobard's original artist, did the art alongside Murphy Anderson. This may be the best Eobard's hair has ever looked (although that's a very low bar to clear). It's also darkly amusing that the two background pictures are of him creeping on Iris and getting killed by Barry.

Rose and Thorn's story is very interesting and tragic, and I really need to track down the issues where it happened so that I can actually read them.

She also seems a lot like a proto-Poison Ivy. They're very similar looking physically, and Rose and Thorn had natural plant-controlling powers long before Poison Ivy did. (Notably, Ivy's Who's Who entry states that her only power is immunity to poison. Her other plant creations are attributed to her scientific acumen, rather than to any inherent abilities.)

Rose and Thorn was drawn by Todd McFarlane.

Moving on to another Jay Garrick villain, we have the Shade, who won't get his natural darkness-controlling powers for another eight years or so. (This issue was published in September 1986, and Shade's natural powers weren't established until he appeared in the Starman series, which began in 1994.) At this point, he was dependent on technology (more specifically, his cane) to control shadows.

At 6'2", Shade is one of the taller Flash villains. He's the same height as Len, but at 170 pounds to Len's 197, he's a lot lighter.

Shade's white hair is probably attributable to two factors. First, he hadn't yet been established to be immortal, and so would have been an older villain during this time period (since he was an enemy of Jay Garrick). Second, and probably more importantly, the Shade actually did have white hair during his first (and only) Golden Age appearance:

Yes, that really is the Shade. He looked different during the Golden Age.

It's interesting that the Shade is stated to have little experience in hand-to-hand combat here, but I suppose that the fact that he's so reliant on his shadows may have something to do with that. (I think I'm surprised because his later appearances in the Starman series gave him a ton of life experience, including experience in at least some athletic endeavors.)

The Shade was drawn by Carmine Infantino and Rick Magyar, who did a great job with him. Both of the background drawings seem to be based on scenes from Flash vol. 1 #151, in which Shade fought both Barry and Jay.

"Presumably the Top's spirit is no longer active on Earth." The issue with Top's Who's Who entry was published in February 1987, almost six years after his last appearance (Flash #303, from November 1981). It would be another three years before he returned in Hawk and Dove Annual #1 (1990), and an additional year before he properly returned to the land of the living by possessing the body of Senator Thomas O'Neil in Hawk and Dove #27-28 (September-October 1991). It took a while, but he did come back!

The entry also states that the Top "could spin at high, but not superhuman, speed". Since we saw the Top spinning fast enough to outpace the Flash and deflect bullets, I have my doubts about the accuracy of this statement.

The fact that Roscoe has blue eyes bothers me irrationally. He really seems like he should have green eyes.

The Top was drawn by his original artist, Carmine Infantino, and Joe Giella. I love the background art, and I like the main image, even if Roscoe is maybe slightly more buff than it seems like he should be. The headshot is one of the vanishingly few drawings of Roscoe without his mask (basically all the others are either of him before he became the Top, or from Flash vol. 1 #219, the only issue where he's out of costume for the majority of the story).

Remember how I said the Top looked too buff? Here's the proof. The Top is 6 feet tall and weighs 179 pounds. The Trickster is also 6 feet tall and also weighs 179 pounds. So either the Top is too buff in his entry, or James is WAY too skinny here. And I'm definitely leaning towards the former, given that having a lot of muscle mass will increase weight.

Trickster's list of known relatives does not mention his mother, who had not only appeared but been named by this point. (She's called Helen in Flash vol. 1 #113, the Trickster's debut issue).

Interesting fact: James actually reformed before Hartley did! James is already listed as being reformed in this issue, which was printed in 1987; Hartley won't be shown to be reformed until late 1988.

I really wish Trickster's brief career as a special effects artist was reference more often.

Trickster was drawn by Paris Cullins and Gary Martin, who were not his original artists. That being said, I love their take on him, especially his rubber chicken.

Both the Golden Age Turtle and the Silver Age Turtle Man share one entry, with the primary art being of the latter. The Golden Age villain only appears in the background art.

I always confuse the Turtle and the Turtle Man, probably because they have nigh-identical names, very similar M.O.s, and don't appear very often. The fact that neither one of them has a civilian name also doesn't help, since I can't even distinguish them that way. I guess the main difference is that the Turtle Man is somewhat more of an inventor than the Turtle.

Also, at 5'6", the Turtle is very short. He's only an inch taller than Lisa (though he's 73 pounds heavier)! The Turtle Man, at 5'11", is a lot taller.

The Turtle and the Turtle Man are drawn by Peter Laird, who was not the original artist for either character. Their drawings of the two characters are still effective, though.

Last, but not least, is the Weather Wizard, who, in a continuing trend, is weirdly buff. It's especially noticeable in his case, since he's usually drawn to be quite slender (although it is in keeping with the way Infantino drew basically all the Rogues during the Trial of the Flash arc).

Weather Wizard's reformation didn't last terribly long, but, due to the fact that he didn't show up very much during the late 80s and early 90s, it lasted a bit longer than you might expect. He reformed in Blue Devil #30 (published November 1986, about 3 months before the issue with his Who's Who entry was published), and wasn't shown doing anything illegal again until Flash Annual #5 in 1992. So he was more-or-less reformed for five to six real-world years.

I love that his entry includes the ridiculous fact that the Weather Wand is telepathically linked to his brain (as established in Adventure Comics #466 in December 1979), and that it makes mention of his habit of riding around on clouds.

Weather Wizard's art was done by his original artist, Carmine Infantino, and Murphy Anderson. I love the background art of him fighting Batman, and I like the art of him battling the Flash, but I think he looks a bit too buff in the main drawing and in his headshot. That being said, that headshot must be the neatest that Mark's hair has ever looked. Usually it's way more windblown than that.

[wisteriaiswriting]

Sonic Masterlist

From Sonic Prime and the movies: Sonic, Shadow, Rouge, Tails [No NSFW], Amy, Knuckles

Prim Rouge, Mangey Tails [No NSFW], Thorn Rose, Gnarly Knuckles

Batten Rouge, Sails [No NSFW], Black Rose, Knuckles the Dread

Rebel Rouge, Nine [No NSFW], Rusty Rose, Renegade Knuckles

Dr. Deep, Dr. Don't [No NSFW], Mr. Dr. Eggman

Green Hill:

[☆]

Love languages (Movie)

[☆]

Dating headcanons (Prime)

Fatherly prime Shadow

Lil bit of rambling (Prime)

Love languages (Movie)

About time we met (Movie)

[☆]

Making up after an argument

Love languages (Movie)

Making up after an argument

Love languages (Movie)

Harsh words, soft moments (Movie)

Boscage Maze:

Nothing here yet

[☆]

Nothing here yet

[☆]

Nothing here yet

Nothing here yet

No Place:

Nothing here yet

Nothing here yet

Nothing here yet

Finally realized

New Yoke City:

Nothing here yet

Nothing here yet

[☆]

Nothing here yet

Nothing here yet

Followed along

Found family, literally (Neo Sonic)

Chaos Council:

Nothing here yet

Dating headcanons

[☆]

Nothing here yet

[mystery-2266]

school sketches

first one is pepperkrank content [they are old and married]

[percabeth4life]

Dr. Thorn can CANONICALLY teleport or something and still thought a helicopter was a good option for the son of Poseidon?

[tangents-within-tangents]

Easter Egg Clones

Info/quotes from the trivia galleries of the episode guides on Star Wars.com and etc

Cody

"This character—complete with rocket backpack—was named after Commando Cody, an homage by Star Wars creator George Lucas to the serials of his youth." (wiki, from the dvd commentary)

(further proof we should have seen him use his jetpack!)

Goji and Rod

Self-explanatory lol, discussed in the episode featurette

(cool reference, Dave, why didn't you actually show Rod's helmet?)

Appo

"The arrow shape on [Appo's] helmet is a nod to the character Appa from Avatar: The Last Airbender, a show series supervising director Dave Filoni previously worked on"

(hilarious that they didn't mention that Dee Bradley Baker voiced both of them)

Gregor

"Clone Commando Gregor's helmet markings are based on the hash-marks that Boston Bruins goalie Gerry Cheevers stenciled on his mask to denote the stitches he would have gotten had he not been wearing protective gear."

Doom

"Clone Commander Doom's colors closely resemble that of classic Marvel Comics villain Doctor Doom"

Thorn

"With his wing-adorned helmet and a rotating blaster called the 'Hammer,' Clone Commander Thorn is a nod toward the classic Marvel Comics superhero, Thor"

Let me know if I missed any

[birdmitosis]

What are your opinions on selfcest?

(I need to answer so many asks in my inbox... I'm sorry this is late! I will be late again/some more!!)

But I really wanted to finally get around to this one because I actually have some very specific thoughts on selfcest, which is that I feel like it would be... not necessarily "more liked," because people like what they like and are into what they're into, people are squicked by what they're squicked by, etc... but seen as less scandalous if it didn't have "-cest" as part of the name.

To elaborate, I don't think it has any similarities to incest unless the specific individual characters in question outright do think of their "other selves" in a familial way. In many cases this just isn't the case, however -- the relationship doesn't map that way in canon itself, or the other selves are totally noncanonical in the first place. I can think of some exceptions (Galerians, where almost all the clones of one particular person think of one another as siblings, including the one who was raised separately and didn't know about any of that so doesn't feel a sibling bond with them but they still seem to consider him one) but in many cases, that's just not what's going on. It's clones, or a changeling, or a time loop, or a multiverse, or something else where the canon doesn't portray them as feeling any sort of familial bond -- and where sometimes the canon actually outright makes a point to show or talk about how different they are.

And to explain even further... I think my view on selfcest is influenced by the fact that for a couple of decades now, my views on selfhood have been such that... I don't think "self"cest inherently feels self enough to feel offputting to me, either. Yes, you can have situations where someone looks at a clone or alternate universe version of themself and goes "that's 100% me" in a way that never really treats the other like their own person, and in that case it wouldn't appeal to me... But even since I was a teenager, I've always considered that if one person was suddenly two people, the second person unavoidably becomes their own person from the moment of separation, the moment either of them says or does anything that starts to develop them in a different direction from the other. And a lot of the time "selfs" in selfcest are even more different than that: Think of the Spider-Verse movies, for instance, or the possible interactions between a Transformer and their alternate universe selves if you crossed some of the cartoons and comics together. Pavitr Prabhakar and Peter B. Parker just do not feel like the same person; neither do EarthSpark Arcee and Transformers Animated Arcee and IDW comics Arcee.

TL;DR though, uh, I have to assume you're asking me because of Slay the Princess. 😅 In which case that was a really long and roundabout way of saying... Honestly, I don't even think "selfcest" applies in STP. (Mostly, at least.) While the voices are all parts of the Long Quiet (and the vessels are all parts of the Shifting Mound), they are different enough people that they necessitate their own names, they have different relationships with one another, they disagree with one another to the point of dislike at times, their actions if they could act on their own would be VERY different, and especially once they have their own bodies I just don't register them as the same person anymore. And I truly think the game backs me up on this, because... the Shifting Mound and the Long Quiet also used to be the same being originally. Go back far enough and arguably any ship that isn't the Narrator/one of the other characters is selfcest! But it so doesn't feel that way to me, not even to the extent that most people mean it.

I have the occasional selfcest ship, but long story short, voices shipping and vessel shipping doesn't actually feel like selfcest to me at all* if that makes sense.

[kwebtv]

George Richard Chamberlain (March 31, 1934 - March 29, 2025)  Actor and singer, who became a teen idol in the title role of the television show Dr. Kildare (1961–1966). He subsequently appeared in several TV mini-series, such as Shōgun (1980) and The Thorn Birds (1983) and was the first to play Jason Bourne in the 1988 made-for-TV movie The Bourne Identity. Chamberlain has also performed classical stage roles and worked in musical theatre. (Wikipedia)

IMBd Listing

[bananaeatstape]

holy freak my computers gonna shut down in two mins if i don't charge it but anyways textposts pt 2

i added in some of my fav holiday movies because ITS CHRISTMASSSS :DDD

extra silly under the cut