#egs new comics

[egscomics]

How to card tournament

Step one, acquire cards. Step two, learn how to play cards. Step three, give someone at a comic shop money. Step four, lose terribly.

[danshive]

Have confidence!

No confidence.

Unless confidence.

I'm not even sure what I'm writing down here, but it sure is something.

[selambenaptalkumrall]

[end-orfino]

people should show their first drawings/animatics/writings more often. I won't do it but you guys definitely should

[graff-aganda]

My setup from C4 last weekend! The event was a blast and the table was surprisingly swamped most of the day! I only just managed to sneak away to grab a late lunch 😳 An incredibly big thank you to everyone that stopped by to say hi or buy something! 🥰✨

[arolesbianism]

Sorry for failing to post more than once every 3 am anyways more stalien icons 👍

[wanderingandfound]

How many Steve/Bucky fics do you think have been titled with some variation of "Leave all your love and your longing behind. You can't carry it with you if you want to survive."?

[fuckyeahgoodomens]

The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

[kissesbyliz]

meeting the 141 boys for the first time

these are cute individual scenarios that show how i think the reader would meet the boys!!

gn!reader

(feat. simon "ghost" riley, john price, kyle "gaz" garrick, johnny "soap" mactavish)

GHOST

the first time you lay eyes on him would be in your new apartment complex. you would have been left to move your furniture all by yourself after your brothers, ever the immature dorks they were, ditched you to participate in some influencer's video who had been looking for volunteers in your area. "this is a once in a lifetime opportunity that will never happen again." they had told you grimly, before driving off and leaving you stranded with all your new furniture in front of the tall building.

it was early in the morning, the lights in the hallway shining in his eyes just a bit too harshly as simon exited his apartment. he was preparing to leave to pick up some groceries, having just ran out of his toothpaste. he grumbled, feeling a bad mood start to settle in him from the various inconveniences that had already managed to arise in his day.

that's when he saw you. his new next door neighbor, who was apparently in the process of transporting a large shelf towards their open door all by themselves. the size of the furniture compared to you was almost comical, and your effort in moving the heavy object showed in every laborious step. it was a ridiculous sight to see, and he couldn't help the snort that he let out. upon hearing the noise, you turn your head to look at him.

"hey, there." you call out to him with a weary smile. "mind giving a neighbor a hand?"

he has some time to spare, he decides, moving to easily pick up the end of the shelf that was dragging miserably on the floor. you peek your head out the side of the shelf to shoot him a toothy grin, quickly thanking him for his aid.

PRICE

you would first see john at a bar, where you were celebrating one of your friends' birthdays. the topic had shifted over to you, after you had reported that the blind date they set you up on the previous night had again went abhorrently. they defended themselves playfully, giggling about "how they were not going to let to you die alone, no matter what it takes."

you mournfully swirled the drink in your glass, shooting them all a lighthearted glare at their remark. you sighed, laying your chin on your hand as you took a moment to gaze around the bar. it was packed, as usual, full of laughter and music.

as your eyes skimmed over the room, they finally landed on a man who was sat at the bar, already peering at you. he was sporting a fleece lined coat with a beanie, beard trimmed neatly and in a way that complimented his features. he was undeniably attractive, exemplified by the way he shot you a charming smile and tilted his glass towards you in acknowledgement.

you gulped, suddenly feeling shy, and turned back towards your group. your friends, having witnessed the whole ordeal, shot you knowing looks, immediately egging you on to go talk to him! with laughter and playful pushes at your shoulder.

after an embarrassing moment of encouragement from your friends, you stood up, liquid courage burning in your veins. you moved over to his position, weaving through the people in your path. he smiled warmly to welcome you as you slid into the empty seat in front of him.

"hey." you started, giving him a sheepish grin.

GAZ

you met gaz on the street of a shopping plaza, an impressive amount of shopping bags grasped in your hands. they were all gifts for your younger cousins and other distant relatives, after your parents had reminded you sternly that you needed to get them each something for the holidays.

kyle was having himself a smoke, trying to get his mind off of his previous week. he was trying to stop for good, but this was the kind of day that just required a cigarette. the consequences of him and his task forces' actions, the gravity of them, was weighing especially heavily on his shoulders today.

all of a sudden, he heard a yelp, then the thud of multiple objects hitting on the floor. he glanced over to see you holding a now ripped open paper bag among your other shopping bags, with a multitude of small toys and figurines at your feet.

you were near tears in that moment, already fed up from the pressure of your parents now added with the embarrassment that came from the combination of laughter and pitiful glances passerbys shot your way. you crouched down and began picking the figurines up, reminding yourself gingerly in your head to take deep breaths.

pity instinctively squeezed his chest at the sight, your pretty eyes peering down at the toys dejectedly. kyle moved immediately, tossing his cigarette and squatting down, picking up the objects beside you. he gave you a sweet and reassuring smile, "bad day too, huh?"

"any chance i could buy you a drink to wipe that frown off your face?" he continued, standing back up with you. you can't help the genuine smile that stretches across your face at his proposal, your first smile of the day, shyly nodding with a small sniffle.

SOAP

you first came into contact with johnny at a fair in your town. the two friends you had came with left to ride one of the fair's intense rides, but you decided to stay behind to give your stomach a break from all the rides you all went on previously. tired of waiting on a bench for your companions, you decided to get up and browse the games the fair had to offer.

eventually, you come across a balloon popping game, which had the participants competing against each other to pop as many balloons as they could with mock rifles. you smile confidently as you walked over, recalling winning this game plenty of times in the past.

alright, a little competition can't hurt, you decide, making a show of cracking your knuckles and rolling your shoulders. the man beside you lets out a hearty laugh at your display, and you turn to face your opponent.

he was a tall man with a muscular build, a messily styled mohawk, and blue eyes that shined with a mischievous glint. he winked at you, meeting your gaze, "good luck. let's have some fun, yeah?"

"yeah, you'll need it." you retorted back playfully.

the game started, and you immediately took to shooting with your gun. to your surprise, most of the balloons on his side were promptly eliminated in quick succession and with pinpoint accuracy. you nervously shifted your attention back to your side of the game, where you managed to pop a mere six balloons, which was actually pretty damn good in your opinion.

your eye twitched slightly as you glanced back over to him, your ego bruised a bit. he shoots you a smug grin as he chose his prize; a giant stuffed german shepherd. he saunters over to you, gently booping your nose with the snout of the toy, before walking away. what the hell...

[loveronlineee]

The Freak and the Freakette (Eddie Munson x Reader)

Masterlist 

Eddie Munson x Reader (She/Her)

Warnings: Swearing, a little violence?

Synopsis: As Y/N explores her new found love for metal, her friendship with Eddie grows. But after an altercation with Jason, the two are branded with a label that’ll band them together forever

Y/N notes: none

Heyo Willow here! This is a mix of three requests I got from @noa-keselman , @reasontobebeautiful​ and an anon. I took elements from all and put ‘em together so I hope that’s okay guys!

Wanna be on the Eddie Munson tag list? Look here!

Wanna request something? Look here!

Y/N walked into the lunch hall like she did every day and grabbed a tray. Joining the line of other students, she looked around. Everyone was at their usual tables. Jocks, band kids, party people…

Y/N didn’t really fit into a click. She got along with almost everyone on a certain level, but not enough to be labeled as one of them. Although more recently, people who used to be friendly to her were starting to avoid her.

Y/N knew why. Every week she seemed to look more and more like the resident freak, Eddie Munson. She had a couple classes with him and they had gotten to know each other a little. Y/N had never met a metal head before, and she didn’t realise until Eddie that she was quite a fan of the look.

It started small, buying a pair of ripped blue jeans. Adding a chain and some jewellery. Then it was the leather jacket. The amount of black items in her wardrobe continued to increase.

She’ll never forget the look on the cheerleader’s face when she asked Y/N what she was listening to on her Walkman and she replied with Black Sabbath.

Not that Y/N really cared. She was just happy to be finding things she liked.

She got got her lunch and began walking towards the tables. Y/N knew the usual empty spots well. The people with smaller friend groups never mind if she sat at their table with them. Heading towards an empty spot, she suddenly felt a presence on her right. She didn’t even need to look up to know who it was.

“Hello Eddie.”

“Hey Y/N I couldn’t help but notice…” The metal head began, moving his arms around. “…this week’s change in your appearance.”

“Yes?” Y/N said, already knowing where this was going. She sat down at the end of a table, Eddie sitting down opposite her.

He leant on his elbows, his two pointer fingers over his lips. He leaned his arms forward, looking at the top of her head.

“Your hair…” He looked back down at Y/N. “It’s looking strangely familiar.” A grin creeped onto his face. Y/N could help the small smile appearing on her own.

“Is it now?” Y/N replied, seeing how long he would stretch this out for.

Y/N had a lot of time for Eddie. He was funny and weird and always completely himself. Like her, he didn’t seem to care about the social hierarchy at school. And he was elated that Y/N seemed to be becoming a metal head like him.

“Yeah it’s like, looking in a funhouse mirror.” Eddie tilted his head comically. Y/N copied him, making him chuckle.

“Oi freak!” Jason stormed over. “Stick to your own goddamn table.” He spat. Y/N furrowed her eyebrows and watched the boys interact. She avoided these arguments when she could but today, for whatever reason, Jason was pissing her off more than usual.

“Jason. He’s just sitting here.” Y/N calmly replied.

“Y/N can’t you see he’s freaking out the other students!” Y/N looked around. A couple of student were giving side glances but she couldn’t tell if they were to Eddie, or Jason’s outburst.

“He’s not doing anything, why are you making up problems?” Y/N asked, slightly annoyed.

“Yeah.” Eddie added. “So why don’t you go back to your own table with the meatheads?” He said in a low tone, leaning closer to Jason.

“Oh you’re gonna get it now.” Jason took a step back, hyping himself up. Eddie stood up. The surrounding students were catching on and began to watch. “I’ve been waiting a long time for this one FREAK!”

“Well come on then!” Eddie egged on.

“You think you don’t deserve this?” Jason said, a scarily calm anger about him. “You don’t think I see you doing your weird cult shit every day? I mean look at Y/N. You’ve poisoned her mind. Now we’ve got a freak and a freakette!” Y/N continued to eat her lunch, watching inquisitively. She seemed unaffected by Jason’s comment.

“Don’t talk about Y/N.” Eddie’s joking demeanour shifted into a much more serious one.

“What? You gonna do something about it?” Jason poked.

Y/N finished her lunch, calmly standing up as the boys continued to argue. She picked up her tray and turned it 90 degrees, letting the trash fall to the floor. Before either of the boys could make the first swing, Y/N hit Jason across the face at full force with the piece of plastic.

The boy went flying and room went silent.

“Holy. Shit.” Eddie said to himself.

“L/N! MUNSON!” A teacher screamed across the lunch hall. “PRINCIPALS OFFICE. NOW.” They pointed.

Y/N dropped the tray on the floor and began walking, Eddie following behind her. Everyone watched as they left, Jason’s friends helping him back up. All speechless.

The hallway was empty. The pair could hear their shoes tap and squeak on the floor. As they got further away, Y/N began laughing. Eddie was relieved she was in a good mood but still in shock himself.

“Y/N L/N, where the hell did that come from?” He asked, joining in with her laughter.

“That was SO worth it oh my god-“ Y/N jogged in front of Eddie and began walking backwards. “Did you see his face??”

“Uh did you see EVERYONE’S face???” Eddie 1-upped, leaning forward.

“I mean if I didn’t do it, you would have.”

“Uh no I would not. You think I’m that strong? Jesus H Christ L/N.” He shook his head. Y/N laughed again. She walked back to be beside him.

“So… the freak and the freakette of Hawkins High huh? I kinda like it.” Y/N smiled. Eddie chuckled, putting a hand on Y/N’s shoulder and pulling her a little closer.

“The freak and the freakette.” He repeated.

He kinda liked it too.

Tag list: @Mikinyi @justaproudslytherpuff @angelicjinwoo @k12baby @spiderman-berries @ruhro7 @justanotherhappyidiot @dontcallmesavvy @kenzi-woycehoski @gh0stm3g @lagataprrr @spencersbookbag @ygrworld @ambernicole90 @alwaysbeenfamous @angelsarecallin @voteforevilthoughts @iameddiemunsonshair @hellf1reclub @phobles-world @isshecleverorisshecrazy @olrjmarvete @b-bella9 @ultraoliviajeromethings-blog  @beatlebeesstuff @korescomaactually @bilesxbilinskixlahey @darkened-writer @nightless @gnkkstarz @cullenswife @killergoddessmm @preciousbabypeter @uselessbutinteresting @frogtits1 @lotus-es @padfootpottah99 @siriuslysmoking @enoumen-t @marrigold-2002 @nightless @the-mysterious-miss-s @olrjmarvete @evie-119 @rand0m—fangirl @felicityofbakerstreet @lotus-es @v0idl1nq @stv-1-ncent @eiviea @iheartcb @grumpyy-bearr @purple-flamingo @eddiessoulmate @violetrainbow412-blog @mcueveryday @marauders3rawh0re @ravenhood2792 @dragonalpha54 @slytherinintj13 @pastel-abyss-x @missscarlettangel @charli123456789 @henhouse-horrors @erikaar @golden-hoax @fairynamjoonie @caramelkatsukis-bitch @sun-faced @somerandomasgardian @helensophie @avobabe87 @s-u-t @superheavymetalunicorn @low-keyyyyy @carliuxima @avarose06 @ticharluv @ijustfndamilldllrsthatsmnefgt @gia-maybank @takemetoneverland420 @notbeforelong @lovepity @falling4uke @emiijemii @chocolatestudentllamabanana @milkiane @montgomery-fucking-gator @girl-in-the-chairs-void @ourheartsofsteel @simp4fictional @sakurarou @nyctophiliiiiaaa 

[egscomics]

Definite huge fashion success no further questions

Honestly, it's cause for celebration that I don't just put everyone in eighties workout clothes. Or maybe not doing that is a cause for despair? Results may vary.

[danshive]

Talking about FEELINGS! WOO!

Look, I don't want to oversell it, but people openly talking about their feelings is more exciting than ten superb owls!

[jacarandaaaas]

GUYS WE GOT AN UPDATED SYNOPSIS FOR THE OFFICIAL ENCANTO COMIC COMING OUT

let me dissect this!!! Ok so it seems it’s not just one storyline like the previous one about the bully? it does say vol 1 making me think it’s multiple short stories slice of life style (COUGH this would make a perfect animated series) secret visions? I cant tell if that’s a reference to the movie or if there’s more secret visions? MAKING NEW FRIENDS AHHH!! this one got me excited I can think of so many characters it applies to like mirabel, camilo, Antonio, luisa, dolores. in my heart I want it to be about isa because hc she doesn’t have any real friends because like Mariano everything was to keep up madrigal image! I want Isa to have friends🙏 talent shows!! is this gonna be rat shows or family shows? imagine the whole family having a talent show stop!!! Felix would win btw! “Tall tales” I’m assuming that could be the bully thing since that refers to lies eg someone lying about a madrigal for personal gain or smth. let me know your thoughts !!!

[selambenaptalkumrall]

[tavyliasin]

Baldur's Date Open Creative Challenge!

Artists, Writers, Creators of All Kinds!

You are cordially invited to join a creative challenge!

You must be 18 years old or over to join, but there will be 2 categories, one for SFW works and one for NSFW works!

Accepted Submission Types

Please note all works must be your own and not made using any AI, including AI RP bots for writing.

Art

Comics

Valentine's Card

Fiction

Drabble collection (series of short fic, 1-5 paragraphs each)

Poetry

Song lyrics

Full songs/music

Podfic (With agreement from the fic writer)

Cosplay (No Nudes/NSFW/Explicit please)

Other Crafts (Puppets, embroidery, paper figure cut outs - whatever you like!)

For the Rules and More Details, please see below! Credit to Morb for the new event banner!

Welcome to the Baldur's Date Challenge!

Please be aware this event will include spoilers to characters, storylines, and endings, as well as NSFW content. Proceed with care!

The idea is to create something themed around a Date or Valentine Event. It doesn't even have to be romantic or positive, there are lots of ways to take this from Valentine's Cards from characters to slow burn romance to fully brutal heartbreak and violence. The choices are yours!

The Rules

By participating, even in the SFW version, you agree and confirm you are 18 years old or over.

All creators retain full rights to their works, subject only to the conditions of the platforms they share them on (ie, AO3)

Submissions must contain at least one named character from Baldur's Gate 3

Submissions must also be based around a date, valentine-type event, or similar

AUs, non-canon, alternate versions of characters are all WELCOME

You may choose your own prompt, or use the quiz to help you decide!

Poly Romance Welcome

Characters only, no actors or real people, other than using "Reader Insert" with 2nd person writing styles.

All works must be tagged appropriately for any CWs (please ask TavyliaSin for a list if required)

All characters must be 18 or over in the game as well as in the work you create

No characters in romantic relationships are to be related to each other.

Trans and gender-swapped characters are welcomed, unless it is only for the explicit purpose of making a canon homosexual couple into a heterosexual couple (eg, making Aylin a man so that the relationship with Isobel is straight) 

Deadline is 10th Feb to allow for time to check entries

Collections will go live just before midnight on 13th Feb so they are ready to be viewed on Valentine's Day

If you would like to help with the event running, please contact TavyliaSin on Twitter, Discord, or anywhere else you can hunt her down~

Dead Dove and controversial topics, kinks, and characters are allowed but must be properly tagged to give people a choice of what they engage with. This also means there is to be no shaming - Tavylia would like to support all creative works even ones she isn't personally fond of or would avoid.

How Do I Join?

You can either send your submissions directly to the AO3 Collections, or if you don't have AO3 you can wait until 14th Feb and reblog/retweet the posts I'll make for the collections on the day to add your contributions. It's open to EVERYONE who is 18+! Join in, give it a try! Submissions on AO3 close on 10th Feb 2024 (just before midnight GMT/UTC 0) so please try to get things in on time to be on AO3 so we have a few days to accept and check submissions. The collections will go live on 14th February for Valentine's just around midnight UTC0/GMT

Select "Post to Collection" to add your work! All works will be hidden until the collection releases on 14th.

Are there any Prompts?

Yes! Aside from the general theme there are prompts for art and writing (and anything else) on the following google form. You can roll dice to decide for you as each question has numbered answers and instructions on the dice to use! But you don't have to stick to the result you get - choose what you like. You don't even have to roll dice at all if you don't want to, just take a look at the selection for some ideas and choose what's interesting in it.

You can enter as many pieces as you like, so please use this to have fun and enjoy yourselves~

If you have any questions please drop them in comments, or contact me anywhere you can find me~

[celaenaeiln]

opinion on songs from Moana being used for dick? (Eg. How far I’ll go, Where you are and I am Moana)

Let's do this!

How Far I'll Go

How Far I'll Go is my guilty pleasure!

Listen, I'm so happy that Dick adores the stuffings out of family and friends and loves them with all his heart but please, I just need one self-indulgent piece of writing where he just abandons everything, takes a break, and goes on a long self-discovery journey via a roadtrip or something. Sometimes I feel like he's too busy being a part of everyone else's self-discovery journey that he doesn't get to enjoy what he wants to do. How Far I'll Go is a cumulation of Dick being the leader and taking on the leadership role while sacrificing his own needs. The lyrics express a longing for exploration and pushing boundaries, which also aligns with Dick's journey from Robin to Nightwing.

Furthermore, Dick Grayson's robin is characterized by a sense of adventure and exploration-

Detective Comics (2016) Issue #1000

literally.

And this need for adventure is what Moana and this song is all about. It's a craving, a desperate urge to go beyond the known and explore. Dick's known for his willingness to explore new territories, both physically and emotionally, often venturing into the unknown to protect his city and his loved ones.

The song is also about his desire for independence because like Moana, Dick Grayson grapples with his desire for independence while also feeling a sense of duty to his family and community.

It's actually a cycle. In the song it goes-

Every turn I take, every trail I track Every path I make, every road leads back

-and this is just a reflection of Dick's internal conflict between his personal aspirations of happiness and living his life vs his responsibilities as a hero and his duties as a leader of his community and the pillar of his family.

Where You Are

Where You Are is literally what I think Bruce wishes he could do to Dick lol. Except he's acting as the village and the father, not the grandma.

Don't walk away Moana, stay on the ground now Our people will need a chief, and there you are

These lyrics in particular -

🤌

*takes a deep breath in*

Now why does this sound familiar? :/

oh right, Bruce tells Dick that he needs a Batman whenever he's gone and he also tells Dick that his place as Robin is by Batman's side. This is also practically word-for-word what Cass says to Dick about his responsibilities of Batman.

Mainly this song is about sacrificing personal ambitions and desires to fulfill your duties.

That's right, we stay We're safe, and we're well provided And when we look to the future, there you are You'll be okay In time you'll learn just as I did You must find happiness right where you are

I don't think this song really needs any more explanation about how it's related to Dick because Dick's life practically embodies this song. It's sacrifice upon sacrifice he's done in order do his duties as Dick Grayson and Nightwing. This is his Eldest Daughter Syndrome song.

(Also just realized that without the background music this song is creepy af. Imagine the batfam singing the lines to him in a dark room where he hallucinates them. It's like a gothic horror story.)

I am Moana

Ooof. "I am Moana" is Dick Grayson's contant identity crisis song. In like every comic he's like "I was robin, I was nightwing, I was amnesic, I was Agent 37, I was Batman. But now I know that I am Dick Grayson."

Look at the lyrics-

I know a girl from an island She stands apart from the crowd She loves the sea and her people She makes her whole family proud Sometimes the world seems against you The journey may leave a scar But scars can heal and reveal just Where you are

The people you love will change you The things you have learned will guide you And nothing on earth can silence The quiet voice still inside you And when that voice starts to whisper "Moana, you've come so far" Moana listen, do you know who you are?

Who am I? I am a girl who loves my island And the girl who loves the sea, it calls me I am the daughter of the village chief We are descended from voyagers Who found their way across the world They call me

I've delivered us to where we are I have journeyed farther I am everything I've learned and more Still it calls me

And the call isn't out there at all It's inside me It's like the tide Always falling and rising I will carry you here in my heart You'll remind me That come what may I know the way

I am Moana!

Just replace girl with boy, add correct context, change Moana to Dick Grayson and boom! There you have him. "I am Moana" is Dick's Agent 37 arc.

Grayson Issue #1

"Dick, you've come so far" Dick listen, do you know who you are?

Grayson Issue #20