#esp the first two verses

[fistfuloflightning]

In youth, you'd lay awake at night and scheme Of all the things that you would change But it was just a dream

[ofgentleresolve-a]

@jeoseungsaja​ sent in: BUT ALSO "You can tell me." (Hyurick iN THE BLACK KNIGHT VERSE 👀) || emotional vulnerability all of my muses’ worst nightmare great 🙃 ( ft. you can tell me meme )

A bitter laugh. His arm stings, a bullet having grazed it, ripping through the fabric above. It’s like a wall, wound after wound piling on top of one another. But it’s all good, the human body is meant to be regenerative- as long as he can walk and fight, he can take as many as NECESSARY.

Although perhaps the Black Knight would have preferred for the bullets to graze well, maybe lower.

Anywhere that doesn’t intersect with the burn scars. But then again, he supposes that would quite the demand- asking the bullets to avoid his arms, his shoulders, and his neck. The easiest places for someone to strike.

( The oil they poured on him trickled down like water and when the roads were paved, the FLAMES followed that path. )

It doesn’t take an expert to know they’re scars from long ago, but Hyuk would know from first glance they’re burn scars. He’s seen his fair share of burns throughout his time at Gangnam Station. That, and that young woman taking up his apartment, the one who occasionally feeds the pigeons with Myungdae, Suki, he’s probably seen her scars up close for long enough to recognize severe ones when he sees them.

“And why would you want to know? I’m not your friend. You’ve already made it very clear you couldn’t care less about what happens to me.” Well it’s the TRUTH, isn’t it? The Black Knight keeps breaking into his office, threatens to stab him on a frequent enough basis, and spits on the memory of himself Hyuk’s dear dead friend. Understandably, Hyuk would be hostile. Bitter.  The only reason Hyuk doesn’t fight him on it is that the Black Knight is his only means of getting closer to the truth. Or so the detective thinks.

( Perhaps it’s getting to be that time. Breaking the partnership, for Hyuk’s SAFETY. Patrick will be alone again, but at least Hyuk will be safe. )

And yet the Black Knight averts his gaze, chastised. The hat shifts to one side- he readjusts it, finger rubbing over the brim. He shouldn’t have said that. That’s not like him, this bitterness welling up and bleeding through like an open wound.

But then again, it not like Hyuk either, showing open concern. Let alone insisting the Black Knight’s arm needs treatment.

Ironically though, it’s probably the most open Patrick has been with his dear friend in years. So Patrick can’t lie to Hyuk, even with the mask and the tall collar covering his face. That doesn’t mean he can’t withhold information or EMOTIONS for that matter.

That doesn’t count as lying. Not really.

( Pawn would point out that sounds more like an excuse. )

“You think you’re the only one with a vendetta?” He turns away sharply, ripping his arm out of Hyuk’s grasp. It burns now, unable to differentiate between current pain and GHOST of older ones. “You do realize you’re your friend wasn’t the only one ANACHRON made an example out of.”

[goinxtodomystuff]

Okay, but if Ozzy had somehow managed to get himself into UA, he most definitely would have started a gambling ring in one of the student bathrooms and in one of the training grounds.

[0oolookitsme]

Feel Special Now?

Type - One-Shoty Blurb

Verse - Devil!Harry x (Vampire) Assassin!Y/n

Word Count - 1.5k

Warnings - Mentions of blood and knives.

A/n - The last Kinktober fic you guys! This one is giving less kinky and more halloween-y, but believe me they are being so horny lmao. Hope you enjoy <3

Kinks - Knife Play, Biting (as in drinking blood), Marking

KINKTOBER MASTERLIST | MASTERLIST

The sun hadn't risen yet, but Y/n was up. Well, she was up all night, every night. But sometimes, she would just close her eyes and lay on Harry's side to pretend she was sleeping while he snored and sometimes mumbled things in his sleep.

But she hadn't laid beside Harry for as long as the darkness swallowed the sun that night. Instead, she got up the moment Harry's hand slipped from her waist and decided to clean and sharpen up her knives.

It was a bad habit she had, assassinating people and leaving her knives uncleaned. Harry often called her out for that, teasing that she wasn't someone whose hands were clean after all. Even when both of them knew that Harry's hands too, often seemed to be stained by blood.

Once she returned from washing all of her daggers, swords, and knives, she went straight to the room away from the one she shared with Harry in order to not wake him with the sound of her sharpening the blades.

Focusing on any change in Harry's heartbeat, Y/n sat down cross legged upon finding it beating in the same peaceful rhythm it does when he sleeps. She kept busy like that until an idea struck her mind out of the blue, causing her to leave her sharp objects out in the open out of excitement.

It was obvious that no one was going to dare and mess with them, but there were always exceptions.

Once she was inside the bedroom again, it struck her that she should check the time first – a smile creeping up on her mouth on noticing it was just about time for Harry to wake up.

So she crept closer and closer to his laying body, sitting beside his hips before lying down herself. She brought her hand that held the knife she'd just killed with two nights ago – and cleaned it just now – up in front of her.

She placed the cunning tip of the knife on Harry's temple, hovering it along the lows and highs of his cheek bone and cupid's bow. When she pressed the cool metal of the blade flat against his neck, Harry jerked awake – pining her on the mattress beside him in an instant.

He sighed a deep breath upon seeing her delighted face, kissing just above her upper lip in relief. "Could've killed y' right here," he spoke, removing his hold from her neck and laying flat on his back again.

Y/n laughed then, turning to face him with the knife still in her hand. "But you didn't," she grinned, tracing his jawline with the pointy-tip.

"Y' don't get to mess with the devil, pretty," Harry chuckled, letting her do her thing for a little longer.

Removing her knife, she herself got closer to whisper in his ear, "then who does?"

Harry opened his eyes to take her in for a second before he had her under him again. "No one," he also whispered in her ear, a smirk forming on his face when he felt her cheeks warm up under the graze of his lips.

"I should get that pass though, don't you think?" She said softly. "How else will I know I'm special?" Flaunting a faux pout on her lips, she pulled his leg.

Harry pressed a chaste kiss on her lips then, kissing her for a little longer than a peck. Then, he moved onto pressing his lips on the cold skin of her face – her temples, her forehead, her cheeks, nose, chin and finally a peck on her lips that had been stretched in a wide smile again.

"Well, i don't go around kissing every inch of just anyone's skin, do I now? Hm?" Harry asked her, lowering to nip the skin at the lock of her jaw.

"Don't hold anyone else close myself to keep them warm, don't let someone else draw my blood – does that not make it known that you are special to me, love?" Harry asked again, revelling at her silence and heavy breathing.

"Especially don't let anyone this close to me," he murmured, licking at the skin he had just bit.

Y/n laid there at a loss of words due to the close proximity between them, her breathing uneven as Harry continued marking her skin. Her back arched off of the bed when he undid the ties of her dress at the waist, letting the flimsy material slip down her skin and reveal her breasts to him.

"Don't touch anyone like this," Harry breathed, leaving open mouthed kisses across her chest before he took her hardened nipple in his mouth and sucked on it. He held her other breast, flicking its bud and twisting it gently.

"Never let anyone get away without burning into ashes by my touch," he whispered, shifting his attention on her other breast, snaking his arm around her waist.

She laid there, not listening to what he was saying, only focusing on his hot touch over her cold skin. She revelled at the feel of his lips kissing and biting her, leaving a mark on her skin everywhere his mouth went. Her hands slipped into his unruly hair, clutching the curls lightly.

A moan escaped her throat, making Harry chuckle. He shifted so he was face-to-face with her again, and tucked a fallen strand of her hair behind her ear. He softly asked her to open her eyes, brushing her cheekbone with his thumb.

Y/n's dazed gaze met with his, and saw a sight she swore wasn't real. He hovered above her – his skin glowing, pillowy lips plump and maroon, eyes so green and inviting that she almost jumped in.

"Feed," Harry told her as he tilted his head in a manner that gave her free access to his neck. He lowered his body on hers, moving closer to her mouth so that she couldn't resist herself.

Y/n had mastered the art of resisting blood, but it all came crashing down on her when it was Harry who was offering – especially after hightening her senses. It was a way in which he teased her, mocked her of her weakness that dawned on her when she even breathed the same sir as him.

She breathed in deeply, his skin almost brushing against nose as she resisted giving in. Her jaw hurt from how hard she was clenching her teeth, her nostrils flared and eyes shut. The scent of his blood was making her brain spiral – she was losing control over her own thoughts. Her hand pressed against the back of Harry's head, fisting his hair.

Opening her mouth, she inhaled deeply and almost lost her senses when the huge whiff of his scent entered her nose and hit her square in the chest, knocking her breath back out. Her jaw clicked as she bared her teeth out, tracing the soft skin of his neck until she found the vein that connected to one of the arteries leading straight out of his heart.

Veins grew prominent under the soft skin around her eyes, hints of redness leaking in the white of her eyes. She sunk her teeth slowly into his soft flesh, cutting through the layers of his skin until she grazed the artery.

Harry kept on brushing his thumb over the cold skin of her neck, breathing deeply as he felt the pleasurable sting of pain at the feeling of her sharp canines piercing his skin somberly. They were going to leave a mark, surely.

Once she finally grazed harshly enough, blood gushed into her mouth. The warmth of it quickly had her intoxicated as she sucked harder and harder. Her nose smushed against his skin as she tried tearing further, getting drunk on him – on his scent, his blood, the scent of his blood.

It all clogged her senses. Her nails dug into his shoulders as she tried to stop herself – yet, she was drawing up his blood so briskly that it had started trickling out of the corners of her mouth.

Feeling like she was going to drown in his blood, she hastened to pull out her teeth and detach her mouth from his skin. She heaved, out of breath and feeling as if she was smelling too much of him, drinking too much of him. He fogged her brain for a minute, before she blinked her eyes open again – her sight slowly focusing in on him.

Harry wasn't moving from atop of her, and anxiety immediately crawled up her back at the thought of having drunk too much of his blood.

She moved her hand to touch him, and sighed when she felt his skin was still warm. "H-harry?" She stuttered, moving her shoulder to stir him.

He started laughing then, his body shaking as his cackle only grew louder and more open-mouthed. He raised his head to look at her and pressed his open mouth against her cheek. "Sweet, sweet, Y/n," he breathed, a grin on his mouth.

"Did I frighten you, hm?" He cooed at her, grazing his teeth against her skin.

Sighing in great relief, Y/n hugged him closer to her. "You'll be the death of me."

"But I am, death; darling. And I am, verily yours," Harry smiled, pressing his lips against her cold lips. "Feel special now?"

[ruthflemwad]

parts of the npmd soundtrack that scratch my brain perfectly (act one)

this soundtrack is so good. this is a long post so its all under the cut Part two coming soon. also i alternate between chara names and actor names idk why i do that. i hope this is even slightly comprehensible

HIGH SCHOOL IS KILLING ME

the little grace note in the piano bit in the last line of the piano melody before richie starts singing in (i hope this makes Sense)

jon's voice for real . just through this whole show

"a thread" and "i'm scared" happening at the same time

the violins(??) coming in when ruth starts singing

richie and ruth's harmonies during "the weight has got me sweating" bit

the "and i can survive it for only so long" harmonies

steph's "shit"

the way steph says "couldn't fuckin' study"

FOR THE CLASS OF TWENTY TWENTY WURN

agh Agh AGH!

the whispered "i'm so fuckin' dead"s underneath steph and pete's dialogue

steph and pete's repeated "my melody"s

the howling

the second delayed vocal line underneath the last bit of the last chorus

LITERAL MONSTER

the "HUH" at the start

the guitar riff motif

the little guitar squeal right before pete starts singing

the way pete says locker

richie's little riff on "seduce her"

the chorus harmonies

everyone knows how he BANGS!

the "and we pray and we pray harmonies"

you better you better!

kims voice in the he roars part <3

the harmonies in this song in general

will branners voice in this song SO GOOD

the "HUH HUH"s behind max's i roar bit

max's "don't need no one to tell me" verse UGH so good

NO ONE'S GONNA STOP ME!

max's harmonies on kind, size and rise

I WILL CLAIM WHAT IS MINE!

COOL AS I THINK I AM

the piano motif Can you tell i love motifs

i bet this song'll suck!

oo woah oo woah oh Oh

when the violins come in especially their little BA DA DUMS after "princess leia told me"

what if i were King of the hill!

the drums kicking in after the one oowoahoowoahoh oh

ensemble coming in

the little growl on the second "i'm as cool as she thinks i am"

THEN AGAIN I'M DERANGED

she's the brawn i'm the brains!

the electric guitar kicking in

IF I CAN FINALLY BE COOL I WILL KNOW THAT I'M NOT A LOSER

I'M THE RULER!!!!!!

DIRTY GIRL

the synth and drums

the way max says behave and be-betray me

baaaabe I'mma love ya all night lOOOooooong

THE LIKE MORE SYNTH KICKING IN HALFWAY THROUGH THE FIRST CHORUS UGH SO GOOD

the way grace says classroom

you want me cant be skipping skewl!

grace's "be-behayveee" UGH <3

THE GROWL ON "on your knees pray along"

the chorus harmonies <3

I DONT CARE ABOUT YOU!

the bridge harmonies

AA AAAGH!!

i'm a i'm a i'm a good girl!

WHO ON OCCASION GETS DIRTY!!!!

I WONT CAAARE ABOUT YOU!

BULLY THE BULLY

the snaps coming in

we'll make him shit his pants!

the riff on that line ^^

the jager-man??????

what's our budget?

the growl on "he's just a nerd in disguise"

stephie gonna lure him in with her charm

yeah?

JAGER GONNA JAGER OUT!

chorus harmonies!

standing for the nerdy the prudy!

WE'RE GONNA CUT OFF HIS NIPS!

AAAAHAaaAaaahh

the guitar bits in the back

we're gonna keep the beans cool! that whole sequence

BEAN SCHOOL? EXCELLENT!

THESE CHORUS HARMONIES ESP STEPHS

pete's and our problem's solved

richie's and the school can evolve

AND THE SCHOOL CAAAAN EVOLVE!!!

ugh jon and joey sound so good on the "we're gonna get the jock pleading"

the last guitar note

BURY THE BULLY

oh god she's snapping again...

this is a lot!!!

the whole hack all his limbs off bit

YOU WANT ME TO FILM THIS?

tape him up after dousing with bleach!

the chorus harmonies. every bit of these choruses i cant even isolate its everything

steph's little "bury bully line up stories NEVER HAUNT ME!"

i just cut off his nips

GRACE TELLING RUTH TO GIVE HER MAX'S NIPS

GO GO NIGHTHAWKS

the way ruth says shiny

IT'S LIKE THE START OF A NEW YEAR!

jon's higher range <3

jon's harmony on "and now i don't eat all by myself"

the trumpets behind the chorus

all the squawks

the HUH after who knew footballs a team game

corey's voice sounds so good on the "or hit u with a saturated towel"

the no more bully ball harmonies

the HUH! after no more bully ball

We're all givin the butt slaps YEAH HEAH!

the way jason sings cause we care <3

AND NOW I CAN PEE ALL BY MYSELF!!!!

the overlapping vocals coming together for "in hatchetfield high school"

N! I! G! H! T! AWK AWK! KSSSS!

NIGHT! HAWKS! NIGHT! HAWKS! NIGHT! HAWKS! FLY!

FUCK YOU CLIVESDALE GO GET FUCKED YOURE FUCKIN LOSERS AND WE'LL KILL YOU (KILL YOUR ASS)

fuuuuck you cliiivesdale gooo get fuuucked

the watch us fly harmonies

NIGHT! HAWKS! FLY! AWK AWK!

NERDY PRUDES MUST DIE (my fave song in the soundtrack be warned)

the "watch these nerds run for their lives" guitar riff before max sings

will branners voice augh

the little synthy ba duh duh duhs in the back

the BAMS! after every line in verses

the way max says "hallway safe" and "break you"

ugh the guitar kicking in and the double BUM BUM for the second verse

YA BITCH!

WOAH UH OAHHH

SHOULDA JOINED THE SMOKE CLUB YA NERDY PRUDE

the whole chorus

the watch those nerds run for their lives melody Ugh loved it in axe man loved it here

YOU PUSHED ME OFF THE EEEDGE

the way he says crusade

and youre too weak to be enSLAAAAVED

the drums AUAUDUAAUAU

CLEANSING OF YOUR KIND!!!!

the way he says anti socialites

the entire repeat after me bit. its actually incredible i cant just isolate one part of it its so good

the ensemble kicking in

IIIIM NOT A LOOOSERRRR

But you have lost. Everything.

THE HATCHET TOWN MOTIF

UGH I LOVE THIS SONG. THE NMT MOTIF

[prince-liest]

Your last 666 series installment is the best thing that happened to me. Its full of gore, somehow fluffy and wait-.. do I finally see some FRICKING COMUNICATION between the two idiots!?!?!

Ngl, Vox's 'Alastor not being able to love' statement hurt my soul. Your writing is brilliant and and let's just see what ending ya wro-..O MA LORD IS THAT VAL'S LOVE POTION!?!?!?!?

Now I need to know what's next!!!! And VOX I SWEAR IF U USE THIS SITUATION IN ANY WAY IM GOING TO SKIN YOU ALIVE.

This series is a blast♡ love it!♡ makes me weirdly passionate and excited hah!

Some communication, and some communication failure, hahaha. They're going to be talking a lot more in the next one, actually, because I meant to write some NSFW and they had to go and attempt a healthy conversation instead. What can you do.

Thank you so much, I'm delighted that you're enjoying! :D

And: Way more anon asks about the latest 666 getting answered under the cut! <3 I combined a bunch from the last couple of days.

prince, I'm going insane over the latest fic. so we know from Alastor's inner monologue that he knows the roofie was an accident, but considering the super stressful situation, the fact that Vox was the one to ask for a kiss and the fact that Alastor accused him of wanting instead of loving him not a few minutes ago…. makes me wonder if Vox might not be at least a little worred that Alastor might think it was on purpose <3 gonna be rotating this in my head for the foreseeable future - ✨

I am so glad that these things are on y'all's minds, hahaha. Because you can bet they are on mine. >:D And THANK YOU, very pleased to be dragging everyone down into insanity with me.

“Should I stitch together the scars your teeth left in me in a mirror of my own signature on your body.” Fucking. POETRY. 🐈‍⬛

I am always so happy when I write shit like this and instead of everyone pointing at me and going, "Look, what an EDGELORD!" the response is you people being VERY nice and leaning into the feelsy fun! 💛

holy moly ??? i love the new 666 addition aaaah 😭🙏 the trials and tribulations of feeling scorned and ghosted by a loser who confessed his love to you and the next time you see him he’s holding your LITERAL heart in his hands by alastor ! OMFG this was too good esp the part where vox is like “bro why do YOU CARE ?? i thought you didn’t love me huh?” and alastor is like well. maybe i.do. 😐 LIKE CMONN this really played out like some soap drama and i loved the neat details on resuscitative thoroctomy (learned a new word too so double bonus) the fact vel was on the line w her and val’s apparent surgeon for val’a little ‘incidents ??? GOLDEN I SAYY hope we see more of ur oc … 🫣🫣 btw ofc vox would love to an end an argument with a kiss OF FUCKING COURSE HE WOULD 😭 thank u sm for this chapter princeliest my dear <3 hope life is treating u well too !! -🦌

Vox is ahead of Alastor in terms of effective in-the-moment conflict resolution, but goddamn if he isn't fucked up in his own fun little ways. They're so not done with most of these issues, but at least they're on they're way to maybe be able to have a real conversation about them!

You know. If they chose to do that kind thing. Instead of whatever they will probably do instead.

Anyway, THANK YOU!! I had a great deal of fun writing this chapter and digging into some of the issues that have been slowly collecting underneath the surface of kinky radiostatic, so I'm happy you guys are enjoying as well!! :D

AS FOR MY OC... I WILL POST ABOUT THEM SOON. I LOVE THEM A LOT AND IT EXCITES ME THAT PEOPLE WANT TO KNOW MORE OF THEM. Tysm for asking Q^Q

Just read the new addition to the 666 verse, and inside of me are two wolves: The first is saying: Immaculate, artistry of the highest form. We finally get Alastor’s own confrontation with his vulnerability and him trying to figure out what exactly the relationship with Vox means to him. Cannot wait for how this all is going to develop. The other part of me: THE BREADCRUMBS WORKED THE MUSE IS WRITING!!! Followed by this image (since tumblr won’t let me attach it while being anonymous) https://i.redd.it/hx2shk642vs71.jpg -🕊️

LMAO THAT PIC. Amazing, flawless, thank you. The breadcrumbs DEFINITELY worked, please keep feeding. Digging into Alastor's shit is bringing me life and I'm happy to share it, hahaha. We're swinging even harder on the introspection in the next one!

As a sucker for medical gore and aroace angst, I lack the words to express my love and appreciation for your most recent installment of 666, but your writing of radiostatic's dynamic was captivating and proved to be such a lovely read as always! I loved that you touched on Alastor's relationships with the women around him as that has always been such an interesting aspect of his character to me! I never really put much thought into how Vox's apparent avoidance of Alastor in the show could mirror Alastor's disappearance, and now it will Not leave my mind. My heart hurts for these two dorks, super looking forward to chapter 2!

"Medical gore and aroace angst" should be the title of my memoir. Honestly, this series has ended up a lot more edgy-bloody than I expected it to, since I usually tend to prefer to portray my whump/angst/violence/etc in a much more roundabout way, but it's actually kinda tipped over into, like... part of the point is how banal it is, how beside the point. The upsetting heavy-hitting bits aren't the blood, they're everything else that goes on around it. Anyway, thank you so much! <3 I think your heart will find some relief in chapter two, haha, I hope you enjoy!!

Meanwhile alastor, completely convinced that there’s no situation where vox actually loves him and is happy with the way things are—either vox wants more and is going to start asking for more, or he doesn’t actually love him and just wants to have sex with him and thus either way he is a Liar. They’re so fucking bad at this. No one is capable of being the adult here. I think they need an auspitice.

It's really funny that you said that, because that is kind of exactly the role that [spoiler] ends up playing, though in a more roundabout way, hahaha. They certainly need someone to, like, get them to be having the same conversation with each other instead of two parallel ones. I think the fun thing about writing Alastor reacting to his own feelings is just how much his reaction can change based on how things are framed for him, and it leaves a lot of wiggle room for how differently I've ended up writing him reacting to the season 1 finale in 666 vs in Happily Ever After, and Other Shit Nepotism Can't Buy.

But, god, you really nailed the description of what Alastor is feeling. <3

Vox in the latest 666, my ENTIRE HEART. Literally nothing about how he read the situation was a bad take or a leap to conclusions, but alastor constantly says the opposite of what he means and refuses to admit vulnerability or friendship and what the hell else was vox meant to do with that, of course he backed off, they need to have this talk so badly

YES, PRECISELY! Like, I hope it came through that really neither of them was completely crazy to react the way they did! It's a result of how much of their communication has been nonverbal, implied, and talking around things - they'd been doing so well up until this point, but there's only so far that can take you before you start thinking that you're on the same page when really you're reading two completely different books! Thank you sm! <3

‘But I am capable,” Alastor says gently. “I love you very much.” Vox gapes up at him. “...I. Fuck you.” His voice is tight, strained. “I don’t fucking believe you.” Alastor feels his smile thin. “Well. That’s just dandy, then, isn’t it?”’ I AM NOT OK GOING FUCKING FERAL

Probably one of my favorite lines to write, ehehehe. THANK YOU ANONNNN <3 It's kinda interesting to see how differently some people read this. Some folks thought Alastor was saying it to hurt Vox (which is how Vox read it). Some folks thought it was true (how Alastor intended it). Some folks thought Alastor was trying to fit into the mold that he thought Vox wanted from him (how I intended it). All of them make sense as readings! >:)

[f4iry-bell]

sparks fly by taylor swift is so averyjameson coded.

“you're the kind of reckless that should send me running but I kinda know that I won't get far”

like since the beginning of the series we know how jameson is!!!!

“get me with those green eyes”

HE HAS GREEN EYES!

“gimme something that'll haunt me when you're not around”

EVERYTHING IS JUST SO THEM

my mind forgets to remind me you're a bad idea You touch me once and it's really something You find I'm even better than you imagined I would be I'm on my guard for the rest of the world But with you, I know it's no good And I could wait patiently But I really wish you would

this whole verse????? esp the first two lines???

[offshore-brinicle]

One thing I've noticed that may or may not be important in C6 is the different ways Dante and Heathcliff react to insults.

Heathcliff displays his anger quite clearly, even more so towards those with little to no power over him. Dante tends to either immediately pivot over to trying to make a joke about it, staying silent, or changing the topic [like how with Caiman, they were like 'thx for not murdering her' instead of adressing the things she actually says].

This may pose an issue during the canto, esp if Dante wants to try and help Heathcliff before he could potentially spiral into become more like his book version. And given the title, I'm unsure how much they'll be able to do with what little reference they have in terms of this sorta stuff. We're, what, six months into this whole thing in-verse? That's not exactly a lot of time.

I do think C6 will be what makes Dante really look back at the other sinners, and try to understand them beyond first impressions, especially considering just how much Heath alone has changed up til now.

Plus, I think Rodya and Hong Lu will have some Moments, and a sullen look or two from Sinclair or Outis wouldn't be unexpected.

Honestly, I see this very possibly. Canto V was essentially the start of Dante actually being an active force in aiding the Sinners, after somewhat trying and failing with Sinclair back in Canto III and then not being particularly relevant in Yi Sang's journey and growth in Canto IV compared to other parties involved to then them being a huge factor in Ishmael's realization and her changing her mind in favor of a better path for herself by actively reaching out. It feels like things have been progressively getting better but taking in count Heathcliff's lifelong abuse and the comments in Yield my Flesh hinting that from now on is when the "actual" plot begins makes me feel like next chapter won't be as...easy or straightforward, they might potentially even fail to gain the Golden Bough.

Heathcliff himself has been dismissed so much by the others lately that it feels...intentional, as a friend of mine @/ishcliff has gone more in-depth into that, which will probably end up being the point of conflict this time as he drifts away from the others.

Another interesting example of how you mention Heathcliff's changes is that Meursault is also showing subtle changes himself for example, from talking about his mother unprompted to purposefully not telling on Aeng-du dragging Kim away despite being scolded for not commenting on Sinclair's panic attacks in III, so I wouldn't be surprised if there is more pre-Canto character exploration like you mention, and even more how that character growth will contrast with what's to come, even for Yi Sang who's character arc isn't exactly "complete" despite his breakthrough in Canto IV because the story of the League of Nine still isn't fully untangled and he states this as being his personal resolution to Dante from now on and he still hasn't actually confronted Gubo and then you have the reveal of Rim and Young-ji possibly still being alive and around somewhere

Even in Yield my Flesh again we also had the mention of how Don Quixote has become less reckless and then in V when Rodion pulled Ishmael to the side...and the Sinners have also become aware of the pattern of each one of them having their past exposed and being tested during their journey, so with Dante also wanting to grow close with everyone else and slowly forming that resolution to watch over them and stay by their side I wonder how this will all come to the forefront and how trends will be broken from now on

Thanks for the message! It's all very interesting things to ponder on and speculate, I cannot wait for Canto VI genuinely

[yeswegetityoulovepodcasts]

Audio Drama Recs and Reviews

The Mistholme Museum of Mystery, Morbidity, and Mortality. If you ever wanted to get an unhealthy emotional attachment to the AI and anxiety - this one is for you. The first season seems like a collection of stories about supernatural objects in the museum. In later seasons we get a pretty high stakes plot with many cliffhangers + stories about the objects. Also has no romance as a major plot and it rarely appears in the stories so as an aro I love this one.

Hello From the Hallowoods. Well this one is very queer to the point of neopronouns and genderfluidity queer. Great Age range representation. Also very anti capitalist. There are many (no seriously like MANY) characters, engaging plot and one narrator with a very soothing voice telling us a story about humanity last days, demons, ghosts, libraries and revenants. Personally I feel like it has a very 1-world contry point of view but the pros outweigh the cons.

The Wrong Station. If you are not a fan of overarching plots and need good quality horror content this one is for you. It's a horror anthology podcast - every episode has a different setting though there are some connections between the names my favs are set in the past (esp. Alternative Italy or Byzantine) but is also has some pretty decent midwesrern gothic and future horror episodes.

The Silt Verses. This one is about gods and those that have to deal with them. About the world where ideal rules over the material and the entities made of those ideas are hungry gods. Not as hungry as the system that exploits those ideas though. The most terrifying thing about this podcast is how small the difference is between this world and ours is. This one is made by I Am in Eskew authors so give it a try if you need a good existential and relatable horror. Also has the great aroace feral old woman as one of the characters and I love her with all my heart.

True Tales of the Illuminati This one is a short comedy telling about shenanigans in the Illuminati organization and all the ways they fuck their shit up. First two seasons are set in the Ancient Egypt - 3rd in the 20th century America. If you want something light hearted, short and similar to the Parks and Recreation - try this one. If you want more audio drama workplace comedy go and listen to the New Ages.

Life with Althaar - sci-fi podcast/workplace comedy about a space station + awkward alien roommate who wants to be friends with a human. It uses word gentlebeings, okay?! I loved the first 2 seasons but the 3 season wasn't updated in a year, so i am waiting if it's come back. This is essentially my comfort podcast so i do hope it comes back to us.

[the-s1lly-corner]

Hai! I really like your KND x Reader posts! Especially the one with Father, anywhoo-

Can I request for a Father x Reader imagine where the Reader finds out about the whole delightfulization of Sector Z during Operation: ZERO.

Advanced Thanks! ❤

Reader finding out about the delightfulization

My back hurts so so much... but YAAAAAAY I'm so happy to hear you enjoy the writing esp with how I'm portraying Father! It seems theres pretty polarizing views on how he treats the DCFDTL so uhuh.. middle ground in my writing WOOOO

Characters: Father, DCFDTL

Notes: Reader is GN!

CWs: Even with my softer approach to the dynamic, it's still.. not a good.. thing.. surprise adoption, basically

I'm personally subscribed to the idea that over time Father becomes more accustomed to having the children around; in the beginning he just outright doesnt want them but grows a sort of fondness to them- would that make it found family in a way?

^I do think the bulk of that relationshift happens after the animal episode since he is WAAAAAY too quick to just let them stay sheep but

I dont know, the idea that resentment turning into tolerance into something nice is infinitely more interesting than both takes of father's whole deal but that's just me

Now onto the actual post! I kind of just wanted to ramble about my hc + wasnt sure if it would be needed to provide context

In short I think it could very easily lead to the end of the relationship, or at least start the beginning of the end

It completely shifts the way you look at him, even if the delightfulization was an accident- he still had the chamber in the first place

Even worse, if you yourself arent evil or perhaps even oblivious to everything going on like some of the other adults

It comes out of left field

Hes not the most emotionally stable person, so regardless of if he tries to get you to stay or if he just tosses you to the side.. its going to get intense

I WAS going to say that if you two were married your access to the children would.. be hard to say as I'm not well versed in the legalities when it comes to a step parent- but then I realized that realistically Benedict would be in SO much legal trouble

Uuuuuh... cartoon logic! Keep it whimsical! Or something!

Imagine being there when the delightful children were briefly reverted back to their original forms- you get to finally meet the real versions of them and its just so ... bittersweet..

You go from being so used to them delightfultized that it's like meeting a whole new group of children, if anything it would only fuel your feelings towards father, whatever they may be

Disgust, anger, disappointment, and so on

Theres also the new fear of him attempting to delightfultize you, if adults can even go through the process- the thought probably crosses his mind but he never entertains it

In the beginning of your separation he sends you gifts to try to win you back, though he never comes to see you in person

[taylortruther]

for me it’s cardigan and hoax that paint a very consistent picture, though it feels like a first verse joe, second verse masters thing for me for hoax. “only one” / “eclipsed sun” and then “give me a reason” and “faithless love” which shift based on what she’s referring to but feel extremely like the kinds of images that could come from a fight about infidelity. cardigan feels like part two where the feelings are still raw but they’re drifting towards reconciliation. all of this gels with what she said in lpss imo!

with cardigan “peter losing wendy” (as in someone who refused to grow up) aligns so poignantly to me with other playboy-type lyrics she’s written about joe, among other things. there are other lyrics but it being written first on the album is a tell to me, esp. with “chase two girls, lose the one” being in the voice memo version.

anyway this is my truth about hoax.

🚨 this is just tossing ideas out/sharing theories, for the hell of it, no one be too weird about this okay 🚨

i've always wondered if hoax was infidelity or simply just a lack of shared vision for the relationship. and if cardigan is autobiographical (as most of the songs on folkmore are), then the connection can definitely be made. that line about "chase two girls, lose the one" absolutely struck a lot of people when it was first released; personally, i remember wondering if it was a breakup song (which you can argue it might be, but perhaps not for taylor and joe, perhaps that's where the fear or fictionalization came out.) i also wondered if it was a sign of a rough patch, or a throwback to their very early relationship stages, where taylor seemed to express doubts that she was the only person he was seeing. THAT SAID, i do feel more comfortable wondering, out loud, if it was indeed a sign of infidelity. and your theories make sense imo.

for me, as we've learned more about their relationship, i tend to associate hoax more strongly with peace and renegade. the faithless love, her heart being beaten, etc might paint a picture of someone who maybe has sentenced themselves to enduring a partner who didn't share her vision of their life or future together. i think i said in one of my early hoax posts that it would be devastating to find your person and learn they had doubts you would last.

and then we got so many songs about wanting to flee, hoping someone understood she couldn't control all aspects of her life (peace), and wanting this person to open up to her and be all in with her (renegade.)

[azulas-lightning-bolt]

guys. guys. guys.

100yr war mako. guys.

okay so I know I’m already going insane about the dadamon au but. but hear me out. and this one is completely of my own design and I don’t think I’ve actually seen anything else on this (if you have pls pls pls pls send links) but there’s so much I could do with mako in the atla timeline because he’s a mixed kid.

now, I also need to account for how mako looks in my head (completely oc-ified). he’s way more ek the way I imagine him (he and bolin are closer in features, in short, but this post has me being stupid more comprehensively), darker skin, central heterochromatic green/gold eyes, curved nose, etc. for context the ek look in my head is kind of blasian? it’s not exactly but for the sake of succinct imagery, yk.

okay so moving on to au info (under the cut)!

fire nation soldier:

—this mako is an amputee. I haven’t decided which limb(s) but he is missing at least one is.

—he joined the army for the money, but given his appearance could only join closer to the eclipse and is treated like shit

—hates his firebending and the atrocities he has to commit with it to afford to eat

—mother was a fn deserter who left for ek father, hid in ba sing se for a few years where mako n bolin were born and raised, before oppressive class system and denial of war became too much and they moved out to ek town bordering fn territory (mako-5, bolin-3). they lived alright for a few more years, before naoki was recognized and she n san were killed. orphanism.

—mako joined the army at 13, the enlistment age being 16. passed himself off as a really scrawny 16yo. enlistments knew but disliked ‘half-breeds’ and hoped the front lines would just take care of him for them.

—he has to get a tattoo to signify he is not of pure fn blood,,, ohhh the angst potential,,,

—canon starts when he’s almost 13, as it has to get close enough to eclipse for him to join at 13. he only worked about a year in the army by the time canon ends and zuko becomes firelord. as a concession of losing, fn’s army is reduced greatly. zuko’s first choice is to remove child soldiers, esp the kids pretending to be 16. he has a program, but mako ofc slips through the cracks.

—traumatized 13/14yo amputee war veteran struggles to regain normal human behavior with worried brother: the saga, basically.

—maybe throw in a little found family/adoption, as a treat

Im so madly in love w this au btw.

joins the gaang (good start):

—there are two versions of 100yr war mako joining the gaang I have, and this is the happier one. almost no one dies! besides like. his parents. it’s for character development mako, sorry. so basically the plot is that the gaang is in the fire nation for the eclipse, but instead of mako joining the army then, they find scraggly street orphan and decide to drag him and happy brother along.

—to make this better, they originally think he and bolin are fully ek, hiding in the fire nation, and that mako is a nonbender (he still hates his fire) but then they’re like BAM we’re actually the children of a deserter and her ek boyfriend! they’re both dead.

—womp womp, teach me firebending mako!!

—and to literally no one’s surprise, his answer is an enthusiastic shove that stupid idea right back up your

—eclipse fails, but mako and azula freak each other out by being reallllyy similar.

—zuko joins; mako is also on toph’s side and bolin is content to follow his brother (reminder he is 11 at this point, mako is 13) because mako knows (as most fn citizens do) about the story of his scar and would die from guilt if he were to fight and scar the prince with fire again. (he has lightning scars and stuff too from early on after being orphaned, being without control of his fire)

—also mako still knows how to lightningbend, in all the 100yr war verses. Ik it’s supposed to be a royal family exclusive in atla, but either mako encountered iroh on the road and picked it up quickly or he had another version of zolt to teach him/give him the push to figure it out himself. GASP mako learning lightning from the dragons/sun warriors after going to the ruins for a safe place w bolin,,,

—so zuko joins. remember how I said mako/azula were still mirror images here? yeah zuko kinda gets freaked out by the 13yo who’s realllyy similar to his sister.

—mako is super awkward around him, still kind of treating him like he’s a prince (running away). zuko misinterprets this as mako hating him. after mr prince loses his bending, what does this mean? mako gets to tag along on dragon field trip!!

—in line w mako learning lightning from dragons previously, he’s able to navigate super easily into the city, but leaves aang and zuko behind by accident in the process. they do the little dragon dance and mako is the one to find them (with sun warrior supervision, because they don’t want the baby dragon to die encountering someone he didn’t expect) and they are accepted significantly more easily.

—mako watches them meet the masters with stifled amusement. he’s not worried; he knows they’re pure of heart.

—speedrunning everything up to the comet with fluffy gaang relationships, mako tries to blow the guy up back (it does not work)

—day of the comet, mako stays glued to bolin. he’s offered the chance to sit out the attack, they can pull through in units of two (+aang) and he almost accepts. but he’s thirteen, a year older than the inventor of metalbending and the avatar. bolin is a year younger, and takes importance, but-but he needs to do something. he’s been by their side a quarter of what katara and sokka have been, and he doesn’t want to have been dead weight. he joins aang, able to be present after the battle if medical help or a quick escape are needed, and enhanced as a firebender so he’s good enough to fight a bit.

—aang’s energy is being swallowed and mako doesn’t understand what’s happening but he knows it’s not good. he goes running up to aang, bolin at his side, ready to pull the avatar away and save them both. aang wins in the end, and ozai’s bending is gone.

—the rest of the gaang lands, the weakened ozai is still restrained, but the looks of disgust aimed at him from not only his traitor spawn but two peasant half-breeds gives him enough rage to spit threats at them all, a promise that all of them, starting with the little green-eyed brat (bo) will be picked off and tortured to extermination by his sympathizers.

—mako, standing on business as usual, doesn’t hesitate. he relishes in the split second of terror in ozai’s eyes as he realizes his special, hoarded technique, lightning, is being used against him, and he is powerless to stop it, before he’s struck. toph’s earth bounds shatter at the bolstered impact, but it doesn’t matter as the former phoenix king falls lifelessly to the ground. mako’s eyes are hard and cold. he’s thirteen. he is not a stranger to doing what needs to be done, and bolin comes first. who will sympathize with a dead man?

—the end :3

this one is probably one of my favorite 100yr war versions

joins the gaang (bad start):

—this one is probably marginally more tragic. mako’s start towards the gaang is bolin’s death. he died in a night robbery from older firebenders; mako was powerless to stop them, and they didn’t care enough to stop themselves. mako didn’t bother saving up for another travel pack or enough food and clothes to fill it again. he regrets ever having been so foolish as to think that was something he could keep.

—he ends up at the factory that’s polluting the village’s river in the painted lady ep. he works at the factory but lives in the village, just as desolate as the rest (though, again, decidedly more ek-looking).

—based off their harshness upon finding out their savior was katara, the village people don’t take too well to mako either, considering he’s both mixed and works at the factory. when katara is outed (and mako is packing up, because they just lost him his job), he gets pushed to the front with her and met with the same scornful glares.

—sokka defends his sister (common sokka w) and strange, scrawny child. the village distinctly apologizes more to katara as mako gives them all a stink eye.

—he helps the gaang clean out the river as thanks by burning the muck and disposing of the smoke.

—he goes to leave at the same time as them, aang notices, and offers a ride (to sokka’s slight chagrin-he could kiss his schedule goodbye officially now.) mako agrees, thinking he’ll fall off the bison if he gets lucky (yk, and other regular very normal 12yo thoughts)

—a ride turns into ‘oh just stop here with us! we don’t mind sharing dinner, there’s extra!’ and that turns into ‘it’s way too rainy to go on your own, we can just camp together another night!’ which becomes ‘where are you going? if you don’t know, you can just hit a few more stops with us.’ and eventually they just stop making excuses because, if mako is honest with himself, he’s totally gotten attached. they all know he’s not leaving. he’s smiled, laughed, felt joy for the first time in two years, the two years since bolin was killed.

—gaang shenanigans ensue. mako and toph get along like a house on fire, because they’re both grimy, angry, shithead 12yos absolutely out for blood. mako and aang develop telepathic communication within two weeks because mako can’t communicate normally and aang tries so hard to understand that he actually does. they’re bsfs.

—mako is decidedly reckless with his life and katara gets to practice her healing even more regularly than in canon. she’s not too pleased. sokka thinks mako is the best ever (grumpy mini-me) and wants to wrap him in furs and tuck him away from the dangers of the war (he calls mako cute one time(!) and gets set on fire for it)

—zuko and mako bond over scars (lightning+fire to the face) and zuko sibling-izes mako cuz azula parallels

—sozin’s comet goes about the same, but katara insists mako comes with her and zuko so she can keep an eye on him, which actually saves zuko from the lightning scar bcs zuko taught mako how 2 redirect‼️‼️

—I don’t have too much on this au because my brain is being consumed by the next one and thinking too hard abt this one upsets me greatly. also so much of mako’s personality in canon is centered around bolin (oh look that’s an upcoming post too) that it’s difficult to imagine him as more than a shell of a person without him.

dead:

—okay so this one is technically atla and tlok. will elaborate later.

—mako dies with his mother and father (naoki is still a deserter here) but bolin survives on his own. he mourns his brother, but a nice earth kingdom family adopts him, mistaking him for a full ek earthbender, which he doesn’t correct. bolin eventually moves on with his life, scraping by in the tail end of the war. these events take place ~ten years before atla canon, so bolin is 16 by b1 and 17 when the gaang reaches the earth kingdom. mako is eight and dead. for the record.

—so how does a dead kid become part of canon? well, I’ll be making a post about how I think afterlife and ghostly spirits work in the avatarverse, but for the sake of conciseness, the dead who have ‘unfinished business’ become spirits that can interact with the human world at will, because they never quite “crossed over.” mako, not knowing if bolin will survive on his own, has ‘unfinished business’. however, this causes permanent spirithood, which is part of why it’s so rare. a soul has to be really upset to eternally subject themselves to that.

—so spirit-mako isn’t really mako anymore, he’s a guardian spirit of, let’s say, children fending for themselves. you know a group of children fending for themselves that’s pretty relevant in atla. yeah. so he ends up unable to find bolin, because bolin is being taken care of. he’s instead drawn to the southern water tribe, where dozens of kids’ parents traveled off to war.

—he doesn’t reveal himself at all, just preventing little accidents for the most part. the swt nicknames him veiti, deigning him their guardian spirit. he lost most of himself as mako, all that’s really left is a bit of snark left for other spirits and fondness for his brother.

—he follows katara and sokka as they find aang, drawn to the weight of another lonely boy. aang feels something off, lingering in the air around the water siblings, from the start, but doesn’t mention it. veiti doesn’t stop the flare from firing because he knows someone needs to follow it, needs to come.

—zuko arrives. veiti is confused by him, but the scar on his face bears so much weight. they feel familiar to veiti, so much so that the tundra fills with the weeping of a spirit. this actually scares off zuko’s ship before an escalated confrontation (aang going w zuko) happens, so it works out well in the end.

—when katara and sokka follow aang away from the swt, veiti decides he wants (he hasn’t wanted in a while now) to follow them. but he can’t just abandon the tribe that’s come to rely on his protection, even going as far as to offer the occasional fish, so he decides to temporarily possess a vessel. other spirits have told him he should be able to take a human form, but he hasn’t figured that out yet. he possesses a little otter penguin, and tells a mildly disturbed kanna that he is veiti, and will be joining the siblings and avatar to protect them there. he tries to give a spirit blessing on his way, but he’s not sure if it works.

—the wails of a spirit’s grief fill the echoing halls of the deserted air temple along with aang’s rage, and he hopes the avatar can feel the comforting weight of a fellow mourner draped over him when katara talks him down. veiti feels decidedly uneasy (seen) with the statues of past avatars, and is relieved when momo is found and they all leave.

—he clings to aang as he rides the unagi, bats away too-sharp too-close fans when the kyoshi warriors get too aggressive. he nearly smacks sokka upside the head, physical form or not, when he starts blabbering about the male warriors that don’t exist. that one behavior of his had always ticked veiti off, but he tried to be understanding with sokka’s lack of a… well, mother.

—as the gaang experiences the mundanity of kyoshi island, veiti finds himself regaining some sense of… something he lost. he remembers, seeing the face of a boy on the island, that the brother he longed to see again was named bolin. he remembered that he was eight, in human years. he couldn’t gather any more than that, hard as he tried.

—omashu was hell for veiti, the spirit confused as to if he should be defending despite the lack of aggression from the king, and what he should do if he needs to step in. aang recognizes his friend, however, and veiti allows himself a break from them as they travel to an ek mining town. he hovers over zuko in this time, observing him and his interactions with his uncle (what is an uncle, veiti isn’t quite sure. they didn’t have those in the swt)

—zuko finding katara’s necklace on the brig makes veiti rush back to the gaang, relieved to find them all in tact in a different town. however, this town is dealing with spirit meddling, which veiti approaches with some annoyance. he tries to get sokka back, asking the other spirits, but he’s told hei bai isn’t too hospitable. aang enters the spirit world, and catches a glance of a mangled boy around eight who looks a mix of fn and ek. he’s conversing with the spirits casually, which is aang’s clue he wasn’t taken from the village as well. he wants to call the boy over, but has more pressing matters to deal with. hei bai is pacified, and everyone is returned.

—veiti travels with them to the fn, despite everything in him yelling to run the other way. the sages are dangerous, the evil named zhao is far too powerful there, and the children aren’t safe, tied up, beyond his protection. he finds the fire bows to him, and that is another thing veiti recalls; he is a firebender. no harm comes to zuko or katara or sokka when roku’s fury is released through aang, despite veiti’s primal terror when roku’s gaze locks on him. buried deep inside, aang wonders if he is seeing the same boy from hei bai’s forest.

—the scroll is stolen. veiti is, again, halfway to a heart attack (can spirits have heart attacks?) working himself into a panic when katara is captured by the pirates. zuko becomes something else for him to worry about, katara’s necklace in hand. however, apart from numerous last minute saves from slicing blades, veiti barely has to do anything as the situation works itself out.

—veiti is again torn as the gaang meets jet. there’s distant wailing in the forest all the days they stay with jet (and aang recognizes it, the same as in the temple and the tundra because it was from that mangled little boy he keeps seeing. maybe sokka is right, something is off about jet. don’t you hear that, katara?). jet is a lost child, but jet is malicious as well. veiti can’t understand if jet is to protect or harm or defend and it’s making him crazy.

—veiti feels himself grow absent for a while, he resurfaces when aang is captured, choosing to dance through the arrows of the yuyan as they miraculously miss the blue spirit (zuko was to protect, veiti had a feeling) and his ‘captive’, the avatar. the divide between katara, sokka, and aang is one they must fix themselves. the scars on katara’s hands from the terrible lessons of the deserter (he had known a deserter. a mother, his mother. if only he could recall her name.)

—another temple echoes with a spirit’s tears as they visit the northern temple with its gadgets and gears. teo is a bright boy, veiti knows he will fly far with his strange inventions. the nwt is a destination veiti abhors. he finds pakku agitating, and far too reminiscent of sokka previous kyoshi island. the siege by the evil called zhao (veiti wants him gone. veiti can make him gone.) is terrible. he burns tui, and mako runs to her side in childish worry, asking la if he can in some way help. he warms her with licking flames that don’t burn (because he is a firebender, he knows now) and infuses what little of himself he can give. it hurts, almost, and la’s weeping joins his in the oasis.

—it is by design that zhao does not take zuko’s hand.

—yue will give herself to tui, la tells him. but what if yue? he asks. he knows there cannot be a life handed over and a life kept. his fire has warmed tui, but it will not fix her. they will share the burden, la tells him. yue will lend tui the strength tui lent her, just as veiti did, and tui will recover in time. yue will be weakened, but she too will recover. as aang is returned, mako allows himself to jump up and cling to his frame. he is shocked to feel the ghost of a hug reciprocated. aang’s eyes search around veiti, as though aware of his presence but unsure where his eyes should land. veiti allows himself to beam.

—the earth kingdom general seeks to take advantage of aang in a way that greatly discomforts them both. he doesn’t revere the spirits the way he should. veiti makes sure his head gets stuck very firmly in a ditch once the children are safely away, and leaves them to their devices for a bit to make sure the general does not try such foolish exploitation again. he leaves them unattended for a while, not feeling a tug towards them as he normally would in danger. he drifts back around the time aang is being attacked for being the avatar, and it greatly unnerves him. why should he be scorned for being their savior? kyoshi makes an appearance much like roku did. and just as he did with roku, veiti pretends her all seeing eyes do not, for the briefest moment, settle on him. something of being perceived is far too disquieting for him in his state.

—veiti is greatly pleased when the blind bandit joins them. she has the burden of an unguided child, despite having parents. he doesn’t imagine them to be good ones.

—the girl with eyes like his (that’s another thing he remembers. his eyes—his human form has those—are gold, flecked with green. was deserter-mother gold-green, too?) hurtshurtshurts in her soul and in her fire. veiti cries at the too familiar violence, echoes of something that had terrified him once. he isn’t quite sure what, but his sniffles fill the air all the same. veiti cried sparsely in the south, sparing his tears for death and severe injury, but so many things in the rest of the world make him ache in a way he can through no other method express.

—veiti dislikes the heavy presence of the spirit in the library. he fuels toph’s veins with his own fire when her grip slips and somehow, he is enough to let her split her attention; the foul benders who reek of thieves are held up until aang can return, incensed at the muzzle on his bison.

—ba sing se is hell. veiti needs to find someone. he’s so close, he knows, but he doesn’t understand who he needs to find. his senses are torn between protecting the avatar and searching for someone he isn’t sure of.

—he parts ways with the gaang, and he looks. he searches all of ba sing se and the surrounding towns until he finds a small family of five. two parents, though the mother is scarred by fire, and three children. the oldest is a young adult, a boy named yuyi. the youngest is a girl named meiying. and the other boy has green eyes flecked with gold (gold-green, green-gold) and his name is bolin. veiti knows this is who he has been searching for. the world’s tug suddenly applies to him, and he feels his feet touch the wooden floor as he looks up instead of down at the family’s dinner. the creaks alert them to his sudden presence, and bolin’s (brother!) eyes widen, filling with tears. veiti’s voice is high pitched (he is eight in human years, he remembers) and warbles when he asks for confirmation that bolin is his brother. his body stings like bad fire when he is wrapped in a careful embrace, but a tentative smile curls his lips all the same. he asks bolin his name. apparently, veiti’s name is mako. veiti tells bolin that he is called veiti, and asks which name is better. bolin thinks they’re both nice, so mako decides he will use both.

—something tugs desperately for his help (aang needs help) so veiti tells bolin he needs to go, he needs to help. he promises he’ll always look after bolin and his family, and thanks his brother for reminding him of his name. he’ll miss his brother and his new family lots, he says, but they’ll be okay with his spirit blessing. he’s gotten better at those, he promises. with a smile and a wave, the little boy is in veiti’s form once more.

—aang is-was dead. mako wishes so terribly he has been there. he can do lightning, too, another spirit showed him how while he was searching. he could’ve helped. but katara is healing aang with the special water from the oasis. veiti wonders how she’s doing. he thinks about tui being hurt so badly and yue being weakened and aang being dead and mako misses his brother already and sobs fill the clear night air. the sadness weighs too heavily for his spirit form to handle, so he drops into appa’s saddle in the form of a little boy warped by fire.

—aang’s friends are wary at first, but it’s hard to deny he’s a spirit given his arrival. mako finds he like talking to them rather than just watching over them, and katara and sokka’s faces when he tells them he is actually veiti are really funny. the only thing he doesn’t like is how they seem so careful around him. at first, he thinks it’s because they don’t want to be so close to a real spirit rather than a half-spirit like the avatar, but he realizes it’s about how small he is when katara looks at him sad after he proudly announces he is eight human years old.

—aang wakes up and veiti is one of the first to greet, him, bouncing around in a mix of excitement and nervousness at the chance to meet him for real and have an actual conversation. he thinks aang has probably seen or heard him before, being the avatar, but they’ve never actually talked. aang tries to muster the energy to feel the same, but the feeling of failure drowns it out. mako retreats to his spirit form, upset, but understands he still needs to watch out for aang. he drags him to shore when the storm knocks him out, worriedly hovering until katara makes it on the scene.

—mako, as badly as he wants to, doesn’t go into a physical form with aang at the fire nation school. he thinks it would be a perfect chance for them to talk normally, as he’s been staying in his spiritual form since aang first woke. it’s not until they reach the village of the painted lady that he takes his human body again. the mood of the place is somber, but veiti cheerfully (foolishly) offers to try and talk to the painted lady for them. katara is all on board for this, and aang offers to tag along, but sokka is insistent that their schedule cannot take that dent.

—veiti goes to talk to the painted lady anyway. she’s very friendly, but she calls mako silly! she tells him he is to learn an important lesson from this; human affairs, like this, sort themselves out more often than not, and it is a spirit’s duty to meddle only when absolutely necessary. the gaang is there for a reason, and he should let them deal as necessary.

—the rest of b3 goes without much influence from mako. he tries to heed the painted lady’s advice and step back, even on the day of the black sun. human affairs, as they often do, sorted themselves out. however, he does tag along when zuko (who veiti is so happy to have. he was right!) and aang go to meet the firebending masters, because he is a firebender too! zuko doesn’t technically know about him, because katara is the one who introduced him to everyone else at the western air temple but she doesn’t like zuko, so he doesn’t show himself at all until aang and zuko go. he tells aang in secret that he’s going to stay behind to try and talk to ran and shaw, and not to worry when he doesn’t feel mako in the air. he’ll be back in no time!

—it’s on the boiling rock that mako shows himself to zuko, and it’s totally on accident! sokka was really stressing out, and veiti swears up and down that zuko was asleep, so he lets the world’s tug pull him down as human feet touch the ground. he tries to help sokka feel better, but it doesn’t really work because sokka got scared that he showed up out of nowhere and then zuko freaked out about the ‘little kid in a high security prison’. mako tried not to be offended, but eight human years isn’t a little kid! he’s basically an adult already! he’s as helpful as he can be with their escape plans, keeping zuko warm with his fire (and after he talked to ran and shaw, they taught him how to make it colorful!) in the cooler (what a terrible invention) and helping tug zuko back up into the cart when they get mr sokka and katara’s dad and suki with them and zuko battles gold-eyes sister. mr hakoda is kind of freaked out my veiti too, and he tries not to be upset, but sokka sees his eyes water and makes a whole huge deal out of it. and veiti is absolutely not pouting when he doesn’t talk to them the rest of the way back to the temple! he’s just recovering his strength cause zuko’s heavy.

—aang and katara are happy to see him in his body form again, and toph punches him which he’s pretty sure means she’s happy too. katara goes on a field trip with zuko this time, and he’s convinced to stay at the temple after zuko is told he tagged along with the last two. katara comes back not mad at zuko but neither of them are bloodstained so mako decides not to worry. then they go to ember island and see the terrible performance of their adventures by the theatre troupe there. veiti’s a little upset they know about the cabbage guy but not him, but he doesn’t mind too much.

—sozin’s comet comes, and mako knows that human affairs are to be dealt with by humans now. he’s still eight human years, but the time spent with aang has made him feel a LOT older. he tells them good luck, but he has to protect bolin and his family during the comet and he’ll see them later. and-he hesitates to make promises he might not be able to keep, but he tells them that if they really need it, they can call veiti and he will come. he stresses that it has to be the most important EVER because he has to make sure bolin’s okay.

—the cut off call from toph stirs a worry in his gut, but he is physically unable to part from his brother without a firm tug. but the comet passes, as do the fire nation forces, and mako returns to his friends (can he call them that?) to find them all mostly okay!

—the world continues on. veiti learns that eight human years is not, in fact, almost an adult, but he doesn’t grow farther than that despite how many years he lives, so he decides it’s adult enough. he, annoyingly, doesn’t ‘mature’ the same way the rest of his friends or his brother do, so he’s essentially an 8yo for the next 80 years.

—he spends a lot of that time watching the gaang and their kids growing up. he spends a lot of time w aang and katara’s kids on air temple island, especially kya. after he makes republic city his more regular haunt, he particularly fond of lin (who is an adult, at this point). none of the gaang kids see veiti much, but they all know about him from their parents. lin is the most often privy to his presence, kya second. he calls them ‘ms kya’ and ‘ms lin’ but everyone else is just their first name lmao 😭

—and then guess what happens (can you tell I’m getting tired. I’ve been writing this post for five hours straight and I literally had the atla episodes pulled up on my computer) aang dies aww :( and the new avatar is born!!!! she actually has parents and figures of guidance, so mako leaves her alone. but guess who he does chill with!? his grandnephew, bolin ii! family line goes like this: bolin marries an ek girl, they have kids. one of the kids’ names is san, after bolin’s late father. san finds himself a pretty fn girl named naoki, and wow, what a coincidence, huh? not that san ii is aware of it. they have one son, who is named bolin ii, after his grandfather. bolin ii is orphaned when he is 14, but toza is ushered by a mysterious force (dead mako) to find and take in earthbending child after a month or two at the orphanage cause no one wants older kids. or mixed kids.

—this post is actually so fucking long and it’s like ten o’clock at night rn (I’m gonna schedule this to post sometime tmr) so I’m just gonna summarize by saying mako tags along for tlok and freaks everyone out cause that’s what he is. a little freak. I am not rewriting an outline for four fucking season idc. spirit mako vs amon could be really interesting but I’ll just. make a separate post for that.

can you tell I hyperfixated so fucking hard on this au btw. ts has been in the fucking works in my brain for months now. I hate this stupid fucking orphan I need him to die immediately.

[mrmllde]

DIVING into your kankuro/kiba art 🏊🏻‍♀️ you said you were reading fic that reignited your love of them? Any recs 👀👀👀

tehe, thanks! while you're DIVING i am FLOODING tag with kankiba, hope this spring would stay abudant

okay so i haven't read much about them (i am picky reader, so to say), and most of stuff i've read is old, so you probably already have read 'em, but still.

Silica by deepestbluest (gaalee, shikatema, kankukiba, rated E). I've re-read this fella multiple times already. It has pinning, it has misunderstanding, it has sibling bonding - everything i like. I like how story is pretty succint but has all right lines to deliver mood and narration.

When He Walks In, I Am Loved, I Am Loved by thehoundisdead . Well. It's fluff. It's sweet. It has Kiba painting on Kankuro face. It makes me go "awwww"

Hide and Seek (Or Maybe Man Hunt) by 90sSlasherFan (sand sibling centris, background shikatema and kankiba). While it's not entirely shippy kankiba fic, i adore how sand trio portrayed here, and background relationships are sweet (esp Kiba grabbing handful of Kankuro's ass, yeah boi, go for it)

Bite by citronelle (rated E). When it comes to sex i personaly prefer bottom!Kankuro (tho i should mention that i think of them as verses), so i recommend this heavy smut with bottom Kankuro. thats it. That's smut. If you like other way, author has two more fics and they are tasty.

Cold Nose by LilacNoctua (hinted gaalee, kakagai, shikatema in passing). I love cranky Kankuro, okay. And it makes me think about stuff those two could do for fun in winter, so yeah, i love this fic.

YOLO by kranquro. (rated M) Pinning! Humor! Poor life choises! And heated reconciliation!

Love at First Bite by toocaffeinatedwriter (WIP). I'm glad i gave it a try, tho i don't really read wips. Two chapters in and i'm already hooked, waiting for continuation.

[nittroy]

Me and my frind are having a little drawing challenge going on, drawing lyric art for specific vibes This one is about 'Nightmare' by Hollywood Undead - the text on the picture is from the song ;w;

If you want to listen to the song:

I just love the Charlie Scene verse there, it's the one included in the picture-- I'm sorry I am cringe but 'so many selfish phobias like self-inflicted loneliness' is SO VEGA and just SO some of my characters I cann't Vega is a character kinda born from my experiences few years ago and while I got meds to help me she stayed somewhat in that depression state (at least, for the first part of the story. there's character development to be had) so it's somewhat easy and interest to write and reflect about! Vega has a pretty good job and lives in a megapolis (well, most of main office workers do,, those who don't have family esp, as you usually can't get more than a two-room apartment there) but her little apartment got transformed into a mancave and this was tried to be conveyed in this art also /lh Vega's first chapters are just seeing everything gray and not caring about shit. But then, they get dragged out on a travelling mission and they have to try and do something about it all due to sudden change of scenery And oh well They will be trying-

[ruthflemwad]

parts of the npmd soundtrack that scratch my brain perfectly (act 2)

again its all under the cut. i hope this is comprehensible its longer than the last one. idk what else to say

HATCHET TOWN

dan's whole bit at the start. just the way he says everything. so good

the ahh ahh ahhs

the electric guitar <3

curt's voice for bailey esp the growl

A LOSIN STREAKS COMIN!

the smoooothness of corey's voice and the way he sings things auuauauuau

IF HE GETS ME NEXT I COULD BE THREE!

the harmonies on man down down down down

the little plinky organ melody in the backround that comes in halfway through the chorus UAUUAUAUA

the way jon says donna

donna's "DAN!!!"

i certainly dont LOVE killing!

the harmonies on "bailey's/barry's on the loose and he's got a gun" (im talking mainly abt the soundtrack and not the proshot so bailey is more applicable here but both r so good)

I'M A COP!

fits the bill! it fits the bill!

THE HARMONIES ON THE SECOND MAN DOWN DOWN DOWN DOWN UAUUAUAUAU

the who's swingin the hatchet now harmonies

HATCHET TOOOOOWN

I AM THE MAYOR!!!!

HOW DARE YOU!!!

bryce's solo <3 all of it is so good

BOY JERRY <3 and gerald monroe ig but i love jerry

LET'S KILL 'IM!

CAN I SHIT OR WILL I DROWN

kim's little opera bit

the final in hatchet town harmony <3

JUST FOR ONCE

this whole song in general btw. i love ruth fleming so so so so so so so so so much this song was such a silly contemperary theatre tribute

NO, i haven't seen your grill brush, MAURY. huh YEAH! i used it to BRUSH MY HAIR this morning CANT YOU TELL. ugh

DONT LEAVE ME OUT HERE WITH THE MEAT, MAURY! medium WHA? how can something be medium AND WELL, MAURY?

ugh. maury.

*sigh* i turned 40 today.

the piano coming in

the synthy strum

the way lauren sings the word saturday. her voice throughout this whole song just scratches the brain itch so well

the way she says window, right, dream, and had

they never win

and LIIIIIFE is FULLL of all of the Trappings of The Well to Dew

god i love ruth. i love this song i love this song.

the slight tonal shift (thats not the right word ugh) for the choruses.

39 I LOSE MY HAIR UNDER CAREFUL CHEMO TREATMENT

the way lauren says ensnared

JUDGE ME.

IT FUCKING WORKED I'M FUCKING HERE HE'S FUCKING HER IM DISAPPOINTED

and of the two who's the worse for wear (ME.)

the tambourine

idk what that instrument is in the bg of second chorus it sounds like a saxaphone but also synthy???? idk but i love it

SHOULD I FLIP THE BURGERS NOWWW!

the clarity of lauren's first oh UAUAUA

SHOULD I LET THE YEARS COOOK MY BODY DOWN IN FRONT OF HIM

all 3 just for onces esp the last one with the riff

THE WAY THAT BEHIND THE JUST FOR ONCES YOU CAN HEAR THE "if i can finally be cool i will know that i'm not a loser" MOTIF AUUAUAISUAUUAISIAU

the way the tone calms back down but its still like so vulnerable... uuuuuauu

the way she says every word in this last verse

i used to dance :(

IF I LOVED YOU

THE SYNTH

I NEVER WANTED YEW ANYWAY!

joey's general tone in this UAUAU so good

mariah's deeper voice HEART EYES AUUUU

i just love lautski this song is so good i can barely pick things out bc this whole song scratches my brain

joey's lil growl on "oh babe i'd let u know"

OOOO! i guess we'd better save the date!

need a lover MAYUN

i love when jeff blim crams a lot of syllables into an amount of time like that its so fun

the harmonies <3

wake me up when u turn 18!!!

if i IF I!!!!!

the repeating round style of singing in order to come together eventually I lov them

dissonance <3

THE SUMMONING

the way the lords names are sung i love it sm

the lords names being whispered in the background

tNOY karaxis

WIGGOG WIGGOG Y'WRATH

the woah ohs and the drums kicking in

the music cutting out

HELLO FWENDY WENDS

the we will build a portal motif

the laughter

just the whole little lord verses its so discordant and fun and i love it so much i love the voices they put on i love the lyrics

LA LA LA LA LA ALALALALALA

the book has all but closed on ur life!

THE LORDS IN BLACK ARE THE LORDS IN BLACK ARE

blinky's we've been watching u gracie

the way curt says spankoffski and toy box

GOOOO NIGHTHAWKS!

tinky's laugh

jon's wiggly voice

WHY HELP U WITH THE JAGERMAN WHEN WE CAN HELP THE WORLD

the drums

swallow his soul i wanna lick it!

i wanna see thaaaat

WHATEVER WE WANT WE WANT WE WANT WHATEVER WE WANT WE GET

AAAAUHGUGH there IS something!

something FUN!!!

the lords in black the lords in black call us...

what do u want steph...

do it... or DIE

WE DONT GIVE A SHIT ABT UR PHONE!

AHHHHHHUHGHHH THERE HE IS

what's in your pocket STEPH-A-KNEE

STEPHANIE HAS GOT A GUN TRALALALA HOW FUN! STEPHANIE HAS GOT A GUN SHE KNOWS WHAT MUST BE DONE

i love this whole song its so silly and crazy

YUM YUM!

or FUCK OFF

that last "the lords in black the lords in black call us"

COOL AS I THINK I AM REPRISE

this one makes me really sad :( still so good

one of us is in love :(((((((((

it doesnt TAKE a detective

the violins coming in again

is it really a crime if you get to live your life to the fullest :((((

YOU GET TO LIVE ON :(((((

the i love u i know :(((((((

ur not as cool as u think u are! :(

THE HARMONIES :(

IF I CAN FINALLY BE COOL :((((

i will know that you have to do it :(((

joey's lower register for this last little if i loved u chorus :(((

loved u more than the stars above :(((((( (how many sad faces can i use)

the pause before could've :((((

i cant even say anything more abt this one it makes me too sad

ok yes i can the i never wanted you anyway breaks my heart

BEST OF YOU

the guitar

the needy beast esque pronounciation of words idk how else to say it i just love it

LIKE EYE DEW

we hurted!

the harmonies on town and down

IM THE BEST OF YEW!

this song is just so fun

it's like you knew me b4 u knew me! that whole bit! i love it!

THE AHS IN THE BACK OF THE SECOND BIT OF THE SECOND VERSE

ABSCONDED BELOVED

FOREVER!

WE'RE GONNA RUN AROUND 2NITE!

I BELIEVE IN YEWWWW

never gonna fall!

the echoey verse in the back at the end Auuu so good

the ending note harmony

DIRTY DUDES MUST DIE

the souls of the pervs make me strong

her laugh

I LOVE ANGELA'S VOICE

everything she sings here sounds so incredible

ARE U HARD BC UR STRESSED

what????

i just love this reprise its so so good

i cant point out specific parts bc its just all incredible

OF THE NERDS U MINIMIIIIIIIZED!!!! her RIFF!

THE LAUGH

when the ensemble comes in heart eyes

WHO WILL PRAY 4 U WHEN UR BODY'S GONE THIS IS THE CONSEQUENCE FOR WHAT YOUVE DOOOOONE

DARKNESS WILL SPARE MY SOUL

run pervs RUN

[kingprinceleo]

BET YOU DIDN'T EXPECT ME SO SOON

I did the dessert vampires playlist first since it was the shortest!

Stampede- very good interplay with the characters. Gives the vibe of I respect you but we fundamentally disagree on some big issues. Would be fun to play in the background of like a joint operation scheme? like they've gone undercover at a fancy party and this is them working together during it

Vulture- this is such a Shadow backstory song like- i don't know exactly what happens with GUN and Maria in this au but THIS is the song you play to express his feelings. The first verse at least low-key also sounds like Knuckles during or immediately post transformation to Rouge. He's very angy

Welcome to the Circus- a jaunty little tune. bar/saloon coded, probably plays wherever Amy works i think?

Recommend songs for this playlist: Desperado by Rhianna and maybe the entire Anti album based on vibes alone.

Blood Like Lemonade- strong vibes

Trouble Valerie Broussard- more Rouge centric i think

For other playlists:

Like a Vampire Catrien Maxwell, for vamp au Sonic

A Little Wicked - im thinking of Rouge for it but if it fits a different character i wouldn't be surprised

Little Girl Gone Chinchilla - very vamp au Shadow coded imo

Eve Precious Pepala- Shadow coded

All up in your mind- feels like Shadow thinking about Sonic's effect on him in vamp au

Hope these are good and have a nice timezone 🫶🏽. I go to sleep now

~🩸🎵

welcome back fhbghbjfdfdg !!

This playlist is a little more tough to explain bc i havent shared the major plotpoint that changes the whole title of the au fjgfjghf, but ill get there eventually !! Stampede- idrk know how to explain this one beyond its just Them, their conflicts their compromises, how the two are trying to work together in the situation theyre in, big time agree on the respect with huge disagreements tho, thats one of their major sticking points Vulture- RAHHHHHHH THIS IS IS KNUCKLES @ SHADOW !!!!! the entire time its knuckles rage and defiance !!! and im slamming my head into a wall so fucking hard i prommy it makes so much sense when i share the plot Welcome to the circus- its a rouge @ knuckles song ! like i said the subject itself is kinda weak but it hits on some of their core dynamic pieces --- Desperado- this one i could see being very rouge @ shadow but its a bit too forward and honest ! rouge would defo more take the angle of "im following you bc ur hopeless without me <3" Blood Like Lemonade- strong vibes on its own but doesnt particularly fit with anyone at least right now, i might come back to it after fleshing more people out (also i am sadly biased against songs that are kinda slow sob. i need that constant stimulation music {i almost didnt include vulture in the playlist bc of its speed but it was just too accurate and picks up with some heavy hitting stuff near the end}) Trouble- very correct w the rouge part !! defo eying this one up in consideration

---

Like a Vampire- defo not vampire au sonic , it actually lines up more with desert vampires rouge (i adore the singers voice btw omg) idk if its going in any of the au playlists but it sure is going in mine ! dfhhdfhg A little wicked- shrug tbh ! i see it for rouge but it feels like its missing something, her spunk, her 4kids saxaphone (im assuming if you dont specify an au you just mean for the canon gamers !) Little Girl Gone- THIS IS SO VAMPIRE AU SHADOWCORE LITTLE UNHINGED BASTARD !!! the blood on my teeth line caught my attention....and then the screaming part sold me HDSHDHF hes sooo silly <333

Eve- im so sorry im really biased against love songs so i dont see it personally !! esp not for shadow </3 All up in your mind- eeh there are a few lines there that work, but overall just misses slightly. big fan of the idea that shadows just making up all those lines tho and sonics never said any of it, thats funny fdgjfjdgfg i feel bad for not enjoying all of them wahh, but i am just really picky tbh,,, its gotta bounce the braincell right... but i appreciate the suggestions sm!!!! tyyy!! have a good sleep !!!