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#except they're all siblings here
longdaytogo · 1 year
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james doesn't share his invisibility cloak
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theaceace · 4 months
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Hob is woken, not by the shrill cacophony of his alarm or the sunlight hitting his face where they'd forgotten to pull the curtains last night, or even the warmth of Morpheus' hands and mouth, but by the sudden dip in the mattress as another person flops onto the bed with them.
Several lifetimes' worth of instincts see him jolting awake in an instant, heart racing and sweat already beading on his back and brow. Hob may not be able to die, but he's been ambushed in his sleep more than enough times to be getting on with, ta very much, and he's not keen to do it again. Suddenly he's twenty-five, and exhausted after days of marching on Troyes, feet sore and heart sorer, waiting on a battle that never came. He's twenty-eight, and the knife that flashes in the darkness misses his throat only because Herry has ears like a bat and enough blind-foolish loyalty to leap on their attacker's back. He's seventy-three, and lying barely-conscious among the dead that need burying or burning, and he knows that he needs to rouse himself even with the arrow still in his chest, or he'll be burnt or buried with them. He's two-hundred and sixty-four, and they've come to the home he'd made for his family, to drag him from the bed he had shared with his wife some thirty years before, and haul him away as a witch.
He's gripped now by the same fear, and it has him up and moving, one hand fumbling at the bedside table for anything with enough heft to dent a skull before he realises that none of his attackers have ever smelt like peaches.
Beside him, Morpheus shifts just enough to free his face from the clutches of his pillow.
“That key was given to you for use in emergencies, my sibling,” he says, voice thick with sleep and the cotton pillowcase.
Desire stretches luxuriously between them and smiles, fox-sharp, at Morpheus. They roll their head to look at him – beneath the perfume and sweat and wet pavement smell of them, Hob catches a sour waft of alcohol.
“Oh but my dear brother, this is an emergency,” they say, and – look, Hob has been drunk enough to recognise the exquisitely deliberate care at the edges of their words. He huffs a little, pushes himself up so that he can slap a hand on the bedside lamp and blink furiously against the sudden light. It takes a few seconds for his vision to clear, and he rubs his hands over his face in a vain effort to convince himself that this is some new nightmare that Daniel is testing out, before he gives in to the inevitable and turns to examine their guest.
"And what could possibly be so pressing at –" Morpheus snatches Desire's wrist up to stare blearily at their watch "– two thirty-seven in the morning? That could not be expressed in a phone call or wait until a reasonable hour?"
"Do you know, brother mine, how many partners I found to dance with? Whose desire for me, once so integral as to be a given, I had to simply guess at? To read in the curve of a smile or the enticing lull of a question? I didn't know them, not a one, and can you guess, sweet Dream, how many of them took me to their beds?"
And Hob has heard quite enough of that. He stretches and tosses back the sheets, while Morpheus shoots him a filthy glower that softens immediately into a plea for respite with his sole visible eye. Desire either doesn't notice this silent communication, or doesn't care.
“None!” They crow gleefully, clasping their hands, and Morpheus scowls as he's jostled in place.
It's not that Hob wants to leave him to fend for himself against his sibling, only that he doesn’t fancy being in the firing line when Morpheus inevitably snaps and thumps Desire with a pillow.
Doing an admirable job of ignoring Morpheus' wounded expression, Hob groans and lurches himself in the vague direction of the kitchen. Might as well put the kettle on for this.
"Jasmine or apple tea, love?" He calls. No sense having any caffeine now. If they're lucky, Desire will wear themself out quickly and they'll be able to go back to sleep before the alarm goes off.
"Apple, if you would," Morpheus replies.
"Ooh, I'll have jasmine if you're making."
"Didn't ask you!" Hob shouts back, already adding a spoon of sugar to the third mug he'd fetched down for them. 
“Oh, so forceful! You know, if you ever get tired of my stick-in-the-mud brother here…” Desire trails off meaningfully, and Hob snorts, smiling a little to himself. They know full well it's not going to happen, however much or little they remember about his desires, and even if he were – impossibly – to change his mind about Morpheus, they'd get bored of him soon enough. 
He sets all three mugs on a tray, and grabs a pack of chocolate digestives while he's at it. Morpheus would never admit to being fond of them, but he doesn't need to. Hob's watched him absent-mindedly devour most of a packet while he pecks one-handed at the keyboard. Besides, Desire could probably do with something to line their stomach. 
“Is being human always this delightfully contradictory? So baffling and solid and… damp?” Desire asks, lifting their head just enough to peer at Hob as he re-enters the room. It's a moot question, of course. They've been human long enough now to know that the answer is, largely, yes. 
“Often. But do you know, my sibling, the very best part of being human?” Desire turns lazily to look at Morpheus, smiling wide. Their lipstick today is dark purple, and smudged at the corners of their mouth. 
“Mm, do tell. You know how much I crave your… wisdom,” they say, rolling the words indulgently over their tongue. Hob sighs and nudges Morpheus’ book to one side so he can set the tray down on the nightstand on his side of the bed.
“It is that it is no longer against the Old Laws for me to do this,” Morpheus says, planting one foot against their side and shoving hard enough that they topple off the bed with an outraged squawk and undignified thump. There's a blessed moment of stillness, the same kind of breathless anticipation that Hob remembers from the battlefield, before the charge and the mud and the pain. Then they pop back up over the side of the bed with a cry and launch themself at Morpheus. He'd be more worried if he couldn’t hear the laughter in their voice, nor see how their outstretched hands target Morpheus’ ribs and armpits, rather than his eyes.
Hob's sisters have been dead for centuries now, but he remembers this well enough.  Maybe if the Endless had ever been anything like children, they might have gotten all of the murderous posturing out of the way before they grew up enough for it to be a problem, he muses. Still. Better late than never.
He takes a sip of his own tea and grabs a biscuit. Lord knows he won't get a look in once Morpheus has finished trying to jam his elbow into Desire's stomach and realises they're there.
“It was never against the Old Laws for you to be a bastard, which is lucky because you always were one!” Desire gasps, writhing away from Morpheus’ pointy limbs. Hob's been at the receiving end of those elbows before, and even when Morpheus is being gentle, they're decently sharp. He wonders idly if either of them'll tire of this before their tea goes cold, and decides not to intervene either way. Serve them both right if they have to drink cold tea.
“You tried to kill me!”
“Don't tell me you're still hung up on that?”
“I am, because you tried to kill me!”
“Well it's not like it worked!”
Not really the point, Hob reckons, but then again he's had plenty of mates that have tried to kill him. 
“More by good fortune than good judgment,” Morpheus hisses.
“Oh, so you admit to your poor judgment?”
Hob snorts, and the wounded look Morpheus swings towards him would fell a lesser man. Hob takes another biscuit.
“Ha!” Desire takes advantage of his momentary distraction to lock their arms around his shoulders and blow a loud raspberry against his cheek. Hob doesn’t think he's entirely successful in hiding his smile. Morpheus doesn't even try to hide his look of disgust. 
Well, he had to learn the downsides of being an older brother at some point, Hob supposes. 
Judging that the worst of the scrapping is over, he perches on the edge of the bed and pats Morpheus’ flank idly. Desire, loose-limbed with alcohol and triumph, flops over him to reach for their tea. Morpheus magnanimously doesn't jab his fingers into their exposed side.
“Thank you, Robert darling,” Desire says, eyes half-lidded as they drink. It comes out far less coquettish than Hob imagines they intended; too genuinely content. Morpheus sighs, and frowns, and doesn't quite do a good enough job of hiding his own ease as he sits up and leans against Hob. 
“I suppose you intend to stay the night?” Morpheus asks. There's nothing of the dignified dreamlord about him now, with his hair flattened on one side and just a little lank, and pillow creases on his cheek. He peers at Desire, half of his weight still supported by Hob, who takes another slurp of tea and polishes off the last of his biscuit. It's still unbelievable, sometimes, that he may see his dour and distant old stranger like this. Something tangible, something grounded, something he can hold. Unbelievable, too, after the way they had almost parted, after the way Morpheus had almost –
Well. Doesn't bear thinking about, really.
“Mm, yes, if you'll have me.” Do they have to work to make everything they say sound like a double entendre,  Hob wonders, or does it come naturally? He's not entirely sure they even notice they're doing it. 
“You're always welcome,” Hob says. “Guest room's all made up, and there's a spare toothbrush under the sink you can have.”
“How very kind. Dream, dear, isn't your man kind?”
“Unreasonably so.”
“Ta, love,” Hob says, pressing a kiss to the corner of his mouth. Desire rolls their eyes theatrically, as though that might mask how their expression softens. “Now drink your tea, I'd like to get a few more hours’ sleep before I need to get up.”
Morpheus grumbles but straightens up, plucking his mug from the nightstand and cradling it in one hand while he reaches for a biscuit with the other. 
“Should we expect any of our other siblings to join us tonight?” He asks, managing somehow not to spray crumbs everywhere as he does so, which is a bit unfair. Hob has centuries more experience talking through mouthfuls of crumbly biscuits, and he still can't do as good a job of it. “I take it you did not venture out alone this night.”
“No I didn't, but don't worry,” Desire says, tilting their head back as they drain their mug, a neat ring of purple left behind on the ceramic. “My sweet twin is unlikely to make an appearance. I certainly hope, at least – she went home with that little exorcist friend of yours. If she comes here, then something’s gone dreadfully wrong.”
They grin, cat with the cream pleased at the expression on Morpheus’ face, and flick their hand in something like a wave. “Well, goodnight brother! Robert.”
They flounce away towards the spare room, and Hob presses his smile into the curve of Morpheus’ shoulder.
“I hate them,” Morpheus grumbles. Hob kisses the bony jut of skin where his t-shirt has slipped, once, twice.
“No you don't,” he says. Morpheus sighs, sets his mug down, and returns to hold Hob's face still for a proper kiss. Not that Hob would try to get out of it. 
“No,” he agrees softly, pulling Hob down with him for a cuddle onto pillows that still smell a little of peaches. “No. I do not.”
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gamebunny-advance · 5 months
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Random Question Time (Side A)
Note: This question is more about "feeling" than the strict and literal definitions of their relationship. It's clear that they're all based on the same model of robot and are manufactured by the same machine, and are thus all related by that. This question is asking how you think their relationship functions in human terms.
See the sister poll to vote on Neon J.'s relationship with 1010.
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Take a shot for every time I use an unnecessary comma. I don't recommend this, as you are sure to die of alcohol poisoning before you finish the first paragraph.
#me? writing a tumblr post to avoid the work i need to be doing? it's more likely than you think#if you've read any of my posts then you know im working on a very important project and have been for the past 1.5 years#(unrelated but im at a coffee shop and really need to use the bathroom but someone has been in there for like an hour)#so far i'm the only person (except my two siblings who helped me with some formatting and made sure all of my links work) that has seen it#but now... the time has come for me to share it with all of the relevant people#that's like... eleven people?#they're all very important people and uh#one of them is a person i can no longer speak to and honestly shouldn't contact in any way. but here i am playing with fire#maybe fucking up this nonexistent relationship by breaking our promise not to contact each other#messing up any possibility of us having a relationship again#but yknow it's very possible we'd never have a relationship again anyway#and she deserves to see this project so uh. guess ill do it and maybe regret it for the rest of my life#and now im going to offer up this piece of my soul to people who may judge or hate it#or who may judge or hate me#this project has been the reaon i stay alive for the last 1.5 years. the reason i get out of bed. the reason i leave the house#what happens when it's done? when i have no more of it to work on?#im finally sharing it because it's reached the end of what i can do for awhile#im effectively done#now what do i do with my life?#im sending it out today or tomorrow and then... i dont know#if any of yall have watched psych. yknow the yin yang trilogy? yknow when yang is caught#and Mary says hes spent the last 15 years pursuing yang? and now he doesnt know what he's going to do?#thats me right now
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starsonmarsy · 2 years
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debtsunpaid · 3 months
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somehow this blog has become populated with a dozen characters whose relationships to their siblings roughly boils down to "that's not just my family, that is my limb, and to remove them from me would be unthinkable."
and then there's manny and the demon constantine, with a hacksaw and a dream.
#OOC.#it's hilarious i didn't think i'd put so many characters on here with such INTENSE familial hang-ups#cheryl & john constantine speak for themselves: she's literally haunting him bc he can't let her go#beatrice & hero are cousins technically but bea has gotten benedick to try & kill his bestie on hero's behalf before & she Would do it agai#nat would rip someone's spine out with her teeth if her little sister asked her to. jack vincennes probably Has already.#hell the kuntilliokans are Literally designed to be two halves of a whole being. they're so lost on their own#jalla is reacting by going batshit and deciding to rip the world open to reach anima again#and anima has gone the Slightly saner route and hopped down to earth to hunt jalla down and kill them both#thus removing them from this stunted reality and back to their own plane of existence. whole and together again. but also Stabbed#and when jalla argues with her about leaving the world when they can just bring the world to them it hurts both their feelings REAL bad#so that's. ya know. a bit more literal on the limb side of things#and then on the complete other side of the coin there's fuckin demon constantine. they're not Technically siblings but again: halves#except john's gone and made himself whole again and constantwo is absolutely STEAMED about it he wants to murder#and then there's manny who thinks that severing the limb that is emmanuel is the purest show of devotion possible#but he Keeps. Hesitating. and hates that about himself. cain and abel type beat but cain actually thinks about it for a minute#ANYWAY as an older sibling myself i am giggling. save me tragic fictional families#they're all fine and normal and well-adjusted people i assure you. come closer they won't bite. no soap operas raging here nooo#sched.
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amberautumnfaebrooke · 10 months
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i think i could design a better death arena for children than those hunger games amateurs.
the whole premise of the games is all pageantry. every year you get a crop of 24 candidates around whom the entire state media apparatus dedicates an entire year to building celebrity narratives. this candidate is the younger sibling of last year's winner - these candidates are young lovers forced to compete - he's smart - she's fast - root for them, care about them, watch them, form opinions on them, bet on them. and then they stick them all in an arena to kill each other, which is a great entertainment premise, except that they make the arenas themselves really boring and generic. ooo, they're in...a forest.
it's not even an interestingly designed forest. imagine if the game designers treated their arena like an actual video game designer treats level design. discrete zones with multiple paths between each room, creative use of lighting to guide players to points of interest, points of interest scattered across the map, discoverable resources hidden to encourage exploration. instead they just have a generic outdoors location and if you get too close to the edge they throw a random fireball at you.
the 75th games are especially bad about this. the arena is laid out radially into 12 wedges, and each hour one wedge becomes especially dangerous in a 12-hour loop. as a mechanic, this is genius. it forces everyone to keep moving, making "survival by hiding" an engaging and tense viewing experience instead of someone sitting in a tree for three days. plus, it encourages players to return to the center of the arena, where travel time between wedges is short, which creates a high-value zone for players to regularly return to and conflict over. in other words, it's a mechanic which incentives players to adopt dramatic, dynamic, exciting behaviors which are entertaining to watch (not to mention it communicates geography to the audience well). but it only incentives those behaviors if the players understand what's happening, and they go out of their way not to tell the players anything! when they figure out what's going on, the showrunners spin the arena to disorient the players, like they're intentionally trying to get them to just. randomly wander the jungle instead.
this isn't even to mention how often they create undramatic, boring deaths. they plant poison berries around the arena. they supply no fresh water and no way to get it. they roll poison clouds over sleeping victims. these happen to work out in the books themselves but you have to imagine that extremely often these just result in players dying unexciting deaths.
the cardinal sin though, of course, is that nothing is done to personalize the arena for the crop of contestants that year. if i'm designing the 75th hunger games and two of my most beloved contestants famously had to cancel their wedding because of a return to the games, i would OBVIOUSLY give them a trail of, i don't know, wild game which conveniently leads directly past a well defended wedding chapel. will they hole up there for a while? hold a mock ceremony for themselves? do or receive ironic violence here? stare wistfully and move on? any of it is better television than getting attacked by generic attack monkeys. you should have a dozen of these things on the map for every single candidate. but the game makers are more interested in doing the same thing every other game has done than in telling a compelling story.
it makes me second guess enjoying the children's murder arenas at all.
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tizeline · 4 months
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Some snippets into Donnie's relationship to his brothers in the Separated AU
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So after having figured out that Donnie is in fact their Long Lost Brother, the Drax Trio obviously want him back, and while Donnie is initially excited to find out that he has a bunch of siblings, he's less excited to find out that they're a bit, uh, evil. And they keep insulting April!! How dare they!!! Not to mention, he already has a dad, he doesn't need a new one! So no, Donnie isn't planning on just leaving his current family behind for this new one, and his brothers react to this in various different ways.
As much as Mikey wants Donnie back, Dr. Feelings understands that this is quite the adjustment for Donnie and that he may need some time to come to terms with the fact that he actually belongs with them and not with the humans. Mikey doesn't wanna force his brother to reunite with them, so instead he tries to convince Donnie to come home willingly through various ways. I mentioned this in an earlier post, but AU Mikey is essentially trying to give Donnie a redemption arc like Canon Mikey did with Draxum
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Raph, however, sees Donnie and immedietly goes full Protective Big Brother Mode. He thinks the best course of action is to "forcefully rescue" (kidnap) him and and then convince him to stay and be apart of their family. He's can't help catastrophizing about all the way his baby brother is definitely being mistreated by Lou Jitsu and April and all the other evil humans oh NO they have to SAVE HIM!! The only reason he doesn't is because no one else in the Draxum family thinks it's a good idea
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And then Leo. I'll go more into detail about Leo's character in this AU at a later dat cuz hhhhhhh but basically, he's still dealing with pretty intense Middle Child Syndrome and the LAST thing he need is another middle child joining the family! Why are all his family members so obsessed with getting Donnie back anyway? He's already clearly chosen the human side so why waste their time on him! .....Now that's not entirely the whole truth, he's kinda ecstatic when he first meets Donnie, except Donnie doesn't seem to care about them any, which... ouch.
Another way to describe their dynamic would be similar to their canon dynamic, a lot of friendly bickering.... except they don't really know each other and are also enemies here so like.... UNfriendly bickering.... which is just bickering lol. They fight a lot, is what I'm getting at.
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Anyway you know the family dinner scene with Draxum in season 2 of the show? Yeah, Mikey tries that tactic here too. Like I said, Mikey wants to be patient with Donnie, but he does eventually get a bit tired of Donnie acting so hostile all the time so he starts organizing hangouts for the four of them (attendence is mandatory!)
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And poor Donnie, this whole situation is a bit of an emotional rollercoaster for him, as you might imagine. Reuniting with your secret lost family is fun for all of five seconds before you find out that they're actually kinda messed up uh oh. A big reason why Donnie acts so hostile towards his brothers is because it's easier for him to just dismiss them as mere enemies that he feels no attatchment to. He's basically being made to pick between this new family and his old one is Not Fun.
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cornfieldsrambles · 7 months
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YOU HAVE PERMISSION TO INFODUMP PLEASE TELL ME ABOUT WIGGLY'S SIBLINGS???? THAT HE APPARENTLY HAS????
omg ok SO
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Meet the Lords in Black. Charming, aren't they?
Yes, Wiggly does indeed have four brothers who all do different things, so I'll cover them one by one, in order of introduction (since we've already met each of them in Nightmare Time at least once). BTW Nightmare Time has a fuckton of lore in it that I won't go into here, so even though I am about to spoil significant parts of it for you, I do recommend watching it, it's really good and if there's enough interest they might make a third one!
(Also you might notice they're all in doll form in this picture. This is how we knew them up until NPMD introduced us to what I call their Tumblr sexyman forms. Which are rad as hell by the way.)
So you already know Wiggly. That little green fucker, Wiggog Y'Wrath, the Capitalist Cthulu who does uwu-speak and starts a cult by invading people's minds. This will become a bit of a reoccurring theme with these guys. He's also the only one to successfully start an apocalypse, and the only one to have attempted to birth himself into our reality. (Or is he? We'll get to that...) He does seem to have some kind of dominion over the other LiB, as whenever all five of them show up there's always emphasis placed on him, like in NPMD where he does most of the talking while his siblings occasionally butt in.
Now for Bliklotep. Blinky seems to have slightly lower-scale ambitions than Wiggly, but don't let that fool you. Eyeball Boi is still incredibly dangerous. He runs an amusement park, WatcherWorld, deep within the Hatchetfield Witchwood. But it's not for the amusement of the patrons. Oh no. It's for Blinky's own amusement. Once you step inside, every insecurity, every shred of potential conflict will be ripped to the forefront, turning people against each other to the point of trying to kill each other until he's fully infected their minds. It's implied that, if not all, but a significant chunk of the workers at WatcherWorld were once patrons before having their minds taken over by Blinky. He's also implied to be the thing in Trail To Oregon that Jack Bauer sees during his venom-induced hallucination, as Blinky is referred to as "The Watcher With 1,000 Eyes", which is exactly what JB says he sees? Making Blinky the only LiB to induce a Starkid crossover. My headcanon is that the Dikrats founded Hatchetfield. But regardless.
Next up on the roster is Tinky. T'noy Karaxis, the Time Bastard. You may be wondering about that one line in NPMD where he recognised Pete as a Spankoffski, and said he "could have the whole set in his toybox". Has Tinky gone after Pete's relatives?
Well. Um. You know Ted, right? Yeah, his name is Spankoffski. He's Pete's big brother. We actually got the surname reveal before the brother reveal, lol. And that's not the only reveal we got about Ted. Our boy Teddy Bear has this whole entire tragic backstory and it turns out he gets fucked over in literally every timeline! Isn't that fun?
So, to summarise an entire episode: Tinky makes travel fuckery happen, Ted wants to go back in time to fix his life, accidentally goes back to before the time machine was created and gets stuck in the past, literally. Tinky is watching and laughing at the whole thing, then shows up to blow Ted's brain to smithereens with his weird little magic box, the Bastard's Box, where he stores all the people he toys with. Anyway Ted eventually catches up with the present by aging, except now no one knows who he is, he's... actually I won't spoil that. But once he dies he ends up eternally trapped and tortured in the Bastard's Box. Yaaay.
Fast forward to Nightmare Time 2 and we get introduced to Nibbly, in possibly the most unexpected way imaginable. He's revealed to have been behind a whole episode literally right at the end of said episode, and even though it was kind of foreshadowed, it hits you like a freight train in the best way. Remember when I said Wiggly was the only one who tried to birth himself into reality? That was kind of a lie. Nibblenephim can sort of do that anyway. Every year, he can possess a bunch of carcasses and create a living form to walk the earth for one night. He also has a cult of followers who provide him with the carcasses, as well as a sacrifice to feed on. There's a little more to it, specifically with how the sacrifice is chosen, but again, I'm trying to spoil as little as possible. Go watch Nightmare Time. Nibbly also seems to have a "pig" motif, and his theme song, The Nibbly Ditty, is a banger, easily my favourite of the three LiB theme songs we've heard so far.
And finally, we are introduced to Pokotho, in the very last episode of NMT2.
Except no. We were formally introduced to Pokey there, yes, but we've seen his apocalypse already. Long before NPMD, before Nightmare Time, even before Black Friday.
Yeah, remember me saying that Wiggly was the only one to successfully start an apocalypse? That was also a lie! Pokey already did that, and he did it without ever showing his masked face. Remember The Guy Who Didn't Like Musicals? The blue spores that came down in a meteor and turned everyone into singing zombies? That was Pokey's doing! That's his blue spores! That's his apocalypse!
This also provides an explanation for why blowing up the meteor didn't work. Emma and Hidgens were right about the hivemind thing, but wrong about the location of the central brain. It wasn't the meteor - the meteor was just the vessel which carried the spores to Earth. The central brain was sitting safely up in the Black and White, laughing as Paul blew himself to smithereens. The central brain was Pokey, the Singular Voice, the most uncompromising of his brothers. The one who hates every voice that is not his own, hence the hivemind and making all of his zombies speak in HIS voice.
Anyway in NMT2 he's happily collecting musical zombies by taking on a human form and infiltrating a fighting ring of superpowered children until he has enough to kickstart another apocalypse. (Don't question it, we're almost done). He also calls himself Otho, not Pokey, making him the only LiB to have two different abbreviations of his name. Hannah is also there (remember her? Lex's little sister?) and she is like incredibly important to this whole thing, she has a super powerful mind, but that's a whole other thing.
But I did mention Hannah for a reason. Because you said "Wiggly's SIBLINGS". And while the Lords in Black are always referred to as brothers, they do have one more sibling. A sister. A Queen in White. And her name is Webby.
Yep, Hannah's imaginary friend isn't imaginary, who could have guessed? She's benevolent, always trying her best to combat her brothers' antics, but given that there's one of her and five of them, this is a bit of an uphill battle. Webby doesn't have a full name that we know of, nor does she have a doll. We don't know much about her. And she may not be all-powerful - but then again, neither are her brothers.
Infodump concluded. Hope this helps, it was very fun to write.
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keyotosprompts · 3 months
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sweet nothing ₊˚⊹♡
domestic prompts
⇴ person a being mad at person b, so person b gives them some alone time. only to find person a trying to drag them back to bed bc they miss person b’s presence.
⇴ ^ "i thought you wanted some space?" "i don't need space, i need you" (died)
⇴ going over to family dinner with either person a/b and their sibling/younger cousin is IN LOVE with their partner. like they follow them everywhere and get mad when you guys act like a couple.
⇴ "are you jealous?" "of a child? no way." and person a SMIRKS.
⇴ person a wakes up earlier than the other, but person b is latching on so tightly and their sleeping face is just so cute that person a just falls back asleep anyway.
⇴ that thing when you guys are in bed and your legs wrap around each other. but you're also so close that your head is resting on their bicep and you're caged in their body.
⇴ grocery shopping with their partner. "we do not need those." "but they're so good!!"
⇴ target shopping with their partner. there's something very domestic and sweet about just hanging out in target for an hour or two.
⇴ i'll do you one better: IKEA SHOPPING WITH YOUR PARTNER. the furniture shopping banter. "does this match our living room or do you think it's too much?" followed by "well if we get that coffee table we'll have to get that rug." holding hands throughout IKEA while looking for home decorations.
⇴ person a is blasting music in the shower and person b is singing to it outside the bathroom. person b is so used to it by now and they know all of person a's favorite songs by heart.
⇴ staying beside the other when one of them is doing something. person a is working relentlessly hard on this one task. person b is just sitting there next to them on the couch/bed holding their hand.
⇴ "do you think this looks reasonable or should i change it up a bit?" "maybe switch that up a bit babe" [followed by a kiss on the hand for moral support]
⇴ cooking a meal together in the kitchen with fun music in the back, with occasional messes on the other person's face. person a smears flour on person b's face and person b flicks water on person a's face.
⇴ reading a book together and person b is providing commentary while person a keeps shushing them. person b continues the commentary, because deep down person a enjoys their voice.
⇴ ^ "shh. it just got good." "which is why i have to gasp and voice my opinion!"
⇴ watching tiktoks while the other person is around. (is this niche?)
⇴ having a routine together. like, person a & b are brushing teeth together while person b wraps their arms around person a and leaning into the nape of their neck (they are tired and they want to go back to sleep with a).
⇴ ^ bonus points if person b is extra groggy and still has their sexy morning voice. "i think i'm already missing you," person b says while their head is literally resting on person a's neck. "you're literally right here with me."
⇴ OR alternatively... person a & b are both doing their skincare together, except person b's skincare routine is entirely based off of person a and person a was their "dermatologist"
⇴ sleeping in the same bed, except person a is a blanket hogger and person b is sick of it. so, as a solution, person b literally just holds person a so close to their body so that the blanket isn't stolen in the middle of the night.
⇴ trying to figure out how to defrost a car (i struggled my first time and i would have really enjoyed for someone to HELP)
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ltbunny · 1 month
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Ex husband price brain worms again, c.w/ nsfw, unedited, bad writing, I've never published nsfw before
It's your ex-husband, Price's birthday, and the last thing you expect is for him to show up, with a sweet, suave smile on his face
It's not even his custody day but he says "come on, love. I wanted us to spend it together, like a family. You're really not going to let me take my favourite two girls out for my own birthday?"
All you can do is roll your eyes and let him as he walks in, leaning down and leaving a small peck on your forehead as your daughter runs down the stairs to hug her dad, squealing.
He's adamant about cooking lunch for you two, but you stop him
"Oh, come off it, John, I'll cook since it's your birthday, and you keep saying you'll take us out"
He gets dragged off to play teaparty with the little princess and comes back after a while, his arms slot around your waist, swaying side to side softly as you half heartedly try to stop him, he just grins and nestles his head into the crook of your neck,
"Let the 'birthday boy' hug his wife, love."
"Ex-wife, john."
"Mhm, whatever makes you happy. Happy wife, happy life."
Lunch is served, and the three of you spend the rest of the day going shopping, prices idea. Dollhouse, cars, legos, Barbie, slime, whatever the kid wants, and some small gold necklace for you, even though you won't accept it,
"They're too much, John, stop it-"
"But, love, this is your favourite design and the colour. It'll look beautiful on you."
He buys it and even gets the jeweller to engrave a small j.p on the back of the charm while you're not looking.
He takes you two to a small fancy restaurant at the end of the day, your daughter playing with her new toys on the table, while John's hand holds yours on the table.
"Might retire soon, getting up there in age, love," his eyes watch the way your light up slightly, looking at him before turning away slightly, seeing his gaze, "ill be able to be around more often, wasn't that one of your complaints, I was too busy, so I gave you a little one."
You smack his arm lightly, "Oh, shush, John. She'll be happy. She is always saying how she misses her dad. She keeps asking for a little brother, says everyone in class has one except her," You chuckle softly
At the end of dinner, he drives you two back home, your daughter tuckered out, he picks her up and takes her to her room, tucking her in, kissing her forehead softly, "sorry, I'm not here much, princess, I promise to be around more, okay?"
He comes downstairs and kisses your cheek as you swat him off lightly,
"Stop it, John, you know that's not appropriate,"
"Mhm, whatever you say love, come help me take the things out the car will you?"
The night ends with price bending you over in the backseat, fucking you desperately,
"Fuck, love, I missed this grip, you might have a hard time saying it but your pussy's been missing me, huh? The guys you bring round ain't big enough for ya anymore? Don't worry, daddy's here."
Your fingers grip the car seat, squealing every time he thrusts in
"There's only one thing I wanted for my birthday, you know, love? It's been real lonely up by myself sometimes, and been thinking," he hums lowly, grinding deep inside you while you struggle to even keep up with his pace let alone words, he moves over you, one hand groping your breast, teasing the nipple, the other coming up to your clit, rubbing it along with the harsh pace, "been thinking bout this pussy, and getting the present of life, ain't that cute?"
You gasp, your pussy squeezing around his cock tighter as he starts rubbing your clit faster, "John, please- is, is too much," you moan
"You're doing so well for me, mama, you want another little one too, right? You always said one feels bad, we need to give our little baby a sibling,"
"John- holy shit," your legs shake as he presses you down against the seats, every thrust with one purpose, "please, please, I'm so close!"
He keeps going until he feels your legs trembling, three loads in, his fingers massaging your clit, his lips kissing your neck, leaving hickeys for everyone to see.
You wake up in your bed, listening to John's snoring as you yawn, shifting to get up slightly, his arms tighten around you and his eyes open slightly.
"Mmhm, best birthday ever."
He mumbles before he starts snoring again
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harunayuuka2060 · 1 month
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Solomon: *chuckles* It's been a while since we had a meeting like this.
Barbatos: Everyone, the purpose of this meeting is to discuss whether we, the legal husbands and lovers, should allow Malleus Draconia to marry MC.
Satan: Why there's a need for discussion? We're not allowing it.
Belphie: Same.
Lucifer: I share the sentiment with my brothers. We're not allowing an additional to this relationship.
Levi: Lol. Unanimous decision.
Mammon: Uh, can I give my opinion about this?
Diavolo: Sure, Mammon. Let's hear what you have to say.
Mammon: First things first, I'm not siding with the dragon boy. But aren't we being too hard on him?
Mammon: Wasn't Malleus one of the students here who didn't give MC a hard time? Well, except, when he overblotted, of course.
Asmo: So~ Are you saying that we give MC to him~?
Mammon: No! That's not where I'm going at! And all of you should be honest!
Mammon: Why aren't you complaining when the others visit them? Huh?
Beel: Because the others won't live for long.
Mammon: Exactly! You know MC isn't the type to have flings!
MC: ...
MC: Mams... You have become so mature. *sniffles* I'm so proud.
Mammon: *blushes* Well, of course. I'm the best, right?
His brothers: *cringes*
Barbatos: Simeon? Is there something you would like to say?
Simeon: Ah, yes. *smiles* I have no issue if MC marry Malleus.
Belphie: Bullshit.
Satan: I can see you lying through your teeth, Simeon.
Simeon: *chuckles* I'm not.
Lucifer: You and Solomon seem to have come up with something.
Solomon: Would you like to hear our opinion?
Solomon: I'm sure all of you will definitely like it.
MC: I could feel a storm coming.
Solomon: If the legal husbands are against the marriage between the two, why not let MC give Malleus an heir?
The brothers: ...
Diavolo and Barbatos: ...
MC: I knew it.
Barbatos: Solomon...
Solomon: Haha! What?
MC: *is relieved none of the dorm leaders came to visit today*
Luke: MC, I don't mind having a younger sibling.
MC: ...
MC: Really?
Mammon: Yo, Chihuahua! What are you saying?!
MC: Mal, one question.
Malleus: What is it, child of man? *still feels embarrassed after learning that his grandmother asked their hand for marriage for him*
MC: You see... I can't marry you.
Malleus: *sad expression*
MC: But we have arrived to an agreement that, *clears throat*, I can at least try to give you a child.
Malleus: ...
Malleus: Pardon?
MC: Which comes to my question...
MC: Is it possible to wish from the stars?
Malleus: ...
Malleus: *his mood brightens* Yes.
Azul: This idea is absurd.
Riddle: Wishing for a baby from the stars?
Kalim: Hey! If it works, it works!
Leona: What if it doesn't work, huh? So the lizard will get depressed again?
Idia: Their plan isn't completely impossible.
Idia: Malleus is a nocturnal fae dragon.
Idia: MC is a master of seven demons that represent sins, and they're a strong mage themselves.
Vil: Well, it seems all we could do now is to witness how it will unfold.
MC and Malleus: *standing in the middle of a huge magic circle created by Solomon*
MC: You ready, Mal?
Malleus: *nods* *smiles* Yes, child of man.
MC and Malleus: *hold each other's hands*
MC: *starts chanting*
*The magic circle starts glowing.*
Silver: What is MC doing?
Lilia: *chuckles* They are trying to negotiate with the stars.
Malleus: *feels MC's hands getting warmer*
MC: *has stopped chanting*
MC: *making a troubled, awkward expression after a few minutes*
Malleus: Child of man?
MC: ...
*MC actually conversing with the unknown*
...: Two children.
MC: One.
...: You bypassed, so we're giving you two children for the inconvenience.
MC: Come on! Malleus is a first-time dad!
...: Two. Take it or leave it.
MC: *opens their eyes* *looking at Malleus*
Malleus: Child of man?
MC: Mal... I'm sorry...
Malleus: ...
Malleus: *smiles* It's alright. At least we trie—
MC: They gave us two.
Malleus: *dumbfounded* Huh?
*In Briar Valley*
Baul: Are these...
Maleficia: Yes. My grandchildren. *smiling*
Maleficia: Hurry, Baul. Send a letter to my grandson and MC, informing them that their children have safely arrived here in Briar Valley.
Baul: Y-Yes, Your Majesty!
Lilia: *celebrating* Grandbabies! TWO GRANDBABIES!
Sebek: Waka-sama's children... *starts crying*
Silver: Those are two beautiful eggs.
Malleus: *smiles* Thank you, Silver.
Luke: Whaa... They're really eggs!
Beel: Can I eat them?
Malleus: *glares at him*
Sebek: How dare you! *him and Silver immediately on guard*
MC: Beel, no.
Lilia: By the way, MC? How are your husbands feeling? *smirking*
MC: Haha... They're not fascinated...
MC: But they'll settle down. Don't worry.
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See, I don't think that the Pevensie kids were uncanny and dangerous upon returning to England so much as just like. Cool weirdos.
Lucy talks to animals sometimes. She doesn't expect responses or anything; it has the same energy as a person talking to their dog, except it's the squirrel she spotted on the quad or the racoon in the garbage. But she's super friendly in general so after the initial "what the heck" everyone shrugs it off because like, yeah, of course she does. She also went with me to a scary doctor's appointment having known me for like five minutes and gave me an incredible pep talk. She's cool like that.
Peter joins the fencing club and day one it's like he's never held a foil in his life and day two he loses to a kid half his size but then after like a month he just absolutely annihilates the instructor. But he's super humble about it and afterwards he helps everyone else out without being condescending at all. And while it's a little weird that he's just Suddenly an expert, people are like, "he's a fast learner, that's cool." He's really industrious in class too, just Peter being Peter. He probably practiced a whole bunch after hours.
Edmund gets extremely weird food cravings sometimes, like "wow, I could really go for chicken liver with raisins right about now" or "you guys know what's great? Gooseberry trifles." And his friends say, "I've never heard of that before but it sounds weird." So Edmund learns to cook and starts making all these vaguely antiquated fancy dishes with weird berries and organ meats and things and shares them around during study breaks and everyone's like "Yo! Pevensie brought food. Cool, thanks Pevensie." And he shares it with everyone, even the kids nobody likes, and it kinda brings people together.
Susan, who was always the Mom Friend, seems to have gotten a power-up because now she Everyone's mom and weirdly people actually listen to her? But she only uses those powers for good. Girl in her dorm not eating enough? Susan's here with snacks and look at that now she's eating. Those guys arguing look like they're about to throw down? Susan says "knock it off" and glares and they do. And her friends are like, "how do you do it???" and she says "You just have to act like you expect to be obeyed." It's very cool, though it can be a bit Much sometimes.
And they're all into mythology now? Like ancient Rome and King Arthur and stuff? That's kinda weird, but not off-putting; lots of kids have mythology phases. And Peter named the tree outside his dorm, but everyone kinda laughs and says "yeah okay." Edmund is adamantly anti-bullying now, it's nice. Susan and Lucy wear a lot of lion-themed jewelry and people definitely Notice, but that just means that they start getting more of it for Christmas/birthdays.
And of course whenever two or more of them are together it's like they've got a conspiracy going on. They're always fervently whispering back and forth, giggling an the million inside jokes they've got, giving each other Looks. And onlookers are mostly just like, "Man, it's cool that those Pevensie kids are all so tight; I wish I was that close with my siblings."
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rolanpilled · 5 months
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Why I Fell In Love With Rolan, A Character Analysis
I will be going through Rolan's lines, along with the devnotes, to try and explain my interpretation of his character.
This is coming from having spent 30+ hours combing through his dialogues, reading all of his books, listening to every voice line for context, and replaying every scene of his that's currently accessible.
TW: Mentions of abuse, family death, implied suicide
Very long post under cut. Get the Arabellan Dry out!
A few notes before getting into this:
In the game files, Rolan is referred to as "Prodigy", while Cal and Lia are referred to as "ProdigyBrother" and "ProdigySister".
Rolan is a character whose outer words and inner thoughts often do not align - for most of the game, he refuses to show vulnerability in front of Tav, reserving his softness for his siblings. This can be interpreted in a number of ways, ranging from a self-confidence issue to an avoidant attachment style. Though people are free to have their own interpretations, I will mainly be focusing on my own readings of his personality.
I am not a psychologist or a licensed health professional, but I have personal experiences with the mental health disorders I will reference in this post, and I have done a lot of research on the topics involved.
Part 1 - Elturel, and Rolan's past
"Rolan. Just... Rolan."
There isn't much you can tell about Rolan's life except that he's from Elturel and that Cal and Lia are his siblings - after all, he doesn't give you much info in the first place. He doesn't know you, he doesn't trust you. Why would he?
The information you get about his family and his life before BG3 come from minor dialogues, and using Speak With Dead on his corpse. The picture they paint isn't a happy one.
[Player: What's your name?]
[Rolan: Rolan. Just... Rolan.]
[Player: Do you have any family?]
[Rolan: No... family... no one.]
[Player: No family? What about Lia and Cal?]
[Rolan: They are... brother and sister. Cal says... I am family, but...]
Rolan doesn't have a family name. We don't know if Lia and Cal do, but it can be assumed they don't, else he might have taken theirs. The first thing that sticks out to me in this dialogue is that he doesn't consider himself to have a family, even though Cal and Lia say he's part of theirs.
The question is, what could have caused this? If his blood family was simply dead, wouldn't he refer to them as "dead" or "gone"? Instead he says he has "no one" and "no family", perhaps implying that his parents just... abandoned him. Either way, it gives the impression that he has issues with being abandoned, and may project a sense of toughness and arrogance to make up for his insecurity.
And there IS insecurity here - he outright says that Cal and Lia tell him that he's no different from family to them, but deep down, he doesn't seem to be able to accept it. That he can only reveal this information to you after death, having been so guarded in life, is heartbreaking.
As for his life in Elturel, not much is said, but a lot can be inferred from his attitude.
[Cal: Elturel was the last time the three of us talked like this. Let's hope it lasts until Baldur's Gate.]
After leaving Elturel, it appears Rolan, Cal, and Lia didn't have much time to talk. This is from the party scene - a scene where they're drinking, laughing, and joking amongst each other. Clearly the journey hasn't been the easiest for all of them, though one thing we can take from this dialogue is that they've had this friendly, sibling-like relationship for a long time.
From what we know of Elturel and the Descent, things were NOT pretty down in Avernus. Many people died, and after the city was returned to the surface, tieflings were driven out of the city, as we all know. Something important to think about is how exactly this might have gone for the three siblings: how exactly they ended up in the Grove, travelling with the refugees. The context seems to imply that the siblings were travelling on their own, not necessarily considered a part of the group, but this is debatable and not entirely clear.
So what brought them to Baldur's Gate? What finally drove them out of the city? Did they leave before things got worse, or were they driven from their homes with stones and violence? It could really be anything, but the one thing that's clear is that their primary reason for heading to Baldur's Gate is for Rolan to start his apprenticeship with Lorroakan.
We know that Rolan wrote Lorroakan a letter: multiple letters, actually. We're not sure if he wrote to other wizards, but from his dialogue, you can tell that Lorroakan's been someone he's respected for a long time, both for his magical skills and his political beliefs. Though he's never met Lorroakan, you can find a copy of Lorroakan's biography on his desk at Sorcerous Sundries - there's an admiration established early on, and the player is led to believe that Lorroakan is a powerful wizard (though if you bring Gale with you, he comments on Lorroakan's shady reputation, hinting at something darker beneath the surface).
What could have driven Rolan to write so far away, seeking apprenticeship? Was it out of a sense of desperation, wanting to leave the city but needing a way to take care of his siblings? Was it curiosity? A sense that Lorroakan might be his last chance to make something of himself after being denied what he felt like was his rightful destiny? As a tiefling, he must have faced some discrimination for his heritage - I can speak to my own experience here, growing up as a person of color in a majority-white community was genuinely traumatizing to myself and my non-white friends. Not only do we receive open bullying and ostracization for our appearance, there's something even more insidious that often happens to minority populations - neglect. A general disinterest in our accomplishments, a lack of encouragement and attention towards kids that don't fit the norm. If this was something Rolan had to experience, it's no wonder he felt angry and eager to prove himself. He's been neglected his all his life, and he finally has a chance to show everyone who doubted him that he really does have the potential to be a great wizard.
Rolan himself appears to be in his mid- to late- twenties, bringing up the question of what he's been doing his entire life if not magic. It's mentioned that he was able to conjure a flaming cat from when Cal was as young as 8, so depending on the age difference between the siblings, Rolan might have known magic from a very early age. So why, then, is he a mere wizard apprentice at the start of the game? He's surely had a lot of time to learn himself.
[Lia: Try not to get too close, Cal.]
[Rolan: Yes. Remember what happened last time?]
[Cal: I was eight and you magicked up a kitten. How was I supposed to know it was made of fire?]
What could have happened along the way? He might have just not found the time or the opportunity to be able to study, especially as a tiefling without a family or the money to pay for an education. In my interpretation, Rolan carries a lot of unvoiced shame for not having been able to "fulfill his destiny" until now. He projects an outward mask of confidence and arrogance to hide his vulnerability, his insecurities - that his family isn't really his family, and that he isn't really destined for greatness. His natural reaction to vulnerability is anger and denial, which we'll explore more in the later sections.
(It is mentioned in the devnotes, though, that Rolan "has truly worked his ass off to get here". Prodigy is not an ironic title - he's likely had to self-study to the point where Lorroakan felt that he had potential. He has a right to be confident, but it doesn't negate any potential feelings of unworthiness.)
Additional info - Rolan, Cal, and Lia, on top of having known each other since Cal was 8, also share a mother figure, who is deceased. There is no mention of a father. It could be that this was Lia and Cal's actual mother, who took Rolan in, or a number of other possibilities - it could be that ROLAN'S mother took the three in, or that she just happened to be an unrelated woman who adopted three orphans.
[Cal: We should have a little party when we reach the city, like we did for mum.]
[Rolan: That 'little party' lasted from sundown to sunrise. Lia would like that.]
This dialogue can only be accessed if Lia dies but Cal and Rolan live.
So we've set up a few key details about Rolan's personality: his arrogance may harbor hints of insecurity or desperation, he has issues with feeling abandoned or neglected, and he's potentially been denied his chance to learn magic in the past. We will explore these in detail in the next few sections, along with another troubling tendency of his - perfectionism, and the self-blame that comes with it.
Part 2 - The Grove
"I'll not gamble our lives, our futures, for people who are as good as dead."
If you recall his dialogue in the grove, Rolan seems to distance himself from the other refugees, focusing only on the safety of his siblings. Let's unpack this in his own words -
[Rolan: This isn't Elturel and I'm not responsible for every damn tiefling in the world!]
[Rolan: I made no such oath, and I will not be held responsible for these people.]
This is in contrast to Lia, who believes that they should help what she considered to be their 'kin'. Remember that Rolan often refers to the refugees in a detached way, refusing to associate himself with them.
At a first glance, it might seem like Rolan is fixated on his apprenticeship - he wants to get to Baldur's Gate straight away, so he can begin studying under Lorroakan. Lia accuses him of the same, causing Rolan to react with anger.
But if you think about what Rolan's underlying motivations might be, you might have realized something that Cal and Lia most likely recognized too - he's worried for his siblings' safety.
The grove is an open, unprotected area, and they're being menaced by druids on one side, goblins on the other. There's only a few fighters, Rolan, Cal and Lia among them, and none of them are strong enough to take on either group. Even if Rolan feels a sort of kinship with the other tieflings - which I'll expand on in a second - he prioritizes the lives of his siblings over them, and doesn't want them to sacrifice themselves for people he doesn't even know.
Now, the other theory - what if Rolan doesn't identify with the other tieflings, because he's been cast out by them before?
I'm going to inject my personal experience as an immigrant here. Life as an immigrant can be profoundly isolating, especially if you have few relatives in the area. Rolan may have been so attached to Cal and Lia because they took him in when his own people rejected him - for some reason, even other tieflings could have seen him as an "outsider", and refused to help him when his parents abandoned him or died. If you tie in the theory that he was a tiefling born to human parents (which would be taboo), it could have been that they rejected him for not "being tiefling enough". I'm aware that in-universe there's no one unified "culture" of tieflings, but even in groups without a unified culture, there are still small pockets of people with certain internal customs. It could be that Rolan failed to fit in due to his heritage, that he was rejected for his personality, or some other reason, but my interpretation for his refusal to help fellow tieflings is that he never quite felt the same kinship for them that Cal and Lia did. It could also be that he holds resentment towards them for abandoning him - abandonment seems to be a central theme in Rolan's story, and likely contributes to his feelings of inferiority and unworthiness.
(He does seem to know Infernal, though I don't know whether that's a cultural thing or an innate trait to tieflings.)
If the fight is held at the grove, Rolan, Cal, and Lia stand near the back of the cave to protect the children. They can be found arguing with each other on potential battle positions. Afterwards, if the tieflings and all three of the siblings survive, they can be found by the entrance of the cave, where Rolan again behaves arrogantly towards you and claims he could have handled the goblins on his own.
All of this is quite standard for his character and projects the image of an arrogant, selfish person who only seeks to protect himself and the people that matter to him, which is likely what he wants. It also lends some credibility to the interpretation where he was rejected by other refugees - if he felt neutral towards other tieflings, it might have made more sense if he was less derisive towards them. Instead, he consistently detaches himself from his people, drawing clear lines between them, with a hint of bitterness that seems to have a painful origin.
The rest of Act 1 is Rolan acting like his standard self - bratty, arrogant, and dismissive of others. That is how most of us met him, though he won't stay that way for long.
Part 3 - Moonrise
"But what good am I if I can't do this... this one thing?"
(Author's note: "This one thing" is travelling alone through a cursed, necrotic land, breaking into a prison staffed with dozens of trained guards, and personally facing an immortal chosen of the literal god of death. Rolan is a Level 4 wizard.)
As you already know, at the start of Act 2 Rolan is drinking himself to death alone. His brother and sister have been dragged away screaming by the cultists, and he's overwhelmed at the thought of never seeing them again. Naturally, he's quite angry with you, but if you read his lines closely, you can see that you're not the only person he's angry at.
[Rolan: Gods damn it all. I can do nothing right - not a damn thing!] [Devnote: Furious - mainly with himself]
[Player: You're supposed to be at Last Light.]
[Rolan: I'm supposed to be saving Cal and Lia!] [Devnote: Frantic, worried for his siblings]
[Rolan: Instead, I found myself cornered by shadow-fiends and in need of rescue. From you, of all bloody people.] [Devnote: Pissed off and taking it out on the player]
[Player: You were trying to help your family - you're too hard on yourself.]
[Rolan: Or not hard enough.]
[Rolan: I've failed Cal and Lia, again. Be on your way - I'll return to Last Light... I know when I'm outmatched.]
Rolan is someone who feels deeply responsible for the safety of his siblings (this lends credence to the idea that he's the eldest of the three). He may argue and bicker with them, but he could never abandon then, nor could he forgive himself if something were to happen to them. He is clearly carrying an unbearable amount of grief and guilt for allowing his siblings to be captured, but he's so emotionally repressed that he chooses to bury his sorrow under a mound of anger. Being drunk doesn't help - it's mentioned by one of the kids, Ide, that he's been through three bottles of wine by the time the player reaches the Shadow-Cursed Lands.
That much is obvious just from reading his lines, but his angry reaction to the player is, as the devnotes say, a way of taking out his pain and frustration on other people. He might feel guilty about it later, but in the moment, it's the only way he knows how to cope with them. This isn't his only instance of externalizing his self-hatred.
If Cal dies and Lia lives, the player has the option to break up an argument between Lia and Rolan. If they fail to neutralize the situation, Rolan will tell Lia (or Cal, depending on who lives) to get out of his sight permanently.
[Rolan: You deserve nothing. You two are cowardly parasites, and I am disgusted it took me this long to see. Get out of my sight.] [Devnote: Furious in his grief, lashing out, being as hurtful as he can to his surviving sibling]
[Lia: Fuck you, Rolan!]
-
[Lia: Insufferable, arrogant little prick. Argh.]
[Lia: Everything is about him, everything is about his pain. Godsdamnit, Rolan!]
It says a lot to me that if one of his siblings dies, that he has to be convinced out of lashing out at his surviving one. He seems to be like a person who deals with strong emotions by lashing out, likely as a defense mechanism to make himself appear stronger than he feels. This is a common technique used by people with self-esteem issues - to avoid drawing attention to their own vulnerability, they lash out and externalize their feelings with anger to bury the grief. Lia says as much in this ending - to Rolan, everything is about his pain, and he's managing it in the only way he knows how. He knows he's hurting his siblings, he knows it's wrong, but he engages in it anyway, a common trait of people who dislike themselves. If Rolan didn't have his apprenticeship, it wouldn't be a stretch to say that the death of his siblings might have caused him to spiral and give up on life altogether.
Interestingly enough, in the end where both Rolan and one of his siblings die, it's implied that the remaining sibling commits suicide. You can read more about it here - it gives some insight into Rolan's motivations, and serves to emphasize exactly how much this apprenticeship means to him. Rolan lives for two things, though it really just is one thing - his siblings, and his apprenticeship, which means more to him because it represents a hopeful future for his siblings. Every clue in the game points to his siblings being everything to him.
But let's move away from this bad ending for one second, and back to where we are. Rolan's been drinking himself silly, yelling at children, and eventually storms out into the SCL by himself. Being an apprentice wizard, few expect him to survive on his own, and true to form, he has to be rescued by the player again.
Though I think this line is currently bugged and unavailable, he actually has lines reacting to the shadows.
[Rolan: My magic is not to be trifled with - leave or die!] [Devnote: Exhausted and scared, but trying not to sound it]
Rolan, emotionally repressed fool he is, is once again attempting to appear big in order to protect himself from what he fears. Whether it's the shadows, or the loss of his siblings, he reacts to stressful situations with a brave front, attempting to push people away so they won't see him at his worst state.
This is one of the common symptoms of an avoidant attachment disorder - an attachment style that causes people to push others away if they get too close, avoiding emotional closeness and being uncomfortable expressing vulnerability to others. I interpret Rolan as having this kind of attachment style, which is often formed from neglect or abuse as a child, resulting in a self-sufficient but emotionally cold person. It can lead to the breakdowns of close relationships, as evidenced by Rolan pushing away his surviving sibling (potentially in order to save himself the grief of having to go through their death again). People with this disorder often cut off people before they can be cut off, in order to save themselves the pain of being abandoned again.
Some recognize the negative impact of their behaviors more than most, and though Rolan never comments on it, it can be inferred that he feels some measure of guilt for the way he behaves. If convinced to lay off of his surviving sibling, he immediately apologizes, recognizing his mistake.
[Cal: Do you wish it was me who died? Instead of Lia?]
[Rolan: Gods no, that's not what I meant. Never, Cal. Never!] [Devnote: Realizes what he's just said. Backtracking, apologizing, sincere]
[Rolan: Shit. I'm sorry.] [Devnote: Disgusted with himself and what he's just said. Looking away, sincere apology]
[Cal: Me too.]
We can see here that Rolan IS capable of self-reflection and guilt - it just takes more than a nudge to get it out of him. He says as much if you manage to rescue both siblings, thanking you and apologizing for his behavior - not an empty apology, or made out of necessity, but a genuine, heartfelt admission of guilt and gratitude. This kind of mature response from him says a lot about his character, and hints at a capacity for further growth in Act 3.
As Cal says, Rolan can be stubborn, but he's never malicious. I see this as an indicator of the immense guilt he holds inside him - though he externalizes his rage towards anyone and everyone, deep down, the person he blames the most is himself.
Which leads me directly into a talk about perfectionism, one of Rolan's defining character traits.
Rolan, at his core, is a perfectionist. The feelings of failure for not being able to save his siblings, the arrogance that belies a certain type of self-hatred, and a willingness to attack others in order to deflect from his own vulnerability - all of these traits tie heavily into perfectionism, which Rolan consistently displays traits of. At the start of the game, he spends every line with the player bragging about how he and Lorroakan are going to become household names, how they will boast of this meeting to others. To an extent, I'm sure he believes it. He's just been invited to what he considers to be a prestigious apprenticeship, despite everyone having considered him a failure. Naturally, he's excited despite the trauma of Elturel and Avernus, and wants to get to Lorroakan immediately in order to fulfill his destiny (he refers to it as his destiny several times throughout the game).
This makes what happens next all the more tragic.
Part 4 - Baldur's Gate, Lorroakan, and ending the Cycle of Abuse
Picture this - you've been rejected, abandoned, considered a lost cause for most of your life, accepted only by the siblings you just barely avoided losing forever. But the journey was worth it. You're finally here, in the city you've dreamed of, studying under who in your opinion is one of the most powerful and respected wizards in the world.
Then you get there, and you don't learn a thing. Your teacher asks you nonsensical questions and beats you as a punishment when you're wrong. It's unsurprising that when the player enters Sorcerous Sundries, that Rolan seems a bit more dejected than usual.
Much has been said about the depiction of abuse in media, but as a survivor of domestic violence, I found Rolan's reaction and justification of his abuse very accurate for someone suffering from DV. True to his personality, the very first thing he does is deny that anything's wrong, continuing his trend of burying his emotions in the hope that they'll go away.
[Player: I know the marks of subjugation. Your face - what happened?]
[Rolan: Nothing for you to worry about.] [Devnote: Master Lorroakan hurt him, but he doesn't want to say]
[Narrator: *His voice catches. Something's wrong here.*]
Survivors of DV often feel great shame towards their abuse, often blaming themselves and refusing to speak about it out of fear of appearing vulnerable. True to that, Rolan doesn't say anything about what Lorroakan's doing it, resorting to another common tactic for abuse survivors - implying what's happening without directly stating that the abuse is occurring. This is often out of fear, especially if the victim is still close to the abuser - in this case, Rolan not wanting to jeopardize his apprenticeship, or possibly be abused further for disclosing it to someone else.
[Rolan: Be very sure before you make to visit Lorroakan. He's got a beastly temper.] [Devnote: Sounds a bit disappointed in the player]
[Rolan: Master Lorroakan is... a difficult man.] [Devnote: Gently touches bruised face, distant]
Abuse survivors often hold a great deal of guilt for 'allowing' themselves to be abused, more so if the abuser considers them weak or easy to manipulate. There's often a stigma - "why didn't you just leave? You knew it was bad, yet you stayed, so there must be some blame on your part." This is not an uncommon belief amongst survivors, and through his journal entries, it can be inferred that Rolan holds a similar belief. Rolan's journal, and his VA's fantastic reading of it, can be found here. Rolan is clearly aware that what's being done to him is wrong, but he persists - in my opinion, partially because he believes it's worth the benefits involved, and partially because he feels a responsibility towards his siblings to succeed after 'failing' them so tragically before. Again, perfectionism, guilt, internalized self-hatred: easy traits for a horrible man like Lorroakan to take advantage of.
There are a few possible endings for Rolan here, the first being if you side against the Nightsong with Lorroakan.
The thing about abuse, as Larian so excellently portrays it, is that it is often perpetuated in cycles. A person who's been hurt is more likely to hurt others, whether as a response to their pain, or in an attempt to spread their misery in order to feel less alone. Though not all survivors become perpetrators themselves, many perpetrators are survivors themselves. Rolan is no different - if Nightsong is captured, and Lorroakan is killed in the fight, he will immediately attempt to cage the Nightsong himself and harness her immortality. This could easily be seen as an attempt to get strong enough that no one can ever hurt or take advantage of him again.
When the player next long rests, Rolan will be found dead, having been killed by Aylin - perhaps a mercy, to avoid him from becoming just the same as Lorroakan.
But the player who cares for Rolan wouldn't let this happen to him, right?
Rolan's attitude towards the player gradually changes over time, but nothing shows his growth more than his good ending, where you save Cal and Lia and side with the Nightsong. When you bring Nightsong to the tower, Rolan will be shocked, in disbelief that the Nightsong was a person all along. He turns against Lorroakan on the spot despite the other man's threats to ruin his life (a common tactic employed by abusers to control their victims).
[Lorroakan: Boy! At the ready. Once I've taken control of the aasimar, she must go directly into the caging runes.]
[Rolan: No, Master Lorroakan. I would have never assisted you if I knew you planned such horrors.]
[Rolan: You lied to get the Nightsong here. Made us all believe she was nothing but a relic. I have seen what true leadership can accomplish - but never under your tutelage.]
[Lorroakan: Watch your tongue, you child! I could make it so that no wizard in the realm will touch you.]
[Rolan: If they're all like you, I think that sounds like an excellent bargain.]
It takes an immense amount of courage to stand up to one's abuser, so to see Rolan so bravely stand against the man who hurt him was a positive surprise to me. It also shows just how much the player has changed Rolan for the better - your leadership and selflessness has inspired him, given him the bravery to stand against his abuser. It's a powerful scene, and I admit that watching it brought a tear to my eye, brief as it was. Few people get the chance to take revenge on their abusers, so it was cathartic to see Rolan thunderwaving him onto the balcony before letting Aylin snap his spine.
After the fight, Rolan thanks the player, finally feeling safe enough after his abuser's death to reveal what happened to him. Though it's implied that he feels some shame for being victimized, much of it is likely from the shock of the sudden event, and by the next day he's regained much of his enthusiasm - he still has the ego, but with less arrogance and more acceptance of the player's presence. Rolan's growth, from hating and mistrusting the player to eventually trusting them enough to show his true, kind self to them, is what really made me fall in love with him and his character arc.
Ultimately, Rolan's story isn't just about learning to lay down your pride and accept help from others - it's about abandoning perfectionism and elitism, accepting your own faults, and choosing to grow as a person. For Rolan, the player begins as an annoying, meddlesome force, someone who "moralizes" to him about saving others when he wants no part in doing what's considered "right". By the end of the game, he realizes just how lucky he is to have you in his life - without the player's influence, he could have easily gone down the worst path, the path of narcissism, ego, and disregard for others. But because of a string of coincidences, he was saved from that fate, and was allowed to grow and accept that there's enough room in his heart for more than just the few people that care about him. He learns to lay down the perfectionism, accept that making mistakes is a part of change, and feel his feelings for what they are - whether they're gratitude, fear, or even sadness.
For someone who struggles with avoidant attachment disorder, seeing Rolan's character change throughout the game greatly inspired me to change the way I was approaching my own relationships with people. Avoidant attachment disorder is not talked about very often, both in the medical field and in everyday life, and people suffering from it are often misunderstood or considered to be 'lost causes' - to see Rolan so capable of change inspired me to change myself, and I'm sure I wasn't the only one who felt this way.
When he takes over Ramazith's Tower, Rolan decides to distribute Lorroakan's knowledge to the world, and tells you about his plans to open a library. This is the most obvious sign that he's changed - the player's willingness to help him despite getting little or nothing in exchange has inspired him, and he becomes a kinder, more open person. He learns to trust again, to love again. It's unclear what happens afterwards, as he's not present in the epilogue, but the heartwarming conclusion to his arc can be seen in the issue of the Baldur's Mouth Gazette after Lorroakan's death -
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Despite everything, Rolan makes it to the end, having vanquished the trials in front of him with the help of the player. He gets his tower, his knowledge, and shares it with the realms, finally able to realize that he's worthy and deserving of a happy life.
-
Thank you to Larian for bringing Rolan's story to life, to Mr. Taylor for his excellent portrayal of this character, and to all the Rolan fans for showing him so much love every single day.
I have met so many amazing and talented friends from the community around this character, and I'll forever be grateful for everyone who showed him the love I feel towards him.
I can be found on twitter at @gimblebock.
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churipu · 3 months
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can i request the reader being gojo's younger (or little, if that's what you prefer) sister during their highschool days? i think the dynamic between her and geto would be really cute and sweet! meanwhile, shoko would be the tired aunt that has to watch every stupid thing that stsg and the reader does 😭
๋࣭⭑ A CHAOTIC FOURSOME ₍⑅ᐢ..ᐢ₎
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featuring. gojo satoru, shoko ieiri, geto suguru + gojo's little sister
warning. time sequence is during their highschool days (2006) and i'd say the reader would be younger than gojo by a year, so she's as old as nanami and haibara :D
note. i'm actually like so ecstatic to write this because i have so many assumptions of gojo with a younger sister, thank you nonnie for requesting this, ily <;33
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the mother x the dumb x the dumber x the dumbest
no doubt that shoko is the mother of the group, without her the whole group is just well, plainly chaotic. satoru will come up for stupid plans, hence the dumbest. you will undoubtedly follow him, hence the dumber. and geto will think it's stupid, but will follow him, hence the dumb.
"okay, so what if we just — find a way to summon a curse, and sell our soul to it for something in return?" satoru asks with a cheeky grin.
"sounds cool, i'm in!" you replied with a large toothy grin.
"that must be the stupidest idea i have ever heard in my life," geto sighs out, "but let's do it."
"i don't have a soul," shoko mutters out of the blue, sighing out, "and you guys are incredibly stupid, you know that?" at the end of the day, the plan didn't even commence nor did you all talked about it again.
you are the closest with geto, he treats you like a little sister as well — except he's a little less of an asshole than your actual brother.
satoru is an asshole. he's a pain in the ass, no doubt. all three— you, geto, and shoko— can and will admit the fact that out of you four, satoru is the brattiest. however though, being related to him by blood, you were his target most of the time.
"ouch! satoru, did you really just shoot me with a nerf gun? that fucking hurts you ass!" you hiss, rubbing your nape— where satoru just shot with a nerf gun.
"take that, peasant." satoru sings out, attempting to shoot two more bullets at you, one hitting your arm and the other barely missing you.
you ran to shoko who immediately flee, leaving you open to satoru, traitor. before you eventually seek shelter behind geto who was sitting down on a bench, sipping a drink; and oh boy, the bullet managed to hit his face.
"oh shit." satoru mumbled, "it was an accident, suguru."
"damn." you look at geto, before laughing lightly.
geto smiled at your brother before standing up, and the cat-and-mouse chase between them both begin. geto made sure you were alright after, and satoru was— yeah, he survived, just a little bruised here and there.
being siblings is funny, satoru's closet is your closet too.
"y/n, is that my shirt?" satoru asks, pointing at the white shirt you were wearing and you hummed softly, sipping on a carton of milk.
satoru began lecturing you and how you shouldn't snoop in his closet, "lord, save me." you muttered out, walking in between shoko and geto while your brother constantly turned towards you to lecture you about asking for permission.
"are you even listening to me, brat?"
shoko grunted, "make him shut up, please."
"it's not her fault that she looks better in your shirt, satoru," geto laughed lightly, and that somehow managed to shut your brother up for the rest of the day— until he opens the door to your room late at night with a pout on his face.
"my shirt does not look better on you, for your information."
"oh my god, satoru you're so childish!"
as much as satoru teases you, when it comes to protecting you— he's number one, and he will always worry about you. he will not hesitate to tell someone off if they're bothering you.
"so, who is it?" satoru asks, his eyes not leaving the television screen.
you sat next to him and hummed in confusion. earlier you had gotten home with a small bruise right next to your lip, and as hard as you tried to cover it with make up — satoru still noticed the bluish purple outline of the bruise.
"what do you mean?"
"who gave you the bruise?" he asks again, calmly. way too calm for your liking, to be honest.
"i fell."
satoru finally turned to look at you, "doesn't look like you fell, just tell me what happened, it's not like 'm gonna do anything—maybe." he mumbled out the last part under his breath.
you sighed out, knowing the male won't drop the topic unless you tell him about it, "you know that one guy who wouldn't stop bothering me just because i beat him up in middle school for ruining my comic book?"
"the one i already try to tell off last time?" you nodded at him, "damn it, i should've gotten rid of him that time. want me to hollow purple him or do you prefer a more friendly approach?"
you chuckled, "i can fix this myself."
"nu-uh," he rolled his eyes, "hollow purple it is."
"'toru!"
"sheesh, fine friendly approach it is."
shoko and geto tries their best to look after you and satoru, but they don't get paid for this and always ends up giving up halfway and just joins in the "fun".
"oh, come on satoru, this is like the worst plan ever!" you tell him, crossing your arms.
"what? why? is it because i made it?" he argues, crossing his arms as well.
"no — okay, yes, maybe. but still it's a shitty plan, right?" you look over to geto and shoko who only nodded in forced affirmation, in all honesty, they didn't know what was happening between you and your brother or whatever you both were talking about.
"suguru, even you?" satoru whines out, "traitor."
"see? what about we go for my plan instead?" you offered, and satoru immediately declines, arguing with you.
it took you both two hours to finally settle on doing nothing because you got tired, and satoru got too angry that geto had to drag him away.
when satoru was supposedly "killed" by the sorcerer killer, toji. you were fucking destroyed. until he actually shows up, looking more alive than ever.
"oh, you're alive?" you asked slowly, although in disbelief.
satoru chuckled, opening his arms for you to fall into, "don't say it like that, might think that my own sister doesn't love me," not like you spent the whole time crying over him.
"fucking ass. i hate you so much." you hugged him.
"i love you too."
satoru spoils you. and when he does, he makes sure geto and shoko gets little of it too (because you told him to do it so they would feel loved).
"i was thinking — satoru treating us three to shabu?" geto immediately agrees with no hesitation, no thoughts, he just agreed to what you said.
satoru looks at you and smiled sweetly. a fake one. but it was fun watching him like this so you didn't care, "shoko?"
"free food? hell yeah." shoko nods her head with a smirk.
satoru ended up feeding all three of you like a mama feeding her child, and you ended up getting a scolding from him and a threat that goes a little like: "that's the last time i'm spending my money on you, loser."
but you know he didn't mean that. just watch how he'll probably get you something the very next day.
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