#find a lawyer

[monkawonka]

He’s being forced to read law books :(

Pose x

[poorly-drawn-mdzs]

My Lawyer is going to Get Your Ass.

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[clown-owo]

I think that if Miles Edgeworth were to ever have a Tumblr blog it would be entirely Steel Samurai based with a carefully organized tagging system. He posts lengthy formally worded analysis about Steel Samurai and nothing else. He doesn't check his notes. He does check his asks, because they're kind of like emails. He has anon asks and dms turned off. Someone sends an ask about his interests outside of Steel Samurai and he immediately blocks them. He doesn't have pronouns or a name to be called by in his bio. The only hint about Edgeworth's personal life is that when he refers to the death of Jack Hammer or the conviction of Matt Engarde he only refers to Phoenix as "that man".

Maya definitely has a tumblr and it has a canon Pink Princess url. She actually hoarded a bunch of Pink Princess urls long before the character was officially announced because she knew she needed to have them. Her tumblr header is "the real pink princess ask sal manella". Her pinned post has these

[ID: Two blinkie banners. The first has a lesbian flag background and says "Pink Princess is canonically gay." The second is light pink and says "PinkSteel shippers dni". End ID] (thank you @princess-of-purple-prose)

Maya follows him and sends Edgeworth asks periodically. He thinks she's a wonderful conversationalist. He has no idea of her identity. Maya is fully aware he's Edgeworth.

[isthiswhatiam]

seventeen + textposts [2/?]

[emmawilks111]

Isn't it a nightmare to find a lawyer on your own? No worries, you may hire a company like Mishoura to assist you in finding a lawyer in the UK. Book a free consultation with them, and they'll ask you the necessary questions to help narrow down your search results and identify a lawyer who might be able to help you, so contact them right now to get started.

[bet-on-me-13]

Two-Face is a Liminal

So! Harvey Dent was splashed in the face with pure Acid, strong enough to instantly melt and burn off half of his Face.

He definitely nearly died from that, if not from the Blood Loss then from the Infections and Chemical Poisoning that you would expect. Now, since he didn't actually die he didn't become a Ghost, but multiple factors led to Harvey becoming a Liminal.

He was born in Gotham, a city with a very high Ecto Level, his attack was one filled with many extremely powerful emotions, and near death experiences tend to draw Ectoplasm to the location.

It makes sense doesn't it?

The sudden Split Personality, that's his Traumatized Ghost Side and his Barely hanging oon Human Side conflicting. It got so bad he developed DID.

His Obsession with the Coin is his Literal Ghostly Obsession. In Life he was always preaching about how "Crime always pays, its fate" so now he relies on Fate to make decisions.

Harvey Dent is a Liminal Human, parading around as a Villain in Gotham.

Imagine his surprise when Danny shows up at his Base, asking for a Lawyer? Apparently he needs help with a Legal Case of some sort.

What are these, Anti Ecto Acts?

[merakiui]

since heartslabyul has a courtroom, i wonder if any of the students ever have danganronpa-style debates in there. stealing riddle's tart is tantamount to homicide (pre-overblot), so now it's the most convoluted debate ever just to prove your guilt/innocence. T_T

[leverage-ot3]

love how we all went into redemption either wary of or expecting to hate harry but within two episodes we all collectively went, oh, he’s just some lil weird guy and we adopted him just like the leverage crew did

[garrandia]

if i had a dollar every time when jjk narrator says something like "AND THIS PESON HAS POWERS TO RIVAL GOJO SATORU" and they drop ded next chapter i would have 2 dollars

[nathaniel-underwood-is-an-intj]

Looong rant about chapter 16 Ptolemy's Gate and how being passive can add to the cycle of ab*se.

oof so I just read when Nat goes to see Ms Lutyens and I can't help but be absolutely furious at her??

I know that's maybe a little bit unfair given she's frightened of him as a magician and is obviously angry when she finds out the department he's responsible for, but honestly it kinda brings up the problem with inadvertent bystanders to child ab*se in my mind.

And I'm definitely not blaming her solely for who Nat becomes but it makes me think of all those people in huge child ab*se cases who give interviews to press about all the things they noticed that were wrong but they just...never do anything?

She stood up for him against Lovelace, and when Nat thanked her- "I wanted to say that I know you were trying to save me, and-"

''Yes, and I'm sorry I didn't" Like girl be for real did you really think that alone would undo the years of indoctrination and abuse he's already suffered and prevent years worth of the same in the years to come? And she won't take responsibility - "My job is with children, not the adults they become" and again while it seems harsh to blame her for who Nat becomes, it's so much easier to pass the blame to people who are more directly responsible rather than acknowledging you also play a part.

I think it hurts so much more because it's her specifically- Nat goes to her in sheer desperation, it almost seems like a goodbye- he wants to thank her, tries to set her up in a job that will pay well and struggles to communicate he's trying to help. At this point he thinks Bartimaeus has been summoned by another magician and his birth name will be revealed. He's sure he's about to die and if not he'll be stood on trial and lose everything.

He goes to her because she represents the peaceful moments from his childhood when he got away from his master. He's scared and feeling lost and really it's call for help; but he doesn't ask for anything he just wants to make her feel proud of him- he's looking for that validation that he's been chasing since childhood.

And that shows he still does have that little bit of childhood innocence in him; he thinks she will be proud, thinks she'll see him as the same little boy in the garden gazing up at his teacher in adoration. He can't quite grasp why she's separated the man stood before her from that little boy. Because in that moment the child inside Nathaniel is seeking comfort AND THAT'S WHY it makes me so angry. She's completely given up on him when he's at his lowest ebb, because she doesn't want to be associated with the magician he's become. As if it isn't a massive step in the right direction that he saught her out in the first place- what other magican would bother? I wonder if that's why she reacted so strongly to seeing him again? Before that moment she could go about her life wondering if /pretending her attempt to protect him was enough, and now she realises it wasn't, of course it wasn't, and the image she had of Nathaniel's childhood innocence is completely ruined in her mind.

Or was her contempt for him even grater than Nat realised? She was naturally disgusted by the rhetoric he'd started to repeat from a young age, and gently tried to correct him although she was clearly angry- was she just resigned to the fact that there is little else she could do to change his future? I always thought- couldn't she have looked for him? The Underwood house fire was in the papers and they mentioned the apprentice was being searched for. Did she ever worry about him? Surely something must have been in the papers since- an announcement of new ministers, ANYTHING! Look at how much research Kitty did to find out about Bartimaeus and Ptolemy. I just don't think Rosanna Lutyens cared enough, realistically Nathaniel wasn't hard to find- but he was no longer her responsibility so she could turn a blind eye.

And sadly it's not just her- I know everyone loves Martha Underwood including Nat; but I think her submissiveness to her husband has a negative effect on Nathaniel as well. In AOS when Nat is locked in his room for ages after setting the mites loose, and is forbidden to have any contact with anyone and she won't talk with him. I know she's been told by Mr. Underwood she can't, but it still boils my blood. She's an adult and going along with ignoring Nathaniel because her husband told her to...I can't even begin to imagine the psychological damage that would do to a 10 year old child. (It could be argued she's frightened of the consequences if her husband finds out she's disobeyed him which is fair, he could always be watching through magic- but this is Arthur Underwood we're talking about. He's lazy, oblivious and weak I doubt he'd expend all that energy each day to check up on her.)

And It's even more painful that Nathaniel is often described as fiercely loyal to her and I think to Ms Lutyens as well- he doesn't expect to be treated well by Arthur Underwood but he loved Mrs Underwood and Ms Lutyens so much he started to view them through a rose-coloured lense. He never feels betrayed by either of them, even though they absolutely let him down, because the pedestal he's put them on is too high AND THAT ABSOLUTELY DESTROYS ME.

Would things with Nathaniel have been any different if Mrs Underwood hadn't died? I don't really think so. Do you think she'd see Nathaniel's temper at 14 years old and be reminded of Arthur Underwood? He was awful, absolutely awful to Nat and to her; but he was under so much stress in an underfunded departement, where pressure was being put on him by superiors to accomplish far more than they knew him to be capable of, and he took it out on the easiest target. Nathaniel ends up in exactly the same place and he starts to take it out on the only person around him- Bartimaeus. Would he snap at Mrs Underwood all the time if she were still there? Because he's learnt that behaviour from his father figure, and subconsciously learnt from his mother figure that she'll put up with it. He learnt from the woman he loved so deeply, that if you don't resist, people will walk all over you. So you have to maintain control even if it ends up hurting people you care about because no one will step in to stop the suffering no matter how much you love them, no matter how much you want them too.

It's easy to blame Arthur Underwood and Simon Lovelace and the magicians that actively hurt Nathaniel but I just feel like it's a bit disingenuous not to acknowledge the role of those doing passive harm. It's really mean to say it but even Bartimaeus plays a role- he knows Nat is clinging on to him because he can't 'bring himself to break this last connection' (to his childhood) but instead of bringing it up properly he 'taunts' Nathaniel- a boy who has been taunted for his weakness by his master for years. And even in AOS when Nathaniel tells Bartimaeus he was beaten for the mites incident Bart just kinda shrugs it off. Like I get it, why should Bartimaeus do anything, he's suffered way worse due to the system so he doesn't owe Nat anything right? But from Nat's point of view this is the first and only time he's mentioned to anyone what has happened to him and nothing changes. It's like another lesson learnt: telling someone about it doesn't help. Another nail in the coffin.

And I like all these characters, I feel bad for them. They're all victims of the system, I think the chapter with Ms Lutyens is just the straw that broke the camel's back for me. All of those little opportunities that are insignificant to the narrative over all; the commoners have it worse, Nathaniel is in a privileged position in society, exerting control over others. He's very morally grey, crossing over into objectively bad person territory but I love him with my whole heart and all of those insignificant moments would have been massive to him whether he was conscious of it or not.

And it goes all the way back to the beginning with Nat's parents giving him up to the magicians at 5 years old. I can't get the image of that little boy sat crying all alone in the government building. And he's not going somewhere safer, or somewhere he'll be happier and more loved. Giving your child over to a total stranger, oh he'll be totally fine won't he? He'll grow up to be a magician and far richer than you'll ever be, he'll be happy and comfortable and be grateful he got to grow up in luxury. There's no way a stranger you've never met, who the majority of society is terrified of would ever hurt a vulnerable little kid right? And if they do? Well you aren't responsible anymore, how could you know? What could you possibly do against the magician taking care of him?

Every little thing is another grain of sand tipping the scale. Did anyone else have to analyse An Inspector Calls in school? It feels like that to me- those BIG moments and all the little moments in between that add onto the pile.

And it goes on to cause problems in wider society too- ab*se is so normalised to the magicians, they casually ask Underwood if he hits Nathaniel like it's nothing. Because to them it is nothing, they've all grown up in the same circumstances and are repeating what they've learnt as children. I can't help but feel a little sorry for them all, especially when they aren't looked at through the black and white lense of 'argh these people are the evil arseholes look at how they treat everyone around them, screw these guys.' When we see those little glimpses of humanity like Simon's anxiety with the amulet; looking to his master and father figure Schyler for reassurance, and what's sad is that Nat is "reminded...of his own master's cold impatience" It's clear Simon looks up to his master, wants to make him proud and loves him. But it seems like Schyler has just trained Simon up so he can get power through him later on. I love the little hints of similarities between Simon and Nathaniel; the anxious mannerisms like fiddling with his hair that Nathaniel starts to develop, the way their master's talk to them. Even though they're actively working against each other in AOS and Simon is placed firmly in the baddies category and Nat in the goodies category at this point in the series; these things always hinted to me they had similar childhoods, how was Simon treated? When he had the imp beat Nat into unconsciousness, was it because he'd had the same punishment used against him? Did he know the magicians in the room would do nothing to stop him because no one stopped it from happening to him? Did he ever have a teacher stand up for him only for it to change nothing in the end because all the negative influences were so much stronger? Is the reason he loves Schyler like a dad because he's almost developed Stockholm syndrome? It looks like love because he's never known anything else.

And Arthur Underwood- who doesn't think his upbringing, and being taken away from his family ever did him any harm- doesn't realise the harm done is that he doesn't even know another way of raising Nathaniel, because he was never shown another way. His childhood may also have been filled with people who hurt him and the people that didn't do enough to intervene.

There are so many psychology studies that show children copy everything they see the adults in their life doing. Nathaniel copies the magicians behaviour towards spirits and on a subconscious level I think he copies all the submissive people in his life. How many times does he end up upset and frustrated with the fact he seems to be going nowhere and how many times does he just hope things will be different rather than taking postive action.

I dislike the actions the magicians end up taking but I also find them fascinating to analyse. I tend to prefer villains in media because they're usually slightly more complex individuals and I love to think about how they ended up that way. They can all be seen as victims of their circumstances in a way, despite all the power and privilege they have had terrible and traumatic childhoods, and if the commoners had no valuable worldy possessions at least they had a sense of togetherness; of love and understanding and selflessness. I wonder if the magicians hated them at least partly because of that. Because out in the sea of faces of the commoners talking about nothing important, doing nothing great and noble- could be the parents that abandoned them. And when your life is on the line daily because of working with spirits, and your colleagues want to stab you in the back, sometimes not being responsible for anything important looks good. But you can't leave your life as a magician, it would be too difficult; you have nowhere to go, no real friends, no one who really loves you. So it's better to stay and be a submissive bystander in your own life because it's so much easier.

Doing nothing is doing something- being passive can be just as harmful.

[finsterwalds]

Got my hands on the script of Anatomy of a Fall, and I couldn't help but compare it with some scenes from the movie because that's how deep I am rn :'D Anyway, here are some of my finds and things I personally enjoyed. I'm sure there are more things to dig out but these are what I wanted to share with the world. The order of my finds will be chronological, for the most part, but keep in mind that sometimes, some scenes were edited to show up later, or earlier than originally intended. Spoilers for the whole movie obviously so you've been warned!

Takes place when Vincent first visits Sandra to discuss Samuel's death. In the movie, Sandra stops Vincent and cuts him harshly, saying "STOP, I did not kill him". Vincent then says a line that I think is pretty iconic in the movie, a sarcastic : "That's not the point. Really". His line is much harsher than on the script, where he's a bit softer. "You don't need to tell me that" implies that he has some deep, loyal faith in Sandra, while "That's not the point" cuts any further discussion. He really doesn't wanna know if she actually did it. Comes from a wish to remain blind still, but with less innocence and a lot of denial. Oh, Vincent.

In the movie, his last line is way better imo, he says "No one's gonna believe that. I don't believe that." I like the emphasis on his opinion rather than the fleeting and impersonal "it's really hard to believe". Truly hits way harder and puts Vincent back in the position of a lawyer.

The rest will be under the cut because I think it's gonna be a wall of text I apologize guys...... This movie does things to my brain.

There's a scene that was cut where Vincent phones Nour while still at Sandra's, which I would have enjoyed a lot but I'll admit it's a bit filler-y. Doesn't add a lot and kinda cuts the serious tone of Sandra's confession, imo, as they discuss the judge's antics in a pretty comical manner. I just love Nour so I'm based......

Another, REALLY long scene that was cut where a medium comes into Sandra's house to feel Samuel's ghost and foreshadows Daniel poisoning Snoop with aspirin. I had a good laugh at that one, honestly. It feels pretty out of place with the tone of the movie, and the personality of the characters even... I can't picture Sandra calling a medium. I'm glad they removed it because the foreshadowing was unnecessary too. It's still interesting that they had planned it however.

This takes place after Vincent finds out about the tape. Interestingly, his whole line was cut after "before he died". In the movie, he never comments on Sandra's affairs/sexuality. He never really asks much about her life at all. He truly is blinded by his wish to shield himself from her inner demons, in order to maintain his undying loyalty towards her. To see what he wants of her...

Another scene that was completely cut (a flashback, I believe?) where Sandra makes Daniel pose for a german photographer to make some money, which Monica dislikes, and then they argue. I think it really frames her as too unsympathetic, so I'm also glad it was cut.

Okay, so now, here comes The Big Change. The scene where Vincent and Sandra drink together after the first trial was heavily altered, because its tone in the movie is pretty tense when compared with the lightheartedness of the script. In the script, they laugh and reminisce together about the past and even kiss at the end of the scene. In the movie, none of was I screenshot happens : instead of playing along with the 'firing Vincent' suggestion, the scene ends with Sandra scolding Vincent for judging her in his head. Vincent backs off and the scene ends. Another instance of him not pressing emotional depth to shield himself.

There are other scenes I liked (many that touch upon Sandra's books) but I'll stop there. Hope you'll enjoy that... I might draw some of these so stay tuned... This movie has absorbed my soul but it feels good to be alive, thank you Justine Triet.

[webshood]

i feel a little unhinged today so i wanna share a little something with y'all :)))

imagine this scenario, so Batman and the JL accidentally going to another earth, it looks exactly like their earth, but there's small details that change everything about this world

one of them is that there's no Batman, the Martha and Thomas Wayne never died in this earth and thus Bruce never became Batman

this earth's Bruce is cheerful, genuinely happy, he's in a relationship with Clark after they meet at a Wayne gala, they had good chemistry and when Clark asked this Bruce out he accepted it, he's now the Justice League's doctor

Batman has not revealed his identity to his league yet, but he has a crush on Clark to some degree and seeing how happy his counterpart is with their own Supes, leaves a sour taste on his mouth

Batman is not good with romantic relationships, but his heart still aches and he's kinda pissy about the whole situation, trying to go back home as soon as possible, the other JL members with him are a little weirded out about his insistence in coming back as soon as possible and they even send Diana to calm him down

Bruce from this earth notices their tension and decides to host a dinner so they can relax a little bit before going home, because when Batman is antsy everyone else becomes a little antsy too and when this affects his own Supes he sees the need to do something

everyone is eating and chatting away, when Bruce mentions he's turning 35 soon and Batman freezes, he's noticed that Bruce didn't mention Dick or Jason in any point of their conversation (Dick should he turning eighteen and Jason been recently adopted)

so he jumps from his seat and literally steals someone's cellphone and start to look for his children, Dick's parents died, but his boy is nowhere to be found, when he looks for Jason there's only one mention of his baby and it's alongside the news of Willis Todd imprisonment

when he starts to pack up the invisible jet for a trip to Hong Kong so he can kidnap his little girl, Bruce asks him to wait and keep calm, tries to reason with him, about how "You don't even know this children here, this is not your earth"

that's when the illusion falls

no matter how good of a life this bruce has, no matter who he's dating, no matter that he doesn't have the childhood trauma witnessing the death of his parents caused, because even if he's not from this earth, they're still his children. this Bruce might be happy, but Batman wouldn't ever be happy without his children, there's no romantic love that can compare to being utterly bullied by his kids everyday

when the league travels back to their earth, Bruce might be able to try and ask Superman out for a date, but he has to absolutely smother his kids in long and tight bear hugs first, because he can't even imagine life without them

bonus: Batman tracks down every single one of his kids (minus Damian because this earth's Bruce never meet Talia) on that earth and contacts his significant others/exes that are safe enough to raise a kid, but nuts enough to 100% believe that he's from another earth, each of them has their own little kid now

[nextstopparis]

[hyperfixatinator]

I've seen headcanons of Phoenix Wright having heterochromia; either due to him being born with it or due to head trauma via fire extinguisher in AA2. They often come with headcanons of why he'd hide them with colored contacts, of course.

But I haven't heard anyone bring up the headcanon of Phoenix's eye turning blue because of Dahlia's bottle pendant.

First off, the poison Dahlia used had possible side effects including loss of pigmentation and eye damage. This is evident in Diego Armando's hair turning white and vision problems.

Fun fact: blue eyes aren't caused by blue pigmentation. In fact, they have little to no pigmentation at all. The blue we see is just light reflecting weirdly until only blue light is all we perceive from them.

Secondly, the poisoned pendant Phoenix ate in Turnabout Memories was empty at the time, but the risk of it containing leftover traces was very real. He even chewed it, raising the chances of those traces entering his system.

Diego had a significantly higher dose than Phoenix, but let's not forget Dahlia had faith that 1 contaminated pill of Cold Killer X would do the trick. Even if there was less than a drop remaining in that bottle, it had the potential to at least do some damage.

Damage that could result in the loss of pigmentation in someone's eyes.

[brooklynisher]

Ladies, gentlemen, and beautiful creatures of all shapes and sizes: RabbitHusband (Cryptid) from Pinterest

(Continue if you dare)

[themirokai]

You know, the longer I live, the more clearly I see that half the trouble in this bally world is caused by the lighthearted and thoughtless way in which chappies dash off letters of introduction and hand them to other chappies to deliver to chappies of the third part. It’s one of those things that make you wish you were living in the Stone Age.

- Bertie Wooster, demonstrating that the speed of modern communication has always been too fast, no matter its form.