#formal cotton shirts for womens

[trendybucket]

Stylish Shirts For Women

[inky-duchess]

Etiquette of the Edwardian Era and La Belle Époque: How to Dress

This is a new set of posts focusing on the period of time stretching from the late 19th century to the early 20th Century right up to the start of WWI.

I'll be going through different aspects of life. This series can be linked to my Great House series as well as my Season post and Debutant post.

Today will be focusing on the rules of clothes with this time period.

A Cut for Every Occasion

As you may know, the wealthy elite and their servants lived extremely regimented lives and every aspect was governed by careful rules. They would be expected to wear the right outfit at the right time, every minute of the day. Any misstep would be noticed at once and be subject to scruntiny.

In the circles of the elite, one would be expected to change for every occasion. One simply wouldn't wear the same outfit they've been lying around the house in to attend tea at somebody's house. Fashion in this era was dictated by the clock and by the event diary of the wearer.

Ladies

Women of the upperclass would be expected to change at least six times a day. When she would rise for a morning of repose around the house, she would simply wear a house gown or a simple blouse and skirt. If planning a morning stroll, she would change into a walking suit which is a combination of blouse, skirt and jacket along with her hat usually of tweed. If running errands or paying a visit to friends, she would wear another walking suit. If riding, she would wear a riding habit and a hat. If hosting tea or taking tea in her own home, she would change into a tea gown with is a lighter more airier gown more comfortable for chilling in. If attending a garden party, one wears a pastel or white formal day gown accompanied by a straw hat and gloves. For dinner, she would change into an evening gown which would be more elaborate and show off a little more skin than her day wear. After dinner and ready for bed, she would change into her nightgown.

Female servants had an easier time of it. A housekeeper and lady's maid would simply wear a solid black gown for the entire day. A cook and kitchen maids would wear a simple day dress for working with an apron. Housemaids would usually wear a print dress with an apron and cap, changing into the more formal black and white attire you would associate with a maid.

Gentlemen

The gentlemen had an easier time but they too were subject to changes throughout the day. Men were expected to wear a suit. The most popular day time suit was a sack suit. These were comprised of plain and loose fitting jackets, worn over a starched shirt with a high collar, waistcoat and straight trousers with ironed creases. These suits were exclusively wool with cheaper ones made of a wool and cotton blend. Grey, green, brown, navy were usual but sine younger men preferred louder colours such as purple which was a trend for a time in the 1910s. These suits were worn about the house or in the city accompanied by a coat. Men would change into tweed if shooting or walking. For garden parties, a gentleman would wear a light coloured suit, usually white and a straw hat. For dinner, a man had two choices: his tails or his dinner jacket. A dinner jacket was for less formal suppers say if dining at home. This was a collection of a jacket, trousers, waistcoat, a bow tie, a detachable wing-collar shirt and black shoes. Lapels of these jackets were edged with silk or satin. Tails were worn at a formal dinner party, at White Tie events. This was made up of a tailcoat, white piqué waistcoat, a starched dress shirt with a pique bib and standing wing collar with a white bow tie. Trousers were lined with trim to hide the seams.

Male servants were soared changing. Footmen would wear their livery around the clock which would resemble white tie to a certain extent or mimic court dress of palace servants. Butler's would wear a variation of a gentleman's evening suit throughout the day. When a male servant is dressed, he usually stays that way. However, a valet or a footman may be taken to pick up during shooting parties where they would wear tweed walking suits.

Jewellery

Jewellery was an important sign of status in society. Upperclass women of this time has access to untold caches of sparklers but there were rules concerning their use and meaning. Earrings were usually clip ons as women of high status would not pierce their ears. Simple, understated earrings were worn during the day with more ostentatious sets were worn in the evening time. Broaches were popular at this time, usually worn at the throat of a gown or blouse or walking suit or affixed on hats. Large stoned rings were worn over gloves while slender bands were worn under. Jewellery was intricate and understated amongst old money whole the nouveau riche went for chunkier stones and larger settings. Tiaras were only worn at White Tie events, held after six pm and almost never by unmarried girls. One would not wear a larger tiara than that most senior lady present. Men would wear tie pins, cufflinks and pocket watches to match any occasion be it for a jaunt on the town or at a formal evening party.

Hats

Hats were a staple in this period. Anybody respectable from any class wouldn't venture out of the door without a hat.

Men would wear hats when heading out but always remove them when entering a building, and never wear one without removing it for the presence of a lady. The bowler was seen as more a servant's headwear while a top hat was reserved for gentlemen. Flat caps would be only seen on gentlemen at shooting gatherings or in the country, they were popular among the common class for any informal occasion.

Women had more stricter rules concern hats. Hats for women were more a day accessory worn while out and about. A woman would not wear a hat in her own home even when entertaining and nor would any of the other female occupants if joining the gathering. A woman would not remove her hat when attending a luncheon or tea or any activity. Hats were held in place by a ribbon or sash tied under the chin or by a hat pin, which is essentially a large needle thrust through the hair. This was the period where women's hats became more ornate and rather large, leading to some critisism. Among servants, housekeepers and lady's maids would not wear a hat while indoors and working but a housemaid or cook or kitchen maid would cover their hair with a cap with housemaids changing into a more elaborate one come evening time. Male servants would not wear hats unless travelling or outdoors.

Gloves

Gloves are a staple in this period and worn only at the opportune time. Among servants, only footmen would wear gloves and usually only when serving. Butlers would never wear gloves. Female servants did not wear gloves.

Men did wear gloves, usually woollen or leather while outside or riding gloves when out on horseback.

Women wore gloves whenever outside. Day gloves were usually wrist length, with evening gloves stretching to the elbow. During dinner, evening gloves would be removed at the first course and laid across the lap, replaced at the last course when the ladies leave for tea and coffee after where the gloves are then removed again. Gloves are always worn when dancing and at the theatre or opera. If one is sitting in ones box and sampling some chocolate, one can remove their gloves for that.

Hair and Makeup

Make up was a no-no amongst the upper crust and for their servants in England and America, as it was seen as licentious but in France, the use of rouge was accepted. Perfume and cologne were acceptable but excessive use was frowned upon.

Hair was dressed by one's lady's maid. Bouffant updos were popular in this time period for married women. During the last years of this period, women began adopting the 'bob' but this was seen as radical and sometimes scandalous. Unmarried girls could wear their hair down, often with accessories like a bow to adorn their tresses. Servants would always tie up their hair and never be seen with it down or uncovered (though this depended on their job).

Men would comb their hair, slicking it back for dinner. Most men were clean shaven but if they wore beards, they were usually well groomed. Hair was kept short for grown men and teenagers but young boys may wear their hair longer whilst in the nursery.

[fallen-angel-92]

The Call of the Forgotten: Chapter 1:

Summary:

Aes Hightower, older sister to Alicent Hightower, vanished only to return one night ten years later. However, she is not the same woman, though blood and bone are the same, the soul is completely different. One of an era not of the universe it now lives again. She's heeded the call, and has paid the price for the wisdom she has gained. Soul of the dragon, she now is.

Warning:

None

The sky turned black as the dark of the night. Rivers of red, orange, and yellow burst forth from the ground. Blasts rang out, as men, women, and children screamed in fear and panic set in. The mighty dragons of old burned within the blackened sky, falling into the depths of growing pools of heat and Earth. She could only stand on top of the large tower, watching the very doom of the kingdom of Valyria. The large buildings fell and the people were swallowed whole. She could feel the heat coming closer and closer, she felt her body begin to grow hotter and hotter until her skin was becoming blackened from the heat.

“This is our pain,” A wispy agonized voice whispered from behind her.

She snapped her head toward where the voice was coming from only to be greeted with the sight of a burnt corpse. It's mouth snapped open, revealing nothing but blackness with only a blood-curdling scream emanating,”Help us rest! Protect us! Remember us and our pain!”

“Release our souls! Bring our souls to rest! Aes! Aes! WAKE UP!” a female voice called out with desperation.

Her eyes snapped open to me be met with worried brown eyes of her sister, Alicent Hightower, and sat up slowly to avoid hitting her sister. Aes looked around, realizing that she was not back in Valyria, but in her rooms at King's Landing. She looks back at her sister, noticing the bags under her eyes and her brunette colored hair seemingly in a mess.

“I take it, Helaena has not given you any respite?” Aes asks her sister with concern.

“Nay she has not. She is constantly wailing, unable to rest as if something plagues her, I know not what to do,” Alicent responds as tears well in her eyes as she plops herself onto the edge of her bed.

Aes shifted herself to sit next to her, gently wrapping an arm around her shoulders as she replied,” Where is she now?”

“The servants have her in the nursery,” Alicent replied as she began to weep, however, just as she was about to continue to speak, Aes quickly cut in,” Go rest. I'll attend Helaena this night.” 

Alicent snapped her head toward her as she asked with worry,” Are you certain? You have not had a good night's rest since your return.” 

Aes pulled her into a gentle side hug, despite her sweat as she replied back,” You need not worry about me. Go rest. I believe you have a great many duties to attend to tomorrow, your grace.”

At her playful tone Alicent let out a tired chuckle as she replied back,” You are not wrong, sister. I thank you. Please make sure that you try and get some rest.” 

“No promises sister. Besides, tomorrow will be interesting as I will formally get to meet your husband and his family,” Aes replied as she stood up from the bed, walking over her closet and opening it.

“Would you like me to summon the servants to prepare you a bath?” Alicent asked as she too stood up from the bed before she moved toward the door to her room.

“No need to disturb the servants. I'll be fine, go rest.” Aes replied as she pulled out a dark blue cotton linen shirt.

Alicent bid Aes a good night before she left, allowing Aes to let out a huff as she pulled off her night shirt. As she did so, she winced slightly as she felt the tightness of her scars that littered her back. After changing out her breast band for another, she put on her blue shirt, as she changed into her black breeches, tieing them tight to ensure they didn't fall as she made her way to leave the room. Before leaving, Aes reached for her black boots, putting them on, she made her way out of the room and toward the nursery where her niece was still crying.

Aes could see the servants fretting over the baby. They became startled when Aes cleared her throat causing them to snap their heads toward her. The one that didn’t have the baby bowed deeply, not looking up as she said,

“Good eve, Lady Hightower.”

“Forgive the noise my lady. The young one doesn't seem to be finding her rest.” 

Aes raised her hand to calm the two servants as she raised her arms out to allow the servants to place the small girl in her arms. Aes smiled as the young baby began to quiet down, causing the two servants to look at her with awe.

“Go rest you two. I will stay with little Helaena tonight.”

“But -” One of the servants began, but was cut when Aes spoke softly, yet sternly,” You will not get into trouble with the queen as I have already informed her of what I would be doing. Go rest.”

Aes paid little mind as they quickly and quietly left the room with only the candle light and the moon to keep the two company. Aes walked over to a nearby rocking chair, taking a seat upon it keeping the little girl close.

“Pesky dreams keeping you awake little one?” Aes cooed to the young baby, who began to babble a small bit before letting out a yawn. Aes chuckled as she began to hum, rocking back and forth as she started to sing softly: 

(Savage Daughters - Alexia Evellyn)

We are the Divine and inside

I light the candles of my shrine

You grow up my spine

Like the serpent who's awakening my mind

Aes watched with a smile as Haleana began to wiggle her arms sleepily as she leaned forward giving her a small kiss as she continued her song:

Let me sing louder

For all the voices who can't sing

Breaking down those barriers

That keep your heart held within

I will be a warrior, oh I will be

A sister for you (hey)

Aes watched as Helaenia closed her eyes, falling asleep quetly allow Aes to continue to sing as she rocked her with a soft smile:

To the savage daughters who's hearts still burn

My body is my temple, my hurt is my hurt

To the savage daughters, who dare to dream

With the power to move mountains

Yet wild and free

Though she didn't finish her song, Aes could only continue to smile at the small babe as she stood up slowly, she placed the little one into her crib. With another small kiss Aes returned to her seat in the rocking chair, allowing herself to drift off to dare to dream about nothing but darkness. The next day would prove a challenging day as she would meet a infuriating man would come to become a pain in her side and one she may find intriguing.

(I hope you enjoyed this fic. This literally my first ever House of the Dragons fic. Please let me know what you think! Thank you!)

[professorpski]

That Not So Simple Knit Dress: Simplicity 5364 from 1972

We tend to thinks of knits as perfect for very simple garments we simply pull on. The T-shirt, T-shirt dress, leggings, etc. But when knits first became common in women's wear because of innovations in machines that could knit fabric, they were not shown as all that simple. The T-shirt dress showed up in the 1950s and came with the full assortment of accessories including hat and gloves. The synthetic knits which became so popular in the 1960s still had zippers down the backs of the dresses they were made from.

Similarly, this formal evening dress from the early 1970s required a knit fabric, see the "STRETCH" directions on the front that literally stretched out the font. It was not a great deal of stretch, in truth. 4 inches had to stretch to a bit over 5 inches, while we have super stretchy rayon/lycras today that practically double in width when pulled hard. But it was far more stretch than the "bonded knits" which were popular for A-line shapes and had no stretch at all (and not purpose as far as i can see). They especially recommended matte jersey (which would be Quiana in those days), cire jersey (which has a wet look and would have looked sooooo louche), and tricot (which we see today only in lingerie fabrics). But any jersey with stretch from cotton to rayon to polyester or nylon was approved.

With only a bit of stretch built into the fabric, the pattern, which was close fitting, has shaped front and back pieces and back straps. It shuts at the back neck with buttons and loops while a zipper shuts the back bodice and then the top of the long gathered skirt.

It gives you an idea of how formal an evening gown could still look in the 1970s even after the Youth Quake revolution in fashion which claimed there should be no rules of any kind of clothing. But people still liked to dress up, so they never gave up on formality entirely.

[buyinghaven90]

Fashion Clothing for Men and Women

Fashion is a powerful form of self-expression. Whether you’re dressing for work, a casual outing, or a special event, your clothing choices reflect your personality and mood. Fashion clothing for men and women has evolved over the years, blending tradition with modernity to create styles that cater to a wide array of tastes and preferences. In this article, we'll explore the latest trends, offer styling tips, and discuss timeless pieces that should be a staple in every wardrobe.

The Evolution of Fashion

Fashion has always been a dynamic industry, constantly shifting and adapting to cultural changes. For both men and women, fashion is no longer just about following trends but also about making personal statements. Today, fashion is inclusive, offering a variety of options that cater to different body types, ethnicities, and lifestyles.

Men's fashion, traditionally more conservative, has seen a significant transformation. The boundaries between formal and casual wear have blurred, giving rise to versatile pieces that can be dressed up or down. Women's fashion, on the other hand, has always been more experimental, with designers pushing the envelope in terms of colors, fabrics, and silhouettes.

Current Trends in Men’s Fashion

In recent years, men’s fashion has embraced a more relaxed and comfortable style. Here are some key trends:

Athleisure: The line between gym wear and casual clothing continues to blur. Men are increasingly opting for athleisure, which combines the comfort of sportswear with the style of casual wear. Think joggers, hoodies, and stylish sneakers that are perfect for both a workout and a casual day out.

Sustainable Fashion: With a growing awareness of environmental issues, sustainable fashion is no longer just a trend but a necessity. Men are now looking for clothing made from eco-friendly materials like organic cotton and recycled fabrics.

Bold Patterns and Colors: While neutral colors like black, grey, and navy are still popular, there’s a growing trend towards bolder patterns and brighter colors. Florals, animal prints, and geometric patterns are making their way into men’s wardrobes, adding a touch of flair to traditional styles.

Tailored Casual: The modern man’s wardrobe is not complete without tailored casual wear. This includes items like fitted chinos, blazers that can be dressed up or down, and dress shirts that can be worn with jeans or trousers. The focus is on achieving a sharp look that’s still comfortable.

Current Trends in Women’s Fashion

Women’s fashion is known for its diversity and ability to adapt to changing times. Here are some of the current trends dominating the fashion scene:

Power Dressing: The concept of power dressing is back, but with a modern twist. Women are embracing tailored suits, blazers, and structured dresses that exude confidence. The key is to combine traditional elements with contemporary details, such as bold colors, oversized silhouettes, and statement accessories.

Bohemian Vibes: The bohemian style continues to be a favorite, characterized by flowing dresses, earthy tones, and intricate embroidery. This trend is all about comfort and individuality, making it perfect for casual wear or a relaxed evening out.

Sustainable Fashion: Like men’s fashion, sustainable clothing is gaining traction among women. Brands are increasingly offering eco-friendly options, including clothing made from organic or recycled materials, and encouraging consumers to embrace slow fashion—focusing on quality over quantity.

Vintage Revival: Nostalgia is a powerful force in fashion, and vintage styles are making a comeback. From 90s-inspired denim to 70s flared pants, women are looking to the past for fashion inspiration. This trend allows for a unique blend of old and new, with classic pieces being reimagined for the modern woman.

Timeless Fashion Staples

While trends come and go, some fashion pieces remain timeless. These are the items that should be a cornerstone of any wardrobe:

For Men:

White Dress Shirt: A crisp white dress shirt is a must-have for any man. It can be paired with a suit for formal occasions or with jeans for a smart-casual look.

Dark Jeans: A pair of well-fitting dark jeans is versatile enough to be worn with almost anything, from a simple t-shirt to a blazer.

Classic Blazer: A tailored blazer is perfect for elevating any outfit. Whether worn over a t-shirt or a dress shirt, it adds a touch of sophistication.

Leather Shoes: Investing in a good pair of leather shoes is essential. They can be worn with both formal and casual outfits, making them a versatile addition to any wardrobe.

For Women:

Little Black Dress (LBD): The LBD is a timeless piece that can be dressed up or down. It’s perfect for almost any occasion, making it a wardrobe essential.

Tailored Blazer: A well-fitted blazer can instantly make an outfit look more polished. It can be worn with anything from jeans to a pencil skirt.

Classic Trench Coat: The trench coat is a classic outerwear piece that adds elegance to any outfit. It’s perfect for transitional weather.

Versatile Flats: A pair of comfortable yet stylish flats is a must-have. They can be worn with dresses, skirts, or pants, making them perfect for everyday wear.

Conclusion

Fashion is an ever-evolving industry, but it’s also about personal style and expression. Whether you’re following the latest trends or sticking to timeless classics, the key to great fashion is confidence. For both men and women, the best outfits are the ones that make you feel comfortable and empowered. So, whether you’re shopping for new pieces or reinventing old ones, always choose clothing that reflects who you are.

[infinitycutter]

YOHJI YAMAMOTO DEFINES HIS FASHION FASHION PHILOSOPHY

John Duka for the NYT, Oct. 23 1983

Yohji Yamamoto may stand barely five feet tall, but his effect on world fashion in the last two years has been enormous. Many people at the recent Paris showings said he is the best of the new Japanese designers - a distinguished group that includes Rei Kawakubo for Comme des Garçons, Issey Miyake and Kansai Yamamoto (no relation). Some say he is the best anywhere. His fans use his first name when they discuss his clothes, a sure sign that a designer has arrived. Fashion experts and retailers are often inclined to exaggerate, but Mr. Yamamoto's influence is hard to dispute.

''When I started designing clothes 12 years ago, I knew there were two ways,'' Mr. Yamamoto, who is 40 years old, said in an interview. ''The first is to work with formal, classical shapes. The other way is to be very casual. That's what I decided on, but I wanted a new kind of casual sportswear that could have the same status as formal clothing. So I use fabrics that are heavy-duty, like army fabrics, or just look heavy-duty, to give the kimono shape a new energy.'' He spoke in English as he sat in his spare white and black showroom near the Les Halles district of Paris. The room, cavernous and brightly lighted, was filled with buyers, trying clothes on from his spring collection.

Loosening the Silhouette

What Mr. Yamamoto and the other Japanese designers have accomplished is a general loosening of the female silhouette. This they have done with large, loose-fitting garments, such as jackets with no traditional construction and a minimum of detail or buttons; dresses that often have a straight, simple shape, and large coats with sweepingly oversized proportions. In general, there is a generosity of proportion and size, often with the kimono as a starting point of design, and fabrics that range from fresh cottons to robust linens to heavy wools. All of this came at a time when women's clothes by most traditional designers were moving in the opposite direction, toward a snugger fit and formality.

For fall, one of Mr. Yamamoto's most successful coats is made of a pressed wool in mustard and brown that has the look of great weight but is as light as a raincoat and has no definable shape, except perhaps a generic coat shape. Worn with simple Western day clothes, a pair of black trousers, a black shirt and black heels, it is one of the chicquer designs this season. Moreover, it can be worn during the day or at night.

It is also a good example of the flexibility of Mr. Yamamoto's clothes because it shows that they work best when they are mixed with Western clothing. When the new clothing from Japan is worn on the street in exactly the same way it is shown on the runway, the result often becomes a shapeless heap of fabric. Mr. Yamamoto is aware of that problem.

''I've become very nervous myself about the volume of the Japanese clothing and the kimono shape, so loose and oversized,'' he said. ''If you go too far with a kimono, the final conclusion is just fabric. That is not fashion. The kimono is easy to copy but difficult to make work. It must be done in a technical way, or it becomes sloppy, too big and too baggy. That is why my new collection has shapes that are narrower. I wrapped the body very tight.''

Mr. Yamamoto also continues to break new ground with his men's clothes. His men's spring collection, for example, has sports jackets, in navy or black, that are loose-fitting, with generous, rounded shoulders and gored backs. They are made of 90 percent cotton and 10 percent polyurethane and, as a result, have the stretch of running clothes. There are ankle- length classic trench coats, in tan or black cottons, with shoulders extended by tailoring, not padding. The trousers, some with elastic waists, are loose-fitting. And there are black cotton pullover shirts with zip collars. What strikes one about Mr. Yamamoto's men's clothes is that they would work as well on women.

Men's Shirts, Women's Skirts

A number of women have, in fact, been buying Mr. Yamamoto's men's clothes in New York at the Charivari Workshop, Columbus Avenue at West 81st Street. According to Jon Weiser, who will be adding a 1,900-square-foot Yohji Yamamoto boutique to his next Charivari store, scheduled to open this fall on West 57th Street, women shop the Yamamoto line in his store by moving back and forth between the men's and women's sections, mixing men's shirts with women's skirts.

''I think that my men's clothes look as good on women as my women's clothing,'' said Mr. Yamamoto. ''And more and more women are buying my men's clothes. It's happening everywhere, and not just with my clothes. Men's clothing is more pure in design. It's more simple and has no decoration. Women want that. When I started designing, I wanted to make men's clothes for women. But there were no buyers for it. Now there are. I always wonder who decided that there should be a difference in the clothes of men and women. Perhaps men decided this.''

In the United States and Europe, Mr. Yamamoto's clothing is bought primarily by professionals, largely because of its cost. A blazer usually sells for around $500. But in Japan his biggest fans are students.

''I am designing for my generation,'' he said, ''but in Japan people are very much seeking the old way of life again. Sexual differentiation in clothing is more important. My major customers there are still the unversity students. My generation isn't ready for me yet. They think Yohji is not fashionable enough for them. They will see.''

[shouta-edits]

"Can I request a fashion kit for someone (me) who is hopelessly in love with Carmilla Carmine from Hazbin Hotel? With white, black, and silver for colors, size women's 2XL, metallic, elegant, and lace or ribbon trimmed looks maybe? Ideally something that could be worn in casual settings but can still look fancy/formal if possible. Thank you regardless!" -anon requested

[golden--doodler]

if you ever wanted to share genderfluid gene headcanons i would like to hear them 👀👀

Oh my gosh thank you 😭

I would absolutely love to share some Genderfluid headcanons about my baby boy!

--I like to think that when he's older and figured out his identity, his pronouns might be He/She/They :3 (idk, I just get that kind of vibe from him).

--This is basically canon already, but he adores dresses, way more than suits. He only ever tolerates wearing men's formal wear. Really, the only time he actually enjoyed wearing one was when he was playing Hans Gruber in Work Hard Or Die Trying, Girl. He definitely believes that dresses make women look more powerful than suits make men look more powerful. And he thinks they have so much more variety. He threw a fit once when Bob and Linda tried to make him wear a suit to a fancy event, and he didn't feel like tolerating masculinity/gender norms that night. So, they compromised, and he wore a fancy black shirt with a bowtie on top and a long black skirt. People stared, and most likely made fun in secret, but he was very happy.

--I stole this from your Genderfluid Gene fic, but whenever he's feeling dysphoric, Tina and Louise like to tell him he's a secret agent and has to go undercover and pretend to be a boy. It sounds silly, but it really helps him.

--This is honestly kind of ridiculous and silly, but I like to think that one of the earliest memories he had of questioning his gender was when he watched Dora the Explorer when he was really young and he just remembers wanting to be Dora so bad and solving them mysteries 😭 He begged Bob and Linda to let him be Dora that Halloween.

--The way he first figured out the label Genderfluid applied to him was he ended up reading one of Tina's erotic friend fictions that she left on her desk unsupervised one afternoon. She made one of the characters Genderfluid, and the gears just started turning in his brain, and he came to the sudden realization that he felt Genderfluid himself.

--His ultimate dream is to be cast in a female role for a musical. One of his dream roles is Audrey in Little Shop of Horrors. Another one is, of course, Anna of Cleves in Six.

--Whenever he feels Nonbinary, he likes to joke around and say that restrooms are a scam. But no matter what, he absolutely does not enjoy the men's restroom. He always says it's a warzone in there. He's probably never used a urinal in his life, and doesn't plan to. He enjoys stall privacy.

--He's definitely going to want to wear a wedding dress if/when he gets married, and he will look incredible that day. He also always begs to be a bridesmaid/maid of honor whenever he gets invited to someone else's wedding.

--One of the only traditionally masculine things he enjoys is maybe baseball if you could even call that traditionally masculine. He hates playing catch with the ball itself (we all know how playing catch with Bob went) but he really enjoys playing the actual game. He can get quite competitive, especially if he's playing with Tina and Louise.

--Another small, silly thing, but he switches things with Louise all of the time. A canon example is when they switched the bowler hat and flapper feather with each other (very adorable moment). Whenever anyone hands Gene a traditional "boy" thing and Louise a traditional "girl" thing, like colored balloons or anything else of the sort, they always swap, because screw gender norms. It always makes them feel very affirmed. After a while, certain people they know began catching on and giving them gifts they'd prefer more, but most of the time people still get it wrong.

--Building on the above headcanon, one time, an ice cream shop worker accidentally gave him bright pink, cotton candy ice cream, and he deemed it the best dessert moment he's ever had. He even convinced the worker to top it with pink M&Ms.

--Another thing I stole from your Genderfluid Gene fic, but he definitely goes to Tammy for fashion advice after she's warmed up to him somewhat. She even agreed to braid a strand of his hair once, and in return, he helped her paint her nails (he picked up the skill by helping Tina do hers on occasion).

--His favorite show when he was really young was Sofia the First, because of that one episode where they challenged gender roles and gender norms.

[seymayka]

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[barongtagalogs-blog]

The traditional Filipino attire has a rich history that reflects the country’s cultural diversity and influences from various civilizations throughout the centuries. The attire has evolved over time, shaped by factors such as climate, social status, trade, and colonial influences. Here’s an overview of the history of traditional Filipino attire:

Pre-colonial Era: Prior to the arrival of Spanish colonizers in the 16th century, the Philippines was home to various indigenous groups with unique clothing styles. The attire varied greatly depending on the region and climate. For example, the Igorot people in the mountainous regions wore woven clothing made from plant fibers, while the Tagalogs in Luzon and Visayans in the central islands wore loose-fitting garments called “Baro” and “Saya” made from cotton or silk.

  

Spanish Colonial Era: When the Spanish colonizers arrived in the Philippines in the 1500s, they brought their influence on local clothing styles. During this period, the traditional attire evolved to incorporate elements of Spanish fashion. The “Baro” and “Saya” evolved into the “Baro’t Saya,” which is still worn today as a traditional Filipino dress. The “Baro’t Saya” typically consists of a blouse with puffed sleeves and a long skirt called “Saya.”

American Colonial Era: In the early 20th century, the Philippines came under American rule. The influence of Western fashion increased during this period, and many Filipinos adopted Western-style clothing for everyday wear. However, traditional Filipino attire remained an important symbol of cultural identity, and it continued to be worn on special occasions and cultural events.

Post-Independence: After gaining independence from both Spain and the United States, there was a resurgence of interest in Filipino culture and traditional attire. Nationalistic movements promoted the preservation and promotion of Filipino heritage, including traditional clothing.

   

Modern Times: Today, traditional Filipino attire is still worn during special occasions, celebrations, festivals, and cultural events. The “Baro’t Saya” for women and the “Barong Tagalog” for men, a formal embroidered shirt, are considered the most iconic and formal traditional attires in the Philippines.

The history of traditional Filipino attire showcases the country’s diverse heritage and its ability to embrace its cultural identity despite foreign influences. The “Baro’t Saya” and “Barong Tagalog” continue to be an essential part of Filipino culture, symbolizing national pride and the rich history of the Filipino people.

[giftsforus]

United Kingdom Mini Car 2012 Mini Coupe Aloha Hawaiian Shirt

The Mini Coupe Aloha Hawaiian shirt is a unique and stylish gift for both men and women. It is a great way to show your appreciation and love for someone special. The shirt is made from 100% cotton and features a vibrant and colorful Hawaiian print. The shirt is designed with a classic fit and features a button-down collar and short sleeves. The shirt has a relaxed fit that is comfortable and stylish. The shirt is perfect for any occasion, whether it is a casual day out or a formal event. The Mini Coupe Aloha Hawaiian shirt is an ideal gift for anyone who loves the Hawaiian culture. The shirt is perfect for a beach vacation or a night out on the town. The vibrant colors and classic Hawaiian print will add a touch of fun and style to any outfit. The shirt is also perfect for any special occasion, like a birthday or anniversary. The shirt is sure to make a great impression with its vibrant colors and classic style. The Mini Coupe Aloha Hawaiian shirt is also a great gift for those who love the United Kingdom. The shirt features the Union Jack, which is the official flag of the United Kingdom. The shirt is a great way to show your patriotism and love for the United Kingdom. The shirt is sure to be a hit with anyone who loves the United Kingdom and its culture. The Mini Coupe Aloha Hawaiian shirt is a great gift for everyone. Whether it is for a special occasion or a casual day out, the shirt is sure to be a hit. The vibrant colors and classic Hawaiian print make the shirt a great choice for any occasion. The shirt is also a great way to show your appreciation and love for someone special. The Mini Coupe Aloha Hawaiian shirt is a great gift for everyone.

Get it here : United Kingdom Mini Car 2012 Mini Coupe Aloha Hawaiian Shirt

Home Page : tshirtslowprice.com

[addictedbespoke]

Lesbian White 3pc Tuxedo Pant Suit Set Custom Made Cotton Blazer With High Waist Trouser Women Pride LGBTQ Community Wedding Formals Attire

The perfect pick for a wonderful lesbian wedding are perfect fit suits for lesbian couples, which are designed to fit and complement any body shape.

Features:

Regular-Fit

Single Breasted

Shawl Lapel

Chest Welt Pocket

Flap Pocket At Waist

Long Sleeves With Functional Cuff

Shirt With Bow

High Waist pant

Lightweight, Soft And Breathable

Care:

Machine wash in cold water on a gentle cycle.

Dry on low heat or hang to dry for best result.

[yuftaindiablog]

Enhance Your Ethnic Look with Kurta Sets

A few pieces of traditional Indian dress are as versatile and attractive as a kurta set with dupatta. This classic combination is ideal for women who desire to remember their ethnic roots while exuding elegance and charm. A kurta set with a dupatta is the perfect combo to improve your style, whether you're attending a festive occasion, a wedding celebration, or just want to add a bit of ethnic flare to your regular wardrobe. Let us explore the gorgeous attire's beauty, flexibility, and prominence.

The Kurta Set's Essence:

A kurta set normally includes three important components: a kurta (long tunic), pants, and a dupatta (long scarf). The kurta serves as the main attraction of the ensemble, with exquisite embroidery, patterns, or embellishments that provide a sense of richness. It may be made from a variety of materials, including silk, cotton, chiffon, and georgette, each of which adds a particular personality to the costume. 

Styling Flexibility:

The adaptability of a kurta paired with a dupatta is one of its most enticing aspects. You may play around with different color combinations and patterns to create an outfit that matches your unique style and the occasion. A cotton kurta set with a vividly patterned dupatta, teamed with comfy leggings, is ideal for a casual day out. If you're going to a formal occasion, wear a silk kurta set with elaborate embroidery and a beautifully embroidered dupatta. A kurta set allows you to exhibit your individual fashion sense, whether you like a classic, traditional appearance or a contemporary blend.

The importance of the Dupatta:

The dupatta is an important part of Indian fashion and culture. It represents grace, humbleness, and elegance. It may be draped in a variety of forms, including the conventional front pallu drape, the one-shoulder drape, and the waist belt style, each of which creates a distinct look. The dupatta not only offers visual appeal but also serves functional needs such as sun protection and veiling during religious events. Furthermore, it allows for the display of regional crafts and art forms, such as delicate embroidery, mirror work, or hand-painted motifs.

Cotton kurta sets are a popular and adaptable alternative in South Asian fashion for both men and women. These outfits often include a long tunic-style shirt, known as a kurta, and matching pants or leggings. They come in a broad range of colors, styles, and patterns, making them appropriate for a number of situations.

The comfort of cotton kurta sets is one of their key features. Cotton is a lightweight, breathable fabric that keeps you cool in hot, humid conditions. As a result, it is a favorite option for summer weddings, festivals, and other outdoor gatherings.

Another benefit of cotton kurta sets is their adaptability. Depending on the situation, they may be worn up or down. A cotton kurta set can be matched with traditional jewelry, such as a necklace and earrings, and worn with dress shoes for a more formal event. The kurta may be worn with sandals and a loosened hairdo for a casual look.

Cotton kurta sets are extremely popular due to the variety of styles and patterns. There is something to suit every taste and style, from delicate embroidery and beading to vivid designs and bold stripes. Paisley, floral, and geometric patterns are some of the most popular patterns.

Cotton kurta sets have also been trendy among males in recent years. Traditionally used for informal occasions, they are now increasingly being worn on formal occasions as well. Men's kurta sets may include more subdued motifs and colors, such as solids or basic stripes. You will find your desired kurtas only on “Yufta 10”.

[dezangofashionzone]

Kaftan and Boubou styles for African Queen

From safaris to weddings, African queens know how to be the center of attention. Whether you’re looking for a style that stands out in a crowd or something to keep you cool during hot days, the kaftan and boubou styles are must-haves for any African queen. In this blog post, we will explore the various fabrics and designs available in these two unique styles so that you can find the perfect look for any occasion. Read on to learn more about how to rock these breathtaking looks like an African queen!

What is a kaftan?

A kaftan is a type of loose-fitting robe or tunic that is worn by men and women in many different cultures. The kaftan originated in Persia and was later adopted by other cultures, including the Arabs, Turks, and Russians. In Africa, the kaftan is commonly worn by women as a sign of status and royalty. The kaftan is usually made of brightly colored fabric and is adorned with intricate designs. Kaftans are often worn on special occasions, such as weddings or religious festivals.

What is a boubou?

A boubou is a traditional African garment that is typically worn by men. It is a loose-fitting, sleeveless tunic that reaches down to the knees or lower. Boubous are usually made from brightly colored fabrics, and they are often adorned with intricate designs. Traditionally, boubous were worn as everyday clothing, but they are now also commonly worn for special occasions such as weddings. Download Kaftan and Boubou styles for African Queen App For free

How to style a kaftan

If you are looking to add a touch of royalty to your wardrobe, then consider investing in a kaftan. Kaftans are loose-fitting, often brightly coloured tunics that originate from North Africa. They are usually made from cotton or silk and can be adorned with intricate embroidery or beading. While they may seem like a simple garment, there is an art to styling a kaftan. Here are some tips on how to style a kaftan so that you can look like an African queen: - Choose a kaftan that is the right length for you. If you are petite, then go for a kaftan that falls just below the knee. If you are taller, then opt for a longer kaftan that reaches the floor. - Consider the neckline of your kaftan when choosing what to wear underneath. If you have a V-neck kaftan, then you could wear a camisole or tank top underneath. If your kaftan has a round neckline, then you could layer it over a collared shirt or blouse. - Accessories your kaftan with statement jewellery pieces such as chunky bracelets or long necklaces. These will help to dress up your look and make it more formal. - Finish off your outfit with a pair of sandals or heeled shoes. Avoid wearing flats with a kaftan as this can make your

How to style a boubou

There are many ways to style a boubou, but here are some of the most popular methods: - The classic boubou look is achieved by pairing the garment with a pair of pants or a skirt. This is a great option for those who want to cover their legs but still show off their stylish outfit. - Another popular way to style a boubou is by wearing it as a dress. This look is perfect for those who want to show off their curves and create an illusion of a longer frame. - For a more casual look, try pairing your boubou with some jeans or shorts. This is a great option for days when you want to be comfortable but still look put together. - If you really want to make a statement, go for an all-white ensemble. This look is chic and timeless, and it's perfect for special occasions.

African Queen kaftan and boubou styles

African kaftans and boubous are among the most popular and stylish garments worn by women on the continent. They are often made from brightly coloured fabrics and are loose fitting, making them perfect for hot weather conditions. Kaftans can be worn either as a dress or as a top, while boubous are usually worn as a dress. Both styles of clothing are often embellished with intricate embroidery, beading or Sequins work. Kaftans and boubous originated in North Africa, although they have since become popular throughout the continent. In recent years, they have also gained popularity in Western fashion circles. Celebrities such as Beyonce, Rihanna and Solange Knowles have all been spotted wearing kaftans and boubous on various occasions. If you're looking to add some African flair to your wardrobe, then kaftans and boubous are definitely worth considering. They are versatile garments that can be dressed up or down depending on the occasion. Plus, they are sure to make you stand out from the crowd!

Conclusion

Kaftan and Boubou styles are a great way for African Queens to express their beauty, grace, and culture. Whether you are off to a traditional gathering or modern event, the perfect kaftan or boubou will make your outfit stand out from all others. Be sure to find the best fit for your body type and pair it with chic accessories that showcase your individual style! With these tips in mind, you’ll be ready to take on any occasion as an African Queen! Read the full article

[mastersroommag]

Must Haves: A Guide to Undergarments

So here’s the first stop. Undergarments. The key to making your outfit, believe it or not really starts on what you have on underneath. Your undergarments can provide you with many things. For one it provides the first layer between your clothing and your skin. It also sets up the silhouette for your outer layer. Undergarments can also provide warmth, or even cool you down in warmer weather.

As masc women it’s very important to know what undergarments work for our everyday looks. Obviously, body types and shapes are different so some things may work for the majority some things might not. It’s always best to do what works for you and what you feel comfortable with. However, here’s an approach we suggest.

First things first, make sure you have proper underwear. When you’re young, pretty much anything will do and you probably don’t care as long as they’re comfortable, but as you get older you realize that quality underwear is imperative. Boxers, briefs, and panties. Having a variety of all of these is highly recommended, especially when it’s that time of month. Cotton made is usually the best way to go, but if you do wear other fabrics wear them in moderation. It’s also very important to make sure that your undies aren’t too tight and neither too loose. You want them to fit comfortably at the waist and seat.

Next up is socks. You can never have enough socks, right? Different styles, different colors, different fabrics, once again this approach is all about preference. We recommend having nice quality cotton socks for your casual wear, and more softer, silkier fabrics for more formal occasions.

Now let’s talk about bra options. The options are actually endless. It all depends on what you’re wearing and what type of look you’re going for. However, if you’re just going for traditional masc, your basic sports bra will do.

Side note: We’ll probably do another article on this topic..it’s pretty broad.

A good sports bra goes a long way. Make sure that the straps are durable and sort of thick so you have full support. Try to have at least five to seven sports bras, so you can change them frequently. I know, I know. In our younger days one to three sports bras was all we needed. As we get older, hell, even if you are younger setting these habits now will set you up for future success.

Let’s move on to under shirts and tank tops. This item is very important especially if you’re wearing more masculine looks. More feminine looks dont necessarily require tank tops especially if you’re showing a little cleavage. But it’s definitely necessary for more masc looks. Tank tops come in all shapes and sizes, all you have to do is find one that works and keep it pushing. However, I have seen a lot of masc women buy their tank tops a little too small. Eventually after a few washes, they will shrink into a crop top. So it’s very important to buy the right size tank.

As we move along, we’ll get more into this subject, but for now this is a good starting point for new Masters. Stay up for part 2.

[bellabeautysecrets]

Blog 9

4 TIPS FOR WORKING WOMEN TO PROTECT YOUR SKIN FROM DUST & POLLUTION

In this blog you will read about the essential care that working women should take  from the dust and pollution while going to work .

1. USE WET WIPES

Always carry gentle wipes, preferably baby wet wipes to get rid of all the dirt your skin collected while passing through a highly polluted area. However, don’t use the wipes while you’re in a polluted area because the skin will collect even more dirt than you wanted.

2. DEEP CLEANSE

Thoroughly clean your face morning and evening using a deep cleansing face wash. A charcoal infused face wash penetrates deep into your skin to remove all the accumulated dirt and pollution particles. It leaves you with fresh, glowing and radiant skin.

3. USE PROTECTIVE GLASSES OR SHADES

The inflammation caused to the eyes due to excessive exposure to pollution can be eased out with the help of cooling compressors. A general cool compressor such as a clean cloth soaked in cold water comes handy when you need to get rid of the itchiness and inflammation of the eye. Another thing is that you can also use some ice-cubes wrapped in a clean cotton cloth. Apply the cubes to your eyes, and it can work wonders to cure the burning sensation caused by pollution. Apart from that, drink a lot of fluids. Intake of water is best for the body and eyes. It not only keeps you hydrated but also flushes out harmful toxins and waste from the body.

4. CLOTHES

Indian wear constitutes an integral part of women’s work wear wardrobes across the country, given some ultra-progressive offices still bar women from wearing trousers & skirts. Putting that aside, Indian wear can serve as a great option, given the room for comfort & the ability to opt for light-weight, cotton kurtas that don’t hamper your breathing unlike the polyester jumpsuit you dread the most. It saves from dust and pollution   Wear shirts and trousers to save yourself  from  dust and pollution. When choosing shoes for western formal wear, go for closed-toe shoes over open sandals.

~Contributed by Swidhi