#from Taylor Swift

[moondust-on-the-hijabi]

I've said it before but for newcomers, I will say it again. I fully stand with Palestine and Palestinians. If you're neutral, or you don't care, or you support Israel or you're "free everyone", unfollow me right now. This is not a political topic. Tons of innocent people dying is not a political topic.

Everyone's always saying that they're for making a change but I don't see any change in an account that doesn't stand for humanitarian crisis. Swifties, I'm sorry but y'all post millions of things about Taylor Swift's albums and various tours but can't be bothered to reblog posts about people dying.

1000 is a big number and we know that. Now imagine, 36050+ people dead, 15000+ are children, 80,643 injured, and 10,000 missing.

We all know what to do when genocides happen, it's in the history books. This is going to make it in history books. Stop being ignorant.

Free Palestine and all eyes on Rafah.

[music]

behind the music with @taylorswift

[mysterycitrus]

watching people insist that dick grayson would post thirst traps and tiktoks and overshare online and accidentally reveal his secret identity because he’s open and honest and would never lie as if he doesn’t hate talking about himself and hides from the people he loves and rarely directly says what he’s thinking

u fool!! u have been tricked by the facade!!! a graysons nature is to perform!!

[g3othermal3scapism]

rose tyler visiting home wearing tshirts from artists and tours that havent happened yet or tv shows that dont exist yet and everyone thinking she just has weird obscure music taste and is rly weird. its 2006 rose tyler walking down the street and everyone who glances at her shirt is thinking ‘who in the fuck is olivia rodrigo and where did this girl get a 2024 tour shirt’

[kingofmyborrowedheart]

The thing that is striking me the most about this album is just how messy and human it is. She’s not holding anything back or trying to appear one way or another. She’s just letting it all out regardless of what anyone might say. She found that trying to be polished and keep all the ugly, imperfect, human stuff in to be stifling and just said fuck it I need to do this for me. This album was an exorcism for her.

[theerastour]

the eras tour + new 1989 sets (x)

[ivynightshade]

fatima aamer bilal, excerpt from moony moonless sky’s ‘i mother it, the absence of her ii. i was hard to bear from the very start.’

[text id: my sadness is a fire that i built to keep my hands warm on lonely nights. // art by sivan roshianu // i keep my misery bared between my teeth. i refuse to let her leave. / i am nothing without this obsession of mine.]

[taylornation]

The Cruelest Summer is out now! Cross the bridge of Cruel Summer (Live from TS | The Eras Tour) and Cruel Summer (LP Giobbi Remix) together. And by cross it, we mean scream it. GO!

Download and listen everywhere now. 💘

[lauriemarch]

and at the end of the day, people will still hate women.

because beyonce is a terrible songwriter who has a good body and nothing more and she's really nothing compared to olivia rodrigo, that stuck-up bitch who steals other people's music, but taylor swift is an old, bitter nothing who clearly hates other girls. and sabrina carpenter deserves to die because she followed her heart, not her brain, and that's exactly why zendaya will never be good enough for tom holland. don't forget about kylie jenner, who's stealing precious timothee's innocence away and dating her is like committing arthouse cinema suicide, or how we said the same thing about miley cyrus and her disgusting profanity, think of the children, poor liam hemsworth, trapped in a marriage with such a horrible woman. lana del rey was hot until she was big and she made trailerpark sexy until her ass got a little too fat. and ariana grande, talentless homewrecker, and selena gomez, jealous and unreasonable, and hailey bieber, even more boring than the blood drying on the knives you are so quick to pull. sophie turner is a bad mom and megan thee stallion deserved whatever was coming to her.

and amidst all of this, we still don't know these women. we cannot fathom the pain of having a public divorce, one where people choose sides and hurl insults at you until the battery on their phone dies. we don't watch them chase after sweet-cheeked children in tucked-away backyards or play board games with their best friends while their chests heave in laughter. we don't know their marriages and we don't know their solitudes. we don't watch them unravel themselves, time and time again, preparing for the battle that we have made of their lives. they can never make a mistake. they can never cry. they can never be who they believe themselves to be.

and we take all of this and we go to work, we ride the bus, we go grocery shopping, we walk in dappled sunlight, and we let ourselves shrivel. i compare myself to every body i see and i comfort in the fact that i can still encircle my wrists with my fingers. food turns to dust in my mouth when i think about the fact that taylor swift thinks she's fat and people still hate sabrina carpenter for sticking by joshua bassett's side when he almost died, for God's sake, and now the people on my twitter feed are saying GUTS is the worst album they've ever heard. i liked it, the tiny voice in my head cries out. she wrote songs that made me feel noticed. they're calling the song i relate to the most a total skip.

so i close the app. i try not to think about the endless profiles screaming about how much they hate a nineteen/thirty-two/thirty-eight/twenty-three/twenty-six/forty-two year old. i try not to think about how much they would hate me, if they knew anything at all.

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[youdontknowwhotfiamm]

“iSrAeLiS aRe InNoCeNt” stfu. You would never, EVER, see a Palestinian comment something like this about an Israeli child, A CHILD.

[breakbleheavens]

I love you, it's ruining my life.