#goodness tumblr wheres your mind

[greenthena]

Its a good weekend for wips!

If you're not already invested in @theangelyouknew 's fic, "Catch a Falling Star," get over to ao3 and dive in.

Here's the latest chapter...

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[chronotopes]

sorry to still be on those polls but genuinely some of those responses are so distressing to me. the belief that trans people should go through that self discovery process in monastic self isolation and never receive input from the people who love them Until They're Ready is so genuinely bleak and indefensible, regardless of whether or not you're ideologically consistent about which audiences you think the suggestion is "appropriate" for. and furthermore the idea that a cis person getting erroneously told theyre trans by One Person is somehow equivalent to a trans person getting coercively held to agab standards by The Whole World...... like come on. come on.

[castelled-away]

So now that we know the marriage market/schemes of the ton are not Benedict‘s cup of tea & he spends the better part of s3 running away from debutantes who want to marry him… I need Sophie (or whoever is going to be his love interest in his season) to be the incarnation of the word no. I need this lovely lady to be absolutely uninterested in this jokester puppy of a Bridgerton so that he HE has to run after HER. And she’s just like no thanks & completely uninterested & pragmatic/down-to-earth all the time until he like…cries & begs her to marry her I guess?

[yeonban]

I might be ~quirky~ for this (welcome to my twisted mind and etc) but I genuinely have so much fun with shipping nowadays, ever since I chose to be singleship for each muse. I feel like my adhd has never allowed me to pour even half as much care and attention into a ship as I'd have loved to when I had multiple ones at the same time per muse, so being able to focus on a single romantic dynamic per muse really feels like a weight off my shoulders

[idiosyncraticrednebula]

People on social media will get mad as hell and call you problematic if you enjoy a villain for being, well, a villain.

[spaciebabie]

I don’t think I’ll be on this platform anymore, at least for now, due to everything that’s happening. I’d just like to keep away from it and supporting it at all. See you later, maybe.

-heartbeat anon

i understand heartbeat!! safe travels wherever you find yourself!! thank you for sticking around <3333

[kavehater]

I wish I could inject pasilyo into my brain so I can have permanent happiness

[vaugarde]

i need to find another pmd project to love on relentlessly to make up for that. i almost feel bad hating on a fan project like that

[levil0vesyou]

Having a post get popular enough to be independently reblogged by someone you follow but aren't mutuals with is. Wild

[agayconcept]

hey, i really hope this doesnt come off the wrong way but you need to take a step back and reprioritise your costs. the people in your doctors office are the biggest assholes in the world but you shouldnt be using money on legal fees to go after them if it means you cant afford your rent.

actually, those funds are kept completely seperate, and i'm not intending to use any of it on some stupid lawsuit. i am however going to have to pay legal fees to have a legal representative advocate for me and my rights with this doctors office. because i cannot just up and leave 'the biggest assholes' there just bc it's financially inconvenient. because this office has 4 referrals in progress for me, a disability application in the works, and have all my records - some of which have not been completed/updated yet. and they are deliberately dragging their feet on all of the above.

so if i 'just don't bother' as you're suggesting, i would have to leave and i'd lose all those referrals and have to start completely over with a new office- which the wait list for is over a year. i would also have to completely restart the 3-6 month process for my disability application- which is the main financial reason i struggle with rent costs! because i'm not on disability and need to be! because i keep being discriminated against even outside this drs office.

(on a less important note, i would also have to wait until they finish updating my records before i can even register with another dr bc they wont have any correct/up to date info on them)

hence why i HAVE to continue dealing with/through this office even though i desperately dont want to - which means i have to have advocation, support and legal knowlege- which comes from a legal rep / organization / charity (which only provide free advice, you do still have to pay them to Do Anything). it is NOT something i can do by myself. cool for you (genuinely, no sarcasm intended) if you're able to get your rights respected or have the privilege to simply say fuck it and walk away- i do not. many people do not.

i think you may have misunderstood my intentions and reality here - this is not a situation where the abuse has happened, its over and im out, and therefore it is not worth legal hassle after the fact. this is an Ongoing Situation where i am TRAPPED dealing with this until i can get what i need (records, referrals, disability application) that is legally owed to me and is my right, but is instead being witheld.

so your suggestion, going with that, would be to either abandon or put off any and all healthcare progress (and my human rights, nbd) to instead pay my rent....which is something that, worst case scenario, i cannot be evicted for immediately. there is a grace period, its in the lease. they have to give us x amount of time, or offer us the option to split the payment. they only have to provide/allow that one time, but i havent used it yet so this could be that one time if i have to. (hence my notes earlier mentioning that the new building management seeming nice so hopefully they wouldn't be fussy abt it and would give us some time - bc as ppl on the internet often forget: my mother pays half the rent. i am not totally on my own here on that at least.)

look, i get that you may have had good intentions, but don't come into a situation you don't know the details and nuances of, and tell someone what to do with their money- especially when they're using it to protect their basic human rights. i didnt ask for anyone's financial or legal advice - so idk why you felt it was wanted, needed, or necessary.

like. you dont know the whole situation, i have (obvi) not shared all the details w strangers on the internet. you cant play financial advisor to a random person whose life you don't understand. idk why ppl think they can/should, rly.

anyway, genuinely for anyone on here: if it bothers you that much that my financial situation is incredibly complicated & messy due to a myriad of reasons, and that my scraping / surviving by might not be in the exact same personal fashion you would choose yourself?

you can ignore it or unfollow me, thats all good n cool.

if that wasnt your intention, and it just came across that way, then apologies for being short, and i hope the above explanation clears up the reasoning as to why i do, in fact, need to do certain things that i'm doing.

(for future reference: anons like these will be blocked. the only reason this one wasnt was because i knew it could have been a misunderstanding. but if it isnt, and anyone decides to send stuff like this, welp, its time for my best friend the block button to come hang out)

[debrouiller]

not to be cynical but i feel like there is such a culture of misery online

[rocksalt-and-pie]

I keep catching myself overthinking whether my original characters are "problematic" or "bad representation" and second guessing my character building skills to the point of creative paralysis and trying to avoid stereotypes and tropes that could be offensive in any way but lately I've started realizing that being problematic and offensive is unavoidable in fiction because the concept of what is considered problematic or offensive changes and evolves constantly. My goal from now on will be to make my characters even more problematic to 1) prove a point 2) use it as a plot tool and most importantly 3) make them feel more realistic because!! Real human beings are by no means ever 100% "unproblematic" (and the trend of cancel culture is showing how harmful and just plain unattainable this expectation for real people is) and tbh I'd rather read (and watch and write) an interesting, slightly problematic character with LAYERS than a polished one-dimensional boring showcase model that gives no room for independent thinking on the media consumer's side

[powerfulkicks]

fucccccckkkkkk i really need to write that octet video essay that's been percolating in my head for years

[seelestia]

✧ i'll show you (if you'll let me).

⎯ there is a certain touch of beauty to witnessing a side of theirs revealed to you so naturally. it becomes as easy as breathing if you just let it happen... so, will you? ( or in other words, a way you enable them to be themselves. )

#STARRING. aventurine, dr. ratio, sunday, dan heng ft. gn!reader. { 4.2k words }

#TAGS. fluff, established relationship. more: minor spoilers for aven's backstory (described mostly abstractly), ratio is referred to by his first name, i called sunday a nerd (sorry), dr. ratio & dan heng are certified workaholics.

#P/S. i think i may have yapped a little considering the word count but i hope it ends up being a good kind of yapping. tysm for reading! ♡

© seelestia on tumblr, may 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

★ 〜 masterlist.

will you let aventurine hold you close when he sleeps? . . . whether it's an arm slung over your hips or his nose buried in your shoulder or fingers tracing shapes onto your skin. he doesn't ask for too much; only that you grant him the permission to cradle you in his arms, somewhere within his reach. it's a habit, he hopes you don't mind.

you have to wonder, though. considering the plenitude of pillows on the bed, why do his hands still seek you out? with all the credits he spent on those cotton-stuffed angels, you thought aventurine would relish them a bit more. but ah-ah, see? that is where you're wrong. sure, the pillows are extremely comfy but he always has a preference for things with much, much more value.

and the truth — well, his truth — is that even the softest cushions from oti mall couldn't compare to the privilege of laying his head on your chest, he'd say. especially when you brush his hair with your fingers - oh, one of the easiest ways to paradise. truly, the best value there is! can you blame a man for being honest and a little lovesick?

(“sappy,” you accuse. he pouts, offended.)

but aventurine has a flair for theatrics, you know that. his witty quips are as feather-light in weight as light-hearted they are in intent. but his touch - in the forms of kind caresses or rhythmic taps to a tune from his forgotten culture - lingers on your skin, with a yearning so heavy. you question whether it could be nostalgia or instead, silent awe at a reality he never imagined could ever be his.

(kakavasha remembers. clinging onto you for warmth like he once did to his sister, falling asleep with her prayers to mama fenge in his ears. the avgins believed gaiathra triclops to be the symbol of humility; so naturally, their prayers to her should also be humble, not too quiet but not too loud. all in moderation. for a frail child like him, those gentle prayers alone were enough to let him drift into a dreamless slumber and to ignore the shackles of reality if not for the briefest moments.

time passed. came a time where the melody he associated with slumber was no longer a soft voice lulling him but pure static, a noise to distract his mind from the chains around his wrists. they burned themselves onto his skin, searing, but he was already too familiar with the sensation to care. the mark on his neck was unwelcome, laughing at him, but he too laughed at his own pitiful reflection so what's the difference, anyway?

time passed again, the call of slumber then turned into clattering noises of chips doused in gold and dice thrown onto a surface. he thought it'd stay that way forever but before long, it morphed into up-and-down waves he couldn't decipher initially. they're gentle, faint like a human's breathing: your breathing as you allowed him to lie beside you for the first time, he realized back then. although he deems himself unworthy, an ugly grime on your pristine existence that still insists on cradling him — but despite it all, he finds this last melody to be his favorite so far.)

✧ a moment among the stars:

ticklish.

the sensation, minor yet still impactful enough, causes you to stir out of sleep. the light of noon greets your eyes and you become vaguely cognizant that the root of it all is the tufts of blond hair brushing against your neck.

there is a solid weight on your torso and a pair of slender arms loosely wrapped around your waist - but they're nothing you haven't grown used to. you comb your fingers through the messy locks licking at your skin, instinctively, and the fragrant scent of what you register as penacony's limited edition perfume kisses your nose.

“...ugh, what system time is it?” you let out a grunt, shifting around slightly to let your limbs breathe. you don't get an answer to your question, instead, aventurine's arms reestablish their hold on you. hooking you closer to him as if to wring out whatever proximity is left, if there is even any. his simple proclamation of “who cares?”, in a sense.

there it is again, that ticklish feeling. you feel soft lips grazing feather-like kisses against your collarbone. oh, he definitely isn't letting go just yet. truly merciless, a dozy morning thought accompanied by your tired sigh. the noise still comes out fond, however, so your feigned act of annoyance is fooling no one.

“it's warm, you know,” you grumble. but the yawn escaping your mouth right after betrays whatever stern image you're trying to adopt. not like you can ever be too stern with him. aventurine knows this, yes, and he gives you an A+ for effort each time.

“mhm,” he finally speaks, snuggling into your chest with no care about anything in the world, “g'morning to you too, lovely.”

his favorite mornings aren't his favorite if not thanks to your innocuous complaints and delightful attempts at pushing his pretty face away, no? a lazy grin graces the stoneheart's lips and eyes like exquisite gems, although sleepy, flutter open to gaze at you languidly. he takes the sight of you in then lets out a sigh - a fond noise just like yours earlier; the both of you really are two peas of a pod.

you must look a terrible mess right now and yet, the sight of you has aventurine smiling dazedly. “ah, what a spectacular sight. i really am the luckiest man in the galaxy,” he hums in approval. you want to roll your eyes but stops as he leans up to pepper (ah, one necessary correction: smother) kisses all over your face, arms dragging you closer to his chest like a cage. your eyes widen comically. what a nefarious trap, he has the advantage!

every remnant of sleepiness clinging to your mind evaporates. you squeal with laughter, shoving at his shoulder using the strength of a baby deer because no, you don't really want him to stop. he knows that too, of course.

“mwah, mwah, mwah—”

“pfft...! kakavasha, i can't breathe!”

(he has half a mind to pinch his skin, as if to remind himself that this is real. he can feel your giggles tickling his skin as if to tell him in return: yes, you are.)

will you let veritas pour his heart out after a long day? . . . well, that could count as too much of an overstatement. others say, “that man is like a brick wall!” some more dare to whisper, “doesn't his temper already exhaust whatever emotional quota he has?!” needless to say, everyone knows that dr. ratio is a man ruled by the mind, not by the heart. alright, that's quite true - but does that imply he has discarded the latter altogether? if so, then you beg to differ.

(not in the literal sense, of course! the heart is a vital organ of the body. saying otherwise would be akin to spitting on his shiny phd in biology... or his seven other phd's at that.)

the pedestal which the public places veritas ratio on reaches still great heights, even if it may not rival an ivory tower a member of the genius society resides in. it is so high up that mundane troubles of those below can't reach a genius like him, surely? well, as tall as he stands - somehow, the universe grants you a front row seat for a particular sight that proves otherwise.

if only they knew the doctor has a habit of mumbling these incomprehensible (more like barely intelligible) grumbles under his breath, striking a resemblance similar to a grumpy old cat. if you strain your ears hard enough, you might catch a “...this has to be it...” or “...i dare not think so...” from time to time as he roams around the room with materials in his hands.

(absurd, people would say. but you think it's extremely cute.)

veritas doesn't say it out loud - but you can tell by the hunch in his stiff shoulders, by the one or two sighs he huffs every six minutes - that he is itching to tell somebody of all the tomfooleries he has encountered today. of course, the topics he laments about vary; it's only when you hear him exhaling the loudest sigh that you get to find out.

mostly though, it's about his students and remarks on how they can further improve their performance — sure, he could phrase it a little gentler — but you still find it sweet that he cares. if not that, then it'd be about indolent colleagues, complicated formulae and more. on some days, he'll even let out an exasperated “truly mind-boggling! could you believe that?” to which you'd reply with an “uh-huh, go on.”

at the end of a ranting session, veritas takes careful note to leave a kiss on your person afterward. no matter where it is - on the lips, the cheek or your hand. no matter where you are - sitting on the couch beside him, behind the kitchen counter or across the room. the warmth that stays on your skin when he pulls away is somewhat tingly. appreciative, you think, especially when he looks at you with such loving eyes that his colleagues would be sure to retch in shock if they were a witness.

looks like you are right on the money; he has never discarded his heart, after all. so yes, to rephrase - will you lend veritas a listening ear when he needs it?

✧ a moment among the stars:

“...yet another headache.”

as unsubtle as ever, the doctor's complaint is barely hidden behind the guise of a mumble. those neatly styled violet bangs of his aren't doing an excellent job at concealing that frown strewn across his forehead either. veritas's posture is tense, a dead giveaway, as he goes over the piles of documents on his desk.

you cock an eyebrow upon seeing the stamp belonging to the intelligentsia guild on one of the papers. definitely work. it has been two system hours since he took a seat at the work desk, you concur, or lifted a finger to do something besides flipping through drafts. a mere glance at the stack of documents is enough to convince you that those researchers at the guild must really value veritas's input.

a perk of being a genius, maybe? the phantom of a weight lands alight on your shoulders. with a mug of black coffee in hand, you make your way to him. your footsteps are without a sound, only the noise of porcelain being placed down onto woodenware is enough to announce your arrival. “rough day at work?” you ask, peering down at his progress.

(a doctor's handwriting really is something. you resist the urge to squint.)

veritas doesn't seem to mind. if the way he smiles at the sight of you, albeit tiredly, is any indication. “hah,” he rests a hand on his temple and scoffs wryly, “so much grievances like you wouldn't believe.”

oh, he is teetering on the precipice of a tangent but stops himself. “...fret not, i'm fine. this is hardly something beyond my expertise,” he shakes his head, the motion causing his reading glasses to slide down a smidgen down the bridge of his nose.

you're too familiar with the self-assured bravado he puts on. you're quite endeared, actually. “okay, mr. i-require-no-rest,” you take the glasses off his face and he breaks into a frown. at the childish tone you're using or for having his reading glasses taken away, you don't know.

“why don't you take a little break?” you suggest. veritas sighs, “need i remind you that dilly-dallying is for fools who wish to waste their time?” and crosses his arms defiantly. he knows your strategy, he has come face-to-face with it several times.

“do you think a break with me is a waste of time?” you present him with a rhetorical question, quite the difficult adversary.

(and he keeps losing to it every single time.)

“well, that's—” the doctor nearly splutters, taken aback. “that's different if you insist on inserting yourself as a variable,” he infers, putting emphasis on the last part accompanied by an incredulous look.

“the answer is up for debate then,” you shrug with a cheeky smile. your hand then deftly lifts the mug you previously set down to your lips, veritas's eyes dilate in bewilderment. “so,” you hum at the rich taste of your handiwork, “wanna tell me about your day? haven't heard about the council in a while.”

“you—” he gasps in defeat, “i thought that was supposed to be my mug of coffee.”

(he has a slight pout on his face, but you dare not point it out lest it disappears in the blink of an eye.)

“our mug of coffee,” you take a few more sips with an innocent decadence. “all is fair in love and war, doctor.”

“i can never win with you,” he buries his face in his palm with a groan. you laugh heartily, a sound that chimes like quaint little bells in his ears - it elicits a reaction from his lips, for them to quirk up at the corners in the smallest of ways.

“regardless. . .” veritas relents and reaches for your free hand. you let him. “it seems a break wouldn't be so amiss, after all,” he then presses a kiss on the side of your wrist, affectionate.

(your heart skips a beat.)

will you let sunday regale you with facts you've never heard of before? . . . a man of eloquent words, no less a man of educated mind. you have no doubt that the books in the dewlight pavilion really aren't just there for show - not that you're allowed to browse through them at your own desire. a servant's voice would stop you in your tracks should your fingers ever brush against something in the family's secret bookshelf.

how mysterious.

but sunday makes it known to the staff that you, in particular, are allowed more access to the shelves - perhaps, not too much - but more than even mr. mccoy, at least. with the way you have to crane your neck far up to pinpoint the tallest height that the shelves reach, you wonder: has sunday gone through everything here personally?

your immediate answer is most likely. you know sunday fairly well; to have something that he hasn't scrutinized from the inside out in his possession will surely gnaw away at his psyche incessantly. not being in the know at all times is a looming fear for him. but of course, you have other ways to confirm the answer for yourself.

pick out a book from a shelf there, either intentional or purely arbitrary, and watch as sunday carefully traces his steps towards you. his curiosity is piqued, which topic has caught your interest this time? but he tucks it under proper cordiality. with a hand behind his back, he'd utter your name in the softest tone and ask the familiar question of “would you like to know more?” — asking for your permission to ramble, essentially — you find this tendency of his to be charming, so you nod each time.

(and he smiles when you do. a smile less refined at the edges, kinder and relaxed.)

the best place to start from is always the beginning. you think sunday agrees because he often starts by telling you the history and its origins before moving on to its impact on the galaxy, then his personal stance on the topic. it's a pattern, you notice, his ramblings have a pattern. and it's consistent every time, you might've believed he was reading off a script. and what's more? sunday is blissfully oblivious of it.

fascinating. you ponder: what kind of things you can do with this information? decisions, decisions, decisions. . . but ultimately, you opt for keeping it a secret like a treasure only you're allowed to see.

(that might be true in a way. you don't doubt that robin, his dear sister, is familiar with this side of him. does that mean he treasures you like he does her? your chest starts to feel a bit lighter.)

if you were to point it out, you fear you might never witness it again - goodness, to know that he has been displaying such foolishness or rather, what he viewed as an embarrassing freudian slip in front of you? his wings might as well resort to covering his face for good until the end of time.

as you listen to him talk (with such elegance at that), you can't help whatever tender look you have on your face. really, who would've thought the head of the oak family could be such. . . a nerd?

(you hope in secret that sunday will be more willing to show sides like these to you in the future. and that they're not a weakness at all, not when they're shared with you.)

✧ a moment among the stars:

“it looks like you're fascinated by the dreamscape nursery rhyme this time.”

sunday spares the article in your hold no further inspection. one glance at the cover and walls of memorized information rush to the front of his mind. he looks familiar with it; could it be a part of his childhood too? but then again, everything found here is within his knowledge.

“i am,” you say with intrigue, “it got me ruminating for a while.”

you meet his gaze, stumbling upon yellow irises that glimmer akin to gold under penaconian chandeliers. you think you see a hint of affection in them, swimming around your reflection like a school of fish in a pond. it makes you smile.

he smiles back, oblivious to your thoughts but returns your gesture. he asks, “how so?” and you reply without delay, “i read through it and the morbid undertone took me by surpri—”

or at least, it's supposed to be without delay until you realize sunday has stepped closer in order to peer down at the page you're holding open. and suddenly, you're extremely aware of every minute detail like how his breath brushes against the side of your cheek and how his chest rumbles as he hums in acknowledgement.

(you flush in the neck and he perceives this reaction of yours with mirth.)

“my apologies,” sunday chuckles and pulls away, “i've simply forgotten the rhyme and wished to refresh my memory.”

“somehow, i feel that isn't the case...” you mumble accusingly. that seems to amplify whatever little amusement he gets from flustering you. “oh, my dove. i can assure you that it is,” he caresses your head, a little placatingly.

most times, sunday isn't so laidback about giving affection in public — since he has an image to maintain — so you assume the fact that the servants are out and about, leaving only you and him here, plays a role in his unusual boldness. you accept the gesture with a bashful pout.

“now, where were we?” sunday clears his throat, “ah, yes. some people have noted on the nursery rhyme's strange quality but still, it retains its popularity in penacony. it is also widely assumed that the hound resembles the bloodhound family while—”

you hold back an amused sigh, but it's more out of fondness than anything. he'll start from the history then the effect on the general public, as per usual, but you're not the only predictable one here. you'd listen to him anytime too, won't you?

(you do adore when the head of the oak family would put off his public figure mask around you. if only for just a while.)

will you let dan heng rest his head on your lap when it's just you two? . . . the sense of comfort it provides isn't something he can explain with words. as if he has ever been good with words in the first place. saying a sentence bereft of logical reasoning or witty remarks doesn't come easily to the express’ guard. neither does intimacy. . . but you know that already, don't you?

after all, it isn't a secret that dan heng prefers speaking with his actions. if to show one's intentions is the end goal, then actions are the fastest route to choose. words, although able to sweeten the trip like how a beautiful scenery can, will eventually lead to actions regardless so why take the extra step?

but you're different from him; you articulate what you think and what you mean. you're honest in ways that keep catching dan heng off guard without fail — just like the first time you offered your empty lap to him when his head was swirling in pain — but he supposes that is one of your charms. “words can be useful. we're not all born mind readers,” you told him once and he hummed, accepting of your perspective.

(“look at you two! opposites attract!” march chirped. he recalled shooting her a look of indignation and she rubbed the back of her head sheepishly in response.)

dan heng has learnt to grow used to your propensities - but by far, your shameless invitations are still one matter that can't be comprehended even with time. he cannot understand; how you smile as you sit on his futon in the archives (he doesn't mind), how you link gazes with him so effortlessly, how you pat your lap knowingly and say, “why don't you rest your head here?”

(he has to restrain himself from bursting into flames like a heliobus.)

sometimes, he'll accept reluctantly or he'll decline with an underlying tone of longing he doesn't want you to notice. because as much of a good hold dan heng has on nonchalance, he cannot deny that this particular gesture of yours has left a mark on him.

(it remains persistently.)

when he rests his head on your lap, he can't help but take a deep inhale - your fragrance fills his senses and he discards the selfish desire to keep it all to himself. your fingers are soothing as they thread through his hair gently. the feeling that washes over him is serene, almost comparable to submerging himself in the pure waters of scalegorge waterscape.

when overcome by such a tranquil state of mind, dan heng wonders what expression he might be making at that moment? he always keeps his eyes closed, so it's a shame he may never know. but you do, and you don't think you've ever seen him look so at peace before like he does now.

(perhaps, that's why you keep offering him this in the first place.)

✧ a moment among the stars:

“someone looks tired,” you state with a pointed stare. the archives isn't a room too spacious and the only ones here are you and him. the target of your sentence is obvious.

but dan heng doesn't take the bait, barely looks away from the entry he is currently authoring. still, he spares you a glance and hums glibly, “are you projecting? if so, feel free to use my bed in the meantime.”

you let out a noise, something gibberish that conveys disappointment but it is effectively drowned out by the typing noises. “you haven't even touched the food i bought you,” your voice becomes mellow, “why don't you rest for a while?”

he isn't convinced, you think, since his fingers are still hard at work. the new info the team brought back must've been a lot if he's that focused.

“dan heng?” you try again, hopeful for the last time. you don't take him for a fool, of course, he'll know when he reaches his limit and have proper rest then. but would that really be ideal? a second passes and that hope flickers like a dimming light. but just an inch before the edge of giving up, the typing slows to a stop.

“. . .alright,” he murmurs. finally, after a good hour spent drawing patterns on his backside with your eyes, dan heng turns around to face you. he look tense, you note with abject concern.

“here,” you usher him to your lap, empty and conveniently so. dan heng shoots you a blank look - this isn't the first time you offered and this isn't the first time he reacted like that. you try to suppress a laugh, failing gloriously at it. “just for a little bit,” you utter through a stifled fit of chuckles.

dan heng shakes his head, not in rejection but in defeat. his eyes slip close, second nature, as he leans to situate his head on your lap. you welcome him with a hum and let your fingers card through his hair. a calm sigh falls from his lips like a water droplet in springtime.

“this. . . is nice,” he admits, sudden and unprompted. you nearly doubt your ears for a moment there. did he— “i don't hate it is, uhm, what i mean to say,” dan heng adds and it dawns on you that your ears are still working. his eyes are still closed, not that you'd expect anything else, he prefers to treat it as a shield from being face-to-face with embarrassment.

(or to avoid your ecstatic gaze. he can feel warmth rushing to his cheeks already.)

“i know,” you smile, brushing away a few messy strands from his forehead. he isn't an open book but you think you've read the pages enough to remember all the little details. “but thanks for telling me. i'm no mind reader but i think i can read yours pretty well.”

“i shall provide no further comment,” he holds back an incredulous exhale, yet his lips still curl slightly at the corner. you feel the teeniest desire to trace the curve of his lips with your fingertip but settle for silently admiring them instead.

“it's fine. i know the answer already,” you say, words dripping with affection. such a shame dan heng never looks up at you during a time like this. because if he did, he wouldn't have missed seeing the sheer fondness in your gaze that rains down on him in light showers. a true shame.

(one day, he'll gather the courage. maybe.)

— thank you for reading! reblogs with comments are most appreciated. ♡

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)