#have a word podcast

[incorrectmarvelquote]

Peter: So if a cop catches you with like 20 pills, right? Could you just eat them all?

Tony: That would be a pretty intense ride to the police station

Peter: But they can’t take you to the police station because you’re not in possession of any drugs?

Harley: I mean I’m not too sure on the law but I’m pretty sure if the cops show up and are like “you’re under arrest!” and you just go “nom nom nom nom” they just have to go “whelp he’s too smart for us he’s gotta stay here, have a great night sir!”

Peter: You could shove them up your butt too?

Tony: I think legally your butt is like nature’s pocket

Peter: You could do it with drink driving too. Hear the sirens and just bail out of the car? “What’s that officer? I’m not driving, no, I’m just lying on the side of the road here.”

Harley: You see the mistake you’ve made there is that I shove my car up my butt-

Fury: I make sure not to invite you to these meetings but yet here you both are every single time

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[shitpostingkats]

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When I tell you I fucking sobbed my eyes out.

[samwise1548]

Feeling nostalgic for early podcast days

Share which ones if any, or if I misses some (range is some ambiguous time between 2015 and 2020)

[rainbowpopeworld]

(Edited to add: not an actual quote from Michael Sheen - this is a meme)

[arthur-lesters-right-arm]

[In the prison pits]

John: You've been awfully quiet

Arthur: really shouldn't have had unprotected sex that one time

John: what

Arthur: you heard me

[pencildragons]

i started intermezzo and had all my Theories about s5 but absolutely NOTHING couldve prepared me for fucking 13th century england

[caffeinatedpunk]

I'm sorry guys but if you are on tumblr and don't know who cecil is you need to go back on history books. He's the blueprint of the sexymen, the og twink, the first eye-motif guy, he ended queerbaiting during a time where queerbaiting or k*ll your gays trope was all the representation we could get. Respect the elder. He threw the first brick

[vaguely-concerned]

...the 'almond room' thing in the unwanted guest IS a reference to/play on words on amygdala, right? (amygdala comes from the greek word for almond!) I didn't read that wrong? it is stupid sexy Ianthe coyly inviting Palamedes into a different chamber of her brain, as it were?

(also the pieces of meat -- the feeding or kissing, it's hard to say which of it all -- being present right from the beginning... ianthe DOES know exactly what has happened to her, doesn't she. palamedes is just cutting his way through her layers of denial and repression all merciless and scalpel-like to get her to admit it. or, she knows subconsciously at least -- each person comes in and feeds her something that she's helpless to stop from becoming a part of her even in her coffin, with bloody kisses. oh baby love is feeding me bad meat and I have no choice but to swallow it down. like yeah I suspect that is how human contact can feel when your sense of self and boundaries developed to be a specific kind of Fucked Up lol. that shit could make a person dream of being a diamond in a glass of wine; perfect, inviolable, untouchable, eternally separate and safe. In the words of Andrea Gibson in Prism:

They say the womb is where we learn love is knowing the cord that feeds you could at any moment wrap around your neck

that is quite literally ianthe's first introduction to love -- her sister, a cord around her neck. Corona is Ianthe's other self, a second soul running around outside of her body, and she seems to consider herself as responsible for (and entitled to) the preservation of Corona's soul as her own. the way this mirrors that growing up, Ianthe had to be two necromancers in one body to let them stay together. (twins and ghosts all the way down I guess.) she's still just trying to do the same thing, I think, she's simply put on some bigger boots about it. the central problem of lyctorhood, self vs. connection/love, rears its head once again -- Ianthe existentially wants total self-contained self-sufficiency, perfect control, sovereign sway and masterdom over her soul... but she wants that at the same time as being in uninterrupted (uninterruptible!), eternal and indelible intimacy with her sister, whose soul also cannot be allowed to change. which, you know. freedom and love don't coexist the way you want them to, Ianthe, no matter how clever you are there won't be a way to get what you want. (especially not with a sister whose idea of what love is seems to go more towards being consumed, made one, by whatever violence necessary -- 'she could have taken me'.) man. Ianthe is a spectacular and ongoing piece of work, but sometimes it's hard to see how she could ever have turned out otherwise considering the conditions she was born and raised under haha.

the two-way street of the horror of digestion, whether you're the devourer or the devouree. part of you in me, part of me in you, whether either of us likes it or not we're both changed by this. bad news: you can't get out of interconnectedness by finding the cleverest loophole around it, ianthe. nice try, though)

[perksofbeingpoet]

new headcanons!

☆ THE POETS AT THE CINEMA ☆

(this got really long bc i love them so much aahhhh i hope you enjoy these headcanons as much as i do-)

CHARLIE: his favourite genre is comedy, plus movies about outlaws and teen rebels, says "so me" all through the film. oh yeah he doesn't shut up ever, talks the whole time until someone tells him to please stop talking because the movie's more interesting than how he'd dress as a pirate. every time there's a kissing scene, he turns to the poet sitting next to him and wiggles his eyebrows with a smirk. a nightmare to clean up after, his popcorn ends up all over the floor and himself. BUT all this doesn't apply to emotional movies. if a movie is sad, charlie is silent the entire time, doesn't crack a joke once and comes out of it with half his popcorn left.

KNOX: cries when watching romance, tells the poets he's not crying!! just the dry air of the cinema getting to him. insists on taking pictures of them in front of the movie poster. has accidentally thrown his ticket away instead of the receipt on several occasions. if there are cardboard cut-outs of characters at the cinema, he needs to take pics with all of them. eats a strange mixture of snacks, popcorn, pretzels and ice cream. asks "whAT?" at least five times through the movie bc he can't follow the plot. really fun to watch a movie with because he'll audibly gasp at every plot twist. idk him at the cinema is really cute guys i swear.

PITTS: needs a toilet break three times throughout the movie (tall guy small bladder king). his legs get cramps from the rows being too narrow but he doesn't care, pittsie LOVES going to the cinema. will most often go with knox and meeks, they're the best film trio. knows loads of lore about all sci-fi movies they watch, and acts annoyed at people asking questions because OF COURSE ni-bo64 has to destroy Leobor. eats salty snacks and always chooses the biggest cup of soda (meeks points this out every time pittsie has to squeeze around him to go to the toilet). loudly shouts "YES" when something he approves of happens. is the best sport about charlie's smirks in kissing scenes, he just like puts his hand on charlie's thigh really slowly and mouths 'hi'.

MEEKS: really likes movies with a hidden message, is the only one charlie will watch emotional movies with. but also just a huge nerd, him and pittsie watch sci-fi stuff together and then talk about every plot point for an hour. ORANGE SODA. really big fan of good film music. can't sit still and always steals the arm rest. doesn't talk but says "WHAT??" way too loud when a plothole occurs or a thing he was hoping for doesn't happen. is the one to buy the tickets.

NEIL: loves the comfy velvet seats. always has half a breakdown about "omg maybe i should go into film instead of stage acting??" after seeing a movie he really likes. is a little movie nerd, especially for superhero movies! loves the moment of stepping out of the cinema into the fresh night air. his snack is sweet popcorn or gummy bears. gets so excited when something cool is about to happen, he's waving his arms and being like "oh- ooohhhh- oooohhhhhh" until the cool thing actually happens. makes sure everyone has their tickets (goes into airport dad mode). laughs a lot and looks around at all the poets like "did you see that??" as if they're not all watching the same movie.

TODD: too anxious to complain about sitting behind a tall person, he'll often try to sit on top of his balled-up jacket to be a bit taller and see enough of the screen. pitts notices after a while and is like "hey todd, could we swap seats? i'd love to sit next to knox". todd only realises what that was about a few hours later and is silently soo grateful for pitts not embarrassing him. likes artsy movies where not a lot happens, and LOVES reruns bc then he already knows the plot and can relax. doesn't ever talk throughout the movie but laughs SO MUCH. mouths the lines when he already knows a movie. when there's a kissing scene he'll get embarrassed. doesn't buy snacks cos they're "too loud" and then eats all the other poets' snacks. every time. likes watching the ads before the movie.

CAMERON: asks "does anyone need to go to the bathroom before the movie starts" like fifty times before they watch the movie. hates sitting next to strangers during the movie because then he's always hyper aware of his behaviour and can't really focus on the film. likes historical movies and will watch them with todd (no one can tell me todd/cameron friendship isn't real, it makes so much sense). salty popcorn kinda guy. knows the names of all the actors and actresses.

[mendingbone]

River & Loey & Adam— ʟᴜᴄʏ ᴅᴀᴄᴜs,ᴅʀᴇᴀᴍ sᴛᴀᴛᴇ...//sᴜsᴀɴ ʜᴏᴡᴇ, sɪɴɢᴜʟᴀʀɪᴛɪᴇs//ғʀᴀɴᴢ ᴋᴀғᴋᴀ, ʟᴇᴛᴛᴇʀ ᴛᴏ ᴍɪʟᴇɴᴀ//ᴛʜᴇ ᴛʀɪᴀssɪᴄ ᴄᴜᴅᴅʟᴇ//ᴇᴛʜᴇʟ ᴄᴀɪɴ, ᴛᴡᴏ ᴄʜɪʟᴅʀᴇɴ ɪɴ ᴀ ᴍᴏᴛᴇʟ ʙᴇᴅ//ɪsᴀᴀᴄ ᴍᴀʀɪᴏɴ, ᴡᴀʀᴍ ʙᴏᴅɪᴇs//ᴍᴀʙᴇʟ, ᴇᴘɪsᴏᴅᴇ 𝟸𝟾: ᴍᴀᴛʀʏᴏsʜᴋᴀ//ᴇʀɪɴ sʟᴀᴜɢʜᴛᴇʀ, ɪ ᴡɪʟʟ ᴛᴇʟʟ ᴛʜɪs sᴛᴏʀʏ ᴛᴏ ᴛʜᴇ sᴜɴ ᴜɴᴛɪʟ ʏᴏᴜ ʀᴇᴍᴇᴍʙᴇʀ ᴛʜᴀᴛ ʏᴏᴜ ᴀʀᴇ ᴛʜᴇ sᴜɴ.

[thermodynamic-comedian]

there used to be at least one universe where arthur somehow domesticated nyarlathotep and she was just his weird girlfriend and every once in a while kayne mourns the loss of that version of himself.

[hephaestuscrew]

Books and reading are really important to Clara Entwhistle. She bonds with Jasper the cabbie over having read The Grey Book, with Titus Byrne over Captain Swift novels, and with a random pickpocket over Figgler's Prestidigitation. She sees the right reading material as a potential solution to any uncertainty in her life. Trilling's Arts of Detection can teach her how to be a detective. Posner's A Guide to Business for Gentlemen can tell her how to make Fleet-Entwhistle Investigations a success. She only moved to London in the first place because she read Horrocks' Tales from the City in the Harrogate Herald.

I find this particularly interesting because we have significant evidence that Clara's access to reading material has been tightly controlled and subject to judgement for most of her life. She tells Fleet, "once, when I was young, Mother caught me reading a sensation novel and threatened to send me to the Mesmer Institute". She considers this a formative enough experience that it's one of the first facts she lists when wanting to share information about herself with Fleet. As a child, her reading choices were something shameful, something that indicated she wasn't the kind of young woman her mother wanted her to be. And even as an adult, arriving into London for the first time, she is chastised by her mother for wanting to buy a newspaper: "What need have you for a newspaper?... You can read my copy of this month's All a Lady Need Know. Disagreement resolved." In the world Clara has been trapped in, the ladylike thing is to only access a very limited sphere of appropriate information and not to read anything that falls outside of that sphere. And those boundaries of ladylike-ness will be rigidly enforced.

So perhaps it's no wonder that after Clara arrives in London, she's devouring everything from taxi regulation manuals to adventure novels, repeatedly calling the librarian for recommendations in the middle of the night, taking out 20 books at a time and then realising she's underestimated how long it will take her to read them. No wonder she's so often telling people about books she's read. For Clara Entwhistle, being able to do any of those things openly is a new and thrilling kind of freedom.

[davey-in-a-minivan]

[See alt text for zine text]

For @boombox-fuckboy 's podcast zine festival I made a little love letter to some of my favorite Pasithea Powder fics that live on a shelf in my brain next to the spectacular actual audio drama ❤️

(shout out to @clonerightsagenda and @santapedra and the other authors whose handles i don't know, I thank you deeply for your service 🫡)

[ninyard]

i am a BIG supporter of create what you want for your own joy, so absolutely do what you would like to do for the trial!! no one should be pressuring you to do it a specific way unless that’s how you Want to do it.

but if you were asking about what we’d like… personally i would love to see the whole trial as much as possible (i really don’t want you to overwhelm yourself) especially for higgin’s and nicky’s parts!! i like when we see more than just Big Main Parts, especially bc you flesh it out so well <3 sometimes it’s even more hard hitting when it’s Not from the people we expect, you know?

also, thank you for making the socmed aus!! they make me giggle and kick my feet every time, and also wail in agony and clutch at my chest… you have the range <3

GOD i wrote a whole long ass response to this and i didn't realise until too late that my phone was going to die </3 and it died </3

But it was something along the lines of I'm really glad that the general consensus seems to be to do all five days of the trial, or however many days it ends up being, from start to finish. For me personally it'd feel unfinished if I skipped parts just to get to the ~interesting~ parts, and I think if I'm going to make something like this then I want to show it all.

It's not this deep, but I guess it's like... It's fucked up. People are making memes about a murder trial involving rape and other things that are just not funny at all. And skipping parts just to get to "GOD NEIL IS SO CHAOTIC ON THE STAND" or whatever feels,,, insensitive? Unjust?? I don't know

but people are also doing that shit in real life. About real people, real trials, with real victims and real perpetrators. Sensationalising trials just because it's a celebrity on the stand, or it's an "interesting" murder trial or whatever. People are making memes and jokes about them. And people are making their own minds up about the verdict because of it. I want to show people who think Aaron's guilty because of something the cop who arrested him said. I want to show people who think Andrew is an unreliable witness because of something Higgins says, somebody who thinks Aaron isn't guilty because a forensics team mentioned something about the crime scene that they don't think sounds right. I want to make this from the outsider view on the publics reaction to a trial, and specifically people who almost idolise Aaron, or Kevin, or Neil, or Andrew. People who don't see them as human, but as celebrities, as people who are supposed to be perfect. People who see a trial like this and think, "it's okay for me to make jokes about this, or to post about this, because they're just famous people. They're not like real people to me."

People are at home becoming twitter lawyers and making up their minds based on what they read or see online, and it almost separates the reality of the situation from the "characters" that people create out of defendants and victims. You see people hopping on bandwagons or hate trains or whatever when it comes to these kind of public trials. People making clips of something "funny" a lawyer or witness said for the sake of content. People making temporary celebrities out of the judge and jury and legal representation. For what? For likes?

I guess what I'm trying to say is that I want to show the different sides of how people actually react to trials like this without becoming insensitive to the fact that trials like this,,, do actually happen. But by making a fan tweet a joke about murder, I'm making that, I'm thinking of the words that go into the tweet. So it's tough. And again I know it's not that deep, but that's kind of... most of the reason why I've been putting it off? Because it's hard. It's hard not to feel like it sensationalises those kinds of things. It's hard not to feel like "God, am I just making fun of this situation here?" while also being reminded that yeah, maybe, but people actually react like that.

So is it worth the tumblr post to make memes and tweets out of something that happens irl, and affects real people? Is it insensitive, or is it just fandom stuff that isn't perceived in an insensitive way at all, because it is just that, a fandom post?

[elliottjpg]

So I've been listening to Sherlock & Co...