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#having a music and tv persona
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The Monkees walked so kpop bands could run
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endlesslytired · 6 months
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Something about you says you would like Madoka Magica
Dunno why
Heard of it but I don't know much. I think that's an anime and despite how I live I can count on my hands how many animes I've watched. I'm just more a game person. I do watch anime at my gf's house but it's usually something she's talked to me about prior enough to make me interested. She's gonna see this post so I may get a discord message about it.
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aznisure · 3 months
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idol au where light chokes on a fly on live television and L is the cameraman who films every second of it. also they keep crossing paths on music shows for some reason
day 7 / au ! some au details under cut
- L doesnt actually go out of his way to film light during this miserable ordeal.he simply doesnt care about light’s reputation enough to stop rolling and forgets about it the next day. a week later light sees him at mcountdown
- yes lights stage name is kira
- light presents as the perfect idol: single, kind, hardworking, rags to riches story, humble yet confident, just gay enough to queerbait but not face homophobic backlash, passionate, creative etc., when the cameras are off hes basically canon light minus the murder
- light is an all rounder and tenor. he also plays tennis in his free time. he is japanese and has been scouted off the streets. he is a kpop idol and the au takes place in korea. he is a solo idol and has never been in a group before. l is still british and misa is still japanese.
- he writes his own songs. his ego doesnt let him indulge in ghostwriters
-manager ryuk owns a ridiculous amount of chrome hearts simply impossible to buy on a managers salary. light is deeply suspicious and mildly wary of him at all times. ryuk also knows lights real personality and finds it amusing. he takes joy in a gigantic pr scandal which light will inevitably become one day
- rem dreses the way she does without looking misplaced because its in line with misas gothic/harajuku brand. ryuk looks wildly out of place next to light but noone seems to make him change. light tried, very persistently. but even light yagami has to admit defeat sometimes
- light debuted at 17 and is now 22. L is 29
- L works at all things live television and sometimes variety shows. he mainly works for idols. the media company hes signed under works with lights company. light doesnt know this until he violently cyber stalks L after the fly debacle
- they have actually been working together for 3 years without knowing each other and L has filmed light quite often due to him being the companys most popular male idol. light of course never noticed and only sort of recalls now
- L has always found light fascinating because the persona he wears is accepted to be very genuine by the general public. L always thought it was total bullshit, a masterful imitation of a real person.
- light never yells at anyone in public ever. not to misa even though he wants to rip her from his side on the thousand talk shows they go on. not to ryuk when he critiques every aspect of every bit of lights stages. not to his previous managers even though they were wildly incompetent and pissed light off daily. his reputation is everything to him. so when he yells at L in the middle of everyone at the backstage of mcountdown its a bit of a spectacle. thats the first crack L sees in lights shell and he wants to see more
- afterwards is a public apology and bullshit story about grief and a dead relative and misdirection of feelings and the game begins. L gets himself booked on as many as Lights jobs as possible with only one aim. to capture a crack in koreas sweethearts perfect persona on camera
- L doesnt do it because hes a truth chaser or whatever he simply enjoys watching light crack. and to have him crack on love tv would be to Win. light catches onto the game very quickly
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hey-foreieys · 7 months
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Do you think Vox is nostalgic when he hears Alastor?
Not from whatever past in hell they might have, but from being alive? Alastor walks around talking, not just in the accent, but with the same distortion that a radio from Vox's childhood would've had, using the slang from the time period.
And yeah there's overlap in early-mid century entertainment, but Alastor stays in 1933. He doesn't move on, he's quite literally plucked right out of his time and just meanders around the new technology and culture more recent sinners bring down with them.
Some 20-odd years go by and Vox fucking dies and wakes up in Hell. Sleazy TV host gets his ironic punishment in the form of having a clunky actual television set in place of his head. You get the idea.
So Vox is going about his business newly-dead and in Actual Hell and he comes across somebody that's near literally a walking radio show like the ones he listened to as a kid. 24/7, this guy does not let his act fall a single time. He's confident, always smiling, and always on. And Vox admires that; he KNOWS how much work it is to put on that sort of persona, it's exhausting. But this "Alastor" guy? He never drops it. Not once. At the very least, never that anyone has ever seen.
We only have vague inclinations on what happens next. Alastor and Vox were familiar on some level, enough that Vox has a clear, uncorrupted photo of Alastor. We know Vox had propositioned some kind of partnership to Alastor, which he declined. This could have been anytime in the last 70 or so years, long before the other Vees. We don't know if this was a simple "no thank you" or a drawn out and humiliating "how dare you," we just know it's a touchy subject for Vox.
Anyway. It's the 21st century. Vox is proudly the face of new tech and innovation. Embracing the future and ready to exploit it. TVs, computers, smart phones, drones, whatever; he wants to put his name on it.
But there's still a tiny part of Vox that sticks with him. Some hundred year old memory of a little boy sitting on the floor trying to listen to music and stories and news through the crackle of static from the radio. Thinking that maybe, one day, he might be the one telling stories and news. Now there's a walking, talking, physical embodiment of that memory.
And Vox sits with the knowledge that the walking memory hates him.
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laurentdirosetti · 5 months
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"Support character" [part 2]
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{Idia Shroud x gn/MC}
Tags: playing videogames together, competitive, bet, smut...
Idia’s room was just like you imagined it would be, an otaku’s room —books scattered on the floor, open boxes in every corner, merchandising from different animes and games, posters on the walls… Also, the air in the room is really heavy, why is it so hot in here? Is it because of the computer or- 
MC: ARE YOU ALRIGHT? 
His hair was bright red, redder than when we were in the storage room, and not only the color was hot red, but the temperature too. 
Idia: so-sorry, this is the first time a girl has entered my room (anyone other than Ortho or me for that matter).
That was the issue, haha… now I’m nervous too. I should do something to break the ice in this situation, or rather cooler the temperature. I think I recognised one of his figurines on that shelf… 
MC: Isn’t that Ruri-chan from “The Magical Ruri Hana: Demon Girl”?
I was staring right at Ruri-chan when I asked him, so it was a surprise when I turned around to look at his face and saw his expression. For a few seconds the time stopped and he gave me a death stare. Why is he so scary all of a sudden? Did I mispronounce her name? Impossible, I’ve been watching that series since I came to this world, mostly because it was the only serotonin I could find after nearly dying over a kid’s tantrum. 
Idia: you know Ruri-chan?
Maybe because you were nearly as introverted as Idia or because you were nervous, the only answer you could find to his suddenly cold attitude was that this was the beginning of the typical “man interrogation over a common interest to prove your authenticity as a fan”. So before he could start making you questions about the show, you blow out all the lore of the series. 
Idia’s face was as rigid as a rock until you finished your monologue on Ruri-chan’s journey. You stopped talking to catch a breath when he grabbed you by the shoulders and suddenly snapped.
Idia:  ARE YOU TELLING ME THERE WAS ANOTHER OTAKU IN THE ACADEMY AND I DISCOVER IT NOW? Why did it take you so long to talk to me? How is it possible that I didn’t know about this before? I mean, I have control over all the technology and internet connection here. I should’ve been notified if a student was watching anime, how is it possible I didn’t know about you till now? What did you do? What kind of firewall did you use?
MC: I just watched it on Ramshackle’s TV…
Idia: ah… that explains everything, that TV probably doesn’t even have an HDMI port, let alone Internet… 
MC: Idia… my shoulders are starting to hurt.
He sure is strong, it's hard to tell by those baggy clothes he's always wearing. He instantly opened his hands to let me go as soon as he heard me. He looked troubled he might have hurted me. 
MC: don’t worry, I may not have “mana”, but my HP is full.
He couldn’t help but smile at my dumb -almost cringe- comparison. I think my “break the ice” mission was successful. Idia is very expressive, he snapped from nervous, to surprised, to confused, to happy in the the blink of an eye. I wish he stopped using that floating tablet of his to attend classes so I could see more of his expressions. 
As soon as he released me he went to pick something from his wardrobe, a pair of controls apparently. The controls in my world were less complex than this ones. Idia handed me one of them and I began to study the buttons. It would be a lie to tell I knew how to grab it, clown music is playing inside my head. I wanted to play videogames with him, but truth be told I don’t have money to fix Rammshackle’s sink let alone buy a videogame or a console. 
Idia saw my troubled grin and step towards me, shadowing my entire persona. 
Idia: Is there a problem? You don’t like the color or something? Is it the brand?
MC: well, you see, the thing is… 
This is gonna be so embarassing. First, I ran into problems trying to defend him against nothing, cause he wasn’t even hearing those jerks. Second, I made him hide with me in the storage room and now I have to tell him I wanted to play videogames with him but didn’t even think about the possibility of the controls being different from my world. Defeated, I lower my head to evade his soon to be inquisitive gaze. 
MC: …I don’t know how to use these controls, they are different from the ones in my world.
Silence was so loud I couldn’t take it anymore and looked up. He was trying so hard not to burst out laughing at me his cheeks were red and his jaw was so tense I could see his neck muscles contracting. Finally, he let out a little pfft and grabbed his mouth and chin with his hand, pressing his cheek with his index.
Idia: I’m sorry but, you went through all that trouble to play together and you don’t even know how? Cute.
Lucky for me I don’t have magical hair that turns red when I'm flustered, but I’m sure it’s not hard to guess just by looking at my face. 
Idia: don’t worry, guess I’ll have to teach you as I did with my little brother, come here.
He sat on a visible comfortable plush sofa, big enough for him to open his leg and ask me to sit between them. Funny, when we were in the storage room he was so nervous and now he openly asks me to sit on top of him, hasn’t he noticed?
Dumbfounded, I did as he requested and sat on the gap between his thighs, creating a space between us as a way to surpass the embarrassment. Unfazed, he glued his chest to my back and slipped his hands around my body. As if I was walking on thin ice, I slowly rested my arms on top of his. Then he moved his hands on top of mine on the controller, guiding my fingers on top of the buttons. My ears were bright red as I could feel his breathing chilling my neck, whispering a slow pace explanation on how to use the controller. His fingers moved mine slowly over the buttons, his hair fell as a cascade over my shoulders sliding between my legs. I don’t know what is happening and I would swear neither does he. He’s so focused on explaining the lore of the game and controls he hasn’t realized the hot mess he got cuddled beneath him.
Idia: Did you get that?
He asked, suddenly making me snap out of my cloud. Even though it was difficult, for many reasons, I caught a glimpse of his monologue while trying to survive my ocean of hormones. 
MC: Well… It seems quite complicated to be honest. Maybe I can understand it better once I play the game. 
Idia: Great, let’s play. I’ll connect the other controller so we can multi-play this. 
The controller was right next to us, already plunged, so he didn’t move an inch and his arm were still surrounding me. The soundtrack of the game started playing and far too late I realized he meant to play in this position, basically cuddling each other, with our arms tangled, his body temperature on me and his breathing on my neck. We haven’t even started, but I can tell I already lost. 
Unfortunately for him, after playing for nearly an hour, I tried my best to give him a hard time beating me. I lost all the matches anyway, but at least I could hear his groans all along, echoing in my ears. 
Idia: SO much for being a snob, you are tougher than you look. But rest assured, I would never let a newbie beat me at my favorite game. Ortho has tried many times and I should give him a pass -you know the whole “Idia let your little brother win once”- but as a weeb I have a reputation yk. 
That smirk on his face… he’s sure full of himself. I have almost grasped the dynamics of this game, maybe I could beat him. I’m a pretty competitive person and that arrogance only ignites something dark in me, something stupid. 
MC: I bet I can ruin that reputation of yours in our next round.
Idia: Are YOU implying YOU can win? LMFAO, if delulu was a sport you'd have a gold medal. If you beat me on this round I’ll be your chair or whatever -not that it’s even a possibility.
MC: Do you mean I can ask you anything if I win? It’s this one of those anime situations in which the winner can order the loser around the whole day? 
Idia: Yeah, that kind of shoujo stuff. Afraid?
MC: Mmn… Well, you’re already quite the comfortable chair.
That came out of nowhere, but I decided to keep my cool and rested my weight on his chest even more, looking up at his melted honey eyes now widening from sudden embarrassment. His peachy cheeks are so cute. Plan complete: this may be considered cheating but the only way to win is to distract him and by the discontrolled beating of his heart reverberating on my back I can tell it already worked. 
We began playing, in the game we were two characters fighting each other in a 2D horizontal landscape. I didn’t learn all the combos, but I mastered the parries and evasions, so it was nearly impossible for him to even scratch me. He was focused on attacking while I was determined on defending, a never ending match it seemed.  In real life it was the other way around, I continued non-stop “attacking” him while he tried his best to “defend” himself. Each time I evaded one of his attacks my butt moved against his lower body. From the corner of my eye I enjoyed his leg contraction at every “unintended” pound I gave him. After almost an hour of playing him, and the game, his breath was a mess, he was trembling all over and his dick was rock hard between my ass cheeks. My intention was to win the game, but I’m not quite disappointed with the actual development of the situation. I could take this as a win already.
Then I felt a thrust, his body rested on top of mine and I swear I can almost tell his longitude just by the pressure on my lower back. He snapped, his fingers were moving so fast on the buttons I had to make an effort to see them, he left me no chance to defend myself neither in the game or reality. As my character fell to the ground completely defeated, my head stumped on the floor as his hands pressed my shoulders to the ground.
Face to face, among the darkness of his room I could only differentiate two golden orbs and his face lightly illuminated by the gentle blue of his hair. 
Idia: I won.
My whole belly was on the palm of his hand as he slowly lifted my shirt all the way up, until he grabbed my neck under the clothes. 
MC: Wh-what are you doing?
Idia: I won, so the loser must do whatever the winner demands, right?
MC: Bu-but you haven’t say anything yet.
Idia: Oh, then I want the loser to fix my joystick. 
What? Oh…
As I stupidly tried to understand that I noticed his hard-on pressuring my lower belly, near to my intimacy. 
Idia: you see, a certain snob player broke it mid-play. Any idea on how to fix it?
He completely snapped, I almost can’t recognize him. Where is the shy boy I was messing with? The situation has escalated more than I would have imagined, but this doesn’t put me off in the slightest. Seeing Idia all hot and bothered surely is rare enough and I want to push that dominant side of him a bit more.
MC: maybe… It just needs some cleaning?
I questioned opening my mouth and letting out my tongue. His sigh was filled with excitement and anticipation, I could catch him bitting his lips for a moment.
He moved his knees to the sides of my head and lowered his zip and trousers. My eyes, now more used to the low illumination of the room, enjoyed the view of his thighs, pale as porcelain. He looks so fragile and slim, or that was my line of thinking until he uncovered his dick. Hard, veiny and leaking precum on top of my forehead; the length was the size of my face. This was going to hurt.
I accepted my destiny and kept my mouth open for him to enter mercilessly. But, that wasn’t the case. At a slow pace he started going down on my mouth, he filled my cavity with just the tip and almost the middle of his length. Then, he took my chin in his hand and caressed my cheek, pressing it on his dick and slowly massaging it from outside. I didn’t know what to do with my tongue so I tried to lick his dick and press it more against my cheek. His eyes glittered from a moment and he let out a soft chuckle. 
Idia: seems you’re really eager to clean it, babe. But this much won’t do I’m afraid, you need to get it all wet enough.
Instantly, he continued letting down his hips  until all his dick was in my mouth and throat. He was so deep in me my lower lip was touching his balls. Strange enough, this wasn’t as painful as I imagined it to be, I wonder how can my throat be twitching around him and I’m so calm? Maybe, his sweet expressions are keeping me from gagging. His mouth is a little open, from this angle I can only see his tongue moving above his pointy teeth. His eyes are locked in my throat, probably a bulge has formed, his fault after all. He’s been so long in this position I could possibly draw his dick by having it inside me. 
When I thought he would start moving, his balls twitched against my lip and his cum flooded my mouth non-stop. When he released everything in me he fastly got up, letting me catch a breath. He cumed so much there were lines of cum running down my cheeks to the ground. I coughed a little after drinking all.
When I sat on the floor and looked up I could feel his gaze contemplating my whole display, heavy breathing and a surprised expression.
MC: that was fast. 
Idia: I endured playing in hard mode, literally, a few minutes ago. Thank me I didn't finish by just seeing your ahegao face. Also …you didn’t need to drink that.
MC: I told you I would clean it. 
Idia: quite the awful job, It's all sticky and twitching, maybe you can clean it better down here…
To be continued...
Part 1
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dansformations · 2 months
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"Man of the future"
Alan was 20 years old gay guy that turned his passion for video games into a career as a streamer. Every night, he sat in front of his computer, illuminated by the lights of his setup, and connected to play with his thousands of followers enchanted by the fact of having a popular gay and handsome streamer. That night, however, something different happened.
While chatting with his audience and viewing the comments in the chat, he noticed a message that stood out among the others.
@ yourbroski: "Try this game, 'Man of the Future'," said a donation message with a link.
@ yourbroski: "Its my game, i create It"
- You Did!? No way - Alan replied
He clicked the link, opening the Game just for being nice, the title didnt sounded like something that the girly Alan would enjoy.
Within seconds after the click, Alan found himself downloading a game he had never heard of. The title, "Man of the Future," glowed on the screen.
The game was a complicated obstacle course and shooter that quickly engrossed Alan into the digital word.
- Hey, this is indeed fun
But the fun ended quickly. When he died in the game for the first time - Which was pretty fast -, a screen appeared with the saying, "C'mon Bro, you can do better" along with an strange music, almost hipnotazing music.
- Whoa, did you guys see that? - Alan said, leaning back in his chair. - This game is savage! 'C'mon Bro, you can do better'? Challenge accepted! - he answered.
However, the second attempt didn’t go any better. When Alan died again, the message changed to, "Don’t be a noob, Bro."
Alan face reddened with frustration. "Okay, Bro," he muttered under his breath.
- No way am I letting this game call me a noob. Let's do this! - He turned to the chat, determination blazing in his eyes. -You guys with me? This game’s going down, Bros!
Took a sip of His... beer? He didnt remenber being drinking beer, he didnt even remenber enjoying beer but he was so centred on beating that game that kinda ignored It.
- OOOOOUUURRRP - he belched - dang, sorry bros - he said a bit ashamed... Just a bit. He was too centred to being ashamed.
Meanwhile the coments were going crazy.
"Whats happening With all those 'Bro'? Thats off character"
"@ yourbroski: Nothing to be ashamed! Better out than inside my Bro!"
"Are we sure this Is Alan? Lol"
He keep playing moving his fingers as fast as he could, he was doing Better and when he almost reached the wining flag - a flag decorated only With White and black lines - he got killed by another player.
- Son of a bitch! - he yelled - that motherfucker killed me at the very last BRARRRRP - belched - moment!
"Dont be a pussy" The screen said this time, as knowing he was whining.
- No way this game just called me a "pussy"! - he said ofended - Im not, and in gonna show them all - he said while opening his legs in the chair in a more relaxed position, tooking a moment to scracht his balls in front everybody before starting the new round.
In that position everybody could apreciate some strong arms and legs that people didnt knew Alan had abd Alan didnt remenber to have worked on.
"Sexy" a guy comented.
He was gay, but for some reason reading that from a guy, maked him feel angry.
- Dont be a weirdo, dude - he said
He was gay, right..?
Then started playing again, not releasing every time his character died, a part of His persona did too.
Yelling, coursing, chugging beer and burping, acting with a cocky attitude more and more, every round, less nice, less gay, less him, until...
- BROS, I-OARRRRRP -He couldnt contain a burp - I DID IT!
His character was holding that black and White flag.
"Now youre a real alpha" the tv screen said With that strange music still.
"Now youre the Man of the future"
And with that, the remains of Alan were erased, he didnt remenber being a girly gay guy anymore, he always had been an alpha, a straight, gassy, jock that loved playing videogames and humillating the noobs and "queerdos" on the games.
Alan started doing a "celebration dance" that basically was doing hip moviments to show his bulge. Like he were fucking someone.
- This Is for you, @broski - Alan put His microphone close to his ass and ripped a big, loud, smelly fart on It - i beated you - he said proud. Between laughs he added - Nah, GG bro, youre talented, definetly gonna share It with the bros.
"Whats happening with Him?!' someone comented
"@ yourbroski: That flag send the fag away"
Alan didnt even read those coments, he was busy trying to fan away the fart with his hands.
That Night the strange transformartion of the gay gamer Alan was trending everywhere, but before His friend Group had read something, they receive link to a Game from Alan.
"Alan: Best game of the month broskis"
The group of friends made up of gay guys and nice straight guys thought Alan's writing was odd, but without knowing the situation they gave more atention to the link, opening it, ready to play a life-changing game, "The man of the future."
(This is just fetish writing)
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riskyraiker · 1 month
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Music to your ears
Sub!Schlatt x Dom!reader
AN: HELLO! I finally write something for the big guy! And a lot of people on Tumblr say he's a top but to me he's the tough guy who loves being a bottom. If you have requests for Schlatt OR TED i can do them. There is a list pinned on my profile of what i write, go check it out!
Reader is GN, but called mommy. No specific anatomy described
Tags: Sub Schlatt, Mommy kink, Dom reader. Blowjob, degrading, overstimulation and praising.
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You and Schlatt are dating but sometimes his internet persona got onto your nerves. "Look at this bitch, so dumb!" There he went and made fun of everyone who made a dumb mistake he saw in the tiktoks he was reacting to. You are there too, because Schlatts fans love when you guys make content together. But right now it wasn't so fun for you. Having a dirty idea sounded fun at least and so you did it, you whispered dirty things into his ear. "How 'bout I turn you into a bitch just for me?" You did get a reaction out of him so you acted quick, smooched his cheek and left saying you're tired and thirsty. You didn't hear him speak until you left the room, you got your phone and watched his stream. He's red as a tomato yelling at chat that he's not blushing and you loved when he got flustered. Forgetting the stream, laying on the couch, putting your phone down and turning the TV on. Not long after you could hear Jambo and [REDACTED] meowing next to you wanting food. "Sup little fellers. Hope your dad won't kick me out after that trick I pulled." Lifting Jambo up into your arms, [REDACTED] following behind. You walk to the kitchen, putting the cat down and getting their food from the cabinet. "There you go little guys. Better not be hungry now." Surprisingly Schlatt had ended stream few minutes ago and quietly walked into the kitchen right behind you so you wouldn't manage to run away from him. Not until his hands wrap around your waist and get a good hold, pinning you against the wall. There's an intense but lust filled look in both of your eyes. "How fucking dare you pull such a trick on stream! Are you that greedy?" Schlatt wasn't actually mad, but just embarrassed and quite horny. If he gave you an attitude you gave one back "Me greedy? You're the one who has been whining the past week for a man to rail the shit out of you when you see even one clip of them!" As if you would be a bottom. Never! That man was more submissive than you would think. Schlatt is of course taller than you, but he doesn't have you under his control.
“You like the idea of being dominated and I would love the idea of having you whining under me.” You spat back and that made Schlatt freeze. Taking the chance, you kiss him and push him against the opposite wall. “Let’s see who’s greedy now, pretty boy” You both continue to make out for a while until your mouth is on his neck. Sucking, kissing, biting and licking on every part you can, marking him up. Small whines leave his throat, he has his mouth shut tight as possible but it doesn't help. Schlatt's cock already hard, yet you give his crotch zero attention. His hands are on your hips holding you still and to keep you close. “Hands off, I'm gonna test you and see if that little whisper of mine will stand.” Schlatt lets out a whine and puts his hands on his head, holding his hair. You start to go lower, exploring his body with your hands, lifting up his shirt and kissing his v-line. Pulling his trousers down along with his boxers, his cock sprungs free from the tight space. You grab his cock and squeeze it from the base and watch as precum slides from the tip. Giving the tip a small kiss you take it into your mouth, and immediately sucking hard. You earn a loud moan from the action, so you start bobbing your head. Schlatt’s hands find their place in your hair, but you stop once you feel them. “Toots, don't stop now..” Schlatt whines and doesn't realize his mistake. Taking the cock out of your mouth, “Did I say you could touch me or hold my hair? You slut.” Schlatt can't process your words and tries to move you by tugging your hair. You rise from your knees and grab his chin firmly, but not hard enough to hurt him. “Did you even hear what I just said? No. Touching.” Schlatt just looks slightly over you, but you go on your toes to claim eye contact. “I'm sorry..so sorry, mommy” You let go of his chin and go back on your knees. “That's what I thought. You better behave or I'll leave you like this.” Schlatt whined once again and tried his best to keep still.
You don't start to suck him off immediately, but you jerk him off slightly at first, just to get a reaction out of him. Once your mouth is back on him, the melodies his throat creates are pure heaven to your ears. Schlatts hips twitch a little, but you push them back, Schlatt his his lower back on the corner of the kitchen island. "Toots..fuck. D-don't stop. I'm abo- Ngh~" God you would give him what he wants, but you're not here to pleasure him like he deserves it. You're here to teach him a lesson. You slow your movement to brutally slow and squeezing his cocks base lightly. The slutty moan he let out is like out of a porno. "I'm not here to blow you off and give you what you want, Jay. Like I said before, I'm going to make you my bitch. So you take what I give you and won't cum until I say so, you understand?" Schlatt being so fucked in the head can't even speak properly, focused on your hand squeezing his cock and barely listeting to your words. "You understand?" You repeat and this time Schlatt hears it. "Yes mommy, i'll be good." Now that's more like it, you could almost call yourself a brat tamer if you're able to have Schlatt like this.
"That's my good boy." You put your lips on the tip and licked the slit, until taking him in your mouth much as possible. Hollowing your cheeks, you start to move. Schlatts eyes widen at the sensation and brings his hand and biting it to quieten himself. You notice and pull his hand down by his triceps since it's the closest thing you can grab. Schlatt took the hint and let out the noises he made, making you more horny and closing your eyes. "Fuck, Toots I'm so close, please let me cum!" Now that was your cue to slow down, making Schlatt wonder why stopped. Realization dawned on him as he remembered your words. "I'm going to make you my bitch." You weren't going to make him beg for release, were you? Oh you absolutely were as you took his cock out of your mouth with a single pop. A single whine was what schlatt let out and leaned his head back. You just kissed his thighs, balls and his lower stomach, waiting for his orgasm to slide away. And not long after your mouth was on him again. Schlatt craved his orgasm so much that tears started to form in his eyes as he tried to stay still as possible. "Toots, this isn't fa- ahhah, isn't fair." Schlatt's mumbling echoed to deaf ears as you sucked him off hard as possible and stopping once again when Schlatt's body language showed he was close.
After five minutes you gave Schlatt the chance to prove himself. You could've went for longer, but won't be too cruel. "Now is your chance to prove that you deserve to cum." The second you stopped talking Schlatt's mouth was spilling words out so quick you couldn't even make out what he said. "Jay, speak clearly or I will continue the next five minutes this same routine." "Mommy please. I- I can't take it much longer" The tears bubbling in his eyes, threatening to fall. "I'll let you come if you say what you are, whose are you and where you belong." Schlatt whined and opened his mouth to talk, but struggled with the words. "I'm yo- I'm a your bitch, only yours, and I belong under you. Now Toots please!" Schlatt begged as you were satisfied with the answer. "That's better, my own bitch. Such a good one aswell. Now from now on I expect you to behave." Schlatt didn't have time to even nod as he felt your warm mouth around his cock. Far too overstimulated and tortured he couldn't help but let the tears of overstimulation fall and moan. His throat his hurting already, but he doesn't care. There's much better things going on. "Toots I'm going to cum! Im goin- nngh" You tried to swallow much as possible but few drops slided on your jaw and you neck, some fell on the floor. "That's my good boy." You rose from your knees, put your hands on his cheeks and swiping tears off with your thumbs. "You okay? I didn't go too far, did i?" Schlatt nodded his head and let the words fall out of his mouth. "I'm fine, Toots. Great even and you could never go too far with me." He smiled and put his head on your shoulder best he could. You cleaned everything up and cuddled with Schlatt the rest of the evening. "You know Toots. I think we should do that again sometime." You raised a brow. "I thought you would never ask."
That day wasn't the last time you were in control..
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AN: OMG I HAD TECHNICAL PROBLEMS WITH THIS😭😭😭yet i hope you will enjoy this!!!! Love you all🫶🫶
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kylieswift31 · 2 months
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Taylor Swift and the Truman show
"Well, for me, there is no difference between a private life and a public life. My life... is my life, is the Truman show."
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Tied together with a smile
Taylor is currently at the peak of her career as she's now breaking her own records and reaching a level of fame only seen by the greatest such as the Beatles and Michael Jackson. Yet underneath all that success is a layer of conflict due to the discrepancies between her private and public life. With closer inspection it is clear to see that Taylor has left a trail of breadcrumbs that reveal that she has been queer since the beginning of her career. The ‘love struck and boy crazy’ version we first saw of Taylor was supposed to be a temporary step in her career during the fearless era, but through a series of unfortunate events she has spent the entirety of her career in the closet.
Now with the ending of the rerecords and eras tour in sight, Taylor has begun to reveal the cracks in the facade of her public persona so that we can see who she really is underneath. Her performance of 'delicate' on the eras tour is a visual representation of this process. Throughout the song we slowly see cracks forming in the glass, one at a time until at last there are so many cracks the entire stage shatters into a million tiny little pieces.
But what causes the cracks?
Taylor.
And it’s all inspired by the Truman show…
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Daily life
In the mirror
The first time you watch the Truman show, the focus is on Truman and his journey. He lives a normal life in Seahaven with his wife Meryl, has a successful career in finance and spends his free time with his best friend Marlon. There are small cracks in the facade of his picture perfect life from the beginning, but halfway through we reach a turning point as it becomes clear that Truman is also the star of a 24 hour reality TV show that broadcasts his life to the public without his knowledge. Every move he makes is being observed by the outside. And then when you get to the end of the movie you start to realise that not everything you saw was as it seems.
Taylor has several well known Easter eggs that reference the Truman show, but with further investigation we can discover that she also relates to his story on a personal level. In the song 'mirrorball' Taylor explores the theme of wearing a mask that reflects back what the viewer wants or chooses to see. Just like an iceberg, if we stop at the surface level of what we see of Taylor’s personal life, we’ll miss the depth of what lies underneath. Many of her music videos echo Truman's story in a way that leaves her truth hiding in plain sight.
Good neighbours
Truman’s day starts with a moment of quiet reflection as he gazes at himself in the mirror before greeting his neighbours on his way to work. “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” His iconic catchphrase is repeated each day. Even though Truman’s the only person in Seahaven who isn’t a paid actor, he’s having the same scripted interactions day after day. His life is centred around acting the part, just like everyone else. The only difference is that he’s wearing a mask to hide how he really feels underneath. Truman's day is very reminiscent of the groundhog day trope to highlight how scripted and repetitive his life has become.
Taylor's life in the public is very similar to Truman's now that she can't go anywhere without being recognised. The once unfiltered teen that was vocal on myspace has become selective and restrained with what she shares online after years of having her life picked apart for all to see. The chasm between Taylor's public and private life has grown to the point where removing the pop star mask will impact her career.
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Product placement
The Truman show is sustained through the revenue generated from the products advertised on the show. The first time we meet Truman's wife Meryl is when she's showing him the latest gadget she's picked up from the store on her way home from work. This feels subtle at first, but as more products are mentioned throughout the show it becomes more obvious and the advertising feels more akin to a late night shopping channel. We start to see that everything from the decor, wardrobe and food they eat is for sale. Every aspect of Truman's life has become commodified to generate revenue and to keep the show running.
All the little Easter eggs throughout Taylor's 'lover' music video seem like personalised advertisements now that we’ve seen that they advertise memorabilia on the Truman show in a similar way. However, within her career marketing is an integral facet of Taylor's career. "When you realise the rules of the game you're playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I'm not scared to say that other things in my career, like how to market an album, are strictly strategic."
Hidden in plain sight
It's not obvious at first that Truman and Marlon have found a way to communicate with each other honestly whilst remaining undetected. Truman is often sharing his plans of going to Fiji to get away for a while. However, when he's really planning to leave Truman says "Just between you and me Marlon, I'm going away for a while." This allows the viewer to believe that it's just another wishful thought about going to Fiji, but said in a way that lets Marlon know that he is serious this time. Beer seems to be both another advertisement and a signal to indicate that he's been sent by the director. "It's all true. It's all real. Nothing here is fake. Nothing you see on the show is fake. It's merely controlled." Later on when we're shown that the director is feeding Marlon his lines, it's clear that he has always tried to be as honest as possible with Truman.
Taylor mentions wine frequently through her discography. Perhaps this is to show us that her truth has become so watered down within her lyrics that she lost sight of who she was before. Taylor has changed up pronouns and added hidden meaning to words and phrases mentioned frequently throughout her discography. Through this process she has become incredibly skilled at seamlessly adding connections to multiple muses within a song.
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The first crack in the glass
Everything changed
From what we can see, Truman has known from the beginning that he's been the central character within his town to some degree. Truman appears to be fairly content with the life he had created for himself, despite the confinement he felt (he hasn't known any different). This all came to an end when Truman realises that his father is still alive. This changes everything as the first cracks in the facade of his seemingly perfect life become visible.
Intercepted
A very similar experience happens with Taylor in the 'delicate' music video. We can see that this interaction leaves Taylor more aware of those around her. "People often greatly underestimate me on how much I'll inconvenience myself to prove a point…" In her real life there are several events we could attribute to being her motive for change including the sale of her masters (ownership of her first six albums) to investors, a relationship changing or something that affected her reasons for remaining closeted.
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Chance of rain
We see Truman sitting at the beach reflecting on how his father drowned when he was a child. As it starts raining he gets up to leave, only to reveal that there's just enough rain to encourage him to get up and go home. We slowly start to see how manufactured these scenarios are. Throughout Truman's week there are planned situations that are designed to test for any changes in his behaviour, like if he's still petrified of the water. These actions reveal just how much pressure they've placed on Truman to prevent him from leaving. It leaves us asking how much free will does he truly have with his choice to stay or go? At this point it feels like the choice has been made for him.
Taylor recreates this rain scene in the 'lavender haze' music video. We see her sitting at the end of the bed with a rain cloud over her head while her lover is asleep. We can infer that Taylor is showing us that she identifies with how isolated Truman was feeling in this moment. Taylor has given up a lot in her personal life for the success of her career, but how much of that was her choice to do so?
Reflecting on the past
Truman goes back home and opens up a trunk full of childhood memories. He's looking at photos of his family while trying to make sense of what he saw with his father still being alive, and the implications of that. This is the beginning of Truman questioning how far those in his life have gone to keep up this lie. If his father is still alive then what else have they lied about?
In the 'cardigan' music video we can see that Taylor is reflecting on her past in a similar way, but this time through playing her piano. Both 'the tortured poets department' album and summation reveal a similar theme of reflection, but with an honest exploration of the agony that comes along with it. "Nostalgia is a mind's trick." This album is a reflection of her career, highlighting the toll it's taken on her personal life along the way.
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The one that got away
Love triangles
As Truman pulls out a red cardigan from a plastic bag, we get flashbacks of his high school years. His attention is torn between Sylvia and his current wife, Meryl. During a moment alone with Sylvia they sneak away together, but she appears anxious knowing they don't have much time alone. They share a chaste kiss before Lauren gets dragged away by a man claiming to be her father. She hastily reveals that everything Truman knows about his life is a lie, that it's all done for him and that everyone is watching him. Her father claims that she is just having an episode and reassures Truman by saying that he's taking her to Fiji to receive more help. Sylvia's interaction with Truman is the catalyst for her character being removed from the show. This reveals that even in high school Truman's love interest was planned out for him, despite his attraction to Sylvia.
Taylor wistfully talks about the fictional teenage love triangle during the 'folkmore' set. She describes how James is longing for the one that got away, which seems to contain an element of truth from her past. In 'imgonnagetyouback' she talks about how she won't stop fighting until they're back together again. I tend to lean more museless, with the queer side of Taylor being the one she's fighting for most of all (and with any other muses being secondary to that). If we consider the love triangle from that perspective we can see that the muse she lost was a cherished piece of her history, but the part of herself she lost along the way is the one worth risking everything for to be able to feel whole again.
It's all in the details
Through the development of Sylvia's character we start to see the significance of the colour red. To the viewers at home it is a symbol of heartbreak and loss, and that Truman's attachment to the cardigan is based on his feelings for her. But for Truman we can assume that it is more like a symbol of hope that he might finally be free one day. Other symbols we see her wear include a red seahorse pin (their school mascot) a green bauble bracelet and the 'how's it going to end?' badge. When he reads the badge in the library he quietly admits that he's been wondering that too. This is the earliest insight we witness of Truman not being fulfilled by the life that has been scripted for him.
Many of Taylor's Easter eggs are a reference to the Truman show. These include Sylvia's rose shirt, the eras tour poster, 'karma' door, the song 'how did it end?' and many of her music videos. In the 'lover' music video there's also the bauble earrings, her lover has a seahorse patch on his jacket and the board games are Taylor Swift themed. These all seem like amusing connections until you pick up on the deeper correlations to Truman's story.
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Cardigan
After Sylvia left, all Truman is left with is her red cardigan. Sylvia begs Truman to come and find her, but as the flashback ends we find out that Truman didn't follow her to Fiji at the time because his mother got really sick. Instead he settled down and married Meryl, while living with the loss of what could've been with Sylvia. After Truman finishes reminiscing about the past, he slyly reveals that the badge is still pinned onto the cardigan. This reveals that his attachment is not so much to Sylvia now, but to the idea of leaving one day so that he can be free to live his life authentically.
Taylor's song 'cardigan' is one of her most significant references to Truman's story. In the 'cardigan' and 'willow' music video we can see that it is a symbol of the memories she carries from her past and a reminder of what she's left behind along the way. The stars on the cardigan hold a similar sense of hope, just like Truman's pin. "You drew stars around my scars, but now I'm bleedin' 'cause I knew you." This imagery evokes the pain of carving into skin to emphasise the heaviness that comes with sitting with the memory of what could have been.
The bar
After Truman's flashback scene we get a glimpse of commentary from a bar as they're watching the show. This juxtaposition reveals how watching the Truman show is an ordinary occurrence during their daily lives, just like many of us tune in to watch the eras tour on a grainy live stream. The 'delicate' music video ends with Taylor walking into a very similar bar to meet up with a secret admirer, but it remains unclear which one is sitting there waiting for her.
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Cracks in the facade
The one worth fighting for
Once the nostalgic moment is over we see Truman holding a photo frame of his wife Meryl. It seems like a loving gesture at first, until he turns it around and opens it up to reveal that he's been collecting a collage of facial features in an attempt to recreate a portrait of Sylvia from memory. This contrast between the memory and Truman's reality exposes how much he has sacrificed along the way by staying in Seahaven. Holding onto the cardigan, pin and picture of Sylvia is an act of defiance when everything else in his life has been decided for him.
Taylor left everything behind when she left her old label, including the ownership of her first six albums. She was not given the option of buying them back without having to commit to producing another album for each one she earned back. Unfortunately this is something many in the industry have had to endure. With hindsight we now know that Taylor was able to rerecord her past albums with added vault tracks, but at the cost of reliving her past. Taylor's back tattoo in the 'you need to calm down' music video conveys that the memory of her life's work was the only memento from her past that she was able to take with her.
Glitches
As Truman is driving to work again, his car radio starts glitching and he ends up on a channel that contains the directions everyone else is hearing in preparation for his arrival before work. From our point of view all of these mishaps are new, but there would have been flaws like this in the system a lot longer than that. But if Truman has known he was the star of the show from the beginning, what was the point of the movie? To reveal the truth to us, and the viewers at home, slowly over time. And to give us a chance to understand his point of view as we prepare for his departure.
We have seen plenty of glitches like this occurring in Taylor's performances on the eras tour, and many of these have been intentional (such as the screens glitching and swallowing bugs). This draws our attention to the cracks in her pop star facade, revealing glimpses of the person she is underneath. And just like Truman, she's giving us the opportunity to slowly adjust to the changes she plans to make in the lead up of what's to come.
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Breaking down
Truman appears to be overwhelmed as he starts to reveal just how much of the town he lives in is choreographed around him. This is the start of Truman escalating his reactions to create more cracks in the facade, in the hopes that more viewers begin to see the challenges he faces living in the spotlight.
This purposeful increase in revealing more of the inner versions of themselves is exactly what Taylor is portraying during the 'delicate'' performance on the eras tour. Slowly allowing us to see them as normal people behind the larger than life character they had become in the spotlight. The way Taylor begins creating the cracks on purpose allows us to understand that what's to come is purposely being exposed.
Life's a stage
Truman attempts to enter an elevator, only to discover that it's fake. This is a big step towards seeing what's behind the magician's curtain the first time you watch the movie. When you watch it again this is the point where you start to discover how complex the set of Seahaven has become over time to keep the show running. Many elements of the town act as rest stops and exit points for the actors away from Truman's view.
Taylor pushes down the walls of the bedroom during the 'lavender haze' music video, revealing that the relationship had always been a facade to begin with. Interestingly, this is the only music video that we see begin after the clock ticks over to midnight. Just like Cinderella returns to her original state at midnight, so too does Taylor. This correlation to Cinderella's story implies that the lavender haze we see hidden beyond the walls of the bedroom is the most honest version of Taylor underneath everything else. Lavender is heavily used as a subtle reference by queer people, especially lesbians. Koi fish can be seen in all of the 'midnights' music videos except for 'karma'. They are well known for swimming against the stream, something many neurodivergent people experience feeling. Koi fish are often associated with the yin and yang symbol and together they symbolise balance, courage and perseverance, much like the song 'you're on your own kid'.
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Turn up the heat
Invisible
As he seeks out his best friend Marlon for help, we learn that Truman feels concerned that he is being followed or set up for something. Marlon appears calm until Truman mentions that his father is still alive. It appears that this detail may not have been disclosed to the public. Truman demonstrates that everyone in the store is so preoccupied with fulfilling their roles that they will ignore him at all costs. This is a very unnatural reaction and wouldn't be a new discovery for Truman.
The bodyguards in the 'delicate' music video react in a similar way, just like the guards at Buckingham palace are trained to stay focused and ignore distractions. On an emotional level, this behaviour feels like no one is interested in you unless you're wearing the mask of who they expect you to be. "The actors were hitting their marks." Many neurodivergent people experience this disparity between who they are on the inside and the curated version they present for others to see. This act of reflecting back what the viewer wants to see is often done out of necessity to remain safe, but leaves the inner and truest version of oneself feeling invisible. "I want you to know I'm a mirrorball. I'll show you every version of yourself tonight." Unfortunately, you have to participate in their performance if you want to be seen, but the version you they see isn't who you truly are on the inside.
Just for you
After an evening together, Truman is left alone when Meryl offers to take his mother home. As the TV is playing in the background we hear how the presenter is incredibly specific when describing the next episode of 'show me the way to go home'. "Where we learn that you don't have to leave home to discover what the world's all about. And that no one is poor, who has friends." This is a form of subliminal messaging telling Truman that he's better off staying home, implying that there's no point trying to leave because they will prevent him every step of the way.
In the 'lavender have' music video Taylor is watching a similar weather station, but when she gets closer she pulls the screen apart to reveal that there's nothing but space and koi fish behind it. This likeness to Truman's story presents an intriguing insight into the obstacles and road blocks Taylor has faced as a queer woman throughout her career. The koi fish behind the screen also highlight Taylor's determination to challenge the status quo and how she has been working towards much needed change within the music industry.
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I do not
Truman is flipping through a photo album full of photos of his family and life with Meryl. His mother stresses her desire for grandkids while she's still alive. Truman continues to look through the album after they leave. The final straw for their relationship comes when he reveals that Meryl had her fingers crossed when they got married, implying she was never fully committed from the beginning. Looking through the photo albums seems to be a weekly routine when his mother visits, so we can assume this wasn't the first time Truman's noticed this detail, the only difference is that he's pointing it out now because it's the next step in his plan to leave Seahaven.
Many of Taylor's music videos emphasise the facade she has played into of the life society expects her to maintain. This has become more evident than ever with her current relationship with Travis Kelce. They want her to fulfil the 1950's lifestyle as a happily married wife with two children, a house with a white picket fence, to stay home each day as a housewife and to serve her husband when he gets home from a long day at the office. 'The man' music video highlights the disparity between these expectations and the lifestyle men are usually celebrated for, so that we can understand that this isn't the life she wants for herself.
Undressed
After Truman attempts to confront his wife about the photo, he follows her to work in his pyjamas. She works at the hospital and claimed to be doing a leg amputation from the elevator incident, a story they made up to explain what he saw the day before. When he locates her within the hospital the actors are forced to begin the procedure to keep up appearances.
Taylor was wearing a corset with a pattern very similar to Truman's pyjamas underneath her blue dress recently while out with Travis Kelce and his friends. Everyone in the group was wearing matching pant and shirt sets, with Brittany Mahomes in actual pyjamas. This may have been a hint that Taylor's beginning to escalate the cracks in the facade of her pop star persona.
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The failed escape
Predictable
Truman is sitting in his car when Meryl gets home from working at the hospital. When she gets in, he locks her in the car and attempts to leave town. "Blocked at every turn. Beautifully synchronised, don't you agree?" This is the point where he's revealing that he knows how predictable everyone around him has been, pointing out that the same three people keep going past on schedule.
Logically if Taylor knew what the roadblocks were before she left her old record label, she would have known how her opponents would retaliate after she left. "Blood's thick but nothing like a payroll." It seems likely that they were planning to sabotage her once she left, with her first album in particular. If they were predictable enough, Taylor could've had time to plan ahead to mitigate the damage done to her career. This could include holding back on releasing certain songs, which has now lead to the rumours of 'lover' vault tracks.
Just like clockwork
Truman begins to drive around the round about over and over again to highlight that he has figured out that the townspeople move around him like clockwork, but again this isn't new information to Truman. The director's attempts to prevent him from leaving are incredibly predictable and they always have been. Truman would have been able to pick up on this pattern when he was still in high school, if not earlier. "When you're young they assume you know nothing." The benefit of them being this predictable is that Truman could foresee their reactions and blindside them when they least expected it.
Taylor uses many clocks throughout her music videos as easter eggs and to draw our attention to time and dates that might be relevant in the future. One element of interest is the concept of routine and the predictability that comes with that. The arena in 'the hunger games catching fire' seems to be inspired by the Truman show as well. Katniss figured out that there are new threats in each segment that changed on the hour, ending with a lightning strike at noon and midnight. This kind of predictability allows one to plan in advance. Three years perhaps?
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Planned to fail
After driving around in circles Truman claims that they're headed to Atlantic City, only to find out that the end of their street is blocked up with traffic. He concedes to going back home after all, just to announce suddenly that he has changed his mind. As Truman doubles back and attempts to leave for the second time, he discovers that the traffic jam had magically cleared up after they left. He was accurate in predicting that his plan to leave would be counteracted by some form of intervention. Truman's actions are forcing the director to reveal his hand, only to call his bluff and get further than the director expected him to. And despite her fear, Meryl is still putting on a performance for the camera here too.
It's a possibility that Taylor set up a similar scenario to unfold with the release of her 'lover' album. The contrast between the aesthetic and themes of the 'reputation' and 'lover' albums could have been done on purpose to blur the lines between the two in an attempt to mitigate the damage done from being sabotaged. Underneath the vindictive theme of 'reputation' was the romantic songs her opponents had been anticipating from the 'lover' album.
The bridge
Truman stalls at the bridge due to his fear of water but forces Meryl to drive across while his eyes are closed, willing to do whatever it takes to leave. "We're over the bridge!" he exclaims when they make it across. As Truman continues to escape, they are still faced with roadblock after roadblock. The escape plan eventually fails when the road is blocked because of a leak at the nuclear plant. They thank the officer for his help but when the officer says "you're welcome, Truman" he runs away from the car in a panic, but is quickly captured and returned home again.
Taylor draws attention to the bridges of her songs at the very beginning of the eras tour because they are the most authentic lyrics in all of her discography. She often begins a song with a very optimistic perspective, only to end with the most brutally honest observations of her experiences in hindsight. Taylor has told us that she tells lies. In 'love story' the lie is that she's singing about being in love with Romeo. When the perspective changes during the bridge, she's being honest when she describes being in love with Juliet and wanting to marry her. In 'lavender haze' we hear how stifling it's become to continue hiding her truth. "The only girl they see is a one night or a wife. I find it dizzying, they're bringin' up my history. But you aren't even listening." If we don't listen to what Taylor is saying during the bridges, we are avoiding her truth.
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The turning point
What was once lost
When they return home Truman confronts Meryl, but she calls out for help and Marlon arrives with beer. Meryl leaps into his arms crying as he comforts her, but he's looking at Truman when he says "everything's going to be okay, it's all going to be fine." The next scene cuts to Truman and Marlon sitting at the end of an unfinished bridge together as Truman begins to tell Marlon what he's been through. "Maybe I'm losing my mind, but it feels like the whole world revolves around me somehow." Marlon replies by saying "The last thing that I would ever do is lie to you. I mean, think about it Truman. If everybody is in on it... I'd have to be in on it, too." The screen cuts to the director feeding him the lines but we can also see that Marlon has been as honest as he could be within his role on the show. To placate Truman and encourage him to stay, he is reunited with his father who he hasn’t seen for 22 years. Truman seems apprehensive about the reunion, but Marlon encourages him to go along with it.
In the 'willow' music video Taylor enters a glass display case and starts performing for the crowd of an old fashioned circus. As her lover approaches for the first time they reunite through the glass pane but it feels like the glass was intentional to keep them apart, despite their intentions to be together again. This imagery is echoed over and over again throughout Taylor's music videos and the eras tour. We can interpret this as a visual representation of being closeted in plain sight or as a form of protecting something that's delicate. Judging by the way they all end up shattered in the end, they seem to be foretelling what's still to come.
Test run
Truman was never really planning on leaving the first time because he had planned to fail. There are a few benefits of acting in this way. Firstly, we know that Truman had never crossed the bridge before and his attempt forced the director to play his hand by revealing what obstacles were ahead if this was his exit route. Enacting his bigger plan before seeing what was ahead would mean that he's more likely to fail if he crosses the bridge while under prepared for what is on the other side. Secondly, if everyone has assumed that he has failed, they won't see his bigger plan coming if they believe he's feeling defeated. They placated Truman by reuniting him with his father, but that backfired on them when he escaped when they least expected it.
Taylor mentions that "Every bait and switch was a work of art" in 'mastermind'. I wasn't sure if I was using this term correctly when search results were full of business examples and psychologists were linking it with the act of gaslighting, but the type of bait and switch I was intrigued by is akin to a chess move. This type of move is often referred to as the 'queen sacrifice'. By purposely leaving the queen unguarded, your opponent is lured into the trap, only to be met with a devastating counter attack. This, and the element of a trial run before the big reveal, is what lead me to consider that the 'lover' album may have been used as bait for the sale of her masters. If she alluded to coming out straight away to entice the sale that was going to happen anyway, that obstacle wouldn't get in the way of her bigger plan. (It is not my intention to imply that this theory is true, so this is just a hypothetical option in favour of the bigger picture.) If this was a prelude for a bigger plan, it still would have been extremely devastating when it did happen.
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The show must go on
This is the turning point in the movie when we begin to see Truman's life from the directors point of view. "An entire human life recorded on an intricate network of hidden cameras, and broadcast live and unedited 24 hours a day, 7 days a week to an audience around the globe." We start to find out how they had to manufacture ways to keep Truman on the island. His father dying played a big part of that, but to the viewers it's just another plot twist in the show they've been watching for entertainment. They have 5,000 cameras around Seahaven now, but started off with just one before he was born and they've been watching Truman's life unfold ever since. "We accept the reality of the world with which we are presented." This is the director's response as to why Truman has never left Seahaven or found out about the show. This contradicts everything we've seen from Truman's point of view. Just because he could leave doesn't mean he could leave freely. How much harder does he have to try before the director will let him go? He goes on to explain that with Meryl's decision to leave the show, a new love interest will be introduced and he has hopes for the first on air conception to occur. It's evident that Truman leaving would derail the directors plans for the show going forward.
Taylor has described how writing a song is like sucking the snake venom out of a bite. Expressing herself creates distance between the heaviness of what she's experienced and I believe this is why she sees herself as the narrator (or director) of her discography at times. During the 'folkmore' set on the eras tour she describes herself as the narrator of the teenage love triangle. It's also common for Taylor to be more than one character at once. At the end of 'the man' music video we discover Taylor is the director, and then it's revealed that Taylor was also the male actor that had been wearing a disguise. This implies that Taylor is James in the love triangle and based on the evolution of her speech, we can infer that as the director she chose Betty in the end. This feels like a clue that we should consider that she has been showing us her version of events from different perspectives all along.
The doll house
Everything on the show is for sale, including their wardrobe, food products and dollhouse style versions of the homes they live in. These elements are jarring after seeing the level of animosity Truman was experiencing with each road block he faced. It feels like they've overstepped a boundary by consuming every detail of Truman's life.
In the 'lover' music video, we first see the lover house is within a snow globe and our first shot of Taylor is through the peephole. The couple dancing throughout the house seem to be sharing a romantic moment, but the entire experience feels voyeuristic. No rooms are off limits as we see them in the bathroom swimming inside of a fish bowl. "Can I go where you go? Can we always be this close, forever and ever?" plays at the same time. It feels like we're asking that of her. It becomes uncomfortable to realise how much we want to have access to every detail of her life.
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Back to normal
Headquarters
Not only is Seahaven contained within a dome, the director and his control centre is housed within the moon structure. From the interview with the director we can ascertain that he doesn't usually reveal this much behind the scenes, but the return of Truman's father required some damage control.
The vault in the 'I can see you' music video is reminiscent of the moon shaped structure the director worked out of. The connection between these and the overall theme of the music video reminds me of the scene in 'the hunger games mockingjay' where they rescue Peeta from the capitol, only to find out he was trained to attack Katniss. This scene has an eerily similar asylum vibe like the 'fortnight' music video as well.
The mask
The next morning we go back to Truman in the bathroom again, as if he's just started another regular day. He seems cheerful as he's using a bar of soap to draw an alien outline on the mirror, while at the same time implying that he feels alienated in real life. This facade of normalcy he is presenting after his plan had failed is on purpose to lull the director into a false sense of security. If everyone thinks he has given up and believes he is resigned to staying after all, nobody would see his final escape plan coming.
Just like Taylor showed us with the visuals of the delicate performance on the eras tour, the mask is breakable. Now that we know that Taylor is the one breaking down the facade herself, it becomes harmful to refuse to see Taylor for who she really is underneath the pop star persona. And just like with Truman leaving in the end, Taylor has shown us that she's choosing herself now, regardless of the consequences. So we can either choose to join her, or sit back in defiance until she walks away.
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Back to work
As Truman returns to the office it becomes more obvious where all of the cameras have been hidden in plain sight. They're everywhere, including inside his pencil sharpener. But the least obvious camera is the one Truman is wearing, his wedding ring. This came from his father, something he purposely gave to Truman as he was supposedly drowning. He never took it off because it was a reminder of what he had lost at such a young age. Truman was able to escape in the end because he took the ring off and left it behind. They had no way of tracking him if he wasn't wearing it. In hindsight we can see that Meryl's necklace also contained a camera that was used frequently.
If all of the moon and black holes references are a codeword for cameras or surveillance in the Truman show, we can consider that Taylor has used them in her music videos in a similar way. 'The man' music video begins with a similar office scene with a man who is charming and magnetic, but the wink at the camera implies that he's also putting on a performance. At the end of a work call Truman mentions that "life is fragile" after he's introduced to his new love interest. Just like Truman's comment, Taylor has used the word delicate to to describe the fine line between the brittle nature of the facade and how easily it could all fall apart, like what occurs during the 'delicate' performance.
This place is mine
After Meryl left, Truman moved down to the basement. This is the only room in the house that contained anything that was truly personal to Truman with his padlocked chest of mementos and remnants of old hobbies. But on top of all this it was also the room with the least amount of cameras, making it the perfect place to hide.
In the 'lover' music video the only space that is personal to Taylor is the attic, and it’s just like Truman's basement as both rooms are typically used for storage. If you look closely you can see a familiar trunk to the side as she's reminiscing over old pictures on a projector. On the eras tour the only real piece of the lover house is the attic seen throughout the 'folkmore' set, the rest was burnt away on screen and ever since the setlist changed it has been falling over instead. This change reveals that it was a facade all along, similar to how we begin to see behind the scenes half way through the Truman show.
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The escape route
The map
Truman's desire to travel to Fiji is heavily featured as Truman's motivation for leaving Seahaven. There's evidence of this throughout the basement, including a large map of the island. Was this really his dream destination? No. Talking about going to Fiji encouraged the director to reveal his endeavours to prevent him from leaving. If Truman was constantly being challenged with his fear of the water, he was also being exposed to potential exit routes and obstacles. Truman's desires to go to Fiji was a facade to masquerade his true intentions of plotting his escape without raising suspicions.
One of Taylor's latest songs explores wanting to escape to 'Florida!' and reflects Truman's dreams of moving to Fiji. Another map Taylor has shown us in her music videos is the man wall. It's seen as a road map for her future rerecords with the end goal of coming out as queer, similar to what Elton John did at the peak of his career. Now that we can see that Truman revealed his dreams to travel as a means of testing his opponent, we can begin to understand that Taylor may have used her attempts to come out as queer in a similar way. If Taylor had expressed her intentions to come out of the closet behind the scenes, she would have been reminded of the challenges she would face if she did so. We see a small portion of this scenario play out with political discussions during the 'Miss Americana' documentary.
Behind the curtain
The director is concerned about Truman being asleep in the basement so Marlon is sent to investigate. When he arrives he finds a decoy in the bed and a tape recorder of Truman snoring. As he searches the rest of the basement, he pulls back the map to reveal what's inside the closet. This is the moment everyone discovers that Truman has escaped and that the map of Fiji was a disguise for his master plan all along.
The man wall is the most fundamental Easter egg for many Swifties, with endless theories on how to decode it. But what if the biggest Easter egg of all is actually set up as a trap to draw our attention in, so that we become so focused on it's significance that we don't notice the bigger picture? The subway wall is made up of small square tiles, with Taylor Swift themed posters and the rerecords written with spray paint over the top to mimic graffiti. But if you look even closer still, you will see that there's also a crack down the middle of the man wall map. This suggests that there's something hidden behind it, just like with Truman's map.
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The tunnel
When Marlon opens the closet in the basement, we discover that Truman had dug a hole through the ceiling and this is how he escaped. Marlon climbs up the stepladder and we see his head pop out of the hole in the garden. We could assume Truman began digging this hole after Meryl left because we can see he left behind the same multi tool that she advertised in the beginning, but he was in the middle of digging in the same spot when she came home that day. All we had seen was an awkward shot of Truman from behind as he was working in the garden bed. Truman also purposely left patches of grass unmowed so he had an excuse to be frequently working on the old lawn mower in the basement, something that was quickly replaced once Meryl left.
The ending of the 'delicate' music video is what sparked this deep dive into the Truman show. I discovered that the bar Taylor enters is called the gopher, an animal famous for digging holes underground. This unexpected connection to Truman's method of escape was unbelievable after picking up on many of Taylor's hints towards a departure.
The trap door
If Truman had been digging a tunnel in the garden from the beginning, how did he get away with it? He disguised the hole by filling it with balls and rocks in just the right size that were painted to look like garden ornaments. This is echoed in the scene where Truman is telling Marlon about how he wants to go to Fiji. Marlon asks if Fiji is near Florida, so Truman demonstrates with a golf ball to show that it's practically on the other side of the world. The way Truman is describing it implies that the tunnel is hidden on both sides in a place where the cameras can't find it, and all that's left now is to plan his escape route.
Taylor’s version of Truman’s golf ball is the painted nails aligned with the 2 and 8 on the karma coffee cup, pointing to where her journey through the tunnel starts and finishes. Other ball shaped references include the pearl coloured balls floating around Ice Spice in the 'karma' music video, the golden orbs in the 'willow' music video and the tennis balls in 'the man' music video. When Taylor attempts to leave the glass case in the 'willow' music video, she finds it has been boarded up. She tries to find a way out through the glass, only to reveal that she knew that there was a trap door underneath her feet the entire time. We hear the lyrics "I come back stronger than a 90's trend" at the exact same time Taylor goes down the tunnel. And which trend is she referencing? The Truman show, of course.
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Leave everything behind
Cut transmission
Once the director had realised that Truman had really escaped, he was left with no choice but to cut transmission on the live broadcast for the first time since the show began. Panic ensues for the viewers who didn't see this coming, meanwhile we see Sylvia watching from home in anticipation. Ratings for the show are at an all time high as everyone at home waits to find out what happened to Truman.
It's interesting that Taylor drew inspiration from this loading screen for the eras tour poster considering it's a reference to the moment Truman escaped. It draws a very clear parallel to his story, implying that what we're watching on the eras tour is the Taylor version of the Truman show.
Lost at sea
It's unclear how long Truman had after he escaped before the search party started. At first it seemed possible that Marlon left the car door open when he arrived for Truman to escape, but it's more likely he was just in too much of a hurry. It' seems 's likely Truman had some time to escape on his bike undetected. His fear of water meant checking the ocean would be the last place they would think to look for him, which is exactly what happened.
This moment after Taylor entered the bar in the 'delicate' music video reveals a sense of clarity just before she opens up her eyes. The ending of Taylor's story is yet to happen, but from what she's said throughout the tour, she's not planning on slowing down anytime soon.
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The note
As Truman sails off we see him pull a note out of his pocket. All he took with him was the collage picture of Sylvia. This symbol of hope for his future was the only thing he took with him. "The only thing that's left is the manuscript, one last souvenir from my trip to your shores."
When Taylor left behind her life's work and started over by herself, she carried a picture of the one that mattered most with her when she left as well. If you look close enough at the man wall, you can see a polaroid shaped outline underneath the black karma letters, as if something that was once there had been taken away. Just like Truman's collage picture, this missing piece represents the secret note from the 'delicate' music video. The one piece of evidence that meant something to them, when so much of their lives were full of half truths and lies. And what's on the polaroid picture? Proof that Taylor is queer... "Like a rainbow with all of it's colours."
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It's time to go
Almost drowned
Once they locate Truman as he's escaping on the boat, the director utilises his power to create a storm to derail Truman's attempt to escape. When his first attempts to force Truman to turn back fail, he orders the workers in the control room to hit the boat with the largest wave with to intentionally capsize the boat. They object to risking Truman's life, but the director goes ahead anyway. The wave overturns the boat and Truman almost drowns. As the director escalated his attempts to make Truman stay, it became clear that he would rather let Truman die than watch him leave if he refuses to stay. This highlights how unethical the director's attachment to Truman and the show had become over the years.
In the 'cardigan' music video we see Taylor clinging to her piano in the ocean, just like Truman did with his boat. This shows her determination to fight for her future despite the cost. The trap door Taylor escaped out of in the 'willow' music video is just like the exit points under the stage of the eras tour. Taylor's most iconic exit is after the surprise songs when she dives into the stage. Her character then swims against the current just like Truman did and when she reemerges again it's for the beginning of the 'lavender haze' set.
The getaway boat
Despite the director's attempts, Truman recovers from the storm and sails far enough that his boat crashes into the side of the dome wall. Truman managed to escape Seahaven after a lot of planning, but I think he had some help along the way. If Marlon was aiding Truman's escape plans, he would have been a crucial liaison behind the scenes. Throughout the interview with the director we get a glimpse of Sylvia and find out that her home is full of anti the Truman show propaganda. These include pictures of cast members that could be open to joining their side, with Marlon listed as being their best bet. It's possible the protestors worked together to smuggle Truman's father into Seahaven to encourage Truman to leave. One of the posters shows a young Truman in what appears to be a pizza themed clown costume. Pizza is mentioned a few times by the control centre workers and by the security guards of a car garage. This could be the common factor connecting the protestors helping Truman escape, as well as providing an inconspicuous meet up place to swap information that wouldn't draw attention.
Just like Truman had help, Taylor had a team working together in the 'I can see you' music video. This depicts an alternate view of Truman's escape, with a team breaking in from the outside to rescue Taylor from the vault. Many of the guest appearances in Taylor's music videos are representing the other side of Taylor, more so than any particular muse. Many of the scenes featuring Ice Spice in the 'karma' music video also mimic the ending of the Truman show.
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The stairs
Truman found the stairs that lead to the door and is so close to leaving behind the only place he's known. All of this is unfolding because Truman reached a point where his own wellbeing was more important than the character he had been portraying for the audience. Sylvia warned him in the beginning that everyone was watching him. This would have confirmed any suspicions Truman already had and lead to a life of being on high alert knowing he was being monitored at all times.
Both the public and private sides of Taylor have experienced the same restrictions over time, forced to keep a large part of her life hidden from others at all times. The scene with the moon and Saturn implies that an alternative ending to Truman's story is in store for Taylor. The moon was the home of the control centre watching over Truman day and night. Capturing the moon and Saturn in the 'karma' music video suggests that both sides of Taylor have worked together to reclaim the role of director, and are now working together to rewrite their story so that they can reunite and move forward together.
Captive
Finally in a last ditch effort to persuade Truman to stay, the director talks to Truman for the first time. It's clear the director has grown attached to Truman to the point that he doesn't see Truman beyond the character he's crafted over the years, but he only sees the public persona of Truman. The director is pleading for Truman to stay, to let the show continue as it is and claims that he knows Truman better than he knows himself. "You've never had a camera in my head!" is the only thing Truman says in defence. This sentence epitomises everything Truman has experienced living in Seahaven. After all, he was wondering when it was going to end when he was still in school. If the director truly knew what was best for Truman, he would have ended the show years ago.
When Truman told the director that you can't see inside my head, we can assume Taylor is trying to say that we can't see inside her heart. During the 'Me!' music video Brendon Urie opens a heart shaped door that reveals what's inside his heart. This implies that the music video revealed what was in Taylor's heart from the beginning. "When it's like, "me-ee-ee," it's like dancers, cats, gay pride, people in country western boots. I start riding a unicorn, like just everything that makes me me." This is how she describes the music video during the 'Miss Americana' documentary. "And for a fortnight there, we were forever." I believe this is a reference to the fourteen songs on her 'debut' album. Her first and potentially most authentic album is full of songs she wrote before she became famous. And then beginning with 'fearless', Taylor actively added in male muses to her songs to camouflage her queer identity. Unfortunately this was also the beginning of the gap between her public and private life growing apart. Looking back we can see that despite the pain this caused, she never lost hope of reuniting them again.
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How did it end?
The final bow
The Truman show challenges our perception of how ethical it is to have such unobstructed access to Truman’s life. We’re left questioning if our entertainment was worth the price he was paying by spending his whole life living in the spotlight. He bows for the audience watching at home and ends with one final “Good morning! And incase I don’t see ya, good afternoon, good evening and good night!” before he turns and walks through the door. The director was left with a look of disgust as he realised Truman had been preforming for the audience all along. Those who had seen the signs watched on with anticipation and those that didn’t were left feeling shocked and confused.
At the end of a theatre performance, the cast will come back on stage one last time to give their final bow of the night as the audience applauds the performance they've just witnessed. We then have to consider that Truman and Taylor's final bow was an acknowledgement of the fact that they had been putting on a performance the entire time. Just like in 'the manuscript', "looking backwards might be the only way to move forward." Going back through Taylor's history and finding the bread crumbs she left along the way will help us understand that the queer version of Taylor had always been there, we just had to know what we were looking for to be able to see it.
The door
As he steps through the door we wait in fervent anticipation to see how Truman's story ends, only to watch as the credits start rolling without an epilogue. This feels frustrating when we had been hoping to see Truman and Sylvia reunite after many years. Instead, this kind of ending is encouraging us to go back to the beginning and reconsider the story through a new lens after learning about how it ended. Each time you rewatch it you can pick up on the deeper layers of the story, seeing more evidence of Truman's discomfort from living an inauthentic life, and how much determination it required to overcome the challenges he faced along the way. Any further explanation would have diluted the magnitude of the moment Truman felt free for the first time in his life. Just being able to walk through the door in the end was the ultimate accomplishment.
The story Taylor has been showing us was never a revelation of her muses, but a slow unravelling of her experience as a famous person who has had very little privacy throughout her life. She's giving us a peak behind the curtain and allowing us to see who she really is beyond the larger than life character we've all built her up to be. And whether we like it or not, she choosing herself now above all else.
The only difference between Taylor and Truman’s story is that Taylor’s not leaving, she’s simply just stepping out of the closet.
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Meet me at midnight?
After turning a pumpkin into a carriage and creating a fancy dress to wear, the fairy godmother forewarns Cinderella before she leaves for the ball.
“You must understand, my dear. On the stroke of 12, the spell will be broken, and everything will be as it was before.” 
The same is true for Taylor.
No matter how much she accomplishes in the spotlight, she is always going to be the truest version of herself underneath the layers of her pop star persona.
"Dear reader, will you still want me when I'm nothing new?"
When the clock strikes midnight, are you still going to want Taylor when you can finally see who she really is underneath?
Who she has been all along?
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"A pathological people pleaser who only wanted you to see her."
A tortured poet,
Kylie x
🧡
135 notes · View notes
vintagegirl01 · 6 months
Text
Plush Size
Marc Spector x fem! reader (Implied moon boys x fem! reader)
Summary: Missing the MK System, you decide to make a plush toy of Moon Knight for yourself, so that you have something to cuddle with when they are on missions for Khonshu. While this plush ends up being used for that particular reason, the moon boys are shocked to see that you are no longer as clingy to them as you once were. This leads them to become touch starved, resulting in them hiding the plush.
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You miss them all very much. It has only been a day since they left but you miss Marc, Steven, and Jake very much.
Though they have been on missions longer than this most recent one they are currently on. Nevertheless, it’s true when they say absence makes the heart grow fonder.
As you look through Pinterest to look at sewing machine projects that you want to do. You see some pins on how to make dolls. This sparks the idea to create a doll in the form of your boyfriends’ Moon Knight persona that you could use to cuddle when they are gone. With this newfound inspiration, you get to work.
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3 Days Later…
Marc is currently fronting as he enters the key to your shared apartment. Though this mission was shorter, the desire to get home to you was what kept him going.
When he locks the front door, Marc notices the silence within the house. No tv nor music playing in the background.
Imagining the worst case scenario, Marc grabs his gun from his travel bag and begins walking around the house in preparation to fight to the death for you. He hears both Steven and Jake from the headspace, trying to reassure him that you are safe and more likely to fall asleep. Though he appreciates the reassurance from them both, Marc’s mind can’t help but wander to think the worst.
As he finally approaches the door to your shared bedroom, Marc finds you asleep on your bed. Although, instead of snuggling into his side of the bed like you normally would when he was gone, Marc is shocked to see you snuggling up with a plushie that looks nearly identical to what he looks like when he wears Khonshu’s ceremonial armor as Moon Knight. Marc smiles to himself as he returns to his regular clothes, beginning to strip to nothing but his boxers and crawls into the bed to get well earned rest.
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In the coming weeks, Marc notices how often you cuddle with the plush version of himself and is a bit restless to say the least. Though Marc is happy you have something to remind you of himself when he is away, the feeling isn’t there when he begins to notice that you sometimes even hug the mini him when you both are lounging around together in your room or living room.
Despite Marc always being a bit closed off at the start of your relationship, you helped him open up. Once feeling as if he had to wear the world on his shoulders, that feeling slowly faded away when he was around you.
No longer receiving those cuddles as often as he was once used to, Marc begins to devise a plan. One that will ensure he gets your attention.
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As you finish showering and changing into your pajamas, you exit the restroom and enter the bedroom.
When you walk to the bed, you notice that your Moon Knight plushie is no longer laying on the side where you normally sleep. In shock, you look under the bed to make sure it isn’t there. Noting it isn’t there, you move your pillows to see if they aren’t under the bed.
“Marc”! Have you seen mini you?”, you ask.
Marc comes in and says he hasn’t but agrees to help you find him (unbeknownst to you that he hid it).
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Thirty minutes of you two looking and not having any luck. Defeated, you lay on your bed a bit upset.
Marc gets into bed next to you and wraps his arms around you. He is a little shocked by the fact that you are upset about this.
Curious to understand why that is, he asks: “Why are you upset about losing the mini me”?
You answer.“Because it’s something to remind me of you when we aren’t together. Also, I figured it would be a good substitute for when you don’t want to cuddle me as I know I can be a bit too much sometimes.”
Everything begins to make sense to him. Marc goes to your closet to get something. When he comes back out, you see that he’s holding your missing plushie.
“I’m sorry I hid this from you”, he says ashamed. “I missed your cuddles and thought that mini me was taking away your attention from me. Despite what you may think, I love our cuddle sessions. It’s because of you, I feel safe enough to be vulnerable. Can you forgive me, baby?”
The moment Marc finishes, he is shocked to see you get up from the bed and grab the plushy from him. You put the plush on your bed and pull him in for a hug.
“You know you can ask me for cuddles whenever”, you say.
Marc looks at you with puppy eyes, “Can we cuddle now?”.
You take his hand and lead him both to your bed. Both of you get settled in with Marc laying his head on your chest as you run your fingers through his curls. Staying this way until sleeps takes over.
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astrobiscuits · 1 year
Text
Astro observations part 6
🪻Individuals with Sun in Taurus degrees (2,14,26) are always thinking about money - how they can earn more money, what to spend it on. If it's in Scorpio or conjuncts Pluto, they'll often lie about how much money they actually have just to profit off of you. You'll often hear them say "I don't have any money" but secretly have stash of money hidden in their house
🪻Not only do Aquarius Suns have a lot of friends, they also befriend the shy/awkward/forgotten kid (me). I haven't noticed this with other Sun signs
🪻People with Venus in Leo/Leo degrees (5,17,29) often get complimented on their thick hair
🪻Asteroid Fraga (1105) conjuncting any of your planets/angles/nodes indicates your love for strawberries lol
🪻 Check your Moon in Webb (3041) Persona chart. It gives you more insight on the type of content you like to consume on the internet. You can also take into consideration the degree of your Moon
Aries 🌙 - *watches sports matches live*; *laughs at stupid, childish memes *
Taurus 🌙 - the one who always searches for tutorials; "how to bake lava cake", "how to remove a stripped screw"; hmm, maybe i should move *searches houses for sale*;
Gemini 🌙 - *watches memes*, doesn't care what kind of meme it is as long as it's a meme; *scrolls endlessly on r/todayilearned*
Cancer 🌙 - *watches baby videos*; the type that reads family drama posted on reddit, but also regularly checks what their own relatives post on social media
Leo 🌙 - the newest tea on their fav celebrities; they're the first to know what Zendaya ate this morning, where Tom Hanks went on vacation yesterday and if Kylie Jenner is pregnant again; awww a kitty *ends up in an endless loophole of cat videos*
Virgo 🌙 - "declutter with me" videos, "clean with me" videos; *checks their fav blog every day*; *watches workout videos while working out*; *checks e-mails 20 times a day*; ugh, i need to take a break *watches pet videos*
Libra 🌙 - "get ready with me for..." videos, "OOTD" videos, make-up tutorials; their pinterest is full of outfit inspo and aesthetic house decor; "red/green flags in a guy/girl" videos, "first date do's and don'ts" videos
Scorpio 🌙 - *watches every true crime documentary out there*; "Michael Jackson spirit box session"; time to do the deed *watches p8rn*
Sagittarius 🌙 - *saves bible verses all the time*; searches "how to manifest everything you want", obsessed with Neville Goddard content (i'm so sorry, i'm guilty of this); *decides to go on a spontaneous trip, so they end up watching travel videos*
Capricorn 🌙 - the type that doesn't use the internet for entertainment much; actually, you'd be surprised by how little they use their phone compared to the average person; probably has a daily time limit set on their phones, *reads memoirs and biographies*,
Aquarius 🌙 - twitch is their life basically; if they're not watching someone play a video game, then they're playing a video game; *follows LGBTQ+ content during pride month*
Pisces 🌙 - they're listening to music 24/7, has a playlist for every mood they're going through, *watches tangled for the 7th time in a row*; actually, they're always watching a tv series if not for a disney movie
🪻I noticed that most film directors (Hitchcock, Kubrick, Tarantino) have got Neptune in Gemini or Neptune in Gemini degrees (3,15,27). Besides Hitchcock, they also don’t have any aspect between Neptune and Mercury
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Note
Can i have a full song with…ethan landry
dark romance, stalker!ethan, ghostface!kink
Had this idea that reader gets gifts to her apartment and it’s always anonymous, at first it’s cute gifts like flowers, chocolate or custom made playlist but then it starts to get darker like some pictures of her she wasn’t aware of or even things she lost MONTHS ago like panties, jewelry’s….it can even go darker that at some point he just snap and he send her sperm or something and he get her voice messages to confess his love and say he would kill for her (like post murder adrenaline) and one time she gets to her apartment and there’s no gifts because ethan is inside (and he’s basically the gift) and he has his ghostface costume on and maybe he makes a reveal and like he’s giggling and shit and maybe after some smutty scene ? like ugh i’m dying for this
—𓆩[secret admirer]𓆪—
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𓆩[main masterlist]𓆪 𓆩[request/ask me something!]𓆪 𓆩[updated bingo card!]𓆪 𓆩[bingo masterlist]𓆪 𓆩[join the bingo taglist!]𓆪
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𓆩♡𓆪 CHARACTER - Ghostface! Stalker! Ethan Landry x Fem! Naive! Reader
𓆩♡𓆪 TYPE - smut, fluff, maybe slight angst?
𓆩♡𓆪 WORD COUNT - 5.1K
𓆩♡𓆪 SUMMARY - Ethan knew you were the perfect target whenever he met you. Oh you were perfect; beautiful,, sweet, funny, smart… but at the same time, so fucking stupid. He started sending you small things at first, your favorite candy and a CD with music that reminded him of you with a record player, but he needed more. He needed to make you know who he was, he needed you to love him. He couldn’t stay in the shadows anymore, and now that he’s finally sent you the biggest thing ever, he’s ready to reveal who he is - right after his first kill.
𓆩♡𓆪 STORY WARNINGS - THIS IS A DARK FIC, PLEASE BEWARE! || HEAVY MANIPULATION || READER IS EXTREMELY NAIVE || ETHAN IS VERY MANIPULATIVE || cursing & foul language || reader again is very naive || if i need to explain it, I took Kris from his real last name Kirsh || you both know each other out of this, but it’s not really mentioned until the end || voyeurism kink || toy usage || sleepy-fuck || blindfold || you’re a heavy sleeper now || creampie || cum eating || virginity loss || multiple rounds || raw sex || unprotected sex || creampie || multiple orgasms || dacryphilia || rough fuck ||
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It started with a burner phone.
You were confused at first, especially because you had never seen one in real life since you had no use for one, but you kept it. You had thought maybe you could find out who it belonged to, so when it rang, you answered.
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“Hi! My name is Y/N, I found this phone on my doormat, are you looking for it?”
Oh, Ethan wanted to laugh. Were you that nice? “No, I’m not… it’s a gift - for you.”
“I’m sorry?” You asked, tilting your head. “What do you mean?”
“It’s a gift… from me, your secret admirer.” Ethan smiled, the voice editor on his end making his voice come out deeper and more playful. With this new secret admirer personality, he could take on a new persona, someone confident and forward that you would fall in love with easily. “Just so I can reach you quicker.”
“Oh,” you say, smiling as you play with the burner phone. “I-I’ve never had one of these before.”
“A burner phone?”
“We-Well that too,” you say, giggling. “I meant… a secret admirer.”
“Oh,” Ethan spoke, smiling. “Well then, I’m glad to be your first.” He knew damn well you had never had a secret admirer, and it made him love it that much more.
“O-Oh… well what do I do now?”
“You take my gifts,” he responded, smiling. “I know you’ll love them, all of them. I think it will be pretty fun too.”
“Well… it won’t get like obsessive, right? Stalker-ish, I mean.” You asked, knowing that it had happened to some women in TV shows.
“Of course not, honey. Everything I send you will be harmless, I promise. I never break a promise.”
You smiled widely, nodding. “Good. I trust you… what should I call you?”
Ethan paused, humming slightly. What could you call him? “You can call me… Kris. With a K.”
“Is that your name?” You ask, tilting your head to the side as you slowly look inside of the box that the burner came in. “Oh, what’s this?”
“No, it’s not. But that’s a Polaroid of you. I know you like them, you can start a little album,” he responds, smiling. “My next gift to you will be an album. So you can keep all of the Polaroids I sent you.”
“I’d like that,” you respond, smiling as your finger goes over the picture of you getting your normal coffee at your favorite shop. “Do you know my coffee order?”
Ethan paused, smiling. Of course he knew your coffee order, he wasn’t stupid, but he didn’t want to seem that stalkery off the bat. “I’ll learn it,” he told you, his hand grazing over the to-go copy cup with your order scrawled on the side. “Get it delivered to you every morning.”
You laughed, biting your lip. “I’ll hold you to that.”
The next few months were amazing, beautiful even. It might’ve gotten a little weird, but Kris assured you that he was just moving your relationship to the next level. You’d never had a secret admirer before, so when he told you that there was nothing to worry about whenever the gifts started getting more intimate, you believed him.
“Kris, are you sure that this is okay?” You asked as he positioned himself on a nearby fire escape in an apartment he was renting. “I don’t… I don’t know if I’m comfortable with this.”
“Hey, don’t you worry about it,” Kris said, smiling as you walked out of the restroom with the lingerie he bought you on show. “I’m not asking you to do anything in it, just try it on… do you have it on?”
“Yeah, I do,” you whisper, staring at yourself in the mirror. It was nice, a beautiful corset lingerie top and some skimpy underwear that actually fit you perfectly because it was the same one you tried on in the store. “H-How did you know I was looking at this one?”
“I think I know you well enough, my love,” Ethan lied, knowing damn well he followed you into the store you went into and watched you grab it before putting it back on the display after trying it on. It was too risky to try and follow you into the dressing rooms. “Does it fit?”
“Y-Yeah…” you whisper, inhaling deeply. “Yeah, it fits perfectly.”
He could tell that it fit perfectly, pushing up your tits and wrapping around your perfect body tightly, your ass on display from the tight g-string. He stared at you as you spin around, watching you check yourself out in your mirror. He loved the way you looked at yourself, confident with that spark in your eye.
“Do you like it?”
“I love it,” you whisper, smiling. “I love it so much.”
“Good,” Ethan smiled, cursing as his alarm went off.
“Kris? Is everything all right?” You asked, his voice getting lower as you heard dinging. “Kris?”
“Yeah, I’m okay darling, just have to go do something,” Ethan responded, shaking his head. “You just take a few pictures for me and send them, got it? I’ll give you another present tomorrow.”
“Oh, okay,” you say, sighing in disappointment before smiling, trying to fake some happiness. “I hope whatever you have to do goes well.”
Ethan smiled, rubbing his hand against his growing bulge as you slowly set down your phone, going to your drawers. He had been in your room before, not that you knew, and always stole your underwear - whether they were the cotton ones or the more skimpy ones - but you opened a drawer and pulled out a book he always ignored that never seemed too interesting. Who would have a book with no title on it?
“Thank you, honey,” he responded, humming. “Just send me those pictures and I’ll call you tonight, okay?”
“Okay,” you say, opening the false book to pull out the silicone vibrator you hid inside of it. “I will. Have a good day, Kris.”
Ethan choked as you pulled out the vibrator, covering his mouth as you looked at the phone you had put on speaker. “Kris? Are you okay?”
“Y-Yeah, I’m fine!” Ethan closed his drooling mouth, shaking his head. “Just send me those pictures, okay my love?”
“Okay, Kris,” you respond, humming. “W-Wait.”
“Yes?” Ethan was getting impatient, already pulling out his cock as he grabbed the Polaroid camera next to him.
“I-I uhm…” you whispered this time, clearing your throat. “I-I’ll miss you.”
Ethan paused, smiling as he slowly pumped his cock. “I’ll miss you too, Y/N. I’ll call you later, okay?”
“Okay.”
Ethan hung up, turning off his alarm that told him to start getting ready for class. At this moment, fuck his professor.
He watched as you slowly laid on the bed, the exposed crotch area of the underwear allowing you to easily slip it up and down your slit.
You gasped, groaning softly as you felt the cold silicone against your clit. It had been a while since you had last used this toy, or any toy for that matter, but that didn’t matter right now. You felt so pretty and desirable in this lingerie, you deserved this.
You gasped as you held the button at the end, whimpering when it started vibrating loudly and with a force you didn’t remember it having. Quickly, you pressed it a few more times to get it to a slower setting, soft vibrations filling the room as you swiped it up and down your cunt. It felt weird at first after you had been without it for so long, maybe even slightly uncomfortable before you slipped your fingers down to join the toy, groaning with an unconscious rut of your hips into the toy.
Your fingers slide over your wet cunt, gasping as you pressed the tip of the vibrator to your clit, groaning as you lifted your hips just a bit to get that perfect angle. It doesn’t take you long to slip a pillow under your hips just as you slide a finger into your cunt, groaning loudly as you slowly turn the vibrator in a firm circle against your clit.
It wasn’t enough though, not for what you wanted, making you tilt the vibrator to an angle to push it down so the tip was against the top of your entrance. Your other hand pushed another finger into your cunt, the end of the vibrator pressed firmly to your clit as you rolled your hips into the toy.
Would he fuck you like this? Would he use a toy until you’re a blubbering mess underneath him and begging for his cock?
The answer was yes. Kris would torture you with a toy until you’re sobbing from overstimulation, but Ethan? The Ethan that you would bring out? He wouldn’t stop when you’re overstimulated, pressing the vibrator to your swollen clit as he used your pussy like a fleshlight for his own pleasure until you were sobbing and your mascara was running down your face.
He watched through the Polaroid camera, taking a few pictures and was grateful for the fact that he changed the film case so he could take as many pictures as he wanted while his other hand pumped his cock. He groaned, watching as you pulled out your fingers and pushed the vibrator into your cunt, pumping his cock harder as he shifted his hips and pulled the camera farther back, getting both his cock right at the moment he came and the image of your pinched face as you came around the vibrator.
Your eyes rolled back, groaning loudly as your hips buck uncontrollably into the vibrator, whimpering slightly as it pushed against your sensitive cunt, holding the back of the vibrator to try and turn it off, eyes rolling back when it took too long. You panted, inhaling sharply as you let it stay inside of your cunt for a few seconds before your phone dings.
Reaching for your regular phone, you tilted your head slightly in confusion when there was no notification until another ding made you look to the side, smiling as you slowly took out the toy and walked over and grabbed it.
Kris 3:23pm
Don’t forget those pictures for me, darling.
Later that day, when you were asleep, Ethan easily snuck in through your window from the fire escape. He was a bit paranoid since last time you woke up to use the bathroom and he had to hide underneath your bed, but he had run out of your underwear from cumming all over them. He had planned to wash them, but it never worked out because there were no washing machines and dryers at the dorms and it’d look very weird doing that in a washateria.
With that though, he slipped a blindfold over your eyes and headphones over your ears, watching as you twisted slightly. He grabbed his burner phone with the voice modifier, calling you as you hummed softly. You don’t question the blindfold over your eyes, or the headphones on your head, only focusing on answering the phone.
“Hello?”
“Hey honey,” Ethan spoke, his voice edited as he slowly kneeled over the bed. “Guess who?”
You giggle, shrugging as you go to twist on the bed before he holds your hips. You gasped making him laugh, your voice echoing in your ears before his thumbs firmly slid over your pelvis bone. “Hey darling… darling, it’s me. It’s me.”
“Wh-Why are you here, Kris? Y-You’re scaring me,” you say, his shushing making you shiver as his thumbs slide down to your wet cunt covered only by your thin cotton panties. “Kris?”
“I’m here, honey, it’s me,” he said, licking his lips as he pressed his thumbs down firmly. “Got my hands here, baby. Rubbing you nicely. I just… I couldn’t hold back anymore, my love. Do you want me to leave? I’ll… I’ll leave if you want me to.”
He really wasn’t going to, honestly — if you wanted him to leave.
“No,” you respond, your hands swatting at the air before he caught your wrist and guided it to his chest. “Why did you wait so long? Why now?”
“Because,” Ethan whispered, his voice cutting out slightly as he slowly slipped down your panties. “I couldn’t hold back.”
“A-Are you… are you going to do something?”
“Like what?” He asked you, his lips softly pressing to your hip bone. “Can I… do something? I’ll be nice. I’ll be so nice, honey, nice and gentle.”
“Yes… yes, please,” you whispered, groaning as his thumbs slowly pulled apart your pussy lips and he stared at the wetness already leaking out.
He groaned as he stood, going into that same drawer you put the hollow book and taking out your vibrator, pushing it into his mouth with a loud groan.
“K-Kris? Is everything okay?”
“Don’t say that name,” Ethan’s voice came out more rough then he meant it to when he pulled the toy out of his mouth, cursing softly. “I’m sorry, I didn’t mean it to sound that way… I just… it’s not my real name and I’d rather you moan my real name rather than that one. Do you understand?”
“Y-Yes, I understand,” you whimpered as he slowly kneeled in between your spread legs, taking the vibrator and slowly turning it on. “Wh-What’s that?”
“You don’t know?” Ethan laughed, pushing the vibrator between your folds and easily sliding it up and down your soaked cunt. He watched your face pinch, mouth falling open as your nose scrunched, wishing he could see your pretty eyes. Were they snapped open or squeezed shut?
They were squeezed shut, your thighs already shaking as your hands squeeze the sheets and your hips buck into the silicone. You gasped, the vibrations clear over your headphones as his mouth sucked on your clit, tongue lapping as he let his saliva gather.
On the other hand, Ethan was focusing on not cumming. He watched your hands dig into the sheets, your hips bucking with each flick of his tongue to that sensitive bundle of nerves that was just fucking delectable right now. Ethan was enjoying the fact he was making you feel good without even touching you, the vibrator doing all the work as he easily slipped it inside of you, thrusting it in and out as you moaned loudly.
He wasn’t even sure if you knew how loud you were being, your hands quickly finding their way to his hair and pulling him closer as his other hand held your thigh over his shoulder. He could feel you rocking your hips into the vibrator, your fingers threading through his curls and tugging slightly to hear him groan against your cunt.
It makes you gasp, the vibrations traveling straight through your clit to your spine, your stomach clenching as you rut your hips into the air. He groaned, gasping as he nudged his nose to your low puffy clit, pushing his tongue down to your entrance where the vibrator was handle deep inside of you.
He could hear your moans filling the room, unable to see the tears pricking your eyes from pleasure. You had never taken the vibrator this deep, his hand movements languid and lazy making you desperate.
Ethan was desperate so see the way your cunt clenched and fluttered, staring at each erotic movement. He was so tempted to stick his tongue in there with the toy, but he knew it would leave that unfamiliar feeling on his slick muscle, so he decided against it. Besides, he took enough pleasure listening to your moans and watching your cunt flutter when you started to get closer to your release.
Still though, as much as he loved watching you get off for something he was doing, he couldn’t cum. He wanted to, but he couldn’t, not if it wasn’t going to be inside of you and if you weren’t looking at him.
“Are you close, darling?”
“Y-Yes!” You screamed out, groaning. “Fuck, yes!”
You could feel the vibrator press to the perfect spot inside of you, your mouth falling open when the knot finally snapped and you came around the toy, screaming so loudly you could hear yourself. Your voice was definitely deeper than you thought it would be.
“K-Kris? Was that me?”
He turned off the toy with a soft curse, pressing a kiss to your clit as he slowly pulled it out. He watched your hands slowly pull out of his hair as he turned off the vibrator, thumbs pressing against his face as you pressed your lips together firmly. It makes Ethan’s brows pull together as his face scrunches, confused before you start to giggle.
“Well, I can’t see you… so I wanted to try to memorize your face with my hands,” you say, smiling. “Your skin is soft.”
“You can see me soon, my love,” Ethan whispered, slowly leaning forward so that his face was close to yours. You smiled as he nudged his wet nose against yours, his lips softly ghosting over yours as you inhaled shakily. “I promise you.”
You inhaled as you pulled him closer, humming as his fingers trail over your hips, his lips softly pressing to yours. His lips make you gasp, soft but slightly chapped, perfect against yours as you wrap your legs around his waist, softly rolling your hips against his hard cock making him groan loudly against your mouth.
“Won’t you fuck me, Kris? Please?”
“I can’t,” Ethan mumbled, humming. “I want you to see my face when I fuck you.”
You inhale, nodding as he pressed a firm kiss to your lips. “Uhm… if you don’t want me to call you Kris, what should I call you?”
“You won’t have to call me that anymore, I’ll give you my real name soon, I promise.”
And with that, he pushed the vibrator right back into you, turning it onto its highest setting to watch your face scrunch, determined to stare at your face until he could see tears.
The next morning, Ethan gave you your usual coffee and pastry at your doorstep, a smile on your face as you called him while you ate.
“You should come by again tonight,” you suggest, biting into your pastry. “I could uhm… I could do something for you.”
“Oh yeah?” He laughed, pumping his cock. He had been edging himself since yesterday when he saw you, humming. “You’re already doing something for me, darling. You just keep talking.”
You paused, gasping. Was he… masturbating?
“Kr-Kris, are you-”
“What’d I tell you about calling me that?” Ethan almost got turned off, if it wasn’t for you stuttering. “What do you think I’m doing, baby?”
“I-I… I don’t know.”
“I’m getting your present ready,” he smirked down at the acrylic container already almost filled up with his cum, the last few releases already almost filling it up. “I think you’re going to like it.”
“What is it?” You asked, perking up as you finished up your coffee. “I-Is it something nice?”
“Oh yeah baby,” he laughed, cursing as he finally came, spurting it inside of the container as he grunted, cleaning up the side and sliding his finger over the side. “I think you’ll like it. I’ll have it at your door soon, my love.”
You smiled, nodding. “Right… right, okay. I’ll see you soon… darling.”
“We’ll see.”
You waited by the door as soon as he hung up, pacing desperately to be there as soon as he knocked. You gasped when there was a soft knock against your door, quickly opening the door and looking around to try and see if you could see someone in the hall, but there wasn’t.
You sighed when you looked down, a small box tied with a bow that you slowly grabbed and set on your table after locking the door. You answered it as you started opening the box, confused when you saw a small container. “What is it?”
“Oh, you already opened it, you’re so impatient,” he laughed, leaning against the wall of the room he rented right next to yours. “Are we going to act like you didn’t try to look for me? Running to the door like that.”
“H-How did you know that?” You asked, staring at the door. “I… did I miss you?”
“Just about,” he laughed, shaking his head. “Why don’t you open that container for me?”
“Oh… okay,” you whisper, slowly opening it and taking a slight sniff, nose scrunching. “Is it a lotion?”
He laughed, staring down at his cock that was already getting hard. “I mean… I guess it’s more… edible.”
“I can eat it?”
He hummed, listening to your actions as close as he could.
You lift it to your lips, slowly dipping your tongue inside and your nose scrunching when you tasted the salty substance. “What is it?”
“Something special I made for you,” he laughed, shaking his head. “You enjoy that, alright?”
“Can I cook with it?”
Ethan laughed again before his phone dings, cursing. “No, honey, it’s meant to be eaten on its own, but I have to go, okay? I’ll see you tonight.”
“Can I see you?”
He paused, sighing. “We’ll see. I love you.”
“I… I love you too.”
He hung up, groaning when he saw a text from his sister. At least you had a class today, so you wouldn’t be suspected as the murderer.
That night, you still couldn’t figure out what that thing Kris gave you was, or you didn’t want to figure it out. You had an inference after you dipped your finger inside and scooped more into your mouth, but you blocked it out as soon as you thought of it. He wouldn’t be like that, would he?
When someone knocked, you looked at your phone, the number 10:32 bright on your normal screen. He wouldn’t leave a gift this late, would he?
Slowly, you walked over and peaked out the hole, face scrunching in confusion when you didn’t see anyone. It was stupid, yes, opening the door, gasping as you were pushed inside, face forward against your wall. For fucks sake, what kind of luck was this?
“Stop! Please, stop, I’m a college student – I don’t have anything!” It was true, you were waist deep in student debt, what could they want from you?
You could feel tears pricking your eyes as his hands paw at your waist, red stained fingers making you whimper before he starts to laugh. You had definitely heard that laugh before.
“Kr-Kris?”
“What did I say about that name?” His hands push into the front of your underwear, a gasp falling from your lips before it turns into a loud groan when his fingers graze your still sensitive clit. “I guess… now you can know my real name.”
You gasped at his voice, groaning as you pressed your forehead to the wall, his lips grazing your ear. “Wh-What is it?”
“Ethan.”
You paused, quickly turning around with a gasp when you saw the pretty face of the guy from one of your classes that you always looked at for a little too long. “Ethan… Ethan.”
“You like saying it, don’t you? Then you’re going to love moaning it,” he mumbled, watching your hips rut from his fingers grazing over your clit again, your body squirming against the walls as he laughed, easily pulling off your bottoms and underwear. “I’m so glad I used this pussy until you were sobbing last night, preparing you for my cock. Gonna use you until you’re a sobbing mess and you’re addicted to my cock. I’ve waited way too long to fuck you, and right now, I really need it.”
“E-Ethan-!” You screamed out as he picked you up, gasping as he threw you over his shoulder, walking straight to your room and throwing you onto the bed. “Wh-What happened?”
He looked down at the stupid Ghostface robe he’d have to take off to fuck you, with more clothes underneath, cursing. “Don’t worry, honey, you don’t have to worry about that. I took care of it.”
“Are you all right?” You asked, sitting up as he took off his clothes, stripping down to nothing as he crawled over your body.
“Don’t worry about that, my love,” he whispered, smiling down at you. “You just get ready to feel the most pleasure you’ll ever feel in your life, okay?”
“W-Wait!” You pressed your hands to his chest, panting underneath him. “I’m… I’m a virgin, Ethan. Please, please be gentle.”
He pressed his lips together, holding back a smile as he leaned down, pressing his lips to yours as he held your face with one hand, the other pushing down to your cunt and sliding down your folds, gathering your wetness. He groaned as he easily slipped a finger into your cunt, your walls immediately clamping down as he imagined your pussy fluttering like he saw last night.
“I promise you baby, you don’t want me to be gentle. I’ll make you feel so good, I swear.”
You inhaled, nodding as he pressed another kiss to your lips. “Promise?”
“I promise.”
You gasped as he pulled his fingers out of you, watching as he slowly grabbed his hard cock, his tip an angry red and dripping precum, wasting no time pushing into your cunt. You gasped, groaning loudly as he slowly pushed into you, eyes rolling back as your eyes prick with tears of pain. It felt weird and hurt slightly, but it wasn’t anything compared to when he pushed the vibrator into you last night and watched you cum over and over again last night, so many times you lost count.
“Fuck, honey, you’re so tight,” he groaned, pulling out to watch the moonlight reflect off his arousal covered cock, a choked sound leaving your mouth when you saw it. Were you really that wet? “You feel better than I could ever imagine, fuck!”
You were too overstimulated from yesterday, his thrusts rough and quick though still sloppy, his first time being in your cunt making him unhinged. How could he hold back when you were so wet and tight, clamping down on his shaft perfectly and barely letting him pull out? Fuck, he couldn’t stop now.
You held onto his shoulders, groaning loudly as you rut your hips into his, Ethan’s hands finding the backs of your thighs and pulling them around his waist with a loud grunt. Your nails drag down his back, loud whines leaving your lips as his tip abuses your cervix, hitting with each rough thrust as he pressed his mouth to your neck. “Fuck!”
His voice was broken and strained as your hips begin to move unconsciously, desperate to hit that high as his tongue dragged down your neck, already marking your skin up with hickies. He was so desperate, hips speeding up as he neared his climax, loud groans falling from his mouth as you cursed.
“F-Fuck, fuck Ethan! Please, please, it’s too much!” You sobbed, desperate for more just as much as you were desperate for a break. Your mind was blurry and hazy, mixing the wires of pain and pleasure, unsure whether to stop or keep going.
He laughed as he pulled away, leaning forward to kiss your lips, wiping your eyes as he paused his hips just for a second, desperate to control himself. He inhaled, finally finding a steady rhythm even though he was so close to cumming, desperate to make sure you found pleasure. "It's okay to cry, darling, I know it's out of pleasure. Come on, show me how good I make you feel. Cry for me."
Oh, that’s all you needed.
You sobbed as he finally thrusted one last time, a loud groan falling from his lips, his cum filling your deepest parts and pushing past your cervix enough to make your vision go white and a scream of his name fall from your lips. He doesn’t let you take a breath, easily flipping your limp body over to thrust his hips against your ass, turning into rolls in desperation as he pushes his fingers over your arms to follow up to your hands, intertwining your fingers as you sobbed from pleasure.
It was too much, his movements never stopping as he squeezed your hands, tongue trailing over your cheek. He smeared blood across your skin, not that you noticed, his mouth and teeth marking up your skin with hickies and bite marks, determined to show everyone else in the world you were his.
He pulled one hand away from yours, pushing it down to squeeze your ass in his hand, giving you a soft slap to make you regain focus back on him. “What are you thinking about, my love? You should only be thinking about my cock.”
Oh and you were. How long had you been in this position, how many times had you come and clenched around his cunt in desperation, signaling your body cumming around his length?
“I am, I am! I am, holy fuck you feel so good, fuck Ethan!”
He leaned down, sinking his teeth into your shoulder as your knuckles go white, eyes rolling back as previous tears fall into your open mouth making you taste the salty liquid, his teeth marking you once again. “You’re mine, darling. You belong to me.”
“Yes, fuck, yes!”
“I’m going to show you, darling, and I’m going to show the whole fucking world – starting by your neighbors knowing my name.”
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© asterias-record-shop
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transmasculinizing · 1 month
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the fact that dc superhero girls (2019) was cancelled and nobody ever talks about it is a tragedy. this show has everything. its a high school au. the show only has like 4 superheros who are old enough to vote. harley is a teenager so she can be friends with babs and they dont know the others a hero/villain and its super gay. the league of shadows is an alternative rock band and they have the most kickass music sequence in tv history (did i mention theres music in this show sometimes). kara is like a big sister to garth of all people and its really cute. jessica takes in dex-starr because she feels bad for him and dexy hates every second of it. livewire runs a cyberbullying blog. lois tries to dox the superhero girls. bruce waynes "brucie" persona is the most exaggerated here than ive ever seen it. theres an episode where star sapphire and sinestro date so they can make hal jealous bc theyre in love with him and it works. the girls ar working together! the show is actually funny. its made by lauren faust guys she made mlpfim so it definitely has some of that shows blood now go watch it. its peak girly media!! watch it!!!
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forestmossling · 18 days
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okay. oh my fucking god. oh god, okay.
this is INSANE. this is absolutely fucking crazy. what i’m about to recommend you is absolutely fucking mind-bogglingly pants-shittingly bonkers in its brilliance, so y’all better read closely.
it’s always the fics with the shortest, least descriptive summaries ever, the ones you absent-mindedly stashed in your “marked for later” and forgot about them, isn’t it?
anyway, this is a masterpiece. in every definition and understanding of the word. there are too many great points about what’s going on in this fic and why you absolutely have to read it, so forgive me if i’m gonna be pretty incomprehensible and incoherent rn, okay?
first of all, the way this fic just ties the whole of the st universe together, the way eddie munson doesn’t just spawn out of nowhere in the beginning of s4, but actually exists in hawkins all this time. the way he witnesses all the crazy going-ons in town from the sidelines, and still has his own opinions and thoughts on them, even if he didn’t actively take part in them. just, love to see it.
second of all, different “first” meeting. oh my god, but how i love thee. obviously it wasn’t really the first meeting here, but steve and eddie coming together before the original timeline is something i will never get enough of, and it was done brilliantly here. the way their first conscious interaction happens when steve comes to apologize for being a piece of shit, and the way the narrative, from eddie’s pov, never lets you downplay and just forget that steve was, in fact, a douchebag in high school, is also something i love to see. yes, he’s forgiven, but not because he wasn’t that bad in the first place, as a lot of fics love to make it out to be (which, i don’t blame them, that’s also fine), but because he actively works to become a better person. we see him, time and time again, actively holding himself back from sliding into the “king steve” persona, owning up to the shit he did and proving that he has changed, and it’s beautiful. and it’s also nice to see here, because eddie doesn’t even find out about all the upside down shenanigans in this fic, so for him, steve isn’t a better person now because he saw him in his heroic martyr era and was impressed. he’s better because he doesn’t just let these objectively heroic and admirable actions automatically absolve him of all his sins, but actively works to repair the damage he did before he committed them. which also happens in canon, i guess, but i really love how it was shown here.
third, eddie. characterization in general, but eddie’s in particular, because oh my fucking god. he’s absolutely insane in the most humane and captivating way possible. the way he has so much history that made him the way he is, the way we see this past overlap with the present and realize how it affects the decisions he makes, the interactions he has with other people. and the way his past was written in general, the way it flashes him out so deeply as a person is absolutely brilliant. and the way he sees the world around him, the way his perceptions of the moments we catch him in is so deep and full of volume, dimension. it’s like one second you’re with him, listening to the conversation he has with another person, and another - in a wave of sound and music he taps on his leg with his fingers, in the songs he hears reverberating through every feeling he has. and the author is so masterful with throwing you around from one plane of reality to another, the way eddie is in his brain, and it’s so much it’s almost overwhelming, but they catch you just on the edge in the last second and keep your brain from being torn apart from trying to comprehend the absolute insanity going on in eddie’s head.
it really felt like this fic was repeatedly slapping me across the face and all i could do was deliriously ask for more.
and, while we’re on the topic of characterization, literally every character and every interaction between them are so real and so fitting for who they are in this universe. the way even through eddie’s warped perspective of him, steve’s actions and views fall into a perfectly functioning justified mechanism for the reader, not a screw out of place. the way through simple, and, on the surface, absolutely mundane conversations about the horror and romance genres, about the characters in the book eddie’s writing (he is, btw, and it’s also brilliant), we see the whole of who these characters are, how they see the world and themselves in it, their deepest fears and desires. and even aside from steddie, a personal stand-out for me was jeff, because he has a whole life outside of eddie’s narrative, and still manages to contribute to the plot and give insights into eddie and himself while not being a cardboard cut-out, only existing for the benefit of pushing eddie’s story forward. and the rest of hellfire - past and present - while mostly serving the purpose of showing how precious steve’s attention and care for things they didn’t get about eddie is, are still their own people.
whatever the next number is, i’m losing count, - the language the fic is written in. it’s just so fucking clever. the dialogues are witty and captivating without stinking of made-up-ness, the metaphors are so deep and colorful and voluminous without being pretentious and over the top. the words of this fic are something you have to chew on before you swallow, let the author immerse you in the picture they’re painting without breezing from one predictable trope point to another (which, they aren’t really predictable and expected here, which is another huge pro) in the everlasting greed for cheap escapism, as i am prone to doing. and that’s another thing i’m really grateful to this author for - making me sit with the words i’m reading for a second, instead of just gorging on them in my haste to get to the end and start another story, frantic to keep my brain occupied.
also, this fic genuinely had me endlessly invested in the fate of the characters, scared shitless or elated for them. it yanked me right out of the usual safety of predictable plot tropes which usually makes fanfiction so attractive for me, but i really wasn’t complaining. on one of the most stressful and deciding scenes of the fic (no spoilers tho), i genuinely started crying. i felt eddie’s resignation and anguish so deeply and personally, i couldn’t hold back if i wanted to. and that’s another thing i’m extremely grateful for - the absolute rollercoaster of emotions i went through before i got the reward of the happy ending.
i would also like to say that i was floored with how period-typical homophobia and other social issues were presented in this work. obviously, i can’t really vouch for it being realistic or not, because i’m not american and wasn’t even alive during that time, but i can say that it did feel very very real. in a lot of other works that talk about these issues the homophobia and societal judgement seem like such nebulous, far-away concepts, that are obviously real and have a tangible impact on the characters, but it’s like their still escapable, still out of reach (which, again, is not a bad thing). but here i felt like the repercussions for being who you are were physically breathing down my neck, incapacitating me with horror. and, on that note, just, the author’s overall attention to detail and period-fitting pop-culture and other little things that painted such a larger picture of living in that time period, tying the fictional story so tightly down to it. it felt so grounded in reality, that i felt like a person could tell me their older relative had gone through this in the eighties and i would believe them. but, as i said, i’m obviously not an authority on that topic for aforementioned reasons.
and also, aside from the reader’s perspective on the work, as a person who tries to write myself, i realize that this is the level of writing skill i’m aspiring towards. this is what i want my works to feel like to a reader, and i’m really not there yet, but seeing works like these inspires me so much to grow.
also, i would’ve absolutely loved to see a little bit more of robin there, to find out how this change in the canon narrative would affect the events of the s4, to see how steddie’s relationship would develop and transform with the upside down thrown into the mix. and that’s definitely not a slight against the fic for not including this things, but more of a testament to how greatly invested the author made me in their version of the story and how hard it is for me to let go of it. this fic is perfectly complete without those things, but, once i got a taste, i couldn’t help but want more and more, even though this story definitely isn’t in any way lacking or in need of those to feel whole. but that’s mostly my selfish desires speaking, don’t mind me.
and, here, have a couple of snippets with no particular reasoning behind them, just because they made me giggle:
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i’m getting real rambly and i’m genuinely afraid this whole post is absolutely unreadable with how frantic and jittery i am in trying to get this off my chest, but when i’m telling you i was buzzing with this word-vomit, almost frothing at the mouth with the need to express the absolute glorious hellscape this fic left me in after i finished it, i’m probably underselling it.
so, in conclusion, please read this fic. please please please read this fic. if not for my sake or the @fabelds-blog’s (who got criminally little recognition for this masterpiece), then for your own, because i can guarantee you that not one second of reading this work will feel like a waste of time or a disappointment. *me, pointing a gun at you with shaking hands while tears stream down my face* please, PLEASE read this fic, because it’s absolutely worth it.
so, yeah. i don’t think a number large enough to rate this work even exists, but my closest approximation is 999999836526272910018172654244536384847635526728190199986553781010018654463892010197654272458499900909261379/10, am recommending. and, obviously, it’s up to you if you’re going to actually read the fic, but if after this madman’s rant you still opted not to, i regret to inform you that that is, in fact, the wrong choice, and i’m strongly urging you to reconsider.
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italianraviolos · 7 months
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THOUGHTS I HAD DURING MY MANY RE-WATCHES OF HAZBIN HOTEL & HELLUVA BOSS
Why Vivziepop has an obsession for top hats? No hate, I love the design, just have seen lots of hats
I love that vaggie is the toughest of them all, but she dresses so preppy
Adam gives the same vibe of Andrew Tate (my red flag is that I would Adam anyway)
Charlie deserves the world
I'm afraid that huskerdust could become a bromance (I know it's canon, but I'm scared anyway) I hope we will see more of them in the second season
Vox gives the same vibe of a friend of mine
I hate Val, but his VA did an incredible work, to me he sounds really natural
Alastor has a Karen haircut
The girls who fancy Alastor, are the same who fancy Dr. Thredson from AHS
Emily deserves more credit
I don't like Lilith
I like to think the Vs are all in a poly relationship with eachother
Sir Pentious is the coolest dude (would)
I don't know how to feel about Nyfti
The Italian VA is done so amazingly I prefer it to the English version, I love the original, but this time, Italians did the best
If you watch it while high (I'm not suggesting anything and I discourage any sort of consumption) the soft music as a very low soundtrack in every scene is so silly I love it
For the Italians: Val ed Enzo Miccio sono la stessa persona
Rdj and Vox are the same person
It breaks me that Alastor claims he has to go to the tailor meanwhile he always went around with a worn out jacket
Alastor announcing a podcast is like those old TV stars opening their podcast (I can only find Italian examples, so for my people: come il poretcast)
Stolas such a himbo I LOVE HIM (he's so me I can't)
Kid Stolas is soooo lovely, so squishy I wanna hug him
I love that there are a lot of correlations between Carmilla Carmine and Vaggie
Carmilla Carmine is one of those mothers who make videos of themselves with montages of tiger and lions defending their kids
Blitzø smash
I love that both Helluva Boss and Hazbin Hotel have such display of healthy relationships and relationships that grow through time, like vaggie and Charlie, Fizzarolli and Asmodeus, Moxxie and Millie, also the dynamics of Father and daughter
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grapejuicestyless · 1 year
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You’re The Winner
Harry Styles x fem!reader
Summery: Harry and you were once inseparable. Both reaching to achieve big dreams. You always dreamed of being a writer and director. You were no where near Harry’s fame, and he knows it. He’s not afraid to let you know it either. Based off the new Conan song, “Winner.”
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I didn’t notice it at first, as it came in waves. Tiny jokes pointed at my deepest hurts. Insults baked in sugary dough to hide the sourness beneath. Small snickers traveling around the rooms we were in. Laughter growing when I turned my back.
Soon, his comments became more aimed. Less broad, more explicit. He was blunt in his insults. Snide remarks turning into insults meant only to tear me down.
It shouldn’t have hurt me this much, all these stupid comments. If it were anyone else, I would’ve brushed them off as pure jealousy. But this wasn’t anyone else. This was Harry. A man who had everything. Money, fame, friends, party invitations piling at his door. But more than that, he was my best friend. My guide through Hollywood. The kindest soul that I had ever crossed paths with one fateful night in late 2013.
Back then he was so shy, despite his huge successes. Despite all the gains he was making, all the achievements, all the accomplishments, he was just as humble and down to earth. Never once caring about anyone’s status. He couldn’t care less what projects I was pursuing. Who I was working with, how much money I was making. When I was with him, I was just me. Not some new rising director, some writer chick that was starting to make headlines. I was simply, me.
I don’t know where that Harry went, but this wasn’t him. I considered the idea that maybe a stunt double had stepped in to take the old Harry’s place. All while the old Harry was away at some lavish beach resort in some expensive town off the coast of Italy I’d never heard of. That would’ve made so much more sense, but impossible. This one had the same green eyes and devilishly charming smile. His hair was just as shiny and curly. Physically, he was the same.
To put a date to it, I could say it started around the middle of 2020. He was by himself now, no longer supported by four other counterparts. Finally the center of attention. He’d done relatively well with the release of his first project, but it was his second album that had launched him into a similar success that he had in the band. Magazines swarming him with covers to be plastered on, late night tv talk show hosts all but begging him to sit down on their overly bouncy couches to talk about his love life and music inspiration.
With this new found admiration from the public, the changes were starting to be made. He no longer reached out first, and when he did, it was forcefully. He always made sure to be the one to never text last. Feeling satisfied in leaving another on read. Old Harry could carry conversations into the next day. Texts flooded with his odd facts and silly jokes. Now it was purely business. Maybe some meet ups from time to time. But usually it was me planning to meet up with him. His simple response was a thumbs up, not really caring if I showed or not.
He grew more and more insufferable the longer his fame lasted. Making friends with the best of the best and not even giving a second look to anyone else. So quick to discard those who were once always there for him. He was superficial. Fake. I knew this, but my heart still beat for the sweet boy I met all those years ago. Cherishing the fact he still considered me his best friend, even after all this time. I shouldn’t have, but I did. I did because even with this new asshole persona, I believed that underneath it, the young boy was still there. He just needed to be revealed somehow.
Now I can see how stupid I was. As I sit here, in the darkness of his living room watching some old movie he claims is, “vintage.” Not enjoying myself as I thought I would, but shrinking into the couch cushions, eyes welling up with each new dig he was making at me and my career. Always so quick to point out the clear gaps in our success. Me, having only a few movies and awards to my name, Harry having a room dedicated solely to them. His wins for only his newest album towering over all the ones I’d won in my whole career. I wished I could’ve tuned him out. Ignored how he belittled me, treated me like gum on his shoe. I wish his words meant nothing but that. Just words. I wished and wished.
“You know, if you made movies like this, you’d probably be so much more successful.” He gently smacked the side of my arm, eyes glued to the screen. Not even looking to see my expression.
Maybe it would’ve felt better if he had. Then I would know he only did it to get a rise out of me. Now I could see he was only doing it because that’s how he was. This is who he’s become. That hit so much deeper. I couldn’t blame it on him trying to tease me, or being playful and it coming off too strong. He was just, something almost unexplainable.
“You’re an asshole, you know that?” The words were bitter as they rolled off my tongue. The couch I was once sinking into so feebly losing connection with my skin as I shot up to stand over him.
“What?” He looked confused, eyebrow cocked and a playful smirk on his face. He knew, how could he not. He saw how I cowered away, slinking into another room where the quiet was more evident that the soft chatter and quick glances in my direction. Both of pity and interest.
“Do you feel good about yourself? Bringing me down like that? Honestly, Harry tell me, I’m really interested.” His eyes seemed to dull, the movie no longer of interest to him. He stood to match my stance.
“I was just joking.” His arms raised in a fake defensive stance. Smirk still evident on his face.
“You should be proud of yourself, are you? Take a bow! Are you proud because I’m not. I’m not proud to say that there’s honestly nobody who’s ever done better at making me feel worse. So congratulations, Harry.” I clapped slowly, feeling heat rising to my cheeks, tears brimming my waterline. Harry stood there the entire time, mouth parted open and eyes searching my face desperately.
“I don’t see what I’ve done wrong? I was just giving you some tips.” He could’ve fooled me with that statement. His face contorted into one of pure regret and pain, almost like it hurt to deny what he had been doing. Like he didn’t want to be a jerk anymore. Somehow, it almost made me feel guilty.
“I don’t need your tips Harry! I don’t need anything from you. I am perfectly happy with what I’m doing, I don’t need a boat load of awards to show for that. You said it yourself, right? I’m happy doing what I’m doing, so don’t you dare insinuate that I am not successful. Don’t you dare.” My finger found the center of his chest, pushing back on his muscular frame, eyes blinking rapidly to dissolve any tears collecting, threatening to roll down my cheeks. To embarrass me.
My honesty was met with silence, his mouth closing into a firm line, eyes cold and lifeless looking into mine. He seemed totally calm, the complete opposite of my rapid breathing and heaving chest. It made me angry. How could he stand there, chest to chest with his “best friend” and not care about what he was doing to me?
“Fine, okay. Fine.” I backed away slowly, nodding in his direction. My footsteps picked up, hand searching quickly for my coat that was slung over the arm of his million dollar couch.
I never planned on leaving, but if this was what he wanted, to be a jerk and expect everyone to fall at his feet still, then I would not be part of it anymore. I would not cave to his sick and twisted mind games. I would leave, and maybe, just maybe, if he ever came to his senses. If he could ever see just how awful he was to me and could find it in his now frozen over heart to apologize, I would come back to stand beside him happily. But I would not be the woman who stood behind him, a bystander in the future movie of his life.
Slipping on my shoes and reaching for the door handle I paused. Looking around one last time, taking in Harry, who looked just as defeated as I felt, I saw it. He was crying. He was crying, actually crying. Hand gripped over his chest and clawing at where his heart reside. Body shaking silently. Praying I would come back. I sighed, opening the door.
“Harry.” It was quiet.
“Y/n/n.” It almost sounded like a beg. It felt so good to hear him call me that again, a name I hadn’t heard in years. Not since this personality shift.
“You really are the winner.” I didn’t need to further explain myself, he knew what I meant. There really was nobody else who ever had done better at making me feel worse. Nothing that ever did quite kill me more than what he had done. He really was, the winner.
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It has been six excruciating days since I was plunged into the Bridgerton fandom against my will.
I was minding my own business, watching YouTube compilations of the best kisses in TV history, when I unwittingly clicked on a video about Colin and Penelope, and I was immediately down so bad for them.
Let me be clear: Bridgerton was not part of my life before I clicked on that video. I wanted nothing to do with it; I had no intention of ever watching or reading that smut. And then, without warning, it swept in and took me in the night, much like Colin Bridgerton in the back of a carriage.
To say I have been lost in the sauce these past six days would be a gross understatement. The carriage scene is literally ruining my life. I haven’t gone to sleep before 1 a.m. since Sunday, and I have been over an hour late to work every day. Why? Because I cannot stop consuming that godforsaken scene — watching gifs of it over and over, reading y’all’s hilarious takes and memes about it, watching it with the audio descriptions turned on (🥵), watching it with the music removed (🥵🥵), watching Luke and Nicola on their press tour, watching, watching, watching.
Have I started actually watching season 1 of the show? Of course. Did I check out the large-print version of the first book from the library since it was the only copy available? You bet. But I do not care about these other characters and storylines. I want it to be Colin and Penelope on the screen and the page in every sentence and every scene.
And either fortunately or unfortunately, I don’t even have to be looking at a screen to be distracted by them — my daydreaming has never been as maladaptive in my life as it has been this week. I can hardly think of one ten-minute stretch in the past six days in which some imaginary scenario has not been taking over my brain. I want to be part of their world so bad — not just Bridgerton, but Shondaland. As is the case for 90% of all of my daydreams, I want these actors to know I exist. I want them to look at me with just as much awe and love as I look at them. So I might be staring at my computer screen in my cubicle, but in my mind, I’m on a press tour of my own that intersects with theirs. (I’m never the desperate fan with no life in my dreams; my idols always see me as their equal). I might be driving my commute in my car, but in my mind, they’re congratulating me about my own novel being optioned by Netflix. I might be brushing my teeth in my bathroom, but in my mind, we’re laughing together on Graham Norton’s couch.
But Lord, here comes that freaking carriage scene once again, inserting itself into my mind (pun unavoidable). I cannot get over it. I’m so stuck there that I’ve found myself wearing shoes I don’t remember putting on, carrying coffee mugs I don’t remember putting in my bag, driving a speed limit I don’t remember agreeing to as acceptable. There is laundry that needs to be folded. Bills need to be paid. Emails need to be deleted en masse without reading. But I can’t find the door that will let me out of this damn carriage.
I had a conversation with myself two days ago about how we might be able to adapt to this new living situation. After a few temper tantrums, I finally said, “Girl, if you’re going to watch this scene 1,000 times, you have got to find a way to make it a constructive part of your life.” So I did what any rational adult would do: I started writing a scholarly paper about why it’s so powerful — not just for me but, according to the internet, for a lot of women. And I have every intention of writing an entire paper about this … if I can find the time. I’m just so busy right now with consuming this damn scene.
Was starting to write that article enough to satiate my obsession with this scene, with this show and these actors? Of course not. So this morning, I started writing a spicy scene of my own, featuring not Colin and Penelope but two other vaguely outlined characters who I’m sure I’ll give names and personalities to later. I was literally sitting in my cubicle, hunched over my planner, writing down snippets of sexiness in as small a print as possible in case someone walked up on me and looked over my shoulder without me noticing. And I’m not gonna lie: this shit’s good. I’ve never written smut before, because I’ve never had enough spice in my own life to feel like I’d be able to do it justice on paper. But that imagination of mine — she’s a freak. And my mind? My mind has moved way past the gutter. It is now in the outhouse. It’s in the slop with the pigs.
It should have come as no surprise, but as usual, the act of actually writing down the jumble of mess in my brain has had the effect of breaking some of the spell. I was also forced to focus on work because of looming deadlines, and I currently feel calmer than I have since Sunday. But I am truly living in fear of June 13. I cannot go through this again, and I know that I’m bound to, because I know that what’s been shown so far won’t hold a candle to what’s coming. And if I get down bad any further, I will be deep enough in the ground for this to become my final resting place. I’m not ready to be buried, but it feels inevitable.
But somehow, despite my own wants and fears, and despite the fact that we haven’t even been introduced yet to the bedroom where Colin and Penelope are sure to end up, I am somehow already lurking from behind the window curtains in the corner, peeking out at them doing the deed. I know what I hope I’ll see: based on the excerpt I’ve seen from the book, they will be in front of a mirror — expressly because Colin wants Penelope to see herself in full for the glorious goddess she is, and she will look at her sexy, bare self with just as much pride and love as we viewers behind the screen will (but probably with slightly less lust than Colin, who I pray will be very loud about how hot she is).
I am dreaming about this scene, but I dread it. Because if it’s as good as the carriage scene, I will immediately be re-enscripted and sent right back to the trenches where I spent the last six days. I’m excited, but I’m scared. And I’m afraid of getting lost in the woods again, because I know that if I do, I won’t want to be found.
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