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#he must be so happy seeing people talk about his work and making fanworks
corelex · 5 months
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*seeing the dreams of an insomniac tag*
I love the energy we have created in this studio today.
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pyramidofmice · 2 years
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character ask >:) gary (duh), frodo baggins, and!!!! [uno reverse] thomas sharpe
Hello my dearest, darlingest pal and friend. I answer this months late during a break between Writing for Work. As all asks should be answered tbh
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No surprise. once again I get a bingo with Gary King. He's just...he's so Character. Even Simon Pegg keeps talking about how fun Gary is from a emotional projection creative perspective
I said "canon isn't real if I don't look at it" because I rewatched TWE with a friend a few days ago and I had to cover my eyes during Gary's most Unethical Moments tm (mainly him. Harassing what, as far as he knows, is literally just a Teenage Boy). However "everyone else is wrong about them" because he IS a better person in the epilogue and he HAS grown & changed and everyone who argues otherwise is a negative nancy (I HAVE COMMENTARY TO BACK ME UP !! I HAVE EVIDENCE)
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HE. FRODONK. MR BAGGINS. I could never squeak him he must be handled gently (not because he's '''not strong''' but because he deserves Rest)
Against what some fans may say, Frodo is BRAVE and STRONG and a HERO and I literally fucking adore him. He's angelic imo, what with the sacrifice and the resilient kindness and all. Get rid of the "if" for the square on the bottom left because things DO happen to him and I DO cry. But he has a happy ending (WHICH HE FUCKING DESERVES!!!) so I'm okay.
However much I love him, I know that I don't care about him as deeply as I do some other characters, meanwhile people out there have written such fantastic meta and fanwork. So he's "blorbo by proxy" for me. I am very satisfied to let yourself (@spacedadpicard) & other Frodo fans keep him, you tend him well
that being said I care him SO many hearts. All of them, each one. I grew up with him and I've gotten to see him from different angles over the years, so by that alone he's Special to me. And then he's SOOO wonderfully written in the movies and Elijah Wood gave him an UNPARALLELED energy and I'm forever kissing Frodo's precious forehead grateful
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I GOT BINGO ON THOMAS BECAUSE I LOVE HIM. After I watched this movie for the first time I texted my friends that the inside of my head was shaped like Thomas Sharpe BECAUSE IT FREAKING WAS!! I was screaming and Breathing so much during the finale of Crimson Peak...if that ain't "a beast unleashed" I don't know what is.
He's. agh. His heart is so sweet and gentle...ok yes he's aided in the murder of multiple people so. he indeed hosts venom within his body. Engaging with this story as fiction; I very much do not condone his actions; you know how watching movies goes.
this man was born and raised in Hell and the movie coveys this so effectively and torturously...he never desired other people's suffering but he keeps on getting dragged into other people's selfishness and malice. It's. Agh. It's so overwhelming to see Thomas embedded in horror yet TRYING to make something GOOD and INNOCENT out of it!! He literally wants to be. HE WANTS TO BE KIND SO FUCKING BAD AA--
Anyway. Gah. His hope & his bitterness & his sorrow & his care are all so immaculate. Character of all time. I ignore canon sometimes so I can imagine him having a happy ending
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asocial-inkblot · 3 years
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Azula’s Luck At Love: According to the Fandom
Is it only me and @mydelusionpanda that have noticed how often the fandom seems to ‘accidentally’ portray Azula as though she’s asexual? And like she’d want to spend the rest of her days taking care of her brother’s child? I ask because, I don’t think any other character from the show is portrayed that way to a greater or equal extent. 
I personally think Zuko could be read just as much if not more as asexual than her (though I don’t think either of them were intended to be interpreted that way). Yet I’ve never seen a fanwork where he helped raise her child/ren. (I did once find a video where a fan made a theory that Izumi is Zuko’s adopted daughter and Azula’s biological one, which he raised when she was unable to do it herself. I guess because she relapsed?)
I don’t think it’s wrong or anything, to be asexual or read her that way. But every time I see yet another fanwork where Azula is with Izumi, but has no child or partner of her own, I get this very disappointed, even defeated feeling. Did people watch The Beach episode and take that to mean that Azula actually is hopeless at love because some bum-bottom, spoiled beach jock was scared of her enchanting flames (that he should have been amazed by as a Fire National!)? 
Do people actually think she’s considered unattractive in-universe even though she’s said to be so many amazing things by Lo and Li, called attractive twice (once by Lo and Li in front of a huge audience of cheering Fire Nationals in the same instance that they presented her and Zuko and talked highly of her), is a MFing princess, and outside The Beach, is implied/stated both in and outside of the show, to be considered the perfect little girl (unintentional Powerpuff Girl reference!) and adored by many? What could be behind this impulsive urge to represent her this way?
My guess is that’s it’s a combination of the usual sexism and misogyny (because no woman that goes outside the realms of gender stereotypes is worthy of love, according to some portions of fandom); the hidden need to use other characters to prop up one’s fave’s story; typical ableism that says no one (especially not a female) that implies in anyway s/he struggle with something mentally should even think about starting a relationship until that person is in his/her 60′s; 
wanting to write Azula as ‘selfless’ and capable of a domestic life like everyone else, but assuming it has to be tied to those the show framed as being ‘the good guys’ and people she ‘wronged’; feeling personally threatened by the idea of a women of Azula’s tier being able to find love (since she’s already ‘perfect’ she has no right to be any more happy) and thinking she needs to be brought down a peg; and other reasons that I may think up later.
The reasons aren’t random, but that’s precisely why this is upsetting to me to see so often. Azula is a person. People are imperfect. Some people have trouble with love the first few times (Chan may have been her first time near a boy that wasn’t her brother and her first kiss!). Some people have trouble for years before they finally rectify the issue and either decide they’d rather be in a healthy relationship with themselves (this is fine!) or just aren’t interested and only want friendships or to be solitary (also fine!). 
Some are partly the above, then try again one day and that time around it works out for them. Azula is still young, she has so many years ahead of her, so much to experience and learn. Must we write her off as unworthy of romantic prospects too, just to make her subservient to those from the show who were closest to her in another, more covert fashion?
(And fwiw, there’s an entire subreddit that exists solely for explicit art of this girl. Like it or hate it, it’s clear that a lot of people irl do find her and her personality (whether they understand her or not) to be very attractive.)
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pumpkinpaix · 4 years
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Hello! Feel free not to answer this question if it is in any way too much, but I've been wondering about something concerning the "western" mdzs fandom. Lately, i have seen multiple pieces of fanart that use what is clearly Christian symbolism and sometimes downright iconography in depicting the characters. I'm a european fan, but it still makes me vaguely uneasy. I know that these things are rarely easy to judge. I'm definitely not qualified to do so and was wondering if you have an opinion
Hi there! thank you for your patience and for the interesting question! I’ve been thinking about this since i received this ask because it?? idk, it’s difficult to answer, but it also touches on a a few things that I find really interesting.
the short answer: it’s complicated, and I also don’t know what I feel!
the longer answer:
i think that this question is particularly difficult to answer because of how deeply christianity is tied to the western art and literary canon. so much of what is considered great european art is christian art! If you just take a quick glance at wiki’s page on european art, you can see how inextricable christianity is, and how integral christian iconography has been in the history of european art. If you study western art history, you must study christian imagery and christian canon because it’s just impossible to engage with a lot of the work in a meaningful way without it. that’s just the reality of it.
Christianity, of course, also has a strong presence in european colonial and imperialist history and has been used as a tool of oppression against many peoples and nations, including China. I would be lying if I said I had a good relationship with Christianity--I have always faced it with a deep suspicion because I think it did some very, very real damage, not just to chinese people, but to many cultures and peoples around the world, and that’s not a trauma that can be easily brushed aside or reconciled with.
here is what is also true: my maternal grandmother was devoutly christian. my aunt is devoutly christian. my uncle’s family is devoutly christian. my favorite cousin is devoutly christian. when I attended my cousin’s wedding, he had both a traditional chinese ceremony (tea-serving, bride-fetching, ABSURDLY long reception), and also a christian ceremony in a church. christianity is a really important part of his life, just as it’s important to my uncle’s family, and as it was important to my grandmother. I don’t think it’s my right or place to label them as simply victims of a colonialist past--they’re real people with real agency and choice and beliefs. I think it would be disrespectful to act otherwise.
that doesn’t negate the harm that christianity has done--but it does complicate things. is it inherently a bad thing that they’re christian, due to the political history of the religion and their heritage? that’s... not a question I’m really interested in debating. the fact remains that they are christian, that they are chinese, and that they chose their religion.
so! now here we are with mdzs, a chinese piece of media that is clearly Not christian, but is quickly gaining popularity in euroamerican spaces. people are making fanart! people are making A LOT of fanart! and art is, by nature, intertextual. a lot of the most interesting art (imo) makes deliberate use of that! for example (cyan art nerdery time let’s go), Nikolai Ge’s What is Truth?
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I love this painting! it’s notable for its unusual depiction of christ: shabby, unkempt, slouched, in shadow. if you look for other paintings of this scene, christ is usually dignified, elegant, beautiful, melancholy -- there’s something very humanizing and humbling about this depiction, specifically because of the way it contrasts the standard. it’s powerful because we as the audience are expected to be familiar with the iconography of this scene, the story behind it, and its place in the christian canon.
you can make similar comments about Gentileschi’s Judith vs Caravaggio’s, or Manet’s Olympia vs Ingres’ Grande Odalisque -- all of these paintings exist in relation to one another and also to the larger canon (i’m simplifying: you can’t just compare one to another directly in isolation etc etc.) Gauguin’s Jacob Wrestling the Angel is also especially interesting because of how its portrayal of its content contrasts to its predecessors!
or! because i’m really In It now, one of my favorite paintings in the world, Joan of Arc by Bastien-Lepage:
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I just!!! gosh, idk, what’s most interesting to me in this painting is the way it seems to hover between movements: the hyperrealistic, neoclassical-esque take on the figure, but the impressionistic brushstrokes of the background AAA gosh i love it so much. it’s really beautiful if you ever get a chance to see it in person at the Met. i’m putting this here both because i personally just really like it and also as an example of how intertextuality isn’t just about content, but also about visual elements.
anyways, sorry most of this is 19thc, that was what i studied the most lol.
(a final note: if you want to read about a really interesting painting that sits in the midst of just a Lot of different works, check out the wiki page on Géricault’s Raft of the Medusa, specifically under “Interpretation and Legacy”)
this is all a really long-winded way of getting to this point: if you want to make allusory fanart of mdzs with regards to western art canon, you kind of have to go out of your way to avoid christian imagery/iconography, especially when that’s the lens through which a lot of really intensely emotional art was created. many of my favorite paintings are christian: Vrubel’s Demon, Seated, Perov’s Christ in the Garden of Gethsemane, Ge’s Conscience, Judas, Bastien-Lepage’s Joan of Arc, as shown above. that’s not to say there ISN’T plenty of non-christian art -- but christian art is very prominent and impossible to ignore.
so here are a few pieces of fanwork that I’ve seen that are very clearly making allusions to christian imagery:
1. this beautiful pietà nielan by tinynarwhals on twitter
2. a lovely jiang yanli as our lady of tears by @satuwilhelmiina
3. my second gif in this set here, which I will also show below:
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i’m only going to talk about mine in depth because well, i know exactly what i was thinking when I put this gif together while I can’t speak for anyone else.
first: the two lines of the song that I wanted to use for lan xichen were “baby, I’m a fighter//in the robes of a saint” because i felt that they fit him very well. of course, just the word “saint” evokes catholicism, even if it’s become so entwined in the english language that it’s taken on a secular meaning as well.
second: when I saw this scene, my immediate thought was just “PIETÀ!!” because LOOK at that composition! lan xichen’s lap! nie mingjue lying perpendicular to it! the light blue/white/silver of lan xichen in contrast to the darker robes of both nie mingjue and meng yao! not just that, but the very cool triangular structure of the image is intensely striking, and Yes, i Do love that it simultaneously ALSO evokes deposition of christ vibes. (baxia as the cross.... god..... is that not the Tightest Shit) does this make meng yao joseph of arimathea? does it make him john the evangelist? both options are equally interesting, I think when viewed in relation to his roles in the story: as a spy in qishan and as nmj’s deputy. maybe he’s both.
anyways, did I do this intentionally? yes, though a lot of it is happy accident/discovered after the fact since I’m relying on CQL to have provided the image. i wanted to draw attention to all of that by superimposing that line over that image! (to be clear: I didn’t expect it to all come through because like. that’s ridiculous. the layers you’d have to go through to get from “pretty lxc gifset” --> “if we cast nie mingjue as a christ figure, what is the interesting commentary we could do on meng yao by casting him as either joseph of arimathea or john the evangelist” are like. ok ur gonna need to work a little harder than slapping a song lyric over an image to achieve an effect like that.)
the point of this is: yes, it’s intentionally christian, yes I did this, yes I am casting these very much non-christian characters into christian roles for this specific visual work -- is this okay?
I obviously thought it was because I made it. but would I feel the same about a work that was written doing something similar? probably not. I think that would make me quite uncomfortable in most situations. but there’s something about visual art that makes it slightly different that I have trouble articulating -- something about how the visual often seeks to illustrate parallels or ideas, whereas writing characters as a different religion can fundamentally change who those characters are, the world they inhabit, etc. in a more... invasive?? way. that’s still not quite right, but I genuinely am not sure how to explain what i mean! I hope the general idea comes across. ><
something else to think about is like, what are pieces I find acceptable and why?
what makes the pieces above that reference christian imagery different than this stunning nieyao piece by @cyandemise after klimt’s kiss? (warnings for like, dead bodies and vague body horror) like i ADORE this piece (PLEASE click for fullview it’s worth it for the quality). it’s incredibly beautiful and evocative and very obviously references a piece of european art. I have no problem with it. why? because it isn’t explicitly christian? it’s still deeply entrenched in western canon. klimt certainly made other pieces that were explicit christian references.
another piece I’d like to invite you all to consider is this incredible naruto fanart of sakura and ino beheading sasuke after caravaggio’s judith. (warnings for beheading, blood, etc. you know.) i also adore this piece! i think it’s very good both technically and conceptually. the reference that it makes has a real power when viewed in relation to the roles of the characters in their original story -- seeing the women that sasuke fucked over and treated so disrespectfully collaborating in his demise Says Something. this is also!! an explicitly christian reference made with non-christian japanese characters. is this okay? does it evoke the same discomfort as seeing mdzs characters being drawn with christian iconography? why or why not?
the point is, I don’t think there’s a neat answer, but I do think there are a lot of interesting issues surrounding cultural erasure/hegemony that are raised by this question. i don’t think there are easy resolutions to any of them either, but I think that it’s a good opportunity to reexamine our own discomfort and try and see where it comes from. all emotions are valid but not all are justified etc. so I try to ask, is it fair? do i apply my criticisms and standards equally? why or why not? does it do real harm, or do i just not like it? what makes one work okay and another not?
i’ve felt that there’s a real danger with the kind of like, deep moral scrutiny of recent years in quashing interesting work in the name of fear. this morality tends to be expressed in black and white, good and bad dichotomies that i really do think stymies meaningful conversation and progress. you’ll often see angry takes that boil down to things like, “POC good, queer people good, white people bad, christianity bad” etc. without a serious critical examination of the actual issues at hand. I feel that these are extraordinarily harmful simplifications that can lead to an increased insularity that isn’t necessarily good for anyone. there’s a fine line between asking people to stay in their lane and cultural gatekeeping sometimes, and I think that it’s something we should be mindful of when we’re engaging in conversations about cultural erasure, appropriation etc.
PERHAPS IT IS OBVIOUS that I have no idea where that line falls LMAO since after all that rambling I have given you basically nothing. but! I hope that you found it interesting at least, and that it gives you a bit more material to think on while you figure out where you stand ahaha.
was this just an excuse to show off cool (fan)art i like? maybe ¯\_(ツ)_/¯
(ko-fi)
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kinogane · 3 years
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On Ninian’s Paired Ending
Theoretically, because of what is established about Eliwood in The Binding Blade, it stands to reason that pairing anyone up with Eliwood in the prequel, The Blazing Blade, can be construed as knowingly setting them up for tragedy. There’s a small wrinkle, however, in that The Binding Blade was never released outside of Japan, while The Blazing Blade was (under the annoying title Fire Emblem), which means that in practice, non-Japanese players can’t reasonably be expected to know about Eliwood’s partner’s fate.
With one major exception: Ninian.
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If you raise Eliwood and Ninian’s support level to A, the modified ending to the final chapter, “Light”, has Nils talk to Ninian and explicitly spell out, primarily to the audience, that neither of them will live long if they stay in Elibe. Despite this, sensing his sister’s wish to stay with Eliwood, Nils entrusts Ninian’s shorter life and happiness to Eliwood and says goodbye as he heads through the gate to live a long life, never to be seen again.
Now, granted, what exactly Nils means by “short” and “long” isn’t necessarily clear just in the context of this scene. Since it’s established that dragons live for millennia, you could reasonably interpet “short” as “short by dragon standards”, which could be still be very long by human standards. This read doesn’t hold up particularly well given further context, but just in the scope of what is presented in The Blazing Blade, it’s not patently ridiculous.
But that interpretation only deflects from the real tension at play. From Ninian’s perspective, she is trading away a long, happy life in another world with her brother for a significantly shorter, but potentially happier(?) life in Elibe with Eliwood. Whatever “short” might mean by human standards (including the player), it’s definitely short by Ninian’s standards.
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From an in-universe perspective, there’s no actual tension from this decision. Nothing in the text suggests that Ninian is making this choice out of anything but her own free will. In fact, Ninian was fully ready to leave alongside Nils and was saying goodbye to Eliwood, only stopping when Nils chimes in and essentially give her and Eliwood his blessing to stay.
The tension arises when viewing all of this from a meta perspective; namely, that the writers saw fit to make this Ninian’s fate. Even as someone who likes the pairing and likes the way it plays out, because it’s effectively setting an angst time bomb, I’d be lying if I said this narrative beat felt... questionable. Like, Ninian is a character developed enough to have an identity outside of being one of Eliwood’s love interests (see also: her relationship with Nils, her other supports with Hawkeye and Florina), but making her final major act of agency be consigning herself to a brief life with Eliwood doesn’t exactly instill confidence that she actually is more than Eliwood’s love interest.
None of this, on its own, is all that noteworthy. What is noteworthy, however, is that everything I just mentioned is contingent entirely on raising Eliwood and Ninian’s support level to A. Since Ninian is only available for deployment (and, by extension, for developing supports) for seven or eight out of over thirty chapters, and Eliwood must not have more than two support conversations with other characters, this is actually quite difficult to do intentionally, let alone accidentally. If Eliwood and Ninian do not have an A-Support, then Ninian leaves with Nils as she intended to, and quite likely lives a long and happy life with her brother.
As such, knowledge of this ending imposes a special dilemma on players who do like Eliwood and Ninian together. Do you manifest their pairing in your game, etching their union into the personal canon of your save while also ostensibly dooming Ninian to a simultaneously canonical early death? Or do you instead leave them unpaired, saving Ninian in the personal canon of your save while avoiding leaving any canonical trace that the two could even be happy together and settling for other, external ways to express your preference?
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I’d wager some people don’t actually see this as a dilemma, since it’s contingent on placing what they would see as undue focus on canon, and all that matters is what is expressed to the outside world, to others, which most commonly takes the form of fanwork. Whether or not the ending is actually achieved, the shackles of canon can only weigh down those that respect it, and it’s trivially easily to pick and choose as needed. What’s the issue?
And while I am ultimately of that mindset, I also think it is useful to at least sometimes take canon as it is and properly think through the implications, however inconvenient or unpleasant they might be. Canon, after all, is only what is assumed to be the common ground for all participants, so it’s at least worth thinking about how things would have to play out canonically, if discussing works of fiction with other people is something to be valued.
I bring this up as someone who’s been sitting on an Eliwood/Ninian fic that tries to explore how Ninian (and to a lesser extent, Eliwood) would go about living in the time between The Blazing Blade and The Binding Blade, with the knowledge that she’s not long for the world perpetually lingering over the two. It’s something I’ve been thinking about ever since I learned about the way the pairing plays out in The Blazing Blade for the reasons highlighted above. Doomed relationships are nothing new in video games, but this specific kind of doomed relationship, where actualizing it necessarily brings about an otherwise avoidable death, is considerably rarer.
It’s not all that surprising that I personally would take to it, since it’s an obvious wellspring of angst, but it’s one that requires some legwork to really hit. It’s one thing to die, mourning for a potential that was never realized; it’s another (and in my opinion, more gutwrenching) thing to actually realize that potential then fade away, believing wholeheartedly that it was all worth it in the end.
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Canonically speaking, if Eliwood and Ninian were to be together, it could only ever be for a few years. And through her actions, we, as an audience, are to believe that spending a few years with her beloved Eliwood would make Ninian happier than spending many years amongst her kind in another land would.
And as someone who on some level wants the two to be together, I feel at least some obligation to try to imagine a life where that holds true, in my own small way, even if such a life is bound to end in tears.
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kyojuuros · 2 years
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5,6,7,11,12,13,14,15,18,19,20,25,26,27,31,50
Sorry if this is too much 😅
No worries!! thanks for the ask! <3
I've already answered 5, 11, 12, 18, 19, and 50 (you can check my ask meme tag).
6. Who was your least favorite character initially? Did it change? If we’re talking early into my engagement with the series... probably Annie? I was spoiled on her being the female titan pretty early on and didn’t really care about nuance so much back then, so I was already like prematurely upset with her. I think I turned around from that fairly quickly though thanks to fanworks and meta analysis and such. Shipping culture also probably had a fair amount to do with my change of heart as well lol. Also I remember once someone called her my anime twin. 
If we are talking strictly in terms of characters that I disliked immediately, Gabi was the poster girl for a character that I immediately dreaded every moment she was on screen... up until Eren’s attack on Marley. Once I saw her world get turned upside down and took a moment to understand her perspective, and once she got on that blimp and I knew she was going to be exposed to the Paradisians, I immediately became invested in her development and I absolutely was not let down. She’s easily in my top 10 favorite characters now. 
7. Favorite season? I still adore season 2 the most. The animation was just absolutely stellar. I thought WIT did such a good job with the adaptation and what filler there was, I loved. And I still haven’t felt any other scene in the anime have as much impact on me as the way Reiner and Bertolt’s warrior reveal was adapted. I’ll always be fond of Ymir and Historia’s relationship and I felt like so much care was put into it on WIT’s part - and this is also the season that adapted the Eremika moment from chapter 50 which will forever be one of my favorite scenes in the series. 
13. One thing you’d change about the story? The main things I see as a stain on the story personally are Historia’s pregnancy subplot (that went nowhere tbh) and just... Floch’s entire existence aSGDFHJFJ (sorry @ the people who like him asgdhfdjfj). I also had some issues with Levi feeling like a one-trick pony toward the end (must kill Zeke.... gotta kill the beast titan.... everything is zeke’s fault i’m gonna kill him... it got boring to me). 
14. If you contribute to the fandom, what’s your proudest work? It’s honestly hard to pick just one thing since I’ve been making gifs for the fandom since like... 2015? I could put one of the ones that netted the most notes but I actually think one of my greatest labors of love was this set I did for Eren’s birthday week a couple years ago. I know it looks pretty simple but it took a lot of effort and I was truly happy with the result.
15. Controversial opinion? Gabi’s character development was top tier. 
20. What was the hardest death for you? I think, generally speaking, Erwin’s (and Bertolt’s, to a degree) was the hardest death to deal with for me. Not from a series perspective (because while I like Erwin, he’s never been a character I was attached to and I expected his death once the deck was stacked), but purely from a fandom perspective. Everything became so divided and hostile... it was really hard to navigate the fandom at that point in time and I’m sure there were things I absolutely didn’t handle well myself either (I was much more prone to engage in discourse and drama back then). People I really respected quickly lost that respect and people I thought were friends had no issue suddenly treating me like an enemy. It was just.... honestly a really dark time in the fandom’s history and I don’t think there’s a single person who was active in the fandom when Midnight Sun dropped who looks back on that period fondly. 
That being said, if we’re talking purely from a series perspective, ofc it was Eren’s. His death was inevitable and I denied it’s eventuality for a long, long time. I’d come up with the craziest theories in hopes that they would spare him from becoming the story’s ultimate antagonist who had to be killed. Though, by the time it actually happened in the story, I’d reached the acceptance stage of grief. I think it helped that it was executed very poetically and beautifully (imo). 
25. What character grew on you? I’d say Gabi but since I already covered that in an earlier question, I’ll go with Mikasa. People who’ve discovered my blog in more recent years would probably never guess that I actually didn’t like her much at all in the beginning. Like, I enjoyed her well enough, and she had her moments, but I was unreasonably averted to her in the beginning. Once I started making a concentrated effort to understand her character, she grew on me very quickly and became one of my favorite characters of all time. I had a lot of growth with her during the first couple years of being in the fandom. 
26. Who would be your best friend irl? My heart says Mikasa but I also know I’m biased af LOL Truthfully I probably would fit in more with Sasha and Connie as far as friendships go. I was totally just like them when I was their age lol
27. Who would you hate irl? same character i hate now.... floch asgddfjfd
31. Favorite trio? I think by the end of the story I very solidly loved EMA’s dynamic the most. And I always loved their dynamic, but for the longest time I really liked the idea of Eren/Mikasa/Levi as a “trio” of sorts because I really loved the idea of Mikasa and Levi being like “knight” figures to Eren and they were consistently my three favorite characters anyway. It probably helped that they were the ones most often used in early promotional material (and merch... I have SO MUCH EML merch asgdjdj)
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kaesaaurelia · 4 years
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books and reading in 2021
Overall I’d like to read at least 65 books for 2021 and I’d like for most of those to be new-to-me and things I either already own or have listed as to-read on Goodreads.
So far I have read 11/65 books and 4 fanworks.
Themed reading challenge checklists and brief book reviews are under the cut.  I may or may not finish any of these challenges; again, my goal is to cut down my to-be-read list and unread books I own, and themes and deadlines help me pick a book rather than hemming and hawing.
Book reviews answer the questions “Did I like it? Was it good? Would I recommend it?” (please note these are very different questions) and how many stars I rated it.
I may put fanfiction, webfiction, and other things that are very much not traditional books down on here as well, depending on how booklike I’ve decided they are.
The FFA reading challenge, 2021 (2/12 books)
JANUARY - The Pandemic Year - a medical thriller, or a book about medicine The Poisoner's Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York by Deborah Blum Did I like it? Yeah! Was it good? I think so.  Sometimes the prose meandered in such a way that I felt the author was kind of saying dun dun dun! under her breath at me, and I was like “idk, is that significant?” but usually it was good. Would I recommend it? Do you have a strong stomach? Then sure. 4 stars
FEBRUARY - Macavity/Ratigan - a genre you wouldn't normally read Jane Doe by Victoria Helen Stone, book 1 in the Jane Doe series Did I like it?  Yes!  Very much!  The power fantasy of being able to take vengeance against people who hurts your loved ones, without feeling bad about it, was really appealing to me, a person who feels guilt over a frankly ridiculous number of things.  It was also genuinely funny. Was it good?  I thought so.  The narrator had a really strong voice that struck the right balance between creepy cold indifference and endearing little moments of self-discovery. Would I recommend it? Yes, but with the caveat that there’s some pretty serious emotional abuse of the protagonist’s false persona (which she encourages and privately gloats about), and she also gets close to committing serious violence, including fantasizing at length about it. 5 stars
MARCH – 100+ Comments of Terror - a book set in the arctic, or a book about an expedition In the Land of White Death: An Epic Story of Survival in the Siberian Arctic by Valerian Albanov (ordered)
APRIL - Sexy John Oliver Rat – a book about animals, or a book with a character called Oliver or Olivia A Libertarian Walks Into a Bear by Matthew Hongoltz-Hetling (hardcover)
MAY - A Feud in Wolf-Kink Erotica - a book involving wolves, the legal system, or ripped from the headlines Song of the Summer King by Jess Owen (ebook)
JUNE - Showerhead Wank - a comedy of manners, an etiquette manual, or a book where someone wanks or has sex
JULY – My Shithead Is What You Are! - a book with profanity in it, or a book about themes of censorship
AUGUST - Yep, Still Indoors - a book involving travel, or being stuck in one place
SEPTEMBER - Socktopus, Maybe? - a book where someone has a secret identity, or a book about aquatic animals
OCTOBER - Politics is Sequestered – a book involving politics or politicians Boss: Richard J. Daley of Chicago by Mike Royko (owned in DRM’d ebook)
NOVEMBER - It's Canon in Spanish - read a book originally written in Spanish, or set in Latin America
DECEMBER - Apple Is a One Syllable Word - a book about language/linguistics/etc., or a book with a two syllable title. 
Around the Year in 52 Books (8/52 books)
A book related to “In the Beginning...”: (Using the subprompt a book set in the ancient world) The Odyssey by Homer, translated by Emily Wilson Did I like it? Yes; it was definitely a less comfortable read than prior translations I have read, but a more interesting one, I think.  A lot of details leapt out at me that I had either forgotten or that had been overlooked in the 3ish literature classes I have read the Odyssey for. Was it good? Yes! Would I recommend it? Probably, with the caveat that if you are just in it for a cool mythology story you would probably prefer an adaptation rather than a translation. 5 stars
A book by an author whose name doesn't contain the letters A, T or Y The Screwtape Letters by C.S. Lewis Did I like it?  I really read this for the worldbuilding of Hell, so I liked that; to some extent I did also like some of the musings on how a lot of human foibles that people like to think of as virtues can actually be kind of shitty.  On the other hand, Lewis and I disagree about a lot of things -- mostly that whole Christianity thing.  So I liked it with caveats. Was it good? It was okay!  Again, I was not really there for the Christianity stuff.  I am never there for the Christianity stuff.  I am either precisely the wrong audience for all of C.S. Lewis’ stuff, or, if you look at it a certain way, precisely the right audience, but even if you look at it that way, he is never going to convince me; I wrote furious postcanon fanfiction about the dwarfs when I reread the Narnia books as a teenager and realized they were meant to represent people like me. Would I recommend it?  Probably not?  Unless you frequently write demons or other evil creatures trying to figure out how humans work, which I guess I am. 4 stars but only because that reveal at the end is great
A book related to the lyrics for the song "My Favorite Things" from The Sound of Music (The cover depicts a rose with raindrops or dewdrops on it.) Ensnared by Rita Stradling Did I like it? In a sense.  In a sense, I enjoyed this book.  It was a Beauty and the Beast retelling, and I like Beauty and the Beast.  There were robots, and I like robots.  And it certainly gave me something fun to talk about.  However, it also inspired me to try and figure out when and why I acquired this book, and while I still don’t know why I bought it, I was relieved to find that I only paid 99 cents for it.  For a more thorough description of the plot, please see my Goodreads review.  It was a weird book to start with, and then it really, really didn’t age well. Was it good?  IT SURE WASN’T. Would I recommend it?  No.  However, if you decide to read it I’d love to hear what you think.  Please.  Please talk to me about this book. 2 stars
A book with a monochromatic cover The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America by Erik Larson Did I like it?  Yes, very much!  Also it accidentally became fic research.  I genuinely was just thinking “where do I slip Leonard into this narrative so he can try and fail to sabotage the Ferris Wheel?” and then I began to think about how much Leonard would admire and envy H. H. Holmes’ ladykilling ways.  But in general it was a really good read and had a lot of... Chicagoness, which I of course am fond of. Was it good? I thought so!  Obviously a lot of the narratives of Holmes’ murders were mostly the author’s speculation, but there were a lot of great research tidbits in there, and the picture the author paints of the World’s Fair was vivid and wonderful. Would I recommend it?  Yes, with the warning that this is true crime and there is vivid narration of several murders, including the murders of several children. 5 stars
A book by an author on USA Today's list of 100 Black Novelists You Should Read Wild Seed by Octavia Butler, book 1 of the Patternmaster series Did I like it?  Yes, but it was intense.  It takes a lot of skill to keep me reading and invested through so many horrors; the protagonist’s children and loved ones die on-page multiple times, in horrible accidents or senselessly murdered, and it hurts every time, but I kept reading.  Admittedly I am (predictably) extremely here for immortal enemies-to-lovers-to-enemies angst, so that was probably part of it. Was it good?  Yes!  I am kind of sad that I’m not just moving on to the next in the series (there are 3 more books), but also, god, I’m not sure I could handle it. Would I recommend it?  Yes, definitely, with the caveat that it is very dark and very sad. 5 stars
A love story Deal with the Devil by Kit Rocha, book 1 of the Mercenary Librarians series Did I like it?  It was good!  I gather both of the authors who are Kit Rocha were (are still?) in fandom, and it shows in the right ways; it doesn’t shy away from depicting sex pretty explicitly but there’s a lot of emotion in it, and the main couple is a m/f couple without the book being unpleasantly heteronormative.  Like, yeah, it’s about a big butch macho dude who’s broken inside and a woman who’s very caring, but the big butch macho dude is genuinely kind and not like, violent for the hell of it or overprotectively jealous, and the woman doesn’t drop everything to Heal His Pain.  (Also I think most of the characters, including the romantic leads, are established to have had same-gender lovers at one point or another without that being considered unusual or wrong in the setting, so that’s nice.)  It’s also a cheerful and optimistic post-apocalyptic book about two found families coming together to make the world a better place, despite the very grim backstories of pretty much everyone in the story, which is really nice. Was it good?  It was okay.  It was good popcorny reading; it’s not winning any literature prizes, but it sets out to be fun and readable and exciting, and it is all of those things.  Also, as noted above, the prose has a lot of the strengths of fanfic (not being afraid to mix genres, not being afraid of writing sex earnestly and emotionally but also explicitly, strong emotional focus) without the much-derided stereotypical weaknesses of fanfic. Would I recommend it?  Probably?  This isn’t a must-read; it’s happy to be idfic so if it sounds like it’d scratch your id I would recommend it, but it might not be Your Thing and that’s okay too. 4 stars
A book that fits a prompt suggestion that didn't make the final list (Using the subprompt a book related to a local industry or small business) The Gangs of Chicago: An Informal History of the Chicago Underworld by Herbert Asbury Did I like it? NO.  NO I DID NOT.  It made me genuinely angry.  It was a useful read for fic research and unfortunately I’ve got it in my little fic-writing reference material corner in my office but I DID NOT LIKE THIS BOOK IT WAS VERY BAD.  Many questionable or outright incorrect assertions and implications, and extremely racist and sexist.  For details, see my review on Goodreads. Was it good? It was actively bad. Would I recommend it? Not unless you are interested in it historiographically, or on the off chance that you are trying to find some fiddly details about a particular bit of Chicago crime history, but also have no responsibility to make sure those fiddly details are correct when you use them in the project. 1 star
A book set in a state, province, or country you have never visited The Last Duel: A True Story of Crime, Scandal, and Trial by Combat in Medieval France by Eric Jager Did I like it?  It was okay.  It was definitely interesting but not amazingly life-changing. Was it good?  It was fine!  I did think the underlying rape case was handled surprisingly sensitively given that this was a male author writing about 20 years ago about a medieval rape accusation and trial, but there is a chapter that is basically just the victim’s account of her rape, and it’s very brutal. Would I recommend it?  Do you want to understand more about trial by combat in the Middle Ages, and/or learn about how medieval people treated rape victims?  You should definitely read this book.  But if that doesn’t particularly interest you, probably not. 3 stars
A book you associate with a specific season or time of year Summers at Castle Auburn (ebook borrowed from CPL)
A book with a female villain or criminal Sin in the Second City: Madams, Ministers, Playboys, and the Battle for America's Soul by Karen Abbott (owned in paperback)
A book to celebrate The Grand Egyptian Museum The Oasis by Pauline Gedge (ebook)
A book eligible for the Warwick Prize for Women in Translation The Memory Police by Yōko Ogawa (on hold at CPL; est. 3 week wait)
A book written by an author of one of your best reads of 2020 The Once and Future Witches by Alix E. Harrow (on hold at CPL; est. 10 week wait???)
A book set in a made-up place Kushiel's Dart by Jacqueline Carey (paperback)
A book that features siblings as the main characters Sisters One, Two, Three by Nancy Star (ebook)
A book with a building in the title
A book with a Muslim character or author
3 books related to "Past, Present, Future" - Book 1
3 books related to "Past, Present, Future" - Book 2
3 books related to "Past, Present, Future" - Book 3
A book whose title and author both contain the letter "u"
A book posted in one of the ATY Best Book of the Month threads
A cross genre novel
A book about racism or race relations
A book set on an island
A short book (<210 pages) by a new-to-you author
A book with a character who can be found in a deck of cards
A book connected to ice
A book that you consider comfort reading
A long book
A book by an author whose career spanned more than 21 years
A book whose cover shows more than 2 people
A collection of short stories, essays, or poetry
A book with a travel theme
A book set in a country on or below the Tropic of Cancer
A book with six or more words in the title
A book from the Are You Well Read in World Literature list
A book related to a word given by a random word generator
A book involving an immigrant
A book with flowers or greenery on the cover
A book by a new-to-you BIPOC author
A mystery or thriller
A book with elements of magic
A book whose title contains a negative
A book related to a codeword from the NATO Phonetic Alphabet
A winner or nominee from the 2020 Goodreads Choice Awards
A non-fiction book other than biography, autobiography or memoir
A book that might cause someone to react “You read what?!?” Missing 411: Eastern United States by David Paulides (terrible pdf copy I’m not paying $100 for a book about extradimensional bigfoot)
A book with an ensemble cast
A book published in 2021
A book whose title refers to person(s) without giving their name
A book related to "the end"
There’s No Business Like Snow Business February Reading Challenge (8/8)
Snow is precipitation in the form of small white ice crystals formed directly from the water vapor of the air at a temperature of less than 0°C (32°F).
Read a book that has snow on the cover or snow in the title. Killing Dragons: The Conquest of the Alps by Fergus Fleming Did I like it? It was okay.  There was more about the personalities involved in early mountaineering than I did about actual mountain-climbing, which was fine, but didn’t get really exciting until those personalities got really dysfunctional. Was it good?  Again, it was okay.  The prose wasn’t bad, but it wasn’t gripping, and there was some odd (lack of) translation on occasion.  The research seemed thorough and solid, though. Would I recommend it?  Not really, unless you are specifically looking to research the Alps or early European mountain-climbing enthusiasts for a writing project or something, in which case, of course. 3 stars
Precipitation: Read a book that has any weather related term in the title. Trail of Lightning, book 1 of The Sixth World, by Rebecca Roanhorse Did I like it?  Yes!  This took me back to my first forays into urban fantasy as a preteen/young teen.  I loved the Diana Tregarde books and also Harry Turtledove’s The Case of the Toxic Spell Dump, and whenever I want urban fantasy that’s kind of the pattern I’m looking for?  An unfriendly world full of myths that are real and living and breathing and otherworldly but also they are probably trying to bum a cigarette off you.  I haven’t reread my favorite childhood urban fantasy because I think it probably won’t hold up, and later urban fantasy has mostly been not quite what I wanted, but this book was like being that kid all over again.  I’m not super familiar with Dine folklore/mythology so it was neat to learn a little bit about that, too, although obviously to learn those stories maybe don’t go to an urban fantasy novel. Was it good?  It was pretty good!  The prose wasn’t like, stylistically exciting, but it conveyed the plot well, and I did like the narrative voice, and the characterization was good, I thought. Would I recommend it?  Absolutely.  Content warning for violence (as per urban fantasy) and a child dies violently early on in the book, but if you were the kind of kid I was but you’re not really into paranormal romance or Harry Dresden, give it a try. 4 stars
Small: Read a book that has less than 200 pages. A Butt in the Mist: Stirred to the Core of My Bodice by the Duchess Triceratops of Helena by Chuck Tingle Did I like it?  I mostly did, but it wasn’t super exciting.  I liked the free book afterwards better.  It was funny, but Chuck’s been funnier. Was it good? This 4,000 word book was written with all the quality and attention to detail that I have come to expect from beloved author Chuck Tingle. Would I recommend it? Not really?  It was funny, but I think I like his more metafictional stuff better, and I think he gets a lot weirder with his m/m stuff; if I’m reading Chuck Tingle, I want it to be weird. 3 stars
Snow is formed of crystals and is a slang term for diamonds. Read a book in which a gem or other mineral can be found in the plot, title, or cover art. Ombria in Shadow by Patricia A. McKillip Did I like it?  Mostly!  I love the lush visuals of McKillip’s prose; they more than live up to the also gorgeous covers.  Dreamy fairytale stuff but with solid emotions and a good sense of place. Was it good?  I think so, although the dreamlike quality of the prose does mean you’re liable to miss something if your attention drifts. Would I recommend it?  Yes, I think so. 5 stars
Snow is a dessert made of stiffly beaten whites of eggs, sugar, and fruit pulp. Read a book with a dessert on the cover, or read a book in which a dessert is made. Chocolate Chip Cookie Murder by Joanne Fluke, book 1 of the Hannah Swensen series Did I like it? I enjoyed parts of it, but I thought it really suffered at the beginning, when our introduction to the detective was “not like other girls, not interested in DATING and MEN” and our introduction to her older sister is “she was a DITZY CHEERLEADER and now she’s married with a kid but she’s a HORRIBLE CAREER HARPY who WORKS ALL DAY and puts her child in DAYCARE and CAN’T COOK” and that was all just very tiresome.  The sister does turn out to have redeeming qualities and useful interests, but the way these two and their mother interact is all like, if you were asking yourself whether there’s such a thing as toxic femininity and what that would look like, it’s these women.  Aside from that, it was fine; it was a cozy mystery novel about a bakery specializing in cookies.  I will say, I did appreciate the Midwesternness of the small town Midwest setting. Was it good?  Not really.  I did kind of have to handwave a lot to let the detective get away with all the HIPAA violations and crime scene disturbing that she does, but it is a cozy mystery. Would I recommend it? Probably not; I’ve heard this series gets better so if you’re interested in the series and/or like the idea of cookie-themed cozies, maybe start with a different book, unless you’re a completist like I am. 3 stars
Snow is slang for cocaine. Read a book about drugs or drug addiction. The Man With the Golden Arm by Nelson Algren Did I like it?  It was not a fun read, by any means, but Algren’s prose is fantastic and it was such a novelty to see such a familiar accent represented by eye dialect.  (Which I know has fallen out of fashion and is considered the mark of a bad writer, but I really don’t mind it if it’s done well.)  It’s one of those books where nobody has a fair shake and everybody is doomed, but it doesn’t feel gratuitous.   All the characters are horrible to each other, but in fairness they are also horrible to themselves; it’s all they’ve ever known. Was it good?  Yes.  It was extremely good and I’m considering buying a physical copy so I can write things in the margins.  This is actually really weird for me to do; in high school we occasionally had to turn our books in so our teacher could be sure we were writing in them Correctly, and I found it a little painful, but I did want to do it with this book. Would I recommend it?  Yes, if you’re up for a really depressing story about heroin addiction and poverty. 5 stars
White is the color of snow. Read a book that contains white in the cover. The Lathe of Heaven by Ursula K. Le Guin Did I like it? I definitely did.  I haven’t read much Le Guin yet for some reason, and while this did initially start off feeling exactly like just another ‘70s SF story where in the future we’ve solved all of psychology and it’s super mechanistic, it was really fascinating and surprisingly, unpleasantly prescient. Was it good?  I thought so!  There were some parts of it that were pretty awkward about race, from a 2021 perspective, but it does actually deal with race in a way that made me think “yes, that’s exactly what would happen as a consequence of this plot, and it would be horrible, oh no, oh shit,” and it is horrible. Would I recommend it?  I am not sure I would!  I would recommend it in like five years, assuming those five years are not much like the last five years.  Hoping and praying that those five years are not much like the last five, really.  The premise of the book -- which I haven’t explained, I realize -- is that in this near-future environmental dystopia, the main character can change things in real life by dreaming about them, and he would like to not do that, only he is put under the care of a psychiatric researcher who tries to play God.  So this poor man literally wakes up every day to a brand new dystopia and it felt... familiar. 4 stars
To snow someone is to deceive, persuade, or charm glibly. Read a book about a con artist, or read a book about deception. Empire of Deception: The Incredible Story of a Master Swindler Who Seduced a City and Captivated the Nation by Dean Jobb Did I like it?  I did.  I have joked that my own personal reading challenge this year is to fill up the Chicago shelf/tag on my Goodreads account, and this book was recommended to me in that spirit, and I always like hearing about a. Chicago; b. the 1920s; and c. con men conning people. Was it good?  The prose was fine; it was fun but I think the thing I appreciated most was all the punny newspaper headlines. Would I recommend it?  If you are someone who perks up at the sound of at least 2 out of 3 of the themes of “Chicago,” “1920s,” and “con men,” yes. 4 stars
2021 Q1 challenge: Changes (3/20)
Read a book that features:
The word "change" (Changes, Changing, or other variations) in its title. Weeds: How Vagabond Plants Gatecrashed Civilisation and Changed the Way We Think About Nature by Richard Mabey Did I like it?  It was all right.  I like hearing about plant history, and the chapter on plants unexpectedly surviving/thriving on battlefields and bombing sites was particularly interesting to me. Was it good?  It was okay, but kind of poorly-organized; there were chapter themes but it felt awfully stream-of-consciousness sometimes. Would I recommend it?  Maybe not unless you’re really into botany and Western anthropology.  (As in, the study of Western cultures; this book does not do much with other cultures.) 3 stars
The theme of money or money on its cover (loose change). Spinning Silver by Naomi Novik Did I like it?  I really, really liked it to the point that I feel kind of silly about it, gotta say.  I’m really, really hit or miss on the author’s work (both fanfic and profic) but the themes of this were perfect for me; Russian fairytales, a cynical but earnest sort of Judaism, creepy fairy abductions, interesting worldbuilding, and women coming together to help each other.  (Also some interesting enemies-to-lovers stuff that wasn’t really developed on the “lovers” side, which I would have dug.  Like its precursor, this book has a lot of f/f friends-to-lovers subtext and hostile canon het.) Was it good?  I don’t know?  I liked it enough that I genuinely don’t know if it was well-written. Would I recommend it?  I would, but I’m not sure you should trust me on this???  Again, this book really, really hit me in the id. 5 stars
An adaptation of its original format (book-to-manga, translation, etc.) Murder on the Rockport Limited! by Clint McElroy et al Did I like it?  It was okay, but not nearly as good as the original podcast’s murder train arc.  The art was good and all, but, eh. Was it good?  It was fine.  I’m not sure how into the DM/character conversations I am, and I found myself having to pause and reimagine the dialogue in the various McElroys’ voices, which wasn’t good because it meant I wasn’t automatically reading them in those voices in my head, which is a major litmus test I use when I’m deciding whether I want to keep reading a fanfic. Would I recommend it?  Definitely not as a standalone thing. 3 stars
The author's initials found in the word "change" Helen of Sparta by Amalia Carosella (in progress)
Separate book sections or part of a series of three or more books (make change) The Seduction of the Crimson Rose by Lauren Willig (in progress)
An author or character writing under a pseudonym The Maker’s Mask by Ankaret Wells (in progress)
A topic or character about which you feel differently now than in the past. La Belle Sauvage by Phillip Pullman
Changing one's mind about a life decision. A Tapestry of Magics by Brian Daley
Switching careers/jobs. The Goblin Emperor by Katherine  Addison
Relocating to a different city, state/province, or country. Fire Season: Field Notes from a Wilderness Lookout by Philip Connors
Cultivating new daily habits. How to Be Fine by Jolenta Greenberg and Kristen Meinzer
A character who shifts shapes or identities. The Lie: A Memoir of Two Marriages, Catfishing & Coming Out by William Dameron
Life changes due to age Two Old Women: An Alaskan Legend of Betrayal, Courage, and Survival by Velma Wallis
A medical transformation Specials by Westerfield, Scott
A life-changing experience. Going Clear: Scientology, Hollywood, & the Prison of Belief by Lawrence Wright
A changing household The Girl from the Other Side: Siúil, A Rún, Volume 1 by Nagabe
An action or phenomenon that transforms society or the world. Hard Times: An Oral History of the Great Depression by Studs Terkel
Replacing one thing with another (change out) In Vino Duplicitas: The Rise and Fall of a Wine Forger Extraordinaire by Peter Hellman & Charles Constant
Technological innovation Tubes: A Journey to the Center of the Internet by Andrew Blum
A game-changer. The Sleepwalkers: How Europe Went to War in 1914 by Christopher  Clark
Fanfic Reading Challenge recs (1)
I have a private checklist with the fanfic reading challenge data, but will not be sharing all of the fics; fanfiction is generally an amateur endeavor, and many people do not enjoy receiving (or stumbling across) criticism of their work.  Bad reviews are normal and accepted as part of commercial publishing, and professional authors (hopefully!) get paid for their work, so I’m comfortable criticizing published novels.  I would prefer not to publicly criticize someone’s writing when they are just writing for the joy of it, especially since some of the tasks require me to read first-time authors’ fics, fics with relatively low kudos counts, fics for ships I don’t like, etc.  So I’m only putting the recs here.
Romancing the Tome by Anti_kate Good Omens; Aziraphale/Crowley; ~40k words; rated Explicit Romance novelist Aziraphale Wilder is pulled from his carefully ordered life when his sister is kidnapped and held to ransom. With the help of antiquities forger Anthony J Crowley, he braves the wilds of Scotland to rescue her and keep a priceless book from falling into the hands of dangerous book thieves. Did I like it?  Yes!  It was cheesy and cute and basically what I want out of this kind of romcom AU fic.  I’m not normally into human AUs and this one wasn’t like, super deep or anything, but it was very fun. Was it good? I thought so!  The dialogue was great, I enjoyed the characterization, the sex was good.  I do think the Crowley in this fic is pretty self-loathing in a way that I don’t see canon Crowley being at all, but I have a weakness for that and I also think self-loathing works for a human version of Crowley.  One thing it doesn’t shy away from is Crowley doing genuinely awful stuff (instead of being a misunderstood woobie) and yet the resolution is sweet and lovely anyway. Would I rec it? Yes!  Go read this fic.  It’s fast-paced but long enough to be worth settling in to read, it’s funny, and it’s sweet. 5 stars
In Holy Matrimony by Myracuulous Good Omens; Aziraphale/Crowley; ~6.7k words; rated General From the private journal of Alisha Jones, wedding planner, concerning the nuptials of Anthony J Crowley and Aziraphale and the planning process thereof, containing an account of chosen decor, guest list construction, and the holy war against the Antichrist that nearly ruined six months of professional organization and a very nice dinner. Did I like it?  Yes!  It was extremely cute, and I always really like outsider POV.  I did appreciate the fact that poor Alisha definitely knew something was definitely weird, but kept telling herself not to question it because a gorgeous wedding with an unlimited budget and zero issues with scheduling, catering, guest limits, etc. is a great problem to have. Was it good?  It was pretty good!  The climax and wrap-up felt a bit rushed, mostly due to the limits of outsider POV, but I did enjoy Aziraphale unexpectedly embracing his inner groomzilla while also being unfailingly sweet about it. Would I rec it?  Yup, especially if you want wedding comedy/fluff and outsider POV
Wrong Turn by anticyclone Good Omens; Aziraphale/Crowley; ~38k words; rated Teen And Up Lots and lots of somethings are wrong. First, Crowley's nearly hit by a car. Then he almost brains himself tripping over new and excessive piles of books at the bookshop. To add insult to near-injury, Aziraphale starts throwing knives at him. Safe to say his day could be going better.
The thing that's the most wrong of all is the universe, of course. In this one there was never an Arrangement. Aziraphale and Anthony (they can't both be 'Crowley') aren't friends and they certainly never agreed to prep for Armageddon. Unfortunately, the end of the world is two days away.
So that's something Crowley really has to fix before they can figure out how to get him home. Did I like it?  Oh yes.  I had read bits of this on ffa previously, and also anticyclone is a good writer (and a friend) so like, I was expecting it to be good; I was not disappointed. Was it good?  Yes!  I was particularly impressed at how much alternate backstory is set up in little hints here and there, and then explained more thoroughly in ways that take the AU Aziraphale and Crowley by surprise when they do finally get to talking. Would I rec it?  Yes!  Especially if you like a nice dose of enemies-to-lovers along with your friends-to-lovers, and also the awkwardness of meeting your alternate universe self.
Finished in January, not for reading challenges (3 books):
The Way of Kings, book 1 of The Stormlight Archive, by Brandon Sanderson Did I like it? It was fine. Was it good? I think so.  I am maybe not the best audience for epic fantasy at this point, partly because I’ve read a lot of it and partly because I habitually read 3-7 books at once at any given time. Would I recommend it? Maybe, but I feel like most of the people who would enjoy it have probably heard of it already. 3 stars
Get a Wiggle On, a Good Omens fanzine Did I like it? Yup! Was it good? Mostly, although as usual with zines and anthologies, quality varies piece by piece.   Of the fics I particularly liked “A Head Above Water,” “The Grapes of Mild Irritation,” and “Concerning the Great Serpent Glykon and the Angel Clothed With the Sun,” all of which are now available on AO3. Would I recommend it? If you like snakey Crowley, yes. 4 stars
20,000 Leagues Under the Sea by Jules Verne Did I like it? Yes, very much!  A very silly thing I particularly liked (which unfortunately you cannot really replicate) is that the edition I have is an illustrated hardcover book from 1926 which I picked up cheap at a used bookstore, knowing I would like it because Jules Verne.  I didn’t think much about that specific date when I bought it, but I am now writing a fic set in 1926, with a character who has a habit of reading adventure novels and who I have specifically mentioned enjoyed Jules Verne in his childhood, so when I discovered the date the coincidence made me very happy.  The book itself smells very nice, it’s nice to hold, and as I was reading it I kept thinking about what Danny would think of the book, and whether he would try reading it aloud to Crowley, and wondering if the book smelled as nice in 1926 as it does now.  Maybe I will have Aziraphale give this book to him as a very small thank-you for all he has done to keep Crowley alive and well. Was it good? For the most part.  Jules Verne is prone to wandering off on tangents where he shows you his research, but I’m sympathetic to that, and there’s some really cool and atmospheric scenes in this book.  My favorite character was definitely Captain Nemo, who we don’t really learn much about.  Could have done without Conseil, the bland servant character who could be a naturalist in his own right, if he had any opinions of his own, or the period racism/imperialism, which unfortunately is so built into this kind of adventure novel.  But the environmentalism was a nice surprise, and you can definitely read some critiques of certain aspects of (Western?) culture at the time into Captain Nemo’s behavior; I have not yet read The Mysterious Island where Captain Nemo also appears, but I do get the impression a lot of people read him as being disgusted with imperialism. Would I recommend it?  Probably!  With the caveats above.  It was a good adventure story with some awesome visuals, and I kept thinking about what a pretty movie it would make with modern SFX, and how sad I would be that they would inevitably not spend just 3 solid hours on cool fish and interiors of the Nautilus and scenes of the lost city of Atlantis and Captain Nemo being very mysterious and dreamy scary, because they’d probably shoehorn an awkward romance into it. 4 stars
Finished in February, not for reading challenges (2 books):
The Deception of the Emerald Ring by Lauren Willig, book 3 of the Pink Carnation series Did I like it? I did.  It was a silly Regency romance novel with espionage elements, it is the third of a series I have enjoyed, and it contained an accidental/forced marriage to preserve a lady’s honor despite neither party to the marriage particularly liking or wanting to have anything to do with each other, and some misunderstandings about that.  Also spies. Was it good?  Not really.  It was fun and I liked the characters, but I don’t think the writing was of particularly high quality.  The handling of certain elements of English imperialism was not great, and bothered me enough to note it in my review on Goodreads. Would I recommend it? I’d recommend the series if it sounds like something you’d like; I might not recommend this specific book. 3 stars
The Light Brigade by Kameron Hurley Did I like it?  No.  It was very dark, and I did not enjoy most of the book.  A lot of it was because it was very gritty and grim, and because I frequently don’t enjoy military fiction; a lot of it was because many of the dystopian aspects of our present reality that came to a head in 2020 were magnified in the book.  Part of it was also that the protagonist’s entire reality and memory was being denied for much of the book, and I think it reminded me of being gaslit.  (This is not a criticism of the book, or some kind of weird accusation that the book or its author was somehow abusing me, I just have this personal history.  In fact, it turns out the main character is being gaslit to some extent, and the author writes it very well.)  It was a minor relief when she finally decided the stuff she was going through was real, and a huge relief when she was able to talk to someone who believed her. Was it good?  Yes, I think so. Would I recommend it?  Not right now, but I think this would be a good book to read at a time when the world feels more stable.  I don’t say this because I want you to wait until everything’s fine to read it; I say this because it feels like a good anti-complacency read. 4 stars (3 for not being an enjoyable read, 5 for the actual plot; it averages out.)
In progress, not for reading challenges (1 book):
Grandmaster of Demonic Cultivation by 墨香铜臭
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dotthings · 5 years
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Okay SPN 15.04, here we go, where I feel weirdly self-conscious about posting a meta post about an ep that had so much meta on itself and now I’m going to write meta about it, so it’s meta on meta on meta, while I’m having my feelings.
THAT COLD OPEN HOLY CRAP DIRECTOR JENSEN. As a director Jensen always pulls out warm performances from actors and he’s a really kinetic director too. That opening fight sequence I held my breath for a lot of it. 
BENNY OH NOES IT’S BENNY (this must be the character Jensen said was one of his favorites and the actor came back to set for one day to do it). “I’ll see you on the other side, brother.” Thanks so MUCH, spn, I thought I was over this and then you come in and reopen that and now I’ve got feelings gdi. Benny was a good friend to Dean. My heart hurts. 
Ohshitohshitohshitohshit demon blood Sam. Noooooo. And he kills Dean. I can never erase these images from my mind, thanks a LOT spn. 
Just a nightmare of Sam’s except no probably not given Sam’s god-wound, so wow this maybe happens on one of Chuck’s other worlds, that’s fine, oh that’s okay I’m fiiiiine, it’s fine. *covers face*
So we have a flip on early S14 here where Dean was turtling to cope with his trauma which is a healthy thing to do but hiding from the world wasn’t going to fix anything so Sam coaxes him out with a hunt. Dean coaxes Sam out with a hunt only I don’t think hunting works for Sam the same way, it’s not Sam’s mental comfort food the way it is for Dean, but still I appreciate the mirroring there.
Sam’s struggling with Rowena’s death and I think those horrific AU nightmare visions aren’t helping much either, but it’s clear he’s feeling the loss. Her loss, all the recent losses.
Dean trolls Sam with real bacon, which seems like Dean is maybe trying to cheer Sam up by pranking him and trying to cheer himself up via food pranks. Dean has quite the case of the munchies in this ep. 
I noticed almost every scene Dean is snacking or drinking from his flask. How’s that whole “Cas walked out and left apparently for good” working out for you Dean, wow, you’re suspiciously chipper while stuffing your face and drinking and Not Talking About It. Did Sam and Dean talk about where’s Cas? Who knows, the ep didn’t mention it, hey SPN you needed a Cas mention, OH WAIT THE EP IS GOING TO CALL ME OUT FOR SAYING THAT.
Seriously though, this is very Dean MO, and I have thoughts about his mood in this ep and how Cas’s absence was felt, and what it means, I’ll get to that later, but even before the last scene Impala talk, I was thinking Cas is a reminder of pain--and no it’s not all about Dean’s anger at Cas, it’s not because Dean is angry at Cas. Cas is a reminder of some things Dean just isn’t coping with very well and part of the problem is Dean cares so much. 
So Dean’s snacking and drinking and Sam is feeling the weight of them knowing all the scary things out there while people go on obliviously with their lives and I’m not sure if Sam is envying them or Sam is feeling some existential angst about the state of the world, how people can go about their lives unaware there are real monsters ready to pounce and tear their lives to shreds. And feeling the weight of the job they do in every bone of his body. Sam’s in a dark headspace.
Ok I admit I was not thrilled to see Becky again given her previous episodes and role. SPN’s later in-canon fan characters were much more nuanced and successful and respectful depictions of fans. But as with many other things, this era of SPN is revisiting some things to move them forward in a different way than before, and subvert some things that needed subverting and Becky has had--wait for it--character development. How about that.
Yes, Becky, run, you do not want anything to do with Chuck. Run, Becky run. I’m rooting for her now. RUNNNN.
Along with finding a more constructive way of channeling her interest in the Winchesters’ lives, and having a satisfying fandom creative life and a full life of her own, Becky has funko pops of Sam, Dean, and Cas. LOL. I see you spn. 
Dean, still with the case of the munchies. So this is like the eating a whole pint of ice-cream after a break-up, only Dean does it with junk food while hunting vampires.
I enjoyed this conversation between Becky and Chuck about writing immensely. Becky is actually right. Speaking myself as someone who’s suffered from writers block for a while, it’s miserable, and not writing just perpetuates the cycle. You feel cut off from an important part of yourself. And--oh here we go getting meta within meta--I find writing meta on SPN a positive outlet. 
“Writing is writing.” Damn Becky’s takedown of Chuck’s derisiveness about fanfic was sizzling and oh excuse me Chuck, what is it you think you were doing with those Supernatural books about your favorite story. Even though he’s the creator, I know. But still. Also seems to be a sly comment on how male-authored “fanfic” based on someone else’s characters or historical characters gets to be professionally published novels and nobody wants to admit it’s fanfic but it is, but women write fanfic and women write novels based on someone else’s characters or historical figures and it gets derided. 
Did not expect commentary celebrating the creativity and validity of fanwork of women in particular an episode of SPN, especially not with Becky of all people, but here we are. 
Uhhhh is Chuck writing this episode, as it happens? I am seriously uneasy now. What is going on. What is real. Which is what I think Dean is going through because of Chuck and OUCH the Winchesters think they’re free but they’re not but also they are their own people and Chuck isn’t controlling them but it’s like he’s still making the framework?? Or would this case just be happening on his own and Perez is just messing with our heads in this script right now.
Oh damn because this ep wasn’t sadness enough now here we go with the Jack parallels. “I can’t control this.” “I’m a monster.” “I killed someone I love.” Parents doing anything to save their out of control teenage kid or does he need to be killed, so the parents are Cas, while Sam and Dean are Dean. 
Interesting that Dean lowered the gun and didn’t kill Jack, but tells Sam they would do that for Jack if it was necessary. You didn’t, though, Dean. You couldn’t go through with it any more than those distressed parents of the vampire teen.
Becky is voicing various non-dire fan complaints here, every lane of the fandom is being gently called out right now. Hahaha including lack of Cas mentions in an ep that pointedly is not!Mentioning Cas because it’s not a mistake there’s actually reasons for that which is just lampshading how much Dean is pointedly Not Going to Talk About Cas. 
“Where they sit around doing laundry and talk” -- again every lane of the fandom should feel very called out right now. Seriously, fandom lanes that hate each other’s guts all have that common factor of craving more domesticity, and would like to see the laundry ep of SPN and for many, it has better include Cas, or we’re working through our need for this via fanfics or fanart. Even Jared and Jensen have expressed interest in a “Winchesters do the laundry” kind of episode. 
But here’s the thing--here’s the thing about SPN...it depicts domesticity. In small bits of pieces. Even in this ep there’s domesticity. SO HA. It’s not that SPN is against depictions of domesticity, it’s definitely in the toolset of its storytelling, to give the characters more layers, to make their lives seem more real, but there needs to be mostly an action plot because that’s the genre so they mostly kill monsters and we only get nibbles of domesticity.
Becky and Chuck arguing about Chuck’s incredibly dark story ending, after Becky criticized him for the story not having enough bite, was so interesting. While the episode’s dark story ending was actually quite well done IMO and not overdone and yes it’s bleak but it’s supposed to be. So it’s not that sad is always terrible writing, no. It isn’t. But its overuse has been a raging hot topic in spn fandom for years and SPN is a hopeful narrative as well as a bleak one. Overuse of loss of hope and misery can hurt the story, causes a number of fans to become desensitized and lose their emotional engagement for it (which has happened to be at a couple of points in SPN’s long run). So that conversation interested me a great deal, yes it did.
So.....SPN had its current biggest of the biggest of ultimate big bads, the ultimate power God himself, the author, and made him the enthusiast for overuse of the misery pr0n like that’s the only smart way to tell a story. The season’s big bad villain is a misery porn enthusiast.
I’m just gonna....sit here and absorb that for a moment.
Oh and this while all the PR for the show keeps warning us about how sad this story is and how bleak the ending will be, not a happy ending show. Are they warning us? Are they trolling us and misdirecting? Because they made their villain a misery pr0n fanboy and this intelligent, self-aware positive depiction of Becky the fan taking him to task for it. 
I feel like could be headed for every story needs its darkness and its light, you need the darkness to appreciate the light, and you need some light or the story is less meaningful. We’ll see.
“I’m a writer,” says Chuck and then takes away everyone Becky loves and then unmakes Becky. This is a purposeful depiction of a writer creator as a sadist. It’s a diabolical reversal on the Stephen King’s Misery scenario. Becky played the deranged fangirl in the past, who kidnaps an object of obsession, now she’s the victim of the deranged sadistic writer who breaks into her home, destroys her life, and then effectively kills her because of his own obsession with making Sam and Dean wretchedly miserable because he thinks that’s the only way to make the story exciting.
*blinks*
In the last scene, oh thanks Sam, for vocalizing the Jack connection. 
Hey Dean, that’s really a nice speech and yes Sam did give you a great pep talk but Sam wasn’t the only one who told you what you did still has meaning. This is like 15.01 where Dean is pointedly erasing Cas again despite Cas very obviously having done something Dean refuses to acknowledge. In 15.01 it was Dean leaving Cas out of his us vs the forces of evil speech to Sam, despite Cas having spent most of the ep shooting ghosts in the face and saving Sam’s life twice. Sam and Cas both have given Dean pep talks about the meaning of what they do but only Sam pulled Dean out of it...uhhh yeah that’s not writer error or canon ignoring Cas. That’s Dean trying to push Cas out of his mind. Something there hurts so much Dean isn’t dealing with it right now.
As I said, as I’ve been saying, it’s not so much that Dean is that angry at Cas. It’s not just about Mary. Or about Cas keeping things from him. Although those are all valid reasons for Dean’s hurt and anger. Dean seems to be afraid or hurt over more than that. And his love for Cas, IMO, is part of why this is weighing so heavily. What does he fear. I think it’s connected to the whole existential crisis about Chuck. What if none of this is real. I’ve talked about that in other posts, if none of this is real, if Dean still doubts, then what if what’s between him and Cas isn’t real, what if Cas doesn’t really care about him because none of it real. 
Dean valiantly puts a brave face on things here, they keep going, they keep fighting for the sake of those they lost, no matter what, “keep putting one foot in front of the other.” Which makes sense. That’s how you honor those you’ve lost. It’s just that I don’t think Dean has really reached that. He is Not Dealing with an awful lot of stuff here. And we have seen again and again how hard Dean reels from losing loved ones.  So what’s going on with Dean here. This is a healthy concept, but not if Dean is just whistling past the graveyard again. This might look like character development except look at what’s been going on with Dean. How deeply losing Mary, losing Jack affected him. The impact of those losses needs to be acknowledged and dealt with in order to truly move on and move forward. It’s like Dean is voicing a healthy outlook but isn’t actually experiencing it. I think Dean is posturing because if he lets all the hurt it right now, it will devour him.
There’s also the part where Sam and Dean have in the past displayed a lack of ability to just keep on keeping on if they lose each other, so they used to sell their souls, or violate the other one’s wishes and autonomy, or let the darkness free, but we’ve also seen them let each other go, and “keep putting one foot in front of the other.” Sam and Dean have done both ways with each other. Dean didn’t exactly just keep on keeping on no problem when Cas died at the end of S12.
Sam voices the other side of things, he can’t just move on right now. He’s feeling all the losses. They’ve piled up and piled up and it’s crushing him. Sam says he "can’t breathe” at times. He brings up Jessica, a loss he suffered 14 years ago. 
So Sam and Dean are airing the two aspects of loss and grief on SPN. One the one hand, you don’t just give up and quit because of loss. Honor who you’ve lost and keep on fighting. But losses are deeply felt, and it’s not all okay either. Sam and Dean don’t just shrug off these losses because they have each other. That’s not how this works. They need more than just each other and SPN is increasingly having more and more open dialogue about all of this.
S15 so far has been so much about the impact losing people they love has on Sam and Dean, and why their isolation isn’t a good thing. 
And there’s Chuck, the big bad, typing away to add more misery. Because Chuck gets off on giving them loved ones and taking them away, over and over and this isn’t presented as a good thing or a satisfying thing or a desirable thing or a celebration of anything. 
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rainbowwhimsyart · 5 years
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Faedom Week Day One : Alternate Universe
Okay, here it is. A modern au (well, the rough outline for one anyway, lol. Didn't get a chance to write it out fully, but here's a general summary.)
This is for the 2019 Faedom challenge week, which is all about creating fanworks for @not-poignant 's Faetales verse.
Okay, so imagine that modern AU Augus owns a cafe. They make vegan fusion dishes. It's called Balance. Eran is the head chef, specializes in cooking directly over live flame and charcoal in an open - air cooking pit outside. The fact that they even were able to get the licenses for that kind of set up is suspicious. Other business owners in the area joke that Augus must have used some kind of mind- control powers to have gotten that zoning pushed through. 
Mosk is homeless and squatting in the area. He meets Mikkel, who is doing homeless outreach for the local community mental health. Mikkel can get him a job, and a bed at one of the local shelters. Mosk doesn't want to stay at the shelter, he's got a system. Gym membership, laundromats for washing clothes, and if he does some sex work, it's nobody's business but his. 
Mikkel reminds him that winter will be here soon, and if he works a steady job and saves enough, Mikkel says he can get him actual housing. Mikkel knows some people who are looking for a full time barrista/cashier. Best part? Mosk will eat for free while he's on shift. 
Mosk reluctantly agrees. Meets at Balance, Mikkel introduces him to Augus, the owner. Augus talks to him for 5 minutes and is like, yeah fine. He can work for a trial period, we'll see how it goes. $15 an hour plus tips during the trial period, with a raise of he gets hired permanently, which is wildly generous for a barista. Mosk just stares at Augus, wondering if he's going to be expected to blow him for the job. 
It turns out that Augus doesn't spend a ton of time on site, he spends most of his time cultivating and caring for the gardens and grounds of the historical manor his husband inherited, that they now rent out for events. 
Augus introduces him to Julvia, the manager of the cafe, and then leaves. She shows him how the shop runs, starts training him a little bit, and has him jump on register then and there. Mosk is surprised that they already trust him with the money. But she does, and even stranger, she is kind to him. She doesn't seem to care that he's awkward and abrupt with the customers. Doesn't seem to care that his clothes are worn and a little tattered, that his sneakers have holes in them.
 She tells him that Mosk will meet Eran, the head chef, soon. He's on vacation visiting his family, but he should be back in a week or so.
 In the meantime, an easygoing and extroverted man named Ash is covering for Eran. Apparently he steps in sometimes to help with large catering orders, and covers for Eran sometimes.  At the end of shift, Ash brings up an opportunity for Mosk to make some extra money on the side. Mosk immediately assumes that he means sex, and since Ash isn't unattractive at all and doesn't seem inclined to damage him, Mosk decides that he could use the extra money, and goes for it. It's a painfully  awkward moment. 
Ash clarifies that there are frequently events that Balance caters at the manor, and they always need servers.  If he's interested, he should ask Julvia to put him in touch with Ash, who is apparently August's brother and the hospitality manager of the Manor.
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Mosk is mortified but Ash handles it pretty gracefully and even winks at Mosk before he leaves. 
Mosk settles in, and is cautiously hopeful that he might be able to get his own place, to grow a new life there. He's saving his money, keeps it on him at all times, changes out small bills for larger bills and keeps them tucked in his shoes. 
Eran comes back and Mosk finally gets to meet him. Of course he's gorgeous. Of course he's a little bit of a hipster and his ass looks amazing in those jeans, the jerk. Of course he wears eyeliner (though Mosk thinks, resentfully, that his eyes do look beautiful to a nearly otherworldly degree when smudged with black and gold) . 
Even worse, Eran is constantly condescending to him. I mean, isn't it obvious that's what he's doing whenever he is so persistently kind to Mosk? Why else would he be so nice? I mean, the nerve, always trying to feed him and asking him how his day is going and flirting with him. It has to be some kind of joke.
Mosk is flustered and, remembering his awkward encounter with Ash (and assuming Ash passed the story along), is caustic and rude back. Eran's food is 'hippy new age bullshit', Mosk obviously hates it (even though he eats every bite), and Eran can fuck off with trying to feed him that 'rich-bitch burnt grass garbage'.
Eran just laughs it off and keeps making him new dishes, until he finds a few that Mosk 'Doesn't hate, I guess'. It must be a coincidence when those dishes become regular offerings on the menu, allowing Mosk to eat them daily when he's at work. 
One day, walking back to where he is squatting, Mosk is jumped and beaten up really badly. They rob him, beat him, and even take his shoes, which means his money is gone. He is found and taken to the hospital, and when they need to contact someone, Mosk gives them Mikkel's number.  Mosk's leg has been broken, and several of his fingers. 
Unbeknownst to Mosk, Mikkel can't come get him, he's out of town. He calls Augus, who is in the middle of an event at the manor. Ash is there too, and he can't leave either, so he sends Eran. 
Eran goes to pick up Mosk at the hospital, Mosk argues. The hospital won't release him without a ride. Mosk finally agrees just so he can get out of there. The hospital gives him crutches which he can't fully use because of his fingers. 
Eran takes him to go get his prescriptions filled, and then asks him where to drop him off. Mosk tries to get him to let him out several blocks away, but Eran insists that Mosk let him help him inside. Mosk gets angry and finally agrees, directs Eran to building he's squatting at. 
Eran is horrified at the conditions Mosk has been living in, tells him that he's not staying there. Mosk is too tired to argue. They grab Mosk's backpack and Eran takes him back to his house. 
Mosk doesn't want to stay there, only agrees to stay until he's well enough to leave on his own. Eran doesn't agree but doesn't disagree (plans on convincing Mosk to stay). 
Eran puts Mosk up in his guest room. Mosk is terrified that he's going to lose his job. Admits that he's lost his entire savings when he got jumped. Eran assures him that he'll still have a job. 
Augus and Ash come by the next day, and promise that he's not going to lose his job. In fact, in the meantime, Augus has a bunch of electronic files and paperwork that need to be organized, and Mosk can do that remotely and be relatively stationary, yes? He says that, factoring in the tips Mosk would have been making, that would have been roughly $20 an hour, so that's what Augus will pay him. Mosk is stunned. Augus leaves him a potted plant. Ash leaves him his old Nintendo DS.
Cue 'and they were roommates!' / sick fic bits, with Mosk being the WORST patient ever. Of course, Eran and Mosk start slowly bonding despite Mosk's resistance. Eran gets a little black cat, says it's for him but really it's for Mosk. Mosk pretends to hate it but secretly (and then not so secretly) loves it more than anything. Mosk names him Raven, and Eran jokes that Mosk treats him like a little prince. They start calling him The Raven Prince. Eran gets strangely jealous that Mosk loves on the cat so much, wishes that Mosk would pet HIM like that. 
When Mosk starts getting a little more mobile, he starts cleaning the apartment, doing Eran's laundry, making his bed in the morning, etc. Eran tries to tell him that he doesn't have to do that, but Mosk seems ready to bolt otherwise, so Eran just starts praising him for it instead. Eran notices how much Mosk loves the plant that Augus brought him, starts bringing him home little succulents and plants. Mosk is flustered but accepts the plants, claiming that 'he'll take care of them for Eran'. Mosk asks Eran to teach him how to cook. Eran does. It's super cute. 
Eventually, Mosk goes back to working at the cafe, and starts talking about moving out. Eran tells him that "The Raven Prince would be so sad if you left, he would be heartbroken." (Suuuure, Eran. TRP would be the one who is  heartbroken. Suure.)
 Mosk decides to stay a little longer, because who would do Eran's laundry for him if he wasn't there? Who would make sure that Eran's bed was perfectly made? Eran surely wouldn't do it for himself, considering the state of his apartment before Mosk came. Mosk is obviously doing him a favor by staying. 
One day at work, one of his old clients shows up and gives him a hard time, tells Mosk he's going to show up at closing and fuck him in the alleyway out back. Mosk walks out without telling anyone, just straight up leaves without telling anyone. It is not great at the cafe, and Augus ends up having to come in and run the cash register. He is NOT happy. He asks Eran what happened, Eran has no idea. 
Mosk doesn't come home that night, and Eran goes looking for him. Finds him back outside of where he was squatting before, but now that building has been knocked down and construction has started on new overpriced condos (Built by Davix and Olphix Associates, who seem to be buying up A LOT of property in the area. But that's neither here nor there). Mosk is pretty dissociated, but when Eran shows up, he's snaps back enough to be crushingly embarrasses and ashamed at what happened, and defensively lashes out at Eran, like is genuinely mean,and says some truly horrible things to Eran. Eran ends up leaving. Mosk doesn't come back to work. Doesn't go back to Eran's house. Just disappears. Eran lies to himself and says it's fine. It's not fine.
One day the next week, Mikkel comes in and asks where Mosk is. Eran tells him his version of the events as he knows them (which may be just a tad bit colored by his own hurt feelings). Mikkel demands to see the footage (of course there are security cameras. Augus's husband INSISTED on it. ) of what happened before Mosk left. He calls them all idiots for not checking it sooner. 
Now they have to find Mosk, but he's not at any of his old haunts. Eventually Mikkel tracks him down to a very shady pay-by-the-week motel. He's almost out of his savings. He's been planning on going back to sex work. Mikkel tells him he could do that, or he could have his old job back. They watched the footage. They know he was threatened. 
Mosk is humiliated, because now everyone knows about his history. Eventually Mikkel talks him into going back to the cafe. Mosk ignores Eran to the best of his ability. Eran is apologetic and tries to convince Mosk to 'come home'. He refuses. 
Eventually Eran gets him to at least come over and visit with TRP. He cooks Mosk his favorite meal. He kisses Mosk for the first time. Mosk is the physical embodiment of Gay Panic, but he doesn't run. Eran has FEELINGS. 
They start dating, though Mosk refuses to call Eran his boyfriend. Eran keeps trying to convince him to move back in, but Mosk refuses. Eran is worried about Mosk's independence, about his lack of protection, but he has to let Mosk do what he's going to do. 
When Eran's family has a disaster (plane crash in Alaska, multiple family members killed), Mosk steps in and comes to take care of him. Eran is in a deep depression, is grieving. Mosk is strangely good at holding space for Eran. Eran begs him to stay. Mosk agrees, but won't share a room with Eran. 
Eran slowly comes out of the deepest part of his depression, and he and Mosk grow even closer. Mosk gets another raise at the cafe. Eran goes back to work. 
Cue some major drama with Davix & Olphix Associates trying to buy up Balance. It looks like all of their jobs are in jeopardy due to some kind of legal loophole.  It looks like Balance may have to close its doors forever. 
But wait! Mosk remembers some important piece of paperwork that he filed for Augus, and it's the critical piece of information that saves the day! Davix and Olphix give up (for now), and their jobs are safe. Eran tells Mosk that he loves him. Mosk…doesn't run away. Eran thinks that is enough.
Time skip, several months in the future. It's Christmas time, and today, the cafe is closed to customers, because Augus and Gwyn are throwing the staff a holiday party. 
They have karaoke. Everyone gets tipsy, including Mosk. Mosk gets up on the karaoke machine, sings a love song to Eran (in a surprisingly sweet tenor). Tells Eran that he loves him. Eran is like, ohhh bby are you SURE you wanted to do this in front of all of our coworkers? And Mosk is like, you're an idiot, who do you think organized this party? And then… 
MOSK PROPOSES TO ERAN IN FRONT OF EVERYONE. 
ERAN OF COURSE SAYS YES. 
Epilogue: Eran is hovering around the food tent at the manor. There's an event that's going on, and he wants to make sure everything is running smoothly. Ash tells him that it is, and promises that he won't miss the ceremony.
Augus comes and grabs Eran and tells him to leave the food staff alone, that he's not allowed anywhere near the food tent again for the rest of the night. It's Eran's wedding, after all. He shouldn't be be working. Eran agrees.
 Augus is tipsy, regales him with the story of his and Gwyn's wedding. Gives him slightly - drunken, very TMI advice for his honeymoon. Eran just nods and manages to keep a straight face.
Eran gets ready to walk down the aisle, which is filled with his friends and what's left of his family. He sees his husband to be, and thinks about the life they will build together, about all they've overcome.
Eran and Mosk read their vows. Augus is crying. Gwyn is holding his hand.
They say 'I do' and kiss. And step into their brand new future. Together. 
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sheliesshattered · 4 years
Text
Fic meme
I was tagged by @primarybufferpanel​ -- thank you darling, this was a ton of fun to do!
This got a bit long, so I’ll put the people I’m tagging here at the top:  @claraaoswald​, @ambitious-witch​, @someillplanetreigns​, and @junoinferno​, if you feel like playing!
My AO3, my old non-updating fanfiction.net
Fandoms I’ve made fanworks for: Oh lord. I’m only going to count fanfiction that has actually been posted, but if I tried to count up every fandom that I’d started writing for and left unfinished fragments languishing on various harddrives and googledocs over the years, it’d be at least double this list. I have two pseuds on AO3, with the fics roughly organized by fandoms that I post about on this Tumblr account (sheliesshattered) and fandoms that pre-date my time on Tumblr that I don’t post about very much (glasscannon). Putting all the fandoms together in one alphabetized list:
Black Sails - 5 Doctor Who - 8 Firefly/Serenity - 1 Game of Thrones - 1 The Hobbit - 1 The Hunger Games - 1 Iron Man - 2 Law & Order: Criminal Intent - 1 Mad Max - 2 Once Upon A Time - 1 Poldark - 3 Star Wars - 3 Twilight - 7 The West Wing - 1
Number of fics: 38, including a big unfinished epic that I never moved over from ff.n, and don’t plan to unless I finish it someday.
Fics I spent more time on: I’m not even quite sure how to measure this. I’m a slow writer, and a single story can easily hold my attention for years at a time, or be something I return to when there isn’t a newer fandom temporarily consuming me. I don’t tend to keep track of how many hours I put into a fanfic, though. The unfinished epic I mentioned is probably near the top of that list, and was a huge part of my life from 2009 to 2013. Other contenders would be the All Hands series (written with PBP!), and Truth Universally Acknowledged, particularly if you include all the massive world-building that went into that one. 
But really probably the one I’ve poured the most hours into, between research and writing, is a Doctor Who epic that hasn’t yet seen the light of day, called Home The Long Way ‘Round. Because I have such a habit of starting long stories and then not finishing them, I’m making myself get that one completely done before I post any of it to AO3, so I don’t have anything to show for it yet, but I’ve put a ton of time into it over the last five years or so. Hopefully someday I’ll actually get to share it. :)
Fics I spent less time on: Like I said, I’m a very slow writer, so any time I can turn out a story in a matter of days I’m just absolutely shocked. I wrote The Message over the course of about 24 hours, which is probably the fastest I’ve ever finished anything in my life ever, lol.
Longest fic: The All Hands series is sitting at 126,800 words, and PBP and I have more finished for it that we’re hoping to post soon-ish. The unfinished epic made it to almost 119,000 words before I ran out of steam. Truth Universally Acknowledged racked up about 54,000 words before my co-writer and I took a break from it, and probably triple that in world-building bibles and timelines, etc. On the works-in-progress side of things, Home The Long Way ‘Round is sitting at about 40,000 words currently and only about a third of the way done, and the For As Long As We Get series is at 21,000 words between what I’ve posted and what I’m still working on, and will definitely continue to grow.
Shortest story: 10 Seconds, at 208 words. Also one of the very first fanfics I ever finished and posted online.
Most hits: Truth Universally Acknowledged, by like a factor of 20 vs anything else I have on AO3. It’s the only time I’ve written for the main pairing in an active fandom (tho my purview in the co-writing was more on the secondary pairing), and that translated to a stupidly large number of hits. Fanfiction.net doesn’t count hits the same way, but the unfinished epic is sitting at about 3500 favs.
Most kudos: Setting The Stuns’ls, the first in the All Hands series -- which is SHOCKING considering that’s a tiny rowboat of a fandom, for a non-canon background pairing that has literally about 30 seconds of shared screentime, and the two romantic leads don’t so much as kiss over the course of 94,000 words (longing looks, significant hand-touches, mutual pining, definitely, but kissing, not so much).
Most bookmarks: Truth Universally Acknowledged, by a long shot.
Fic you want to rewrite or expand: I don’t tend to edit a story once it’s been posted, beyond correcting a typo or adding a missed word. Once it’s published, it’s finished and I don’t change it significantly. I do have quite a few (so, so many) unfinished stories that I would love to finish up at some point.
Total words combined: Counting only published fics, including the unfinished epic (and a companion piece for it) that lives only on ff.n, I’m currently at 376,542 words total.
Fav fic you wrote: How can you make me choose between my children like this, honestly?? Siiiigh. I’m with PBP, whatever I’m working on currently is usually my favorite. I’m having a ton of fun with For As Long As We Get, and can’t wait to publish the next part of that, hopefully sometime this month. I’m incredibly proud of All Hands, and that occupied such a specific time in my life that I’ll always think of it fondly. I’m exceptionally happy with the character voices and use of language in both Breathe Again and Upon This Rock Will I Break Myself, Until It Shows Me Your Beloved Face, and tend to feel like they don’t get enough love vs how much I love them. But my one true favorite is and will always be Home The Long Way ‘Round, and hopefully I’ll actually be able to finish it and post it someday.
Share a bit of your WIP or idea if you have anything planned: Again, how can I possibly choose just one?? Even just within the Doctor Who fandom, I currently have more than half a dozen stories actively in progress. But since I’ve talked it up so much without being able to link to it at all, and just declared it my all-time fav, I’m going to break one of my own rules and post the whole first chapter (eek!) of Home The Long Way ‘Round behind a read more:
Chapter 1: Orange Dreams
The sound of the wind is whispering in your head Can you feel it coming back? Through the warmth, through the cold, keep running ‘til we’re there. We're coming home now, we’re coming home now. —Home, Dotan
 The winds shrieked and howled around her. Clara had never been in a tornado, but she imagined it would feel like this to stand in the eye of one. She could see gusts lifting the tops off the sand dunes in shimmering ribbons, gold against the orange sky. The waves of airborne sand dissipated a few feet from her, leaving only a jagged grittiness in the air.
A woman with long blonde hair was yelling at her, her words ripped away by the wind.
“Tell me again!” Clara called back to her. “Tell me how to find home!”
“It’s just physics!” the other woman shouted, taking a step closer; they were nearly the same height. “No information can ever be lost! Start from zero, and run the math! We’ll be waiting on the other end of that equation!”
There was something Clara desperately wanted to tell this woman who looked at her with kindness behind the steel of her eyes, but in that moment, the words wouldn’t come.
“Look!” someone yelled behind Clara, and though she didn’t want to take her eyes off her, she instinctively looked up, following the line of the other person’s arm up into the gathering storm-whipped dusk. There, silhouetted against the last of the light, was the unmistakable blue boxy shape of the Doctor’s TARDIS, spinning quickly as it flew away—
Clara jerked awake, her heart hammering against her ribs, already sitting up and pulling off her sleep mask before she realised what had woken her was the sound of the TARDIS materialising in the sitting room of her flat. She took a moment to catch her breath, trying to hold onto the details of the dream. In the other room, the TARDIS’s familiar wheezing and groaning came to a stop with a soft thud, followed by the squeak of the door.
“Doctor?” Clara called, not bothering to hide the sleep nor the annoyance in her voice.
He poked his head around her bedroom doorframe, grey hair awry and his most innocent expression plastered on — which meant he knew he was waking her and felt at least marginally bad about it. “Hello, Clara. It’s Wednesday,” he said pleasantly, by way of explanation.
“Is it?” she asked, deadpan.
“Technically.”
“You do know that I have to work today, don’t you?”
“Not for another six hours. So come on, up-and-at-‘em, plenty of time to go out and save the universe and still be back in time for your morning coffee. I’ve an adventure that simply won’t keep, so come on!”
His excitement was infectious, as he must have known it would be, but Clara clung to her annoyance a little longer, mostly for show. “You have a time machine: everything can keep,” she replied, but waved him off before he could launch into a lecture on all the ways that statement was false, at least from a temporal physics standpoint. He lectured anyway, hovering outside her bedroom door as she dressed, though Clara expected it was mostly to keep himself from pacing in anticipation. She followed more than half of it, and worried a bit over how often she let him babble on about the minutiae of time travel these days.
By the time the universe had been set to rights — or at least one small blue world, home to a race of sentient seahorses, that had been facing imminent extinction in the form of a rogue exoplanet — she had nearly forgotten her unsettling, vivid dream.
--
Given the recent events on Skaro, Clara was unsurprised when bits of her experiences there began to filter into her dreams. Truthfully, she had expected to dream of it more often than she did, but in the weeks that followed, more nights than not her sleeping mind instead conjured up the strange orange landscape. She revisited that screaming sandstorm so often it became almost comforting, and before long, other dreams joined it. 
Clara was leaned against a railing on a high balcony, overlooking a large city coming alight as dusk crept on, a rusty sunset that stretched the width of the horizon bathing the world in amber. The woman with the serious eyes and long, straight blonde hair stood beside her, in the middle of a conversation, as happened so frequently in dreams.
“Alright, but what about the last stage?” Clara asked, elbows resting next to hers on the railing. “That bit depends on us actively doing something, and you know we can’t rely on my knowledge. I can’t take any of the engineering or navigation with me, so it’ll be down to him.”
“And he loves a good puzzle,” the other woman said confidently, flicking her hair over her shoulder with a twitch of her head. “He’ll want to find us. He’ll figure it out.”
“Before I die of old age? Are you sure? My mother was one of his professors at the Academy, I’ve seen his test scores. I think we need a fail-safe.”
“He did graduate,” she pointed out reasonably.
“He passed his exams with a fifty-one percent on his second attempt! No, we can’t assume he’ll have all the baseline information to even consider such a solution, much less actually accomplish the maths. We have to find some way to hide it with me,” Clara said. “Or in his TARDIS.”
The woman was silent for a long moment, her mouth set in a thoughtful line. On the distant horizon, the sun had finished its slow descent, but below them the city was coming to life, the light not so much fading as changing sources, becoming ever so slightly more golden.
“By that point in the timeline,” the blonde woman said, speaking slowly, still thinking it through, “you’ll have been exposed to his timestream and to the crack in the universe, so some of your memories will probably start leaking through. If we structure the extraction the right way, we might be able to embed a particular thought or moment into your consciousness before you go into the Schism.”
“What’d you have in mind?” Clara asked, turning her head to look at her.
“This conversation?” she suggested, laughing, her broad smile transforming her face. “No, a phrase would be cleaner, I think.”
“‘Run the math, you idiot boy’?” Clara suggested, also giggling.
“Oh yes, that’d go over well! No, if you want him to do something, call him clever. Works every time!” she laughed, leaning her shoulder into Clara’s.
“The horrid thing is that I know the temporal physics for this is part of my mother’s coursework,” Clara groaned. “If he hadn’t slept through so many of her classes, this would be a non-issue!”
“Ah, but a Doctor who was always responsible? What a boring universe that would be!”
Above them, the stars were beginning to come out, though the glare of the city obscured them. Through the haze of the dream, Clara couldn’t find any constellations she recognised. “You don’t have to tell me,” she said. “I was the one who helped him steal that box in the first place.”
“And if he could take half a moment to remember that,” the blonde woman said seriously, “he might realise the role of his TARDIS in all of this, and start to think of the solution that way.”
“‘Run the math, you—”
“Clever.”
“—boy, and remember when you met me’?”
The other woman nodded, considering. “That could do it. Your chronodeterminate conjugation won’t work until you come into contact with at least a little regeneration energy. Assuming you choose regeneration on Trenzalore, it might start kicking in then, in plenty of time for the last stage.”
“Run the math, you clever boy, and remember when you met me,” Clara whispered up to the distant stars, cradling her chin on her arms against the railing.
The woman mimicked her position, the golden light of the city and the silver light of the stars catching in her long pale hair. “It’s just physics,” she murmured back. “Start from zero and run the math. I’ll be waiting at the other end of that equation. We’ll all be waiting.”
--
As unsettling as they were, at least the orange-tinged dreams were better than nightmares of Daleks, of being locked in the Dalek casing, unable to convince the Doctor that it was her, it was her, she wasn’t a Dalek, she wasn’t a Dalek! Dreams of the Doctor peering at her down an eyestock, this face or the last, or any of the others buried deep in her subconscious, hearing her but not knowing her, seeing her but not saving her.
Clara grasped for that orange sky, let it carry her away in bronze sandstorms, golden cities slowly coming to life, and starlight caught in tawny hair.
--
Monday morning third period found her Year 10 students taking an essay exam while Clara doodled on a scrap piece of paper, trying to pull images and phrases out of the orange haze that had taken up residence in her slumbering hours since Skaro. There were bits that tugged at her memory, like a song she couldn’t quite place but whose tune was intensely familiar.
She’d written Run the math, you clever boy, and remember when you met me across the top of the page, and her eyes strayed to it every few seconds. The phrase had stayed with her after she woke, and had been on the tip of her tongue ever since, as though it was a message she was meant to deliver. Below it she’d rewritten the phrase, but crossed out six words: Run the math, you clever boy, and remember when you met me.
It was too close for comfort to the phrase that had, in retrospect, changed her life, sent her on her current course. The Maitlands’ mnemonic for their wifi password, which she’d said out loud during that first phone conversation with the Doctor, had caught his attention somehow, and it wasn’t until she jumped into his timestream that she understood. It was the last thing she’d said to him before sacrificing herself to save him. Every fragment of her scattered through his timestream had said it to him at some point as well, the words reverberating endlessly up and down his timeline.
Why her dreams would dredge it up now, and in such a strange context, Clara had no idea. They didn’t feel like random images, but more like memory-dreams, like the bits of echo lives that filtered through to her sleeping mind from time to time. It had to mean something.
Half way down the scrap paper she’d written: It’s just physics. Start from zero and run the math. Below this was the very helpful ??? and Clara idly traced over the question marks again. Physics was still a foreign language to her, despite how much the Doctor prattled on about it at times. She could bring this to him, she mused, but what was it, really? Her subconscious doing backflips in the wake of Skaro, that was all. No grand mystery to solve, no universe-altering secret code, just her. She wouldn’t bother the Doctor with this quite yet.
Besides, she was certain she could tease this apart on her own, follow the clues to their logical conclusion without his assistance. The dreams were insistent, and felt familiar, but Clara was sure she’d never dreamed of the blonde woman and the orange sky prior to Skaro. That was the next clue, then, and she jotted it down on her scrap paper. Something had changed after Skaro, something that caused her subconscious mind to dredge up these particular buried memories. 
She needed more information. Dreams about her echo lives were always stronger when she was aboard the TARDIS travelling in the Vortex, sharper and easier to remember. Maybe these orange dreams would be, too. And maybe the TARDIS itself would have some answers for her.
--
Of course, she didn’t sleep aboard the TARDIS very often, with her insistence on returning home for a week of Real Life in between their Wednesday trips. But the Doctor was never adverse to her sticking around longer than she’d planned, and in the end it didn’t take much to convince him: 
“I’ve a staff meeting at work that I’m dreading,” Clara told him on that next Wednesday, when they returned to the TARDIS after their latest outing. “So what do you say I have a little kip and then we squeeze in another adventure before you take me back to face my workday?”
She thought for a moment that the Doctor might question the change in their routine, but he seemed thrilled about the idea. When he announced that he had some tinkering with the engines he’d been putting off that should keep him occupied while she slept, Clara made an excuse to linger in the console room — “just going to finish reading this chapter, then off to bed” — until after he’d gone. Once he’d disappeared down the corridor and around a corner, she quietly set aside her book, then slipped out of her armchair and down the stairs towards the console. The rotors hummed overhead, and somehow Clara knew the TARDIS was aware of her, and was curious to see what she would do.
Carefully clearing her thoughts, she made her way over to the telepathic circuits, pushed up her sleeves, and slid her hands into the strange interface. Focus was the key, she knew, and she was nothing if not focused. She closed her eyes and held two very specific thoughts in her mind: the sand-whipped orange sky in her dreams, and the clear question, Where, please?
She hoped the please would help.
It was a long quiet moment with the circuits warmly cradling Clara’s fingers, and then something on the console beeped. Her eyes flew open and she carefully extracted her hands from the telepathic interface before pulling the monitor down to eye level.
Gallifrey the screen read in English, below an image of a startlingly red-orange planet. Immediately prior to the Time Lock.
Clara felt her heart thud painfully against her ribs as she read the brief text again. She’d been dreaming of Gallifrey? She knew she’d had an echo life on Gallifrey, but she remembered that interaction with the Doctor, and it happened indoors. She had never before dreamt of the Gallifreyan sky. Had it been buried somewhere in her subconscious with the rest of her memories of that life? Why surface now?
More confused than ever, she clicked the screen back to the desktop, unreadable Circular Gallifreyan floating idly across the display. Perhaps she should bring this up with the Doctor — it was his home world, after all. But the whole point of this had been to dream while they were in the Vortex, and if she didn’t get a move on, he’d be ready for their next adventure before she’d even managed to fall asleep. She could talk with him about it later. 
And if things worked tonight as she hoped they would, maybe she would even have a bit more information to bring to him when she did.
--
“Fire suppressant in Pod Four!” 
The frantic call was quickly overwhelmed by the sound of the requested suppressant dispensing from the ceiling. When it ended, the speaker, dressed in the dark red uniform of a technician, brushed soot and foam off his shirt. 
“It hates me, that one,” he said, nodding at the unassuming gray cylinder in the open pod in front of him. It was devoid of features, even its doors invisible now in the wake of the fire, two meters tall and one meter in diameter, just like all the other patients in the workshop. But somehow it did seem to be glowering at him.
“And it always will, stop wasting your time,” his coworker said flippantly. He was perched in front of a console on the other side of the room, deep in his own repairs. “Just get the Impossible Girl to do it, she’ll have it eating out of her hand by lunchtime.”
Their conversation occurred in the time it took Clara to enter the large oblong workshop and make her way to the far end where the two were working. “I heard that,” she said seriously, earning a guilty-looking jump from the man who had spoken most recently. She continued over to Pod Four and leaned against the outer casing, arms folded over her uniformed chest, one booted ankle crossed over the other. “What did you do now?” she demanded of the first technician.
He looked at her with wide eyes, more out of genuine fear than mock innocence, in her estimation. “I just told it—”
“You what?” she snapped, in a tone she usually reserved for misbehaving students.
He wilted a little but started again “…I told it to—”
“Told it?”
“…to give me access to the logs,” he mumbled, dropping her gaze.
“Told it to give you access to the logs?” she asked, voice harsh. “Well first off, Number Four here prefers male pronouns, respecting that might put you on better footing. And secondly, as with all TARDISes, you’ll get a lot further if you ask rather than tell.”
Behind her, the other tech scoffed. “They’re machines, we shouldn’t have to baby them like that. An access request is an access request.”
Clara turned her head to pin him with an icy glare. “Some days I cannot believe I let you work here,” she told him bluntly. “They aren’t just machines, as you very well know. Yes, there’s hardware we need to be able to work with, but that’s nothing more than a radio, at some level — only instead of radio waves, we’re using oswin waves to talk to pan-dimensional beings so large, they can’t have a physical form in this dimension. Who, with a little extra energy, can take us and an infinite amount of folded space to nearly any point in spacetime. Just think about the massive intelligences that speak to us through each of those machines!
“But more to the point,” she said, turning back to the tech still covered in soot, “you have to understand their viewpoint of the universe, and their understanding of time. A Time Lord telling a TARDIS what to do is akin to creating a fixed point in spacetime. It’s in their nature to want to avoid fixed points. Ask instead, let him find his own way ‘round to it.”
Before the beleaguered technician could reply, there came a polite knocking from the far end of the room, and Clara turned to see a soldier standing in the doorway of the workshop, looking a little out of his depth. “Sorry to interrupt, but I have a message for—” he paused to glance down at the datapad in his hand, “for the Oswin. From the Lady President. Top priority.”
Clara was moving towards him before he’d finished speaking, curious and concerned, her attention focused on the message in his hands. But the dream faded out before she reached him, her mind moving on to something more abstract, more difficult to hold on to.
When she woke in her bed aboard the TARDIS, she stared at the ceiling with fond frustration. “If that was your attempt at help,” she whispered to the ship, “then I do not understand the message.”
--
It still wasn’t enough to bring to the Doctor, she decided later that day, watching him spin around the console room in the afterglow of a successful adventure, people saved, the universe bettered. So she was dreaming of Gallifrey, what of it? Many of the details in that last dream matched up with what she remembered of her interaction with the Doctor in that life. And while he occasionally enjoyed comparing memories of all the times her echoes had met him, she’d found he wasn’t especially keen on discussing the one in which she’d helped him steal the TARDIS and leave Gallifrey. Susan continued to be a point of pain for the Doctor, all these centuries later, and Clara understood him well enough to know better than to pick at that particular scab.
Still. That phrase was on a loop in her head: run the math, you clever boy, and remember when you met me. The emphasis on their meeting hadn’t been part of the original phrase, and now she was dreaming of the life in which they’d met face to face for the first time, from the Doctor’s perspective. Clearly they would have to discuss it at some point. 
Eventually, but not yet.
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Charmed Again: Season 3 (Charmed Fanfic) Master-List
Episode 6 - The Death of The Charmed Ones (International Fanworks Day Special)
Warnings: I don’t own the rights to any of the characters from the hit TV show “Charmed” or the storylines related to the show those rights belong to original creator Constance M Burge.
15+ Moderate/Graphic Displays of Violence, Sexual Innuendos, Witchcraft and Potentially Triggering Scenes.
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Paul Halliwell was working late one night at Halliwell and Turner typing away on his laptop while sat behind his desk in his office when suddenly a picture of himself, Pan and Drake who was holding Lilah placed on his desk in a frame fell of the desk and smashed causing Paul to stand up from his chair and walk over to pick up the pieces of the broken frame only for the eldest Halliwell to be hit by a premonition.
In Paul’s premonition he saw Drake walking into the dining room of the Halliwell Manor looking alarmed as he saw the window in there smashed and covered with blood before turning to look at a table which was covered in broken glass from the window as Drake continued walking through the dining room only to break down in tears and horror when he oversaw Paul and Pan’s lifeless and bloody bodies laying on the floor of a blood soaked foyer before Paul’s horrifying premonition came to an end.
“Oh no this can’t be good.” Paul mumbled to himself before accidentally cutting his hand on a piece of glass from the broken photo frame he attempted to clean up as Raven knocked on the door before walking into Paul’s office.
“Ouch what happened in here? Pretty quiet for a demonic attack.” Raven joked before becoming alarmed by the look of horror on Paul’s face. “Paul what is it? Are you okay?”
“No, I don’t think I am or at least I don’t think I’m going to be.” Paul replied.
That same night Drake walked into the currently not ruined dining room of the Halliwell Manor wearing old pajamas and a face mask while chowing down on a tub of mint chocolate chip ice cream only to be left stunned to see Dermot sitting at the table clearly waiting to see him.
“What the bloody hell are you doing in my house?” Drake asked his boss before ripping his own face mask off causing him to let out of small scream of pain as he threw the remains of the face mask onto the dining table.
“I must admit despite the horrifying image in front of me the Halliwell Manor is even more stunning up close.” Dermot replied while snickering away at Drake’s current state.
“Yeah that didn’t answer my question buddy!” Drake snapped as he put his ice cream and spoon down on the dining table.
“I need you and the fellow charmed ones’ assistance with a certain situation I’ve found myself in so if you could hurry along, get changed and get the others I’d be very grateful.” Dermot told the Halliwell hybrid.
“Yeah you see the thing is my dad’s working late for the third night in a row and my aunt is currently on honeymoon with my best friend so if you’re looking for the charmed ones then I’m afraid your out of luck.” Drake took pleasure in telling his boss.
“And what about you? You don’t seem to be even remotely busy.” Dermot asked him.
“Not busy correct but also not interested in helping you with whatever dilemma you’ve got yourself into.” Drake made clear.
“Okay well that’s just rude and quite frankly unprofessional considering you’re a charmed one and the charmed ones are meant to help the innocent no matter what.” Dermot snapped at Drake as he stood up from his chair.
“Yeah that rule only applies to actual innocents and last time I checked the elders were far from innocent especially the one in front of me who very recently tried to get my dad’s girlfriend executed.” Drake replied before taking a deep sigh. “I’ll help you with whatever trouble you’ve got yourself into but only because if you wind up dead, I’ll be the number one suspect.”
“Drake this is serious I’ve received a very troubling and frankly rather terrifying letter placed on my desk within magic school.” Dermot informed Drake who instantly responded by laughing at the headmaster of magic school.
“I’m sure the person who wrote the letter was just expressing their hate without actually meaning to kill you.” Drake continued to laugh, clearly guilty of some letters himself.
“I’m not talking about your silly little passive aggressive bite me styled notes which are the weirdest form of flirting I’ve ever known I’m talking about actual terrifying death threats.” Dermot corrected him.
“Hey, they are way more sophisticated than bite me…” Drake tried to defend himself before going on to backtrack. “I mean you can’t prove those ones are from me!”
“Can we just try and pretend we’re adults for more than a second please?” Dermot asked him.
“You’re right I’ll go get changed and while I’m doing that you should probably write a really long list of all the people who would want you dead which let’s face it is going to take you longer than it’ll take me to get changed.” Drake replied.
“Please just be serious for a moment.” Dermot begged him.
“I was being deadly serious about that list.” Drake responded with a sinister smile.
“Well in that case nice pajamas Mr Black.” Dermot mocked him.
“Bite me!” Drake said before blinking out of sight.
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The next morning Pan and Lacey woke up in bed together within a hotel located somewhere in London.
“I wish we could just stay here forever and pretend the rest of the world doesn’t exist.” Pan told Lacey before pulling her wife in towards her for a morning kiss. “See now this is the life Mrs Morgan-Halliwell.”
“I don’t think your brother would be too happy if we didn’t even return home before moving out Mrs Morgan-Halliwell.” Lacey joked. “In fact, I’m fairly certain he’d cast some spell forcing us to return to San Francisco whether we liked it or not.”
“True but we could always have fun staying put until that day came.” Pan replied with a playful smile until the two brides were left stunned when Raven shimmered her way into their hotel room.
“Okay I hate to be the girl to break up what looks like a very happy honeymoon, but Paul sent me here because he had a terrifying premonition and you need to come home right away.” Raven told them both as Pan and Lacey climbed out of their bed and put on hotel robes.
“Was it so difficult to ask my brother for a whole week to myself?” Pan asked Raven with a snarky attitude.
“Paul had a premonition of you and him dying.” Raven revealed to a stunned Pan as an equally stunned Lacey was left horrified.
“I’ll check with the elders and see what’s going on.” Lacey told Pan before kissing her wife on the cheek and orbing out of sight.
“I’m getting so sick of one of us always being in trouble swear to god demons need to learn when to take a holiday.” Pan snapped. “No offense Raven.”
“You could’ve knocked first Drake I could’ve been busy with a student or another member of the faculty.” Dermot complained after Drake stormed into his office and threw himself down on Dermot’s couch while Dermot sat behind his desk.
“You could’ve knocked before breaking into my house last night, but you didn’t so let’s not going around throwing stones now.” Drake replied to his boss. “So, I tried interrogating but then I was like Drake you stop being a detective for a reason so instead I decided to get some students onto casting an identity spell figured they may as well learn something new and it would save me time playing Clue-do with you.”
“No don’t get them doing that using the students as your lackeys is totally unacceptable not to mention dangerous I mean who knows if their even ready for that kind of spell.” Dermot argued with him.
“Okay chill Mr uptight I picked the best students if anything this spell is going to be easy play for them.” Drake told Dermot, not understanding why Dermot had such an issue.
“I demand that you stop the students casting this spell at one.” Dermot shouted at Drake as he stood up from behind his desk.
“Okay I’ve about had it with your attitude.” Drake snapped back as he stood up from the couch. “I’m trying to help you and yet you’re still being a total dick can’t you just say thank you for once in your life!”
“Okay thank you.” Dermot said reluctantly before taking a big sigh, clearly frustrated. “Please just stop the spell.”
“Why should I?” Drake questioned the headmaster.
“Because I’m the one who wrote the damn note.” Dermot admitted much to Drake’s fury.
“You’ve got to be kidding me!” Drake shouted before storming out of Dermot’s office as Dermot quickly chased after him.
“Drake just stop for a second and let me explain.” Dermot shouted at Drake causing the two of them to stop in the main hallway of magic school.
“I gave up my day off the first weekend in a while where Cindy has Lilah and I wasn’t working or doing charmed duties and I have to give that all up so you could play me like some fool.” Drake snapped at him.
“I wasn’t trying to make a fool out of you I just wanted to spend some time with you.” Dermot explained to Drake.
“More like you wanted to spend time moaning and complaining to me because for some reason you’ve got some issue with me!” Drake argued. “I don’t know what the hell your problem is but I’m getting really tired of it.”
“My problem is that you drive me crazy crazier than anyone I’ve ever met, and I’ve been around for centuries so that’s quite the achievement.” Dermot admitted as he walked closer towards Drake. “My problem is that you challenge everything I’ve ever believed in and yet despite how irritated and frustrated you make me I can’t seem to get you out of my mind!”
“Okay I’m sick of your constant…” Drake began to say before Dermot kissed him once again.
“I like you stupid!” Dermot declared before the two shared a look of longing for a moment before they began passionately kissing each other and tearing at each other’s clothes as they began crashing back towards Dermot’s office.
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“You know after you filled me in on this whole premonition of me and Paul laying dead in this house everywhere, I go has got me jumping out my skin.” Pan told Raven as she walked into the kitchen of the Halliwell Manor to find Raven sat at the kitchen table drinking a glass of water. “That’s the first time I’ve ever saw you not drink wine don’t tell me this premonition has you scared sober.”
“Not exactly I know it’s not Paul’s first premonition in which one of you die he informed me of that not that we shouldn’t still worry of course but I have confidence you’ll kill whatever demon is coming like you three always do.” Raven replied to the newlywed Halliwell as Pan walked over and sat down next to her. “I’m sorry your honeymoon’s being ruined I guess it’s just a case of one nasty surprise after another.”
“Well if us dying hasn’t got you sober…” Pan began to say before looking at the glass of water and realizing what was up for herself. “Oh my god my brother’s done it again your knocked up aren’t you?”
“A girl restrains from drinking one occasion and you assume she’s pregnant?” Raven tried to deny for a moment before realizing she had to tell someone. “Okay I’m pregnant but trust me when I say I never planned any of this I mean it’s literally the worst possible timing.”
“This is great news!” Pan screeched as she stood up, pulling Raven up too and in for a hug. “I’m so thrilled I’m going to be an aunt again…Paul’s going to be a dad again…oh my god Drake’s going to be a brother.”
“Okay I’ve got to admit that is so not the reaction I was expecting although I think I’m happy by your response.” Raven replied. “I didn’t plan any of this and Paul and I haven’t even said we love each other yet.”
“Paul’s loved you since your first kiss he was your sucker the minute you laid those lips on him Missy you have nothing to worry about…unless you don’t love him?” Pan answered.
“I do love him of course I do…” Raven admitted. “I just wanted him to say he loved me without a baby making him biased. Don’t get me wrong I’ve always wanted to be a mum and start a family I just figured I’d do it the old-fashioned way I’m kind of an old-fashioned demon.”
“Listen Paul loves you and you love him there doesn’t have to be any complications if you don’t let there be.” Pan advised the baby mother of her future niece or nephew. “I’m just glad it’s you he knocked up instead of Lacey I mean the guy has previous with Eve.”
“Yeah I suppose this demonic pregnancy has nothing on that one.” Raven joked. “Are you sure everything’s going to be okay?”
“You mean after we stop Paul’s premonition from coming true and stop us all from dying?” Pan asked sarcastically before hugging Raven once more. “I’m just kidding we’ll kick this demon’s ass and then we’ll celebrate another baby in the Halliwell family! Don’t worry everything is going to be fine.”
Lacey orbed into Dermot’s office with Paul by her side after picking him up from work after her little visit to the elders proved unhelpful only for the two of them to be left shocked to see Drake popping up from behind his desk using a laptop to cover his naked body.
“Guys what are you doing in the headmaster’s office without knocking?” Drake asked them nervously.
“Why are you in the headmaster’s office naked?” Paul asked his son. “I mean I know you like to flaunt your body, but this is a school not to mention your boss’ office.”
“I’m trying this new fitness regime that’s really trendy right now besides this part of the school is closed so thought why not exercise naked.” Drake blatantly lied as Lacey noticed somebody’s else feet popping out from the end of the table.
“I’m guessing your in the boss’ office because he joined you for this little naked exercise?” Lacey teased her best friend before Dermot jumped up from behind the desk also very naked and using a stack of books to cover his modesty.
“Mr Halliwell it’s good to finally meet you!” Dermot greeted Drake’s father awkwardly. “I’ve heard a lot about you.”
“Do you seriously have to sleep with all your bosses?” Lacey laughed at Drake while Paul rolled his eyes in disapproval of the situation, he had just found himself in.
“Drake we don’t really have time for you to seek out another wayward romance that’s never going to work out.” Paul told his son. “We need you back at the Manor now!”
“Hey!” Drake snapped at his father. “You barged in here this is on you not me besides who says this is even romance?”
“I don’t tend to make a habit out this.” A nervous and still very naked Dermot tried to make himself clear.
“To be fair Paul, your son’s been with demons and white lighter’s what an elder or two added to the list?” Lacey joked with her brother in law. “At least this one isn’t wiping his brain, trying to make him king of hell or using him to reunite with his own father.”
“I feel like we’re setting the standard real low for him.” Paul laughed with Lacey.
“Can you guys just get our of here already?” Drake begged them both.
“Very well kiss your boss goodbye and meet us back at the Manor.” Lacey replied as she grabbed a hold of Paul’s shoulder and the two of them orbed out of Dermot’s office.
“So, this isn’t a romance then?” Dermot awkwardly asked Drake.
“God knows.” Drake laughed to himself.
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“Listen I’m telling you there is nothing to worry about.” Pan said as her and Raven walked into the dining room and sat down at the table. “We’re power of three whatever’s coming for us this time and then you can get straight to telling Paul the happy news.”
“Let’s just hope Paul takes this as well as you do.” Raven replied. “What if he doesn’t want another child? What if it hurts him too much to consider starting again with another baby after having to give up Drake when he was a baby?”
“That’s exactly why this is brilliant news look I wouldn’t change Drake for the world and neither would Paul but there’s not a day that goes by where Paul doesn’t regret raising Drake and now he finally gets a chance to be a father from the very beginning.” Pan told Raven, trying to reassure the demon. “It doesn’t mean he’s any less of a father to Drake or will be any less of a father to him when this one is born it just means he gets two children instead of one and trust me he’s going to be thrilled.”
“Thanks, you and Lacey are going to be wonderful mothers when the time comes.” Raven complimented the Halliwell witch. “You’ve made me feel so much more at ease.”
“I’m sorry I took my time turns out the elders were completely clueless about Paul’s premonition.” Lacey apologised after orbing into the dining room with Paul by her side.
“That’s okay I guess this just means holding tight till we work out more about who’s going to attack.” Pan said as she stood up from her chair and hugged her wife.
“Raven you’re still here!” Paul smiled as Raven stood up, walked over to her man and kissed him on the lips.
“I love you!” Raven declared to the eldest Halliwell.
“I love you too!” He replied.
“Listen Paul there’s something I need to tell you...” Raven began to say until suddenly a bullet pierced through the dining room window smashing the glass in the process as it headed for Pan’s direction who tried to freeze the bullet but her power’s failed on her as the bullet went straight through her forehead causing an instantly lifeless Pan to go flying backwards into the foyer of the Halliwell Manor as the three others screamed in horror.
“Pan!” Lacey frantically screamed as she rushed over to her wife, knelled and attempted to heal Pan only for her healing powers not to work much to Lacey’s horror as she continued screaming. “Heal...god damn it, powers don’t fail me now!”
Suddenly another bullet pierced through the kitchen window this time heading straight in Paul’s direction as he was hit in the chest and fell down into the foyer next to his lifeless sister as he looked over at Pan as Raven continued to scream in horror.
Lacey quickly and gently placed Pan down before moving over to Paul attempting to heal her brother in law only for her powers not to work once more.
“Quinn! Paige! Somebody please!” Lacey screamed as Raven rushed over to Paul grabbing a hold of his hand while Lacey stood up covered in both the blood of her wife and her wife’s brother as her look of heartbreak turned into a look of pure rage before she orbed away.
“Stay with me okay you’ve got to stay with me!” Raven cried frantically. “This can’t end like this we can’t end like this I love you Paul.”
“I love you too.” Paul replied before his eyes closed causing Raven to scream louder as she watched the man she loved died.
Meanwhile a grief stricken, and vengeful Lacey orbed herself outside of the dining room window in the back garden of the Halliwell Manor to find a woman dressed all in black holding a rifle that had clearly been used to kill Paul and Pan.
Before the assassin had any chance to shoot at her Lacey launched herself at the woman jumping onto her and causing them both to fall to the ground as Lacey began repeatedly punching the villainess in the face before picking her up and throwing her head against the dining room window completely smashing all of the glass in the process as a wounded and bloodied assassin fell to the ground.
Lacey walked over towards the rifle, picked it up and aimed it in the murderous woman’s direction before Raven shimmered herself into the garden to stand by Lacey’s side with her eyes still red raw and her body still trembling from just having watched Paul die.
“Lacey!” Raven screamed at the vengeful white lighter. “She’s human we can’t kill humans I know you want to and trust me so do I but killing her is not the answer.”
“Maybe not,” Replied a broken Lacey before she fired the gun several times at the assassin making bullet after bullet pierce the body of the woman who had killer her wife and her wife’s brother.
“What have you done?” Raven cried before a broken Lacey orbed away dark lighter style.
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Drake blinked into the kitchen of the Halliwell Manor before walking into the dining room where he was instantly alarmed upon see the dining room window completely smashed with blood covered on what remained of the window before he turned to look at the dining table which was covered in broken glass from the window as Drake continued cautiously walking through the dining room only to let out a huge scream as he saw the lifeless and bloodied bodies of his father Drake and his aunt Pan as he quickly rushed over to his father and began sobbing uncontrollably as he picked his father up into his arms.
“No!” Drake screamed as he hugged into his father while shaking erratically back and forth. “This can’t be happening again! I can’t go through this again! Come on dad please just wake up please don’t leave me dad…please don’t leave me!”
Drake continued to sob and scream uncontrollably while hugging his father’s lifeless body tighter and tighter, accidentally covering himself in his father’s blood before a group of police burst in through the front door shouting “It’s the San Francisco Police please stand up and put your hands where we can see them.”
Non-corporeal versions of Pan and Paul suddenly appeared within the attic of the Halliwell Manor looking at each other with pure confusion in their eyes before a non-corporeal Piper Halliwell appeared in front of them as the two siblings instantly realized what had just happened.
“I’m sorry my beautiful grandchildren it’s never easy saying goodbye even if you are given time to do such.” Piper said to them both with tears in her eyes. “I thought I’d come here and guide you along the way to try and comfort you both as much as possible. Death kind of owed us all a favour.”
“I don’t want to go I was finally happy I finally got my son back and I found someone I really love.” Paul told his grandmother, pleading for his death not to be finale.
“I just got married we were going to have children together.” Pan cried. “All that can’t be over before it’s even begun.”
“I don’t want to leave them!” Paul cried while grabbing a hold of his sister’s hand.
“We never want to leave when our time comes and yet it still comes.” Piper admitted to them both.
“Are they going to be okay without us?” Pan asked her grandmother.
“No not for a really long time.” Piper cried. “But in time their going to be okay their going to be better than okay and their going to be stronger than ever because you both taught them how to be strong.”
“I can’t believe this is over.” Paul said with a broken look on his face as he and his sister began walking towards their grandmother.
“I know my darlings, but I promise you everything will make sense in time.” Piper cried as she hugged her grandchildren before all three of them disappeared.
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arofili · 5 years
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for the fanfic writer asks - 5, 8, 9 for "and Love", 12, 17, 25, 41, 49? (you definitely don't have to answer all of these, just whichever ones you feel like answering!)
5) If you had to choose a favourite out of all of your multi chaptered stories, which would it be and why?
Oh geez, this is hard! I’ve really enjoyed most of my multi chapter stories. Honestly, I’ve probably got to go with Beneath the Stars - that was the first really long fic I wrote for the Tolkien fandom, and it was such a labor of love. I mean, all my fics are, but that one especially I poured so much energy into, writing about the future Tauriel didn’t get to have in canon. I don’t post or write about her nearly as much as I used to, but she is still one of my all time favorite characters!
8) Where do you take your inspiration from?
Hmm… i mean, tumblr, a lot of the time! Talking about theories with people like @waitineedaname @but-what-if-i-fly @thishazeleyeddemon and @buffintruder really gets me pumped about writing! and just seeing the Silm fandom’s endless theories and analysis inspires me more every day. And reading source material, too! i have so many ideas just from my recent TFOG read, it’s crazy. I am never lacking for inspiration, it’s actually kind of a problem! I have way too many things to write!
9) In your xxx fic, what’s your favourite scene that you wrote?
[and Love]
Oh geez, that one is full of scenes I love! Probably the one where Magnus and Lucretia are under the stars on a more peaceful cycle, and they decide that they’re in a QPR. Like their whole relationship makes me so emo in general, but that particular moment…gosh, my heart is so full just thinking about it.
12) Who is your favourite character to write for? Why?
Again, this one is really tough! I already picked my Tauriel fic for my favorite multi chapter fic, so I can’t go with her… I guess Fili or Legolas! I project onto both of them a LOT, so it’s difficult for me to differentiate which is my favorite, but really any time I get to write about those boys is a delight. For TAZ it’s definitely Magnus, although I have a soft spot for Kravitz too!
17) Post a line from a WIP that you’re working on.
Most of the fic I’m working on right now is actually in the planning stages… so have this fragment from the later chapters of Unanticipated where the child of Haleth and Caranthir is struggling with their identity. [Also I literally just wrote this so it might not actually make it into the story, but the cousins meeting has been on my mind for awhile!]
“Are you a Kinslayer if you’re a half-elf who kills a mortal?” Rýndil asked bitterly. “Because then maybe I do fit in with the rest of the Fëanorians.”
“You—what?” Celebrimbor said, his eyes widening. “A half-elf?”
“I thought you’d be more concerned about the Fëanorian part.” Rýndil raised an eyebrow. “Considering you’re one yourself. That would make us cousins, wouldn’t it? Your father is Curufin. Mine is Caranthir.”
Celebrimbor stared at them, gobsmacked. “I thought I was the only one!”
“What, you’re a half-elf too?”
“No! I thought I was the only grandson of Fëanor!”
“You are. I’m not a man.” Rýndil sighed. For someone supposedly as smart as Celebrimbor, he was having some difficulties putting together the pieces. “Not a woman either, before you ask.”
“You have to meet Gil-galad,” Celebrimbor said earnestly, jumping right over that topic. “He’s—well, that’s his secret to share, not mine, but you simply must meet him.”
25) Have you ever cried whilst writing a story?
OHHHH YEAH. Several times while working on my novel! Almost any time I get to finish a really long fic! And I made myself cry while writing “and Love” during the scene where Magnus realizes Julia is dead, and then again at the incredibly sappy sweet ending where EVERYONE IS HAPPY.
41) What’s you favourite minor character you’ve written?
Ah, geez, another toughie…Gil-galad is always fun! I’ve done a couple different takes on him, and I’m planning more :) Also, Haleth - I love her so much and I’m having a lot of fun portraying her as a no-nonsense middle-aged woman. Most of the time in fandom she’s portrayed as like a young woman (and that’s totally valid!), but according to Tolkien’s notes she was actually 35 when she took command of the Haladin!
49) Can you remember the first fic you read? What was it about?
Ummm probably not the first fic I read, but I can tell you about the first one I was really obsessed with! I was on the Official Warrior Cats Forum, I was about 9 or 10? And there was some really long (at least it seemed long to me!) fic that kind of picked up where the most recent book had left off and delved really deep into a possible future. I don’t remember much about it other than it had several sequels, it was posted one-post-per-chapter in a really long thread, and it featured the child of Hollyleaf and Sol who was named “Clanheart” I believe. I loved it so much I compiled the entire thing, all of the “volumes”, into one big WordPerfect doc (my parents didn’t have Word. they still dont actually lmao) and printed it out so I could read it at school! I also would make posts in the thread of just. The entire fic in one post instead of spread out over multiple posts. The author kind of got annoyed at me doing that so I stopped, but I was sooo in love with the story. I think it really must have been one of the first fics I got into because it was also my first attempt at expressing my enthusiasm for someone else’s fanworks!
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summertime-children · 5 years
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WIP Challenge
Tagged by @kikithedeceiver​ (thanks~)
Tagging: @starspatter​, @cookiehoodie​ and Meli if she ever sees this bc I want a snippet of all her unwritten knkd fics (?) (and if any writer out there needs a nudge to share their WIPs, feel tagged!)
Challenge: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous.
I’ll do what what Kiki did and post titles of my WIPs with comments and short fragments of them? I’ll share here only my kagepro WIPs (so basically kidokano/Kano ones lol). A little warning before we start: it’s going to be very long lol bc I can’t finish fics to save a live and I have... lots of ideas, plus I never get to talk about them >.> Also they’re going to be getting gradually worse bc I’ll go from newest to ancient-est. (Full disclosure tho, those aren’t raw quotes from my WIPs bc some had so visible grammar errors, I just had to fix them + I always put notes in my works, like every second word lol) Here we go.
Listen
Comment: This is the freshiest one, I was writing bits of it merely the day before, and because of that I still naively believe I will finish and post it soon, so I won’t say anything more about it.
”I want you to understand. You… need to know there’s so much to love about you!”
“Haha like what?” he laughed with bitter sounding laugh, something that must had slipped as it was followed by a face she had occasion to see only a few times- a face of regret. Regret of choosing wrong words, wrong mask to put on or forgetting to put her at all.
Different ways to say it
Comment: Just a short fluff where Kano’s snarky bottomness is showing lol
“You should’ve asked ‘Can you kiss me?’ instead.”
Kano is dumbfounded for a few seconds before he snorts.
“Right.” he begins with a playful grin “Let me fix that. Can you, Kido Tsubomi, the fierce leader of Mekakushi Dan, my girlfriend, my sun, my stars, the love of my life, the love of my thousands other lives, do me an absolute honor and light up my da-“
He didn’t even manage to finish before he felt the pair of soft lips landed on his, catching his words.
New chapter
Comment: Won’t say much about it because it’s supposed to be a gift for certain someone~ But here’s a little sneak peek 👀
That was weird. They never really talked about having any pets. They talked about having kids (as much as stating that they want to make a family together during several separate occasions counts), but the topic of having pets was never brought up and in a timespan of living together and even moreso of living alone together, they already had plenty of opportunities to get one. And yet Kano always knew that when Kido pictured their future family together there was also present a small ball of fur waving its tail and he could see it in her eyes at that moment more visibly than ever.
GrimReaper!Kido x Vampire!Kano
Comment: I was very disappointed with the knkd fanwork of that one Halloween art, so I decided to write something that would satisfy me (with no success so far rip).
The black figure that merged with the ubiquitous dark hanged up the big scythe they were holding on the wall, among the collection of similar but different in sizes scythes, proceeded to take off their shoes (but then put them quickly back on, changing their mind as soon as their feet met with the concrete) and pulled off the black hood of their cloak to reveal the long green hair, something that finally stood out in the darkness, before walking deeper into the room.
I can’t wait to fall in love with you
Comment: Inspired by well, that one sentence that is in the title and lowkey (?) by Meli’s lovely fic~ It’s the kind of fic that I myself call “(not) soulmates au”. It revolves around the idea that after so many timelines of falling in love with each other, they’re just bound to fall in love again... Even when they don’t remember their past lives...
“Oh man, I can’t wait to fall in love with you.” Kido turned her gaze towards the blond lying next to her on the couch. Her widened from being taken aback by his statement eyes met his golden, cat-like ones, tinted with the strange warm spark that she could feel she had yearn for a very long time. It lasted only a second though because soon her brows furrowed and her gaze dropped from those well-too-familiar (given the circumstances) eyes to her hands.
Two cats
Comment: Set in the sort of the au where they never died? On one winter day Kano takes stray cat to his house to take care of. It’s solely Kano fic btw.
Forgetting for a moment about his own advice (why he should had kept repeating it in his head) he looked over his shoulder to see if his stalker was still there and in that moment their gazes lock. “Crap.” He couldn’t help but think ‘curiosity killed the cat’ as a pair of similar eyes to his stared back at him.
hbd kido
Comment: Product of my procrastination. (As you may tell, I have a problem with it). One year I was slightly~ more productive and was kinda disappointed that I didn’t manage to write Christmas fic. So then I thought that I could save some time and write this fic where Kido has joint Birthday-NewYear party with Christmas decorations still lying around (including mistletoe *cough cough*) just in time for KidoKano Day killing not two, but even four birds with one stone. It’s sort of high school au btw.
“Hi.” The boy tried again. His face was embellished with wide grin and slightly flashed cheeks and in his hand she noticed a can of beer. Oh no.
“Hi, Kano.” She said with disinclination. It wasn’t like she didn’t like the guy. Even more, in the normal situation, like average day in the school, she would find a conversation with him a nice or refreshing thing. He was one of a few people that actually knew about her existence and despite her previous prejudice he turned out to be a pretty nice guy.
Christmas Event
Comment: I’m not sure what Christmas event that was for lol.
For Kano it was this time of a year when his Mother would stay home the whole day instead of going to work and she would be more kind to him. Though he wouldn’t call it exactly this way (it’s not like he felt she wasn’t kind to him normally after all), but she was definitely more forgiving.
Affectionate meme Requests
Comment: Requested for the writing meme in the year 2016. Keeps it as a reminder of how big loser I am (?) (just what this post manages to do so far lol) The prompt was “love bite” >.>
From her spot she couldn’t see him quite clear, due to the still turned off lights, so it was only up to her imagination to decide whether he recollected his mask or not. Maybe it was the second after all, because excluding two golden eyes that shone at her there were two bright spots that stood out in the dark, both marked on his skin.
M!KidoKano
Comment: It was supposed to be male!Kido x Kano fic and yeah... I’m emberassed about it tbh. Like, by the fact I wanted to write it itself. Idk now I find it rather weird to genderbend only one person from the pairing, especially in the fic and for that reason I won’t share fragment from it. Sadly it’s one of my better written pieces lol and going back to it I see I made male!Kido no differnt from the regular Kido... which makes it a good genderbend I guess, but also completely unnecessary.
Angsty Kano fic
Comment: I have no idea lol There’s almost nothing written there.
Even Greater Fear
Comment: Despite what title may suggest it’s more fluffy than angsty. KanoKido family fluff where Kano gets anxious about how happy he is now and that he might someday lose it too. Featuring my knkd fankids, Naoki and Reika.   
“Mom, dad is sad!” announced Reika with reproach. This she wasn’t expecting.
“What?” Tsubomi asked out of surprise and was followed by a low groan coming from behind the couch that could belong only to her beloved husband.  
“No, I’m not.”  She watched how the expressions of her children slowly changed from the ones of concern to the ones of disappointment and disgust.
“And he’s denying it.”
Inverted
Comment: Silly engagement scenario. If I ever finish that, it'll be my comedic genius’ peak I swear (?)  
He was clearly getting more nervous, the longer the searching wasn’t bringing any results. He let go of Kido’s hand and got his another one to help him search for whatever was supposed to be in that pocket. However, after a while his movements completely stopped and with some kind of dread in the eyes he whispered under his breath, “It’s gone.”
Time
Comment: Angsty setomary fic I wanted to write for SetoMary Spring (anyone remember that?) 
When she moved out to her new family the first thing she noticed was that time has significantly slowed down. Oddly, somehow it did accelerate at the same time. It was hard to explain and she herself couldn’t understand the feeling nor did she give it much consideration, but for the first period of living in that new world, new pace of that very activity- living- has struck her.
One in a million
Comment: An actual soulmates au (with the variation of the red thread concept). It’s way too ambitious for me lol (starting with the fact that it’s supposed to be multi-chapter story). I won’t share a fragment of it bc not much’s written and bc tbh there would be spoilers, in case I ever do post it. I could write about the concept in a seperate post though because I did a lot of world-building for it. (A lot for me, ok?)
Clear and present
Comment: Ghost AU. Baby Kano hides one time in the abandoned, partly burned mantion and that’s where he meets the ghost of (scary) green-haired teenage girl he befriends. Somehow got inspired by that anthology comic? Also I would listen to this song while attempting to write it lol. Not much was written though.
What I didn’t
Comment: This one’s rare. My only attempt at writing harutaka fanfic. (Funnily enough last safe was on kidokano day?... many years ago.)  In the manga Takane was pretty excited to give Haruka a present for his birthday, but he had an attack and was hospitalized so she didn’t and it wasn’t said (?) if she ever gave it to him later. So my idea for this fic was that she didn’t and how she was now trying to give it to him after three years. Took huge inspiration from this song: {x}
She didn’t have to wait long until there were heard slow, but at the same time hurried footsteps behind the door and soon it was followed by the sound of doors being unlocked. The doors before her opened revealing the light-brown-haired boy wearing excited smile and slightly oversized green sweater with embroidered reindeer. And one of these was just the warmest thing in this cold winter world.
Sneeze like a kitten
Comment: Inspired by one line from Gravity Falls lol It was just another thing I wanted to add to list of similarities between Kano and cats and I’m sure it would bring Kido joy too ;3 But as much as I still find this idea cute it is so awkwardly written lol. I kinda appreciate that it’s from Rin’s POV and that I tried using kinda fancier English for that reason (as fancy as I knew back then lol), but I guess first person fics will always sound weird. It’s set in a different route I guess where they sort of met before the orphanage.
Soon I noticed all her glances seemed to be directed at small boy with blond hair sitting alone on the bench, a little away from the playground. At first I was fairly surprised, not understanding why this particular boy had become her spot of interest, but giving more attentive look at the boy made me instantly realize reasons of her intent glances.
Connection
Comment: I have almost nothing written there and I barely remember it, but from what I can see it must be my original idea for the “formal event” prompt from the very first kanokido week. I... think it was sort of an au where they never died and they met at some sort of fancy party held by Kido’s parents where Kano was a waiter.
Oof that’s all (I mean all from the folder on my pc, but I won’t be getting into that). For a fair portion of it, I gotta objectively say there’s absolutely zero chance of me ever finishing them, but then (aside from the freshest ones that I still have on my mind) revisiting all those WIPs made me really want to revive some of them owo (some I would have to completely re-write tho OTL)
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cookiefonster666 · 5 years
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Thoughts on the Homestuck Epilogues (Tumblr Edition)
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I predicted the future!
Might as well adapt this Blogspot post I made about a week ago into Tumblr form, why not. With a few minor changes. I don’t like using Tumblr but I figure it’s a good additional platform to share my surprisingly positive views on the Homestuck Epilogues.
The epilogues have a lot of controversial content, most of which I avoid talking about here.
BRIEF SUMMARY
4/20, read through Meat: epilogues pretty good
4/20, started Candy: what the fuck
4/21, stopped: aaaaaaaaughhhhh bluh i hate everything
4/24-ish, continued Candy: epilogues alright i guess also i am sad now
4/27-ish, finished: I LOVE HOMESTUCK
BRIEF-ISH SUMMARY
Meat was a wild ride that started as cool plot stuff and things that make you go "OH FUCK", continued as basically chapters 7-9 of Detective Pony (which I naturally enjoyed a lot), and ended as a mess of sheer chaos and destruction. My thought process ended as, "oh duh, this is the bad ending, candy must be the good ending". I was in for quite the nasty surprise.
I quit reading Candy just a few pages in. It didn't take long for it to suddenly become the weirdest fanfiction ever. Frustrated, I started skipping and searching through later parts and got rather salty when it turned out both sides were the "bad ending". I saw firsthand what vfromhomestuck meant by "clear your whole week": this is not something most people can just read in one sitting. Then I recovered a few days and read Candy in earnest, in a somewhat anachronous order and with many parts read multiple times. Slowly, I started to hope that the epilogues would be followed up with a true happy ending for real this time. I may or may not have written a snippet of some form of fanfiction paving the way for a happy ending.
Once I finally accomplished the equivalent of reading Candy as intended, I got hit HARD with feels. I accepted that the epilogues have many issues but as a whole (not just the sum of parts) are an absolute masterwork, sometimes because of those issues. It didn't take me long to realize the brilliant duality either. Meat is a side-splitting metafictional farce that (for me at least) is impossible to treat as anything resembling a story of people doing things. Candy is a tale of FEELS, and I don't use the word FEELS lightly. FEELS means I almost cried, like I did when I watched the Futurama episode Luck of the Fryrish.
DETECTIVE PONY AND METAFICTION
Before I move on and talk about the CHARACTERS, I'm going to discuss the meat epilogue's resemblance to sonnetstuck's Detective Pony. I love everything about Detective Pony, more than almost anything else in existence. My abnormal love for that godlike fanwork probably skewed my perception of Meat a bit. Starting from page 17, Dirk takes over the narration then fights over it with god tier Calliope; both do rather questionable deeds and Dirk was hit hard by fans as a result. Seeing other fans react towards that character with such hostility gave me a very distinct feeling of "what, am I missing something?" Dirk's takeover felt like a lengthy work of comedy to me; a story that never strips away from the fact that it's fiction, in a vein near identical to that of Detective Pony. I like to think I am in the right for perceiving that arc this way, because I think everyone who has read Homestuck should read Detective Pony. One of the epilogue authors read Detective Pony after writing the epilogues and was struck by it; I take this accidental mirroring of (post-)canon as proof that sonnetstuck understands Hussie's ways through and through. I like to think I have a solid understanding of Hussie's ways by now, but this guy is on a whole new level.
That said, the meat epilogue gets a bit carried away with metafiction to the point of making me think, "god when will things go back to normal". Towards the end of Detective Pony, Dirk goes through an existential crisis followed by a powerful revelation, and then resolves to do whatever it takes to erase his abominable creation. But the meat epilogue ends with (both figurative and literal) crashing and burning; no ultimate redemption for our poor Strider. Homestuck doesn't usually have much of a problem with getting carried away with stupid nonsense; maybe a few rare occasions in cases like Hussie's self-insert scenes. But getting carried away is a major criticism I have with cool and new web comic. I love that comic to death, but the parts that take a long time to dwell on the cool and new characters being creepy or weird are a chore to go through. o (the author of CaNWC) seems to have improved in that regard; the cool and new trolls' arc is much more to-the-point with such nonsense.
Meat getting carried away with metafiction is a major cause of my initial burnout shortly after starting Candy. I was sick of this mass dump of metafiction and expected Candy to be a refreshing change of pace. Haha, if only. My fault for reading Meat first. At night I sometimes ponder in envy of the parallel universe me that started with Candy. Actually I don't do that, I just thought it was a funny thing to say. Though I have on more than a few occasions sat in bed fantasizing about how awesome my life probably is in some parallel universe. What point was I making again? Oh whatever, it doesn't matter. I guess I should write a similar overview of Candy's narrative nature. Here goes:
LUCK OF THE FRYRISH AND SADSTUCK
Sad things are sad.
^ There, that's my candy overview. How hard was that?
With the two summaries out of the way, I figure the best way to dump out my residual thoughts on the epilogues is going character by character. I won't do every character, mostly just the ones who played large roles and were already characters in Homestuck proper. I'm sorting these characters in tiers of how well I think the epilogues handle them, mostly from worst to best.
N-TIER
N is not the lowest tier; it's the tier that cannot be ranked. N stands for two things here: "Not Applicable" and "Narrators". Naturally enough, two characters fit into that tier.
Dirk Strider: I've already talked about this guy quite a bit. I have a fondness for Dirk's character and I think his dialogue and narration in meat do a good job portraying some ascended, ultimate version of his character without straying from his voice, the tone that makes him Dirk. That said, I'm a bit peeved that "normal Dirk", the one iteration of Dirk Strider that isn't total bonkers and just wants his friends to be happy, doesn't exist in this story. In Candy, Rose suddenly loses the memories of her alternate selves, but for some reason Dirk keeps those memories and soon after commits suicide; he's left out of the picture until Candy's postscript, which I guess is a reasonable balance considering his indulgence throughout Meat. But why is only one of the succulently verbose Strilondes let off the hook? Some readers imagine Dave as the comic's protagonist and Dirk as the antagonist; I've toyed with that idea myself and can see it symbolized, but it just feels so wrong to me. Maybe the authors did too good a job writing Dirk for me to be complacent with such a shift in role. His conversations with Rose were just as delightful as I had hoped and they aren't weighed down too much in light of his shift in role, at least not for me.
Alt Calliope: The narrative rival to Dirk, as I mentioned previously. I'm not totally sure what to say about her, other than that one could see her as a counterpart to let's say Anna Harley; a necessary piece in the Detective Pony analogy. Alt Calliope's narrative arguments with Dirk were hilarious and that's all there is to say on the matter.
G-TIER
I'm lucky Gamzee's name starts with a G, because this means I can give him a tier of his own worse than F. As an individual arc that is; he'd get a much higher rating when taken as part of a whole.
Gamzee Makara: Fuck. Fuck. Fuck. Fuck. Fuck. I despised reading every word that came out of this guy's mouth as soon as his """redemption arc""" started. But I can clearly tell that was the point and that the suffering that is reading his words has a much greater purpose. Before you deem me a masochist or the kind that insists everything is "bad on purpose", know that I am neither of those things but really do mean what I say here. Gamzee's role in Candy draws tension between individuality and the whole. Reading this guy's hogwash is suffering in and of itself, but ultimately it serves a role of showing us how fucked up the world of Candy is and helps the reader experience John's existential crisis with him.
F-TIER
As before, these tiers are strictly about character arcs in isolation and not the big picture. This tier is home to none other than the legendary...
Jane Crocker: Boy did I predict the future on that one. A bit like Dirk, I would've liked it more if in only one epilogue did sweet innocent little Jane become such a monster. No way in hell am I going to run through the asshole things she does; it's a load of sensitive topics I'm not comfortable discussing in any capacity. Instead, I'll say that if I had to choose only one epilogue where Jane ran through her crazy presidential campaign it would be Candy; as with Gamzee's arc, this campaign serves well as a part of John's existential crisis. What's weird here is that in Candy she originally cancelled all this, but later ended up basically doing it anyway with Dirk gone. I can imagine Jane going back to normal in Meat, maybe? Or in the hypothetical "true ending" I discussed prior.
D-TIER
Better known as "meh" tier. Mostly the characters that don't do much and I wished did more.
Meenah Peixes: Needed more screen time, god damn it. She survives the Furthest Ring apocalypse, nabs the Ring of Life, then makes her way to Candy Earth and joins Karkat in the rebellion. Maybe it makes sense that her and Karkat teaming up in war is relegated to the background, to show how far the shouty guy has come in comparison to everyone else. I'll come back to this point when I talked about Karkat.
Roxy Lalonde: Doesn't do too much in either side, but does go through some touchy topics I'm not sure what to think about; I'm most certainly not ready to talk about those topics now. And regardless, Roxy's role in the epilogues is better discussed when I talk about John and Terezi a few tiers up.
Calliope: Doesn't do all that much either, full circle to being the exposition alien with mysterious morality. I'm actually pretty OK with that. Certainly beats out the slog of endless "ur pretty" conversations. Calliope pretty much fades into the background on both sides, which is sad but fitting.
(About pronouns: I'll keep referring to Roxy and Calliope as "she" unless I find reason to talk about the little those two do in Meat. I just avoided using pronouns in those paragraphs above.)
C-TIER
Better known as "meh" tier, but with a more positive "meh" than before. It's the "meh" that indicates lukewarm satisfaction rather than annoyance at mediocrity.
Jade Harley: Really should be on a lower tier, because she did dick squat other than being horny and painfully oblivious to all the nonsense going on. But I'm a sucker for Jade being "Jade" and was happy to see even a trace of that early in Meat. As before, I'll avoid the controversial topics surrounding Jade in the epilogues, aside from pointing out that this post reads very different now.
Karkat Vantas: This guy's a bit of an odd spot. His leadership role is addressed in the absolute last way I expected. Could've gotten more attention from the story I suppose, but damn if his character arc didn't get the most triumphant return imaginable.
Kanaya Maryam: I touched upon Rose and Kanaya's relationship when I discussed the "buddy system" in my first epilogues post and I still stand by what I said there. Her strong attachment to Rose is integrated well into Meat without seeming like fluff or defining her entire character, because she actually does other things there too. In Candy they remain a stable happy relationship and I guess I'm cool with that.
Aradia Megido: Role is the same as ever and I'm fine with that. Death fangirl who works for predestination and has ambiguous morality. Her arc with alt Calliope ends with a cliffhanger that is easily the biggest reason to hope for a follow-up to the epilogues; if such a follow-up were to happen, I really look forward to hearing more from Aradia.
Sollux Captor: Sollux is by nature the other guy, that's an immutable fact of life. He doesn't do much other than snarking at whoever's nearby and I can't imagine it any other way.
Jake English: If not for a scene near the end of Candy, I'd put Jake at D-tier. Through all of Meat and most of Candy, Jake's role is one of the oddest spots of all and it's pretty hard to pinpoint what the authors were going for, lest I dabble in controversial topics some more. But Jake's scene with John near the end of Candy is uniquely touching and makes the most out of his role as a second John. He moves in with John, bringing his son Tavros with him, and encourages John to reconcile with his former wife and make amends of sorts, ultimately giving a small portion of the cast a pseudo-happy ending. That whole part of Candy made me tear up.
Talking about the really GOOD parts is a perfect point for me to move on to...
B-TIER
Stuff that didn't make it into A-Tier, which I've reserved for what struck me HARD.
Dave Strider: In both epilogues, Dave's behavior generally seems based on how he acted in Act 6 Act 6 Intermission 5, which is actually a LOT better than it sounds and hell if I know why that is. Dave's rants about politics and sexuality now have a charm I can't quite describe. His absurd fixation specifically on the economy matches shockingly well with the nature of Homestuck. The three-way romance between him, Karkat, and Jade goes in very different directions on either side, which I'll discuss a bit later. The epilogues even made Dave x Karkat an actually decent ship, how crazy is that??? The writers deserve a big badge of honor for doing that. Not sure what to say about specific things, but Dave was really well-written in an unexpected way.
Rose Lalonde: Again not sure what to say about anything in specific. Just really enjoyed reading Rose on both sides of the story. Shoutout to the heartwarming moment with John near the end.
A-TIER
Oh boy. Oh boy. Time for the big guns.
Vriska Serket: My mind hurts to process just how good Vriska's appearance in Candy was, after leaving the Furthest Ring and landing on Earth. First she talks with John rather aggravated, then she brutally murders Gamzee, then she sits down and has an honest talk with her ectobiological clone raised by Rose and Kanaya, and in the end gets in touch with Terezi which leads to a cliffhanger. The story somehow created the PERFECT balance of sincere reflections and typical Vriska flavor, which was deeply lacking in A6A6I5 with its horrific polar opposite versions of Vriska. Two Vriskas converse once again late in Candy and this time it's incredibly endearing and almost feels like an apology for the controversial Vriska/Vriska encounter back then. I accept the apology with open arms. Why is everything always so wonderful?
John Egbert: <3 <3 <3 <3 <3 <3 <3. WHY IS EVERYTHING ALWAYS SO WONDERFUL? John gets a deep meaningful existential crisis arc in both epilogues; both cases I easily latched onto and found a bit of myself in. I absolutely loved seeing him and Terezi interact as a duo of people with some perception of canonicity; I'll get back to that point soon enough. John's marriage to Roxy not working out is a testament to both his issues with canon and Roxy's issues dealing with harsh situations. Roxy latches onto John and their son as a huge carefree pushover and he doesn't like that at all. And that's actually cool with me because John x Terezi is better in every way, as the epilogues made me realize. If that wasn't enough, the end of Candy spoils our little hearts by having John reconcile with Roxy anyway and give hope for a better future. Though a part of me does want to see a true happy ending where John and Roxy date with their delightful dynamic from their first interactions, I'm beyond pleased with the epilogues' handling of John either way. Swaying deep into some rather sad territory while remaining 100% faithful to his character that I've always loved so much.
Terezi Pyrope: FUCK YES FUCK YES FUCK YES FUCK YES FUCK YES. Every scene with Terezi in the epilogues was so goddamn awesome. Her interactions with John were such a blast to read, with exactly the mix of humor and touching aspects that make both of the big John/girl ships what they are. How did the authors pull it off, making deeply emotional scenes without ever sacrificing that goofy Terezi flavor???
S-TIER
S in rating systems these days is way misused in my eyes. Normally A is meant to be the highest rating and S is used for the very rare absolutely exceptional case A doesn't do justice. But now you see shit like SS, SSS, SSSS everywhere like one S isn't the ultimate badge of honor? S is a rating I'd gladly give Detective Pony and may or may not give cool and new web comic. Same goes for my very favorite Futurama episodes. I'd give a few of Neil Cicierega's works that rating if I'm feeling up to it. In this post, I've reserved the S rating for:
Barack Obama: THE BEST PART OF THE EPILOGUES, HANDS DOWN. His conversation with Dave near the end of Candy is perfect in every way, it really transcends words. Humor, emotional touching, plot revelations, and straight up "Homestuck feel" are blended into the most delicious melting pot imaginable. When Dave confesses that he might be gay and explains troubles in his three-way romance, Obama responds with a truly inspiring speech about identity that raises an excellent point about the differences between the epilogues involving aspects of people that may seem immutable to some. I think Obama's speech leaves a powerful message I never expected Homestuck of all things to convey so well. I hope readers take that speech's message into account, though I know many will probably be a bit naive about it.
If you refuse to read the epilogues at all costs, then I implore you to read Dave and Obama's conversation anyway. You won't be disappointed.
CONCLUSION
epilogues good
that’s all there is to say on the matter
though if you don’t like them that’s also fine
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missytearex · 6 years
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Happy 1D fanworks appreciation day! I thought I would celebrate by sharing my ultimate favourites. So, in no particular order, here we go!
Vanguard by catholicschoolgirl | @catholicschoolgirl --- 40k, Zarry
“But you've been thinking about me,” Harry said. “You've been thinking about me, and now you know that I've been thinking about you. Since before we even met, I've wanted you.”
Zayn smiled wryly, feeling cynical all of a sudden. “And it's that easy?”
Harry nodded. “It should be. People try to make it hard, but I've gotta believe it's that easy. It's everything else about this damn world that's hard.”
This one absolutely destroyed me. It’s set in the 60′s during the Vietnam war. I was completely transported there. Do yourself a favour and have a listen to the fanmix as well. It really adds to the immersion.
there's no fair in farewell by we_are_the_same | @so-why-let-your-voice-be-tamed --- 218k, Larry
When Harry and Louis, two Cupids who have been bringing people together for decades, are tasked with making Soulmates Liam and Zayn fall in love, it proves to be much harder than expected. But maybe, just maybe, that isn’t such a bad thing after all.
This was the first WIP I’ve let myself read in years, and guys, it paid off! I have such a soft spot for it, as I was reading along while it was being posted. Take note that it is complete now! It’s just such an original story. I laughed, I cried, I yelled in capslock. Go read this right now, if you haven’t yet!
Under All Circumstances by lazy_daze | @dazy-laze --- 38k, OT5
When Liam decides to sign up for an online dating website, his main worry is how scary it is to finally have the chance to go out with a boy; he’s definitely not anticipating having to deal with the website glitch that sets him up on a blind date with not just one boy, but four at the same time.
Somehow, the date goes well – so well that the other four convince Liam that they all need to do it again, and for some crazy reason Liam agrees. Maybe it’s because he really likes these loud, ridiculous, frankly gorgeous boys.
But it’s stupid, isn’t it? No matter how good it feels, how much fun Liam has, and how lucky he feels that all these people want to kiss him – five people can’t all go out at the same time. Five-way relationships don’t happen, there’s no way they can all make this work. He’s sure of it.
I can’t emphasize enough how much I love this fic. It’s OT5 with feels, which is one of my favourite things ever, and there is not nearly enough of it in this world.
Walk That Mile by purpledaisy | @daisyharry --- 149k, Larry
Harry stares at him, the line of his jaw standing out scarily. “I wanted to get the most out of this trip so I planned it carefully.” His voice is low and steady and somehow that’s worse than when he was yelling. “So far, you’ve put your sticky fingers on everything I’ve tried to do.”
“Sticky fingers?” Louis repeats, offended. “Are you saying it’s my fault you got stung by a bee? Had you been alone you would have gotten halfway to the Dotty Diner and ran the car off the road because of an allergic reaction, so don’t go blaming me.”
“Polk-A-Dot Drive In,” Harry spits before getting out of the car. He slams the door shut with a deafening reverb and Louis rolls his eyes. - A Route 66 AU where falling in love was never part of the plan.
Larry roadtrip AU! I can only imagine how much research must have gone into writing something like this. Pair that with a brilliant writing style and amazing characterizations and, holy shit, you’ve got one incredible story!
Little Lion Man by Writcraft | @writsgrimmyblog --- 123k, Tomlinshaw
It’s his final year at Hogwarts, and Louis can’t wait to leave for good. He hates being in Gryffindor and he can’t even enjoy a smoke with the Slytherins now his best mate Zayn’s fucked off to Durmstrang. Louis would be completely miserable if not for WWN and Nick Grimshaw. The same Nick Grimshaw Louis has been listening to for years, ever since Nick’s early days on Potterwatch. As Louis tries to negotiate coming of age, sexuality, first times, homophobia in the wizarding world and his growing feelings for Nick, a new evil emerges which puts Louis and Nick in serious danger. Peace can only last for so long and Louis is about to learn exactly how brave he can be as he finds himself fighting for his life, his friends and everything he’s ever loved.
This author is an absolute legend among the HP community, and I feel so blessed that they gave us this epic coming-of-age freakin novel of a Tomlinshaw fic. Because that’s what it is. A novel. Reading it feels like reading a Harry Potter book, with added smut. Plus, I have such a soft spot for Tomlinshaw. A must read.
Let It Be Lightning by alexenglish | @queerlyalex --- 41k, OT5
Niall Horan made a choice when he enlisted with the Pan Pacific Defense Corps. Leave his family and try to make a difference. He started out as a Jaeger Tech, elbow-deep in the greasy guts of the machines that were supposed to save the world, but here he is, five years later, fresh out of the Ranger Academy with another choice to make:
Assemble a team of Rangers able to pilot two or more Jaegers at any given moment. Interchangeable partnerships, all Drift Compatible with each other. The implications of pulling off this project are astronomical, but at the end of the day, Niall's just worried about how many people are going to end up inside his head.
If you’re looking for a little diversity, look no further! This one features non-binary!harry, trans-male!louis and asexual!liam all in one damn place! And everyone is connected through Niall! I mean, that pushes so many of my buttons, I don’t even know where to start!
you came into my life by disgruntledkittenface | @disgruntledkittenface --- 57k, Larry
They stand around talking for a minute and then Jonathan starts to ramble, “Has there ever been, like, an unrequited gay love story in here? Like a Brokeback Mountain moment where, like, someone just fell in love and they didn’t mean to?”
Louis feels bile rise in his throat as Jonathan’s eyes sparkle, pleading for a yes. He manages to look around and see thoughtful looks on his coworkers’ faces before their heads shake no.
“Not here,” Liam says finally.
When the Queer Eye cast and crew sweep into Louis’ small town and fire station to make over his best friend and coworker Liam, Louis’ carefully constructed walls start to fall down and he has to face his fears – and the only guy he’s ever been able to see a future with.
I’ve talked about this one before, and to be honest, I probably won’t ever stop talking about it. It’s a story about Louis’ inner struggles and the people that give him the courage to finally come out of the closet. Every which way you turn, there’s a character love and adore. I will definitely be reading this one again some time in the near future.
I Only Come Alive Under the Moonlight by remivel | @remivel --- 54k, Lilo
Louis knew he hadn't seen action in months, but this was just the universe making fun of him, he was sure of it. Because when he woke up in the middle of the night, he discovered that his new dog was missing, and standing in its place was a very confused, very fit... and very naked man.
Or a romantic comedy with a furry twist. Liam turns into a dog at night, Louis tries to help him get back to normal-- and ends up falling in love somewhere along the way.
It’s a rom-com, guys! And I actually laughed out loud. Imagine Louis waking up to find a naked Liam in the kitchen. And Liam having no idea how he got there, or even who he is. It’s so fun to join their weird little bubble for a while. I could’ve easily read another 50k words of this.
Replay, Darling by lazy_daze | @dazy-laze --- 1k, Lilo
Really, really schmoopy Lilo 'Replay' fic for which I blame onedirectionundergod and the fact that there can never been enough 'Replay' schmoop. (Or porn - oh man, please - but this is version: schmoop.) Thank you to checkthemargins for the title help! <3
This one really is sickly-sweet, but that’s just how I like ‘em! I know it’s short, but my love for Lilo and the whole replay thing makes it one of my favourites.
Easy As All That (Go Around A Time Or Two) by sunsetmog --- 84k, Lilo
Sometimes the hardest part of growing up is figuring out who you are in the first place.
Or: The one where Liam and Louis only kiss when they're on nights out, when it's secret, when there's no one around to see them. If no one knows you're having a sexuality crisis, that means it isn't happening, right?
Or, or: Liam accidentally turns Louis' world upside down.
A high school sixth form AU.
Lilo having a sexuality crisis! I don’t know what more you need me to say, really. When I think about Lilo, this is the fic I think about.
Heart Skips A Beat by harriet_vane --- 27k, Zarry
Harry always kisses everyone, until he starts something he can't finish. (A university AU in which no one goes to class. I am noticing a trend.)
Harry’s characterization is the whole reason I love this fic so much. He absolutely has no freakin idea how to deal with his crush and goes about it all wrong. It’s endearing as much as it is face-palm inducing.
I Could Paint You By Numbers, and Color You In by YinAndYangOnIce --- 12k, Ziall
based off this thing i wrote, basically Niall has a secret admirer and everyone is an idiot
I prefer my Ziall to be of the fluffy variety and this one does not disappoint! It makes me smile like an absolute idiot, which is why you should read it. 
Not Happening by scottmcniceass --- 52k, Ziam
Zayn and Liam are roommates. They hate each other. (Most of the time.)
This was the first Ziam I have ever read and boy did it set the bar high. If you’re into enemies to lovers, as I am, drop everything and read this. 
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maiji · 6 years
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On writing Hokushin 
(unrelated: WOW I just realized I can do headings in tumblr! WOw!!!)
I’m on a roll avoiding other work I should be doing lolll! Lately I’ve been super fortunate to have some great conversations with multiple lovely people about characterization of Hokushin. To probably no one’s surprise, I already think an embarrassingly lot about this and try to convey it in my fanworks, but I actually haven’t really sat down and articulated in depth. Shocking, I know. So here are some cleaned up/slightly more coherently organized version of thoughts!
Below the cut I basically ramble for a long time about understanding Hokushin's character with cultural/historical background and his relationship with Yusuke (and by extension Raizen). And some misc other stuff. I tried to break it out by topic, but a lot of it overlaps. One thing I don't really get into here is specific aspects of Mahayana (Zen) Buddhism, but it has an important underlying relationship with a lot of what l talk about below, and forms a significant part of Raizen and therefore Hokushin's narrative, how their characters are portrayed and framed, aaaand this is already really long. 
With all that in mind, this is one person’s interpretation! I’m no expert, I mostly just read a lot of stuff when I get obsessed with it (usually for storytelling/comics research, and then forget everything soon after lol). In any case, it'd be boring if my ideas on Hokushin were the only ones that exist, and the point of fanworks is to create for personal enjoyment/fulfillment, so please make of it what you will! All I hope is that this was at least somewhat interesting/informative and helps give people more material and more love for Hokushin =D
The loyal retainer archetype
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Hokushin's character is very strongly tied to the perceived classic Japanese archetype of the loyal servant/retainer and samurai (bushi/warrior class) ideals. They come with a very distinct paradigm and set of principles. Here’s a simplified summary. 
Purpose, honour and thereby happiness comes from selfless loyalty and servitude. The fulfillment of your existence is to serve the will of your master. 
The ideal/collective whole is prioritized above an (your) individual existence. There is a greater goal that you are merely one small aspect of, and you may not even expect to understand it.
Death is not necessarily perceived as a worst-case scenario, and can be viewed as the most honourable alternative to violating your own or someone else's principles, particularly that of your master. And in some cases, it may even not be an alternative. Death is not an end, but a means to an end usually to support the beliefs held in the previous two points.
We can reference the 8 virtues of bushido - the way of the warrior, sometimes called the samurai code. Now, bear in mind nobody necessarily went around going “I’m a samurai, and this is the code I follow.” This is a list formalized in the late 19th century by writer Nitobe Inazo to explain a concept of bushido and Japanese culture for a Western audience, and then it basically got absorbed back into Japan. Thus, bushido is a pretty heavily romanticized thing, and... anyway that’s beyond the scope of this post lol. The virtues are:
Righteousness (also rendered rectitude, justice)
Courage
Benevolence/mercy
Politeness
Honesty/sincerity
Honour
Duty/Loyalty
Character/self-control
BASICALLY A HOKUSHIN RECIPE, AMIRITE?? There are also particular aesthetic sensibilities to the execution of this archetype partly based on how Japanese history and culture evolved. Bearing and sensitivity matters, more is said in what is not said, there’s stoicism and elegance and refinement and poetry etc. Mono no aware and transience of life and all that stuff.
Essentially, even if such a character disagrees fundamentally with their master's reasoning, it's not unusual for a "true" servant to still abandon their family or their lovers and follow or even precede their master to death in order to uphold their master’s principles. 
In the series, Hokushin says that he doesn't understand the king's reasons for his self-imposed abstinence, but that he still supports the king’s will. Later in the arc, he demonstrates the truth of his statement when he obviously doesn't agree with Yusuke's outrageous tactics regarding the future of their kingdom and the entire Demon World, but upholds it regardless. (As I noted in One and a Half Revolutions, the most "disobedient” Hokushin gets is when he plots strategy with the other monks for what they should do if they end up fighting each other during the tournament, and Yusuke is like YO KNOCK IT OFF NO THROWING FIGHTS. AND ESPECIALLY NOT TO MAKE ME EMPEROR. And Hokushin’s like, well you said you’re not our king anymore, so we don’t have to follow you and can do as we wish. And what we wish to do is make you Emperor. So what’s your issue. And Yusuke is like THAT’S NOT WHAT I MEANT)
This archetype is also NOTORIOUS for assuming a huge burden of responsibility and/or shame on behalf of their master, often in secret, for maximum service/honour value (and narrative/dramatic impact). The legendary Ako incident (the 47 ronin) is a famous historical example.
This intense commitment can be tricky to depict because you have to finely balance outward stoicism and emotional resonance, and you also want to temper things to make a character more nuanced and not just a flat stereotype - e.g., a "you say jump, I jump" personality or have readers going "omg why is this character so spineless/stupid", ridiculous levels of melodrama, etc. You still want people to be able to empathize with the character and to really feel for them when they make decisions that may otherwise seem extreme or incomprehensible. (Although in many ways there's an Eastern/Western philosophical difference in the perception and understanding of this. A simple modern example that comes to mind is in Pacific Rim, when Raleigh asks Mako why she's so obedient to Pentecost and she replies (paraphrased from memory), "It's not obedience. It's respect.")
The Hokushin decision-making flowchart
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I use this very rough mental outline as a general guide if I’m struggling to decide whether or not Hokushin would do something significant. Bearing in mind interesting opportunities are usually not black and white, so “yes” and “no” below are usually more like, “yeah pretty much...” or “no, kinda not...” lol
Is it in accordance with his values? * If yes: go for it. * If no:
Is it in accordance with the will/principles of his master (Raizen, Yusuke, or whomever he’s committed to serve)? * If yes, go for it. * If no:
Does it ultimately aid the endgoals/ideals of his master? * If no: forget it. * If yes:
Can any negative consequences be minimized to affecting Hokushin only or mostly (e.g., punishment or humiliation or capture or whatever) with little to no long-term effects for his master? * If yes: DO IT!!! * If no: FIGURE SOMETHING OUT TO MAKE THIS ANSWER YES!!!!  
Situations of deceit must be handled carefully, especially as honour is a major element of this archetype. The above flowchart can sometimes help... That said, deceit can be particularly challenging to contrive within the master and servant relationship. While we don't see Raizen and Hokushin directly interacting in the series, there's extremely strong implied trust between them. We can see this from how they speak of each other to other characters, namely Yusuke. We can also extrapolate aspects of their relationship from how Yusuke and Hokushin interact, because it's repeatedly emphasized that Yusuke and Raizen are quite similar fundamentally, and Hokushin clearly assumes Yusuke will succeed Raizen.
Yusuke and Hokushin: the initial meeting
In their first meeting, Yusuke’s absolutely furious at being misled by Hokushin. The beautiful thing about the setup of this deceit is how it:
Allows us to see the values and personalities of both characters.
Enables Yusuke and Hokushin to evaluate each other.
Establishes and enhances the dynamics of their relationship.
The above lies in Yusuke’s reaction to a particular piece of information being withheld, and how Hokushin handles the situation after being called out. Remember:
Lying is generally not in line with the loyal retainer/Hokushin’s values.
Honesty and straightforwardness are also big for Yusuke.
With point 1, Hokushin deceives not by lying but by leaving out significant information: that he - and potentially by implication, some % of Raizen’s followers - still eats humans so that they don’t get weak and die. His rationale for doing so is that Yusuke, being formerly human and having lots of people close to him who are human, would have a hard time getting past that fact if he learned this on their first meeting, and would not be willing to follow them to the Demon World. Totally reasonable assumption. If Yusuke doesn’t know, he’s more likely to be receptive to joining their kingdom, which protects the interests of his king and the safety of his people. This passes our flowchart with flying colours. (I elaborate on this a bit more in A Song on All Sides.)
However, when Yusuke figures out what happened, point 2 makes this especially problematic for their relationship. We know Yusuke is all about gut feelings and first impressions, so this could’ve been an awful miscalculation on Hokushin’s part.
When I’ve talked about this scene in the past, I usually focus on how in the next few moments Hokushin’s actions allow him to pass Yusuke’s assessment of whether or not he’s trustworthy. But what’s especially great about it is that judgement is actually going both ways. Before Yusuke explains his position, Hokushin’s politeness is his professional courtesy - he’s doing his duty as Raizen’s retainer. As Yusuke speaks in both manga and anime, you can see the exact moment when Hokushin decides Yusuke is a worthy successor. When Yusuke finishes talking, Hokushin’s manner changes - I’d say subtly, but since he essentially gushes about how much Yusuke resembles Raizen for several lines that’s not really true lmao.
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In any case, now that Yusuke’s been deemed worthy, Hokushin steps up immediately to rectify his mistake. And merely admitting an error and explaining himself isn’t gonna cut it in meeting Yusuke’s values - that’s just the bare minimum. A good retainer must know their master so well that they anticipate and go beyond what is merely being requested.
So when Yusuke asks for honesty, not only does Hokushin give that, he takes it one step further with his very succinct, very personal answer to Yusuke’s question of why he follows Raizen. (Paraphrased) "Because King Raizen is like you. Fighting at his side makes me happy. That's everything to me." I can't think of a more perfect reply to mollify, impress and intrigue Yusuke as quickly as that. And in both manga and anime they give Yusuke this little pause as he takes it in - the animation team makes this even more exaggerated than what Togashi did. What I also love is that the dialogue in this scene strongly implies that Hokushin knew how to respond because he knew Raizen so well.
Obviously more stuff happens in the year and a half they spend together in the Makai. Whatever happens, it's clear Yusuke comes to trust Hokushin a lot. He even tells him private, personal things of a nature we don't see him sharing with any other characters. To me, this signals that Hokushin did what a good loyal retainer does, which is to get what makes Yusuke tick and not repeat the same mistake again. (Which is why I always get annoyed at that unnecessary scene they added in the anime version of the tournament... ANYWAYS lol)
Yusuke and Hokushin: the duty of the master
Yusuke starts the series as a solitary delinquent. He despises convention and authority, and dependence on others is a pain. He generally puts on a disaffected attitude, and he often downplays serious emotions with distracting and emotionally shielding tactics like sarcasm. For a character like him, it’s pretty easy to imagine him being all “What the hell, I don’t want to be king! I don’t need a servant!! Go away”. To reject Hokushin’s presence or role totally wouldn’t be out of character. 
One of the things I love about the dynamics between Yusuke and Hokushin is that Yusuke clearly gets Hokushin's mindset, and because of it, steps up in order to be able to reciprocate the relationship. In the classic ideal, the existence of the master gives the retainer’s existence purpose. A warrior without a master is considered ronin, which is a very shameful status. The master’s duty is to be(come) worthy of the loyal retainer’s devotion and to recognize the latter’s value and loyalty, often in unspoken ways.
Yusuke doesn’t want to be king - he outright says that he doesn’t think himself smart enough to take care of everyone in his kingdom. But he accepts the responsibility of his role in his relationship with Hokushin.
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Yusuke’s conversations with Hokushin tend to be discussions that are not only honest but also mature. He takes good opportunities to rely on, and to acknowledge, Hokushin as a retainer without hesitation and without pretending complaint. He actually behaves a lot like a lord in the classic relationship in terms of conveying authority, direction, and intimate concerns (in his Yusuke way lol). 
In the meeting with Yomi, Yusuke’s use of the rurimaru is shocking to Hokushin, but when you watch the way the scene is carried off, he bears himself really well in his role. He didn’t carve the rurimaru just because he couldn’t find paper for his lottery names - he specifically chose to do it to the rurimaru, and their value is clearly taken into consideration for his purpose. He also doesn’t crack jokes about having vandalized the gemstones, which, again, would not have been out of character for Yusuke. Instead, he merely presents them exactly the way they should be - as a gift - to ensure he gets Yomi’s attention about his proposal. His body language is dead serious, and he also doesn’t address Hokushin's shocked reactions through the entire scene. He only addresses Yomi. This is totally appropriate form as one ruler to another. 
And even after the kingdom is dissolved, Yusuke doesn’t abandon his people, nor shoo Hokushin off. Hokushin is nearly always at his side throughout the tournament. If we look back at the principles of the loyal retainer archetype, one of the things worse than death is to be told by their master "I don't want you for a servant. You’re a useless burden to me". Of course, another aspect of the archetype is that actions speak louder, so the worst would be actually doing things that reinforce/confirm that statement, but it would still be extremely wounding.
A very clear demonstration of the above is when the two of them arrive at the edge of Yomi's territory. The conversation is basically as follows.
Yusuke: OK thanks for guiding me here. You go home now. Dangerous I go alone you know the drill. Hokushin: No, I'm coming with you. You’re my king. It's my duty to protect you. Yusuke: *after a pause* OK fine behave yourself.
with no further argument from Yusuke. No complaints about being called king, no sarcastic remarks about having a tagalong, nothing. Which is not something we usually see or would expect from him. The emotionally downplayed way the entire conversation happens is also very typical. In light of his character and the dynamics of the master-retainer relationship, Yusuke’s behaviour is extremely thoughtful and kind. 
Yusuke and Hokushin: the duty of the servant
So Yusuke weighed Hokushin’s response and knew there there was no way Hokushin would have let him go into enemy territory alone. So? It’s not like it’s the first time he’s ever disagreed with someone over how something should be done. So what’s different about this situation, compared to how things might have gone down with any other character who is very close to/invested in Yusuke and has previously confirmed they WOULD be willing to risk death for him - Keiko or Kuwabara, for example?
The difference (aside from the fact that they’re civilians and Hokushin’s a warrior, and Hokushin’s obviously a lot stronger and more likely to survive in most situations) is that Keiko and Kuwabara are Yusuke’s friends. Or more, if you want. But even for other people close to Yusuke who ARE warriors, the biggest difference is that they are not bound in servitude to him. Again, the keyword here is duty - and that concept is huge. Yusuke’s friends want to help him. Hokushin wants to help Yusuke too, but not only that, he MUST help Yusuke. His very existence is an obligation to do so. In some cultures, especially modern ones where the emphasis is on the individual, this can be difficult to appreciate and/or seen as an illogical insanity, but it’s a matter of fact for the loyal retainer. They see themselves as an extension of the will of their master.  
Keiko and Kuwabara and any of Yusuke’s other friends mentally would have a normal person pause of “This is ridiculous, stupid Yusuke, you’re crazy!!” and still try to do self-preserving-type things in most instances. To some degree, there’s still an aspect of their decision-making that is not only about Yusuke. They still have a sense that in their relationship with him, they have roles of similar or equal value/weight.
That’s absolutely not true for the loyal retainer. The servant is not equal to the master and the servant firmly believes this because that’s what their existence is defined by. Plus those ingrained principles. For Hokushin, there’d be no normal person pause. We’d zip through that flowchart and he’d be like “You’re crazy. But you’re my king. Guess I’ll die” and like jump into an active volcano or whatever. He would be completely and unhesitatingly willing do something, whether it’s spur-of-the moment or deliberately planned, that would result in death if he thought it’d help safeguard Yusuke/achieve Yusuke’s endgoal. And obviously that's the last thing Yusuke wants.
With this character archetype, this is where a lot of stories end up going for the “and then one of them pretended to let the other person have their way before SURPRISE KNOCKING THE OTHER PERSON UNCONSCIOUS TO PROTECT THEM, and then they went on to do their selfless ‘getting killed in your place’ thing” which I’m super glad Togashi never resorts to. Since all the above builds up to a huge part of what makes the reveal of Yusuke’s gift to Yomi extra effective - Hokushin’s reactions. This is largely why the scene is so comical, because Hokushin’s manner grows more and more freaked out - and entertaining, being in direct contrast to his stoic retainer archetype. Meanwhile, as mentioned previously, Yusuke’s bearing (if not his manner of speaking...) is exactly as a lord in the midst of negotiations would be. (My favourite part is where Hokushin still tries his best to address Yusuke properly as king, before losing it when he finds out Yusuke vandalized the rurimaru. In the manga, his expressions are beyond hilarious. In the anime, his scramble to recover the appropriate body language is really cute. His constantly shifting expressions throughout the background of this entire episode are great too. I always really like the faces in the episodes directed by Enomoto Akihiro.)
Finally, food.
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One more challenge with Hokushin is his diet. He needs to eat humans or will suffer from the same malnutrition that is sapping Raizen’s energy and killing him. At the same time, he’s depicted as a character of integrity and compassion, so I always feel obligated to think carefully about the topic of procuring a human for food. I take a stab at an idea in the prequel Mirror Most Dark. However, the approach isn’t very feasible for the time period of actual Yu Yu Hakusho.
From a writing perspective, the problem is one of scale. It goes beyond Hokushin as an individual to the situation of a reliable/sustainable food source in Raizen’s kingdom for the % of Raizen’s population that needs it. And whatever it is, Hokushin is likely highly involved as the main instrument of Raizen’s will. I have some ideas but haven’t really cared to flesh (haha) them out to a point that’s satisfactory to me yet, so it’s only barely touched on in One and a Half Revolutions. This is far less of an issue after the series ends, when you can easily come up with ideas on how they’re looking for or have found alternatives, but during the time period of the actual series your options are more restricted. 
I have lots more stuff around these themes and ideas planned for North Bound too I JUST NEED TO GET AROUND TO DRAWING THEM
In conclusion, thank you for reading this mess lmao.
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