#he probably did but doesn't want to assume that they're related

[yesyourstalker]

Neta: uhhhhh......*yawn* good morning everyone....

Mahi: morning Neta.....you look different

Neta: yeah don't get used to it.... I'm just letting the red fade out they look a little orange. Next week my tentacles are going to go back to being................. Green..... Mahi

Mahi: do you like it?

Neta: it's green! You dyed your fins green!?!? Oh my cod you look........ you look.... you look................... Hm......... You look good mahi I like it.

Mahi: yeah... I thought I'd mess with ya when you came back..

Neta: hahaha well you did throw me off a bit. Uhhehe................ You do look like someone I used to know.......... just like him...... What made you want to dye your fins green anyway?.... You trying to be like your manager? Hmmm hmm? You want to be like me???

Mahi: shut up...... No... I just wanted to change my look........ I chose green.

Neta: and you chose the exact same green that I wear.. mmmmmm sounds like you want to be meeeeer awwww I'm flattered

Mahi: nooo this green is a little bit darker and earthy you have green ink 24.....I have ink 45... So it's not the same........ it's a lot closer to my grandpa's fin color more than anything

Neta: heheheheh... Well! Whatever I like it on you! [Ruffles head]......hahah..............................................

Mahi: what? I'm staring at?!

Neta:you look.....................so familiar..... someone I used to know

Mahi: who? An old military friend? Are they dead? Please don't tell me that I look like a dead soldier.

Neta: mmmmmmmmmm ehhhhhhhhh.......never mind

Mahi: what?! What do you mean never mind? Who do I look like besides my grandpa?

Neta: I don't know! Shut up. Forget about it. You just look like someone I used to hang out with.............. They look just like the old man

Candi: morning everyone! Sorry I'm late I had to drop my kid off to school.... Notice something different?

Neta: mmmmm... Uhhhh.... You got your finger tip dipped? Looks nice. I like the pink.

Candi: ok. anything else you notice? Mmmm anything look different?

Neta:uhhhhh

Candi:........... ....... Really ???

Neta:....................................... Your lip gloss is pinker?

Mahi: Neta her tentacles are blue! oh my cod....

Candi:.....................

Neta: oh.... OH... oh! Ohhh my cod.... they are blue!! Nice baby blue..... It looks cute.

Candi: yeah!.... heh... Yeah.....*sigh*..... Thought you would notice

Neta: I'm sorry

Candi: no! No! it's fine! It's-

Neta: I'm going to be very honest. I kind of forgot what most of you guys look like... Hehehe....

Mahi: old fuck

Neta: it's not about my age! It's just I..... I just have a lot on my mind..ok I can't remember every single body modification you kids do to yourselves!!!..I'm not old!

Mahi: hahahahaha all right grandpa...

Mahi belongs to @fish-at-fish-fish-resort

[secretsideblogshhhh]

Imagine you live in a kingdom. Everything in this kingdom was modeled after the founder of the whole city.

This means the house sizes, the utensils, the clothes, every single thing, was made for him.

And for plenty of people this is fine. The clothes fit them, the cabinets are easy enough to reach, the size of the tools are perfect.

But you're a fair bit smaller than this guy was. The clothes are extremely baggy on you. You struggle to keep them on. They get in your way and you trip over them all the time.

You can't reach the cabinets, the tools are hard to hold in your hands.

Everything you do takes so much effort because nothing here was made for you.

But everyone else gets annoyed by this, not because of the system made that makes life hard on you, but because you're different.

They hate you constantly tripping.

You mention maybe getting a belt to help with that, and everyone you know gets mad at you for even suggesting it.

"you don't really need a belt"

"you could just take some growth medicine, get bigger"

"you don't deserve special treatment just because you're different"

"well everything works just fine for me, I don't know why you have issues"

And it's frustrating. The only person who you can relate to is your buddy Tim, who's a whole lot bigger than the guy everything was made for was.

His clothes cut off his circulation, they actively hurt him.

He hits his head on doors, he can barely use the tools because they're so small to him.

He wants to make his own clothes, but he can't afford it because he can't keep a job.

No one wants to hire a guy who can't hold the tools, or who needs a break every few hours so he can take off his clothes in the bathroom to breathe.

And even if he did manage to get the money, the tools are too small. He'd have to hire someone.

And hiring someone would cost so much more.

Of course the responses he gets are similar to yours.

"you're just lazy, it's not that hard to get and keep a job"

"have you tried just losing weight? That's probably what's causing all your issues"

You and him bond over this. How the world is cruel to you for being different. You found each other because of you were different from everyone else and it brought you closer

But then people see your friendship. It would be natural to assume that your friendship makes sense. You have the same struggles after all.

But no.

People see that you're friends and say

"well obviously you're both making up your issues, it's so rare for even one of you to exist. But 2 of you? You have to be lying for attention"

You try to show them that your issues are real, because you want help. You'd love for others to understand and help you fix the way the kingdom is built.

But people look away, they ignore you. Either pretending to not see you or they just invalidate your experience.

"everyone has rough days"

"you just got some poorly made clothes"

"He just wants an excuse so he doesn't have to work"

"if you just tried harder-"

Everyone seems to have some solution for your issues, ones you've tried a hundred times before.

Everyone seems to have an opinion on your existence. Usually pity or disgust. Often a mix of both, though the disgust isn't something anyone will admit to aloud. Their actions speak loud enough though.

That's how it feels to have a disability. Especially an invisible one. You have to fight just to be heard and it's exhausting.

Everything that you do is a struggle people who aren't disabled just don't understand. And it's infuriating how they write you off just because they don't want to even try to understand

[hidedino]

q!fit thinks that q!pac is simply choosing to stay blind to all his red flags when q!pac is in fact being very conscious of all of them.

we know fit's red flags are related to his emotional repression, insecurities and inability to address his own feelings. but that's exactly what pac has always been mindful of.

even when they were flirting around and pac seemed to be aware that there were romantic feelings between them, he wasn't ever pushing fit to go further he was ready for. he was being patient, calling them roommates when fit did, saying they're taking baby steps after fit had mentioned it the first time. he waited for fit to confess, then waited for the proclamation that they were dating and now is probably waiting for the first kiss too. he'd made sure that the quest from quacki was only a forehead kiss even if that was never specified in her request.

that's exactly the kind of attitude fit needs before he starts coming out of his shell. because fit is the kind of person who will do anything for pac. he takes an utter importance in making sure that pac is feeling well, has got everything he needs, has a helping hand always ready and knows that he's strong even on his own. those are the kinds of prospects which pac could absolutely use to push fit's boundaries and make him do things that fit doesn't want to, but would oblige if pac asked. this is an issue that comes out of many relationships for people like fit. a lot of the time their partners don't even do it consciously, it's simply easy to fall into the habit of expecting your partner to do everything you ask if they never establish their boundaries and you never consider to read between the lines instead of taking every "yes" at a face value. but pac never does that. pac is aware that fit needs patience so he automatically assumes to wait for fit to do something first without even asking about it.

and whenever pac is acting dramatic around fit he makes it clear that he was just joking after. he doesn't do it because he wants fit to feel obligated to prove that he cares for his feelings, but because he trusts him enough to seek reassurance from him. and he does it in silly ways because neither of them (and especially fit) are too confident in having serious conversations about their real feelings. baby steps, as they say.

so no, pac isn't colourblind, he's just purchased some paint and is now working on recolouring those red flags in different shades :)

and sure, i do hope that one day they'll get to the point when they feel comfortable voicing out their feelings, wishes and issues without beating around the bush. but they're on the right track and working on it instead of pretending that everything is perfect for them and i think that's enough for now.

[zarekthelordofthefries]

BG3 Companion Sexuality Headcanons

Astarion: Pansexual. Has a slight preference for men. Has a complicated relationship with feelings of attraction and connection, so doesn't usually like thinking about his own sexual identity. Thinks Wyll is the hottest other party member.

Lae'zel: Pansexual, kind of. Doesn't really relate to sex and gender in the same way as the Faerunian companions. Githyanki socially de-emphasize romance, and all sex is generally for pleasure since Vlaakith decides who bears eggs. Lae'zel is alloromantic, but romance isn't generally at the front of her mind in a relationship. Neither is gender; ultimately Lae'zel is attracted to conviction and fighting prowess, moreso even than anything physical.

Shadowheart: Bisexual. Very slight preference for men. (EDIT: I've rotated this in my mind after people pointed it out and I think actually Shadowheart has a slight preference for women.) Remained closeted into adulthood, not because the other Sharrans would discriminate against her (they generally don't care about sexuality) but because she wanted to impress everyone with how well she could keep the secret. Also, excessively kinky.

Gale: Bisexual. Has more experience with women than with men, but that has more to do with circumstances than preference. Though physical appearance isn't not a factor, he would probably describe himself as a sapiosexual; he's attracted to knowledge, intellectual curiosity, and strong opinions. Had crushes on several teachers in wizard school.

Wyll: Bisexual. Realized he wasn't just attracted to women at a young age, and his father was very supportive. No preference between genders, but one of his favorite things to do is court gentlemen exactly the same way he courts ladies; he likes being the devoted chivalric prince to men since he knows it's less common for them to be flattered and told they're beautiful.

Karlach: Pansexual. Years of being unable to make genuine connections with anyone have made her horny for affection, kindness, and commitment. Maybe had some gender preference before going to Hell, but her time there has given her lots of time to consider basically any options. Has at least a slight crush on basically every other party member.

Halsin: Pansexual. No gender preference. Halsin has had centuries to explore his sexuality, and his robust understanding of nature gives him a non-binary perspective on gender and sex. Nothing is a casual fling for this dude, though -- if you show the slightest bit of interest in him he will dedicate his whole heart to you. And also anyone else who shows interest in him at the same time.

Minthara: I didn't actually have Minthara in my party, but from what I've seen she seems like a pretty traditional drow, and when I think of drow and sexuality I sort of imagine a reverse of ancient Greek customs; bisexuality is the norm, men are prized for their beauty and for marriagibility, but it's expected that women will also have flings with other women, and those relationships are often considered more meaningful. I imagine Minthara follows those lines, being bisexual and assuming she may one day marry a beautiful man but being more inclined to meaningful, affectionate relationships with women, due to her own prejudices moreso than preference between genders.

Jaheira: Thought she was straight for the first century of her life, but has more recently opened up to other possibilities. Isn't particularly interested in marriage or a deep interpersonal romance at this point in her life, but she has entered a state of questioning her sexuality -- she's just not super interested in experimenting with actual relationships. She's got more important stuff to do. Did have a fling with Ninefingers that neither of them tell anyone about.

Minsc: Doesn't like labels. Minsc isn't interested in finding a partner, doesn't really care about sex, and is enthusiastic about romance mainly when other people do it. He hasn't given a lot of thought to where he might fall on any sexual/romantic spectrum, but he definitely sees beauty in all of his friends. He will give you the most heartfelt and often embarassing compliments on your personality, style, and appearance. Does that mean he's attracted to you? Maybe, maybe not, but there's definitely something queerplatonic going on.

[mixelation]

wait okay i DID fall asleep days ago when i said i would post about this and then was too busy to Blog. but here are some points on the tori/minato au

it is time travel late game plasticity!tori. so just assume she can basically do anything she wants with fuinjutsu (with sufficient time/resources) but she's not a ninja. instead she's just in ame midway through the third shinobi war one day. which SUCKS-- ame is a fucking mess and tori is essentially homeless and no one knows her. so tori's first idea is that she'll LEAVE ame, get to the coast, and then take a boat somewhere with no war. unfortunately this is means crossing through active ninja war zones

the Mood for tori in this is: imagine her muddy and damp at all times. she is floundering around the elemental nations mainly by attaching herself to other civilian groups trying to relocate and, when necessary, scamming ninja. her ability to take down ninja is all over the place, but if she tricks you into making the wrong move, you WILL end up stuck in an unbreakable barrier or dying horribly and she will take your things.

and then the mood for minato is: he's like 19-20, so he's young and more reckless with less direction than i usually write him. he is only JUST now getting an international reputation for hiraishin related shenanigans. he feels dusty and overworked all the time, but also he currently has no strong ties to konoha as a physical place (jiraiya and his genin teammates are rarely there due to war, he and kushina are buddies but not dating, and he hasn't been assigned team 7 yet). so basically he's loyal to konoha but he's not like.... eager to get back or anything. he's fine fucking around in weird corners of the world during his down time. he is basically a Nice Guy but he has no problem with murder as the quickest and easier solution.

the meetcute:

tori is good at what she does but her scams/lies/manipulations obviously don't always work, and failing to trick a ninja can end with dire consequences. she has 'died' a couple times, been imprisoned and moved by ninja and civilian groups AWAY from her goals and had to escape, etc

she is currently having a Very Bad Time. she's been captured by ninja and they're actively harassing/humiliating her. she doesn't have an opportunity to DO anything bout this so she is quite upset

minato shows up and murders the ninja. this has nothing to do with tori's presence-- it's his mission to clear enemies in the area.

minato doesn't care THAT much about helping random civilians who aren't even fire country, but he IS very good and smiling prettily and asking people if they're okay.

he asks tori if she has a safe place to go. she lies and says yes bc she doesn't want to find out what happens if the fucking YELLOW FLASH talks to her for longer than necessary.

but also she is. she is very flustered. she's not used to being saved with no strings attached. he's handsome and being kind to her. she's SO upset

they part ways. tori stomps off into the woods and she's COLD and LOST ALL HER SUPPLIES because she ran away before she could LOOT THE CORPSES.

and! the worst part is!! she keeps having idle fantasies about if she HAD said she needed help and minato? helping her?? WHY WOULD HE HELP HER. how would he 'help' her. she bets it would feel good

she INTENTIONALLY gets herself recaptured while she knows he's in the area just to be saved again. except this time she's a small group of people and he gives the same exact speech and offers help to everyone? he does not seem to recognize her even though she keeps thinking about him? tori NOT special???

tori: okay so he's psychological torturing me tori: guess i should.... kill him....? tori: only if we ever meet again though. tori: which we probably won't

so while this interaction will haunt tori for months, minato mostly forgets about it immediately. however there ARE mounting rumors that SOMEONE has a fuinjutsu master running around. it's unclear which village is responsible for it. jiraiya's investigations indicate it's probably a wandering-nin because the things this person is doing make no SENSE from a 'village at war' perspective, because he's following around tori's wildly inconsistent path of destruction. jiraiya only even cares because a few times she's been forced to leave behind active seals, and they're? insane looking???

so the sequence of events that ends up happening is:

minato is in the same area as tori, because he's helping hunt down this mysterious fuinjutsu user. he ends up chasing a bunch of ninja out of a civilian village because it is, in fact, more convenient to him if civilians like him and let him use their resources. he gives them the same speech he always does about are they okay and everyone is safe now. one of the villagers, a young woman, approaches him and is like "hey can you help with this weird ninja technique down by the river, it's killing the fish?" and minato is like "yeah sure" and he follows her down the river and voila! one of the weird seals he's looking for!

and then? somehow?? he ends up IN the river AND the river is fucking BOILING. he gets out because he can fucking teleport, but he hasn't been spamming his hiraishin as much as he will in the future and he ends up having to teleport pretty far away. he's decently injured because BOILING so he seeks medical attention and doesn't go back for a few days. but when he DOES the girl is gone and the villagers are like "oh yeah we have no idea who that was"

tori: hi sorry, you seem to have not noticed i'm the main character. die horribly, i guess

minato: i think the renegade fuinjutsu user is..... a random civilian? jiraiya: proposterous jiraiya: that makes no sense all of konoha leadership: nope, sounds wrong

so now it's minato's personal mission to refind tori, despite konoha leadership's orders to drop it, because he's 100% sure SHE is the mysterious fuinjutsu user. i don't think it would actually take him that long because he is a highly competent ninja and tori is tricksy but she's also... a walking disaster. (basically, she's good at getting herself out of immediate problems, but she's bad at long-term problems, so she does things like "flee before hiding evidence of insane fuinjutsu" and "gives her name as Cup Noodles to more than one person")

meanwhile, tori is wandering around backwater hot water country like, "i did it. i fixed my feelings on the yellow flash. u_u" and he shows up again like "hello!!!" and she's like "NO FUCK"

the problems minato immediately runs into are:

he doesn't actually have specific orders on what to DO about tori, on account of konoha thinking she has to be some sort of bad ass ninja. the game plan for the mysterious fuinjutsu master is basically just "identify and then report back" and he already did that

he COULD just drag her in and sit her down with a yamanaka, and then probably jiraiya would be like "huh, good work, kid" and he would get another accolade for excellent service he doesn't care about. but, consider: he wants to know WTF is up with her, how her seals work, and also how is she doing them if she's not a ninja

he figures out pretty quickly that they HAVE met before, twice, and she targeted him specifically to try and boil him alive. he's had ninja fixate on him before but.... the disconnect between tori's perceived threat and how close she got to boiling him alive is absurd

he's

he's kind of into it?

so the mood then is: tori is being casually stalked by the yellow flash because he just thinks she's neat. she's wildly conflicted about this because she enjoys his attention way too much, but also, she hates how he makes her feel. she hates that her life is 90% being uncomfortable and terrified of being randomly murdered, and she HATES how minato being around makes all of that go away. she hates that she likes fucking around with fuinjutsu with him. she starts doing stuff that will self-sabotage her own quest to LEAVE THE CONTINENT just to get his attention.

the get-together:

tori gets herself into hot water that makes her go "oh, hmm, i may have fucked up for good this time"

current scenario i'm imagining (some rotating needed): iwa is ALSO onto Insane Rando Fuinjutsu User running around, and they end up grabbing tori and moving her into like. an actual field prison for ninja, in a major iwa camp in one of the smaller countries. the rumor among the other captives (mostly konoha ninja) is that they'll be moved to iwa proper eventually, and tori is.... pretty sure she's actually fucked forever if she ends up in iwa

but! she has other prisoners! who are ninja! and she's like: "look, despite knowing i can do fuinjutsu, they don't seem to have the slightest idea HOW i've been doing it, because i can still make a blood seal whenever" and she gets to be an integral part of an escape plan!

but she gets left behind/immediately recaptured because no one ACTUALLY cares about her and helping her >:(

i might change this but ONE concept i have for how this pans out is that hiruzen's non-asuma child (konohamaru's parent) is one of the captives. so it's a VERY politically important captive who isn't necessarily very badass by themselves. so the mood is like "this person needs to be rescued, but they're not like some A-tier person who can rescue themselves," which is why minato himself gets sent in

tori, while she's being smacked around by iwa leadership for being a part of the escape attempt that lost them their most valuable captive, realizes that she did actually fuck up in attempting to escape, because she HAD a shot at Konoha rescuing her if she stuck with the other captives, but now those captives are free, and no one is coming for her

MEANWHILE, minato has connected witht he escaped konoha-nin and pieced together that tori was with them but they left her behind

minato: oh minato: BRB

and i've decided in THIS au, THIS is minato's "kills 1000+ Iwa-nin in one shot" moment

so he shows up, covered in blood, kills the guy who's been torturing her, and is like "tori, are you okay?" and it's his speech he gives everyone except he's not using his pretty smile she now KNOWS is fake and he's tenderly wiping blood off her face

and tori is just. SO fucking weak to this. you became the most lethal ninja in history? for h e r?! 🥺🥺🥺

and then they make out 😌

i'm not sure how the rest of the story goes. i think minato's preferred way forward would be for tori to go into konoha's employment, but i don't think she'd like that. but also she suddenly is less interested in leaving the continent so now she maybe has to fix some things?

tori: oh you have a genin team now? um unrelated but there is a cave near kannabi bridge with an old man you must kill minato: wh minato: why do you sound like like a wizard giving me a quest minato, a month later, finding Uchiha Madara in a cave: minato: minato: TORI WHAT THE FUCK

but anyway after that when she's like "we have to find a plant guy and kill him too" then minato is 100% on board because she is. some sort of witch?

also she lets him draws a hiraishin marker on her For Safety and he's weirdly horny about it

[datura-tea]

okey dokey! i just finished the fallout show! some Thoughts under the read more

tl:dr, the (bethesda) fallout vibes were definitely there. i liked it as a show on its own merits but as a part of the series canon... i'm mad, and that anger is kind of overriding the little i liked about it. overall maybe 2.5/5 stars and im being generous

things i liked:

visually, it's stunning - i could see scenes already being made into gifsets - the color grading is pretty good; even in dark scenes i could see and understand what was happening

the sets are soooo good!! costume design was alright too

title cards were fun and cute

they did some interesting stuff with the cultures of both vault 33 and the brotherhood of steel

they used the sound effects from the games :)

i liked the wastelanders!!! big npc and random encounter energy. i kind of want a whole show of just them. for example i love the marketplace and settlement in filly; it feels very lived in

the background characters weren't just young thin able-bodied conventionally attractive white people :) there's so many elders, which i loved!! ma june and barv were cool. i love gruff old lesbians

lucy!!! she was already kind of weird and a little off-putting even in vault 33 ("what's your sperm count" as an opener to the husband she was just arranged married to is WILD) and i like that. she's sweet and bullheaded and surprisingly competent :)

maximus is kind of an ass, but is also a pathetic nerd and brotherhood dickrider who actually doesn't really know anything. kind of a girlfailure

the ghoul was pretty cool too!! i liked him, though more for his prewar story than the one he has post-apocalypse

lucy's brother norman kinda grew on me. "i lack enthusiasm for every job that i do here" so relateable. also short king <3

THE DENTIST THAT BUYS TEETH. never thought that would be a Thing but now that i think about it, it makes sense

the monsters that we have were cool!! wish there had been more of them

MATT BERRY IS IN THIS!! i just really like him so i got excited :))

maximus and lucy's "wanna have sex?" talk LMAO

vault 4's various mutations!!

those giant unwieldy fuckass duffel bags that brotherhood squires lug around hahahhahahaaha

vault 4 and its genetic experiments because its main conceit is that it was ruled by scientists who hybridized humans. it's exactly the right amount of fucked up i want in a vault

i like that the protagonists regularly get captured and eat shit

FRED ARMISEN IS ALSO HERE

haha hacking minigame :) also chatting via terminals (and im assuming pipboys?) is canon now

they're growing crops in the wasteland + bustling trade + livestock + pets yay

robobrain was cute

things i was just ok with:

dane, the they/them brotherhood of steel aspirant who was fucked over so maximus can get their spot as a squire LMAO what a waste of a potentially cool character

IT'S SO FUNNY that there's yodelling whenever the ghoul comes into the scene ????? WHY

fight scenes.... pretty good but someone definitely had the bloody mess perk (i don't do well with gore so ew yucky). also lots of [VATS NOISE]

pipboy was not used as much as i thought it would be

cousin stuff... i get it, i guess in a vault you'd have a lot of cousins and not a lot of choice, so some incest would probably happen

the ghoul being vault boy's inspiration?? not sure what to feel about that tbh

the casual dismemberments... and equally casual attaching of limbs... not even prosthetic limbs.....

the vaulties eating good healthy well-balanced meals. giving out caviar in the welcome basket. kinda 50/50 on it

the vault 31 - 32 - 33 subplot couldve been more fucked up

have brotherhood knights always been celibate or did i miss the memo

there are regular chickens and... deer? for some reason?

the ghoul's design. it's fine in action but mostly it's meh

the vault 4 cult for moldaver

vault 4 as a refuge for shady sands survivors. im mad about it but like. i get it

that guys "elixir" (some altered jet??) fixing everything about thaddeus' foot instantenously AND GIVING HIM HEALING POWERS???

things i did not like:

lucy's plot premise is very much fallout 3 redux

lucy and maximus as a ship is very meh and kind of forced and not compelling. go give us nothing!!!

wilzig's head as a macguffin that everyone is after... ehh kind of just okay as a plot device

also the ghoul randomly eating that other ghoul???

the squire who bullied maximus calls himself fat but he isn't fat?? not even chubby??? hello????? just got a soft face

water chip being fucked feels very fallout 3 also but they kind of dropped it?

they definitely named cooper howard after todd. as tribute probably, which he doesn't deserve

fiend = cannibal now?????

maximus recognizing vault 4 as a cult but not recognizing the brotherhood as one lol

vault tec evil capitalism vs hollywood communists storyline was kind of basic. and bland. and weak

the enclave could've been established + explored better

no geckos or any other west coast-specific monsters

showing me ncr ranger armor when the ncr is gone

ghouls have healing powers?? WITHOUT RADIATION??

things i hated hated hated:

the ghoul needing drugs to combat the Disease That Turns Ghouls Feral

feral ghouls being basically zombies :/

IN EPISODE FIVE. THEY REVEAL. THAT SHADY SANDS. WAS BOMBED. THE ENTIRE NCR. WAS BOMBED. IN 2277. THE YEAR OF THE FIRST BATTLE OF HOOVER DAM

BASICALLY RETCONNED FNV?? IM PUTTING MY EARS IN MY FINGERS AND GOING LA LA LAAAAA

VAULT-TEC DROPPED THE BOMBS ???? BIG MT + MR HOUSE BEING IN ON IT????

THE BIG STUPID FUCKING REVEAL IN EPISODE EIGHT?? THAT THE OVERSEER BOMBED SHADY SANDS BECAUSE HIS WIFE DIDN'T WANT TO GO HOME WITH HIM??? FUCK THAT???

the brotherhood being the main faction of the west coast now. booo!! booo!!!!

the fucking last shot of new vegas being a burnt out husk. probably foreshadowing that hank is going to house's body but. UGH I HATE IT

to summarize: it came out strong! and stumbled hard falling face fucking first at the finish line. i would have liked it a lot more if it did not shit on the west coast as much as it did. because what the FUCK. if it was set literally anywhere else and left the ncr alone i would have liked it more, because on its own, as a self-contained story, divorced from the rest of the fallout series canon, it's not bad!!! it's fun, there's some good bits, it has the ~vibes~ but - and this is a big but - i don't know what it's trying to say. it's all very surface level and the very vague themes i picked up on are not really reiterated in the plot

it's like... the bits that make it fallout are there. vaults. the brotherhood. ghouls. a dog named dogmeat. but there's something lacking. it's like your usual sci-fi post-apocalypse show with a fallout veneer. idk. i like it for what it is but also i hate it for what it's emblematic of. that's all

[meimi-haneoka]

Clear Card Trivia 4 ~ The most ancient Magicians of Europe, the Magic Association and their role in Clear Card

Welcome back to my corner focused on eviscerating all the thematics, hidden messages, trivia, aspects of Cardcaptor Sakura Clear Card!!

We're at the 4th "episode" of this series (you can find the previous ones under the #clear card trivia hashtag) and this time around the tone of the thematic will change a little bit. We get into a darker corner. Yes, because when it was time to decide for the next thematic I would delve into, I felt it was finally time to address everything concerning The Magic Association and Akiho's clan, the so-called Most Ancient Magicians of Europe.

I've been feeling the need to delve into these two "entities" appearing in Clear Card for long time and for several reasons. One of those is that there are still so many people out there who tend to conflate the two and confuse "who did what". It's time we dot the i's and cross the t's on who's who. And rest assured I made sure to mention every single thing we know (and don't know) about them. For this reason, the post is a bit long, but I wanted to make it as comprehensive as possible.

Moreover, these two groups of people hide a very deep and important role inside Clear Card's story. Despite representing the darkest, most horrible part of this arc (I'd daresay if we have to find a villain in CCS at all costs, we have quite found them), I can see and appreciate a lot the social commentary CLAMP made through them.

If you're curious to know what this social commentary is and read in one place everything we know about these magicians, just follow me under the cut!

The Magic Association of England

Let's start with them. The first mention we have of the "Magic Association of England" (in Japanese イギリスの魔法協会 or they've been called 魔術師協会 - Magicians association - too ) is in volume 4, chapter 15, when Eriol over the phone reveals their existence to Syaoran, and even correctly speculates that Yuna D. Kaito might be one of their members.

Basically, the Magic Association of England is a congregation of powerful magicians (not necessarily related by blood) who associate together for their mutual personal benefit. Their headquarters are, of course, in England.

They are recognizable in the story by their long black robe with purple lining and a headpiece that covers their heads and faces entirely, shaped vaguely like the head of a dragon.

It seems like they are organized according to a hierarchy, for two reasons: some of them wear an additional layer of clothing on their shoulders, as a way to indicate a "higher rank" of magicians (they're probably the oldest ones, or the ones who run the entire thing), but they also assign "titles" to their magicians basing on their level of magic - Kaito is basically the strongest (while not being part of the higher hierarchy, because he doesn't wear the additional piece of clothing) and he's been assigned the title of "D". That's what the "D" in his (fake) name means, nothing else. We can assume there are magicians of rank C, B and A too, in this Association. They even seem to have a collective magic circle, as we can see in more than one scene, but more clearly in chapter 79:

As Eriol implies very early in chapter 15 (and as we will have plenty of opportunities to see with our own eyes), their activities are shady at best and criminal at worst (that's why Eriol replies to an unaware Syaoran "Your clan probably hasn't mentioned them to you yet, because of the plenty bad rumors about them").

It also seems like they constantly try to recruit new members and actively look for powerful magicians to add to their ranks. Like they did with little Kaito, reaching him at the unknown location he was living in (beware, this is often a point of confusion but the men with the caucasian-like headpieces we see in the flashback are not part of the Magic Association. It is just a "circle of people" where little Kaito lived for a period after being separated by his parents.)

Not only that, but in order to achieve their main goal, they also seem to form "alliances" with other influential parties. This is apparently done for the common goal of broadening the Association, their authority and influence in the magic world, as stated by little Kaito himself in volume 13, chapter 60. Although, little Kaito also says that they won't think twice in betraying those alliances when they see fit, and it seems to be customary because the boy says that it's certain to happen.

And "alliance" is the type of relationship that connects them to the next subjects of this post.

The Most Ancient Magicians of Europe

The "Most Ancient Magicians of Europe" (in Japanese 欧州最古の魔術師達) get introduced for the first time in volume 6, chapter 25. Yet, the very first mention of a "clan" Akiho belonged to appears as early as volume 5, chapter 21, when Akiho explains to Kaito she recognized the robe passed down in her clan in the vision she had unwittingly shared with Sakura.

Their ceremonial outfit is composed by a white robe with a light blue cloak hemmed in yellow, just like the removable headpiece covering entirely one's face when pulled up. They also have a collective magic circle identifying the magicians part of the Clan:

As opposed to the Magic Association, this clan is a big family of magicians, all related by blood. They do not seem to have a common last name they go by, like the Li Clan does for example. This gives an inkling about their very broad reach. Although the ones closest to Akiho seem to have their headquarters in England just like the Association, the name suggests that their scope and/or presence might be spanning all over Europe. The family is so big that Lilie basically married one of her distant relatives, part of the same clan.

In this regard, I have to make a very important clarification about a translation mistake in the ENG localization that affects concretely the plot. This mistake made it to the printed volumes.

As you can see here, the ENG translation basically makes a Clan member state that they have the same blood as Clow Reed. We all know that Clow Reed was born from an English father and a Chinese mother and since in this scene the Clan is talking about their rivalry with the Li clan, it is almost automatic to assume that they are the Reed Family.

This is a very egregious translation mistake, as the correct translation is the version that the scanlation group RhapsodyInBlue uploaded back in the day:

A "They are of Clow Reed lineage" (as the Li's indeed are) turned into "For the blood of Clow Reed", giving birth to quite a big misunderstanding.

This clan has never been officially confirmed to have any blood ties with Clow Reed.

Any indication in that sense is pure speculation and fan theories. I know "it's the official English translation that says so!" but unfortunately this is not the first and definitely not even the last translation mistake that affects severely the understanding of the plot.

The only thing we know for certain about the Most Ancient Magicians in Europe (I'll call them "Squid Clan" going forward, cause this is a common nickname I've been using forever in fandom) is that they hold a grudge against Clow for unknown reasons (they wouldn't be the first ones) and consequently they are constantly competing with the Li Clan (blood relatives of Clow) for who is more powerful and influential between their Clans. Although we don't know if it's mutual, this rivalry is nothing recent, as it was already there when Akiho and Syaoran were born, and it's certainly part of the cause that pushed the Squid Clan to turn Akiho into an artifact (to compete with Syaoran of the Li Clan). Syaoran is very well aware of who they are, as he's the one recognizing the robe in Sakura's dream in volume 10, chapter 46.

Another thing that I wish to point out is that, although fandom spaces sometimes call this Clan as "Shinomoto Clan" or even arbitrarily call Lilie as "Lilie Shinomoto", none of this has been hinted at or even confirmed in canon. In fact, the sticker with a phrase from Lilie that is being given out at the CLAMP Exhibition held in this period in Tokyo, indicates her name as just "Lilie", not "Lilie Shinomoto", while all the other characters are fully featured with their first and last name. As it's been revealed in chapter 80, Akiho uses an alias in everyday's life, following a common practice in magic clans. So it's very likely that the entire name "Akiho Shinomoto" is an alias and "Shinomoto" got nothing to do with the Clan Akiho was born in at all.

When they were still alive, Akiho's mother and father were the most powerful magicians in that Clan, with dreamseer Lilie being the top magician. And as we can hear from her own words, the Squid Clan's collective goal is to put their hands on the magic of the entire world and on any means to operate it. That is particularly evident in the purpose for which they have turned Akiho into an artifact. It is also what seemingly steers their interest when it comes to marrying off their members: feelings and happiness of the parties concerned are of no importance, all that matters is how profitable that union will be for the Clan in terms of power. That's why they were thrilled to know Lilie and her husband decided to marry, but then considered it a failure and said they should've never let them meet when they lost their life in an accident and all they left to the Clan was a magicless little Akiho.

Kaito and the Magic Association

Next, let's review how both of these groups affected the other characters.

The Magic Association approached little Kaito in the community he was living in (unknown location) when he was very little, asking him "to help them out". They had certainly sensed his astounding powers for someone so young and saw an opportunity to make their Association grow. Little Kaito didn't particularly want to help them out (or do something for someone else, for that matter), but due to his already problematic growth process and emerging child depression (from what we can see in the flashback, he was seemingly feared and kept at arm's length by the people of that community, so he was already growing up in solitude - I wouldn't exclude they were the ones calling the Association to have him taken away), he didn't even feel strongly against the idea, so he just decided to accept.

What followed were years where Kaito kept growing up in solitude despite being surrounded by so many adults, fending for himself, feeding on anything that was edible enough (Lilie will find him eating a Calorie Mate for lunch), without a shred of love, care or emotional education, simply used as a tool and exploited for his strong magic powers. The boy had the opportunity to train and develop his powers even further, quickly becoming unrivalled in magic battles.

Along the story, Eriol (in a short chapter) came into possession of secret documents about Kaito's life in the Association (the sheets bring the Association mark) and he said that they included his "spectacular war records". What exactly he meant with that term isn't clear, but it's legit to assume that the Association might had young Kaito fight against other magicians (we don't know the extent of the violence of those fights).

Kaito's impressive performances in magic earned him the title of "D" in the Magic Association, the highest title that can be bestowed on a magician in their environment, and he was allowed to attend the Association's meetings with the higher members of the council. During a "character exposition" moment, Eriol reveals that the request that the Association made to Kaito the most was to use time magic for their benefit. This, well knowing the effects that time magic has on the caster. They had a young boy performing that dangerous magic, shaving off his own life span, while they continued undisturbed and unaffected.

Note that in all the flashbacks we saw of Kaito in the Association, we never saw him taking initiatives in their activities, but just merely following passively the orders he received. From his bored behavior we can see in volume 7 chapter 31, he wasn't particularly keen in attending their meetings either. Even the abomination the Association did on Akiho, he never took any part in it, he was merely informed at "fait accompli" (this might be harder to get for how they translated this in the ENG version, but in the flashback in Japanese the Association talks in past tense, as something that had already happened).

From all the hints and scenes we can see of young Kaito in the Association, up to the conversation he had with Lilie and the multiple warnings he gave her about their intentions, my idea is that Kaito wasn't aligning with their wicked morals and felt uncomfortable among them, that's why he strived to be kept alone as much as possible, but being the only adults he could cling to, and with an already crippled self-esteem, he didn't even have enough will to leave that place forever.

Until Akiho came into the picture, that is.

When both Kaito and Akiho were two little children, the Squid Clan requested to the Association to have their most powerful magician to "check up" little Akiho at a distance for any trace of magic power in her body.

This is the incident that basically started everything: Kaito said with honesty that the girl had no powers, "just like a blank book", with the hope that her Clan would expel her and let her live a normal life. Sadly, some years later, that same comment had been taken literally by Akiho's blood relatives and gave birth to a very sick plan for Akiho's purpose in the Clan.

Despite seeking his assistance due to his massive magic powers, the Association was at the same time very wary of Kaito. His unbothered and disinterested behavior might also be the reason why the Association and the Squid Clan didn't trust him and decided to engrave the "Seal of D" on him when he offered himself to escort Akiho in her travels around the world, unknowingly seeking for magic to write on her body (I'll talk about this whole matter in the next paragraph).

The "Seal of D" is a magic of "confinement" that works only on magicians with a title of "D". It's easy to imagine why this thing exists in the first place: magicians with such enormous magic powers are convenient but also pose a threat to the authority of the Association, especially considering how there's no sense of comradery and loyalty in this group of people, and they're ready to betray anyone at any moment. The "Seal of D" works as some kind of "trap" that is triggered by the undesired behavior of the magician (in this case, they had programmed it as "should the magician tamper with the magic artifact in any way, activate the Seal of D on him"). Young Kaito had no qualms in accepting to let them engrave it on himself, because at that time he already had a rampant self-loathing and probably the guilt of what he realized he had caused was already wrecking his mental state. They even had the nerve to ask him "Do you understand what it entails?", as if shaking the responsibility off themselves. Of course he didn't know. He didn't have a complete idea of what he would have to sacrifice, at that time.

Following Kaito's refusal to return Akiho to their abusers (roughly around 1 year prior the events of Clear Card), they excommunicated him officially from the Magic Association and started persecuting both of them. In volume 7, chapter 33, we saw one of those attempts at attacking them to take Akiho back, promptly repelled by Kaito in secret to not let Akiho notice anything. It is easy to guess there had been other attempts in the past. This is also very likely the reason why for Kaito it was absolutely vital to live in Eriol's ex-mansion once they arrived in Japan, as the house was naturally a perfect place to store and protect magic artifacts.

When Kaito exchanged the artifact implanted in Akiho's body with his own pocket watch, the Seal of D and everything that happened afterwards was triggered automatically, sealing Kaito away in a hidden dimension where time was destroyed, stripping him of his humanity and caging him in the form of a dragon, unable to talk, to move or use his magic. Any attempt to free him would trigger an endless stream of magic attacks, like Sakura and Syaoran had the displeasure to realize later.

One peculiar thing that I'd like to remark and that contributes to emphasize even more how despicable those magicians were, is that when Eriol started investigating to understand who Yuna D. Kaito was, with the help of the Li Clan he found out that the "official version" of why Kaito was excommunicated from the Association was that he had "lost" an important taboo artifact that shouldn't have been removed from its premises for no reason. Furthermore, rumors over rumors said he didn't "lose it", he actually ran away with it. All of this is of course a lie spread to make Kaito look like a delinquent who stole the magic artifact (Akiho), when in fact they were the ones willingly sending Akiho away. It is very likely they were the ones spreading this misinformation to both make Kaito look like a criminal but also to not lose face in front of the magic world.

Kaito's permanence in the Magic Association worsened exponentially an already precarious situation with his upbringing, exacerbating his low self-esteem, denying him a childhood where he could know the warmth and comfort of love, exploiting his magic powers at his own expense, while not meeting any resistance from him, reacting to this abuse with a concerning "apathy" as self-defense, for something he could not comprehend entirely yet, and so he could not effectively consent to it. It is a kind of "silent abuse", where they didn't use violence on him (at least not for what it was shown and not till he was still living with them), but still wrecked him on the inside in ways that are not visible to the eye, and it will probably take years and years to heal. Akiho alludes to those scars in volume 6, chapter 29, when she confides to Sakura her fear that Kaito might be suffering in silence from scars "invisible to the eye".

Because of this, his relationship with other people and the way he goes about things might appear particularly troublesome and hard to understand. He definitely doesn't react to things as someone with a healthy upbringing. His abuse and exploitation has been explicitly mentioned by Mokona sensei in a Twitter Space, so even if it's pretty evident once you carefully read the chapters of his backstory, it's confirmed even on the author side.

Akiho and the Most Ancient Magicians of Europe

Cosmos, whom we've known as "Akiho Shinomoto" in the story, was born into the clan of the Most Ancient Magicians of Europe as a result of the love and union between Lilie and her husband, both part of the same clan and respectively first and second strongest magicians in that family. It is immediately horrifying the realization, along the story, that Akiho's abusers are people of her own family, tied to her by blood.

But let's proceed in order.

As soon as the accident that killed Lilie and her husband happened, the Clan took care of their only surviving daughter.

Ever since the first panels of Akiho's backstory, the Clan members are shown having great expectations about what kind of magic she would develop, as everyone else in that family had done till that moment. When they heard about Lilie and her beloved's engagement, they were already fantasizing about what incredible powers their offspring would have. That's all they ever cared about. At the "ripe old age" of about 1-2 years, the baby girl was expected to show some signs of magic as soon as she started walking, but she had none. It is roughly in this period that they had Yuna D. Kaito, from the Magic Association, evaluate her at a distance. Even though the boy declared she had no trace of powers, they seemingly decided to wait and see.

But by the time the girl turned 6/7, when she was old enough to read books, still no fragment of magic appeared in her. That was, for the clan, something unacceptable. And the beginning of Akiho's tribulations.

It was in this moment that they started to compare her to Syaoran, of the Li Clan in Hong Kong, and the concern with her non-existent powers began to look more and more like an obsession. They actually started seeing her as a stain on their Clan's pride. Suddenly, the focus was all on how they could surpass the other rival Clan, and Akiho was isolated, left in the grip of loneliness. A magicless member of the family was a member who didn't even deserve being talked to. An interrogatory, at most. They didn't really care if the little girl wanted to socialize, if she wanted to play, if she was the only young person in that Clan, missing her parents who died so early on. All the questions Akiho stubbornly made them about her parents were sistematically ignored, save for one little detail that she was able to snatch from them, probably out of exhaustion: that both her parents loved mint chocolate. It was an apparently insignificant detail, which for Akiho became everything she knew about her parents, and the only "proof" she had of her connection to them. She was also denied any picture of mom and dad, probably deeming her unworthy of them.

In the short story n. 2, Akiho tells Kaito that her Clan denied her even plushies. Even if she asked for some, they would tell her "if you've got time to play, then you've got time to read". In this sense, it is a miracle that Momo managed to stay, via the guise of a plushie, by Akiho's side throughout her childhood.

The girl grew up, and the situation stayed the same, or rather, it worsened. The members of the Clan became more and more cruel, calling her “worthless”, “useless” in her face, in one scene they even doubted she could really be the daughter of her powerful parents. They kept making all kinds of attempts and experiments to see if she would develop any powers. As Akiho herself told Kaito in volume 13, chapter 60, she remembered how they'd repeat countless times how unfortunate it was that Lilie, a dreamseer, wasn't able to foresee her own demise, and that if all they would leave behind was such a worthless, magicless child, then they should've never let the magician and her husband meet. Basically, declaring in front of Akiho that it would have been better if she had never been born at all.

This was the moment where they completely went out of their mind and remembered Kaito's comment on her: if she was "like a blank book", they would make sure to turn her into one.

With the collaboration of the Magic Association, they executed a magic ritual to turn a human being into a magic artifact, engraving a magic tool inside Akiho's body (the infamous book that we will see in its entirety in volume 16, chapter 79. Note, this is DIFFERENT from the white Book of Time guarded by Momo that Akiho carries with her everywhere). We never saw entirely the scene of the crime, but the few flashbacks CLAMP depicted are horrifying enough: Akiho floated over an altar, seemingly tied to it by a chain made of pearls around her ankle. She was completely surrounded by members of the Clan and the Association, and we could even spot both the Clan's and Association's magic circles hovering over and under her. In a particular scene, we saw Sakura in Akiho's place, and she seemed to be suffering. Probably what Akiho herself went through during the real thing. After the successful completion of the procedure, it seems the magicians burned the book they took this taboo ritual from, as a way to have the exclusitivity of the artifact for themselves.

The ritual didn't come without a price though, even for those who executed it. The magicians discussed the toll that such a taboo ritual would take on them, but since their greed was stronger than anything else, they still considered it worth the loss. When the Association's higher members informed Kaito of the successful experiment (and bragged about how magnificent it was), they also mentioned the price they had to pay: several members of both the Clan and the Association lost some magic spells and rituals forever.

It is to be noted that Akiho doesn't seem to have any recollection of this ritual and what happened during it, nor she's ever aware that she carries a magic artifact in herself, so it's pretty much legit to assume they've put her to sleep throughout it. Or....the trauma caused her some memory loss.

Either way, from that moment onwards, Akiho was just considered "an artifact" created and owned by both the Clan and the Magic Association, for their own consumption. The plan was to make little Akiho travel the world to hoard all the magic she could absorb from several grimoires, as that was less risky (in their sick mind) than bringing all the grimoires to her. And in chapter 80, we saw the amount of grimoires that Akiho had unwittingly engraved on herself along the years.

As if this wasn’t horrifying enough, the spell hoarding all the grimoires progressively tried to crush her soul and conscience, until it would get destroyed completely. So when the artifact reached its limit, it would've been the death of Akiho as a human being. Only a shell of her would remain. And judging by what was said by Kaito in volume 8, chapter 35, they actually hoped for her to lose her consciousness completely, so they could make use of her more easily.

As we all know, that's when Kaito decided to step up and change the course of his and Akiho's lives forever, offering himself to accompany her in the travel they planned for her.

Just like in Kaito's case, rehashing Akiho’s past in the Clan is important to understand her personality and behavior fully. CLAMP, in the Clear Card manga, have portrayed the story of her past in a very peculiar way: it starts as any other fairytale, with light tones and cute designs. But as the story progresses, and the horror ensues, the tone of the tale changes, and so the drawing style too. It becomes serious, darker and “realistic” (as opposed to the initial cutesy style). What started as a possible generic fairytale, turned into a real nightmare.

Mokona sensei described Akiho as having "nerves of steel" in a Clamp Space, and that certainly helped the girl surviving her childhood in her Clan. Yet, certain things will simply wreck you up inside, willing or not. And in the flashback of volume 6, chapter 25, we could see Akiho struggling to comfort herself with the fantasy stories she would read to keep herself company. Despite wanting to enjoy them and smile, tears of loneliness still cut through her eyes. The mental abuse the Clan inflicted on Akiho showed its effects throughout the manga, with various moments where the girl's optimistic and cheerful nature would crack at the memory of what she had to endure while she lived with her relatives. Her apologetic behavior, constantly seeking for validation, is another symptom of that trauma. All of this, ignoring that her abuse didn't stop at mere verbal one. Because what they engraved into her with that ritual crosses any boundary and trespasses into physical abuse too. This is truly the most horrific part of Clear Card and it's no surprise that's been received by the fandom with criticism and concern while the serialization was going on.

Yet, I think the fact CLAMP wanted to introduce and depict the abuse these two magic groups perpetrated *in Cardcaptor Sakura*, of all stories, totally makes sense and in the next paragraph I will hopefully explain why.

How Sakura Was Affected By Them

Now that we have eviscerated both the Magic Association and the Squids Clan in every possible aspect, it's time to look at what CLAMP tried to depict through their presence in the story and what kind of role they have in the journey of self-understanding and growth for the main character Sakura Kinomoto. None of this is possible without taking in consideration all that I've explained above. ☝️

Truthfully, the Association + the Clan touched and affected (or we should say wrecked) Kaito and Akiho the most, directing their dangerous attentions towards Sakura only a couple of times. But they were very important for her growth too, since they represented the first "taste" of what awaits her as one of the most powerful magicians out there, and they led her to make the most important decision she's ever made till that moment.

After all, Eriol said it loud and clear. Powerful magicians are naturally drawn to Sakura, since she is a powerful magician herself. And Sakura was meant to meet all the magicians she encountered throughout her story.

The first point of "contact" with these two groups of criminals happened in volume 6, chapter 27, in the infamous scene of Fujitaka's library. The strong energy present in that place (capable to protect Clow Reed's book and the guardians) triggered the artifact inside Akiho, opening it (almost) completely. It was heartbreaking to watch Akiho push Sakura away with the last crumble of consciousness left in her, seemingly to protect her, before the Clan and the Association took control of her body through the artifact and started commenting on Sakura's powers. Several members of the two groups, both male and female voices, took turns in talking through Akiho, almost as if they possessed her. A scene that, if they'll decide to keep it in the anime adaptation, will be creepy at horror movie levels. Of course this is another one of those details that was completely lost in the English translation, as they didn't keep the difference in fonts that you can see in the Japanese one, hence you don't understand that it's not Akiho speaking, but most importantly there are several people speaking through her. I think what's most disturbing of this depiction is how it conveys perfectly how much they consider Akiho a property. A property they can exploit and literally manipulate and make use of as they please.

As soon as the Clan and the Association realized who Sakura was (till that moment she was very likely shielded by that protective spell that Eriol and Kaho applied on the girl, the same that Momo and Kaito had to see through to find her), they immediately tried to absorb her power into Akiho. That, as I've pointed out earlier on, would've instantly meant the death of Akiho's soul, as her "capacity" was almost full by the time she reached Tomoeda. This attempt will be foiled by Kaito through time rewind at his own expense, but the criminals will try again in volume 7, chapter 34, when Sakura used her magic in stopped time. This triggered Akiho's artifact again, and this time they successfully managed to trap Sakura into the big book that emerged beneath Akiho's feet (the same scene we saw afterwards in chapter 70, once the artifact passed to Kaito). Once she was inside the book implanted in Akiho, thanks to her intuitive powers Sakura was able to see a flashback of the moment when Akiho was turned into a magic artifact, living it (and suffering it) from Akiho's point of view. Even this attempt to absorb Sakura's power was foiled by Kaito once again, with a time rewind.

In chapter 46 Syaoran mentioned the existence of the Clan to Sakura after seeing their robe in her dream. Other than that, Sakura won't come in direct contact with them again till the end of the story (the attacks at the fake moon were triggered automatically and they didn't have a direct intervention from the Squids/Association), but I'm pretty sure that once she regained all the memories of the un-rewritten world (including the memories erased by the time-rewinds, as we can see in some scenes featured in the "film strips"), she had already pretty much connected all the dots, hence why she proposed to Kaito and Akiho to erase their existence from the memories "of those people".

At the moment of the climax in chapter 78/79, Sakura finds herself in a situation where she starts to grasp that behind Akiho, the real Akiho, and this guy she doesn't remember but who's Akiho's most important person, there are people who want to hurt them. She doesn't know much, just what Akiho told her in bits and pieces throughout the story, but that's already enough for her to come to a very important conclusion (and decision).

The conclusion that in front of straight-up cruelty, she can't compromise, she can't keep being the good little girl who tries to be everybody's friend. Cruelty is inexcusable in Sakura's eyes, as it should be. All the more if the ones being hurt are people who are important to her.

Sakura finally learns with her very own eyes that in this world there isn't only the love, protection and comfort she grew up in, but there's wickedness and evil too. That such cruelty isn't a "far away thing" but it can actually hurt people very, very close to her. Of course, CLAMP calibrated on the target audience the depictions of such cruelty and Sakura's involvement with it, never crossing certain lines. The culmination of this realization is Sakura's decision to erase the existence of her friends from their abusers' memories, saying "What I'm about to do is probably not right, but I can't be on everyone's side". I thought that was one of the most powerful, most empowering messages that CLAMP hammered in our brains with Clear Card's finale. Our Sakura isn't a perfect, spotless angel. Within reason, she will stain her moral record a little bit, if it's necessary to protect the people important to her.

And here it's the right moment to introduce the symbology of the Magic Association and the Clan in this story. This is strictly connected to why Sakura made that decision, and why CLAMP decided to not have Sakura confronting the magicians directly.

A Message of Hope Through Social Commentary

Long time ago I had a very interesting discussion with a Japanese CCS fan on Twitter. This fan was wondering why the two groups seemed so important, like the source of all the problems behind this arc, yet they kept being depicted with their cloaks and headpieces pulled up, effectively hiding their identities from the readers' eyes. And the fan had found a very valid reason for it.

One of Ohkawa's private Twitter Spaces pretty much confirmed it for me, later on. Back then the topic was "prejudice" and chatting away, she ended up discussing a bit about CCS and particularly about Kaito's behavior in the chapters that were being serialized at the time. Her message between the lines was clearly "I know you think of him in a certain way right now, but don't let your better judgement be consumed by prejudice. When this story will be over, try to reconsider his behavior". The whole Space was centered on her effort in everyday's life to not let prejudice rule her decisions and assessment of situations.

With Clear Card's story over, I can finally attest that it truly was a story where CLAMP constantly tested our prejudices, time and time again. Not only with Kaito, but with Syaoran and other characters too. And the Japanese fan I was mentioning above explained that in their idea, the reason why CLAMP kept the Squids and Association's faces hidden the whole time was to prevent us from applying a prejudice over them too.

Their appearances don't matter. They can become distracting. This story isn't about them. It doesn't matter what skin color they have, if they're tall or short, if their hair is blonde or dark. We barely know they are located in England, we don't even have a name to call them with. Inside this story, all we need to know about them and focus on are their intentions and actions. Their actions are what define them and what we should be judging them for.

And that's when I realized the "no faces" approach also allowed for CLAMP to turn these two groups of people into a symbolic representation of abusive systems. Thanks to the fact that they're faceless, the readers can literally see in them whatever they can relate to basing on their own experiences: abusive families, exploitative working environments, but also modern society on a larger scale. Never doubt for one moment that CLAMP aren't still doing social commentary in their latest works, even after all these years.

Particularly, in this story Akiho's family is "just" a magic clan, but on a metaphorical level they are the representation of abusive families that burden children with expectations that destroy them psychologically. Think about how strong this metaphor is: "the spell that's been activated on Akiho by her clan will suffocate her soul until it gets destroyed completely, making her easier to manipulate" which is like saying "the family loads the children with lots of expectations, so much that they end up losing their identity, becoming 'puppets' of their family members". Some time ago I've read of a disabled Japanese fan who saw themselves in Akiho's character. Her lack of powers and the way she was treated by her family reminded the fan of their own disability, and what they had to endure everyday due to society's expectations and ableism. They were grateful to CLAMP for introducing a character like Akiho, with a story like hers, and that Sakura and all the Tomoeda kids accepted her and loved her for who she was.

In this way, it becomes clear that the Squids and the Association are representative of systems and concepts that are just too big for a little child to fight against on their own. And that's indeed what happened in this story to Sakura (and Akiho) too. Those magicians are ruthless, organized in big groups and magically very strong. There's no way an eventual fight would've been on equal footing for her, no matter how strong she is. She's just a 13 years old girl, she shouldn't be taking on herself the burden to go against such an overwhelming danger.

Just like in real life, darkness will always accompany light and evil will always exist alongside good. It's unrealistic and unfair to expect that a child could be facing evil all on their own. Even if they are supported by other dear people, it's just impossible and utopian to hope to eliminate evil from existence like Sakura would've eliminated the Squids and the Association in an eventual magic fight. Sakura is the heroine of the story, yes, but she isn't magically nor mentally equipped for such a thing. CLAMP didn't want to lie to us and to their youngest readers. Some battles might be just too overwhelming to fight, and if there's ONE thing they hammered like crazy in this arc is that, no matter what you do, even if you're protecting someone you love, you always have to remember to keep yourself safe at the same time. Reckless heroism doesn't really benefit anyone. That was valid for Syaoran, for Kaito and for Sakura too, in the end.

That's why CLAMP, through Sakura's choice, decided to not let her have a direct confrontation with those two groups of criminals. Besides, let's be honest. There's no way she could've made them convincingly "change their mind" and pressured them to turn suddenly into good people with just a couple of idealistic phrases. It would've honestly looked like a joke and an insult to all the readers who had to endure abuses in their own lives. Oh, how nice, Sakura turned the Big Bad Evils into good people! ...Sure, but what about the pain, neglect and suffering that were inflicted on those who were just little children? Erased by wiping those people's slates clean?

Honestly, the only viable way that wouldn't have insulted the reader's intelligence would've been a straight-up violent fight, and that would've been not only jarring to see in CCS, where violence is certainly not how you solve problems, but also probably resulted in Sakura's death. Which of course, no one wanted to see.

So what do we do when we find ourselves in front of an evil too big to confront, too big to fight on our own? We just give up? We just succumb?

Nope. That's indeed why CLAMP have Sakura deciding to erase the memories as an ultimate, well calculated attempt to free Akiho and Kaito from the grasp of their abusers and at the same time stop the attacks that were threatening to kill all of them. Instead of focusing the resolution of the problem on the abusers, engaging in a fight with them that would've probably worsened the situation, she decided to prioritize the people she loves and ensure their safety first and foremost. I believe CLAMP never wanted to make it all about Sakura vs. Evil Magicians in the finale. That's not the kind of story they wanted to tell. I believe their constant focus and concern in the finale was the marginalized, abused party and how Sakura could help them out from her "privileged" position of a girl blessed with love and protection from all sides. How she could make use of her gifts (both her magic power but also her safety network of people she loves and who love her in return) to do good. Real, effective good.

So, summarizing all the above: by not showing any of the Squids/Association's faces or names, CLAMP successfully conveyed the idea that in the climax Sakura didn't judge and repelled individuals, but rather, the systems they were representing. Sakura didn't oppose "Mark, blue eyes and dark hair" "Elizabeth, green eyes and blonde hair" but actually their systems AND their actions, the atrocities they committed. And what I appreciated is that she didn't need for Akiho to tell her every single thing about her past in order to make her decision, because that's something for Akiho to disclose IF and WHEN she'll feel ready to. She just needed to hear and concretely see that her friends were being literally hunted, and let herself be guided by her affection for Akiho. Sakura did all of this prioritizing her abused friends, the oppressed minority (here it comes out again the topic of minorities so dear and precious to the CCS franchise) while ALSO protecting herself, by not engaging in any dangerous fight with those horrible people.

CLAMP's message for all those children (and even adults) who are suffering for situations that are just too big to defeat on their own, is to first and foremost figure out how to break away from the abusive environment. Run away (like Kaito did), cut ties (like Sakura helped to do), find help so that the poison can't reach you and bring you down again. You have to look for help first and foremost, but also find in yourself the will to be helped.

Akiho and Kaito received help from Sakura, but they also wanted to be helped by her (that's the part where Sakura asked them for their consent on the memory-erasing spell not one, but THREE times). And that's pivotal. The two things are interconnected and salvation isn't possible if you don't genuinely find in yourself the will to be saved.

Once you can break away from the source of abuse, you can start again. You can take control of your life once again, lick your wounds, heal, move on and find happiness again. That's the concept of "we won't go back, we'll go on" that echoed loud and clear in Sakura's words during the finale.

I think the wish that inspired CLAMP while they were writing Clear Card's story is that any of their readers who are stuck in suffering can hopefully find their own support system.

Though the "Clans" or "Magic Associations" will keep existing out there, we don't have to face them alone. Our loved ones can help us getting out of that toxic environment and never look back.

[princessmotif]

as i said while discussing iroh as a character, despite the comics being a mess, i feel confident saying that at the end of atla, zuko not only realizes that azula has been harmed too, but he rightfully blames ozai for that harm (although ozai is not solely responsible for traumatizing azula).

as big of a win as that is for the possibility of the fire hazard siblings healing their relationship (zuko absolutely has to take the first step there in my opinon; azula would not be willing to at this point, and their relationship has been unbalanced in terms of care historically), their relationship is still quite tragic even with this realization.

there is no way that zuko actually understands what ozai did to azula. he doesn't even know what ozai did to azula. yes, he knows that ozai abused azula, but zuko only understands and knows abuse as he endured it.

there's also almost no way that azula is going to tell zuko about it. not only would she not want to discuss something so vulnerable in a serious or honest manner (see the way she discusses ursa in the beach), but she's also just had a serious psychotic break. it's very possible that she's not fit to see zuko at all right now, let alone discuss her trauma with him even if she wanted to.

so zuko is left to fill in the blanks about the how of azula's trauma. given his pattern of relating other people's trauma to his even when it's not actually the same (i.e. how he relates katara's trauma about kya being killed during the fire nation's genocide against her culture to his own trauma about ursa's disappearance after committing high treason), he would come to understand and conceive of how ozai abused azula through his own experience with ozai's abuse. while zuko's abuse was clearly always an implicit threat dangled over azula's head ("you can't treat me like zuko!") and ozai absolutely used some of the same tools against her that he did zuko, zuko was ozai's scapegoat child while azula was his golden child. their abuse did not look the same, it did not function the same, and it did not impact them the same.

it's also unlikely that he has the perspective at this stage in his own healing process to apply any of his (false) perceptions of azula's trauma to how it would have shaped both their childhood and his perspective of azula. he probably doesn't even realize just how deeply his perspective of her is colored by ozai's abuse of them both.

furthermore, since he's accepted his recollection of their childhood (which is not his fault. he is a victim of abuse who did not have the means or opportunity, as a young child, to see beyond ozai's more obvious abuse of him, which he couldn't even admit, to notice ozai's more subtle abuse of azula), he likely can only conceive of azula's childhood trauma in two ways:

as the byproduct of his own trauma, existing not because of azula's own traumatic childhood experiences but because of her witnessing his, such as the agni kai

as the product of his exile, occurring because he was no longer physically there for ozai to abuse and thus had to find a new target in azula

the former seems less probable given his belief that azula enjoyed his pain when they were children, so he would likely think that she was abused not when they were younger but exclusively after his exile began.

this isn't even touching on how zuko's perception of ursa and iroh clouds his ability to see how they both harmed azula too. that muddles things a lot more since zuko struggles with black and white thinking.

i think azula and zuko could heal their relationship with time and mutual effort, but as long as she refuses to confide in her brother and as long as he assumes she should experience and respond to trauma the same way he has, they're doomed to remain static in relation to each other.

[sepublic]

I have to wonder about Camila's life and backstory, leading her to the beginning of The Owl House; For example, was she the (grand)daughter of immigrants, or an immigrant herself? For what reasons did she come to the U.S.; Was there a promise of adventure and freedom that didn't entirely pan out? I could see there being additional parallels between Camila and Luz, if they both came to another 'world' and met someone who really made them feel at home, with Camila's person being Manny.

It isn't exactly canon, being revealed in a unreleased episode that no longer fits with established lore, but Homesick (which seems to have been originally written as a Season 1B episode) reveals that Manny was a hospital driver. Now this is also mentioned alongside Camila being a nurse, when we know now that she's a veterinarian.

But the idea could still be repurposed into HC territory; Camila met Manny, as someone who also shared in the same career. Given her compassion towards animals, it seems Camila chose being a vet because she genuinely enjoys and believes in that work, so it makes me think of how Luz wanted to become a witch, and then found belonging in fellow witches like Eda or Amity, who helped to validate that choice for her by participating in it with Luz. Maybe Manny did the same for Camila, as someone who was also compassionate in helping transport people to medical assistance, and I assume ambulance drivers must also be knowledgeable themselves too!

Looking at it from one perspective, you could say Manny was Camila's Eda, as someone more confident who helped encourage Camila into being her fullest self, making her feel at home as a fellow weirdo, etc. And by extension, Luz is her King; Someone younger that she helps guide and look after, a kid with lots of big fantasies they want to play out. And on Manny’s end, he could be Luz, while Camila is his Amity, as someone less confident about embracing herself, only to find that courage upon meeting Manny. He too would share in the immigrant experience of coming to a new world, and maybe he did so with reckless enthusiasm, like his daughter did?

And if Camila's an immigrant, I wonder what sorts of mixed feelings she might have about Gravesfield, and the U.S. as a whole. How does she feel about the Dominican Republic, if she's ever been there? Thinking of those Mother-Daughter parallels, this new home isn't exactly the nicest, and it has many of its downsides; Like the Boiling Isles for Luz, it suffers from the influence of racist Puritan white guys, which exacerbates a hostility to outsiders. But as I've mentioned with Manny, there are still people to find there, and the existence of kids like Masha further cements that because even if viewers can't find a Boiling Isles, they'll rest assured knowing there's still others like them in this world particularly.

Not to mention, Vee! Adopting Vee, who much prefers the human world, could help Camila appreciate her own home by looking at it from that angle, and relate to her new daughter as a fellow immigrant to Gravesfield. Camila still seems somewhat beholden to the human world, since she and Luz still live there; A part of this could probably be attributed to Vee, but I wonder if there are other ties as well, such as Luz and Camila's Dominican heritage?

Do they have other relatives that they're still in contact with, and how do they feel about them? I don't think they're necessarily on bad terms, seeing as how Luz herself struggled with being a loner while still having loving and supportive parents, and her feeling complete with her found family doesn't negate those pre-existing relationships at all; People simply need as many friends as they can get.

Plus, Camila might still enjoy other aspects of the human world nevertheless, such as her Cosmic Frontier novels, or even something as simple as her latin music. Maybe she isn't entirely comfortable with the isles either, given how four years later she's still a bit grossed out by certain aspects of Luz's new Quincenera, but Camila's still open-minded enough to be accommodating and respectful.

And again, that makes me think about how the Boiling Isles has its ups and downs, as well as locals who are cruel without needing the influence of outsiders. This is part of Luz's arc in Witches before Wizards, acknowledging that, while still being able to love it, warts and all. And I wonder if Camila feels similarly about the world she moved to (while also sharing an unambiguous distaste for the government), if there's a lot to Gravesfield and the U.S. as a whole that she doesn't like.

But there are still good parts and good people, hence Vee's friends, her own relatives, and of course Manny. Vee herself likes it, fellow migrants have a lot in common! So there’s an almost begrudging love, like Eda and King talking about their home at the end of WBW. Maybe like Luz, Camila realized the (American) dream she wanted when she came to this new place wasn't going to play out exactly as she expected... But in many ways, it still did, especially because of people who made it feel complete.

So Camila really is like her daughter; A weirdo who felt the need to suppress herself, only to find people who gave her the encouragement she needed. Someone who moved to another place that wasn't exactly perfect, but there was so much to still appreciate, and it's how she met someone who also moved and loved it there, like the Collector for Luz, or Vee for Camila. Two outsiders wandering and looking for a home, and when Luz found hers, she really cemented Camila rediscovering that belonging when she felt emboldened enough to continue where Manny left off, without him.

It'd have been so easy to just have Luz and Camila both renounce the human world, but that would be cultural whitewashing, and keep in mind the antagonist of the series is colonialism. There’s a lot more nuance in them having connections in both worlds that they want to maintain. And I think Vee helps to cement this for Luz and Camila; The latter would otherwise sacrifice staying in her human home for Luz if she had to, but Vee can function as family in the human world to stay in touch with AND a parallel for Luz to reflect on her choices, etc. Mother and daughter navigating two different worlds that they feel beholden to is the immigrant experience; They're still allowed to hold onto their heritage that way, just as in real life they would be considered both Dominican AND American. That's part of the larger theme of not having to choose nor settle for strict binaries, while maintaining your own identity as you explore entering another community.

[ooc-themis-cattails]

Can I just say how much I appreciate the diversity of ace identities in ISAT and all the detail about it?

(spoilers ahoy)

I love how at first Sif sees the porn scroll as "people doing fun things" but later admits it doesn't interest them at all. Their first response is to say what they know they're "supposed" to think it is, what everyone else is probably going to think it is. But then they learn that it's really ok to admit that they're not into it.

At first Sif is like "why does Beau like me?" but after a while they start to find him cute because they understand the emotion behind his feelings, and while they're not sure if they can actually take it as far as a sexual relationship, they're interested in figuring it out, because for them, that doesn't gross them out, it's just not a drive. This is so relatable to me and I love seeing it bc it's not the typical ace in fiction where like, this character is ace so we mustn't put them in a ship because we should assume it'd gross them out. Sif can be ace but not entirely horrified by sex, and Sif may be romantic (I don't know if even Sif knows whether they are romantic or not)-- I suspect they are demiromantic because it's the intimacy and familiarity of Beau's emotions that makes them start to feel things about the moment by the tree, to the point where they miss it when he doesn't try.

Mirabelle going through the dating service papers is the most wonderful scene because this is what it was like to be ace when I was in my early twenties. Most people didn't know it was a thing, and friends/family were very helpfully concerned that you should find a partner in order to not be alone, because the theory was that it was a basic human need for everyone. I did exactly what Mirabelle did, and had the same kind of reaction: "I have to pick one of these people to try dating because I have to figure out how to be sexually interested in someone so that I can do the whole partnership thing that everyone says you need to do in order to have a fulfilling adult life." Looking at pictures of people trying to figure out how to be attracted to them, or what you like, when the answer is really that you're just Not. And you're kind of torn because some part of you knows that this isn't going to work, but the other part of you legit believes that it's like staying hydrated, you have to do it for your own good even if you're not thirsty.

Mirabelle's being into fictional romance and shipping, just not into doing it herself, is also such a good detail. I'm not aro so I can't speak to that myself, but still, it's a thing. She's emotionally invested in the dynamics between people, she loves watching the details of how they play out, and that's completely separate from ever wanting to do it herself. I've seen it in others and I definitely get that from the perspective of an ace person reading smut-- you can very much enjoy a dynamic without wanting to BE in the dynamic yourself.

Sif coming to understand how attraction works from the outside: "Wait, you can't choose who you get a crush on? That explains so much!" The line made me wince because it's so self-deprecating-- they're probably thinking they're not good enough for Beau-- but I also very much appreciate the realism of how... nobody explains to you how attraction works because they assume you know what it's like, and you probably don't ask because it's embarrassing if they assume that you're an immature late bloomer with no experience of the world, rather than someone who will never have a libido no matter what they've seen. It's so easy to feel infantilized or to infantilize yourself if you're not comfortable with your ace identity. Both Mirabelle and Sif are young enough that they struggle a bit with whether this is really their identity or whether they've just not figured it out yet. In reality, at their age, this probably IS who they are. But they're also a bit hesitant to rule it out because it's really hard to know that you are NOT something, and (given that Mirabelle hadn't really considered the possibility that she's aroace) the culture doesn't seem to have a lot of representation or support for the idea. It's obvious to the player, well, if this is how they feel, then they're ace! But neither one of them can quite settle on that for sure. Because, unlike being attracted to someone where you can go "well that sure did happen", being not attracted to someone is a nonproof. So Mirabelle keeps trying, and Sif doesn't know that their reaction will seem valid to others (as evidenced by the change in how they describe the scroll). Odile, who is aro and who seems to be not entirely ace but isn't exactly the thirstiest plant in the garden, has a different position. She seems to pretty much know where she's at, which makes sense for her age, but we can't really tell if she's always been okay with it or if it's been an issue. We don't know if Ka Bu is a more uptight culture, or how long society has been normalizing non-hetero identities, but we do know she had no female role models, so if any of this heteronormative business was an issue, I imagine it contributed a lot to her feeling of outsiderness. I'd love to know more about how Odile's sexuality impacted her life but she's obviously not about to infodump it on a bunch of 20 year olds, so it remains a mystery. Nonetheless it's pretty great that there's an older aro character, illustrating that people have always been this way, it's just easier for young people to discover it now because they feel more allowed to not be heterosexual. [eta: @butterflyknifepoisoning reminded me that I've misremembered this and Odile isn't actually aro, she's had hatecrushes before and explained them to Mirabelle. Which I kind of sort of remember now! Not sure why I thought she was aro, my memory is crap sometimes. It's still a far cry from yamato nadeshiko, but yeah. Point taken]

...In the end, I find it extremely refreshing that there's a whole RPG party here and only ONE of them experiences sexual attraction, and it's a flamboyant gay-seeming dude with a poorly-kept-secret crush on an enby they/he. ISAT is so cool, it's the best aroace representation I have seen in fiction so far ever.

[petracozbi]

I'm finally came around to do my own Trolls HC list-thing (most are Branch related cuz he's my favourite):

Branch has almost perfectly trained senses from living and surviving on his own in the wilderness; he's got a very sensitive nose and he can easily hear the smallest movements even if they're fairly far away, etc.

Poppy makes sure to at least make a little noise when approaching Branch, as to not catch him off guard, since he had a tendency to get lost in thought when he feels he's in a safe and secure space, and can lower his defences. Kismet does the same (they're found family to me idc)

In the beginning, the bros found it kind of annoying/confusing how Poppy would start getting louder and yell out Branch's name every time they were getting close to him, probably shrugging it off to her just being a very hyper and overexcited girlfriend. It wasn't until they got to experience first-hand how Branch reacted when they suddenly just touched him while deep in thought, and let's just say, after having their arm pinned behind their back and a sharpened stick held to their throat a few too many times, they learned to give a heads-up.

Branch needs glasses. He stopped wearing them after Rosiepuff got eaten to fully avoid any connection with Brozone and his boyband persona. He's not completely blind and can still get around, but he relies mostly on his other senses (which also got way more sharp because of that), and has to get up close to see things in detail.

A HC I think I shared before: Branch is freakishly strong, but doesn't look it at first glance - He's very much humbled the bros (especially JD and Bruce) with this fact, when they try to wrestle him into a headlock to give him a nookie or a Wet Willy (JD and Bruce) and he just won't budge (Kismet knows to not even try) or when they want to help him carry something and they almost collapse under they weight when he hands it to them.

Besides being his vehicle, Rhonda is also JD's (unofficial) therapy animal.

Clay can't swim. He never learned since he spent his entire life in either the trolltree or the abandon golfcourse. When Bruce learns this, he takes it upon himself to try and teach him, but to their shared frustration, they both (Clay and Bruce) discover that Clay is apparently deadly afraid of open waters.

Bruce also didn't know how to swim when he first left the trolltree. He got washed up on vacay Island, having been staying afloat by holding onto a branch. The vacationers taught him how to swim.

JD can cook circles around most trolls. He did most of the cooking back in the trolltree 'cuz Rosiepuff was a horrible cook (referencing her apparently rancid-tasting fluffleberry cake), he also taught (Sp)Bruce how to cook, but never got around to teach the others 'cuz they split up. Bruce later incorporated some of JD's recipes into the menu at the restaurant.

Branch's tastebuds are pretty hardened (some might say almost nonexistent), and trolls tend to assume it's from his survival years, where he'd just eat whatever as long as it was edible, didn't matter what it tasted like. In reality, it's mostly from solely eating Rosiepuff's cooking for like maybe a year or two after the band split up (yeah that's all it took to mess them tastebuds up for years after). Ofc in the beginning, he had to force himself to even put the food in his mouth, but he did it 'cuz he wanted to make his grandma happy.

Kismet was formed shortly after the bros left. It was Rosiepuff who encouraged Branch to socialize with other trollings around his age, since he became very closed off after the split (tho' I think he'd been a pretty shy and quiet kid to begin with (with the exception of when he performed as Bitty B))

Branch used to get bullied (more) for his greyness as a kid. Kismet would chase them off.

Although Branch is not as forgiving either, Kismet 100% holds a grudge for the bros leaving Branch - the Snackpack too, when they also learn what happened.

The bros are absolutely bewildered by the fact that Branch is dating the Queen, and that he'd probably one day be King. Branch himself gets very anxious when they mention this; just the thought of that much responsibility and being in the spotlight like that has him sweating.

Bruce's favorite way of annoying Branch is to tease him about his and Poppy's relationship, asking him when he can expect the wedding invitations and some nieces or nephews. In reality, it's probably Poppy that proposes in the future, with a long, romantic and heartfelt speech ofc (and yes, he cries).

That's all I got for now

[aihoshiino]

chapter 155 thoughts

Thanks for your patience! I had some stuff crop up IRL this week that kept getting in the way of my chapter review but we're so oshi no back

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 12

Aqua Hoshigan Status: White

i can't believe toxic yuri was the real core theme of this manga all along

With the long road to revenge seemingly conquered, Oshi no Ko eases us into a bit of a false high before the real finale comes barrelling in. As with 152, it feels like we're tying off a number of arcs that have lasted through the series, with certain characters getting what is clearly supposed to be their big emotional resolutions… and unfortunately, as with 153-4, while a lot of these beats are satisfying on paper, they suffer a lack of buildup that makes them ring a bit hollow. OnK's clumsy handling of certain characters during the Movie Arc has really come back to bite it during the finale, leaving me feeling like a lot of the emotional payoffs for them are undercut and the character work they're doing doesn't have the groundwork it needs to properly resonate. I defo didn't hate this chapter like some folks seemed to, but it has some pretty substantial issues in terms of micro and macro storytelling I am compelled to talk about. This is one of those chapter reviews I think comes across way more negative than it necessarily is lol but man did this one give me a headache…

To start things off, the thing that initially delayed this review: page fucking one!!! By total coincidence, this was the first chapter in basically forever where I didn't get a chance to look at the JP raws until like two days after it dropped and as such I was ripping my hair out trying to figure out who the narrator was on page one - the use of 'Mama' made me wonder if it was Ruby, but the visual flow of the page is much more biased in favor of Aqua and I probably don't need to tell you how fucking huge it would be for Aqua to have called Ai that for the first time!!! However, based on the speech patterns of the speaker in Japanese and the way subsequent pages flow from this intro, I'm pretty settled on it being Ruby - this chapter is a sort of closing of the book on her involvement in the revenge play or as my friend Mala put it, it's Ruby's homecoming so to speak. And like… honestly, thank god lol.

I get a lot of Ruby fans have wanted her to be more involved in this side of the story for a good while but I think the Black Hoshigan Ruby arc playing out like it did made it pretty clear that Ruby as a character is not super well suited to playing a role in the revenge half of OnK in the way that Akasaka wants it to be written. Not just that, but her actual post-BH characterization in relation to this arc has been such a wet fart that I really think it has taken away a lot more than it has added to her arc.

Not only that but… most of it didn't even happen onscreen lol! Not only did we get that absolutely baffling speech in 147 where she literally looked into the camera and Explained With Her Words the character arc she was supposedly having this whole time (just offscreen and nowhere the reader could see) but we now get Aqua going "well ruby decided to forgive him so it is what it is i guess". It feels so limp as a reason for him to have flipped on a dime like he did, especially when we still haven't fucking seen this supposedly lifechanging performance of Ruby's!!!! SO many characters have the resolutions to their Ai-adjacent arcs connected to how Ruby chose to play Ai in the movie but we're not actually seeing it. We're just sort of talking around it and having it exposited to us. I want to assume this is setup for us eventually seeing it ourselves but like… at this point, IS there any point to us revisiting the movie's content? Everything we might have learned from it has already been addressed by characters Telling Us To Our Faces How It Made Them Feel And Gave Them Therapy so it would ultimately be superfluous.

God. I hate still bitching about the Movie Arc now we're out of it, but it really is the albatross around the neck of this finale. So many of the issues littered through these last ten or so chapters are the result of the Movie Arc's fumbling and misuse of the cast and its failure to establish the emotional throughlines that should have been tied off by these chapters. I keep feeling like I'm repeating myself when I talk about XYZ Narrative Beat not being bad on paper but being less effective than it should do because of lacking underlying foundation but it really is the one central thing plaguing this arc right now.

i get what you guys are going for but. seeing aqua just let kamiki walk away when he has definitely killed people is really funny.

The twins' return to Miyako is another moment that I like in theory but honestly just feels frustrating. It's been over 25 chapters - a week short of an entire year since 125 came out where Miyako lamented her inability to reach the twins like a 'real' mother would and this thread was immediately dropped like a rock. She had zero involvement in the Movie Arc even during parts it was straight up absurd that she was not at least reacting to the events going on, didn't have any reaction to the movie or like… anything going on that could have more organically lead to this development.

I also have to say. The twins returning to Miyako performing this Snapshot of Aesthetic Motherhood (as u/DeliSoupItExplodes on the OnK sub put it) felt kind of. Weird and even a little icky to me in a way I've been struggling to articulate. Just that it felt extremely on the nose and kind of. eeeh.

that said. i won't pretend i'm not 4x critically weak to an 'okaeri' / 'tadaima' exchange at the end of a long quest or journey…

For all my complaints about the surrounding context, this scene in isolation is pretty much the one part of this chapter that just uncritically works. It's hard not to read it as a parallel to Miyako offering to adopt the kids in chapter 10 - except there, Aqua refuses to step into his new family. Here, Miyako pulls him into the embrace and the two of them finally engage not as peers but as a mother and son, as they've needed to do all this time. Her words here are so lovely and so, so sincere that it's really no wonder Aqua breaks down in tears. As much as I've bitched about the lacking work in his arc across the last major chunk of chapters, it's nevertheless been incredibly cathartic to see Aqua finally start letting down his walls, believing in his future and letting people love him. I just wish it had the buildup to really land.

also the twins just… still have not had a real conversation or interaction about literally anything lol.

Ichigo's back…! I already aired my major complaint about this scene vis-a-vis Ruby but I imagine this is the last time we're going to get a real Moment with Ichigo so I might as well get this off my chest now: it was and continues to be utterly bonkers to me that of the characters we saw having Feelings about the 15 Year Lie cast screening, Ichigo was not one of them. And it's even more bonkers that we got this whole bit waxing poetic about fucking Kaburagi and how he feels soooo bad about Ai when like… I'm sorry, but Kaburagi's feelings about Ai are so low on my list of priorities as to be functionally irrelevant. Quite frankly, he does not matter and it's INSANE that the story gave this misty-eyed moment to him and not Ichigo - you know, the agent of the industry that went on to exploit and kill her, her literal, actual dad whose guilt over what happened to her made him ghost his family for nearly twenty years? Can you imagine what an insanely powerful moment of resolution it would've been for that moment of Kaburagi addressing Ai through the 15YL poster to have gone to Ichigo instead?

I also have to note this weird ongoing thread of 'the Dome' being framed as Ai's dream that Ruby is inheriting when it, uh, patently was not! I'm sure she felt some pride in her success but all she herself said on the matter back when it came up was that she didn't get what a big deal it was but that since everyone else was happy, she'd be happy too. I initially took this to be laying the groundwork to disprove this idea and make the characters work out what Ai really wanted in her heart of hearts but now the narrative seems to just be uncritically treating this as a value neutral fact. So… who even knows lol.

Short hair Akane returns…! I don't imagine it was planned, but it's a cute coincidence that she cut her hair in the manga right around the time anime Akane grew hers out for season 2. I've always liked short hair Akane best so this was a nice surprise…

I have to say it was uh, really funny to see so many people get so shocked and mad when Akane talked about 'imitating Hoshino Ai' and screaming that this was a retcon or ruining Akane's character when like… was this really news to you guys??? Even before she grew her hair out, she flipped her bangs to go in the same direction as Ai's as soon as she started acting as her and she was popping hoshigans all over the place when she was getting her career off the ground… like, seriously, was this really a shock to people???

Anyway uh. Vindication for me from this scene!!! I've been pointing out for over a year now that we should be very cautious about taking it at face value that Hikaru killed Gorou and Yura because the story has been very delicately implying that to be the case while avoiding confirming it outright in a way that reeked of a red herring to me. That combined with his failure to even mention these two victims while 'fessing up to Aqua really raised some additional red flags for me and finally, we see Aqua confirming that no, Hikaru was not the one person behind everything, Light Yagami style and the final boss of the series seems set to be B-Komachi's former Queen of Smiles. Fuyuko Niino.

And Iiiiiiiii… feel very uneasy about this twist!

First of all; I have to acknowledge that nope, we have no fuckin clue how either Aqua or Akane figured this out but we'll probably get the exposition in that regard over and done with next chapter. Also something a lot of people caught is that Ryosuke is referred to with a different name here - Sugano vs Kaihara, which was used during the Movie Arc. I've heard this called out as a mistake/retcon and it could be, but tbh I'm inclined to think it's just that Ryosuke's name was changed for the movie, since a point is made about needing everyone's permission to include them in the movie and they, uh… can't exactly ask Ryosuke!

But… back to the real point here.

Nino has been one of my favourite OnK characters since I first read 45510 and every subsequent expansion on her character and her relationship with Ai has only made me more invested in her. But the story setting her up as the final villain here is… it leaves me feeling a little cold and very uncertain about how it'll go.

First off, the framing of Nino on these last two pages is just so overwrought that it's a little ridiculous lol. The image of her squatting in her filthy room, listening to old B-Komachi tracks and staring at a poster of the old group with all the other members but her and Ai aggressively scribbled out… it feels downright parodic to an extent that I think honestly makes Nino that much less nuanced and human by its inclusion alone.

Like… a big part of what I loved about Nino's inclusion in the story and how her relationship with Ai was framed was that it was messy and honest in a way that felt like it wasn't judging Nino herself or making her out to be a villain. Her and Ai's relationship breakdown was a two-sided failure of communication spurred on in large part by Ai's own avoidance and inability to have frank, sincere discussions with the people who cared about her. Nino's tangled up feelings of admiration and desire, envy and resentment, love and hate were not flattering but they felt so real and so human. She was a young girl put into an impossible situation and without the power to change the invisible dynamics of the systems around her, she lashed out at the person in front of her that she could see. The impression I always got was that part of what so deeply fucked up her feelings about Ai was her lack of closure - that she had never gotten to say sorry or patch things up. That she had screamed I wish you'd die at someone she loved and then she fucking died. No wonder she was a mess.

All this though… maybe I'm overreacting when we're just a page and a half into this reveal but again, the framing here really does feel so exaggerated and shallow. It feels like it's falling into the trap OnK previously fell into with the GRSR relationship where it attempts to amp up the drama by massively overexagerrating the emotions at play, blowing them up to their hugest possible extreme and letting all nuance and subtlety get lost in the noise. Ultimately, this will all come down to execution and while it's possible for AkaMengo to get us back on track with the Nino I already liked… idk. Like I said. I'm uneasy.

I also can't let it go unsaid - accidentally or otherwise, the framing of Nino here leans extremely hard into the stereotype of the 'psycho'/predatory lesbian and I don't think I need to explain why that sucks donkey nuts, especially in the midst of a manga that is so insufferably hetero at all other times.

at least she has good taste in b-komachi tracks.

[trashcanwithsprinkles]

You ever wonder why only sheznaya seems to have any kind of diplomatic core? Like we rarely see or hear of any of the other governments interacting in any official capacity. At least that I've heard of.

that is a good question actually

from a lore presepective? i think this stems mostly from the fact all nations have wildly different types of governance. snezhnaya seems to run under the different fatui harbingers, who all answer to the tsaritsa. they have bankers and mayors in their group, and they live in a difficult environment (plus they have traditional non-morally-white organization Goals, and so need to have Reach on all nations), so it would make sense for them to reach out and seek cooperation. assuming you want to buy the idea that they have intentions beyond Fatui Plans for having diplomats, of course. it's also perfectly likely for it all to be a poorly-disguised cover for the gnosis hunt lore-wise as well.

liyue is the closest to them i think, in that it runs under the qixing which used to run under (or parallel to?) rex lapis. now that it's just the qixing, and they're the trade center for teyvat, it makes sense why you'd see relatively prosperous diplomatic relationships with snezhnaya there - but also since they're a bountiful land, they've no need to send out diplomats. besides, there's the fact that the only seemingly functional land trading road in the game is between liyue and mondstadt, who,

are currently without their de jure leader, and jean is mostly just holding the fort till vakra returns. the knights can barely keep monstadt in check so it wouldn't make sense for them to need foreign relations when all they probably need can be obtained from World Trade Hub next door (liyue). this might change with dornman port tho

fontaine also seems to funcition like a more recognizable government, but they also seem so self-suficient (and self-absorbed) to have any need for diplomats. again, they also have a very clear trade route with sumeru in place (speaking of, who the fuck runs sumeru? the akademiya?) sumeru also has clearly established trade routes, and if they are run by the akademiya, are probably too absorbed with research to bother with foreign relationships. everyone comes to study there anyway, diplomats or no, and they send their researchers out to all nations.

inazuma was literally closed until less than a year ago. allegedly. inazuma is, also, the only other one you'll see trying for foreign relationships and diplomatic plays. that's the whole reason why ayaka and ayato were there on the fontinalia festival. so i guess, at the end of the day, the only reason why inazuma doesn't have a diplomatic core the same way snezhnaya does is bc they were literally closed until very recently.

and natlan seems to be closed as well, so we'll have to see.

also, were there any fatui diplomats in fontaine and sumeru? as in, under that pretense? bc we know the ones in mondstadt were there to sus out barbatos, the ones in liyue were there to sus out morax, and the ones in inazuma (which i wouldn't even know if they counted as diplomats) were there to give watatsumi delusions (and yoink the gnosis. i can't remember how signora came into all of this tbh). as far as i recall, there were no 'diplomats' in sumeru, i don't think dottore arrived under that pretense. if he did, we know it was to get scara. and in fontaine- all fatui in fontaine were just house of the hearth members, whom i don't think qualify as diplomats. there might've been 'diplomats' in other world quests, but i can't remember right now. i also can't remember why tf childe was in fontaine to begin with ngl

TL;DR: from a lore perspective, i don't have an answer and it's an interesting question and whatever ideas i have are long as fuck. from a non-lore perspective, this is probably just bc the fatui are the scheeming antagonists out on a hunt for one specific gizmo present in each nation, and so they need spies and information networks and subterfuge n shit. like i'm fairly certain that's the only reason why they seem to be the only ones with a diplomatic core.

[izzysillyhandsy]

Ed-and-Izzy-related stuff that stood out for me in episodes 6 and 7:

Their quiet familiarity and mutual fondness

The main thing I wanted from S2 regarding Ed and Izzy was at least a hint of a mutual, loving relationship between the two of them in the past. The way Izzy acted around Ed in S1 made no sense to me if there wasn't a strong, very old, tried and tested bond there. Equally, Ed's behaviour around Izzy, the familiar way he called him Iz, the exasperated way he reacted to Izzy's izzyness, showed (for me) a closeness of decades living together.

Izzy's "You know me better than anyone has ever known me, and I daresay the same is true for me about you" is the truth, in my opinion. It's about the little things, all the experiences they've had together, sharing a space, food, drink (how natural did it feel when Ed took Izzy's bottle?). Everyone who's had a close friend for decades knows how that feels.

Yes, there are aspects of Ed that Stede gets and Izzy doesn't. But I always had the feeling that Ed feels like home for Izzy and vice versa. This feeling was just very well hidden in S1 because of Izzy's confusion, jealousy and resentment.

(Of course, Izzy is also in love with Ed and Ed, as of S1, isn't. But the (platonic) love, friendship and fondness underlying everything is tangible.)

2. Together, they've got this "us against the world" vibe

One of my favourite headcanons is young Ed and Iz mutinying together, or deciding to kill someone who made their lives hell (with Iz doing the actual killing, obviously). Both learning to fight and to survive in a cruel world together.

I'm not saying this was in any way confirmed or anything (flashback scene, I'm still waiting), but the scene above with Ed looking out at the sea, Izzy who can't take his eyes off him... they seem so attuned to each other. "Where you go, I'll follow."

I know this isn't the most coherent analysis, I'm struggling to describe the feeling I got when watching this scene.

It was like yes, they've fought their way up together. Even after everything that happened, put them next to each other on a ship and they just fit. If they wanted to, they could do anything.

(In a way, it's such a pity Ed doesn't want to be a pirate anymore, at least not a scary Blackbeardy one. Those two have a look going.)

3. Izzy and Ed both connect Izzy's love declaration to Ed shooting him

"You know what he did when I told him I loved him?" "He shot me." "He shot you, yeah." "I know."

This is not 100% clear cut, but to me Izzy's delivery very strongly infers that Izzy didn't know Stede knew (and didn't tell him).

Which means that ED TOLD STEDE.

If that's the case, then

Izzy, at some point, realized that Ed shooting him wasn't (all) about him reminding Ed of Stede

Izzy has a better grasp on Ed's inner struggles than previously assumed

Izzy and Ed both see this declaration as important enough that Ed would permanently injure and eventually kill Izzy for it and Izzy and Stede are both like "yeah, figures"

Ed himself knows and admits that him shooting Izzy was about Izzy (still) loving him in that moment

I mean, I'm still shocked about that.

There were a lot of great metas about Ed's motivations after Ep2 came out, and some of them suggested exactly this: that Ed wanted to be an unloveable monster, that this was the only way he could deal with what he'd done, and Izzy's love was standing in the way of his grand self-destruction.

I wasn't prepared for Izzy, Stede and probably Ed being concious of that and kinda offhandedly acknowledging it in the show?

And even if it wasn't Ed but Izzy who told Stede (which I don't believe, but it's possible) - it's still crazy.

Izzy matter-of-factly telling Stede "Yeah, Ed shot me because I told him I loved him" and Stede being like "Yeah, of course, that's our Ed <3" is mind-blowing to me.

4. Izzy's love song

The lyrics at this exact moment:

Il me l'a dit, l'a juré pour la vie. - He told me, he swore to me, for life.

He really means it. They're married. I rest my case.

5. The first kill's always a mindfuck

So, I have this persistent obsession about Izzy being Ed's personal henchman, and Ed "outsourcing the big job" Teach resenting him for it.

In that respect, Ed's reaction to Stede's first kill was very interesting.

It probably wasn't like that in the beginning, but Ed seems to be a bit of a hypocrite when it comes to violence. Izzy is irrevocably tainted, but I think he wants to keep Stede "pure" (he didn't mind when Stede torched the ship, but that's the hypocrisy in action).

This is of course totally my headcanon, but I think Izzy's first kill was significant. I think Iz did it for Ed. And I think it was very difficult for him (either because Izzy-the-artsy-outsider was actually quite sensitive and nowhere near a bloodthirsty killer and/or because he cared about the person he killed). But Ed was so impressed, and so thankful, so he just carried on doing Ed's dirty work and it changed him forever :(

6. Ed's apology

This whole scene.

Scowly face. Mopey twat. Oh, look, you're talking to me again.

The way they're saying it, Izzy's expressions, their body language - it feels so incredibly intimate. From this exchange alone I would bet they were lovers at some point.

Iz bringing the bottle as a cover and excuse and Ed understanding and playing along.

Ed's "Sorryboutyourleg" being the exact opposite of his public "apology".

I almost cried (like Iz) 😢

CONCLUSION: Why is there only one episode left I need more of this!!!

Also: IZZY LIVES <3

[diagonal-queen]

No worries HHH I'm the one who requested 😭😭 the Sibling one,,maybe Dazai's sibling with Fyodor and Chuuya??

hi! of course i can do this for you <3

They find out you're Dazai's sibling

♡ pairing: Chuuya Nakahara, Fyodor Dostoyevsky x Dazai's sibling!gn!Reader

♡ synopsis: How do Dazai's (arguably) biggest homoerotic enemies react when they find out that their S/O is his sibling?

♡ cw: Mentions of violence, Fyodor is a lil toxic.

note: Imagine reader seeing their brother and Fyodor in prison talking in code and they're like...you can speak Chinese Osamui?? Apologies for errors, hope you enjoy x

Chuuya:

So...he's...not okay for a while. He speedruns the five stages of grief in like two hours and then immediately begins quizzing you lmao

He's mostly just shocked because he would never have anticipated it. If he'd known he'd have already began treating you differently /j

Chuuya is probably constantly mentally comparing you two, like 'oh my god Dazai's so much more insufferable than them' and wondering how you two have such different energy

Also constantly asking you questions about how you deal with him (assuming you're on good terms/see each other often) and makes a lot of sarcastic remarks about it probably

You two like to spend designated times planning ways to break it to Dazai that you're together, but unfortunately this never gets anywhere because he's gonna burst a blood vessel no matter how you tell him lol

You both have semi-regular Dazai-related complaining sessions and they can literally sometimes go on for hours

Sometimes you tell him stories of when you and Dazai were younger and he actually finds them really endearing and funny

Even though Chuuya can't stand Dazai he would never discourage you from maintaining a good relationship with him if that's what you want. In fact he might even try to be civil with Dazai sometimes, just for your sake though <3

Fyodor:

So he mostly just wants to know all of Dazai's secrets. Jokes on you Dostoy- reader doesn't know any of them either!

He's also rather surprised he hadn't figured it out sooner either. He asks you why you didn't tell him and you're like...'babe 😐'

Fyodor still loves you. He gets that you don't choose family, but at the same time he's a tiiiiiiiiiny bit concerned that you might betray him so he doesn't tell you any super important DOA stuff (though if you're dating Fyodor you and Dazai probably aren't that close anyway)

You both agree to just not let Dazai know about this arrangement no questions asked (at least for the time being). He'll probably figure it out on his own but at least you didn't have to break the news yourself!

If Dazai ever did find out and get upset, Fyodor might even reverse uno the trope of 'big brother who threatens sibling's partner' and threaten Dazai himself lmao

If you manage to persuade him (or nag him enough), Fyodor MIGHT just be a teensy bit less sadistic towards Dazai. MAYBE.

That being said he isn't lenient like Chuuya and would prefer if you actively chose him over Dazai

Can he get over it? Ultimately yes he can, but is he secretly very highly disturbed by such information? Yes. Wait for it to hit him that if you two get married then he and Dazai are brothers-in-law...

[eldaryasharbinger]

I've updated Petronilla's bio and changed her family from the canon one to her being Faraize's daughter!! (still adopted)

more yapping below the cut!!

I got the idea while I was replaying MCL HSL, and remembered that Faraize had pink eyes! It technically doesn't matter since she's adopted anyways but I thought it was nice </3

Like they still somewhat look like they're related even though they're really not, one that doesn't know could assume that 'Nilla looks more like her mother...

I also think it ties nicely with everything I did for Petronilla already, since we don't get to hear much about the professors lives during HSL and since she was homeschooled it might make sense that no one ever heard about Faraize's daughter... He's also the history teacher and I believe that it is 100% history teacher behavior

I also think this could open the possibility for Thomas and Petronilla to have met at some point during childhood, they're the same age so during HSL she was a kid as well (I might take the time to make her child sprite cause it would be so cute... And maybe upgrade Faraize's sprite as well for a New Gen version 🤔)

Petronilla got the scar on her nose from falling from the swings at the playground, so imagine if Thomas was also at the playground when that happened and thought "what a silly girl..." just to never see her again, or maybe they even played together but again, never met for a second time

I also think that they both don't remember each other as adults, I do remember a few of the kids that I used to play with only once (like at the beach etc) but I definitely wouldn't be able to recognize them right now, I have no Idea what they looked like or what their name was, I only remember facts 😭🙏 (Since I "headcanon" Thomas as autistic as well I base these things off of my own experience 😔)

I've always liked Faraize so I feel like it's the right change, he brings me comfort and was one of my favorite characters from HSL, I'd love to drag him along and make him part of 'Nilla's story <3

I also think that he'd probably try to clumsily intimidate Jason to leave his daughter alone and, of course, fail 😭👍🏻

Also, 'Nilla ended up sharing some interests with my old Candy (Kilea, she ended up being my first oc and I've developed her as her own character ever since 2015, that's why I barely talk about my old Candy,,) and since I've always liked to pretend that she was Faraize's pupil, now I can say it's because her student reminded him of his daughter and hoped for her to grow up as nice of a person as Kilea was 😭😭🤲🏻💕

One thing is that we don't know Faraize's first name, I tried to ask Chinomiko on Instagram and this is what she said (which I had expected ngl haha!!)

I don't have any ideas so it would be nice to hear your suggestions! I could make a poll with some of the names and let the community decide what we should name Faraize :D!! I don't want to pick one that might confuse others, so I thought it would be nice to choose one together<3

I actually like the way "Francis Faraize" sounds, but after checking I remembered that's Nathaniel's father's name so idk how we all feel about that,,