#heathen magic

[lokavisi]

Unplanned Book Review Time!

I don't commit to doing book reviews on this blog because my ability to get through books in any sort of timely manner is spotty at best, but I've been reading two books lately that I really wanted to talk about. Disclaimer: I have not entirely finished either of the them, though my thoughts and feelings on them are strong enough that I can tell you whether or not I recommend them. (Honestly there's enough in the intros to each book to tell you whether they're worth reading or not.) I'm gonna give the reviews below the line since this is going to be long, so before deciding whether you read more I will say one book is on seidr and the other is on general protection magic.

First up is Dean Kirkland's Seiðr Magic: The Norse Tradition of Divination and Trance. I'm just gonna say it up top: do NOT waste your time or money on this. I bought it at Barnes & Noble (I knew nothing about the book or the author but wanted to encourage B&N to keep selling stuff like this), and I really wish I hadn't given this guy my money.

The biggest issue? Gatekeeping. He explicitly says in the introduction, on page 13, "If I am accused of gatekeeping[...]so be it." He's gatekeeping an open practice. That sentence alone tells you everything you need to know about why you need to skip this book. But let's get into specifics:

-He goes on to say that we shouldn't teach "just anyone" interested in seiðr about it because those without an aptitude for it will cause more harm than good. How the hell do people learn anything, then? Do we not know other magic to protect ourselves and undo any potential harm that may result from practicing a magical skill? He continues by explaining a Darwinian selection process of finding the people "meant" to practice seiðr. So you know, like eugenics.

-Any time he presents a ritual of any nature, he always makes it sound like you should be doing it exactly the way he describes, even if he ends the description with "but you can work with what you have." In one chapter he details this whole ritualized journey into the woods to find a branch from a tree to make your seiðr staff, and that you shouldn't just use dead fallen branches or the like. Literally every person I know who practices seiðr has been gifted their staff, through someone's direct intentions (like as a birthday gift or something) or more indirect ways like in my own experience: I was not looking for a staff when I went on a hike with my in-laws, but I picked up a fallen stick to use as a walking stick and Odin was like, "THAT IS YOUR MAGIC STICK TAKE IT WITH YOU IT IS YOURS." And I'm not gonna argue with Odin.

-Kirkland says you should spend as much money as possible on your ritual attire. This is after he acknowledges that Thorbjorg's extravagant costume (mentioned in the Saga of Erik the Red) is not about a display of wealth, but of spiritual power. He encourages you to build up your gear one piece at a time if you're financially struggling, but my guy, even that isn't possible for a lot of folks. You're saying people need to spend loads of money for a hood to wear over your head. You could have a designated seiðr hoodie and have just as effective a practice. Seriously.

-In the same vein, he always emphasizes that all materials used in your gear should be made from natural materials. As if that is always accessible to people. Not everyone is able to spend hours in the great outdoors. A lot of plastic-based goods are easier to obtain for folks. None of that prevents or prohibits you from a healthy seiðr practice.

-He also generally uses a lot of language that, on the surface, sounds logical and sound, but when you stop to think about it is super gatekeepy. This obnoxious and harmful tone colors the entire text and is frustrating beyond words.

As if gatekeeping weren't enough, Kirkland uses some credentials and experience to indicate expertise where he just doesn't have any. While he may have earned the right to put "Ph.D." after his name, including it on this book feels like he's chasing clout and feigning legitimacy. His Ph.D. is in ecology. Not anything related to religion or history of ancient Germanic Europe. But if you don't look closely, seeing he has a Ph.D. gives the appearance that he knows what he's talking about. It's disingenuous at best and intentionally deceptive at worst. His author biography mentions that he studied Andean shamanism under an indigenous paco. That's great! Good for him! But he's a white guy acting like an authority on various shamanistic practices, as he likens shamanic practices from several cultures to scant pieces of evidence we have to seiðr practice. This lends itself to the general issue with most books on seiðr, that our genuine lack of knowledge about the practice leads folks to fill in the gaps from other oracular traditions. If you utilize something like that based on your personal UPG and use that for yourself in your practice, that is one thing. But when you are teaching others with your UPG that involves traditions often closed to folks like yourself, maybe don't try to pass it off as the most correct way to practice seiðr. He says at the beginning that he will identify his UPG throughout the text, but he fails to do so quite often as he treats his connections to other oracular practices as Truth.

The truth is, pretty much every book we have on practicing seiðr includes the author's UPG and syncretism with other oracular traditions. If you're looking for "true" traditional seiðr practices, our archeological and written records offer extremely little. Personally, I would encourage you to build your own practice around your UPG (and maybe some appropriate SPG) and the known lore/practices if you are looking to develop a seiðr practice. My friends recently reworked Diana Paxson's method to include more lore-based elements, for example. As long as you know what sources you're filling in the gaps with for your personal practice, that's fine. Just make sure you explain that to others. Do not try to pass it off like The Way to Do Seidr like this jerk was trying to. There are a few interesting pieces of actual facts or rituals, but I wouldn't recommend spending money to read just for those trace elements. There are better people to learn seiðr from. (That said, if you lack an actual teacher and are learning from sources like Kirkland's, read this and all other seiðr books with a grain of salt and the understanding that this magical practice is not something we can fully and exactly recreate. Sorry, recons. You're gonna have to acknowledge the need to develop unique modern practices.)

And now for a book that I absolutely ADORE, Amy Blackthorn's Blackthorn's Protection Magic. This is one I borrowed from a friend and would love to spend the money to buy my own copy. Not being able to take notes and highlight in the book itself has been killing me!

Amy starts the book with an exercise for you to identify your own personal ethics in regards to protection of any kind. I did not expect anything like that, but I was pleasantly surprised. That kind of a foundation is crucial in practicing any form of magic, really, so starting the book with that solid foundation is incredibly useful before you even start to practice any of the spells and protection methods she explains through out the text. This is such an important conversation that witches need to be having internally and with each other. It made me contemplate things that I never had before, and reading her own responses to the questions she poses gave me insight into other perspectives on the matter of safety and protection.

Additionally, she makes a point to explicitly address mental health and physical protection. Understanding your mental health and any potential diagnoses is not only helpful for your general wellbeing, but it also helps you in discerning things like whether someone has cursed you or your depression is hitting you really hard. Equally important, she recognizes that spells aren't necessarily going to help you when someone's fist is coming towards your face. There is an entire section of the book dedicated to physical awareness and self-defense. Blackthorn's mindful acknowledgment of the balance of the mundane and the magical is something that I wish more magical practitioners understood and promoted, whether it's in regard to protection or any other kind of magic. It was absurdly refreshing to read any sort of witch, pagan, or adjacent text that so succinctly articulates this balanced approach.

As for the actual spells and methods presented in the book, I have yet to utilize many of them. (There's a lot and I am only one person, though some things I was already doing some version of myself, like visualizations.) However, I can say that she discusses the following in regards to protection magic techniques: visualizations, crystals/grids, plants and garden arrangements, physical and situational awareness, signs that you may be hexed/cursed/jinxed, home security, essential oils, use of tarot cards, incense, and various magical correspondences (like moon phases and colors). She offers a wide variety of options that you can pick and choose, and adapt to your personal needs or means. For instance, the chapter about plants discusses particular species and arrangements for outdoor gardens, as well as ones for indoor use (particularly useful if you live in an apartment and want to utilize plants in your magic); and visualizations require no materials whatsoever and is accessible to everyone.

Blackthorn also makes a point to help you determine the authenticity, quality, and traits of your tools. She explains ways to recognize counterfeit gemstones, how certain plants need to be tended to or how they interact with other plants, and how common items can be utilized for physical protection in a pinch. She presents everything in a way that empowers you to make informed decisions about your personal safety, which is what any sort of text like this should do.

From just the introduction piece on ethics alone, I would highly recommend this book. All of the practices and methods Blackthorn discusses are written in a clear and straightforward way. She covers several bases as someone who used to work in security herself, and really drives home the need for combining magical and mundane methods of protection to keep yourself, your loved ones, and your property as safe as possible. Again, I can't sing this book's praises enough. This would be an excellent addition to any witch's library.

If you've read either of these books, I'm curious what your thoughts on them are! Feel free to reblog, comment, or hit up my asks/PMs to discuss!

[hearthandheathenry]

Color Associations In Magick

Red - love, seduction, passion, strength, courage, charisma, assertiveness, survival, change, power

Blue - peace, communication, expression, forgiveness, traveling, protection, truth, sleep, patience, trust, pregnancy

Yellow - joy, abundance, intelligence, reason, learning, memory, inspiration, imagination, friendships

Green - growth, wealth, fertility, business, healing, nature, balance, luck, longevity

Orange - creativity, justice, ambition, opportunity, attraction, abundance, confidence, energy, celebration, goals, success

Purple - intuition, decadence, authority, wisdom, knowledge, influence, psychic abilities, devotion, enlightenment, overcoming fears, addiction, independence, spirituality

Pink - self-love, companionship, affection, spiritual healing, kindness, beauty, femininity, marriage, sensuality, children, healing abuse

Brown - home, animals, family, stability, endurance, grounding, solidarity, strength, hard work, earth

White - cleansing, purification, spirituality, higher-self, innocence, illumination, balancing, hope

Black - protection, binding, transmutation, banishing negativity, dignity, force, grief, secrets, endings, loss, security

Gray - stability, concentration, neutrality, reserve, balance, adaptability, flexibility

Gold - wealth, inner-strength, understanding, self-realization, sun, masculinity, abundance, happiness, overcoming addiction, luxury

Silver - wisdom, psychic powers, intelligence, memory, moon, healing, divination, money, femininity, fertility, hidden potential, success, awareness

[that-one-grey-witch]

I feel like, maybe we dont talk about how mundane some practices can look? You know? As a whole im so here for the spooky vibes. But thats not my day to day practices. Thats not what makes me feel grounded and in love with my practice.

To me it looks like offering portions of my meal to my ancestors (who i generally honor as a whole unit not individuals). Pouring out pomegranate juice or whatever fun thing im drinking to the gods. Lighting the one candle i have for all of them in the morning and keeping it burning all day when im home. Picking flowers for deities. Chillin. Chatting with deities on my walks to work. Knitting as devotionals to them. Preparing food thats good for my body with them (altar in the kitchen ofc) and salting and sweeping the floors at the end of the week to bring in fresh energy for the week ahead.

Its become so ingraned in my life its begun to just feel like part of it. Not something i have to force to work.

Of course i do more elaborate spirit work.

Of course i do larger devotional practice.

But the smaller practices can have big changes. Especially when people (me) can struggle to clean or eat at all.

Big witchcraft is incredible. Please also do whatever small and humble things work for you along side the beautiful showy side of witchcraft. You deserve to be taken care of.

You deserve to show love and compassion to yourself.

Please remember that ❤

[occultesotericart]

Old engraving print by Cesare Vecellio | sourced from the MET book archives

[broomsick]

If, like me, you have always felt a strong connection to trees, I have a fun little activity for you to try! One of my newly acquired rituals when it comes to magical work is to collect fallen lichen when hiking in the woods, and use it in protection workings. For example, I love placing it near my bedpost and along windows! Lichen only grows in areas where the air is pure and clean, devoid of smog and protected from pollution. For this reason, and since I'm afflicted with a respiratory condition, I've always felt like lichen was a great symbol of healthy air and of a healthy environment in general. To me, it feels like it purifies whatever room in place it in, and many of the magical workings I use it for!

[theancientirishcraft]

[mysticvolva]

[bowldrips]

[ID in alt text]

Freyja's Cat Skull Patch & Sticker

Cat skull with a painted red bindrune of the goddess Freyja's name. (More information about bindrune here.)

PATCH + STICKER on Etsy | Ko-fi PATCH on Etsy STICKER on Etsy HOLOGRAPHIC STICKER on Etsy

[syndrossi]

WAIT WAIT WAIT VISERYS PUT THE CANDLE IN A SEPT STORE ROOM

Does the candle of doom have anything to do with why Rhaegar can't hear the magical things when Alicent takes him to the sept!?

(Why does "the warlock, with a candle, in the sept" sound like the terrible answer to a game of ASOIAF-themed Clue.)

What does the dragonglass candle have to do with what Rhaegar is hearing (or not), indeed...

[lokavisi]

I was a Big Kid™️ today

I have been trying to find real work for a hot minute now, and I've struggled with putting myself out there and pursuing things that interest me. (Not that pagan spiritualism is a particularly lucrative business.) But a new little witchy shop opened up in my town, so my wife and I went to check it out. When we went to pay, I started talking to the owner, so I pulled up my big kid pants and asked if they needed any help or were looking for readers. I told her I'm looking to do rune readings. She said she doesn't have a rune reader that is in regularly...so she gave me her card. And I'm gonna email her so we can figure something out. I know this isn't gonna get me much in the way of financial stability, but I'm proud of myself for putting myself out and making steps in the right direction.

Also, when looking at candles, I was gonna buy the plain green votive candle blessed to attract money. But I looked a little higher on the shelf, and my Guy was like, "Oh no. You want a money candle? I got you a money candle."

I couldn't say no. 🤣

[moonlight1237]

RUNES HISTORY AND FACTS

There are many types of rune systems, including Younger Futhark, Anglo-Frisian Futhorc, Medieval runes, and Elder Futhark, which are the ones I’ll be talking about.

The Younger Futhark (long twig) has 16 runes and is typically used in translation with Old Norse. It was used in Scandinavia during the Viking Age, from 800 A.D to 1200 A.D.

Then you have Anglo-Frisian (Frisian being Dutch), which had around 30 runes and was used in Britain. It’s also known as Anglo-Frisian Futhorc.

The latest and closest to us is the Medieval Runes, which fall back into a 24 system (like Elder Futhark) with the Roman/Latin alphabet, which is also used in translation to Old Norse.

Finally, the Rune system we’re talking about is the Elder Futhark used in a 24-rune system and is used to translate proto-European languages (proto-Germanic, high Italic, proto-English, etc, NOT Old Norse!) None of the names of the Elder Futhark have truly been written down; they have come from reconstruction and guesswork from scholars. The names have come from Old English/Gothic sources and the Rune poems that feature names and pieces associated with names.

Norse=Runa English=Rune both meaning “a secret” or “mystery”

Old Norse=Rún Old Irish=Rún Middle Welsh=Rhin “to whisper” “secret” or “mystery”

Scots=Roun “To whisper” or “speak often about one thing”. It’s also associated with the Rowan tree in Scots, which is a very well-known magical tree in many folklores (also known as the “rune tree” or “the whisper tree”).

It was believed the Elder Futhark came from the Rome/Latin alphabet and had ancient Greek relations—due to the closeness of the Germanic tribes there and the mingling of Elder Futhark and High Italic.

The runes were not traditionally used as magical symbols. they were used in divination but were not considered magical themselves until later centuries, far after the Viking Age when they became popular as magical symbols. The furthest back they were found to be used was theorized to be Germania, as typically (but not always) female diviners would “cast lots” which were believed to later influence the Norse people to cast the runes. It was widespread for Norse kings, warlords, and explorers of this time to have a rune caster or diviner with them wherever they traveled. Diviners and Rune Casters at this time were well respected and always welcomed into people's homes.

Then in the myths, we find where Odin discovers the runes and shares them with the other gods. Later the gods share them with humanity. The god Odin stabbed himself with his spear, Gungnir, and hung himself from Yggdrasil for 9 days and nights without food or water sacrificing himself for the runes till they appeared to him in the Well Of Urd. This myth differs depending on the source you found it on. Then in the Havamal 80’ page, 31 of Jackson Crawford's translation of the Poetic Edda (elder edda), it states, “What you ask the runes will prove true; they are gifts of the Aesir, made by the gods and painted by Odin. You’ll learn best with your mouth shut.”

Freyr’s Aett

Fehu Uruz Thurisaz Ansuz Raidho Kenuz Gebo Wunjo

Hagal’s Aett

Halagaz Nauthiz Isa Jera Eihwaz Perthro Algiz Sowulo

Tyr’s Aett

Tiwaz Berkana Ehwaz Mannaz Lagaz Ingwaz Dagaz Othala

24 runes in total for the Elder Futhark

Freyr’s Aett

Everything for your basic human existence, talking with the divine, human social life, and the earth and its bounty, and how to live our lives happily or at least contently.

Hagal’s Aett

shows us how to navigate the difficult parts of life when things take a rough turn and you don’t know what to do. This Aett shows us how to move forward in life and cause change and unexpected luck for ourselves.

Tyr’s Aett

This Aett shows us how to connect with life around us like. We learn to connect with and communicate with Humanity, deities, and nature around us, as well as how to connect our physical worlds to the unseen spiritual worlds we work in.

Getting into the runes themselves and the meanings and associations

Fehu

Letter-F

God/Goddess-Freyja, Freyr

Meaning-Wealth or cattle

Association-Wealth, Livestock/cattle, prosperity, abundance, fulfillment, stability, success, new beginnings, things earned and won, reward, good health, unexpected good luck

Runic poems- Old English, “Wealth provides comfort, but you must share it who hopes to cast lots for judgment before the gods.”

Norwegian, “Money causes strife among kin; the wolf grows up in the woods.” Icelandic, “Money causes strife among kin, and the fire of the flood tide and the path of the serpent.”

Uruz

Letter-U

god/goddess-Ullr, Audhumla (the creation cow), Thor

Meaning-Ox or bull sometimes bison

Association- challenges, endurance, courage, strength, untamed potential, good health, good luck, moving forward after being stuck in stagnation, sudden breakthroughs, overcoming challenges, trials, power, creative forces

Rune poems- Old Norse, “The wild ox has great high horns with which it gores; a fierce fighter who boldly stamps the moors.”

Norwegian, “Slag is cast from bad iron; reindeer cross the hard snow.”

Icelandic, “Drizzle is the weeping of clouds, and blights the harvest and is hated by the herdsmen.”

Thurisaz

Letter-Th

god/goddess-Thor

Meaning-Giant or Thorn

Association-Strength, breaking down barriers, Thor's hammer, defense, reaction, temptations, resisting temptations, disruption, passion, protection, conflict, power

Rune poems- Old Norse, “Thorn is wickedly sharp and causes pain to those who grasp it, hurt to you who rest among them.”

Norwegian, “Giant causes the sickness of women; bad luck pleases nobody.”

Icelandic, “Giant is the torment of women, and the dweller of rocky vales and husband of Varthrun the giantess.”

Ansuz

Letter-A

God/goddess-The aesir, Odin

Meaning-Aesir, the ancestor god

Association-communication with the gods, wisdom, divine power, knowledge, creativity, understanding, passing tests, understanding, communication

Rune Poems- Old Norse, “Mouth is the source of the word, bringing wisdom and counsel to the wise, hope, inspiration, and a blessing to all.”

Norwegian, “Rivermouth opens most journeys; but the sword belongs in it’s sheath.” Icelandic, “Odin is the ancient creator, and Asgards king and lord of Valhalla.”

Raidho

Letter-R

God/goddess-Sol

Meaning-Wagon or chariot

Association-Rythme, journey, travel, personal development, change, evolution, decisions, taking the opportunity, movement

Rune poems- Old Norse, “Riding is easy for heroes inside a hall; it’s much harder astride a strong horse pounding against the great mile.”

Norwegian, “Riding is said to be the worst for horses; reginn forged the best sword.”

Icelandic, “Riding is a sweet sitting and a swift journey and the toil of the horse.”

Kenaz

Letter-K and C

God/goddess-Loki

Meaning- the torch

Association-Knowledge, Light, warm, illumination, visions, enlightenment, intuition, learning, Improvement, creativity, Inner voices, Breakthroughs

Rune poems-Old Norse, “The torch we know by its flame, which brings illumination, and light wherever noble souls encourage.”

Norwegian, “Ulcer is the curse of children; grief turns us pale.”

Icelandic, “Ulcer is the bane of children and a grievous blight and the house of rotting flesh."

Gebo

Letter-G

God/goddess-Odin

Meaning-gift

Association-Love, partnership, giving and receiving gifts, generosity, sacrifice, balance, joy in relationships, talents, abilities

Rune Poem-Old English, “A gift returns to adorn the giver with greatness and honor; it helps and heartens those who have nothing.”

Wunjo

Letter-W

god/goddess-Baldr

Meaning-Joy

Association-happiness, light, perfection, comfort, harmony, recognition of worth, reward, success, good health, prosperity, flourishing, bliss

Rune poem-Old English, “Joy comes to you who know no sorrow, blessed with grain and plenty, content in a strong community.”

Halagaz

Letter-H

God/Goddess-Hel

Meaning-Hail

Association-interference, disruption, corrections, changes for long-term good, change, being tested, nature, overcoming obstacles, wrath, chaos, misfortune, transformation

Rune poem-Old English, “Hail, whitest of grains, whirls down from heaven, is tossed by the wind, and turns water.”

Norwegian, “Hail is the coldest of grains; All-Father shaped the world in ancient times.”

Icelandic, “Hail is cold grain and a shower of sleet, and the bane of snakes.”

Nauthiz

Letter-N

gods/goddess-Skuld

Meaning-Need

Association-resistance, demand, desire, personal development, constraint, willpower, endurance, self-reliance, patience, necessity, kindling passion, recognizing your needs

Rune poems-Old English, “Need constricts the heart but can bring help and healing if heeded in time.”

Norwegian, “Need leaves one little choice; the naked freeze in the frost.”

Icelandic, “Need is the bondmaid’s grief, and a hard condition to suffer, and toilsome work.”

Isa

Letter-I

God/Goddess-Skadi

Meaning-Ice

Association-cold, lack of change, stagnation, challenge, self-control, harsh reality, concentrated self, clarity, watching and waiting, delay, obstacles, danger

Rune poems-Old English, “Ice is cold and slippery; jewel-like and glistening, fair to behold, the frozen field.”

Norwegian, “Ice we call the board bridge; the blind need to be led across.”

Icelandic, “Ice is the rind of the river and roof of the waves, and a mortal danger.”

Jera

Letter-J

God/goddess-Freyr, Idunn

Meaning-Year, Harvest

Association-cycles, harvest, efforts rewarded, plenty, good spirits, change, completion, fertility, growth

Rune poems-Old English, “Harvesttime brings joy when the goddess Earth gifts us with her bright fruits.”

Norwegian, “Harvesttime brings bounty; I say that Frothi is generous.”

Icelandic, “Harevsttime brings profit, and a high summer and a ripened field.”

Eihwaz

Letter-Ei, Y

God/goddess-Ullr, sometimes Skadi

Meaning-Yew tree

Association- strength, endurance, protection, movement, balance, death and life, Yggdrasil, change, magic, rebirth, friendships

Rune poems-Old English, “Yew has rough bark without but holds the flame within; deeply rooted, it graces the land.”

Norwegian, “Yew is winter’s greenest wood; it splutters when it burns.”

Icelandic, “Yew is a taut bow, and brittle iron and the arrow of Farbauti.”

Perthro

Letter-P

God/Goddess-The Norns, Frigga

Meaning-Lot cup/casting cup

Association-fate, gambles, hidden things, unknown outcomes, chance, destiny, pregnancy/birth, luck, common sense, revelation,

Rune poems-Old English, “Gaming means to play and laughter among the high-spirited who sit merry together in the mead hall.”

Algiz (Elhaz)

Letter-Z

God/goddess-All the Aesir, Heimdall

Meaning-Elk, the white elk

Association-Protection, awakening, teachings of the divine, ward off evil, defense, guardianship, opportunity to grow, fulfilling dreams, employment, shelter

Rune poems-Old English, “Elk sedge grows in the fen, waxing in the water, grimly wounding; it burns the blood of those who would lay hands upon it.”

Sowilo

Letter-S

God/Goddess-Sol, Baldr

Meaning-The Sun

Association-motivation, action, the sun, guidance, health, victory, cleansing, life purpose, enlightenment, spiritual will, goals, light, energy, self-confidence

Rune poems-Old English, “The sun guides seafarers who ferry across the fish’s bath until the seahorse brings them to land.”

Norwegian, “Sun is the light of the world; I bow to its holiness.”

Icelandic, “Sun is the sky shield, and a shining radiance, and the nemesis of ice.”

Tiwaz

Letter-T

God/Goddess-Tyr

Meaning-The god Tyr

Association-Courage, victory, peacekeeping, faith, loyalty, leadership, logic, sound judgment, compassion, honor, passion, masculine energy, truth revealed

Rune poems-Old English, “Tiw is a sign that spells confidence to the noble; unfailing, it holds true though the night clouds.”

Norwegian, “Tyr is the one-handed of the aesir; often has the smith to blow.” Icelandic, “Tyr is the one-handed god, and the leavings of the wolf and ruler of the temple.”

Berkano

Letter-B

God/Goddess-Nerthus, Freyja, Frau Holle

Meaning-birch tree

Association-New life, life changes, growth, healing, new beginnings, femininity, birth, regeneration, renewal

Rune poem- Old English, “The birch thought fruitless sends out countless shoots; leafy branches, high crowned, reach to the sky.”

Norwegian, “Birch has the greenest-leafed branches; Loki brought the luck of deceit,”

Icelandic, “Birch is a leafy limb and a little tree and a youthful wood.”

Ehwaz

Letter- E

God/Goddess-Freyja, Gullveig, sleipnir, loki

Meaning-horses

Association-momentum, trust, harmony, change, healthy relationships, progress, transportation, loyalty

Rune poem- Old English, “The horse brings Joy; proud on its hooves, by heroes praised, it is a solace to the restless.”

Mannaz

Letter-M

God/Goddess-Odin, Thor, Heimdall

Meaning-Mankind

Association-Humanity, soul, divine influence, social order, society, friendship, teamwork, self, family, support

Rune poems-Old English, “We are each other’s mirth yet must one day take leave, for the gods will allot our frail bodies to the earth.”

Norwegian, “Man is the waxing of dust; mighty is the hawk’s talon span”

Icelandic, “Man is the joy of man and the increase of dust and the adorner of ships.”

Lagaz

Letter-L

God/Goddess-Loki, Freyja, Hel

Meaning-Water, Lake

Association- Emotion, cleansing, intuition, dreams, flow, guidance, love, memory, feminine, physic abilities, renewal

Rune poems-Old English, “Water to land folk seems never-ending when they set sail on a heaving ship; the huge waves overwhelm them and the seahorse won’t head the bridle.”

Norwegian, “Waterfalls free from the mountain; gold trinkets are so highly prized.” Icelandic. “Water wells from the spring and the great geyser and the land of fish.”

Inguz (Ingwaz)

Letter-Ng

God/Goddess-Freyr, Ing

Meaning-The ancient god

Association-love, peace, internal growth, harmony, approval, agreement, completion, Masculinity, time of rest, goals, common sense, home, channeling force

Rune poem-Old English, “Ing, first seen by the East Danes, later rode his wagon away eastward over the waves; thus was the great god named.”

Dagaz

Letter-D

God/Goddess-Dagr, Baldr, Sol

Meaning-Day, dawn

Association-Dawn, daylight, change of direction, prosperity, clarity, awakening, breakthrough, hope, completion, balance, transformation

Rune poems-Old English, “Day is the gods’ messenger; the light of the gods grants ecstasy, good hope, and a boom to all.”

Othala

Letter-O

God/Goddess-Odin, Hel

Meaning-Home, Ancestors

Association-Family, inheritance, Home, Knowledge from the past, heritage, experience, value, group prosperity, positive mental state, good health, good financials

Rune poem-Old English, “Home is loved by all who prosper there in peace and enjoy a frequent harvest.”

Bind runes

Bind runes are 2 or more runes combined to make one bigger Bindrune. Used historically as a way to shorten up writing or just as a fun way to write, we now use them as stronger versions of runes, or as a way to have many runes together without having to write them all out.

Famous ones, Vegvisir and Aegishjalmaur (Helm of Awe) aren’t runes or bind runes, but instead Sigils that came around centuries after the Viking Age, and were found to be from the 1800s. Vegvisir is a path finder, not a compass. The Helm of Awe is used as a warding symbol but historically wasn’t actually used for anything as far as our sources note.

Resources

https://oreamnosoddities.com/blogs/news/how-to-make-a-bindrune-Bindrune explaining

https://oreamnosoddities.com/blogs/news/rune-meanings-the-elder-futhark-elder futhark source

http://www.shieldmaidenssanctum.com/blog/2019/3/12/the-elder-futhark-runes-and-their-meanings- elder futhark sources

https://youtu.be/nK51UmwJxRU-bindrune source from witches view with a little misinfo on Helm of Awe and Vegvisir

https://youtu.be/wG9d95vJibk-Bindrune source from Jackson Crawford

https://youtube.com/playlist?list=PLATNGYBQ-TjrPCf9YGy0qzqca1ypcGs50-Jackson Crawfords videos on runes through historical source

https://youtu.be/IROvre0w6hc-Vegvisir info

https://youtu.be/kW9KbtjyHN4-intro to runes

https://youtu.be/Gjmxu7z04kk-explaining the connection between the runic writing and languages

“Runes For Beginners” Lisa Chamberlain

“A Little Bit Of Runes” Cassandra Eason

“Nordic Runes” Paul Rhys Mountfort

“The Poetic Edda” Translated by Jackson Crawford

“Tales Of Norse Mythology” Helen A. Guerber

https://drive.google.com/file/d/1F5INHBpAeUZ8Ux632760FbNQ0SUHDUGX/view?usp=drivesdk-Reading Past Runes book

https://drive.google.com/file/d/1p5L1BFpUFRte-BVq7XgBdXLjAqqZKKkI/view?usp=drivesdk-Nine Doors Of Midgard book

https://drive.google.com/file/d/1EGtRedzunDGtUYkAbtdDrOQS0ppBBH9t/view?usp=drivesdk-The Big Book Of Runes book

[cursecuelebre]

Homemade evil eye patch!! A sigil I have been working on, of course the eye that is suppose to reflect evil curses, Hekate’s torches which symbolise hope and protection then the double tail that reverses the curse

[salixsociety]

Salmon Song

On fishing, undeath, and gratitude.

Since our wedding recently, my spouse and I have been house-sitting for an old acquaintance of theirs. Not counting the dachshund befittingly named Chili Dog, the most beautiful thing about this house is the creek flowing through the backyard, which I sit next to as I write.

Being a branch of a bigger river on Alaska's Kenai Peninsula, countless salmon make their way upstream every year, to spawn and to die. Some, only a year old, some almost ten. They are king salmon, in these waters. Easy to recognize: they lack the characteristic hump of a sockeye, and their bright red back is spangled with small black dots. Every time one swims past I am unable to look away, too mystified to even take a picture. Right there, in front of me, barely concealed by the monkshood, geranium and fireweed, is a fish willing to sacrifice anything to swim into death. To twist and turn to make their way through shallow waters. To agonizingly fight for seconds, sometimes minutes without air, to climb rocky rapids. To rot, to be the living dead, on their way to spawn children that may never reach the sea.

Alaskan summers pass by in a flash, but in exchange for eight to nine months of harsh winter, summer appeases us with many gifts. Fish being one of them. Last week my Dove, their brothers, mother, my sister and I went dipnetting. Being short many pairs of waders, it was mostly me and my spouse doing the fishing. We do it in the tidal delta of one of the biggest rivers around, where the fish enter the river from the inlet. It is important that you go as the tide is changing, to fish in accordance with the pattern of the salmon. When the tide is going out, you catch the fish that are falling back with the stream, having been exhausted by their fight up and taking a moment to rest, and the fish that are actively swimming to the ocean. Then, when the tide is at its lowest, for a while it won't change. We call this slack tide, and the odds of catching salmon are near zero. You may, as we did, accidentally catch a flounder or a sole in your net instead. Then, when the tide finally comes in again, just as you think you ought to call it a day... they come again. One after the other, in such rapid succession that you can barely finish killing and storing the first before another one is thrown on land. In the end, we caught twenty-four sockeye, and one big sole.

We decided to keep a large sole out of curiosity, mostly. They are legal, and large for a river flatfish. Though not as famous as salmon, soles and flounder are fascinating creatures, like any in midgard. Their eyes are both on one side of their body; which side depends on the species of flatfish. They aren't born this way, in most cases. Many flatfish are born symmetrical, and only start experiencing an 'eye migration' in adolescence, when they move to the seafloor. Some, like the sole we caught, are masters at the art of camouflage: their bodies are the color of the marine floor they lay on, and their skins are textured like sandpaper, to catch bits of sand and blend in even better. Some, though to my knowledge none in Alaska, can even change the color of their skin to match their environment. Not all flatfish are bottomfeeders, but soles are, eating mostly invertebrates. They are a healthy fish to eat, in some cultures even a delicacy! But not the preferred fish in Alaska, as their meat is not fatty, and even a big sole doesn't yield much meat.

When I first moved to Alaska and started learning how to fish, the prospect of killing the fish I caught made me nervous. I didn't know if I could do it, and I didn't want to let my spouse down, nor did I want to condemn a fish to suffering. I don't like to fish for sport, I think it cruel, so letting a good fish go was never an option. I pushed through, and tried, only to discover that my arthritis ridden fingers are not strong enough to pull out a fish's gills effectively - even the little grayling I had caught. Ironic. Since then I have delegated the killing part to my spouse, but I was relieved. I can do it. And somehow, it doesn't hurt.

Having gotten much closer to my goal of living off the land now, I have learned a lot about killing, and made my peace with it. Mostly I have learned that taking a life is not inherently immoral. Just as I do not hate a moose for trying to trample me in self defense, and I would not hate a bear for eating me, this salmon, not yet in its spawning colors, does not hate me for my need for sustenance. Just as I do not hate the eagle that swooped onto and killed the little gosling with a skin disease that I had been diligently nursing, she did not hate it, as she would not have hated me when I would inevitably kill her out of mercy, and eat her out of respect. My respect for life is in my willingness to take it, because such is my place in nature. I contribute much more to my environment, and spare many more lives, when I kill twenty-four salmon with my own hands, process them with my own knives, store them in my own freezer. When I kill out of mercy, or out of need for sustenance; when I kill with respect, I am one step closer to living off the land, and one step closer to protecting balance in my environment. One step closer to true, complete, utter connection.

The salmon has long been known to be a fish harboring much magic. A favorite example is of course the fact that Loki transformed into a salmon to escape the wrath of the gods, only able to be caught with a magical net. It is said that the narrow back of a salmon, likely especially on a sockeye or 'humpy', was because of Thor's strong grip on the fish when he was finally caught. There are of course also the necessary saint stories, especially in Scotland, where the fish is regarded as very faery. Associated with wells of wisdom, the ability to tell the future, and even astoundingly old age, such as in the tale of Culhwch and Olwen. Salmon was also renowned for its strength, Irish heroes sometimes being described as 'leaping like a salmon', and in other Celtic myth we see salmon somehow managing to give people rides on their backs. The word 'salmon' reportedly even comes from Latin 'salire': to leap. Most amazingly to me, however, is their process of natural undeath, as my Dove so aptly put it. The way salmon cease to eat and start to rot even on their way to their spawning grounds inspired much awe and lore in ancient societies. These fish, in Alaska affectionately called 'zombie fish', are no longer edible, but they give us many stories instead. Most importantly to me, their living death was often interpreted as the salmon swimming, on their own, into the underworld, before our very eyes.

One book that has been on my TBR since it was referenced by Robin Wall Kimmerer in Gathering Moss, is Totem Salmon by Freeman House. In it, House talks about mentally dissecting the sound of a stream. Doing so has inspired me greatly, partially also to write this blog. There truly is a symphony of sounds concealed in the babbling of a creek. I hear the water rushing over the rocks that form the beaches and rapids. I hear it slosh as it hits the log in the westward bend. I hear it plop periodically as it moves around one particularly large boulder and every now and again, the striking and emotive arpeggios that are the splashing of salmon fins as they make their way up.

When I started writing this story, a beautiful king salmon appeared before the spot I'm sitting at, fighting its way upstream. Many times as I progressed through my story did it fall back with the flow of the water before my eyes, only to reappear. Easily recognizable, with its already rotting tail and dorsal fin. Shortly before I started this conclusion, I heard and saw it climbing up the shallow narrows and disappear around the bend.

May you swim safely there, and safely back. Rest in peace.

[occultesotericart]

Salome with the head of St John the Baptist

[findingthe-stillpoint-blog]

Meditation on the first Aett of the Anglo-Saxon Futhork

[theancientirishcraft]