#hopefully someone will be interested :)

[shepscapades]

Your highness… I don’t feel so good

[psystirene]

i've been thinking about this reddit comment ever since i read it. the sheer rage. almost tearful i think. the horrendous take. underestimating the ability of sapphics to find sickly little leech women irresistible.

[saturnvs]

early peek of the art book/story i’ll hopefully be working on^^

it’s about two horses in the space between life and death and their meeting with the guiding light, whose mission is to lead them to their destination. for one of them it’s life, for the other one it’s death.

it’ll (most likely) be available to purchase on ko-fi as a digital book/e-book as i can’t print and distribute myself. i’ve only barely started the project and have no time frame for when it’ll be done, but i wanted to share the news^^

[turtle--soup]

Okay.

I have not seen ROTTMNT yet, but I've picked up some stuff from just floating around the fandom. Something I've learned, which is discussed in this post here, is that Rise Leo is generally considered - and considers himself the 'Face Man' of the team. (GIFs below are swiped from the linked post by @risestarkiss - I couldn't find them in tumblr's gif search function...)

Anyway. This is interesting to me because I am, for my sins, also a fan of The A-Team.

(I promise this is going somewhere! If you want to find out where I'm going with this, I'll put the rest of the post under a cut because it got a little long...)

For those of you unfamiliar with The A-Team, it's a (very silly) 80s TV series about a group of Vietnam War veterans who are on the run from the government after being convicted of a crime they didn't commit. The four of them spend their lives in hiding, making a living by using their combat skills to help people in need.

Here they are:

Left: Colonel John 'Hannibal' Smith, leader of the team, brains of the outfit and most likely to have become an evil mastermind in an alternate timeline.

Right: Sergeant B.A. Baracus. Nicknamed 'Bad Attitude' due to his lack of patience for bullshit, B.A. is the resident tough guy but also an absolute teddy bear of a man, and is always ready to help people, especially children and the elderly.

Left: Captain H.M. 'Howling Mad' Murdock is the team's pilot and can fly just about anything. As his nickname suggests, he's considered a bit eccentric and is a silly kind of guy. (He's also a permanent resident of a psychiatric hospital but let's not get into that right now.)

Right: Lieutenant Templeton Peck. His role in the team is to provide them with whatever they need, whether that be vehicles, weapons, tools or access to places. He usually achieves this using his charm and wit, gaining him the nickname 'Face Man.'

Okay, so bearing these descriptions in mind, look at Leo's dialogue in this GIF:

I'm assuming that Donnie is the brainy guy, Raph is the smashy guy, and Mikey is the 'eats peanut butter with his fingers guy'. And Leo is the Face Man. That's his role.

But these descriptions fit the members of The A-Team too. Hannibal is the brainy guy, B.A. is the smashy guy, Murdock is the guy who absolutely eats peanut butter with his fingers (while maintaining unbroken eye contact throughout). And then there's Face.

How is this in any way relevant?

Well.

It just so happens that someone else is a fan of The A-Team...

Of course the Mirage turtles watched The A-Team! It was a popular show in the mid-80s, and you have to admit - they do have a lot in common, being four guys fighting injustice from the shadows and all... The A-Team even have a friend on the outside who helps them out - Amy Allen.

She's a reporter. Like someone else we know...

But which of the Mirage turtles in the image above is suggesting they should watch The A-Team?

According to this bio card from 1990 that coincides with the 1987 series...

... it might be Leo!

Was this intentional on the part of the Rise writers? I don't know!

Is it relevant? Probably not!

Does this tentative link between these two silly 80s series make me ridiculously happy? Yes!

Was this entire post just leading up to this? Yeah... sorry...

I like to think that the link is intentional. I've heard that Rise makes reference to other iterations of TMNT, as they all do. I would just personally love it if someone on the team wanted to draw parallels between these two series on purpose!

Anyway.

I just noticed that and really needed to get it off my chest! Thank you to everyone who stuck with this longer-than-intended post right to the end! 💙💜❤🧡

[mothmothwoth]

I had day off so guess who is finally able to draw again! Have a very quick study sketch thingy of Fit and Pac bc I want to learn how to translate actual faces into stylized forms and first I need to understand the anatomy of a face :>

(obligatory sorry it’s clunky and gunky first time drawing in like 2 weeks)

[megyulmi]

➠ Symbolism of Yuuji’s childhood memories in Chapter 265 and how it connects to his conversation with Sukuna:

I was rereading the latest chapter and ended up dwelling on how the order in which certain things appear along the path Yuuji and Sukuna are walking connects with the progression of their conversation and the outcome of it, so I want to point out a few of such details in case someone else finds it interesting.

First, I will start with Morning Glory (asagao, 朝顔, lit. morning face) Yuuji mistakes Ajisai for. Asagao was brought to Japan with the advent of Buddhism and came to represent Enlightenment. When one thinks of the flower, an old line often comes to mind: [Asagao blossoms and fades quickly to prepare for tomorrow’s glory]. It is the theme of one of the oldest songs on the morning glory, written by the Chinese priest at the temple of Obaku near Uji, who is said to have been the first person to introduce the flower to Japan. Since its arrival, it has been a frequent theme in Japanese Buddhist poetry, particularly when writing on the fleeting condition of human lives, as the poets found a congenial subject in the morning glory, for they considered no flower has a briefer life and beauty, and the buds of yesterday are flowers to-day, but only for a few short hours, and then nothing will be left but ruin and decay; though how quickly fresh buds will appear and fresh flowers open to be the tomorrow’s ‘morning glory’. Therefore, in Japanese culture, asagao is a symbol of new beginnings. The flowers open in the morning, representing the dawn of a new day, and close in the evening, symbolising the end of the day and the passing of time.

Next comes Ajisai (紫陽花), the Japanese hydrangea. The flower has both positive and negative connotations in Japanese tradition, symbolising both deep or heartfelt emotion and also a fickle or changeable heart. However, I mentioned in this post that the blue hydrangea (I am assuming blue, because Yuuji mistook it for asagao) can mean sincerity, forgiveness, remorse and spirituality. Ajisai are also an important part of the ceremony in celebration of Buddha’s birthday (Kambutsue), where his statue is washed with sweet hydrangea tea by the visitors of the temples. As such they are often found at shrines and temples.

After that, Yuuji and Sukuna catch Crayfish. Interestingly, Buddhist philosophy references the crayfish when speaking about the temporary nature of existence. All that seems solid and permanent, like the crayfish shell, eventually disappears. There is a famous painting of Priest Xianzi (Japanese: Kensu) by Unkoku Tōgan from the Momoyama period. It depicts a seated figure of a Buddhist monk who appears to be contemplating the large crayfish (or shrimp). Kensu or Xianzi is a semi-legendary eccentric priest of the Tang dynasty, who spent much of his time wandering along riverbanks, eating crayfish and clams. He allegedly achieved Enlightenment while catching a crayfish.

Later they come across Horses, which hold a special place in Buddhism, embodying spiritual virtues and the timeless quest for Enlightenment. The story of Siddharta Gautama Buddha’s renunciation and his separation from his beloved horse, Kanthaka, is a significant story in Buddhism. As Siddharta decided to leave behind his life of luxury and embark on a spiritual journey, he faced the task of saying goodbye to his beloved horse. The separation from Kanthaka symbolises the profound sacrifice he took when he renounced worldly attachments in the pursuit of Enlightenment. Additionally, in the Shamanistic tradition of East Asia and Central Asia, there is a concept of the Wind Horse, a flying horse that is the symbol of the human soul. In Tibetan Buddhism, it was included as the pivotal element in the centre of the four animals symbolising the cardinal directions.

After the horses, we see them engage in Archery. As a Buddhist symbol, the bow and arrow are found throughout the art, mythology and theology; held by gods, part of vivid legends, lauded in sacred texts and painted on the walls of the temple fortresses. They are symbols of the wisdom and compassion of the Buddha. Just as the arrow flies straight to its target, so too must the mind of the archer be focused and free from distractions.

And lastly, Snow. As a symbol of purity, it is taken as representative of naive innocence behind heroic undertakings. In this regard, it is also a subject of paintings in special combination with cherry blossoms as a symbol of what is ephemeral and transitional as is the life of the hero. However, snow is often associated in the Japanese short poetry with the Zen notion of Emptiness. This is because, to quote the poet Naitō Jōsō, snow covers and clears everything: [fields and mountains / all taken by snow / nothing remains]. From the lens of Buddhism, as the defilements—greed, hatred, and delusion—melt away like snow, the process of purification speeds up our relinquishment of impurity. To do this, one needs to be able to feel their humanity from within, where the invisible factors of mindfulness, clarity, faith, energy, concentration, and wisdom can dismantle and dissolve years of deluded ways of perception, of relating to life. Only then will the ground of awakening begin to appear.

I find Yuuji’s conversation with Sukuna to be rich in symbolism, each element along their path reflecting deeper themes of compassion and Enlightenment. Their journey begins with the morning glory, symbolising a new beginning and Yuuji’s offer of redemption to Sukuna. The hydrangeas, mistakenly identified as morning glories by him, signify Yuuji’s readiness and offer of remorse as he sincerely reminisces on his childhood with him. The appearance of the crayfish continues this theme, highlighting that this conversation is a chance for Sukuna to contemplate the temporary nature of existence and the path he wants to continue leading from there on. The horses, embodying spiritual virtues and the timeless quest for Enlightenment, appear as Yuuji’s way of asking him to renounce his old ways in pursuit of Enlightenment, followed by Archery right after, emphasising his readiness for compassion despite all Sukuna has done to him, mirroring the Buddhist ideal of a concentrated, undistracted mind. And lastly, comes snow as a symbol of purity and the potential for redemption, evoking the Zen notion of emptiness and the purification of defilements. Yuuji, by invoking these symbols, offers Sukuna the last chance at redemption and Enlightenment. He shows Sukuna the final act of compassion if Sukuna shows remorse, which Sukuna refuses.

In the end, Yuuji and Sukuna walk the same path, but their choices lead them in opposite directions. Yuuji embraces the symbols of Enlightenment, striving for a higher understanding and compassion, whereas Sukuna rejects these ideals, choosing instead to renounce the path to Enlightenment.

[presiding]

humansider by @lapinneok

[quoththemaiden]

Aziraphale: The Sword that Guards the Tree of Life

Looking where the furniture isn't

This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?

For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.

What does Genesis tell us about Aziraphale's purpose?

3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—  23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.  24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.

@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).

But wait, what came right before that? "And take fruit also from the tree of life...?"

2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.

That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.

So, the flaming sword.

Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.

The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.

Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?

Instead, it's carefully taken away to... where? Heaven?

The place Aziraphale is now going?

Or at least a place where he could likely find a record showing where it's being stored?

Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.

The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?

If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?

The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.

But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.

So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.

I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.

[arabian-batboy]

“This character’s development is always erased and he’s constantly reset to an annoying brat, I trust that this will not happen under your writing?“

“Oh, unquestionably! We will definitely fuck him up and make him suffer!“

Sir.......you didn’t even answer the question, suffering isn’t development.

[dimsilver]

doctor’s orders about nutrition/chronic illness are taking away the last bit of food guilt I didn’t know I had. it’s just so great eating a good big meal and knowing I am filling my body with the nutrients I need!!

[qiu-yan]

in MDZS the novel, the innkeeper in Yunping mentions that people are too scared to go petition Yunmeng Jiang for help because someone once walked in on Sect Leader Jiang whipping a guy in the main hall, supposedly because the guy was a demonic cultivator.

[yinyuedijun]

GRFLSSJKSS I DIDNT SEE A KINK I WOULD HAVE LOVED TO REQUEST FOR SUO THIS IS A TRAGEDY

[simsune]

Been stressed outta my mind lately and decided to revisit my fate sims. Pretty happy how they're turning out. Not sure if I should go with red or blonde ears for Tama, the red looks better but the blonde is more accurate....much to think about. Also I need a ribbon for Artoria's bun. this isnt everyone but cc made by: @simandy @saruin @meghewlett @daylifesims

[babygirlwolverine]

happiness is having someone comment that your writing is beautiful when you’ve been insecure to get back to writing again

[icewindandboringhorror]

boy in silly sitting positions compilation

[pushing500]

Mechi has come to the very intelligent conclusion that the best course of action he could take right now is to make the Void angrier so it sends more scary things to attack us.

Unfortunately (or maybe fortunately?), he got the plague before he could do anything stupid. Looks like he'll spend a few days curled up in bed living off coffee. Hopefully, that's the only bad thing in store for him in the near future–

Randy is so very cruel...

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