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felassan · 2 days

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Notes from the June 14th 2024 Developer Q&A, from the official BioWare Discord

Under a cut due to length.

Please note that these notes are mostly not directly-transcribed quotes! It was a live session, so these were quickly-written cliff notes produced at pace. So if anything sounds weird or slightly off, it's almost certainly because of that and not because of anything a dev said. Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.

Update: I have done another pass of this post to tidy up typos, grammar etc. :>

Update 2: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ ) Also, I have done another pass of this post while listening back to the video, to tweak a few things and fill in a few lil gaps that there was. :>

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The session began. The first question was on which of the factions in the game the devs would like to belong to. The Antivan Crows have great fashion - Corinne said that we are going to love their threads. Corinne loves both them and the Mourn Watch. She said she would go with the Crows for fashion reasons, and her vibes-based answer is the Mourn Watch.

John's answer was the Veil Jumpers (for fashion + vibes both). “Who doesn’t like a walk in the forest, you know, even if that forest is filled with horrifying monsters and terrifying anomalies?”

Arlathan Forest is filled with horrifying monsters and terrifying anomalies.

The faction Matt would choose is the Lords of Fortune because "pirate-barbarian is just such a great combination of elements"; he likes that they are related to treasure-hunting, beaches, palm trees and everything like that. "It's a really good mix."

This game is a much more intimate experience, and in this regard the camera has been pulled in. The reason why is that the devs want us to feel like we actually are in this world, like we're walking these city streets of Minrathous, looking up, seeing the buildings all around you - "you're a part of this place". They believe that as the narrative unfolds, this creates a lot more immersion.

Since the question was about there being two companions, Corinne continued, "Now, how this relates to companions, we went back and forth on it a lot, but we actually found, with this perspective," having two companions really allows the companions to each have more visibility and presence. The companions are fully-realized, we will really see them shine. They did testing with their internal team and the Council of players as well [the Community Council] and found that when you’re playing in the combat system, when you’re planning strategies, two really felt like the right number to manage. Rook has a lot of different types of actions, abilities and individual attacks available to them as the PC - more than ever before - and the number of inputs we need to take when telling Rook and the companions what to do is also higher than ever before. Timing and position matter a lot in this game. With those things in mind, two companions in the field felt like the right balance.

Banter is still absolutely a core part of and big thing in DA:TV. There is global banter (the general stuff that we will get in all spaces) as well as mission-specific banter. If anything, this game has the most banter that they have ever done in terms of pairings of companions. They have added some interruptible and resumable banter too this time. John said, “You could not stop the writers from [writing banter] even if you tried”. Writing is one of the more light, fun things for the writers to do. They get to write little stories and arcs between different companions, and DA:TV is no different.

Corinne added: "John, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field, do I get less interaction between them? Like, do I get to see my companions interacting in a broader group more often? And, the way you'll gather them around the kitchen table, there's just so many of those moments where they're all interacting with each other, those are some of my favorite parts."

They wanted to make sure that the companions had a life and relationships of their own outside of the times when we take them out into the field. "So we made sure that they had those interactions there as well."

They were asked about the customizability of Rook's backstory. Rook has 6 different backgrounds that you can choose from. Each of them is tied to one of the major factions in DA:TV. "Each one sets up who Rook was before they were recruited by Varric. Well that sets out the broad events. As you go through the game, as you have conversations, either with members of your faction, other characters, you can define not just what those events were but what they meant to you. What was your motivation, what was the kind of person you are as you build up Rook. Because again, we wanna make sure that roleplaying is at the heart of this experience, and taking Rook, giving them background to ground them in the world and then letting you decide what that means, what that says about you, is also a big part of it." "A lot of opportunities to really define who your Rook was and who they are now, so."

Q. Will crafting return? A. We can improve and customize our gear, that is a big part of RPG progression. "I will say though, it is different this time around, and it does get into spoiler territory so I'm gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that, that will be an important part of the narrative."

Emmrich’s skeleton Manfred is not "kissable" or romanceable, however, they added - “not that skeleton, but we’re not saying no skeletons”.

They have taken a different approach on how we import our decisions into the game this time around. This is now fully integrated into the character creator. The devs believe that this serves a dual purpose. Corinne said that she playfully thinks of it as ‘last time on Dragon Age’, though it isn't actually called this in the game. She noted that it has been ten years since the last Dragon Age game was released, so this aspect serves as a refresher on critical events as well as allowing us to remake those decisions that are critical to us. The system for doing this is very highly visual and uses the familiar tarot card aesthetic. "It’s a very visual and playful experience as you go through it." It was very important to them that this system was built into the client, so that you can play this game entirely offline. No online connection is required, no linking to EA accounts is required – this was a big fan request. Corinne added, “I don’t want to spoil anything by revealing what decisions you can import, but I will say that this [thinking about the decision import system and what decisions to include] has been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure”. In this game we are in northern Thedas, in locations we have not been to before. This naturally affects "some of what will matter and what decisions they're not using this time around, as far as decisions. But obviously there are some very, very clear connections to existing characters." “It’s no secret that the Inquisitor is going to show up, so that’s a factor”.

The game only begins in Minrathous, it doesn’t stay there. “I don’t want to get into too much spoiler detail, but getting to go to and work with the art, narrative and design teams, to build out these locations that we've talked about", places in this game where characters in previous games came from and referred to in previous games has been really exciting for the dev team. We do start in Tevinter, but Minrathous is not the entire game by any stretch. "We've gone back to what we believe delivers the best, most curated, intense narratives." There is side content in the game, the locations can open up and we can go back and "solve mysteries" and things, but these are not fetch quests and they are not "grind content". The game is a very hand-crafted, mission-based, curated experience. The side content is really great. "The most important thing for us [on that], obviously we've talked about how narrative, story, characters are the most critical to us, and this has allowed us to build these experiences in a way that emphasizes that extremely well, tying into the story threads and the story beats."

Q. Will the companions have unique specializations? A. The "companions will have abilities that are truly unique to them, but also, they do fall into the archetypes of mage, rogue and warrior. For instance, because she has a bow, you might be surprised to hear that Bellara is in fact a mage, and I love that”. The bulk of the companions’ abilities are based on their own unique 'personality'. For example, Neve is the only mage that is an Ice Mage, so she has related abilities that are distinct to her, but because she is a mage she does have access to abilities that all of the mages share, like Time Slow. The devs are really happy with this balance, a good mix of representing their archtype, their class, and also their distinct "specialization or personality, whatever you wanna call it." “Each of these characters exists, each of these characters have a history, has a story of how they became who they were. Part of that was finding the intersection between narrative and gameplay”. They want to serve the needs of gameplay but also allow the characters to breathe as their own people both in conversations and out of conversation.

Healing spells return, and these are a part of the 'core mage kit'. "Your mages, you wanna make them a healer? Do that."

Q. Will DA:TV still have tactical combat? A. Yes, combat gets quite tactical. The combat system is an evolution of the previous combat system. The game has a robust difficulty system. Tactics are of increasing importance the higher up you go in the difficulty system. If you want a higher tactics experience, crank up the difficulty in particular. “I want to make sure I am super clear in my answer. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets both in and out of combat, there is a reason for that”. As the game progresses (we didn't see this in the gameplay reveal demo), it will display strategic information about enemies, such as what enhancements they have, what are they resistant to, what are their vulnerabilities, what are their elemental weaknesses. Our type of abilities, leaning into elemental gameplay, matters a lot. Also, tactical decision making also takes the form of coordinating abilities between Rook and the companions to create synergies or devastating (what they call) “detonation combos”. An example of this is that Bellara has an ability that is like a gravity well called Galvanized Tear. This pulls enemies together. You could use this to draw enemies in to one place. Then, Neve has a Slow Time ability. This affects the world around you but does not affect you. So you clump enemies up and then slow time. Then you could come in as Rook to do something like a devastating Area of Effect or Damage over Time spell or ability on the enemies that have been gathered up and slowed/frozen in place. The devs said that it is good to try and ensure that you have a few possible detonation combo synergies amongst your team that you choose to bring out into the field - so there is tactical gameplay while in combat, but also an element of pre-combat strategizing as you decide who to take. Also, the Wheel will tell you when there is a synergy combo available, remind you of those synergies between companions. You can queue both of those abilities up at the same time and when you pause out of the pause-time menu, they will both execute.

The enemies in Arlathan are “Fade-touched”, and they are vulnerable to lightning abilities.

Veil Ranger, one of the three rogue specializations, is one of Corinne’s favorites.

In CC, Rook’s pronouns can be chosen. You can select both pronouns AND gender, as as Corinne noted, these are related concepts, but actually not exactly the same thing. Rook can be non-binary. The pronouns available are she/her, they/them, and he/him. The Character Creator is very detailed and very deep. The team focused a lot on doing good hair and doing hair and skin tones respectfully. There is full body customization. They are going to show us a lot more on CC in the future, but at a time when they have the time and space to do so. The devs were asked about whether there will be a Photo Mode being in the game. They said that this is something that they are actively looking into. They know that there is a ton of interest in this. It is a feature that they like the idea of even just internally, as it is helpful for them to have this internally when they are building things out. They said that they will let us know about this when they can. "We are as geeked on that possibility as you all are."

On abilities: The Ability Wheel does have a capacity (as in number of abilities available on it). You have to choose which three abilities you want to bring for Rook, and what three for each of our two companions respectively. This creates emergent gameplay - you have to do that strategizing, building the combat kits before you go on a mission. The devs noted that while there are three ability slots for Rook, there is so much more than that on the Wheel. The Wheel has other things on it that we can perform directly from it. For example, on the Wheel Rook gets an "ultimate ability" that is associated with their class or their specialization. There is also a type of item we will get that will function like abilities, typically like buffs and enhancements, in the form of runes. These will be controlled for Rook and our companions from the Wheel.

We can choose what enemies our companions will target. Also, a lot of the companion gear really synergizes with that directing your companions. When you issue commands, that too will prock [sp?] based on the gear that they have equipped. "There is just so much from the Wheel, that once you get in and see everything working together, it becomes more and more apparent."

Fireball and Cone of Cold do not specifically return as spells in this game, but their successors do: Meteor and Frost Nova. These two abilities serve the exact same combat role and function as the previous two, only "with quite the glow-up", especially Meteor. It is “so satisfying nuking a group of darkspawn with a well-placed Meteor”.

On Accessibility features: They have spent a lot of time thinking about this topic so that we can play the game in a way that really works for us. They will go into this in more detail closer to launch when the time is right.

On the timeskip: John said “Anyone who's paid attention to Dragon Age, timelines are always a little iffy. They change and morph over development as we see how long events take. But for DA:TV we were actually pretty consistent since the start". It has been about ten years since the events of Trespasser transpired. "As you may have noticed, Varric has become a little bit of a silver fox." Solas’ Ritual has taken time to set up, and we are coming in at the end of that hunt [in the start of the game.]

They confirmed that Solas is still bald. Matt: “Solas is still Solas. I really like how Solas has turned out this time around."

In Thedas, ancient elves go bald when they’re like "millennia" old. So, Solas was not always bald. "So if you were to end up seeing what Solas looked like in the past, things might be a little different." What happened to Solas' wig from Tevinter Nights? John: "I'm sure he still has it somewhere. He's just taking care of it elsewhere, it's his most important possession."

On companions' appearances and outfits: The companions still have iconic color palettes and things like that, but they do have a wider range of appearances that we can find from them that they can have this time around (compare with Dragon Age II, where they always had the same armor and we could not choose how it looked). Some of the DA:TV companions' are just cool, but then there are some that are tied directly to their narrative and just kind've what's happening in their life. (In DAII, due to constraints, they had to keep the companions with just one basic outfit, and this was sad.)

Q. Will we see or go to Kal-Sharok? "I've been obsessed with it forever." A. Matt: "Yeah, me too. I will say, what's been really cool, so in previous games, we've kind've alluded to this before, it was a lot of fun to kind've hint at the locations that were off the map, the mysterious places that you weren't going, and so you could just kind've bring in some props, or some characters, a piece of art, things like that, you know, even Tevinter was only vaguely hinted at, and we would just add drips and bits and pieces. So that stuff was really fun. In DA:TV, we're actually getting to visit, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we've revealed. But, this also means, like we're not completely throwing out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it's kinda fun. I'd say, yeah, for what we can show of Kal-Sharok, and other locations, there's more to do."

There are a number of different types of dialogue wheel in the game. All of the dialogue wheels are based off the same principle. In DA:TV, there are "tone wheels" (roleplaying your character and picking a consistent tone), "emotional wheels" (where you can pick specific emotional reactions), and "choice wheels" (which are, 'I don't have a strong emotional or tone tie here, but I do want to make a choice based on what I do'. The "Investigate" option also returns. They want players to understand as much as possible about what it is they are going to be picking on the wheel. "And understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that's not entirely clear."

Q. How extensive are Rook's decision trees for companions and NPCs throughout the game going to be? A. "Huge. It's a Dragon Age game. We wanna make sure you have choices, we wanna make sure you can choose your roleplaying but also choose outcomes of conversations, choose how events unfold. We wanna make sure that we also react to decisions you've made. So, for example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you're gonna have a different perspective on events than someone who is not an elf. Sometimes that means different conversation options. Sometimes that's going to mean entirely deep dialogue trees. As well as based off decisions you've made throughout the game, so. Again, making sure that the game feels like the it's noticing what you're doing is a huge part of how we've written out the dialogue trees in this game."

Each of the seven companions have full romance arcs and they are all romanceable by all genders. This does not mean that they are playersexual, and this fact is important to the team. The companions don't conform or twist their identities to who we as the player are, and they don’t suddenly have a preference for men or woman based on what we are playing. Instead, they have their own fully fleshed-out identities which they are true and authentic to. They are all pansexual in this game. They have their own histories of romance, and sometimes we will hear about their preferences and things of that nature from them. If you don’t romance them, they will actually build their own romances with each other. Taash and Lace is one of Corinne’s favorite companion relationships. She says that she has heard that the shipname in the community for this is "Laash". (Corinne pronounced "Taash" like "Tosh" or "Tawsh").

Q. What are the markings on the faces of Davrin and Bellara? A. "There are quite a few, easily more than we've done before I think, tattoos from various cultures. We're bringing the vallaslin back of course. There are a ton of different options, especially when we're going into all of these new regions. Each region has its own kinda visual language for that. But yeah, we are bringing the vallaslin back, and then a couple of the characters have them, but we've kinda customized them a little bit, they're a bit more specific to their personality."

"The depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side." Corinne said "they all feel like my dear friends".

Corinne's favorite thing other than the companions is the CC. "That CC, the makeup options, the range of sliders... I'm a qunari fan, so even just the way you customize the horns and combine that with the really great looking hair".

The art team worked very hard to make the story more visible around you in the game than ever. They really leaned into trying to make sure that every design, prop, characters, environment, VFX, that all these choices were putting the story on-screen. They wanted to put the story on the screen so that we can really see it all unfold. Matt, who has worked on all of the Dragon Age games, said that DA:TV represents one of the best attempts they have ever made at doing this.

This game contains "the deepest companion arcs" that they have ever done - not just in a Dragon Age game, but in a BioWare game in general. "Being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways." Each companion has their own story arc you can go through, decisions you can make. "They really do take center stage. As you play through them, you see the care and love that the team has put into each one."

There are moments in each companion arc that will make you cry, angry, excited.

John loves the way that the companion arcs integrate into the story as a whole. "Finding ways to bring these characters together. Finding ways to make this narrative, this story of, you need to put together a team and stop the end of the world, has just been absolutely exciting and thrilling, and again, you see the team's love in every single piece of it.”

DA:TV has been the highlight of John’s 17 year career in games. It has been part of his career and life for "literally the last decade and a half". He has worked on it since DA:O. "There's something about DA:TV that feels like an amazing mix of novelty but also familiarity, it's like coming home in a way that is going to be very exciting for people who are existing Dragon Age players. There's also so much here that's new and exciting for people, new players and old alike. Going to the parts of the world, seeing things we've never seen before, and just getting to take this amazing world and series and expand on it, and build on it in ways that, have just been honestly an absolute thrill."

There have been times in the companion arcs where, even knowing exactly what was going to happen, with some of these decisions, Corinne had to set down the controller, let out a heavy sigh and go, "oh my god, what am I going to do here?"

Corinne: “Can we just give a big shout out to the dev team? I am so proud of them. This team has poured their heart and soul into this. To anyone from BioWare who is listening in, thank you so much. Y'all are just the best”. John: "Absolutely. Here here."

Q. Why does Varric have dark hair now? A. Matt: "He has been adventuring for a while now." His hair is actually more gray than black, but he's been in very dark scenes so far. We will see him in more contexts.

The Inquisitor appears in the game in the flesh. The devs know how attached we all are to the Inquisitors and they have seen our love for our OCs. The Inquisitor can be customized, "include some of our new customization options". “Yeah, they’re gonna show up and they’re gonna be your Inquisitor.” John: “The story of Solas and the story of the Inquisitor obviously, are tied, they're tied together as much as any story, so it would have been strange for us not to bring them in for this one. They're gonna be a part of this story, so."

Right now, the team's focus is entirely on the quality of the game as it is so important at this stage – they are all-in, with all of their attention on finishing the game and on the quality of the game and the promise on it. They are 100% focused on making this being the most complete game that they can make it.

There are no microtransactions. There will be no battle-passes. You do not have to connect online to play. They want to make this "the most complete singleplayer game that they possibly can".

Armor transmog exists in the game. "Hell yeah." Corinne said that she is the kind of player that believes "fashion is the real end game". She said that there is a transmog system, and that it is sick.

Q. Are any of the characters explicitly ace, or on the ace spectrum? A. Corinne shared that she is gray-ace. “I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, 'is this the right time?' This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship, some time in the future when it feels like the most authentic fit for a companion, when we can do it best."

Q. Can mage Rook do blood magic? A. “This gets a little spoiler-y, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna wanna be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits, and perks to give you a ton of flexibility in your magic."

One of the three mage specializations is "a necromancer one". Another was described as “an elemental one”. The third was described as being more like "a combat mage".

Davrin has already named the young griffon "Assan". "Assan is a very good boy." [Assan emojis flood the chat]

In Dragon Age: Inquisition, we had Skyhold. In this game our headquarters is called The Lighthouse. There will be more to be seen on this later. Narratively it serves kind of a different purpose to Skyhold and also the same purpose. The Lighthouse has elements that will change over time, and there are some things about it that we can adjust. “It definitely does start to feel very much like home over time”.

Q. Do pasta and noodles exist in Thedas? A. Matt replied by geeking out about worldbuilding. “DA:TV for us is a real dream opportunity to go places that we've only ever heard references to or seen hints at. And so, going through the worldbuilding process and trying to build these places out, not just as neat things from the IP, but also, if you've read about the stuff, if you've been following along, you've got your own version of it in your head, you've imagined what it might be like, and probably hoping for something spectacular, and our brains are always far better at creating this stuff than any game developer or any artist can really do justice to. So you really have to swing for the fences to make something very satisfying and exciting. That can be everything as big as architecture, landscape, biomes, ecosystems, but it does get into things like art, culture, costume design, and also food, and this time around we did, that was one of the many things that we did look into just to try and catch the character and the feel of a place, to make it feel believable and lived in. So, that's my really long answer for, yeah, I'm sure, at least one place does have pasta."

Mabari are not nearly as big of a thing in the north of Thedas as they are in the south. Sadly, in DA:TV we will not get a mabari (but to be fair, we have a griffon!!) And he can be PETTED! “I have actually hugged the griffon”. There is lots of opportunities to interact with the griffon. "Can we see Assan in chat if we wanna see him in The Lighthouse hanging out?" [Assan emojis flood the chat] "This was so important to the team, too, this is the team's, like, just huge support for this feature, so props to them."

We will get to see the Character Creator before launch. "They are laying out a roadmap for what we are going to show and when we are gonna talk about it. So, yes, you will see it, as we get a little bit closer to launch."

In CC, the body customization can be done for humans, elves, dwarves and qunari. Qunari hair options and horn options are rad. They acknowledged that it was hard to have nice-looking hair for qunari in DA:I.

"Related to this, your Lineage (human/elf/dwarf/qunari) gives you a lot of really unique dialogue options, so that's a really lovely aspect of choosing your lineage as well." "Each lineage, depending on the lineage you choose and the background you choose, there are some specific call outs to. For example, if it's the Mourn Watch, them being a faction from Nevarra of mages, obviously your experience as a dwarf there is going to be different than say a human or an elf, so, there are also specific callouts tailored to those combinations with again, the intention of giving each lineage their own little flavor as to how they fit into that faction as a whole."

Barkspawn/Dog is safely gnawing on a bone somewhere next to a fireplace in Ferelden! Don't worry, he is fine. Mabari live exactly as long as you need them to.

"Rook's last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there's a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that's definitely something we support as well." But if you always struggle during CC and name all your characters like 'Bob' or something, you're gonna be okay thanks to the name generator.

The Voice Actor cast are very talented. They devs are super excited to talk about them more over the summer. They are not quite ready to announce their names yet.

Q. Will there be a Collector’s Edition? A. They will talk more about the different editions of the game that will be available soon.

Q. Will tavern songs return? A. There are tavern songs in the game, and they are pretty great. They said huge props to the audio and performance teams that made these.

There is a little tavern in Minrathous called The Swan. The song that you hear there is great, and is probably Corinne's favorite.

More information on the required PC specs will come soon.

They are not quite ready yet to talk in specifics about the music. But in broad-strokes the process of creating the music is always the same: working with the composer, figuring out what the themes are, working out what kinds of elements they want to keep, working out what specific elements they want to tie to specific characters. It is a really in-depth and collaborative process. The team have great audio and music people. They want to make sure that the music feels like a cohesive part of the game experience.

On the narrative themes of the game: “What you start with [when setting out to create/write a game] and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it's more interesting if we attack it from this angle or maybe if you twist it a bit." This has been true for all of the DA games. “For DA:TV, one of the biggest themes has been how regret shaped peoples' lives, how people deal with their regrets, how people maybe move past their regrets.” Each of the characters, the stories as a whole, have elements of this tied throughout. They really wanted to have this thematic cohesiveness to the game's story.

The world reacts to Rook’s lineage and backstory. There are unique dialogues or conversation options based on backstory and lineage.

There are glorious, fantastic dwarf beards. "I don't know what magic the character art team did with the beards", but they feel/look like how beards should.

"If you go against a companion’s wishes or make decisions that they don’t like, you can piss them off, they might not agree with you and they will take some time away. That said, this is the biggest threat to Thedas we've ever seen, so they, they're always gonna be willing to show up to defend Thedas, but yeah, you can piss them off and they'll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless..." John: "No spoilers Corinne."

“The things that we have enjoyed, the things that shaped us, show up in these characters”. "I don't think that any characters have what I would describe as, this [thing] was a direct reference."

Q. Why is Harding a companion? A. John: “It was impossible not to see the love that people had [in the Dragon Age: Inquisition era] for our murderous girl-next-door dwarf. She has always been a fan favorite. But I think beyond that, it's something that Harding's writer wanted to explore, there was more story to tell there, more perspective. And beyond that, Harding obviously has a strong connection to Solas, Varric and the events of the past ten years. I wouldn't say that it's always been, but I'd say that Harding's one of the first ones that we settled on, that this is a character that we want. And her writer had a story that they wanted to tell with her so, it just made sense." Matt: “It's not a huge part of her character but, she tends to be one of the people that have the most insight into Solas, who he was." John: "It also provides you with that little bit of perspective. Who was Solas, what kind of character was he? Using characters to provide windows onto the world is one of my favorite things.”

They want to make sure each quest provides a perspective on the world and the characters, and feels obviously and immediately relevant to what you are doing. "Narrative and narrative heft". We are trying to save the world. “We really wanted to make sure that these quests were something that you”, someone who is trying to save the world, would think is important or worthwhile to do when faced with the end of the world. Everything is hand-crafted and intentional. We aren’t going to be "gathering Shards in the Hinterlands"; everything is built with intention and a dev lovingly crafted the experience. They heard loud and clear previous feedback on this. There are quests of all sorts and sizes, but all of them share that kind of 'this is the kind of thing that The Veilguard would do', especially when faced with the end of the world. "We spent a lot of time listening to what y'all said."

Q. Are there any locations in the game that can only be accessed by making specific story choices? A. "This does start getting into spoiler detail. But I will say that" locations can fundamentally change based on decisions we make. For some of the parts of the world that we will go to, the choices that we make have an impact on how these spaces exist and develop. “Don't want to get to into story spoilers, but your decisions do impact how the world shows up”.

If Rook gets knocked out during combat, we will have to reload our saves unless we have invested in companions’ progression and what they can do (they can be specced out to be able to revive Rook, if you have invested in their progression and what they can do).

Q. “Will Solas still occasionally or dramatically speak in iambic pentamer?” John: “Massive kudos to Patrick who always writes Solas so well. Solas is a returning character, it’s the same Solas you know and love or hate depending on who you are, the same writer. So the answer is, yeah, it’s Solas”.

The decision of who was left behind in the Fade in Dragon Age: Inquisition does not show up in DA:TV. However, this does not mean that it will be a decision which will never be important in future. "Not for this one, though."

There are no mounts. “Mounts addressed a need in Inquisition that we don’t have in DA:TV. You’ll see why when you get to play”.

On sidequest design – they are all hand-crafted, all story-focused. “Narrative is so much at the core of DA:TV, and anything other than hand-crafted quests just felt like it would be a disservice to the game we were building”. There is no mechanic in DA:TV like Power in DA:I, there is no mechanic that blocks your progression until you fill a bar. “You have the autonomy to engage in these quests as you like, there is no 'grind-out gates' before you can progress”. “We want to make sure that doing this content feels as natural and part of the logical flow of the story as possible”. They acknowledged that Power was a divisive mechanic in DA:I.

Q. Are there War Table missions? A. “We haven’t talked much about the player’s base, The Lighthouse. We will save that for now. The Lighthouse, your headquarters so to speak, has its own unique purposes and functions this time. This is an area that we will leave for you when we talk more about The Lighthouse.”

Dual-wielding (they wanted to bring it back) is back as part of the rogue kit this time. Warriors are focused on mighty two-handed weapons which have a real heft to them when swung. (Warriors can also use sword and shield). The amount of hits rogues can get in in rapid succession is really satisfying – dual-wielding is the providence of rogues this time.

John: "The thing that keeps me sustained is just knowing that the game we are building is the right one, knowing the pieces are coming together." They mentioned “knowing just how much people care about this franchise, care about these games”. They are excited for when people can see the fantastic work the team has been doing, they think people will be excited when we get to see it. This game is huge. John gets pleasantly surprised on a daily basis even today and is always amazed by the awesome stuff the team has done, how good it looks etc. Sometimes he spends an hour late at night watching the work come in, watching the cutscenes come, watching the work coming together, it etc and is blown away by the work like 'holy smokes'. Corinne said “Speaking on behalf of the dev team, everyone is working so hard, putting so much passion and of themselves into it, this is a franchise the team really loves. Seeing everyone’s support, cheering us on, has meant a lot to the team, I want to say thank you to all of you.” They are working on a way for the Q&A to be immortalized somewhere for us so that the info does not disappear into the ether. "Stay tuned". John hopes this was the first of many of these opportunities to talk to us directly. He is really excited, and Corinne noted that how much Dragon Age means to us is wonderful. "It's wonderful to see you all excited and invested. Thank you again, truly."

Session ended.

[source: The dev BioWare Discord Q&A on June 14th]

Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.

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churchyaoi · 2 days

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been thinking about these two a lot lately

#you ever think about what could have been?#what was done to these two when they put epsilon in wash's head #it was terrible and it connected them in a way but how do you even put it into words?#i wish they'd gotten more time to talk about it #so now i have to make up for it by drawing it #rvb #red vs blue #agent washington #rvb church #rvb epsilon #my art #i dont know if this is ship art but you can interpret it however you want #im just thinking. the little peaces they've left in each other

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wttcsms · 3 days

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⋆౨ৎ˚⟡˖࣪ match my freak !!

ᝰ.ᐟ the two of you are private not secret, but when the media starts to speculate that the two of you are no longer together, neither of you are too happy. the best way to get everyone to stop with the breakup rumors? posting something a little bit nasty to the feed to satiate everyone's curiosity. (fem!reader)

featuring tobio kageyama, atsumu miya, tetsurou kuroo, wakatoshi ushijima, tooru oikawa, rintarou suna content contains breeding kink (atsumu, wakatoshi), pregnant reader (wakatoshi), famous!reader (changes depending on scenario), creampie (tetsurou), hatefucking (not really, you + kuroo just like to antagonize each other but the attraction is there), scratches on his back (tobio), hickeys (tooru), wet n messy (rintarou), possessive!character x possessive!reader (the two of you are obsessed with each other ok), social media references lol author's notes i'm definitely doing a blue lock version, i'm just seeing if this is a popular premise lol <3 based off this original concept !! these are just silly little drabbles for me to warm up to the idea of writing again haha

౨ৎ TOBIO KAGEYAMA

your fans are speculating: that you and kageyama have broken up. fans are recording footage from you on your latest tour and claim that you're "clearly disassociating" and "somewhere else mentally" when it comes to singing your iconic love songs. you and kageyama have always kept your relationship private because he's not a very open person to begin with, and you don't want to give the media more material to misconstrue. you know that kageyama hates when some random person will annotate your verses on genius lyrics and try to make the claim that your innocent metaphor is you wanting to jump ship and leave kageyama. and you hate how it's your own fans who are making wild accusations of you no longer being with the man all your love songs are about.

you posted: kageyama, with his back turned to the camera so all that fills your camera is the surprisingly broad expanse of his muscular back and shoulders. he's not even flexing, and it's obvious that he's a world-class athlete. he's facing the closet, trying to find a shirt to put on, and it would be a semi-innocent photo, the pinterest-perfect photo inspo for every private not secret relationship out there, except for the fact that there are clearly faint, red lines — scratches — running down his back. you caption the photo with a "monday morning 🤍" (your insane fans spam the comment section to exclaim how they knew you two were still a thing... and to speculate that this photo is somehow an easter egg for an upcoming song/album. well, they're right: you two will always be a thing, and tobio dicked you down so good last night that you could write him a whole album.)

ᯓ ᡣ𐭩

"fuck," the word slips through his gritted teeth, and you can tell that your tobio is still upset about how your fans seem divided. half of them claim no one could ever make them hate tobio (you find those fans to be absolutely adorable), and the other half...

well, the other half are making slideshow posts to audios that go "some boys take a beautiful girl and hide her away from the rest of the world" and the ones that seem to go viral are always the ones that feature you and tobio.

"not hidin' you away." he mutters, never slowing down his thrusts. he admires the expression on your face as he fucks into you, his ego pleased with how receptive you are to his every movement. he has you speared on his cock, your tight little cunt full of him, your eyes getting so adorably teared-up because he's just a little bit too much for you to handle. tobio isn't good with words; he thinks you're the most beautiful girl to exist, but he can't verbalize it. so he just takes in your sweet, fucked-out face, the reaction only he's capable of drawing from you, and it all gets so overwhelming for him.

he has to bury his face in the crook of your neck, inhaling the sweet scent of your body wash as he continues to bully his cock into your soaked pussy. "why's it bad if i want to keep you all to myself?" he's practically whining, and you think this would be so cute if only you weren't currently chasing after your release. or rather, tobio's forcing you to cum, whether you want to or not. it's not like you can stop him; tobio devotes himself to always ensuring that you finish before him. he likes the satisfaction of knowing only he can take care of you, and he especially likes the way his cock looks with you creaming all over it.

when he gets like this, all you can do is cling to him, your arms wrapped around his muscular build. when he gets rough with his thrusts, when his body gets just the slightest bit sweaty from the exertion (evidence of just how much work he puts into fucking you), you have to dig your manicured nails (the set he paid for) into the skin of his toned back. otherwise, you'd lose your grip, and your hands would slip off.

tobio relishes the slight stinging pain of your nails scratching down his skin. but the scratches aren't enough. he needs to make you cum. when you get so caught up in your climax, you start clawing at him as you lose control. he loves the scratches you leave on him; it's proof that he's yours just as much as you are his.

౨ৎ ATSUMU MIYA

haters are saying: that you're just using atsumu for content. you're a gold digger. you're not genuine. you're not "wifey material." spectators are claiming that atsumu is playing worse than before because he's too "pussywhipped" for you. well, he likes to cheekily admit to you that he is addicted to your pussy, but they're wrong about everything else. obviously. however, the haters are feeling very vindicated whenever they see atsumu hasn't been posting you as much. (you're traveling for a new vlog series on your page, but no one knows.)

he posted: a mirror selfie. which isn't breaking news. atsumu miya always breaks the internet when he posts a mirror selfie because the only thing worse than a hot guy is a hot guy who knows he's hot. no one is a stranger to the sight of a post-workout, sweaty, shirtless atsumu, who flaunts his tight abs and muscular thighs with a steamy mirror selfie. but this photo? this one is going triple platinum. it's going down in history. this selfie is taken in dim lighting; the curtains in the background are drawn shut, he's got one hand gripping his phone (making the phone look tiny in his big hand), and he's got one arm wrapped around you. it's not an innocent hug, though. he's cupping your ass, and the phone in front of his face does nothing to shield his satisfied smirk. you're clad in nothing but lacy lingerie from a designer who loves to sponsor you, and you're clinging to his side, almost like you can't even stand without his support. it's clear that the two of you definitely were... appreciating the work your favorite designer put in when they created that lacy set.

ᯓ ᡣ𐭩

"what do you think?" you're smiling at him, knowing damn well what he's thinking.

atsumu looks up at you, reflexively licking his lips as he takes in the sight of you wearing a new set of lingerie that you just got delivered. it leaves little room for imagination, and the material looks so delicate, atsumu is already thinking about how he'll have to apologize to the designer for ripping it off of you.

"i think I'm the luckiest man alive right now." atsumu is shameless in the way he's admiring you, the way the setting sun still peeks through the curtains, enveloping your body in a delicious golden glow as you inch closer and closer to him.

in a matter of seconds, he's pulling you on top of him, placing wet, sloppy kisses over any centimeter of your skin he can reach. when you make a move to slip off the panties, he protests.

"leave 'em on f'me, baby. please?"

he fucks you with you still wearing the lingerie set. your breasts are spilling out of the bra, and all he did was move your panties to the side so he could stretch you out with his cock.

"fuckin' idiots, tellin' me you're not good enough to marry. i'll show 'em what a good girl you are, right? gonna put a ring on your finger, and make you my wife." he's fucking his cock into you, making sure that your cute cunt knows who it belongs to. "gonna fuck a baby into you, sweetheart. no one's gonna say shit about our family, huh? 'cause i won't let 'em."

your cunt clenches up so nicely with every comment he makes that atsumu knows he has to make all those pussydrunk promises come true.

౨ৎ TETSUROU KUROO

the tabloids are posting: paparazzi photos of you — the socialite daughter of the man who owns the msby black jackals, and jva's promotion division's golden boy, tetsurou kuroo. it's late at night, and the two of you are clearly leaving a party celebrating the success of another eventful volleyball season. you're wearing the iconic ysl heels with a black mini-dress that honestly should be called a micro-dress. your hair is a mess, you're walking like your knees are struggling not to wobble, and walking three steps behind you despite his longer stride is kuroo; his tie is crooked, his cheeks are flushed, and he has a grin that says something like i just fucked one of the richest bratty heiresses in japan, and i left her wanting more. the amount of blind items that are allegedly alluding to you and kuroo are being spread all over tiktok. one reads, "this sports club heiress was seen exiting a party with this semi-known marketing mastermind who works in the sports industry. apparently, they couldn't keep their hands off each other, and no one can recall seeing them together during the party; everyone only caught glimpses of them running away from the festivities together."

you posted: a photo slideshow on instagram of your absolutely iconic outfit from the party, only these photos were clearly taken before the party. your hair is done, your makeup is perfect, and your caption states don't believe everything you read. the last slide is a screenshot of an online headline speculating about your "new man" with a photo of a grinning kuroo from that night. the reason why this makes everyone go insane is because you're no stranger to a scandal — this is, however, the first time you've ever addressed a headline.

ᯓ ᡣ𐭩

"hurry up," you hiss, your eyes darting from left to right as you make sure no one is nowhere near the secluded corridor kuroo somehow managed to find.

"y'know, i thought girls were supposed to like guys who don't blow their loads prematurely." even when he's bullying his cock into your slicked up cunt, savoring the way your sensitive walls are clenching around his dick, tetsurou has a very annoying habit of still sounding entirely in control. for someone who can't keep his hands to himself when it comes to you, he's irritatingly great at playing nonchalant.

but he's just a man, after all. he might tower over you, his large body shielding you from any prying eyes, and he might know your body so well that he can bring you to completion twice (once with his fingers curling against that special spot of yours, and another one so rudely wrung out from you when he slid his cock in your orgasm-recovering, overly sensitive pussy) in just the fifteen minutes he's been toying with you tonight, but you know that he must be feeling something. you saw him shift his pants the moment his eyes met yours from across the room, when his eyes travelled down your body and followed the way your dress emphasized the curvatures of your body.

"if you don't finish right now, i'm not going to let you cum inside." you threaten him, trying to steady your voice as you bite back a moan. it'd be a major issue if the two of you got caught, with the volleyball association's golden boy being buried balls-deep inside a sports team owner's bratty daughter.

with every sharp snap of his hips, kuroo is only forcing more slick to come gushing out of your pussy. he can't even take the time to admire the white ring you left around his cock; he's too focused on chasing after his release because he didn't get to where he's at by not being opportunistic.

"if i cum inside, you have to keep it in your panties the whole night. you wouldn't want that, would you?" he sounds a little breathless now, his pace quickening as his thrusts get sloppier. he's smiling at you, that damn annoying smile that makes you want to roll your eyes or insult him. but your body betrays you. his grin only widens when your pussy tightens up at the idea of having his cum soaking in your panties while you interact with people at this party. a dirty little secret shared only between you two.

he lets out a breathy chuckle at your body's betrayal. "okay, princess. since you want it so badly, i guess i better give it to you."

you could practically cum again the minute you feel the warmth of him finishing inside of you. you're a spoiled brat who gets what she wants, and while you refuse to admit it, you want him. all of him.

and he's going to give it to you.

౨ৎ WAKATOSHI USHIJIMA

the media is going crazy over: the fact that ushijima is the type of person who doesn't clarify anything because he just assumes that everyone can read his mind. he's blunt, sure, but he's not really the type who does much explaining. after the first game of the season, an interviewer asks him if he enjoyed spending the off-season with you, his girlfriend and one of the most beloved, fan-favorite WAGs of all time. ushijima stares straight into the camera as he states in his usual deep, flat rumble of a voice, "the off-season was successful, but she isn't my girlfriend anymore. thank you." and then he just walks off, like he didn't just drop the most insane piece of information ever?

he posted: a photo of an ultrasound that was clearly taken out of his wallet since it's thrown on the table in the background. he's holding it in his left hand, and the overhead lighting is reflected from the silver wedding band he's wearing. now that he's off the court, he's able to wear it. in typical ushijima fashion, there is no caption, but a picture is worth a thousand words. you're not his girlfriend. you're his wife, and soon to be mother of his child.

ᯓ ᡣ𐭩

"mmph — 'toshi!" you squeal out, your calves burning from the stretch as your beloved wakatoshi has your legs bent and spread for him. he's just so big that you'd never be able to handle all of him, and yet, here you are, bent into a mating press every night since the two of you have gotten married. you try to beg him to slow down, but words escape you as he buries himself into your pussy, letting out a deep, guttural groan as the warmth of your cunt coats his cock. there's no better feeling than this.

even if you could request for him to slow down, it wouldn't have mattered or made much of a difference. your husband has a one-track mind. when wakatoshi is set on a goal, it's hard to break his focus until he sees it to the end. and right now, wakatoshi's goal is to fuck a baby into you, to see you round with life because of the seeds he planted.

he's hunched over you, abs tightening and flexing with every sharp inhale of breath he takes. he's gonna fuck himself empty, going to keep filling your cunt with his seed 'til he's shooting blanks. his eyes glance at the ring he put on your finger before returning to admire your blissful expression and the way your body seems to have gone boneless from all the fucking he's had you endure.

"just a little bit longer." he manages to say, before forcing his cock in even deeper. "just have to make sure it takes."

౨ৎ TOORU OIKAWA

everyone is claiming: long distance relationships never last. when oikawa makes the shocking announcement that he is no longer a japanese citizen, everyone immediately wondered what that meant for the future of your relationship. does that mean it's over? officially? if oikawa is leaving behind his hometown, then by default, is he leaving you behind too?

he posted: a photo slideshow, only most of the images were clearly taken by you. the first one is of him driving; the two of you are in his convertible, and he's wearing a white button down with most of the buttons undone. on the stark white of the shirt are kiss marks; the imprint of your lips lined with cherry-red lipstick are all over the material of his shirt and on his freshly-tanned skin. the other photos are of what you two ate for dinner, the sunset from the beach, and a selfie of you two looking more in love than ever. fans are quick to point out the massive hickey on your neck, and tooru tags you in a reply to the top comment that points it out, and he's saying "you missed a spot babe." you reply back, "i ran out of concealer because you gave me too many to cover"

ᯓ ᡣ𐭩

"i missed you," your boyfriend mumbles into your soft skin. tooru can get so clingy when he goes long periods without seeing you, and you indulge him because he's tooru. he's got his face buried in the space between your shoulder and neck, and his breath is warm against your skin as he speaks.

"everyone is saying i'm abandoning you, but that's not true." he whines.

"i know, baby. i don't care." you laugh softly, absentmindedly playing with the soft strands of his hair. he settles into you, and it's almost sweet, until he starts nipping at your skin.

"tooru, what are you doing?" you can't find it in yourself to chastise him too harshly, but you do have to restrain yourself from pulling back.

"jus' want to show everyone that you're still my girl." he peers up at you, licking his lips. "you'll let me do that, won't you?"

tooru bites and sucks at your skin, sharp canines grazing your soft flesh. he sucks at your most sensitive areas while he works his fingers in and out of your gushing cunt. when he pulls his fingers out and holds them up, so the sunlight can shine and really highlight how much of your juices is coating his digits, he smiles. his girl gets this wet just from him marking you up?

as he sucks on his fingers, relishing in the way you taste, he can't help but be happy to know that no matter how far away the two of you are from each other (for now), you're still his girl.

౨ৎ RINTAROU SUNA

your fans are telling you: suna doesn't care about you. suna doesn't put forth any effort into your relationship. suna literally streams on twitch during the off-season yet he can't seem to ever post you?? suna doesn't deserve you. suna—

suna is a lot of things, but nothing like the deadbeat, ashamed boyfriend allegations. in fact, all your well-meaning fans are so far off on how he treats you that you and him get a good laugh from the outrageous conclusions they've jumped to.

you posted: a photo of rintarou with his head on your lap, and you've got your fingers playing with his hair. it's a sweet photo, really. except for the fact that you decided to pair it with an audio that's a snippet of a song that goes "he's so pretty when he goes down on me" and a caption that reads this song is so relatable 🤍

ᯓ ᡣ𐭩

anyone who thinks rintarou is a selfish lover, a lazy lover, someone who merely tolerates you or is ashamed to be with you... they clearly don't know either of you very well.

because even when he's exhausted from practice, rintarou comes home craving you. craving your sweetness, your warmth, your love — and your pussy. he's obsessed. rintarou suna loves to eat you out, and he does it with such passion, such enthusiasm, that it's hard to refuse him, even if he's been going at it for the past hour.

your juices are leaving a stain on the bedsheets, and your slick is coating your inner thighs. it doesn't help that rintarou is messy with his technique. he needs your legs spread for him, granting him easy access for him to just dig in. he's still in his practice jersey, and when he feels your grip loosening from the strands of hair you're tugging at, he'll slow down his pace, calming down to just tiny kitten licks while he peers up at you.

your head is thrown back in pleasure, and your hips have a mind of their own as they still jut forward, as if trying to bring your cunt impossibly closer to him. no need for that, really, seeing as how he craves to bury himself in your warmth, to suck on your cute little clit and have you humming all over his tongue.

"rinnie." you whine out, still subconsciously bucking up your hips. he smiles before resuming his original ministrations, gluttonous and greedy with how sloppy and hungry he is with you. if you're still capable of talking, then you're not too fucked out to not allow him to get his fill.

#haikyuu x reader #haikyuu smut #tobio kageyama x reader #kageyama smut #atsumu miya x reader #atsumu smut #tetsurou kuroo x reader #kuroo smut #wakatoshi ushijima x reader #ushijima smut #tooru oikawa x reader #oikawa smut #rintarou suna x reader #suna smut #hq x reader #haikyuu headcanons

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the-nothing-maker · 12 hours

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"Her mind is engaged in a rapt contemplation Of the thought, of the thought, of the thought of her name: Her ineffable effable Effanineffable Deep and inscrutable singular name."

My piece for the free Curse of Strahd zine, Memento Mori, depicting Stella Wachter! Do not hesitate to check out the zine over at @mementomoristrahdzine for more wonderful CoS art, you will not regret it!

#curse of strahd #traditional art #stella wachter #dungeons and dragons #dnd #my art #new post ! new post !! literally all i've been doing lately has been zine art #i'm really happy to be able to post this one #i'm pretty happy with how it turned out !#stella is such a tragic character and dms could and should do so much more with her #the themes of madness and isolation and entrapment and familial denial... come on.....

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chuluoyi · 2 days

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𝐓𝐇𝐄 𝐂𝐑𝐎𝐖𝐍 𝐎𝐅 𝐃𝐈𝐀𝐌𝐎𝐍𝐃𝐒 !

- gojo satoru x reader // zen'in naoya x reader

in the wake of your scandalous divorce, you fall into the arms of emperor gojo satoru. for a while, you believe you have found love… until it becomes clear that your new husband is scheming behind your back! love, marriage, divorce… are you doomed to go through this path the second time?

genre/warnings: 18+ suggestive content—minors do not interact!—might be ooc, angst, fluff, hurt/comfort, marriage of convenience, explicit smut, pregnancy

note: loosely inspired by and taking some elements of manhwa remarried empress. this is the second part of remarried empress au trilogy! wc. 9.2k ! thank you so much for your love in the first part🩵 but as of now, TAGLIST IS CLOSED so i'd appreciate it if the comment section won't be flooded with asks for tags :')

credit header goes to @/kakashismain_ in twitter!

prev. all hail the empress | next. long live the empire (soon!)

general masterlist | series masterlist

Heavens, help me... I love her too damn much!

For Gojo Satoru, love was once an abstract concept. At first, he thought it was admiration, or a sense of obsession—

But on the day he watched you become Zen’in Naoya’s bride, Satoru realized it was much deeper than that. It felt like the sharpest sword had pierced straight into him and lodged itself there.

And then, years later— as if hearing his prayers, you became his. Since then, his life was perfect, because he wasn't lying when he said that you were everything he wanted in life.

Yet in a twist of fate, that same sinking, horrific feeling washed over him... as he watched the pagoda he built for you engulfed in flames.

You were there. Satoru felt himself staggering as he took in the mortifying sight. You and his unborn child are inside!

He didn't waste a breath as he dashed towards where you were, crushing everything in his path in the process, but just as he was about to enter the scorching temple—

“Satoru, no!” Suguru grabbed him, restraining him with his own body. “Get back!”

“No!” he screamed at him frantically. “She is there! Suguru, let go—!”

And then the worst happened, as the pagoda completely crumbled into a heap of rubble. Satoru's breath was knocked out of him as he faced the reality that he couldn't save you in time. And he felt like losing his consciousness as he wheezed, and thrashed in Suguru's hold.

It was all too much for him to comprehend as he struggled against the devastation before him.

How... did this happen? You were happy. You were about to welcome a child into your lives! The two of you really were...

SEVERAL WEEKS PRIOR

Your husband is trying to use you to wage a war... against your homeland.

You secluded yourself in your study, trying to make sense what you just overheard.

In a broader perspective, Satoru's actions could be constituted as national defense. If he perceived the Eastern Empire as a threat, then countermeasures were indeed necessary. But if not...

Regardless, it was not the very idea that blew you, but how he planned to use you to sway sentiment in your former country, to weaken them.

Is that what he's been aiming all this time? You felt like a hypocrite to question this since you too were using him. But these days, you were certainly not using him—you were falling in love with him.

It was strange, because you were supposed to be furious if that was his intent from the start. Yet what you felt right now was profound sadness, possibly even denial and heartbreak. You kept thinking how there must be another explanation—

“Sweetheart, hello~!”

You were startled when the door to your study was suddenly flung open, and the man from your thoughts strode in with a broad grin, completely oblivious to your inner turmoil.

"Satoru." You fixed him with a genial smile, even as nausea churned within you. Straightening your skirts, you looked up at him.

"I've been told you haven't been well, and Shoko said you've seen the physician," Satoru frowned, his long fingers cradling your face as he half-sat on your desk. "How did it go? What did he say?"

"Oh..." you clammed up, feeling at loss. "He said..."

Your dashing husband tilted his head curiously, bright eyes softened, worried lines etched on his face were so clear... and despite your conflict, you didn't have the heart to deny him this news.

"I'm with child." This time, your smile was genuine as you pushed back your intrusive thoughts. "Satoru... I'm carrying our child."

For a full ten seconds, Satoru was stunned, staring at you with a blank expression, his lips slightly parted. "H-huh...? Child? A... baby?"

"Mm-hm. A living baby."

"O-oh..." Satoru blinked his eyes rapidly—looking at your face, then your abdomen—before his expression broke into absolute wonder, broadly grinning. "T-that's... oh— it's—!"

To say he was speechless didn't cut it as he stuttered, messed his hair, pinched his own cheek, becoming restless yet looking so incredibly giddy—

"My queen!" Satoru suddenly lifted you and spun you around midair. "My beautiful wife—!" before gently sitting you on the desk and burying his face in your skirts, hugging your waist tightly. "Good lord, I'm— I'm so—!"

It hadn't truly dawned on you until now that you were going to become a mother. Witnessing Satoru's unabashed reaction as he nestled his face into you… nearly brought tears to your eyes.

Right in this moment, you didn't entertain any other thoughts. You were deeply moved by your husband's overwhelming excitement for your baby. And the realization that, despite Naoya's accusations—

Satoru looked up at you the second you sniffled, and he immediately drew you closer, pressing his forehead against yours.

"Hey, no tears, yeah?" He rested a hand on your jaw, his eyes sparkling with utter adoration as he gazed at you. "This is wonderful. We're going to be parents. This child... a part of you and me—we're going to bring them into the world."

You tugged his collar close and brushed your lips against his. And he responded with equal fervor. You yearned for this closeness with him.

. . .

But still in the back of your head, that lingering, buried fear whispered—

Is the man who adores you this much... capable of hurting you to the same extent?

With your bare bodies pressed closely, and you under him, Satoru could sense the rapid beat of your heart. And in return, you felt the heat of his palms against your skin and the tremors in his breath.

Yet now, in your marital bed, it quickly became clear to him that you, who were usually so composed and collected, were nervous. Satoru couldn't suppress the smile spreading across his face even if he tried.

"This is far from our first time, Empress." His coy smirk taunted you as he littered kisses along your jawline and chest. "What are you so jittery about, hmm?"

"Ah..." you let out a soft sigh as he sucked your breast with his mouth. "N-nothing... you're mistaken."

"Hmm... not confessing? Right..." He then grabbed the generous mound of your other breast and fondled it, making you squirm and moan.

But in the midst of this eroticism, suddenly your mind was thrown back to—

“That’s why I have her here.”

"Satoru," you breathed out, catching his hands. He looked up to you in slight surprise, thinking that you wanted to stop.

But he was in for a plot twist when you first pushed him, then flipped him underneath you, straddling him and capturing his lush lips, yanking his hair in the process.

"Whoa— hey..." Satoru held your hips, visibly startled but clearly enjoying your sudden whim, snickering. "My queen—ohh— you're a sight to behold, on top of me."

He grabbed the flesh of your bottom, sinking his fingers into it and pulling you forward. You let yourself be moved until your thighs were next to his ears.

Suddenly, it was, at once, the most peculiar experience—the greatest confidence boost you had ever received, and the hottest thing he had ever seen.

"You're so damn wet already," your husband nipped your inner thigh playfully as he observed your folds, and you gasped. "Are you ready?"

In response, you slammed yourself onto his face because, right now, you were in a less than forgiving mood.

"You look good under me," you darkly retorted, but then you choked on your own breath when your husband started licking your folds messily with his tongue.

Satoru smirked at the sound of your breathless noises, responding by lapping even more fervently. Your fingers tangled in his hair, tightening their grip on his scalp as you began to grind yourself against his face.

"You a-are really n-nasty!" you moaned, voice breaking at the feeling his sinful tongue parting your opening. "Maybe y-you have lied to me… all th-is time."

Satoru furrowed his brows in slight confusion, and perhaps a bit of annoyance, as he pinched your clit in retaliation, causing you to draw in a sharp breath.

"You're— awful!" but contrary to your claims, your face contorted with pleasure as the tight coil in your belly spasmed. "How m-many women... h-have you beguiled like m-me?"

He almost laughed into your ass. Literally. If being called awful was the price for pleasuring the most beautiful woman in the lands, then Satoru would be happy to be that horrible person every day of his life.

But then, you suddenly shifted on top of him, no longer positioning your hips in his face, and he quickly caught your face, crashing his lips against yours so both of you wouldn’t part for even a second.

"Nobody else," he murmured, wet lips and tongue ravishing yours, so much lust glistening in his eyes. "I'm all yours— forever." Just as he whispered it amidst pants, he groaned when your hand sneakily went to his very hard length.

And firmly grasped it. He got swollen just by tasting you and hearing your noises earlier. He growled, and against his senses, he pushed you down to lodge it inside you, penetrating and splitting you apart in one go.

“Ah—! Satoru— it’s too…!” you babbled breathlessly, your nails digging into his shoulders, feeling his huge cock pulsing inside your tight walls.

“Your fault,” he rebuked, eyes narrowing into darker shades, rigorously moving his hips against yours as he sat up. It was impossible to hold it in any longer, he could feel it already.

He tensed up, adjusting his position, so close to losing it inside you, and when he heard your dirty mewls and felt you shudder—reverberating through his body too—Satoru gripped your waist tighter, groaning, holding you in place to release his load inside you with precision.

Your body gave in as well, releasing at the same moment his cum burst inside you. Your vision blurred as the nastiest of moans escaped you, yet you felt so safe as your husband caught you in his arms.

. . .

"Are you okay?" Satoru asked worriedly after you rolled off him in the aftermath of your bliss. "Do you feel sick?" Your unfocused eyes met his, and he looked panicked, pulling you closer. "Shit, did I go too far? I shouldn't have, especially with the baby still in the early stages..."

"I'm... okay," you croaked, trying to reassure him. "Just tired..."

Heaving a relieved sigh, Satoru pecked you in the lips.

"Am I... a mess?" you leaned on him with a blissful smile, feeling his cum still trickling out between your legs.

"Yeah... My beautiful mess, that is." Satoru chuckled, reveling in the state of your disarray. "Soon enough," his hands traced your skin before settling on your tummy, a fond smile curving his lips. "Our baby will grow here."

"Yes—" you replied, placing your palm over his. "Do you... want a boy or girl?"

A boy would be the much sought-after prince, and you fully expected him to favor it, until to your surprise, Satoru lightly hummed and pressed a kiss on your belly button.

"Does that matter? What's important is you deliver them safely and they're healthy," he chuckled. "A princess will be nice... she'll turn out to be as lovely as you."

"But the heir has to be a prince..."

"Nah. I can always amend the succession norms. I'm the emperor."

And you giggled next. Seeing how free you looked, Satoru thought you were the woman overturning his skies and stars, and you truly are—as now you are the mother of his own flesh and blood, his future empire.

There will be a nation-wide celebration for you. Satoru insisted it was a must, and he would invite dignitaries from neighboring empires and kingdoms as well.

Including the Eastern Empire.

. . .

“Your Majesty. I... bring a gift and an invitation from the Western Empire.”

Naoya clacked his heel on the carpet, casting a sharp, yet uninterested look at his aide.

“There will be a celebration for—” the poor man gulped uneasily, faltering as if he could foresee how his emperor would react. Naoya scowled.

“Spit it out.”

“The former empress’ pregnancy, Your Majesty!”

“What...?” At that moment, he snapped his head towards him. It felt like everything he had ever known came crashing down. “Y/N...?”

That can’t be possible. For many years both of you had failed. That was why he took that maid and divorced you. No, upon reflection, it was never truly his intention to divorce you—he had wanted you to raise that child if you couldn't bear one.

But then you completely ignored him and had an affair with Gojo Satoru. He was furious. He couldn't bear the disgrace of it all, so he went with the divorce, if only to assert some control. However, the joke was on him, as you ultimately fled with Gojo entirely.

But if you aren’t infertile... Then, what did that make him?

Numerous thoughts ran through his mind. Was it possible that it was his child instead of Gojo’s? How many months had it been anyway?

...or could it be that he is the one who is—!

“No...” he muttered, frantic, taking sharp breaths. “Absolute rubbish!”

The aide stared at him in fear, as Naoya appeared unhinged now. But soon, that fear gave away to pity, as the emperor trashed his desk and howled in frustration— but contrary to the expected fury, Naoya looked like he was mourning, evident by the way he flung everything but the very portrait from his coronation day.

Of him and you. Even after that disastrous divorce, he had never taken it down from the wall of his study. Now, Naoya was staring at it, a multitude emotions clouding his eyes.

This man, just as the aide had always thought, has thrown away the only good thing he has in his life.

“Are the invitations sent already?” Satoru asked with a blooming smile, rolling the yarn out of his cat’s reach as the poor kitty grappled to catch it. “And how are the preparations going?”

“Banquets are usually handled by the Empress, but you really go out of your way and do it instead,” Suguru shook his head, unamused by the added workload it brought him, especially considering his disinterest in festivities.

“They’re all sent, some of them responded—before you ask, Naoya hasn’t— and I’ve cascaded the preparation to Shoko, since I have no clue what to do about it.”

“Well, not that I care if he’s going to stay sour and wants his name tarnished in the daily papers as a bitter ex-husband…” Satoru shrugged, petting Sugu-chan as the cat purred contentedly. “He is tactless, he very well might be.”

“You really want to spite him, don’t you…” Suguru sighed. “You even sent him a note. It was unnecessary.”

“He was the one hurling curses at me and my empress first. I’m just returning the favor.”

The note in question was of lines after lines of flowery nonsense about gratitude and whatnot. Satoru imagined Naoya's vein would burst after reading his card.

“I’m happy for you, Satoru.” As exasperated as Suguru was, his smile was genuine when he said it. “A royal baby, huh...”

"Suguru." The emperor's voice suddenly dropped an octave, surprising him. "What about the placement of the totem I told you the other day?"

The abrupt shift in conversation made Suguru visibly uncomfortable, and again, they were back to this topic.

"You're seriously going to do this?" the duke asked, almost in disbelief. "Satoru, you're going to become a father. You have everything already. This will lead to war one way or another, and—what if the Empress finds out? How do you think it'll make her feel?"

However, Satoru's gaze was cold as he dismissed most of Suguru's tirade. There was a chill in his expression that made his longtime friend inwardly questioned who the man before him was.

"I'm asking you. Have you done it or not, Suguru?"

"You're going to put a curse on a whole village, Satoru."

"I told Zen'in Naoya the moment I got Y/N, that it would mark the beginning of his downfall. I'm making good on that promise."

Suguru pressed his eyes shut to calm his fury. Morally, what Satoru did was wrong, but politically, this was the art of war. Suguru purely opposed to this out of consideration for you.

Few understood Satoru's actions as well as Suguru did. He might understand, others like you and Shoko wouldn't.

"Just remember, when the Empress catches wind of this, she's going to resent you," Suguru warned. "No matter what your reasoning might be."

Satoru's upper lip curled upwards, his eyes bereft of light, narrowing with indifference.

"Unless you never tell her, that is of no relevance."

Love... has he ever loved you all this time?

Naoya had never been confronted with that question or pondered it, simply because he never considered love existed within the context of something as grand as monarchy.

You were chosen because you were well-bred and well-versed in the arts of nobility. You were indeed the epitome of an ideal empress, a fact evident throughout your tenure.

But...

"Naoya!" you yelled at him and caught his hand. "You're a fool! Why did you keep doing that!?"

It was a long-buried memory, when you were still in your teens, around the time you were just made the crown princess. His hands, bruised and bloodied, and you tended to them.

"I'm not weak, you know," he sullenly barked. "I have to train to be stronger."

"You definitely have to train, yes... but you have to take breaks!" you retorted angrily.

"Why do you care so much anyway?" he snapped back. "It's not like your hands that are injured."

And that moment, you were suddenly almost in tears. Naoya never understood why.

"Don't cry." But his instincts told him to make you not cry. "Don't cry. I'm fine, see?"

. . .

Zen'in Naoya jerked awake from his slumber, realizing he had forgotten what his dream was, that it was still the late afternoon, and he was still in his study.

All he felt was that nostalgic feeling, and it intensified when he glanced up... only to see his coronation portrait on the wall.

It was almost as if you were still here. You were incredibly stunning, he had to admit that. Why hadn’t he realized until just recently?

The way your crimson dress flowed out, and that thin, serene smile on your face... you were a picture-perfect empress, and that was not an exaggeration. No one could measure up to you—

"Your Majesty~!"

Especially not Hanabi.

"Your Majesty, the princess has started holding her head up!" Hanabi, now no longer dressed in rags but rather in one of your dresses, excitedly remarking, "Soon, she will start to—"

Naoya's gaze fell on her dress. He recognized it instantly. That specific deep, vibrant shade of red with serpent-like waistband. It was one of his gifts to you for your birthday. "Why are you wearing that?"

"Huh?" she seems perplexed. "Oh this... I thought it looks pretty..."

But to her surprise, he suddenly flared with fury. "That isn't yours, you dullard," he spat out.

Her expression sank in heartbreak as he continued with his venomous speech. "Know your place." His words cut like a blade. "And I keep telling you, a princess is of no use to the throne!"

Hanabi fought to hold back the tears, because not only had he insulted her, worse still, he showed no interest in their daughter. "She is still of your blood, Your Majesty," she replied, her voice trembling.

"I told you, I only want a heir." His sneer caused her eyes to widen in shock. "Other than that, I won't care."

"Your Majesty, please—" Hanabi was desperate for him to acknowledge their daughter, when she caught sight of your ethereal face on the wall.

He still hasn't taken it down. It made her eyes twitch, and her own anger to rise.

"The former empress..." she stared at your picture resentfully. "You still have her here. We never even have our portraits painted..."

Naoya's icy gaze leveled at her without a hint of sympathy, despite the woman standing before him being the mother of his child.

"Why do you look at me like that?" Hanabi asked, tears spilling from her eyes. "You used to care for me when you thought I would bear you a son. Even if it's a daughter, she deserves love too, doesn't she?"

In the last five years, she had come to know that the emperor wasn't always this manic person. He used to be gentler, or at least not as vindictive.

And she never truly wanted you to be cast away like that. She looked up to you, admired you from up close, and meant it when she said she would carry your legacy as best as she could.

"Are you dumb?" Naoya barked. "I told you to know your place!"

...yet why? Why are people in this palace so harsh to her?

“I wish you luck on that, Hanabi. Beware, the emperor is fickle…”

Your unkind eyes, Naoya's disdainful stares even after she gave birth to his child... She didn't even care about becoming the empress anymore. She just wanted a happy life!

"If it was the former empress' child... even if it was a princess..." Hanabi turned to him with determination even amidst her pitiful tears. "You wouldn't cast her aside just like you do now with my daughter, would you, Your Majesty?"

Naoya's gaze, devoid of emotion and filled with blatant disinterest more than anything, shot through her, hurting her more than if it was filled with fury instead.

The lack of warmth in his stare made her feel like being looked through rather than being seen. As if she is that insignificant.

"Leave," he ordered coldly next, turning his back on her.

And there is her answer.

Hanabi had been your maid for five long years. She knew who you were, what you stood for, and your whole demeanor. Yet, despite her best efforts, she could never emulate you in the same way, could she?

. . .

"My lady... don't you know that the former empress is with child?"

Once again, Hanabi felt the sting of ice when her lady-in-waiting delivered the news.

"Empress... Y/N?" she whispered. "How...?"

You were stripped of your titles here, and yet you still remained a queen somewhere else. Hanabi might have won Naoya's favor, but now she was losing it while you had another emperor's affection.

Not much had changed about you. You still occupied the highest seat a woman could possibly attain. Whereas she...

"But she is barren!" she turned to her confidant then, almost in disbelief.

"Evidently not. Emperor Gojo has proven that."

How nice. A part of Hanabi wanted to congratulate you because she knew of your sufferings—how much you longed to hold a baby from your womb in your arms.

How unfair... But another part of her couldn't help but despise you. Because even in your absence, she still had to live in your shadow. Because you, who had lost everything, regained it all so easily.

"And my lady... Emperor Gojo is going to throw a banquet for this occasion next month. You are expected to attend it."

"Sweetheart, you asleep?"

One night, several weeks later, just as you were about to drift off to sleep, you felt the sheets shift as Satoru slipped into bed beside you.

Though you didn't turn to face him, you felt his warm hands wrap around your waist from behind.

"Satoru... you're back," you murmured sleepily.

"Mm-hmm," he whispered, pulling you closer to his chest and burying his face in your hair, taking in your scent. "Shoko told me you've been in your bedchamber since breakfast. Are you okay?"

"I get queasy if I walk too much, so I've been lying down all day... But don't worry, the physician said it's normal in early stages of pregnancy."

His grip on you tightened, as he caressed your belly. "Hmm, naughty baby. I'm sorry I wasn't here..."

"Where were you?"

For days now, he had been away, and you hadn't really questioned him. You had your guesses though—

"I was overseeing the construction of a new pagoda," he said softly, kissing your neck. "For you, actually."

That was so unexpected that it made you open your eyes fully. "What— for me?" Building pagoda was definitely not a small affair. Usually it was for religious purposes.

"It's a gift to the heavens for blessing me with you and our baby. It's expected to be completed before your celebration banquet."

The tower would be the testament of his love for you and your unborn child. Despite yourself, your heart swelled with overwhelming warmth.

"You're so silly... why do you spend the tax funds for that?" you brushed off the faint heat in your face, not daring to look at him still.

"Whatever I wouldn't do for you?" he cheekily retorted, chuckling.

You had never felt this cherished before, and this time you were certain—you were more than ready to fall in love with this man.

But he... is planning to use you, isn't he?

"Satoru." You shuffled to turn and face him, causing him to crack his lidded eyes open. You gazed at him, placing both of your hands on his face, caressing his face softly.

You're so kind to me. I appreciate you for that. You wanted to tell him various things, but the darkness in your heart ever since overhearing his exchange with Suguru made it hard for you to do so.

"Mm? What is it?" he drawled with a small smile, leaning into your touch.

“You... love me, don't you?”

His bright eyes found yours then, sharp and steady. An impossibly fond smile graced his lips, as if finding what you said the most natural thing there was.

“Throughout heaven and earth,” he proclaimed, his voice steady to match his eyes. “Yes, my queen.”

...then you would trust him, if only just for this moment. The genuine sincerity in his eyes, the raw authenticity in his words... it all felt too real.

And so, even when you were well-aware of the bitter possibility of truth, you leaned in and kissed him, giving yourself to his touch as his hand slipped inside you.

And soon, came the day of the lavish banquet solely held to celebrate your pregnancy.

You were seated on your throne, dressed in a stunning aquamarine gown. The skirt of the dress was full and flowing, spilling onto the floor in a waterfall of shimmering fabric. Upon your head perched your crown of diamonds, glinting beneath the light, and your ceremonial veil to make you look as queenly as you could possibly be.

Everyone would agree that you were a sight to behold, and that you were worthy of every praise possible.

"Many congratulations to you, Your Majesty."

"This is a splendid news! A royal baby!"

"To think that the emperor has settled down... sniff, how long have we been waiting for this...? We almost gave up."

You almost giggled at the way Archbishop Yaga wiped his tears with a handkerchief as he presented you with his gift.

Despite your initial reservations, you enjoyed the festivities more than you expected. You had opposed the idea at first, finding it quite unnecessary, but Satoru had pouted for three long days until you eventually relented to appease him.

Speaking of him, he was equally dressed to impress, looking every bit as an emperor he was in an exquisite aquamarine military uniform and robes. Despite engaging in conversation with Earl Nanami, he kept a watchful eye on you, stealing glances in your direction to ensure you were well.

You nodded at him, and he threw you a wink. You smiled.

Everything was truly going well... until the herald announced:

"Prince Megumi and Royal Consort Hanabi from Eastern Empire!"

There was suddenly a hush over the crowd as the two made their entrance. You stilled, looking at the figure responsible for your checkered life—

Hanabi was starkly different since the last you saw her at the courthouse during your divorce. Her dress was now a vibrant shade of burgundy red, reminiscent of a gown you once wore. Gone was her air of humility, replaced by a display of extravagance befitting a noblewoman.

She is no longer your maid, but Naoya's consort. There was no trace of the woman who once served you. You were actually impressed, as she could actually shape herself into the image of a royal consort.

"Empress." However, your attention quickly shifted to Naoya's nephew, and once also your ward, Megumi, as he bowed before you respectfully. "Congratulations."

A fond smile tugged at the corners of your lips as you regarded the young prince who had once been a very shy individual. It reminded you of the days spent with him just to get him out of his shell.

"Thank you, Megumi."

"Diamonds suit you far better than golds do. I wish only for the best for you, Your Majesty."

It warmed your heart, really. Using that reference to your gold crown from your time in the Eastern Empire, you could see how much Megumi truly understood your position and bore no resentment towards you.

Could the same be said for Naoya though?

Right after you received his gift—an ornate box that seemed oddly familiar to you—Hanabi suddenly blurted out:

"So, fate has smiled upon you. Congratulations Empress Y/N." She kept that soft, meaningful smile on her face as she offered her felicitations.

Ever since her arrival was announced, something about her demeanor had bothered you. There was a subtle emptiness that seemed to linger in her gaze.

"Thank you," you responded, and that was when you noticed it. There was never any celebration for the birth of her daughter and Naoya, only a passing announcement.

And so, you added. "Congratulations on the birth of the princess too."

You could have sworn her expression fell for a moment, but she quickly regained her composure and bowed her head to you.

For a while, you lost sight of her in the crowd, feeling quite comfortable in your dais. Soon after, Satoru returned to your side, and the herald announced:

"Attention! His Majesty the Emperor's gift for Her Majesty the Empress!"

You looked at Satoru questioningly, and he gave you a dashing smirk before turning to the crowd.

"Thank you, all of you, for joining us to celebrate this joyous occasion." The way he carried himself and the sheer confidence he exuded was mesmerizing, you couldn't deny how it made you swoon. "I've been infamous for many things, and I'm sure the tales have spread far and wide. So please, allow me one more gesture with you as the witnesses."

The crowd giggled at his words, and you finally spotted Hanabi among them, quietly assessing the scene.

Your husband turned to you, a soft smile on his face.

"This is for you my empress— my lovely queen. Words can't describe how elated I am to know that now you bear our child." He took your hand and pressed a kiss on it. "And it's only fitting that I praise you along with the skies and the stars."

A footman arrived and presented a pearly box. Satoru opened it, revealing a necklace inside. The centerpiece was a large, flawless diamond surrounded by smaller, perfectly cut stones of the same kind. No matter how you saw it, it was truly a work of art, meant to captivate and dazzle anyone who laid eyes on it.

You let out a gasp. "This..."

Satoru grinned, picking up the jewelry and preparing to place it on you. "Nothing much. Just a little trinket for you."

"This is not just a 'little trinket'!"

Your banter elicited another round of snickers from the audience as Satoru fastened the necklace around your neck. The moment he did, the crowd erupted into applause.

"Actually, my real gift is the new pagoda in the royal gardens, built in honor of the Empress," Satoru stated effortlessly, grinning unabashedly. "Feel free to stop by later, everyone."

To the ton, for him to gift you with something so sacred was the height of extravagance. Some of them wondered how you had managed to turn the elusive emperor into someone so devoted to you.

And a few... might be harboring ill will against you for it.

. . .

Later that night, you were sorting through the gifts you had received throughout the day.

"I don't understand, why would you give an expecting woman this?" Shoko picked apart a manuscript that was the gift from Archbishop Yaga. "Who would read this?"

"I wouldn't, but I'm sure Duke Geto would," you replied, and soon the two of you were giggling together.

From jewelry to ornaments, you were pleased with all the gifts presented by the guests from day one. While most were given out of formality, it was heartwarming to imagine your baby seeing all these someday.

Your attention soon turned to the box Megumi handed you earlier—Naoya's gift.

You were intrigued, because what could your spiteful ex-husband could possibly give you? And you immediately reached over to open the lid to find...

"What's that?" Shoko asked as your eyes widened in slight surprise.

Inside the box was an intricate gold and ruby necklace. One you knew well. The very one you wore during your coronation as the Empress of the Eastern Empire.

Years ago, Naoya himself had chosen this piece for you, and now he was gifting it to you, again?

“From now on, it’s going to be me and you, Empress.”

Reliving years of your marriage with him wasn't easy. You two were childhood sweethearts, and had been happy in the beginning. You couldn't pinpoint when things began to fall apart, but suddenly Naoya turned into such a person you didn't recognize altogether.

Seeing this relic made you nostalgic, and before you realized it, you touched it, trying to get a better look—

"Ah—!"

Suddenly, a sharp, unexpected pain shot through your abdomen. You instantly dropped the jewelry, letting it crash to the ground, and clutched your lower belly.

"Empress! What happened?!" Shoko rushed to your side in an instant, holding you up, and you whimpered.

"It hurts—!" Your breath hitched, as a seemingly invisible knife gutted you from inside. The intensity of the pain was overwhelming, leaving you gasping for breath. "Shoko, please—"

And before you could even scream or think, the pain blindsided you and your vision titled, before blacking out completely.

First came the warmth, then a reassuring squeeze on your hand. As your consciousness returned, you felt groggy, with your surroundings sharpening into focus.

The first thing that became your main focus the moment your eyes fluttered open was Satoru's face, a mixture of fright and relief etched across his features.

"You're awake..." He breathlessly muttered, sitting on your bedside, interlacing his fingers with yours. "How do you feel?"

"Sa...toru..." your voice was hoarse, barely above a whisper, and as soon as he heard you speak, he exhaled sharply, pulling you into a tight embrace.

"Heavens, I—" he let out a long sigh, his breath hot against your neck. "I'm so glad... you are..."

"What h-happened to me...?" you were feeling feverish and a dull throb was pounding at the back of your head, before the shock of it all dawned on you. "B-baby...! Our—!"

"Baby is okay too, don't worry," Satoru assured, pulling away from you to gently touch your cheek and squeeze your hand. "Both of you are fine for now..."

The horror that you might lose your baby shook you to the very core. Your vision blurred with the threatening onset of tears.

"Wh-at happened to me, Satoru...?" you asked again as he wiped your first falling tears, your heartbeat sounding so loud in your ears. "I-I was just..."

His expression took on a sudden shift, as if a dark cloud had passed over his face.

"You came into contact with a cursed object," he stated, his eyes hard as he locked onto yours. "You were cursed, Y/N."

"What...?" You were rendered speechless, feeling your body starting to shake. Cursed object? Your past coronation necklace?

Naoya was trying to curse you?

"It's okay, I'm here now, yeah?" Satoru's voice broke through your spiraling thoughts, grounding you in the present. "Look at me. Hey, look at me." he repeated, his deep blue eyes locking onto yours with intensity.

“I’m here. I’m here with you. Nothing—absolutely nothing—will touch you so long as I’m here.”

But in that moment, your mind was so overwhelmed with fear for yourself and your unborn baby that you couldn't fully grasp the magnitude of the mess unfolding before you, and you just cried in his arms.

Feeling your feeble fingers fisting his robes and your inconsolable tears staining his collar, Satoru gritted his teeth.

“This won't happen again,” he whispered into your hair, feeling his rage simmering as he felt the tremors of your sobs against his chest. “I swear, I won't let anything like this happen again.”

To Satoru, that was more than enough to justify all his subsequent actions. Putting a curse on his empress essentially amounted to an act of beginning a war.

And it also meant he no longer had to operate behind the scenes.

“Keep them in Clock Tower. No contact. Only food and water at designated times.”

Satoru's icy gaze on the captain of royal guard compelled him to hastily comply with the order, before his eyes landing on the map of the entire continent.

In response to the incident that befell you, he issued orders for open hostility along the eastern and western borders. Soon after, he would formally declare his intention to go to war.

So close. He was so close to achieving his end goal.

. . .

"Satoru!"

Several days later, Suguru burst into his study, visibly outraged. He clenched his fists, looking as if he was about to throttle him altogether.

"You—" he heaved a harsh breath. "You have gone too far!"

"What are you talking about, Suguru?"

"Is cursing the entire winery village not enough for you?" This was the first time Suguru had been this furious with him. "Did you really have to massacre the neighboring district as well?!"

"They have placed a curse on my empress." It was so easy for him to say it. "Anyone who dares to harm her shall die."

"You can direct it at Zen'in Naoya! Not the innocent civilians!"

Satoru remained silent, neither shaken nor enraged, and he had finally had enough.

“Are you even sure it’s because the empress is cursed?" Suguru challenged. In his view, this farce had been going on too long.

“No, Satoru. You are just using her. For so long, you have wanted to bring bloodshed to Western Empire. You were almost there when Empress Y/N proposed that deal to marry you.”

You were informed, days later.

“His Majesty has placed the prince and royal consort of the Western Empire under strict watch in Clock Tower.”

Clock Tower was essentially the prison where they kept war criminals. Learning that Satoru had confined both Megumi and Hanabi there left you aghast.

After some days of bedrest and getting better, you realized that the entire situation still didn't make sense to you. As hateful as Naoya was, harming you would do him more harm than good. Eastern and Western Empires stood evenly matched in military power, and hence, a conflict between them would bring devastation to both sides.

And moreover, you knew for sure was that Megumi was definitely not the one responsible for this. He was just a boy!

You had to let him out somehow. You had to talk to Satoru about this.

Or at least that was what you thought when you came close to his study.

“Are you even sure it's because the empress is cursed? No, Satoru. You are just using her. For so long, you have wanted to bring bloodshed to Western Empire. You were almost there when Empress Y/N proposed that deal to marry you.”

You stopped on your tracks—stunned into place, to be exact.

“And you’ve struck gold when she did because her influence will provide you with greater advantage.” Suguru scoffed then, lightly shaking his head with a sneer. “Love? How laughable. All these years, you are planning your warpath, how could you claim you love her when you're trying to ravage her homeland without even considering the impact it would have on her?”

It felt like whiplash. Geto Suguru's voice had your feet rooted to the spot, causing all your doubts to resurface and sizzle in an instant. The very question you had tried to avoid, it was suddenly shoved in your face.

What... will Satoru say? Your heart thumped so loud in your ears it made you almost stagger. He couldn't possibly. He simply couldn't. All his actions... they reflected his affection for you and you believed it because you felt it yourself too.

But Satoru's next response was—

“Even when she is derided as the devil, I will bring an end to the Zen’in line in this lifetime.”

And a part of your heart withers then.

The tips of your fingers trembled, finally taking in everything that you had tried to ignore for the past few weeks. It all caught up to you in one overwhelming rush.

Suddenly, it felt as if something inside your chest was torn out and held up for you to see.

"I'm telling you, that day will come sooner than you think, Satoru." Suguru's voice broke through, his frustration palpable. His words snapped you out of your reverie, and you took a step back, retreating to the safety of your study.

The first time you felt utter hollowness wrecking you was when you had suspected that Naoya might have taken Hanabi to his bed. The feelings overwhelming you now were eerily similar to how you felt back then.

Only in this case…

You had used him first, and if he used you in return... you couldn't fault him.

But isn't it still a bitter truth, even when a mutual transaction is very well within his rights, to know that what you believe as love may apparently not really be the case?

Love... of course, he loves you.

Of that, he was certain.

But at the same time… he had his ambitions.

Destroying the Eastern Empire. Was it so wrong that he wanted it? Didn't you want this as well? After all, Naoya had spurned you for a lowly servant and made your life hell, didn’t he?

Satoru strolled through the halls and made his way to your study, where the sight of you, so pretty and regal in your seat, greeted him.

His beautiful, graceful wife and empress of his nation. For so long, he had desired you, and now here you were, perched within his walls. His heart couldn't be more full— his life is complete already.

"Sweetheart, hey... how are you feeling today?" an adoring grin was visible on his face as he approached you. "Does the baby give you trouble today?"

You didn't answer though, and didn't look at him either. It was quite strange, Satoru thought.

"What's wrong? Is there something—" And when you finally turned to him, the look in your eyes was so eerily cold it almost gave him a chill.

"Release Megumi from your dungeon," you told him with a strained tone. "And return him to his home empire."

The smile on Satoru's face vanished that instant.

"I can't do that."

You rose from your seat, facing him. "He is just a child."

Satoru regarded you with a stern look. “That child you speak about is a prince of the Eastern Empire. He has committed a great crime against you.”

“Naoya didn’t do it.” Your steely gaze was unflinching. “He might be senseless, but he isn’t insane enough to deliberately go into a war he might possibly lose.”

Satoru's eyes darkened at your words, as you stood before him with determination. The way you were so adamant somehow took him aback. “How... could you defend him? He has wronged you!”

It was one question you had expected, and you had the answer ready.

“Even if he has, I could never wish doom upon my own homeland, Satoru. I’ve lived most of my life there, I did a great deal of things there— even if you harbor some sort of misguided contempt or just bloodthirsty enough to lay ruin to Eastern Empire, I refuse to be the puppet for your schemes!”

There it was. You had said it. Everything would crumble once again just like your previous marriage.

Satoru was staring at you in slight disbelief, his eyes gleamed with something that you couldn't really pinpoint. Anger? Disappointment?

“Your life was in danger, as was our unborn child’s. Don’t you care about that—!” he actually had to stop to catch his breath. “Don’t you care that our child nearly didn't make it?”

“And? You must have thought it was the perfect grounds for declaring a war?” but you didn’t relent and questioned him with a scoff. “And afterwards, you would try to use me to gain defectors from Eastern Empire, is that it?”

You saw the flash of surprise in your now-husband's eyes right when you recited his words, but you weren't about to hold back any longer now.

“Now you’re using my safety to justify your actions,” you hissed, feeling like suddenly you understood what all of this was. “You’re quite cunning, Satoru. I’ve heard everything—you will do anything to bring an end to the Zen'in lineage! You won’t even consider the repercussions of my reputation being tarnished across the lands!”

“Is that even important now?” Satoru gritted his teeth to suppress his irritation. “You have been cursed. Do you honestly think I would let them get away with cursing my empress? How could I, who seek to protect you, be more vicious than whoever in Eastern Empire who cursed you with that necklace?”

“You’re doing this for your personal gratification!” you exclaimed. “It is never about me. You’re just a warmonger!”

The moment those words left your lips, Satoru stilled. His gaze on you faltered, and you could’ve sworn hurt flashed in his face.

“Just how low… is your opinion of me?” he asked, his tone dropping, eyes devoid of emotion. “You jump into conclusions only after overhearing something in a passing and yet you know for sure Naoya wouldn’t harm you—” he clenched his jaw.

“You… really loved him, don’t you?” he asked with a sardonic smile. “I know it already. You won’t ever be able to do the same for me. You can’t even trust me.”

You were rendered speechless. Despite your doubts of him, hearing this still felt like a slap in your face.

Won’t be able to do the same for him? No. That’s not true. You were—

Satoru let out a defeated laugh and ran his hand through his hair, leaving you uncertain whether he was amused or heartbroken by your lack of response.

“It’s funny, how I have loved you for so long... but apparently the woman I believed to have even a semblance of affection for me doesn’t even exist.”

It felt like that one part of you that was capable of feeling love had been stabbed once again.

To say this out loud hurt you deeply, unbeknownst to him. You didn’t mean this at all, still it was what came out of you—

“In the end, we’re just using each other. That’s all we are to each other.”

Satoru bitterly snorted, finding your accusation so unfair to him.

“How cruel is it that I’m the only one who has to prove this love to you? What about you? You’re terribly, horribly selfish!”

You stayed silent, looking away, caught between the scorching knives that seemed to twist your heart and conflicting emotions in it, uncertain of what to believe anymore. And you didn't really know what heartbreak was like before—

“It has been really exhausting, and I don’t want to bother anymore.”

When his gaze next met yours, dark and piercing, you realized he was no longer the same man who once promised you love and devotion.

“You're free to believe whatever truth you wish. But remember, even if you are my wife and the empress of this nation, should you commit any transgressions… I won’t hesitate to accuse you of treason, Empress.”

You have committed treason.

Satoru had conducted investigation of the sorts just to prove his point. And yet days later, no direct evidence pointing towards Megumi or Hanabi were found in that cursed necklace.

Punishment for treason is imminent death. You were well-aware of that more than anyone, but your consciousness wouldn't allow it if Megumi had to be hanged due to Satoru's antagonism.

"Your Majesty, your kindness knows no bounds," Megumi said, dropping to one knee before you and lowering his head in the throne room. Satoru had chosen not to grace any of you with his presence, leaving you alone to bid farewell to both Megumi and Hanabi.

Since then, you hadn't spoken with him, nor had he visited your chambers. It was as if he considered you nonexistent at all.

And it is really only a matter of time before he finds out.

But at the very least, you were right. It was never Megumi. That boy was fond of you, he could never. So, you shifted your gaze on the woman next to him.

"Royal Consort Hanabi. A word."

It was the cue for everyone else to exit the throne room. Now, you were faced with this woman once again, and yet one thing remained the same— you were still towering over her.

"Why did you do it?" Your calm gaze betrayed a quiet anger that was unmistakably clear. All because of this woman. It was beyond you, how despite having left your past life behind, she had somehow managed to taint your new one as well.

Hanabi looked away, a hint of shame coloring her features. "Your Majesty knows, so why do you spare me?" she asked quietly.

"How preposterous of you to think that I have spared you," you scoffed. "All this time, have you learned nothing at all from standing by Naoya's side?"

She flinched, visibly making herself smaller at your unforgiving tone, still, she dared herself to meet your eyes.

"Can I ask... why you never consider it as Emperor Naoya's doing?" she seemed more confused more than anything, even as her lips wobbled. "The two of you... you don't really hate each other, so why...?"

You didn't want to dwell on why Naoya had chosen that specific piece of jewelry to return to you. If anything, you'd consider it his final parting gift and be done with it.

But the naivety of this woman was astounding. Someone like her wouldn't last long in your seat. You let out a sigh, torn between feeling sorry for her or not.

"You have much to learn about court affairs, Hanabi. And do not think this is an act of mercy. Sending you back to Naoya is a punishment in itself—you know that by now."

Hanabi trembled where she stood, her breaths were shallow, and her hands shook slightly as she struggled to maintain composure in your presence.

Realizing it was futile to continue the conversation, you decided to conclude it.

"Know that I will never forgive you for what you have done to me." Your sharp eyes squared on her, the cold ire in your tone making her shudder.

In all the years Hanabi had known you, you had never appeared more fearsome than you did now, adorned in silks of deep blue hues, with that crown of diamonds gleaming in your head.

Then, as if sealing her fate, you delivered these parting words:

"You've always coveted what I have, and sooner or later, that will be your downfall."

The palace felt suffocating for you. After sending Hanabi away, you took a walk in the gardens, followed closely by your ladies-in-waiting.

Good heavens, what have you done? You definitely didn't regret saving Megumi, but no matter how, you had committed a great crime against your own empire. A sentence would loom over your head!

And what about your baby? Would Satoru execute you while you still had his child inside you?

The very thought made your vision tilt, and you had to lean on the wall for support. Your ladies-in-waiting were immediately clamoring against each other.

"Leave," you commanded, trying to catch your breath while doing so. "I'll… take some time to rest here."

It took you a moment to realize you had reached the pagoda that Satoru had commissioned for you. This was your first time visiting it. The structure was magnificent, towering in height and adorned with exquisite decorations, leaving you in awe.

"It's a gift to the heavens for blessing me with you and our baby."

You wanted to cry. His voice, soft and smooth, conveyed those words so easily to you. He really loved you, didn't he? What made you so unsure about that undeniable fact?

And now you had broken his heart.

Your hand reached for your belly. Though hidden by your dress, you could distinctly feel that it had become firmer these days, holding the product of your love with Satoru.

"I'm sorry, baby..." you whispered, heartbroken. "I didn't mean to drag you into this too..."

You felt nauseous, your breaths come in short pants, and you felt a headache coming. It didn't really register to you that you had crashed into the candle table, before you collected yourself and ventured deeper inside.

You just wanted a sense of peace and quiet. You would think more later, and right now, the darkness inside felt like a comforting lull for you to rest.

. . .

Or at least that was what you had intended, until you looked back and saw the swirling inferno creeping through the halls.

It didn't take long for Satoru to figure out you had really orchestrated Megumi's release.

More than his wounded pride, it was the searing pain of realizing that you truly believed he was only using you for his own benefit. It felt like an insult to everything he had done for you.

Why couldn't you see that? Just how hard is it for you to understand?

And now that it had come to this... what did you expect from him? Should he really make good on his word and punish you? It tore his heart to even consider it.

However, what was worse was… did you think he was really capable of that too?

Amidst his heartache, suddenly he heard loud commotion from outside his study, yells and cries of help— and it roused him from his thoughts that he came out of his study, only to come right into a familiar face.

"Anyone! Anyone at all!" one of your maids was running, sobbing and hysterical. "Her Majesty! Please help Her Majesty!"

"What is all of this ruckus?" Satoru demanded, catching the maid by the hand, as she stuttered in tears.

And then, everything came crashing down with the next words.

"The Empress— is trapped inside the burning tower!"

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lxnarphase · 1 day

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satoru hates hates hates condoms so much ever since you both agreed to stop using them. he can't stand the idea of wearing one while inside of you, it makes his heart hurt so bad.

key words: wearing one while inside of you

he never said that he wouldn't wear one while not inside you...so that's how he finds himself in this position, his arms tied behind his back as he sits on the edge of the bed, eyes rolled back as tears and drool drip down his face.

you're sitting behind him, your front pressed against his back while your chin is hooked over his shoulder. one hand is resting on his chest, rubbing soothing circles into his skin while your other hand is working his cock, cooing into his ear. a condom was on his dick, the tip slowly filling with cum as he shot another thick load into the latex.

"such a good boy, toruuu, you're filling it up so fast, who knew you had s' much cum in you, baby!"

he just whines as another thick spurt fills the condom, the amount of cum weighing it down, slowly causing the condom to pull off his cock. "'s-'s gonna fall off, baby," he tries to warn you, his hips bucking in overstimulation.

"yeah? y' better catch it, torubaby. don't want it to spill all over the ground, right? then you'd have to lick all of your cum up like a lil' slut," you coo into his ear, knowing he could easily get out of the pretty pink ribbon you tied around his arms, wanting him to look pretty instead of feeling completely trapped.

but he doesn't, he doesn't move, doesn't snap the bindings off, no, he just throws his head back at the thought of you pressing his face into the puddle of his cum and making him lick it up as you praise him for doing such a good job of being his own cumslut.

"ooh, toru...you came too hard, baby, it fell off...poor baby, need a lil' break before you clean up for me?"

#yeah i dont have an excuse for this #gojo satoru x reader #gojo smut #gojo satoru smut #gojo x reader #𖤐 ── lxnarblabs.#💎 ── satoru.

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emptyjunior · 3 days

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Gotta say, Benedict believing he was in a classic period drama plot where he storms in and his woman is kissing another and he's playing the stark Bridgerton man going 'how could you😔' only for both of them to turn around and go "No we both Want you" is Extremely funny.

Benedict to them in a classic soap opera fashion: I see you have betrayed me-

The Guy: what are you doing, come make out

Benedict:

#why are you being a weirdo bennie #bridgerton #text post #photo post #benedict bridgerton

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whateveriwant · 2 days

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Actually I'm not done talking about Mr. Simon Fucks-Himself-Stupid Riley just yet :(

I'm picturing a scenario where you, a civilian, are visiting your boyfriend at his base. Maybe you're there to deliver something, like a file he forgot at home or the lunch he said he didn't need. Either way, whatever your cover story for being there is, the end result is the same: you, on your back, knees up by your ears, sprawled across Simon's desk as he fucks you like his life depends on it.

Being a Lieutenant grants him the luxury of having a private office where he can engage in such extracurriculars, but that doesn't mean it's without some major risks – namely, prying ears that might be lurking in the hallway outside.

But being discreet shouldn't be an issue, should it? I mean, a man known infamously as “Ghost” should have no problem staying quiet, right?

Wrong.

Turns out, not only does that tight hole of yours reduce your boyfriend to a dumb, drooling mess, it makes him a dumb, drooling mess who can't keep his fucking mouth shut.

So while you have the wherewithal to clamp a hand over your lips to try muffling your lewd noises, Simon is out here moaning and groaning unabashedly like something sent forward in time from the Paleolithic. You could try asking him to cover his mouth, but it seems an impossible task; his hands are a little preoccupied with making sure he doesn't fuck you right over the edge of his desk.

While you don't want to stop, you also don't want to get caught, so you settle for urging him to keep it down. It's after a third softly gasped ‘N-Need to be qu-quiet, Si’ that your warning finally worms its way into his brain, and he acts in a way to appease you, just… not how you expect.

Swiftly, Simon removes his hold of your waist and brings one of his arms forward. He grabs for the center of his t-shirt, tugs the material up, and quickly stuffs the fabric into his mouth.

It only takes a split second for the action to happen, but immediately, you see how effective it is. The moment that standard, army-issued tee is captured between Simon's teeth, there's a drastic reduction of noise in the room.

Now, he can fuck into you with reckless abandon, and he snaps his hips forward with enough force to make your whole body ripple. Even as you pulse and constrict around him (sometimes inadvertently, sometimes not), the sounds that climb their way up Simon's throat are heavily dampened by his cotton gag.

It's as Simon begins the ascent to his peak that the cloth in his mouth really comes into play. As he pumps into you, he starts grunting lowly, gutturally, exhaling through his nostrils in quick, harsh bursts. It's a deep sound, animalistic in nature, like a bull huffing before it digs its heels into the dirt and charges.

His thrusts turn sloppier and sloppier the closer he nears his high, his hips propelled forward only by some basic hindbrain instinct. His lashes start to flutter, his eyes roll towards the back of their sockets, and when he cums, he throws his head back in a full-blown snarl.

Simon's a bit shaky on his feet after he climaxes in you, but he manages to pull out before he stumbles backwards, plopping down heavily into his chair. As you start cleaning yourself up, you see how he makes no attempt to move. He just sits there, completely brainless, pants around his ankles and t-shirt still tucked between his teeth. You have to walk over to him and purposefully tug on the shirt to get him to release it, and once it's freed, you see the damage that's been done.

In the center of Simon's shirt rests a big, blotchy wet spot, like he's tried to do his own slobbery take on the classic Rorschach test. The fabric's been wrinkled to all hell and there's a few imprints left behind from where his teeth had bitten down, and if you were to inspect the hem closely, you'd see where he popped a stitch or two in his ecstasy.

The sight of his mangled shirt has you tutting in disapproval. He can't walk out of his office looking like this, and he certainly can't forgo wearing a shirt altogether. What would the people around base say if they saw their normally put together Lieutenant looking so unkempt? You don't think he'd ever hear the end of it, nor would you for that matter.

In the meantime, as you wait for Simon's brains to un-liquify themselves, maybe you can scrounge up something else for him to wear. There's got to be something lying around here to help make him presentable once again. It's too bad as part of your cover you didn't think to bring an extra set of clothes to change into.

You'll have to remember for next time.

#ok now i'm done :)#simon riley #simon ghost riley #simon riley x reader #simon ghost riley x reader #ghost x reader #simon riley smut #ghost smut #cod smut #ghost cod #ghost mw2 #simon riley x you #cod x reader #call of duty x reader #cod mw2 #call of duty #modern warfare 2

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artdcnaldson · 2 days

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NEED art and patrick to find out I'm a virgin and offer to teach me how to kiss and how to fuck and use eachother as examples and guide me and tell me I'm doing a good job and reward me for being such a good student and come back later and quiz me to see if I remember everything they taught me ugh obsessed with them individually and as a unit

This has lived rent free in my mind for literally forever. I can’t stop thinking about it, it haunts my every waking moment.

Rating: E (18+)

Warnings: Making out, Handjob lessons, guys being pervs, not a love triangle they just all want to fuck each other

A/N: unedited bc I wrote this while on the clock okay whatever. Enjoyyyy and if u want me to continue this lmk >:)

“I think it’s sweet,” Patrick said, and you could hear the amusement in his voice, practically dripping from every syllable. “The last American virgin. You belong in a museum.”

You rolled your eyes and tossed your empty Taco Bell cup at him— the ice rattled and it leaked a puddle of condensation onto the ground. “You could try not to be a dick about it.”

Art’s dorm room was hot and sticky thanks to a faulty AC, which meant the three of you lounging on the floor by his open window, sucking down soda watered down by melted ice cubes. You were down to a T-shirt and shorts, they were down to their boxers. It wasn’t lost on you that it was an intimate situation to be in— barely dressed, crammed into the shoebox of a dorm. And of course Patrick had dug his fingers in until you admitted your secret— you had made it all the way to college totally unfucked.

Patrick leaned forward, smiling the smarmy smile that tended to wear at your last nerve. “So you’re a virgin, but like,” he leaned in, so close you could feel body heat radiating from him. He dropped his voice, just above a whisper. “How much of a virgin, really? You’ve at least gone to third, right?” You glared, but shook your head.

“Second?” Art supplied, suddenly jumping in with an eager sort of curiosity.

“What? No, I don’t even know what that means,” you admitted. You sighed before you spoke up. “I’ve only ever kissed one guy and one girl, and it was during a game of spin the bottle, like, junior year.”

“How?” Patrick asked.

Your brows furrowed. “How? I spun the bottle, it landed on the person, I leaned in, put my lips against theirs, and that was it.”

Patrick sighed. “Just fucking show me how.” He looked at you expectantly, inching even closer.

With an annoyed sigh, you leaned in and pressed your lips to his— mouth closed, lips firm. When you sat back, Patrick and Art were both grinning.

“What?” You asked with a frown.

“That’s how you kiss on the playground in elementary school,” Art said, unable to contain his laughter. “C’mere.”

You crawled forward, stopping in front of the blond. His hand settled on your jaw, coaxing you forward.

His lips met yours softly, sweetly. It was easy to lose yourself in the feeling of Art’s mouth, in the gentle brushes of his lips against yours and the way he held your face so tenderly.

The feeling of his tongue pressing against the seam of your lips was strange, but you welcomed it, letting him lick into your mouth.

Each pass of his tongue against yours drew you deeper and deeper into it, into him. You moved into his lap without realizing it, kissing him with sweet, timid laps of your tongue.

Art pulled back first, his cheeks soft and pink and so pretty. “See? That’s how you’re supposed to kiss someone. That was really good.”

You laughed softly, and moved off of his lap sheepishly. Patrick leaned forward, brushing your hair back, holding your face in his hand.

“Okay, show me what Art showed you,” he instructed, then leaned in.

Kissing Patrick was different than kissing Art. He was hungrier, more insistent. His tongue pressed into your mouth like he wanted to chart every inch. You did your best to match what he offered, to kiss the way Art had just shown you, sweetly, like you really meant it.

And you did mean it. Patrick’s hands moved along your side, up until they cupped your tits through your shirt. You moaned softly into his mouth— the sound was muffled, met with a moan of his own. He gave an experimental squeeze of your tits and you whined softly. So he did it again, amused by the pretty, sweet noises you mewled out.

Patrick was getting hard, pressing against your thigh. It was a new sensation that you were hyper aware of as you unconsciously ground yourself against him.

You pulled back first, cheeks burning hot after you remembered Art was right beside you. You tucked unkempt hair behind your ear, smiled bashfully. “How was I?”

“Good,” Patrick said.

At the same time Art supplied, “So good.”

You laughed softly, shaking your head. “Okay. Cool.”

Art was squirming, fidgeting, holding a pillow over his lap. Patrick was less covert— opting to openly adjust himself, drawing more attention to the fact that he was hard. You rolled your eyes and stole the nearest cup you could find, sipping at watered down Mountain Dew.

“Do you want me to leave?” You teased, raising an eyebrow. Your teeth dug into the plastic straw as you looked between the two of them.

Art stammered, mortified, but Patrick just smiled dizzyingly over at you. “I can teach you something else. You got to first base, so why don’t you steal second?”

You rolled your eyes, but heat flared behind your cheeks. Jesus Christ, he was such a smug asshole. “I still don’t know what that means,” you said, feeling a little embarrassed.

He grinned and mimed jerking off. Your eyes widened, and you laughed softly. “That would be weird,” you said, half-believing it. “Like, if I did jerk one of you off, that leaves one of you just watching.”

You glanced at Art, who looked just as interested as Patrick did, and your heart stammered nervously. “What if I show you how you do it on Art? Look at him— he’s the perfect little practice dummy.” Patrick reached over, pinching at Art’s cheek until the blond kicked his shin.

“Show me?” You echoed. “Like… you’re going to do it to him, and I do it to you?”

Patrick nodded, leaning into Art’s side, his smarmy smile dissolved into something needier. Art swallowed hard, lips parted slightly as he looked over at Patrick.

Patrick’s lips met his slowly, hungrily. You watched wide eyed as Patrick deepened the kiss, as Art eagerly accepted the other boy’s tongue into his mouth.

Patrick threw the pillow out of Art’s lap and sent it careening into the desk on the opposite side of the room. Your eyes widened at the sight of Art, hard and tenting his boxers. Patrick palmed him in his large hands making the blonde whimper into his mouth and buck up, seeking friction.

You swallowed hard, biting down on the straw as you watched Patrick tug at the elastic of Art’s boxers. Art lifted his hips to allow Patrick to tug them down his thighs, just enough to expose his cock to both of you.

“See,” Patrick gasped, leaning back from their kiss. Art chased his lips fruitlessly, mouth ajar, waiting for more. “He’s so fucking easy. Come feel.”

You moved closer, looking at Art for permission. When he nodded, you reached out, letting your fingertips graze the soft skin of his shaft. He exhaled a shuddery breath, eyes fluttering shut. Patrick’s hand covered yours, guiding you to squeeze around his length.

He was warm under your touch, silky soft, pulsing in your grip. Your heart hammered just at that— at the feel of him in your hand. “Feels nice, huh? Knowing how much he wants you.” You nodded, then slid your fist up, testing the waters. Art moaned softly, throbbed in your grip, aching for more. Patrick smiled like the cat who got the cream. “Hands off, just watch me.”

Patrick spat into his hand and replaced your hand with his own. The second Patrick curled his fingers around Art and started stroking him slowly, the blond was mewling for more. “Fuck,” he moaned, his forehead knocking against Patrick’s, mouth open, panting. “That’s good, feels good.”

You watched Patrick rub his thumb over Art’s tip, eyes widening as Art really whimpered for it, hips thrusting up into Patrick’s fist, chasing more of the pleasure the brunet offered.

“You get it now?” Patrick asked. You nodded quickly, and he tugged down his own boxers. “Fuck, okay— fucking show me.”

Your heart hammered with nerves, but you nodded. You held your hand out and spit into it, mimicking what Patrick had done before you wrapped your hand around his cock.

He felt bigger in your hands, but you didn’t say that. One, you worried it might piss Art off, and two, he didn’t need the ego boost. And he was slick, beading precum at his tip so each pass of your hands felt slicker and slicker.

And you couldn’t help but want to be an asshole. “You’re wet like a girl,” you said with a smirk, gliding your thumb over his tip.

And he was shameless, nodding with a sly grin. “That means I like you.” He panted, moaning softly. “Besides, I bet your fucking panties aren’t dry right now.”

Well, fuck. You tried to ignore the rush of heat in your belly that those words caused, to focus only on the glide of your hand on Patrick’s cock— up and down, copying his pace on Art, copying the ways he’d squeeze and twist his hand.

Art was moaning, rutting up into the tight sheath of Patrick’s fist, the muscles of his abdomen tensing and relaxing in unsteady jerks beneath his soft skin.

“Fuck— switch, switch,” Patrick said quickly. Art whined when Patrick stopped touching him, but it was ignored. “Want you to feel it when he comes.”

He guided your hand back onto Art’s cock and nodded for you to move. “Fuck, your hand’s so soft,” Art groaned. “Faster, faster, fuck—“ He was practically begging. You swallowed, increased the pace, squeezed him a little tighter.

Art was touching Patrick— jerking him off while you brought him closer and closer to finishing. Patrick leaned in, kissed you deeply, pulled Art in too until the three of you were a mess of tongues and lips and spit and hands.

Art came first— coating your hand in warm, slick cum, throbbing in your grip. He was panting into your and Patrick’s mouths, moaning softly as you continued to slowly work him through it. Patrick came next, once Art redoubled his effort, focused on making Patrick add to the mess covering your hands.

Patrick was loud, pornographic, messy. Art brought a cum covered hand between his lips, cleaning it up. Your eyes widened.

“Art, c’mon, you’re scandalizing her,” Patrick said, like you weren’t even there.

“Shut up,” you said, shoving him. He laughed and pulled his boxers back up. Art followed suit, and the three of you were left gross and sweating in the heat. You wiped your hand off on one of their discarded shirts and gave a sheepish smile.

They sat there, expectantly. Waiting for you to make the next call. There was a level of want in you, need, but the thought of asking for them to take care of it was mortifying. “Do you want to watch a movie or something now?”

#and when they bring Tashi in to teach her to ask for what she wants then what????#if u want me to continue this……. please god please keep sending me reqs for this au #art donaldson x reader #patrick zweig x reader #my writing #art donaldson #patrick zweig #challengers fanfic #challengers x reader

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