#i actually don't know why i wrote this

[florsial]

Regulus cries more often than not. It's something he's picked up on during the war. When he felt like there wasn't a light at the end of the tunnel, when he felt as if he couldn't differentiate between the nightmares to reality. He doesn't sleep because of it, he just spends his nights crying. Walburga told him he sounded like a wailing baby. She doesn't look at him.

But James notices he cries more after the cave. Mornings, afternoons, nights. He can hear it from his room. When he eats breakfast. When he slips under the blankets. During meetings. It rings in his ears. In Sirius' too, he can tell.

They don't do anything about it in the beginning. James didn't want to be overbearing, so he just let Regulus be, let him cry it all out. But it seemed as if there wasn't a bottom in the endless pit. Regulus just kept crying. Crying. And when he isn't, he just stares off. It isn't much better than the wailing.

One day, it gets too much. When he hears Regulus crying, he walks into the younger's room and starts to cry as well when he sees Regulus doing nothing but just sitting at the end of his bed. His face was in his hands and crying, wailing, again and again.

"I'm sorry, I-I'm sorry..." James says repeatedly. He doesn't know how, but he finds himself kneeling in front of Regulus, his face buried in the younger's knees. They are both crying. He's apologizing and Regulus is wailing without words.

It's almost comforting. The two of them acting like a complete mess together. Sobbing in each other presence. Holding onto each other for dear life because they don't know when it will slip from their grasp during the war. It's so comforting that James doesn't realize when they've stopped crying until his weak and broken repeating of, "I'm sorry" is finally stopped by Regulus carding his fingers into his curly and whispering, "I'm sorry too."

They both feel lighter after that.

[biggest-gaudiest-patronuses]

going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:

There is never a satisfying answer to ‘Why didn’t they love me?’

like wow babe. good fucking point

[cerise-on-top]

Hugging, Kissing and Cuddling HCs for König

I'm trying to see him in another light again after everything I've seen about him, so I decided I'd write something fluffy and nice for him. And then came the realization I never wrote some HCs like these for him in my original posts, so I decided I'd change that! He's Austrian, so naturally I have to love him!

When it comes to hugging someone, König is a bit hesitant. Considering he’s not the most physically affectionate person out there, it’s almost an honor to be receiving an unprompted hug from him. Whether his hugs are long or short depends on the occasion: If he’s proud of you for accomplishing something, then the hug will be rather short lived. Though, he might pick you up and spin you around until you’re dizzy. If you’re sad and need some comfort then his hugs could last a while. He’s not the best with words, he prefers to listen to other people, but if he knows a hug is what usually helps you then he’s willing to do so. Despite being a big and strong lad his hugs are surprisingly gentle, he’s worried about crushing you. He could put his all into them, but then you’d likely end up with a few broken ribs and he doesn’t want that to happen. König is also surprisingly warm, so receiving a hug from him is a rare, but nice experience. Although he does go rigid at the beginning, not knowing what to do, but relaxes into the hug eventually.

Again, he’s not a very physically affectionate person, but isn’t opposed to the occasional peck on the cheek or on your lips either. There is some anxiety whether you’d actually want a kiss from him or not, so he doesn’t kiss you very often, even if you do reassure him that it’s quite alright. He’s a bit tense at first when he presses a kiss to your lips, but calms down eventually. It’s especially bad during the beginning of your relationship, but he’s since gotten better at being calm about it. Since there’s a good chance he’s taller than you he loves giving you a kiss on the forehead. It’s a small but sweet gesture. He doesn’t need to bend down entirely to reach you but he still gets to be affectionate with you. However, if you’re on the taller side, or just as tall as he is, then he’d love to receive kisses to his temple from you. It makes him smile every time you do it. If he’s in the mood for receiving a kiss then he’ll lay his head on your shoulder and nudge you a bit. Or try to get his head in your closer vicinity. Kind of like that one bunny video where the bunny stretches to receive some kisses.

Cuddles with him are a bit more common than hugs actually. However, he refuses to lay down on top of you. If you’re shorter and weaker than him then there’s no chance he’ll put his weight on you, he’s just that afraid of hurting you. If you’re taller or just more muscular, then he might, but he’s still a rather heavy lad. Most he’ll do is put his head on your shoulder while you’re cuddling in bed and are both lying down. Although it’d be a lie to say he doesn’t want to be held. König is alright with being the one to hold you, but sometimes he would prefer to be the little spoon as well. That urge gets especially bad if you’re roughly the same size as him. Sometimes just nuzzling into your chest does the trick for him as well, though. Loves it when you run your fingers through his hair as he does so. Another thing he adores is you sleeping on his chest as he holds you. He gets to hold you close, he gets to protect you and he gets to doze off a bit himself, it’s bliss to him. Sometimes he leans down to press a kiss to your head and accidentally wakes you up like that. He feels bad about it and apologizes profusely, but does chuckle a bit when he sees your disheveled hair and your tired expression that shows you just woke up.

[lizzylucky]

Draxum hadn't accounted for the fact that when he gave four hatchling turtles the DNA of a human being in order to give them greater intelligence, he would effectively be making himself a surrogate father to actual children, with wildly different needs.

When he sent his gargoyles to obtain a sample of DNA from Big Mama's prized warrior, the intention was to create his own. They were to be the prototypes for an army of simple creatures with just enough heightened intelligence to learn combat and follow commands, that he might defend Yokai kind with.

Instead, he quickly discovered the integration of human DNA had been a little over successful in allowing his test subjects to learn and think and feel in a civilized manner, going so far as to override some of their natural instincts as turtles that would otherwise allow them to learn to care for themselves. He had to feed them, by hand, with bottles.

Like infants.

They were easily distraught by unfamiliar things, and quickly became dependent on Draxum in every sense of the word. They babbled, they cried, they explored things with their hands, their tails, their mouths.

It was an unplanned adjustment needed to be made, but no matter. If anything, learning to understand the new hybrid emotions of these turtles would allow Draxum greater advantages when they grew enough to safely learn combat. Preferences, likes and dislikes, needs, diet, and so on, all became more complex areas of study.

Even a couple years in, he found himself continually surprised. Brain scans had shown that the turtles were more intelligent, still, than anticipated. They, truly, seemed more human in mind and function than anything else, with only some base instincts and behaviors left to influence their personalities. They retained many reptilian traits, but overall had the bipedal anatomy and function of humans and some Yokai. It had been an infuriating discovery at first, but Draxum had to admit that over time he became fond of it.

Each turtle had developed his own personality. The eldest, for example, had a love of plush toys, and showed a fierce protective instinct over the others. The youngest, Draxum had learned, was contrastedly reckless and excitable, not nearly so reserved or gentle as the first. Additionally, he was, decidedly, to be kept away from any and every writing utensil unless under strict supervision (unfortunately, this was learned a little too late, as was evidenced by the clear markings left in several work benches). Then, of course, were the slider and the softshell, who had the most bizarre relationship. They were constantly fighting with each other, but utterly inseparable, and each showed an incredible and unique curiosity, constantly exploring and watching and studying, with concentration filling their eyes in ways Draxum had never seen in other children so young.

Embarrassingly, it took another couple years before Draxum realized he couldn't simply refer to them by their species' names. It certainly was effective, but they were not the mild, simple creatures he had once expected them to be, and he knew that they never would.

Now, they were vocal, playful, inquisitive... energetic. By the gods, were they energetic. They never stopped moving, never stopped talking, never stopped eating, never stopped wanting or needing.

...This is why Draxum never had children of his own. It took all the time and energy he had to spare, and then some. Although it would be a lie to say he wished they were any other way.

They had so much capacity to learn, and with their emotional propensity could one day come to understand exactly why Draxum was doing this, which he knew would be an edge in their combative styles.

As he introduced them, slowly, to more of the world's culture and knowledge, he felt, in a new way, that their very existences were revolutionary. A perfect, synergistic unity between two entirely different families of genetic material, with numerous enhanced abilities. And they were children. They maintained all the properties of regular children, but had so much more in store! Such grand destinies! They would be, inarguably, the greatest warriors of their time when they were grown. They would be the compassionate, skillful heroes of all Yokai, the first of a new generation of super mutants, and the key to overcoming the evils of the humans who had overtaken the surface and posed such threat to all who lived below.

It was with great reluctance that he allowed himself to accept, however, that not all of mankind was evil. There were many forms of art, beautiful in different ways, there were some rare people filled with kindness, inventions that utilized resources in ways Yokai kind had never thought to. Perhaps he had been a little stubborn in his ways, a bias cementing over time that blinded him to some of the beauty that did yet exist in such a species.

Make no mistake, humans were a threat. Innocent families lived in fear, in hiding, of the governments and ruthless sciences designed to invade, to blaspheme the name of knowledge, with no regard for the safety of this people.

Draxum could live with being an outlaw to the Yokai if his experiments would lead to their salvation. He may be their villain in today's papers, but in history books he would be a hero.

Still, he wished to amend some of his practices. Even if only to his turtles, he would be known for his ability to change and understand. He would be fair, and he would be truthful.

And so it was that he told the turtles the nature of their existence. Perhaps he muted some of the details, to protect their minds until they had more understanding, but he would not lie to them about their DNA. He told them of Lou Jitsu, and their human genetics, and he begrudgingly allowed them access to the culture of the humans. He would let them choose their interests unbiased.

In the process, he came to know of some of the revolutionaries of human history. Though he wasn't particularly inclined to believe there were no evils involved, he was intrigued by the strange moral code that the humans boasted from their different time periods. The turtles, as well, were fascinated by the stories of war heroes and generals, seamstresses and inventors, artists and royalty.

Initially, when it came time to redesignate his turtles, Draxum had been inclined toward the names of those whose legacies persisted in the humans' culture even today- perhaps a president for the slider, a scientist for the softshell, a great general for the snapper, and an artist for the young box turtle. It seemed, somehow, clandestinely right; carefully considered to exemplify each of their personalities.

And although he had begun to get used to the possibility of names like "Monroe" and "Edison", his indecision on the matter seemed to be working against him. He was taking too long, and the boys were growing smarter.

It was a day in August, later that year, that he found his two youngest arguing over a Renaissance book, oddly enough. The elder two took to a game of knocking "secret patterns" on each other's carapaces, which he dismissed before he could allow himself the confusion that came with wondering why a five year old would want to knock on a spiked shell for fun.

After breaking up the fight and confiscating the book (which, as it turned out, the youngest only wanted because it had pictures in it, much to the chagrin of the other, who insisted that reading it was much better than just looking at the pictures), Draxum found himself idly flipping through pages of rustic images and rudimentary ideas, developed by people with strange names.

Maybe he was simply too tired to consider it properly, but, feeling defeated in his endeavor, he chose four names at random and assigned them to the young turtles, deciding it had been long enough.

It took a while to get used to, but soon "Raphael", "Leonardo", "Donatello", and "Michaelangelo" truly fit.

Over time, the boys grew... ravenous. They devoured everything- food, information, technique. They were learning quickly everything Draxum taught them. They practiced with Huginn and Muninn, leapt up, around, over, and through everything in the lab, and took special interest in action-filled films.

And Draxum grew fonder. He wasn't entirely surprised, of course; it's natural to develop some sense of sentimentality when caring for anything this long. Even if they had been the simple minded turtles he expected, he knew this was inevitable, to a degree.

What startled him was the sudden sense of fear that came with watching them train. The alarm that made his heart beat harder when one of them fell from somewhere high or any time they ran simple drills with weapons not blunted and made from wood.

He subtly began to intensify their defensive strategies, taught them where they were most vulnerable so they could protect those spots, insisted on perfecting their abilities to parry, block, and dodge before anything else.

And, over time, he found himself training them less often than before, thinking, "I must preserve their innocence and prolong their childhood experiences". After all, it was an essential part of development, was it not? If it were tarnished too much, they might become unwise or unjust as warriors. And, really, Raphael was only 8 years old, and he was the eldest; they were much too young to be exposed to the harshness of what their combative training was really for.

He told himself that, time and time again. He told them that, making certain they understood that their training was not a game. It wasn't untrue, certainly.

Really, he just wasn't ready. He wasn't ready to admit to what extent he cared about them, because it was too much. It was more than he could ever have been prepared for. It was more than that passion to protect Yokai kind ever was, and if he ever realized that, he might become the compromise to his own purposes, to the very reason these turtles exist this way to begin with, and then what? What was he to tell them, why was he to train them, who did they exist for if not the inhabitants of the Hidden City?

No. He couldn't do that. He simply would not allow it, not when so much was at stake.

And yet...

More and more often he desired simply to watch them. He was growing weary with worry, and with that tight feeling that arose in his chest each time one of his boys so much as frowned.

Raphael loved to carry his brothers on his shoulders. And he prided himself on being the big brother, in every way. He liked repeating instructions Draxum gave to the others, and tended to play caretaker anytime someone was sad, or had a bruised knee. He often played the "bad guy" in their made up games so the younger ones could "win", he was the mediator in big decisions, like what book they should read before bed, and he seemed always ready with an armful of stuffed animals when he wanted to express affection. So strong, incredibly strong, but soft spoken and sweet.

Leonardo adored Raphael. Just as Raphael did Draxum, Leonardo liked to imitate and repeat instructions. He tended to take charge in many of their childish endeavors, and had a propensity for dramatics and heroism, often pretending to rescue his brothers. This seemed to irritate Donatello to no end, unless he was also playing the hero, and often times he was. The two were usually glued to the hip, though Leonardo liked to make a point to tell all his brothers about everything that went on, and would take a movie night with the three of them over a one on one outing with Draxum any day. He was exuberant and joyous, and very driven by the concept of justice.

Donatello, similarly, seemed to care very dearly about maintaining a bond with all three of his brothers, but he was peculiar, often more reserved and enjoying his alone time. That child read and read like he might never get a chance to again, and he absorbed what he read like a sponge. Quite a few times Draxum found him pulling apart whatever he could get his hands on, and though an effort was made, there was no hiding place the boy couldn't discover in his quest for Draxum's tools. In spite of his quizzical, sometimes stoic nature, Donatello was sensitive, and very thoughtful. He would spend hours talking about his books and his ideas- some of which were very clever- and he was expressive in secondary ways- sitting nearer his brothers even without interacting, crafting things out of paper as gifts. Even the little heart-shaped mark on the back of his soft shell seemed a fitting part of him- he wore his heart on his sleeve, so to speak, and didn't even realize it.

And Michaelangelo. There was an innocence and joy and goodness about the smallest turtle that had struck Draxum. Even when he was younger he always wore a smile and liked to see the good side of things. And he idolized his brothers. With him had grown his creative inclinations, filling every colouring book, drawing on every wall, and absolutely plastering the other turtles with stickers. They were a pain to wash off, but Draxum couldn't bring himself to mind it, especially given the elder three always loved their baths. Ironically, it seemed Michealangelo did not, enjoying it only under specific circumstances. Heat, bubble bath, and bath toys had quickly become a necessity. So too did bath crayons, the need to express himself coming through even when bathing. Everything about the ornate box turtle was bright and colourful.

Draxum... loved them. Dearly. Every facet of their personalities and growth. Every unique trait and behavior.

It was terrifying. He couldn't afford to love them. He couldn't afford to see any more goodness in the humanity they showed. He couldn't afford to change his goals right now.

So he continued disregarding the feeling, trying to reason that everything he did for them was to nurture their instincts as warriors, as science experiments, as specimen.

But a pained scream one day, different from any of the ones he heard when they were frightened as infants, when one of them tripped and fell, when a spat led to hitting, sent his heart into his throat and had him racing through doorways with more urgency than he had felt for anything before.

He had demanded an explanation, panic translating to perceived anger, and three of his boys looked up with teary eyes. Three, but Donatello remained curled up on the ground, wailing his little heart out without ever looking up, and it was one of the most heart wrenching, painful sounds Draxum'd ever heard.

Raphael sat not far from the smaller boy, looking over his shoulder seemingly at nothing, at Donatello, then up at Draxum and back again. Both Leonardo and Michaelangelo burst into frantic, panicked explanations, none of their words coherent enough to understand through their tears.

When Raphael stood, exposing red-tipped spikes on his shell and pointing frantically to Donatello's, it didn't take long to figure out well enough what had happened.

It became quickly a very long day. All four turtles were distraught, and though Draxum had more than enough first aid knowledge to address the situation, bile had threatened to rise the very moment he pulled out the suture kit.

The cuts were deep, and jagged. And poor Donatello cried the entire time, even after a numbing agent had been applied.

Draxum had never thought that in depth about Donatello's soft shell. Not like that. He chose a softshell for the experiment because it would provide greater flexibility, greater agility. It gave an advantage that the hard-shelled turtles did not have.

Now, here... The soft carapace, spongy and leathery and bloody...

It was an accident. Of course it was, Draxum never doubted that. He had to assure that none of his boys were in trouble, no one was in trouble, no one had done anything wrong.

But for the first time he had to be honest with himself. For the first time he couldn't deny how much he cared about the turtles. His turtles. His boys.

He wouldn't, either. If this was what it was, if this was something that could happen again because he insisted on making them into warriors, into fighters- if this could happen on purpose, if this could happen worse, if this could happen with malice and hatred in mind...

Draxum wasn't unused to physical affection, by now. All four boys adored hugs, although Donatello was usually more reserved about them. Now, Donatello clung like his life depended on it, sniffling and whimpering, having cried so long he had no more tears. Draxum clung back, idly smoothing over the edges of the bandages, holding the frightened, exhausted turtle to his chest, cradling.

He did so until well after Donatello fell asleep. He couldn't bring himself to put him down. He accompanied the others to bed, assuring them once more that things were alright, and then simply stood in the walkway, holding his boy tightly.

He couldn't do this. He couldn't go through with it. They were children, every bit as innocent and deserving as the Yokai he wished to avenge and protect. He could train them, prepare them to protect themselves, but he could never send them into battle, ask them to put their lives on the line, much less demand it.

How could he?

It took months of processing, of agonizing his way through the healing process with Donatello, of watching the other boys proving their humanity, their curiosity, and their innocence time and time and time again. His mind was constantly at war with itself, his heart constantly in turmoil and distress, worsened by the turtles' confusion at his sudden change in behavior.

What was even worse was that they would.

They would absolutely sacrifice everything they had for his approval, and for what they understood as "right". He could see them, easily, being willing to submit their very lives to a greater cause if he asked it.

But was he "right"? Even if this experiment had gone exactly as planned, was he right for ever considering putting these turtles into the station of a warrior? Even if they had remained turtles in mind, if they never expressed complex emotion, if they could not speak, if they did not have distinct and colourful personalities, would it have been right?

Was what he saw in them now what they would have been at heart, regardless of circumstance?

Or was it the humanity, that he stole from Lou Jitsu?

Perhaps... perhaps it was time to learn. To consider the root of his motivations.

He couldn't do this to them.

How could he?

[danmeichael]

"shen qingqiu is a liar who is lying about his feelings so we can't ACTUALLY tell how he feels about anything"

so you admit that you can tell he is lying and by extension you can actually discern what his true feelings on the matter are and that he's just unwilling to admit to them.

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)

[princess-of-purple-prose]

Fish, 7 (For your prompts! ❤️)

Hi, anon!! Thank you for the prompt, you were the very first one to send one in! 7 was, again, the wildcard, so I randomly generated a different number to land on Yue Qingyuan (from Scum Villain)! I have no choice but to dedicate this to @bytedykes, because I told her about this prompt and she said “yqy pet fish mental health speedrun” and we went, uh, a little insane about it. Enjoy some yuefang, folks!!!!

“Mu-xiong,” Yue Qingyuan says. “I’m sorry to bother you. Are you available?”

“Yue-xiong is never a bother,” Mu Qingfang says warmly. “And I am, actually, yes. Is everything okay, Yue-xiong?”

“I think I need help.” A bit dramatic, perhaps, and Yue Qingyuan hates to trouble Mu Qingfang on a rare day off, but Yue Qingyuan and impulse have never been the best combination, and he would appreciate a second opinion.

Mu Qingfang’s voice turns hard. “Where are you? I'll come right away.”

“What—?” Yue Qingyuan stares at his phone like the blank call screen will tell him why Mu Qingfang suddenly sounds so serious. “I'm at home, but—”

“I'll be right there,” Mu Qingfang says, and hangs up.

Yue Qingyuan stares at his phone for another second, then lifts his gaze to his sparkling new aquarium. His new betta, white and black and resplendent of fin, stares back. Was his crisis of faith about his viability as a fish owner really so deserving of such urgency…?

—

“So,” Mu Qingfang says. “This was your emergency?” He looks about as unimpressed by the betta as it does by the two of them.

Yue Qingyuan feels obscurely like he’s being scolded. Mu Qingfang is one of the nicest men he knows, but that just means that his censure takes the form of a blunt instrument of mass disappointment.

“In my defense,” he points out meekly, “I didn’t say there was an emergency. Mu-xiong just assumed.”

“That’ll teach me,” Mu Qingfang huffs, but at least he looks amused. “Yue-xiong should get used to asking for help more so this gege doesn’t have to panic every time he does ask.”

Yue Qingyuan’s mouth almost drops open. He can only hope his cheeks aren’t as red as they feel. “Er—well, I asked this time, didn’t I?”

“You did,” Mu Qingfang allows, looking something horribly close to fond. Yue Qingyuan swallows and tries to hurry on.

“So—not an emergency, but I do want your opinion,” he coughs out. “I’m having… doubts. About the fish.” Mu Qingfang’s eyebrows contract. Yue Qingyuan rushes it out. “Do you think I should keep it?”

“Yue-xiong…” Mu Qingfang looks politely incredulous. “Why does my opinion matter? The fish is already yours, isn’t it? If you don’t think maintaining its upkeep will be feasible, that’s one thing, but… Surely Yue-xiong did the research before getting it?”

He doesn’t sound judgemental, but Yue Qingyuan feels his cheeks warm. “I did, but I wasn’t planning on getting a fish; I was only admiring the tanks. There was a salesperson who was… very insistent.”

Mu Qingfang regards him doubtfully, which is fair. Yue Qingyuan towers over most people he meets, and his bulk only further adds to the impression of immovability. It’s only when he opens his mouth that it becomes clear how spineless he actually is.

Yue Qingyuan falters. “I had thought… I thought it might be nice.” The bettas had seemed so majestic in their tanks, iridiscent monarchs of false grass and plastic coves, and Yue Qingyuan had thought, wildly, that one might be rewarding to keep, might breathe a touch of life into his immaculately sleek living room. The whole affair hadn’t even been expensive by his shiny new standards, forget difficult to physically arrange. It was only when installation and set-up for his new aquarium had finished and he was left to watch that jewel-bright being swim disaffectedly through its new home that doubt had seized him, all-consuming and black. He had, admittedly, panicked a little after that.

(Yue Qingyuan’s apartment is very large, and very clean, and very empty. It holds the barest amount of decoration and muss to qualify as lived-in rather than a snapshot from a magazine ad. The fish may, in fact, be the only thing in the entire place which really qualifies as his. No wonder Yue Qingyuan wanted to jettison it from his life as soon as he got it.)

Mu Qingfang’s expression hovers between concern and simple confusion. “I’m sure Yue-xiong will be a more than adequate caretaker,” he says, more gently than Yue Qingyuan and all his neuroses probably deserve. “What’s this really about, Yue-xiong?”

Ah. There it is. Being the mildest person of Yue Qingyuan’s admittedly sharp-tongued social circle doesn’t preclude Mu Qingfang’s wit from being as keen as the scalpels he works with.

“I don’t…” Yue Qingyuan falters. How to express to Mu Qingfang how manifestly unfit Yue Qingyuan is to care for any living creature at all? He changes tack. “I think he hates me,” he admits dolefully.

Mu Qingfang stares at him for a long time, long enough to imply that he’s reevaluating certain opinions about Yue Qingyuan’s intelligence. “Yue-xiong, with all due respect to your new pet—it’s a fish.”

“Fish have emotions!” Yue Qingyuan argues. He flushes at the volume at which it comes out, and at the way Mu Qingfang’s eyes go wide-eyed in startlement. But the salesperson had been very insistent about that, as well. “Bettas are intelligent animals. They dislike certain colors, apparently, and they’re very sensitive—ah, to environmental disruptions, that is. And—”

Mu Qingfang’s eyebrows are still high, but his face has relaxed into a smile. “It sounds to me like you like it quite a bit already. Isn’t that reason enough to keep it?” His tone curls with sudden mischief. “Have heart, Yue-xiong—you’ve hardly known each other for a day! Give it time to adjust to you, and I’m sure you’ll win it over as surely as you do everyone else.” And he grins, sure and easy in his trust that Yue Qingyuan won’t fumble and shatter something so small and monumental as a life that he could cup in his palms.

While Yue Qingyuan is still dazed by that, Mu Qingfang’s eyes alight with interest. “Ah, Yue-xiong—what have you named it?”

“...”

Mu Qingfang’s face falls as devastatingly as it had lit up. “Yue-xiong…”

“Mu-xiong is aware that I was unsure of whether or not I’d keep him!” Yue Qingyuan is terribly aware that his ears are now heating up to match his cheeks. Mu Qingfang’s ensuing laughter does not help with that matter.

Yue Qingyuan is not very good at holding onto things. More often than not, he makes a mess of whatever he’s set his clumsy hands to, lets it fall right through his scarred fingers. But Mu Qingfang’s words ring through his head: Isn’t that reason enough to keep it? And, well, isn’t it? Surely Yue Qingyuan is adult enough to follow through on this. Maybe happiness can be look like his new betta swimming up to the tank to observe the new colorful form moving in front of it, can come as easy as Mu Qingfang quipping that his knowledge about fish is clearly lacking and vowing casually to read up on bettas to be a better fish uncle.

Yue Qingyuan buries a smile and walks over to let Mu Qingfang know that bettas can be trained to follow fingers around. The betta’s clear preference for Mu Qingfang over Yue Qingyuan is as good a marker of intelligence as any fun fact the pet shop worker could have given him. Yes, Yue Qingyuan thinks with a smile—he thinks he’ll be keeping this after all.

[yourgamemasterthewhiterabbit]

Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.

I don't have external meltdowns.

I could. I don't let it happen.

I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.

So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.

She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.

Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].

It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.

They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.

I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.

I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.

I couldn't understand what made her like this.

But it's the same problem I have with everyone else multiplied by a factor of 10.

If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.

And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*

And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?

My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.

Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???

And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.

I couldn't figure out what made her *like this*

She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.

I am going to be the quiet calm one. You are going to have to let me use my words, bitch.

So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.

But I told her hundreds of times.

I probably should have just screamed at her.

[wildflowercryptid]

messed around some new brushes so here's a bunch of dg doodles, (feat. two of the characters from one of the fancase ideas i've been muddling over.)

— credit to @whisperingrockers for harrow's fantastic design once again!

[thedailydescent]

I really don't buy the opinion that Louis hated becoming the "dom" + businessman in Paris. You can tell in that scene from 2x06 when he brings in the art piece to Armand's office he's entranced just talking about it and its potential. You all took Lestat's "All these roles you conform to and none of them your true nature" to mean he hates working/making money/providing for others in any capacity and just wants to be a submissive housewife (although we can see in Season 1 that the only thing keeping him happy in that role was Claudia- once she was gone or when Lestat became abusive towards her he hated it). Don't many housewives hate being housewives? Do businessmen always like the work? Louis likes being cared for and seen but he also likes having autonomy and projects to work on- money made by selling artwork fulfills that need. And Armand's supposed acceptance and submission in that 2x06 scene contrasts with Lestat's attitude towards Louis's work in New Orleans ("I have all the money we need" "This is Louis's hobby, not mine"), so that also plays into it. If Louis's making the money and taking charge in the bedroom, he can at least have the illusion of control.

Louis still doesn't know who he is at this point so saying he only likes being in certain roles (he's either a "violent pimp" or a passive wallflower who only likes to bottom, neither of which are true and the former being a really racist statement) contradicts his overall arc in Season 2. And the sad part is he still hasn't found it by the end of the season because he's found himself stuck with another abusive partner with his last tethers to humanity cut off. But saying he was forced into trying these new things out in Paris or has always despised playing the "Maitre" role throughout the duration of their relationship (for reasons other than when Armand tries to take back control while he's performing it, which is why it doesn't work in the first place), is a stretch in my opinion. The only conclusive thing we can make about Louis's preferences is that he hates when things grow stagnant. He can't play one role for too long, otherwise it gets boring.

[alsojnpie]

today's mood

[tricksterlatte]

I've always been fascinated by fandom history, and I know I'm not the only one. It's interesting to see how fans of pop culture can create a culture of their own, and in the modern age of social media and the internet in general, that culture is as widespread as ever. Unfortunately, that also means downsides are becoming bigger as this culture becomes widespread, and it's saddening to watch, maybe even concerning.

I don't discuss these things to be preachy, especially considering how I've fallen into several of these pitfalls before, and have perpetuated some of this behavior in the past. To say otherwise would make me a hypocrite and a liar, and I firmly believe this goes for most people in any fandom. I was just thinking about this recently, and how a lot of the biggest stressors in what should be our stress relief really can be pinned mostly into a few central talking points, which I would love to discuss to know if I'm not just going crazy here

The concept of Big Name Fan has evolved into a position of authority on fandom, which does not fall to anyone regarding subjectivity. No one in a fandom is an authority except the creators themselves, who have every right to stay away from the fandoms they have birthed.

Popularity in general being conflated to intellectual authority as well, especially on websites with public stats, particularly following counts. The algorithm is no benevolent god, but people will sometimes see someone with 30k followers and think they are correct on a minor non-issue that has spiraled into discourse, especially when compared to someone with 30 followers. This also is just...a bummer when fanon evolves into perceived canon, and newcomers to the fandom can't post even innocuous meta or headcanons without it being perceived as morally/intellectually incorrect.

Monetization of fanworks, but especially zines, have led to a hypercompetitive atmosphere that only escalates the bitterness and resentment. This is not a universal problem, but many zines across all fandoms habitually accept the same artists and writers, or diminish the value of fanfic due to the limitations of physical printing. The application process has devolved into such a disheartening debacle for a majority of people I see, and the way it is often framed as "your work just wasn't good enough" when it's really about what the mods deem mass marketable will destroy just about anyone's self-esteem after repetitive rejections, and will give some frequent zine runners a false sense of final say over the community (not usually, but it can happen).

The level of distrust for anyone new attempting to start a fan project is just so depressing nowadays (and this one we sadly can blame on a few people by name, but the ones who have sent this issue spiraling still don't care and that just sucks. I feel horrible for everyone who has been tricked).

Somehow comment and anonymous asks have gone backwards from "don't feed the trolls" to "suck it up, at least you're getting comments." I have seen some of these comments people have been told to suck up. It's not okay in general. It's particularly gross when it's an anonymous hate message unrelated to the fanworks themselves, perhaps born out of resentment or bearing an ulterior motive. And some will even attack and defame character due to identity. It's not subtle. It's not okay. People should absolutely be dunked on for this, and I gotta say I'm sick of unsolicited concrit being enforced as positive either. If they didn't ask, don't give it. There's a reason a lot of fic writers some people adore suddenly go ghost, and they can't even talk about it.

Don't like, don't read has been discarded in favor of don't like, tell others don't read and also don't write. Transformative works don't have to fit into a canon or even in character mold. That's why they're transformative! It's a different type of artistic expression. If you don't like it, chances are good it simply wasn't meant for you. It's not bad. Don't shame others, god especially not for non-issues such as a t/b preference or a different gender hc, preferred haircuts, types of animal you imagine them as in another lifetime, I could list literally anything here and I bet there has been a fandom fight over it.

Exclusive yet publicly advertised community Discords that will bar you from invite if you're not one of the cool kids. I have unfortunately fallen into this trap before, and refuse to ever enable or endorse that behavior ever again. This isn't about friend groups either, it's about fandom-dedicated servers that flaunt themselves as a VIP club instead of what they are: a friend group. I also don't even know how to broach the subject of private accounts that turn into fandom tea accounts with dozens if not hundreds of followers, only for people to be angry if someone isn't exactly okay with horrific stuff being said in general, let alone about their mutuals or friends.

I know none of this will likely ever change, and tbh i'm so tired of it all, but...does anyone else know what I mean? I'm stressed out whenever I try to enjoy myself, because popularity and a strange business mindset is steadily taking over fandom spaces. I'm not saying people should stop trying to make stuff that sells, or that people universally do any of this, but fandom is evolving into a thing I'm not sure is good. idk anymore

[pardonmydelays]

ok, so i just listened to "loom" by imagine dragons, and i'm sorry but i only like three and a half song

[nostalgia-tblr]

I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.

[b4kuch1n]

more sk8. I think the cindereki stuff is extremely stupid but I am not immune to trying to conceptualize a princess gown in any setting