#i am sort of trying to

[obsob]

i am a being capable of immeasurable love and whimsy print!!

[chalkrub]

art trade from last year i forgor to share - had soooo much fun with this character

[numbuh424]

Day 6 & 7 of @dnrarepairweek | Prompts: PROXIMITY & JUDGEMENT

We interrupt this showdown to bring you an intervention ft. Near and Light who have a serious discussion about where their colleagues' priorities lie.

[spoopdeedoop]

Hey! Ive been drawing for awhile yet i still dont like my style. Do you have any tips? About anything. Atnatomy, Hair, Dymanic Poses, Faces. Litterly anything please i beg of you😭

AHHHHHHHHHH AAAAAAHHHH

[spacebubblehomebase]

Hello, my fellow DC fans! Miss me? 👀✨

Back at it again with some Supersons! I've always wanted to draw an evil Jon and while their pose above may seem quite forward, in my head, they're just a hero and a villain with no history and no future. Doomed enemies if you will. It's funny how much more tension they have here because of it than when I actually try to draw them as a ship. I blame it on my asexual ass confusing intimacy. To think I actually finished drawing this just now too! The power of delulu has returned stronger than ever, bae-bee! XD -Bubbly💙

[zubzooks]

hi it's 4am i've been messing around with the same drawing of loop for the past couple hours.

here's a ton of more variations under the cut:

here come some spooky shadowy ones (inspired off of some of the other shadowy portraits ingame)

this last one is my personal favorite i think

[sleepgarden]

Wrought Iron ✢ Handmade Choker The design was inspired by gothic wrought iron fences. I tea dyed both the lace and cotton twill backing to match the cream needlepoint thread ^^

[egophiliac]

IT WAS ERIC AFTER ALL!!!! I'm so glad we got to meet him (before Vil snaps him away with those Infinity Gauntlets) (can't wait to see what happens when we get the matching Infinity Tiara to go with them, there will be no survivors)

(sorry to be so slow/rough lately, just got a lot of stuff on the ol' brain at the moment! alas, if only I could spend all my time drawing incredibly stupid characters I mean I do but)

[strongermonster]

went for brunch in the gay part of town, and while i was waiting some random woman walked up to me and complimented my curls/ponytail, and then she said "i would love to see you with your hair down sometime. maybe tomorrow morning?" and then tucked her phone number into my bra strap, winked, and walked away.

like hello? hello?? miss, ma'am? i'm in an absolute State¹ right now

[greykolla-art]

Had a bit of a hard day, but I still wanted to draw something, so here’s some cold hugs!🙏💕

(But If I’m drawing that means I win, not the problems✌️)

[ellifromspace]

these are the murderbot artworks Tommy Arnold did for the Subterranean Press omnibus editions of the series, and a photo of Kevin R. Free, who narrates the murderbot audiobooks. when fans complain about the casting for the tv show, there is a very real basis for it in these past official/canonical aspects of the book series

[nyancrimew]

[ganondoodle]

(WIP)

a rough basic idea for a centaur character i have had floating around in my head for a long time, it doesnt fit with my main OC world but wouldnt call this another project bc its literally just "what if centaurs bc centaurs kinda cool" with little story or worldbuilding other than its all centaurs lol

(the only background is really a vaguely noble couple wanting to hire a new soldier/guard after their previous one is retiring but not being able to afford any highly valued ones (build, color, training- the kind of things horses are often priced with) so they opt for the cheapest to hire they can find which is this enormous draft centaur (vaguely based on the blue roan coat type) that no one wants bc he doesnt talk and never really responds otherwise to being talked to (so he dumb haha (he isnt)- to be clear he DOES what he is told but he doesnt like, sign an ok, he just "stares" and then wordlessly does it), doesnt have any well known parents and is too big to fit comfortably in most buildings, also a little unkept (mostly just in his fur looking pretty rough, not caring much for treating scratches etc- though its not that clear in this sketch)

over time said couple both falling for him, completely seperately/not aware the other also has, bc they actually started to get to know him instead of just going with what he was "sold" as and treating him accordingly (badly)- leading to him being caught in a very awkward "triangle" he doesnt know what to do with and just goes along with everything (hes very calm and stone faced in public but privately socially awkward, always been extremely lonely/isolated and never had to deal with any sort of interest in him as a person instead of just how much he can pull/work until collapsing)

[journey-to-the-attic]

uh oh

[puppetmaster13u]

Prompt 131

Okay, so first of all Dan would like to say it’s not his fault. Ellie was the one to bring some unknown object into the speeder and Jazz was the one driving. Or had Sam been driving- didn’t matter! It wasn’t his fault, he wasn’t the one shooting at them, he wasn’t the one to break whatever, he was not the one to open a stupid portal, and so it wasn’t his fault! 

So why is he now like, five years old, and why is the speeder crashed in some sort of corn field. Why is everyone- except for Jazz whose now like six- also like three at most?! And- oh fuck the door just opened and… okay that’s a kid. Like, nine at most. 

A kid and an adult, who he hadn’t noticed at first so again, it’s not his fault if he hissed at them and tried to hide his not-siblings behind him. It’s also not fair they’re apparently stuck to ghost speak for who knows how long, but at least they can understand the people. 

“Martha, get some blankets, it’s happened again!” 

[wardensantoineandevka]

Yeah, I think at the end of it. I get, understand, and agree that the narrative moment we're at is "Bells Hells, feeling they don't have the resources to fight Ludinus a second time today and still uncertain about the central question of what is to be done about the gods in Exandria, move toward Predathos in an attempt to control a situation they feel is inevitable. Imogen feels she has to make the choice to accept it into herself because Predathos is still moving toward her and the Ruidusborn, tragically boxing her into this because she feels she has no other meaningful choices." Great, amazing, I totally understand this, and it is a natural beat and one that coheres as a culmination of the campaign. It's actually a pretty great beat in summary.

The frustrating thing ultimately feels to be the execution, because it constantly feels like the story is meandering from beat to beat after an incredibly long series of meanderings over the course of the campaign. It's ultimately fine the characters feel uncertain, but the storytelling itself feels uncertain as well about what it is doing and that is less fine. Every decision is made with a sort of timid "I suppose that's the thing to do, I don't really know" at the table level without a very clear sense of what they're moving toward narratively, and that's really more of the problem. It's undercutting what is otherwise a really great direction.

Decisions don't feel like they have teeth because the storytelling is so hesitant about whether it's the right direction to take, so the needed feeling of stakes, inevitability, tragedy, suffocating circumstance don't exist in the way they should to give what's happening the needed sense of clarity. It feels like we're all moving through a bog in a not fun way because the story itself isn't sure what it's moving toward even in a sense of vibes or structurally. moving confidently and toward a tragedy in a sense of trapping the characters and cornering them would've done wonders, but instead it kinda has the feeling of trying to unroll a carpet dramatically and it just kinda slowly stops. Like, it's a slow drift down a lazy river instead of feeling dragged out with the tide.

It is a really great beat to have Imogen accepting Predathos because she feels she doesn't have any other choice in the series of pressures occurring right now. But, the pressure doesn't really feel like it exists because it all feels disconnected from the moment or too gently / abstractly applied or too slow to be framed, and the inevitability aspect doesn't feel like it's quite standing because narrative inevitability comes from momentum and strong storytelling intent and purpose, and it's never felt like this campaign has had that. The storytelling is hesitant and uncertain, so the tragedy doesn't quite come through on experience of the moment, even when it does come through in summary.

And that's more the frustrating thing. It's a good beat executed a little too uncertainly. The choice itself for the character is a good one, but it — like much of the campaign — feels like it lacks a storyteller trust in the narrative or trust in the choice itself to make it really feel satisfying as an execution. I genuinely wonder if that's ultimately what I'm bouncing off of, the fact that it doesn't feel like the table is trusting in the narrative or trusting the choices they're making for the story or trusting in themselves and each other to carry through the story they’re telling, so the intentionality and purpose feel off and it's stripping a great beat of its power by making it feel hesitant at a narrative mechanics level.