#i can just think of so very many examples of this

[pangur-and-grim]

I'm looking into getting a purebred cat for the first time because I've developed allergies, and it's such a different world from my niche corner of dog breeding, I'm so lost How common is it for cat breeders to focus on temperament over conformation? I've shown a dog and been to many shows, and am working on a breed in development. I'm uncomfortable with a fixation on "correct" appearance versus a heavy focus on what an animal's quality of life is and what they're like to live with If I'm paying more for a kitten than I charge for a puppy I want to know the breeder has done a lot of handling and enrichment, grooming conditioning (for relevant breeds), and pair their cats for temperament strengths and weaknesses, not just conformation. What should I look for on a breeder site/what should I ask without sounding rude? I also have seen a couple breeders advertise a health guarantee including FIP for one year, and I'm wondering how that's possible. Can you really guarantee against it? I'm so sorry you and your gremlin are going through this, it sounds like a rollercoaster!

it's difficult to answer your first question! cat breeding seems more…..casual in terminology than dog breeding, if that makes sense? 

with temperament, there’s a stereotype for each breed (Bengals = active, Siamese = yowly, Ragdolls = angelic beings, etc). breeders often have a page on their site explaining their idea of what the breed is (the ideal appearance, personality, and so on), and then a section with their breeding cats, with blurbs for each one. and they usually also have social media, where you can see how these cats slot into their lives.

if you’re from the states, be VERY WARY of breeders who cage their cats! that’s more of a cultural norm there, and personally, I prefer breeders who treat their animals like family members and live alongside them.

here are two examples of breeders who go above and beyond: Praticalcats and Trillium Devon Rex. their sites give away how obsessive they are about their animals - all the articles on Praticalcats, and all the genetic testing on Trillium - and I would feel comfortable recommending them to anyone who asked.

as for over-emphasis on a “correct” appearance – for each breed, there will be a certain look that’s a red flag. Devon Rexes that are too brachy, Maine Coons that are too large, Siamese that are too spindly, etc. if you do enough research on your breed of choice, you’ll start recognizing it. the cat will look more ‘special’, and more ‘like it’s breed’, but it’s an exaggeration at the cost of other qualities.

for specific questions like what handling they do, whether they’re conditioned to tolerate grooming, and how the cats get paired with buyers, most of the time you have to contact a breeder to ask that. there should be a mini job interview before any money changes hand, where the breeder grills you, and you get to return the favour. if a breeder skips this, I’d consider that a major red flag. and don’t worry about sounding rude, a good breeder will be delighted that you care so much about all of this!

and now, the guarantee against FIP – what are they guaranteeing, exactly? it might be a guarantee that they’ll replace the kitten if they develop FIP (the contract with my breeder had a similar clause). but if they’re guaranteeing that any kitten from them won’t develop FIP, then that’s nonsense. basically all young cats get exposed to the feline coronavirus that causes FIP, and whether they develop it or not is just a lottery gamble. I'd be suspicious of any breeder who claims that their kittens are exempt from this.

anyway, I think I've answered everything. hopefully that was helpful, and not just me rambling!

[kelaeri]

The Many Languages of Dick Grayson

Apparently, according to Nightwing #54, he can speak 12, so I went on a little quest to see just how many I could identify.

Starting off with The Essential Batman Encyclopedia, the entry for Dick Grayson lists him as being trained in French, Spanish, Russian, Japanese, Mandarin, and Cantonese with having some proficiency in an unknown Romani dialect. Given there are multiple examples of him speaking these languages throughout the comics, I am inclined to trust this claim. To start, we've got several examples of French (Gotham Knights #14, Detective Comics Annual #12, Nightwing #73, Grayson #10-- also featuring Spanish)

In Grayson #1 he speaks Russian only briefly, but in Detective Comics #36 he speaks it throughout.

As far as the Chinese languages go, while I believe Dick can speak Mandarin and/or Cantonese fairly well (Batman/Superman World's Finest #3), his Hanzi recognition and literacy could use some work.

Similarly, when the Titans head off to Japan in Titans Annual #1, we have Nightwing speaking Japanese in battle; however, when it comes to the prospective job of being a manga translator in Nightwing #125, he claims he doesn't know Japanese, which leads me to believe he is only proficient in speaking Japanese/Chinese and struggles with the writing systems.

So what about the languages not covered in the encyclopedia? To start, we have another romance language: Italian (Nightwing #72).

Followed by some alleged German (Nightwing #51, JLA #44)

And conversations in Farsi (Robin #175)

While I've seen some Tumblr and Reddit posts claim he knows Kikuyu, The Power Company: Manhunter #1 only says he "brushed up" on his Kikuyu before going to Kenya, so it is unknown how much of the language he actually speaks, but to me it doesn't seem likely to be a lot.

He also, to some unknown degree, speaks Tamaranean-- at least enough to hack into an alien computer (Action Comics #842).

As far as unspoken languages go, Dick is fluent in ASL, which is proven numerous times when he communicates with Jericho (New Teen Titans 1984).

And lastly, the two languages that remain rather uncertain are Romani and Cant-- largely due to the nature of the languages themselves and their representation in comics. "Romani," for instance, has several different dialects, and when Devin Grayson introduced it for Dick (Gotham Knights #20-21, Nightwing #91), she never specified which, and based on the lines she wrote, her research into the language was questionable at best. Writers since have recognized Dick's Romani heritage, but have not otherwise suggested he retained much of the language to be considered fluent.

Cant is an even wider term than Romani and can be seen as more of jargon for a particular language than a language itself, sometimes even being called a "pseudo-language." The colloquial term for American circus cant is Carny, or "Carny speak" as Boston Brand puts it in Batman: The Brave and the Bold #14 when he and Nightwing encounter a kid who speaks it.

So... this leaves us with 11 languages Dick has notable proficiency in: English, French, Spanish, Italian, Russian, German, Japanese, Mandarin, Cantonese, Farsi, and ASL. And ~3 languages he has unknown proficiency in: Tamaranean, Kikuyu, Romani, and Carny/Cant (if you want to count it).

Maybe memory-loss Dick was including either Tamaranean or Kikuyu in that count from Nightwing #54, or maybe he knows some other language we haven't seen yet. Given how close the family is to the Al Ghuls, I personally think it would be cool if one of them was Arabic.

But anyway, hope you enjoyed this post! A lot I've seen covering this topic are very surface-level and label some of his more iffy languages as "fluent," so I hope this cleared things up. I've read tons of Nightwing, and I swear there are more examples, but sifting through the 1,000+ comics I've read of him is a lot haha. If y'all know of some others, let me know!

[loveemagicpeace]

Neptune & illusion

Here I am describing the things that are confusing and illusory that Neptune can bring. Neptune, the planet of dreams, illusions, spirituality, and the unseen, governs the realms of imagination, intuition, and the subconscious. Named after the Roman god of the sea, Neptune’s energy is fluid, mystical, and elusive, often associated with the dissolution of boundaries and the desire to merge with the divine or the infinite. In astrology, Neptune is linked to creativity, compassion, idealism, and escapism, but also to confusion, deception, and disillusionment. Neptune rules over the realms of fantasy, creativity, and artistic expression. It inspires visions of what could be, often fueling dreams, art, and music.

One of Neptune’s challenging qualities is its association with illusion, confusion, and deception. Neptune can create a fog that obscures reality, leading to misunderstandings or fantasies that do not align with the truth. It rules over situations where things are not as they seem, and can bring about disillusionment when the idealized version of reality falls apart. This planet can also represent escapism, whether through daydreaming, addiction, or avoiding life’s harsher realities.

This planet is associated with addiction, whether to substances, fantasies, or behaviors that allow people to avoid dealing with reality. Neptune’s influence can create a longing to escape the harshness of life, making it easy to fall into patterns of avoidance or self-destructive habits.

Neptune in 1st house- The first house represents your personality, appearance and energy. Therefore, Neptune in the first house will literally be a part of you. Your personality will be dreamy and you may spend a lot of time in your head or in your world. You like to live somewhere else because it helps you not to face reality so much. For example: you are having coffee with a group of people and everyone is talking about a topic, but you are just sitting drinking coffee and daydreaming and you are in your own world. With Neptune here, you turn off the entire reality and the world around you. People find you special, mysterious, dreamy and can often idealize your personality and you. Many people find you as someone who is like from a cartoon, infinite, special. With this placement, you can also manifest a lot because you give an illusion about yourself and your life to others that may not exist, but others believe it. You can become too idealistic about yourself and your appearance. You can fall into too much illusion about yourself. This "Neptunian" persona can be a double-edged sword—while it can make them seem alluring, it can also cause confusion or misunderstanding in relationships, as others might see them as something they are not.

Neptune in 2nd house- you can dream a lot about money, wealth and material things. Here you can be careful who you lend money to or tell them about, because you can run into people who rob you. your inner feelings can sometimes be very strange and illusory, maybe you think you feel a certain way but you really don't. Neptune can create illusions or confusion around money, self-worth, and material possessions. The illusion lies in valuing things that may seem important in the moment but are unstable or unrealistic long-term, leading to potential financial instability or confusion about true self-worth.

Neptune in 3rd house- your thoughts can be dreamy many times. You often feel unaccepted by your relatives and you may also have an incomprehensible relationship with your siblings. Many times very strange things can happen to you when it comes to relatives or siblings. One of them could be weird or have a mental illness or the things you learn about them are very shocking. It can happen to you that sometimes you think that some things are completely different than you thought they were. You can be firmly convinced of something and then find out that it was never true.

Neptune in 4th house-a lot of strange things can happen here at home. A home can be full of mystery and confusion. Maybe when you grow up you can find out things about your mother that you didn't expect. Your mother can be a mystical, mysterious woman, maybe her personality can be covered. You can live in a house where strange things happen and are somehow inexplicable. There’s often a deep longing for an ideal home life that feels peaceful and spiritually fulfilling. The illusion lies in the tendency to escape into fantasies about family or emotional safety, sometimes avoiding confronting difficult truths about their home environment or past.

Neptune in 5th house- your jealousy of your partner can overwhelm you many times. You can imagine things that your partner has never done. You have the feeling that your partner is having an affair with someone else, but this is not happening at all. This placement can be suspicious when it comes to dating and love life. Your partner can also leave your life without knowing it, maybe while you are on a trip. They may fall for unavailable or elusive people, drawn to the dream of perfect love, which leads to heartbreak when the illusion fades. This placement can also blur boundaries when it comes to pleasure-seeking, sometimes leading to indulgence in escapist behaviors like substance use, risky romantic flings, or over-identifying with fantasy worlds.

Neptune in 6th house-you can imagine an illness or think you have an illness that you don't really have. Here you have to take care of your body's health, and it's difficult because you can have a different idea of ​​your body than it really is. Illnesses can come from your subconscious and you can also heal yourself. The idea of ​​a certain body can sometimes confuse you or you have the feeling that your body looks different than it really is. Anorexia can be common here (but it does not necessarily depend on other aspects).

Neptune in 7th house- it can happen that your partner suddenly disappears or leaves your life and you don't even know why. It's like waking up in the morning and your partner is no longer in your apartment and you start looking for them everywhere and you can't find them. As if they disappearance was very unusual and strange. However, since Neptune is the planet of illusions, it is possible to feel that everything in the relationship has always been okay and that the relationship has always been very good, but in reality you may find out that the partner did not like many things. The relationship itself can be very illusory, so you need to be careful not to get too involved.

Neptune in 8th house- can create a fog around emotional depth and intimacy. You may have a tendency to idealize your emotional or sexual relationships, seeing your partners as more perfect or spiritually connected than they are in reality. You might be more prone to fantasies about life after death, the unknown, or spiritual enlightenment, and this could skew your perception of reality. Neptune can create an unconscious fear of betrayal or abandonment, which may lead you to be paranoid or overly trusting in relationships.

Neptune in 9th house-There can be a sense of disillusionment or confusion regarding organized religions or traditional belief systems, leading to a more personalized or eclectic spiritual path. Neptune's influence can blur the lines between reality and illusion. There is a risk of becoming lost in fantasies or unrealistic expectations about education, travel, or spiritual pursuits. One of the primary illusions with Neptune in the 9th house is the idealization of spiritual beliefs or teachers. There can be a strong desire to escape into distant lands in search of freedom or spiritual awakening, but this can sometimes lead to an unrealistic view of the world. People with this placement might experience a sense of "spiritual wanderlust," constantly seeking but never fully finding the ultimate truth they crave.

Neptune in 10th house- You might struggle with finding clear direction in your professional life. Neptune can cloud your judgment, leading to unrealistic or overly idealistic goals. Neptune can cause you to project an unclear image, leading to misunderstandings or misinterpretations of your abilities. There is a tendency to idealize certain career roles or to feel a spiritual calling, but without proper grounding, they can become disillusioned when reality falls short of their fantasies. However, you must be careful not to lose yourself in escapist fantasies or idealize certain roles that might not be grounded in reality.

Neptune in 11th house-You might place your friends on a pedestal, seeing them through rose-colored glasses and ignoring their flaws. Neptune can blur boundaries, causing you to be too trusting or giving in your friendships. Neptune can cause you to be overly idealistic about your hopes for the future. They can easily lose themselves in the needs or expectations of others, sometimes becoming a "savior" or martyr within their social group. Friends may project their own fantasies or expectations onto them, which can create confusion or misunderstanding in these relationships. Be careful of friends which are false.

Neptune in 12th house- You may find it difficult to confront your own fears, trauma, or emotional pain, preferring to avoid them altogether. This avoidance can manifest as addictions or unhealthy habits, used to numb yourself from the emotional intensity of your inner world. You might not be fully aware of your hidden fears or suppressed emotions, leading to confusion or self-sabotage

-Rebekah🍀🧚🏼‍♀️🫧

[1moreff-creator]

Select Two, Choose One: How will the Culprit get Found?

Since the latest DRDT chapter seems to have narrowed down the suspect list to just two people, many have speculated on how exactly the cast is going to pin down the correct suspect, and whether or not the audience has the tools to do so. I thought I’d throw my hat in the ring too! And while I’m still really 50/50 split, there is one piece of evidence that could change the murder method… in a way that points us to the culprit. Very inconclusive evidence, but it’s there. Let’s get into it.

Spoilers up to CH2 EP14. CW: Hanging, murder, blood, Eden and Ace!Culprit discussion

As a starting point, I’ll assume that the deduction that the culprit must be one of Eden or Ace is accurate, to simplify things if nothing else.

I will start with what I’ll call “meta only” arguments. In other words, things that characters can’t reliably use to narrow down the suspect, but that we the audience can take into consideration for theory-crafting.

-Mindset post-Nico murder attempt: Immediately after Nico runs out of the gym, the killer needs to be in the correct mindset to grab the tape, and they also need to be able to more or less figure out what Nico did to replicate it with Arei. Although, importantly, the killer doesn’t need to come up with the full plan on the spot, and they don’t need to fully understand what Nico was doing. At the end of the day, the only real similarities are the general idea of a pulley and a hanging.

Here’s more or less the train of thought Eden might have had if she’s the killer.

Eden: Hmm… The fan is broken and there was wire on it, Ace’s neck looks cut… Maybe Nico used some kind of pulley to hang him and it broke? Maybe I could do that… This tape looks useful for that.

Meanwhile, since Ace woke up in the middle of the murder attempt, he has to do a little less deducing.

Ace: Did I just get knocked- HOLY SHIT NICO IS HANGING ME WITH SOME SORT OF FUCKING SPINNING DEVICE AAAA-! Ooh, tape! :D

The actual planning of a murder would come later in the morning for Ace, once he sits down and has A Thought about it. Grabbing the tape in that context seems insane, but there may be precedent for Ace being prone to stealing the weirdest shit (we’ll get to it), so…

I think both of these are plausible. I wouldn’t say either can be disqualified like this, so we keep looking.

-Ripping/reconstructing the note: The note to Arei was ripped up and thrown into the trash, then Eden, Rose and Whit put it together.

Ace has no real reason to destroy the note, he could have just left it as it was. Maybe throw it in the trash since “it’s what Eden would have done”, but destroying it runs the risk of people not being able to put it together to point at Eden/Arturo. Although, you could argue Ace was trying to frame Nico specifically, so the note wasn’t useful and he threw it away because it made sense in his mind.

Here’s where we get introduced to a pretty big problem of having Ace as a suspect; that thing Teruko said, that sometimes assuming people will always act logically is a bad idea. Ace is the prime example; a lot of shit in this case makes a lot more sense if you assume Ace did it because he’s not smart enough to notice the problems with it. Such as using the method to frame Nico when only a few people in the class know what the method is; he maybe wouldn’t have noticed that that could point towards him as well. Ace is erratic, it’s very difficult to pin down why he does half the shit he does.

Eden, at least, makes sense. By destroying the note, then rebuilding it herself, she throws off suspicion with the exact argument she used in the trial; if she’s the killer, why do that? Just leaving the note as it is runs the risk of someone finding it and presenting it, which removes that argument, meaning tearing it is imperative.

And she would want the class to find it, not just because it makes her look more innocent if she talks about a building friendship with Arei, but because the note is where we get the “7:30” time, which combined with the fish making people think the murder was at nighttime, appears to give Eden an alibi.

In conclusion, the note being ripped makes more sense with Eden as the culprit… but it doesn’t disqualify Ace because he’s an idiot. And speaking of that…

-Fish Paradox: As outlined in my Ep13 murder theory revision, the problem with the fish is that everyone who benefits from the fish being at the crime scene only benefits if they have an alibi for nighttime, but that coincides with the time the fish disappeared, as Nico fed them and counted all of them after having dinner, so they couldn’t have taken it. Meanwhile, people like Ace who could have taken the fish, wouldn’t have a reason to as they don’t benefit from the nighttime alibi.

Except, it’s fucking Ace. It’s genuinely possible he thought people would see fish and instantly jump on Nico for some reason. See the problems that arise when you can no longer assume the killer is acting rationally?

Anyways, inconclusive (we’ll talk Eden later).

-No blood on tape: This heavily depends on exactly how Ace could grabbed the tape. His hands sorta get covered in blood instantly, so it’s hard to imagine he’d be able to do that without staining the entire roll of tape with blood. He couldn’t have easily washed it, either, since he passes out shortly after, and the blood would have likely dried by the time he woke up. This is definitely a point towards Eden, but can the cast use this? I don’t think so, because it relies on what we saw during the episode, which is not easy to prove in a trial setting.

-Dialogue and trial behavior: This one’s difficult, and as you might expect, inconclusive.

I would argue Eden has a higher amount of outright suspicious lines (“Teruko, wait—“ haunts me), but she also has a higher amount of seemingly anti-suspicious lines that make her look very innocent (see: the entire speech at the end of Ep 14).

She also has a moment where she steers the trial in the right direction by denying that Arei could have committed assisted suicide, but it’s worth remembering that if the class thinks that’s what happened and they learn of Eden’s relationship with her, they might assume Arei and Eden worked together to get Eden out. In other words, by denying the notion of assisted suicide, Eden!Culprit avoids the class reaching the right conclusion through the wrong method. Of course, if she’s innocent, it’s just genuine.

Comparatively, Ace operates at a much more stable level of suspiciousness I can only call “Ace level.” He’s constantly throwing suspicion on Nico, who the killer seemingly tried to frame with the method; he kept David and Arei’s conversation hidden; and was one of the first to jump on the “David’s the culprit” bandwagon. In a vacuum, this is super suspicious; hell, Levi was the fandom’s prime suspect for less.

But… it’s Ace. His behavior isn’t too different from the first trial. So while it’s possible he’s doing all this because he’s the culprit, it’s also possible he’s just being Ace.

Impossible to tell, I fear.

-Eden’s Night 2 paranoia: You might recall Eden being very worried someone was following her in night 2, which could suggest she was doing something suspicious (eg setting up the ball of clothes, more on this later) and was scared she’d get found out.

The problem is that there’s a perfectly fine explanation for Spotless!Eden. This is the night after her confrontation with Arturo, and Teruko did enter the same room as her; she could have just been paranoid because of the former, and felt someone was following her because of the latter. Moot point.

(I don’t think anyone else was following Eden because Teruko would have presumably seen them. Then again, I have overestimated our protag’s perceptiveness in the past)

-Eden’s strength: Eden is the weakest of the cast, so it’s very possible that half the Arei murder method is just impossible for her. But… we can’t know for absolutely sure what “weakest of the cast” means, and it’s not evidence that can be used in a trial. Ignorable.

-Motive, character writing and themes: I’m lumping these in together because I’ll give the same answer to all of them: the dev can just add an explanation in the inevitable post-trial trauma dump. We don’t know absolutely everything there is to know about these characters, or the way the narrative is going, so it’s impossible to confidently argue based on this. Physical evidence will always take precedence over these things in my books.

And that kinda settles it for that. There’s minor arguments like “Eden won’t die before we explore the Fork CG” (well, Xander did, so) or “if the Scrum Debate is Ace vs Eden then Ace is probably safe” (we don’t know what the Scrum Debate will be), but I’ll skip them to get to the more pressing matters.

That being trial-worthy evidence. What can the most dysfunctional cast of any fangan ever (/affectionate) use to fully commit to a culprit?

-Fish Alibi: If Ace has the problem of “no reason to bring fish,” Eden has the problem that her alibi literally starts directly after dinner. If Nico ate dinner with her and Hu, she couldn’t have taken the fish.

Except, of course, Nico could have had dinner earlier, and this point is completely moot. We can’t know yet.

-BDA: This is very obviously not what the cast will use to come to the conclusion given the discussions we’ve had, but I’ll bring it up anyways. This was explained in the episode though, so…

-Playground floor: sorastar6’s idea; since the floor of the playground is made of the same stuff as the relax room, it’d become sticky after getting wet from the water in the jugs, and thus, the culprit could have some stuck to their shoe. Unfortunately for some of you, we can’t easily look at the cast’s feet all the time, so this would only work for the characters, not us. However, Hu does mention heels as an example of something that can scuff the floor, and Ace wears heels, so small point to him.

-Missing glove: I still have no idea where this thing went. My only guess would be that the killer removed it to more easily put tape on Arei’s wrists, but by the time they’d strung her up, they decided putting the glove back on would take too much time (? I have no concept of how hard it’s be to properly put a glove on a dead person’s hand), and they wanted to get out of there as fast as possible. If true, that would mean they still have the glove on them, as it wasn’t in the trash. Again, if I’m right about this, the cast can use this, we can’t.

-Random garbage:

Something here. Rose would remember everything about it, so it’s usable. Maybe Ace’s gloves were damaged and he had to use the needle and thread to fix them? Maybe one of those napkins is the cloth with turpentine Nico used and only Ace would have identified and used it (assuming it wouldn’t have dried and MonoTV wouldn’t have thrown it out for some reason)? What even is that pink paper thing? Who knows.

-Ball of clothes: Held together by something Teruko identified as starch, there’s been around three hundred theories involving this thing. The only one that’s actually incriminating (for the two possibilities being discussed) is thebadjoe’s idea of the starch being from the enriched formula of the relax room, which could implicate Eden as she was acting suspiciously around the dress-up room on night 2.

I’ve seen it argued that the clothes would be dirty in that case, but that can be solved with an extra layer of clothes under the clothes that actually get starched up, which would later be either discarded, washed, or simply put inside the ball itself.

(This might be the last murder diagram I make for this case. Holy shit I can’t believe that)

Which is all well and good, but this is still ultimately assuming both that the cast has some way of making sure Ace couldn’t have done this, which I’m not sure exists, and that the starch comes from the relax room in the first place.

Because something I learnt, like, last week, is that people put starch on clothes. Like that’s a thing they do. So it’s entirely possible there’s starch for clothes in the dress-up room and anyone could have done this. If that’s the case, this cannot be used to argue at all. I don’t love the idea, since we don’t know if there really is starch there or not, but it’s there.

-Grammar: The letter to Arei pretty famously misspells “responsibel” (responsible), has horrible punctuation, etc. It’s possible someone in the trial will realize, ask Ace and Eden to spell the word, and whoever gets it right is cleared. We can’t know, but it’s a possibility. This also has the benefit of being obscenely funny.

-Custom weapon: If the killer used their custom weapon, it may point to them as guilty, as only they have access to it. However, I fail to see how a riding crop (Ace) or a wrench (Eden) would help in the slightest.

There is, however, one more item that only one of these characters has access to. And while I am very unsure of this assumption, if you ask me right now what is the decisive piece of evidence that will close the case once and for all, I will tell you:

-The shoulder band thingy:

Ace: Too fucking bad. Mine now. I’m keeping it.

Yep. This one.

For starters, remember that thing I said about the tape? That Ace has precedent of stealing completely random shit for no reason, and so it’s plausible he grabbed the tape just because? This is the precedent.

More importantly though, it’s something only Ace has access to, so if it can be determined it was used in the crime scene, it’s curtains.

And there is actually one place I could see it being used. Followers of my method theories know that, through the fire and the flames, there’s been one deduction that’s remain constant: the rope was tied to the ball of clothes, which was thrown over the railings to get the rope as high as needed. The ball also hit the lights, displacing the bulb and causing it to flicker.

(He he I snuck the image into a fourth post >:D)

I’ve always sorta assumed DRDT takes place in a physics exercise where air drag is ignored, but it’s true that this might be harder than I’ve been presenting it as.

So, we get the use for the shoulder band; a slingshot. I’m unsure on how it would be constructed (swingset maybe? seesaw?), but the idea is that. Create a slingshot, throw the clothes, badabim badabum, Ace is the culprit.

I’m not the only one to think of this btw. Reddit user (yes we’re cross-platforming for this) Makatrull seems to have arrived at the same conclusion. Great minds think alike ig.

Of course, this comes with its own issues. Mainly, how do you connect the shoulder band to the crime scene? The only way I see that happening is if the cast determines this is literally the only way the lights get broken, which… yeah, I’m gonna have to let them do the math on that one.

It’s impossible to judge without existing in the DRDT world. Is the ceiling higher than I’d previously assumed? Then it’s possible to come to this conclusion. Is it lower, and possible that even Eden would have managed to just throw the ball over the railing? Certainly. So, for now, inconclusive. When I say it’s the most likely to be the decisive evidence, I mean by like, 0.1%, I really have no clue.

———

There’s probably more, but that’s all I can think of for now.

Seeing as we’re reaching the end, I’m gonna say that regardless of the outcome, this might be one of my favorite trials in all of both canon and fan-made Danganronpa. So much shit happened. I’ll save my full thoughts for a more dedicated post, but goddamn, I can’t wait to see the conclusion!

Hope you enjoyed! If you made it this far, you deserve a shoulder band thing. Do with it as you please. See you!

[rainbowsky]

Hey RBS.. Wishing you a wonderful week ahead. Do you think Globalfever fansite is being managed directly by someone from GG/DD’s team. Many a times I wonder how that site able to get tickets to all of our boys events and capture such close up candid shots of GGDD unless she is part of their inner circle?

Example today - https://weibo.com/7320958826/OydEkDN0w

not sure if it’s original or edited.. from that video it looks like XZ acknowledged her words of Jiayou and bye bye

Hi Natashayishan, thanks! I hope you're well, and that you have a wonderful week too! 😊

Here's the video for those who don't have access to Weibo.

To answer this question I'm going to start by explaining a bit of background about what I know about fansites and how they function (I'm by no means an expert, but here's what I do know).

Part 1 - Fansites in General

There has been a lot of talk about fansites over the years, and some have faced accusations, criticisms, confusion, suspicions, theories both positive and negative for a very long time. I think they're largely misunderstood by a lot of fans.

For example, it's not uncommon for people to believe fansites are stalkers, or that they shamelessly profit from the unauthorized use of a star's image or footage, or that they're organizations that exist for the purpose of exploiting stars.

This isn't really how it works at all. In general, a fansite is just one fan who follows a star's career and enjoys sharing photos and videos they take of that star. Plain and simple. Some fansites involve more than one person, but most are just made up of individuals.

Yes, they sometimes make money selling photo books and other merch, but that money tends to go back into supporting the star -buying endorsement products, arranging events and giveaways, buying or upgrading equipment needed to create fansite content (cameras, computer equipment, software), paying for tickets (many of which are overpriced reseller tickets) and travel/accommodations to attend events, etc.

It might seem glamorous - and there's undeniably a glamorous aspect to it - but to me it looks very stressful, like a huge headache. These fans generally have their own lives and careers outside of fandom, so coordinating everything, waiting in lines, standing in the rain outside appearances and events, not to mention the pressure to attend events and post regular updates, and all the haters and antis they are constantly dealing with, the amount of stress and frustration they deal with must be immense.

It's a lot of work, and for this reason, fansites don't always stay fansites. Some retire as their real life interests and obligations shift. One of my favorite GGDD fansites - Midnight Dream - retired a few years ago. 😢

Fansites are an important part of any celebrity's support system. While no - they aren't part of a celebrity's team or on their payroll, they do play a huge part in helping to bring attention to a star and build buzz around them, their projects, their appearances, events and other activities.

If you want an analogy that might help it make more sense to you, just look at some of the sports fans across the globe who will follow all the matches, follow team developments, team picks, managers and training, and share all that info on blogs, podcasts or dedicated sports fan sites.

This is very similar. They're just really dedicated fans who build a following by being where we can't be, and sharing their experiences so that we can feel like we were there, too.

And they provide the fans and the stars an immense, immeasurable service IMHO, despite what we might agree or disagree with about the way fandom culture works. The content they capture and share is almost always far more intimate (generally without being invasive), and of a far higher quality than that of the professionals hired to cover these events on behalf of media agencies and management.

Fansites do get some official support from time to time. For example, there are events where fansites can get approval - almost like a press pass or a security pass - to attend and be in certain locations within or near facilities to take photographs, video, etc., but they are not hired or compensated by the star or their team.

A lot of how everything works is also largely unknown/unknowable, so it's hard to be sure of the details. There are always going to be rumors and claims. For example, there have been claims that during SDOC Yibo was allowed to invite 4 fansites to come to the finale, and of the 4, he chose 3 BXG fansites and only one solo site. I haven't seen proof of that, but the claim was making the rounds a lot at the time.

One thing we do know - he chose a fansite photo to give to Yangkai when he was courting him to join his team in season 4. (Of course, solos made a huge stink and Youku ended up editing the footage to remove the photo, but we saw what we saw).

There are other examples of GG and DD interacting with or showing acceptance of their BXG fansites. I started looking for some references and then realized it was not something I have time for or interest in. I'm not here to give a comprehensive analysis anyway, I'm just here to give a simple-ish answer to your question. If others want to discuss that in the notes, that's fine.

So, hopefully some of that background info will have answered parts of your question, and gives you more tools to evaluate things on your own moving forward.

Part 2 - Global Fever

As for Global Fever specifically, well... Global Fever is one of the most treasured BXG in the entire fandom. This dedicated fan has been following GG and DD BOTH, since they debuted. She is more than just a CP fan, she's been a supporter of their individual careers since day 1.

Yes, since back when Yibo was still the White Peony.

She became a CP fan in the natural way - by seeing her faves work together on The Untamed, by watching them interact and by following them and their careers. No, she doesn't work for their teams (they both have dedicated teams of their own, and they don't need to pay fansites who - after all - will do this stuff for free). It's just that she's recognizable to GG and DD because she's been a fixture in their lives for so many years.

And this is something solos need to get their heads around: BXG are fans too. I think there's this conceit among solos that THEY'RE GG and DD's fans and BXG are something else, but in reality (and, no doubt, in the eyes of GG and DD) BXG are their fans too.

Never could that be more apparent than when a dedicated fan like Global Fever jiejie is calling 'Zhanzhan, jiayou!' and 'byebye!' as he's boarding an elevator on the way to the stage. Of course GG recognized her and smiled at her. Of course.

[elumish]

I talk about what writers should do a lot, so now I'm going to take a break and talk about some reforms that I think agents should make.

A caveat: I am not an agent! Unlike when I talk about writing, I am just talking about this as an author who happens to be in the midst of querying. If I have an followers who are agents who think I'm getting something wrong, please let me know!

That said, here I go:

Trad publishing is, fundamentally, about getting past a whole bunch of layers of gatekeepers, and agents are the first gatekeepers. With some very limited exceptions, you can't be trad published without having an agent. From what I can tell, being an agent is a bit of a thankless job--it's based on commission, so an agent only gets money if they are selling their clients' books. (Remember: the money flows towards the writer. If someone claiming to be an agent is telling you that you need to pay them to represent you, run.)

Because of this structure, agents have a massive amount of power over unagented authors, particularly because unagented authors simply do not have another option if they want to trad publish. It is my opinion that that power dynamic is part of the reason why querying actually sucks so unbelievably much for authors.

Now, part of why querying sucks is that it's a numbers game, which means that most of us will lose. Every writer is competing against a gazillion other writers, some of whom are better or writing things that are seen as more sellable or happen to be eariler or whatever. You are going to get a bunch of rejections, and that's not the fault of agents.

But here's the other problem:

There are, from what I can tell, no true industry standards and somewhat limited professional expectations for agents when it comes to how to deal with querying. Again, this is what it looks like from the outside--agents, if I'm getting this wrong, please let me know.

For example, many agencies and many agents will have different rules about what you can submit to them and how, and in many cases those rules are in somewhat arbitrary places, which means that querying authors have to hunt for them, and it's easy to run afoul of them even when you're trying. It's common for some agencies to say that you can't query two agents from the same agency at the same time, but some say that you can't query two agents from them ever--a rejection from one is a rejection from all.

But most agents' Twitter bios/MSWL pages/personal pages/etc. don't say that--which means that authors need to hunt through every individual agency's webpage and then cross-reference against every agent that they have ever queried previously, which can be arduous when many people are querying dozens or hundreds of agents. It also means needing to keep track of things like when agents switch agencies.

There are also no standard expectations for agents to actually respond to queries in any sort of time span, or at all, which complicates the above issue even more. But it also is just (imho) kind of unprofessional to ghost people who are seeking a professional relationship with you, when you have explicitly asked them to reach out to you seeking that professional relationship.

And to make that worse, many agents don't say whether or not they respond to all queries, meaning that authors are often left wondering if a 6-month or longer wait is a "no" or an "I haven't gotten to this yet but will definitely respond to you."

There are more issues that I could cite, but my overall point in this is that authors have no recourse here. There's not authors' union, no way to go on strike until agents change what they're doing.

And some agents are really awesome about this! But enough are not, and authors don't really know what they're going to get when they query someone.

So all of this is to say that, if you are an agent, here are some fairly easy changes I would love for you to make to your own behavior to make querying a little bit less of a nightmarish hellscape for authors (and thank you so much if you already do some or all of these):

Respond to every query that you receive

Tell people your general response times and be communicative if that changes. It's okay if it regularly takes you six months! Just tell us it regularly takes you six months, so we're not left wondering if we've been ghosted at four months

Outline all submission guidelines on Query Manager or where you accept queries, including things like a) rules about whether a rejection from one is a rejection from all, b) length expectations for things like synopses (I've seen a range), and c) any other expectations you have (e.g., you require trigger warnings). Don't make people hunt through 2-4 websites to find what you want

Stop asking or at least strongly rethink how you ask about Own Voices or why an author feels like they are qualified to write about a marginalized identity--I understand the impulse, but nobody should be expected to disclose medical or other personal information like that in a professional setting

Also, just to say (other than please don't reject my query because of this post), agents: authors really do appreciate the work you all do. I want someone to work with to get published, because I am very well aware that I am not the expert in this situation.

And again, please tell me if I got anything wrong or misrepresented anything.

[wistfulwatcher]

in an era where every show without record-breaking ratings gets axed immediately, i would just like to say how deeply grateful i am that crazy ex-girlfriend managed to air for four whole seasons and tell one of the most beautiful and moving stories of self-acceptance and love i've ever seen.

i just finished rewatching it (yet again) and every time i do i just think what an absolute shame it would have been if it had been cancelled after one or two (or even three) seasons. because, while it was clever and fun from the beginning, rebecca's mental state required the show to be so boy-crazy that it was a little tough to believe that the show would end up seeing the story through to where we eventually end up. the audience certainly got hints as to its final message early on ("love doesn't need to be a person, it can be a passion"). but because rebecca was rejecting those messages, the audience sort of had to, too. and if the show had been cancelled while rebecca was obsessed with josh? certain that her only path to happiness was romantic love and validation from a man? if we had never seen her truly understand and acknowledge ghost!akopian's words? i'm sure there would have been articles speculating on where the series could have ended up, acknowledging with resigned tones that the show had potential, with the seeds that had been planted.

but god, discussion of "the potential" of the show would have paled in comparison to what we got. because hot damn, did cxg end up doing character growth better than the vast majority of other series. (and not just for rebecca! almost every character in the large ensemble got to grow in a very organic, subversive, and meaningful way!) for a show that was consistently in danger because of their extremely low ratings, it was pretty ballsy of cxg not to rush through rebecca's story to prove its intention. for them to let rebecca be as frustrating and unlikable and unhealthy as she was for so many episodes, simply because they knew how necessary it was to show us the depth of rebecca's mistakes and struggles before she finally sought help and began to heal and grow. and the story was so, so much better and poignant for it. rebecca's season four growth feels very earned, and her end of series resolution to pursue her passion (her true love!) is so satisfying because it feels realistic. the audience has spent four years seeing her love for theater (and how it got tangled up in josh/the idea of romantic love) and when rebecca eventually realizes the same it's such a satisfying sense of finally.

it's an experience that has become painfully rare lately; too many series feel as though they're trying to cram as much into the first season as they can for fear of cancellation, and allowing no room for characters or relationships or story to grow naturally. they don't allow for anything other than the bare minimum plot. their characters can't breathe.

cxg didn't do that. they continued to tell the story they were telling, at the pace at which it needed to be told. and the series was truly phenomenal because of that choice. because of that trust in its own story and characters. cxg is a perfect example of what television can be, how powerful it can be, when it's allowed to be treated like the long-form storytelling medium it is. and i am so grateful for that.

[bucklway]

how mello & near fail as proper antagonists from the perspective of a mello & near fan

the most interesting thing a character can do in a story is surprise you. to be caught off guard by a character, you need to already have an idea of who they might be.

for example, if a character is introduced to an audience as the greatest detective the world has ever known, someone who’s intelligent & calculated, the viewer might be shocked when that character makes many wild & risky decisions. it might catch someone off guard to hear that character say something like “i had to test this just in case, i never thought it would actually work..”

it’s such a small piece of information but it tells us SO much about the mystery of L Lawliet. L is known by many as the greatest detective, but his first true introduction to us, the audience, is his boldness, his capacity to take risks. his genius is so great that a shot in the dark for him results in a bullseye.

to introduce a character through other characters’ opinions of them is my favourite way to challenge the viewer’s expectations in a story. i think to be curious is to be engaged, a story should be setting you up with a million questions that are compelling enough to keep you interested bc you know they will be answered eventually.

it’s not very interesting when you know everything about the series’ antagonist right off the bat.

L as an antagonist is so compelling bc he’s shrouded in mystery, not only is light desperate to know his true identity & true feelings, but we are as well. this is where near & mello fundamentally fail as proper antagonists, every part of their characters work for me aside from the way in which information is learned about them. it’s such a harsh contrast from the genius that is L, it’s insulting to the viewers who are reading/watching bc they actually care about this story & its characters.

so why is mello and nears introduction so bad? simple, we receive too much information.

the scene in which they appear for the first time is literally set in the place where they live, talking to the man who is raising them, it’s insanely personal. compare it to how we meet L for the first time: through a computer screen, held by a man who’s identity is hidden by a mask & all we see on that computer is the letter L. sorichiro tells us he’s the greatest detective but no one knows his true identity. it tells you all you need to know about him at that point in the story, L is a smart detective who is overly cautious about revealing his identity. we aren’t told why he’s overly cautious or who the man is holding the computer but it’s enough to get us thinking.

this is the amount of information we get through mello & near’s introduction: their caretaker is named roger, he works at wammys house (the orphanage watari founded, which is also information that was revealed in the last episode) where mello & near live. roger reveals that L is dead, meaning that mello & near have some kind of connection to L. mello is devastated at the news but it’s quickly revealed that this devastation is most likely the cause of frustration that L can’t “pick one of them” what does that mean? don’t worry, this scene makes it very clear. mello & near were raised to be great detectives, one of them was meant to be picked so they could carry on his legacy but he hadn’t chosen one yet. near is cold, seemingly emotionless & fixated on solving puzzles. mello is loud, aggressive & overly emotional. roger suggests that they could work together on the kira case, near seems up for it but mello is enraged. he tells roger “you know i don’t get along with near.” which is such a funny way to establish something about a character, having them explain a fact about themselves to someone who already knows it. mello reveals some deeper insecurities about not being better than near & he runs away from home. near is officially the new L, working to defeat kira.

..so that’s way too much information, right?

that scene is like.. if in episode 11, when misa is being introduced thru the sakura TV tapes, we were also seeing misa’s perspective, watching her every move & hearing all of her opinions. the introduction of misa is interesting because the audience isn’t given the information that there are 2 notebooks yet, we are meant to assume that light is the one doing all of this even if it doesn’t seem like something he’d do.

mello & near fail as proper antagonists bc the narrative doesn’t take them seriously & doesn’t give them the time they need to establish themselves as threats.

i truly do think near & mello could have been amazing, i have my own ideas for how i would’ve personally taken the story after L’s death but this post is already too long lol!

[wolfintestinez]

ADAM STANHEIGHT HEADCANONS : 📼

hi hi ! here’s a few of my headcanons ! it’s not all of them but it’s the ones i have down, at the very least. 🗡️

- religious wendys / burger king eater.

- also a huge pepsi drinker, he rarely drinks anything else.

- as before, i am a tongue piercing truther, but it’s the only piercing he has. he’s scared of needles and it was a stupid thing that scott convinced him to do, he barely made it out of the healing process.

- it’s often he is rolling it around in his mouth without even realizing it, like he’s fidgeting.

- if he’s not listening to his ‘obscure’ hardcore bands, he’s listening to shit like oingo boingo. he will NOT admit it.

- he sticks around scott because he didn’t make too many friends in highschool, and he can’t stand the idea of having to start anew when it comes to the whole social scene. besides, being friends with scott has its perks (even if it means dealing with the toxicity). for example, there’s always something to do on a friday night.

- he didn’t drop out of highschool, but he did drop out of community college. he couldn’t be motivated to actually decide on what to do with his life, so he chose the only hobby he really enjoyed and made a career out of it. needless to say, his parents were not happy.

- speaking of his parents , he’s only close with his mother (kind of). his parents weren’t married, and have an odd relationship. his father is negligent, and pretty much just an asshole, while his mother cared about him enough to try and help when she could. but most of the time she stands by his fathers side, trying to play mediator.

- he only hates his father more as he sees his temper in himself. he’s angry, but he’s not sure what he’s ever exactly angry at. if anything, he’s an all around emotional guy, he just doesn’t know how to display them. he tends to blow up when overwhelmed.

- awkwardly charismatic, we can see this in the deleted ‘rockstar’ scene. it’s the weird bouts of confidence he gets, but it can so easily be torn down and his sarcastic self defense mechanism gets kicked in.

- undiagnosed autistic IDC IDC !!! his special interest is photography and biology. weirdly enough, he always had the highest grades in his biology classes.

- when he drinks he’s a lot more social, but he can get out of control really fast. an impulsive drinker if anything. he can get stupid and start fights that he definitely cannot win.

- sort of insecure when in relationships, but he doesn’t ever have the guts to speak about until he’s making snide remarks and blowing up a few days later.

- has way too much knowledge over b-list horror movies, it annoys anyone who’s watching one with him. he really enjoys killer klowns from outer space.

- a cat person, he feeds the strays outside of his apartment complex. if he knew that he could support a pet financially, he would take on in.

- very blunt with his opinions, which will also get him into a lot of trouble. if he thinks your favorite movie of artist is bad, then he’s gonna say it.

- a touch starved loser, but he’s not good at initiating it. but as soon as he gets the go ahead, there’s no boundary doubting him.

[dearweirdme]

“It has nothing to do with this being trips he took with Jm. It has everything to do with this having been work and the way I saw Jk on the show.”

Again, those were Jk’s experiences. The trips were work yes but you don’t know that they felt like work to him do you? I am a hairstylist by profession, that is my Job, my work but I could do 10 clients hair on the same day and it wouldn’t feel like work to me because I love doing it so you cannot speak on people’s experiences based on the ones you believe are work and not work because you don’t know how they feel about that “work”. You also talk about the way you saw Jk in the show but that is subjective and the way you think you saw him could just be a matter of you not knowing him as much as you think you do or you just reading him wrong. Take Tae for example, many people read him so wrong because they assume that his blank face is him being mad or being bitchy or being rude when mostly he is just zoned out or has his resting face on. An anon just mentioned a few asks down how many people don’t understand that just has a blank face sometimes which doesn’t mean he is mad. Imagine someone coming to tell you that Tae is rude or bitchy or arrogant because of how they see his face. See how it sounds right?

You’ve never seen what Jk is like on an actual private vacation or trip, you don’t know how he looks, what his moods are or none of that so how do you compare? This is a matter of perspective and you could be looking at things in a completely different way than Jk is. To you it was work and must have felt like work so you don’t see how Jk could place something like that at the top of his list but to Jk, maybe it was work that didn’t feel like work, maybe it was a chance to get away from his actual work which was physically and mentally exhausting and just whine down. Maybe he enjoyed the chaos, the ups and downs and how unpredictable things were. Maybe on all or most of his other trips he had always known what to expect but maybe in these ones it was the unexpected things that made things fun. Maybe it was him getting to do a bunch of things he liked to do on the trips almost all at once, or maybe it was how the places and people made him feel in those moments so I don’t think you can measure where people rank their trips depending on if it was work or not or how you think they looked during the trips for the simple fact that your perspective of things could have been very different from Jk’s. What you saw as him being overworked, he probably saw as freedom or a chance to get away as he said, what you saw as him being disinterested or tired or angry was probably him just probably sitting there and not thinking of much.

Someone mentioned in the comments that they believe Jk lied because they have eyes. What of those who have eyes and ears and saw those moments in the solo where Jk seemed dismissive of Tae? Are they correct to assume Jk hates Tae because he refused to sing “LMA” a second time on Live when he was asked to? Would you say he hates Tae because Jk publicly supported Jm than Tae? Would you say he hates Tae because he doesn’t talk much about his hangouts with Tae while Tae does? Those are things Jk did, people saw and assumed that he didn’t like Tae and wouldn’t speak about their hangouts like Tae did because he didn’t care for them. Would you agree with them because they have eyes and that is what they saw? You see the issue with this line of thought?

Yeah well, welcome to Tumblr anon, the place where everyone goes on and on about their interpretation of things. You’ve heard my thoughts, I’ve heard yours.. I find it a bit odd that you go so strongly about a mere nuance (the nuance being that I think Jk had a good time, but not the best time). We’re not going to agree. I could easily go into to everything you mentioned, but I’m tired and sick and just can’t be bothered right now.

[not-that-syndrigast]

Team Relationships

It is general knowledge that there are currently ten F1 teams. But what's less general knowledge, are the contracts and relationships they have with each other. Still, more and more, people talk about and question the fairness; let that be midseason driver changes, teams helping each other or rookies getting preferential treatment. In the following text I have summarized every publicly known contract and point in which the teams work together or may fight.

Every team has different contracts and relationships to the others, so while keeping this in mind i made this graph; 

As you can see there are four groups; The Mercedes group, the Ferrari group, the Red Bull group and last but not least, Alpine as the only independent team.

Let's start with Mercedes; just like Ferrari, besides being their own constructing team they are an engine supplier, which means that they build and sell engines to other teams, thus there is a sort of relationship between the teams, but actually there is more behind that. Aston Martin is besides the engine pretty independent, they build their own cars and don’t have any contracts when it comes to drivers, most people don’t even know about their connection to Mercedes. McLaren is a bit more interesting; Mercedes has supplied engines for long but has only joined as their own constructor in 2010. McLaren was even called McLaren Mercedes from 1995 to 2014 and although they have gone back to Mercedes engines since 2021, they are not considered the works team anymore like they were up until 2009. One small fun fact; from 1995 to 2014 McLarens livery was silver, which gave them the iconic nickname of the silver arrows but also leads to some confusion since Mercedes livery is also silver and they have adopted the nickname now. Today though, McLaren and Mercedes don’t work together as closely anymore, especially since they became rivals.

The really interesting team when you look at Mercedes is Williams. Although Williams denies being Mercedes junior team, the ties are clear; beside the engines there are also driver changes between the two teams, like in 2017 when Valterri Bottas had signed another contract with Williams but following Nico Rosberg's shock departure was released from the contract to join Mercedes. Another example would be 2020, when Lewis Hamilton got covid and Williams allowed George Russel to replace him. Obviously the official contracts and conversations are not known to the public but one can clearly make out that there are contracts that allow such situations to happen.

Another very interesting team is Ferrari. Like Mercedes, they are engine suppliers, but they also supply other car parts that especially Haas buys off them. In return, there have been many rumors about Haas and Sauber owing Ferrari more than just money. To Ferrari, Sauber/stake/alfa romeo or whatever the team is called this year is what Williams is to Mercedes. Although they are their own team, their allegiance to Ferrari is clear and most rookies join the team in hopes of getting into Ferrari, Charles Leclerc is the best example for that. Being in the Ferrari drivers academy helps you greatly in contract talks; most Ferrari drivers academy members joined Sauber or Haas in recent years, Ollie Bearman being the most current example. But with Audi buying up Sauber, Ferrari will lose the team as a customer for their engines, which is why Ferrari has sent Bearman to join Haas. Another recent event are the free practices. Sauber has the best example, in Zandvoort Ferrari driver academy member Robert Shwartzman was allowed to drive one of the obligatory free practices, even though Sauber has their own juniors. I think you can all guess where this leads; instead of only asking for money from their customers, the contracts with Sauber and Haas also include free practices and preferences in drivers line ups.

The most well known team relationship is probably Red Bull and their sister team Vcarb/alpha tauri/torro rosso/RB or whatever the team is called this year. Different from the other teams that have contracts with big teams, Vcarb (how we will call it here) is officially the junior team for Red Bull. Every driver at the team is signed to Red Bull, thus any money the teams win from the constructors championship goes in the same pot but the drivers can also be switched however they like, which has led to some people questioning fairness in the sport, but more to that later. In recent years, Red Bull and Vcarb have become even closer. Years ago, they were two separate teams but with the purchase, rebrandings and other changes in the teams they have become even closer. Although officially Vcarb is their own team, it's an open secret that Red Bull can still make choices for them, ask for help or make calls for their strategy.

Last but not least, there is the only currently independent team Alpine. Over the years, when they were still called Renault they used to work with Red Bull and even McLaren at times, but this has changed over the years, making their Relationship to all teams race focused.

As mentioned earlier, there is quite some controversy about how much relationship should be allowed between the teams. There are certain rules about how many teams can share one engine, how one team can sell engines but especially in the case of Red Bull and Vcarb people question if it's really fair that they have four drivers and thus obviously more chances, they can try more and have more drivers. In my opinion there is a certain type of unfairness, but by sharing all of this about Mercedes and Ferrari I wanted to show off how Red Bull isn’t the only one using what some people would consider unfair methods. There will always be people that will suggest changes in the rule books; don’t allow teams to have engine and part contracts include drivers, it seems easy but it would actually be rather difficult to follow through and lead to teams doing things secretly. Still, I think the FIA should not allow two teams to belong to one group, out of fairness to the drivers and the competition. 

But no matter how many rules get implemented, one has to keep in mind that there will always be loyalties and enmities between teams and thus their drivers. Last but not least, I expect the FIA to say something about Red Bull, especially following the Singapore Grand Prix, but we will see.

As always I'd love to know what you guys think of this. Would you agree with the unfairness? What rule changes do you guys expect/hope for? I would be happy about any comment or message!

[dovesdreaming]

Pirates charm

Summary: Your the daughter of Meg and Hercules, everyone always compares you to your mother saying your exactly like her. You couldn’t deny it either especially with how you wouldn’t let yourself swoon for Harry hook.

Masterlist

-

Being the daughter of Meg and Hercules wasn’t easy. On one hand, you were expected to live up to your father’s reputation. The strong, brave hero of Olympus who could move mountains and defeat titans. People looked at you like you were supposed to be just like him- noble, pure, a shining example of what a demigod should be. But on the other hand, you were also Meg’s daughter. And that meant you were sarcastic, quick-witted, and more than a little cynical. If your dad was all about heroism, you were about surviving in a world where happy endings didn’t always happen. Your mother had made sure you understood that. She’d been there, done that, and wasn’t about to let you fall into the same traps she had.

You were, as people liked to say, the spitting image of Meg. From your sharp wit to the way you carried yourself, always with a knowing smirk and a hint of sass in your voice. You weren’t a wide-eyed optimist like so many people in Auradon. No, you knew better than that. Which was why Auradon Prep had become.. a little boring. The whole "perfect world" thing? Yeah, it got pretty old fast. Sure, there were plenty of bright, smiling faces and happily-ever-afters, but after a while, it all felt a bit fake. Like everyone was just pretending everything was perfect all the time. You needed something different. Something real. And then… Harry Hook showed up.

The first time you met Harry, you were standing by the docks, watching the Isle of the Lost kids as they arrived on their ship. Ben had done his whole "integration" thing, and now, here they were, villains' kids walking the pristine streets of Auradon. It was all very dramatic, with people whispering and staring at the new arrivals, like they were some kind of dangerous animals let loose in a zoo. You didn’t care about most of them. But then, you saw him. Harry Hook.

With his long coat, swaggering walk, and that trademark hook hanging from his hand, he made quite the entrance. His sharp blue eyes scanned the crowd, taking everything in like he was already planning his next move. His smirk was lazy, but there was a dangerous glint in his eyes that made you raise an eyebrow. And when his gaze landed on you? Oh, he noticed you too. His eyes flicked over your figure, taking in the sharpness of your features, the confidence in the way you stood. Unapologetic, like you didn’t care what anyone thought. It was enough to make him pause for a second, his smirk faltering before returning even wider.

“Aye, what do we have here?” he murmured as he sauntered over to you, his voice dripping with a Scottish lilt that sounded both amused and intrigued. “Didn’t know Auradon had girls like you”.

You crossed your arms, eyeing him up and down. “What? You thought we were all sunshine and rainbows?” He grinned, his hook tapping against his side as he stopped in front of you. “Somethin’ like that. But I think ye’re more storm clouds, lass. And I like that”. You gave him a dry smile, the corner of your lips lifting. “I aim to disappoint”. Harry’s grin didn’t falter. If anything, it grew wider. “Ah, ye’re trouble, aren’t ye? I can tell”. You shrugged, glancing at him with a bored expression. “If you’re looking for damsels in distress, you might want to look elsewhere”. “Damsels?” He raised an eyebrow, his smirk full of mischief. “I don’t do damsels. I like girls who fight back”. You tilted your head, feigning interest. “Good, because I’d rather throw myself off a cliff than need saving”.

He laughed, a deep sound that was rough around the edges, like he wasn’t used to laughing much. But there was something about you that seemed to break through his usual bravado. “Aye, I can tell”. After that, it was like a game between the two of you. Wherever you were, Harry wasn’t far behind, and every time he tried his usual pirate charm on you, you gave it right back with a smart remark or a sarcastic quip. He’d call you “lass” and you’d call him “Hook” with a roll of your eyes, but beneath all the teasing, there was something else. Something you weren’t quite ready to name.

Because despite all the back-and-forth banter, Harry Hook was different from the others. He wasn’t like the perfect princes of Auradon, who threw themselves at you with grand gestures and shining armor. No, Harry was raw. Real. He didn’t pretend to be something he wasn’t, and he didn’t expect you to either.You liked that about him, even if you’d never admit it.

One afternoon, you found yourself sitting by the lake, enjoying some peace and quiet when you heard footsteps behind you. You didn’t need to look to know who it was “Should’ve guessed you’d be here” you said, not even turning around as you leaned back on your elbows. Harry sat down next to you, close enough that you could feel the warmth of his body. “Can’t help meself” he said with a grin. “Ye’re just too much fun to annoy”. You glanced over at him, eyebrow raised. “If this is your idea of fun, you need a hobby”.

“Oh, I’ve got hobbies” he replied, his voice teasing. “But ye’re definitely the most interestin’ one so far”. You rolled your eyes, fighting back the smile that tugged at the corners of your lips. “You must be really bored”. Harry chuckled softly, but then his expression shifted, turning more serious. “Ye know, ye’re different from the rest of ‘em”.

That caught your attention. You turned to him, curious. “What do you mean?” He tapped his hook lightly against his leg, looking out at the water. “Auradon, it’s full of people pretendin’ to be somethin’ they’re not. All smiles and pretendin’ everythin’ is perfect. But you?” He looked at you with those intense blue eyes. “Ye don’t pretend. Ye’re real”.’You blinked, not expecting the honesty in his words. For a moment, you didn’t know what to say. You’d spent so long deflecting with sarcasm and wit that someone seeing through you like that threw you off balance. “I’m just me” you finally said, shrugging as if it didn’t matter. “Nothing special”. Harry’s gaze didn’t waver. “That’s where ye’re wrong, lass”.

There was something in his voice that made your heart skip a beat. You weren’t used to this, this raw, unfiltered honesty. People didn’t talk like that in Auradon. They didn’t look at you like they could see right through the mask. But Harry did. And, gods help you, you liked it. You cleared your throat, breaking the tension. “And here I thought pirates only cared about treasure”. Harry smirked, his teasing nature slipping back into place. “Aye, well, maybe I found somethin’ better”. Your heart did another unexpected flip at that, but you didn’t let it show. Instead, you gave him a lopsided smile. “If you think I’m going to swoon, you’ve got another thing coming”. Harry chuckled, shaking his head. “Nah, I wouldn’t want ye any other way”.

The two of you sat in comfortable silence after that, the sound of the water lapping against the shore filling the space between you. For once, there were no quips, no banter just a quiet understanding. Maybe you and Harry weren’t so different after all. Maybe, beneath the sarcasm and smirks, you were both just looking for something real. And maybe, just maybe, you’d found it in each other.

-

Thank you for reading!!

[waitineedaname]

not romantic or platonic but a secret third thing (bonded pair)

[rolandkaros]

forever hilarious to me that tennis is promoted as this prestigious highbrow big-brain sport when most tennis fans these days are like. yeah this is my favorite player. yeah i don't know why they're like that. yes they are stupid. no i will not choose somebody else.

[sysig]

Take care of him (Patreon)

[corpsentry]

at the asian american studies sponsored movie screening i run out of my seat to press a button for the presenter and you look away, not in shame, but in anger

go make your own movie.

One where you’re the star

and everything’s my fault

the way you want it to be. I know, it’s easy

to let someone else hold this grief

and sit in the bathtub,

all dressed up to go to the party.

Maybe in this movie it’s your party

and I the party crasher,

holding cymbals and a baseball bat, et cetera.

But we don’t stop getting older when we’re angry

and you’re only twenty,

can’t listen to lullabies at night,

can’t sleep without a blanket

over your head like you’re scared

of your own shadow. God, go

write your own movie.

You could do it,

you’re still

pretty. Angry? Me too.

The bathtub’s overflowing,

the bathroom’s flooding

with whatever you couldn’t say

to the poet with their palms glued shut

in a cheap simulacrum of prayer.

Didn’t you say you were tired? Angry? Me too.

Upset? Unhappy? Me too. Hungry? Lonely? Me too. Me too.

Standing barefoot in the grass

I remembered the month of bad weather.

How I parted the fog with broken hands each night,

looking for your voice.

Oh, I will not forgive you.

Not like this.

With your fingers splayed

against the brute February sky,

lips cracked open like windows,

waiting, like you always are, for me to say the first word.