#i can relate even though i've never been in a relationship

[thepersonperson]

Gege is doing to his characters what they did to jfk there's so much character assassination happening djsjdsnsdjn

This ask was sent to me shortly after I complained about JJK 269 leaks. (Aka before JJK 270's release so be nice to them.) And while I still agree that chapter contained character assassinations, JJK 270 has given me a good reason for them. 

Since my other post related to this topic was trimmed down by Tumblr’s 30 image limit, I’m going to use this ask as an excuse to this burning question...

Why does everyone feel so out of character in JJK 268–270?

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

4) Written as of JJK 270.

5) Read the light novels.

(Another extremely 'hear me out' discussion under the cut. Click pictures for captions/citations.)

Preface

This post is banking on the framework I set up in the previous related post so please read/skim over it. (If you don't? Just hear me out!)

Short Summary of the Previous Related Post:

Yuji is projecting a massive delusion onto Megumi that gives him a happy ending. JJK 268–270 is a mesh of Yuji and Megumi’s memories and dreams that serve to rationalize all that’s happened to them in a way that allows them to forgive themselves. Sukuna’s vessel memories are probably mixed in too.

Because of this I’m assuming the following:

>The battle recollection in JJK 269 is Yuji constructing explanations from his, Megumi, and Sukuna’s memories during their battle. Neither of these 3 ever knew the plan in full. This can explain why so much of the battle recollection is wrong.

>The characters we see outside of Yuji and Megumi are constructs based on their memories of these people. They’re more like representations than the actual characters.

I don’t know if it means they’re dead or not, but that doesn’t matter. I want to explore the way the characters feel off can be explained by them being memory constructs.

In the previous post, I used "Without love it cannot be seen." from Umineko to give my best faith reading of these past 3 chapters I've hated so much. This time the tool I'll be using is:

"Flipping over the chessboard."

This refers to how one should try to see things from a different perspective.

Memory in JJK

A neat touch that has always been around in JJK is characters remembering others as they last saw them. When Gojo recalls his best students, Hakari has a very different hair style from when we meet him. His recollection of Yuta's is accurate though. When Panda recalls Yuta, the hairstyle differs from what Gojo recalls. And when he recalls Kiara, he mistakenly refers to her as a guy.

This all can be explained by considering when Gojo and Panda last saw these characters. Gojo last saw Yuta in Kenya with Miguel where he changed his hairstyle. Panda hasn't seen Yuta since he's left the country. Neither Gojo or Panda have seen Hakari and Kiara for a very long time.

Their memories reflect how they last knew them. Kiara is a whole girl now and Hakari is blond. But if Panda and Gojo never saw them again? Those memories would be true to them, even if it’s no longer accurate.

And sometimes the memories aren’t accurate. See this side by side recollection of Gojo meeting Megumi from both of their perspectives.

I believe Gojo’s memory of this event is the accurate one because he’s 19 when it happens, not under distress when he recalls it, and has the Six Eyes which act like a supercomputer. Megumi’s memory is iffy because he’s 6 when it happens, has a head injury that knocks him out when he recalls this, and doesn’t have perception enhancing abilities. And though Megumi can’t recall the memory in its truest form, what he does remember still tells us a lot about his feelings towards the event and his relationship with Gojo.

The emotions child Megumi felt at the time distort what Gojo was actually like back then. Instead of a benefactor, he’s a suspicious weirdo with a funny face. The heart behind Gojo crouching down to his level, being way too honest with him, trying to give him options, patting him on the head—it’s all missing.

With all this in mind, I don’t think it’s unreasonable to assume Megumi and Yuji’s impressions of other characters via memory would influence how they appear in these delusions too. Yuji’s impressions probably take the most precedence since I think his will is shaping the delusions the most.

Recalling Incomplete Information 

Yuji is very good at understanding people. He can intuit their feelings and sync up with them easily. (I go over this in greater detail in this post.) But that doesn’t mean he fully understands their hearts. He gets close enough to their core to bond with them, but the little details aren’t quite right. 

If all the characters (save Megumi) we’ve been seeing in JJK 268–270 are constructs based on Yuji’s perception of them, I think this can explain everything off about them.

What made me consider this possibility was JJK 270. There’s this pattern I keep seeing... Characters’ motivations being misunderstood and being resolved by scenarios that aren’t quite right. Every time I try to explain what exactly is wrong with them, assuming their inconsistencies align with Yuji’s perception of them solves the problem.

Amai Rin

Rin is introduced as a coward. He’s unable to fight and goes along with the whims of those stronger than him to avoid getting hurt. This is why he keeps his head low as his friend is being harassed by bullies during his Jr. High days. Still, he tries to help. Just not at a risk to himself.

When Yuji saves his friend and beats all the bullies up, he turns to Rin and assumes he was part of the bully group. This simply isn’t true. He was a bystander. That’s why it’s weird for him to apologize like he was the one who beat the guy up.

Yuji’s false impression of Rin, one where he’s a bully that feels guilt over his actions, explains this. Rin’s actual guilt comes from him being a bystander—someone who doesn’t take action for others when something is wrong. He dealt with that in the Culling Games by helping Yuji and risking his life to save Angel. And he really stepped out of his comfort zone to join the medical team for the Sukuna battle. He might be the reason Yuta survived. (Yuji doesn’t know about that though.)

And what’s this? Here Yuji outright admits he doesn’t fully understand what kind of person Rin is. All he knows is that he did some good things and is trying to become a better person. So now we’ve got this other Rin that’s apologizing for something he didn’t do for the redemption he’s already earned.

(And that’s the pattern! Rin’s motivation is misunderstood by Yuji so he’s doing something that seems out of character to us readers, but is perfectly in character for Yuji’s perception of him. When I apply it to everyone else. Everything makes sense.)

Takaba Fumihiko

What Yuji knows about Takaba is pre-Kenjaku development. Yuji knows the Takaba that speaks over others, rejects their criticisms, and insists he’s funny. That’s kind of what he’s doing to Totally Not Kenjaku. In reality, Kenjaku caused Takaba to reflect on his approach to comedy and they are nearly in perfect sync by the end of it. Kenjaku satisfied Takaba.

Yuji didn’t see that battle and he hasn’t spoken to Takaba since. So he’s constructed a happy ending where Takaba has found his partner and is working towards the show of his dreams that already happened.

I also want to note that Takaba is 100% ok with sex jokes. Kenjaku makes one and he doesn’t object to it. This is just another little detail that makes everything so slightly off.

Higuruma Hiromi

Yuji knows that Higurama wants to go back to his roots. He knows that he feels guilt over killing people.

What he doesn’t know is that Higurama’s roots are him being a defense lawyer that cherishes the flaws of humanity. He doesn't want to ever look away from the impurities that even Yuji has. That’s why I think Yuji resolves his problems with him becoming a sorcerer who saves lives.

Yuji seems to think that Higuruma is like him. He’ll make up for the lives he’s taken via sorcery by saving more. That’s something he could assume from their convo, but that’s not actually what Higuruma wants. He wants to fundamentally change Japan’s legal system for the better in his own way.

Kurusu Hana

She’s the most in character of the bunch. In fact, there’s nothing out of character about her interaction with Megumi. What she represents is Yuji misunderstanding Megumi’s desires.

Yuji understands that Megumi’s type is someone with an unwavering humanity (literally the definition of Yuji’s name) via access to his memories. But for some reason (he’s kind of dumb academically), he thinks this means Hana is perfect for him. 

I think this is because Hana meets Yuji’s definition of a good person. She’s just like Megumi. She saves others for a selfish purpose. And that means…Hana does not meet Megumi’s definition of a good person. Not once has he considered her saving others as selfless. (...But Yuji has.)

And that’s just facts. Hana is kind of unhinged. She’s extremely possessive of Megumi and saves others solely to win him over. Yuji saves others because it’s the right thing to do.

Megumi’s preferences are Yuji, not Hana. Which has led to the most awkward confession and rejection scene. That might have clued Yuji in to construct an alternative. In the memory Yuji is probably recalling, Todo does clock Megumi as someone into dudes.  …The very next scene is Yuji hitting on a dude in front of his gf in a way that causes him to blush. (Yuji has not once complimented someone’s body up to this point if I recall correctly. And he’s been around some beefy dudes.)

(Yeah Nobara me too. Second most leftfield possible bisexual confirmation I’ve read in a manga. The first will always be from Baki the Grappler.)

Is this Yuji letting Megumi know it’s ok to come onto him? Is he not initiating because Hana’s forwardness freaked Megumi out? It’s possible. 

What this suggests is that Yuji is kind of fine tuning this whole delusion to make Megumi as content as possible. It’s telling that the moment Megumi starts getting super uncomfortable the scene jumps to something else.

It happens at the beginning of the chapter too. Gojo is mentioned by Shoko in a way that causes Megumi to pause. And Bam! Change scene.

Anyways, I hope this demonstrates that Yuji working with the limited information from memories is most likely the reason for everything being so funky. It’s character assassination by accident.

Why make these happy endings when this is all for Megumi?

Two reasons as to why I think Yuji is trying to give everyone a plausible happy ending.

1) He genuinely wants them to live good lives.

2) It has to be believable for Megumi to accept them as real and forgive himself.

This line may have been about Yuji, but Megumi’s not any different. He blames himself in the exact same way Yuji blames himself.

I also think there's something to be said about Yuji crafting a dream that resembles the perfect cookie cutter Shonen ending. The guy gets with girl he has no chemistry with. All these complicated plot lines are wrapped up with a neat little bow. Everyone lives and goes on like nothing traumatic happened.

Yuji is a big fan of Shonen. Straight up his final move against Sukuna is a Hunter X Hunter reference. That's not just Gege doing a reference as a fan, Yuji himself is a fan of that manga.

I think Yuji is trying to make this fiction a reality because it's the only way he knows how to cope with his trauma.

JJK 269’s Character “Assassinations”

I promise I still hate this chapter. But I won’t deny how fun it is to pretend these are all delusions Yuji created for Megumi’s sake. I went over Kusakabe to cut him some slack in the previous post, so let’s do everyone else.

(The chapter’s formatting as one long unending nightmare makes it hard to separate this stuff out by the character. I’m just going to do groups this time.)

The 2nd Years

The most common complaint from readers outside of Kusakabe telling Yuji he should’ve died is Maki being really fudging mean to Yuta. Maki is mean, but she’s not that mean. You could assume this is her showing Yuta she cares and that her anger scales with worry but… Here’s a side by side comparison of her getting angry over Yuta risking his life in Vol 0 vs JJK 269.

Pretty big difference I think. Here is a Maki with a Yuta she thinks is about to die vs a Maki with a Yuta who is 100% ok. And the only reason she even gets mad in Vol 0 is because she had no idea Yuta did something that risky. Maki already knew Yuta was going to body hop if all else failed, so her reaction here is disproportionate, especially since he survived.

Speaking of survival, the first thing Maki, Panda, and Inumaki do when Yuta survives in Vol 0 is ask if he’s ok and thank him for saving them. This doesn’t happen in JJK 269. They're all very protective of Yuta after the events of Vol 0. We see them defend him from Gojo for being a little mean about his training. They’re all against the plan because of how much they value him. The 3 of them not checking in on Yuta immediately after the fact is wildly OOC.

The explanation I have? This version of Maki is based on Yuji and Megumi’s memories of her. (And let’s remember that Megumi claims he can’t openly respect her and the other 2nd years outside of Yuta.) When Megumi and Nobara mourn Yuji’s “death”, Maki does this to them.

Maki also intimidated Yuji pretty bad when they first met. Her, Panda, and Inumaki went along with bullying Yuji after he came back to life. It makes sense that Yuji would up Maki’s meanness. He’s not been around her long enough to know she’s not like this when it comes to people she cares about. 

I do think it is weird Maki is pre-awakening levels of mean. This could also be Yuji trying to return to the time before everything went to absolute hell. Or...because she’s Yuji’s construct, this could be him expressing his anger at Yuta for defiling Gojo’s body in a very roundabout way. From both Yuji and Megumi’s perspective, Yuta didn’t discuss this beforehand and used it as a last second plan. And that’s kind of how the conversation goes. Everyone talks about Yuta’s Yujo plan like he didn’t clear it with them first.

It’s also telling that they harp on Yuta over Miguel and Larue. Miguel said no help unless Sukuna’s domain was down. Everyone except Yuji knew that. There was never a scenario where they’d help from the start. But to Yuji who only heard they might show up? It’s a missed opportunity.

Say if you were, trying to find a reason for such a horrific defiling of a loved one’s body. Wouldn’t you try to reconstruct the crime by considering the motives and methods? That would help give you some closure, right?

I think that’s what Yuji is doing for himself and Megumi. Yuji is trying to figure out why things went the way they did through a blend of what Sukuna intuited and what makes the most sense to someone who never had full knowledge of the plan. 

And if you think about it, this is still a happy ending for them. They’re all absolved of their guilt surrounding the outcome of the battle. Even if they screwed up, they’re all still alive and able to move forward in a better world. They did the best they could, so it’s time to move on from what happened to Gojo. Thinking about that too much would break someone.

Mei Mei and Ui Ui

Mei Mei is out of character in a way that’s unique compared to everyone else. She’s still herself, but with less…yikes. It’s odd since Yuji has seen how awful Mei Mei can be and is deeply uncomfortable with how she treats Ui Ui. He’s not missing information about her motives so why have we gone from this to this?

I propose this is an extension of Yuji’s denialism. (We’ve seen how avoidant he is with Gojo’s death.) Mei Mei is grooming Ui Ui and has made it clear this is all for money. Ui Ui is being abused, but he’s so attached to his abuser that separation would break him. How do you make a happy ending out of that?

Well, you can soften those edges. Spin a tale where Mei Mei is an over-doting sister who would kill for her cute little brother. She doesn’t touch him inappropriately, she just plays with him. She loves money as much as him! No abuse here! She’s not someone who would kill a child for cash.

And in a weird way this whole Simple Domain debacle mirrors Gojo killing the higher ups. If Maki is Yuji's rage towards the Yujo plan, then this could be him trying to process his mentor slaughtering a bunch of old people in mass for his sake.

It probably helps that Yuji wasn’t there to see Mei Mei tell Ui Ui to die for her. There’s no way he knows she was paid to help kill him either.

Mei Mei doesn’t care about the well-being of other people. She’s just a hardcore capitalist who loves money and will do anything for it. But this version of her can be less terrible to Ui Ui while still getting her cash and that’s sort of ok I guess? Yuji has moved on from this and so will I.

The Megumi & Nobara Problem

The 1st years going on like nothing happened after Sukuna has made readers feel betrayed. It flies in the face of everything that’s been established for them when it comes to mourning.

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, this is how the trio deals with grief.

Despite knowing Yuji for only 2 weeks his death screws with Megumi and Nobara pretty badly. In the manga, it looks like Nobara is more upset because she’s visibly in pain, but I think the light novels show they’re equally shaken. 

This is why the non-reaction to Gojo’s death makes no sense. Megumi has known Gojo for a decade. He’s 6 when he first meets him and 16 when he dies because Sukuna used his Cursed Technique (CT). Nobara knew Yuji for 2 weeks, and didn’t see him for another 3 months. In all that time, Gojo was her teacher. She knew him longer than Yuji. When she “dies” Gojo is on the same tier as Yuji and Megumi to her.

So why is it that in JJK 268, Nobara thinks of Gojo as a creep? Why did she toss his letter despite him being one of the people she thought of in death? 

Well… When Yuji came back from the dead via Gojo’s prank he heard Nobara say this.

Nobara is prone to saying out of pocket nonsense to people. If she thinks it, she says it. Yuji also doesn’t understand Nobara’s thought processes (Just like Amai Rin he admits it too!). Nobara tries to hide her feelings to appear tougher than she is sometimes. So I think Yuji has done to Nobara what he has done to Maki—upped the meanness and neglected the heart.

And though Nobara being a construct can explain her behavior, this still leaves us with Megumi who is definitely not one. Why is he acting like Gojo meant nothing to him?

Megumi in particular is super fragile when it comes to his feelings. This is how stressed he gets when he learns exactly why Tsumiki is in a coma.

She’s not even dead and he’s halfway to a mental breakdown. The idea that he can just look at her grave once after having a hand in her murder and move on this quickly makes no sense. Inadvertently killing his defacto guardian he’s been raised by for 10 years should be upsetting him to a similar degree. (Maki said Gojo treated him like a precious treasure!)

When Megumi is on the verge of death he thinks of Tsumiki, Yuji, and or Gojo. It’s always at least 1 of those 3. There’s no way Gojo dying and having his corpse reanimated for reasons Megumi might feel responsible for isn’t screwing him up.

Unless…Yuji is suppressing his memory on purpose. He can’t even cope with what happened to Gojo, how is Megumi supposed to? How can either of them forgive themselves for that if they acknowledge it in full?

When Sukuna tries to tell Megumi to give up, he looks miserable. Every time Sukuna has verbally kicked Yuji while he’s down, he’s done it with a big old smile and laugh. He doesn’t hold back and goes for the throat.

Sukuna is being very nice to Megumi here when he doesn’t mention Gojo at all. The only death he blames on Megumi is Tsumiki. Everyone else? Nothing. That’s weird given that Sukuna will pass the blame of his kills onto Yuji to torment him.

Is this Sukuna a construct or is he playing nice because he respects Megumi? Who knows. Whatever happened here seems to point to Gojo’s memory being suppressed for Megumi’s sake. 

And why might Megumi accept this suppression? Why does he seem to be going along with Yuji’s delusions? The Unlimited Void brain fog. Megumi brings attention to it after he wakes up. 

If Sukuna can’t think straight after Gojo brain damage, neither is Megumi. Still Yuji has to be careful. If Megumi thinks too much, the illusion will be broken. 

What does this mean for them?

Well, the character assassination isn’t real (probably) which is a good thing! Other than that? Not a clue. We’ve got a real catbox situation here. I can’t tell who is dead anymore.

Sukuna projects delusions when someone he’s connected with is dying. Yuji projects delusions when he’s dying. Both of them are kind towards the people they’re interacting with in this space between dreams and reality. They try to give people endings that leave them satisfied.

JJK 270 ends with the hunt for a curse user who can distort perceptions of reality. This curse user is initially mistaken as a cursed spirit. That sounds like Sukuna I think.

I’m pretty confident this happy ending illusion will be shattered, that's for sure.

My Final Answer

I'm betting it all on this being a delusion. This is a kind of prediction that will either age well, very badly, or interestingly. I don't know what's in store for the final chapter...but I do have some ideas I'd like to speculate with.

"Without love it cannot be seen."

This time I'm going to use this phrase very literally. I'm going to make one final gamble on the assumption that love is the answer. So let's go back to Love itself—one of those reoccurring themes in JJK.

Love is a curse in JJK. It has the power to distort reality and transform loved ones horribly. Desperation to save a loved one from death over and over has resulted in extremely traumatic things. Yuta turned his childhood crush into monster that caused havoc for years. You can pin blame everything that has happened in JJK on Gojo being unable to get over the loss of his loved one, Geto.

Hana could've vanquished Sukuna on the spot, but she didn't because she loves Megumi. It's something a lot of people blame her for. If she had just killed him there, the Sukuna battle wouldn't have happened. But that's not really the truth. The only reason Sukuna even got his powerful is because Megumi refused to let Yuji die.

Megumi and Yuji going back and forth trying to save each other have been acts of love driving the plot of JJK since the beginning of this manga. If Megumi actually died on Yuji? Who knows what would happen.

...

A lot of readers have been on a very funny copium because of these last 3 chapters. Some of them joke that they are just one massive Takaba-induced hallucination. This theory has some merit to it! After all, his CT does two things:

1) It distorts reality.

2) By sheer force of will it bends people's souls to his whims.

One of the biggest complaints about the past 3 chapters has been the Merger plot ending abruptly. As of JJK 270 Tengen and Sukuna's remains have been mixed into the barrier around Japan and everything is just fine according to Gakuganji.

People wanted to see what the Merger would do, just like Kenjaku. In universe, Tengen made a prediction. They guessed that the impurity from humans would dominate and consume everything. The impurity that Higuruma wants to protect. The impurity that Higuruma sees in Yuji.

Would Sukuna activate the merger and kill Megumi to spite Yuji? Absolutely.

Would Yuji do or become anything to save Megumi's life? Absolutely.

Do whatever you want with this information.

[aspecpplarebeautiful]

hey :) i've identified as arospec/ace for a while now, and i feel comfortable in that identity. but i do have some questions about a feeling i've been experiencing.

for about a year now, i've really been craving a physical relationship. not necessarily a sexual one (though i've never been opposed to one, being pretty firmly sex-neutral) but i just want to touch someone else and be touched, all over. i don't care if it's a platonic or romantic relationship (i don't distinguish much between them, tbh)---i just want to be physically close and intimate with someone.

my question is, is this a common experience among aspec people? when i try to explain it to my allo friends, they naturally think of intimate touch terms of a sexual or romantic context. because of this, i'm wondering if any other aspecs can relate to this feeling/know of ways to make it better.

thanks :D

It's possible you could experiencing sensual desire. The sensual spectrum is its own spectrum just like the romantic and sexual spectrum and you can experience sensual attraction and desire in a similar way. And it's just a desire to be sensual or tactile with another person, and often includes a desire to do things like touch, cuddle, even sometimes things like smelling the other person.

And I could see why this might confuse allo people a bit because allo people tend to wrap all this stuff together instead of parsing out the individual feelings. So often if they're experiencing sensual desire or attraction it often can be interpreted as connected to other romantic or sexual feelings.

The other option I could see is if you're touch starved. But if you're craving a relationship specifically and not just touch in general, sensual desire makes more sense.

I'm not sure how common it is, but I'll throw it out to followers. If anyone experiences anything similar and wants to talk about it or give their own thoughts, please do!

[eclecticphilosopherkoala]

You left me no choice but to stay here forever

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[eloiseyybish]

I honestly can't believe there's even been discourse about the "Your father's alive" comment following Buck's "He's like the father I never had". Because, when Tommy says it, he sounds kinda confused and concerned because (and this is how I interpreted it anyway) Buck's talking as though he grew up without a dad... as though he didn't have a father at all.

So, the "your father's alive" struck me as him going "wait...I've met your father, though, havent I?" and when Buck says "Exactly", Tommy understands that it's not that he didn't have a dad but he had a crappy one. Which is when Tommy laughs (because he can relate) and then he gives Buck and insight into his relationship with his dad, showing that he understands crappy fathers.

[thevoidstaredback]

How To Balance Your Daytime and Nighttime Activities So That You Don't Burn Yourself Out More Than You Already Have

"Hey, Babs,"

"Dick? It's late, what's wrong?"

"Nothing's wrong!"

"I'm about to go on patrol, D, can this wait?"

A sigh. "No."

"What's wrong?"

"Blockbuster's after Oracle."

***

Gotham Proper is a thirty-three minute drive from Bludhaven. The drive to Bristol from Bludhaven is a fifty-one minute drive through Drescher, Burnside, Sumerset, Victoria Place, and Little Stockton before crossing the bridge over Gotham River into Bristol. Gotham Proper is made of four islands connected to each other and the mainland via several bridges. Technically, all of those cities and towns - as well as Charon and Brentwood - are sister cities like Bludhaven, but everyone counts them as a part of Gotham anyway.

Dick spent the entire drive alternating between sulking and panicking.

Danny would know. Ghosts, as he's come to understand, are beings made of emotion, meaning that he can sense emotions better than living beings. Though, he didn't need an empth ability to read the air around Dick.

'What if something happens while we're gone?" Dick asked for the nth time in the past few minutes, "What if Brutale decides to blow something up while I'm gone? What if Blockbuster starts something big?"

"Bigger than what he's already doing?" Danny didn't bother to look up from his conversation with Tim. "The fact that you can't even name specific examples proves that you're not actually worried about Blockbuster or Brutale."

"I'm worried about Brutale blowing something up, thank you very much."

"Yeah, 'something'. Who even is Brutale anyway? I don't think I know that name."

"No one you need to worry about." He moved into the right lane.

Danny turned his phone off and set it face down on his leg. "What are you really worried about, Dick? I've known you for five weeks now, and I've never seen you this worried about anything."

"You've known me for three weeks."

"No, you've known me for three weeks. I've known you for five weeks. And don't change the subject."

Dick sighed, running his left hand through his hair before dropping it back onto the steering wheel.

"Is it Bruce?"

"...yeah."

"You know he's at work, right?"

"Yeah, I- How do you know that?"

He waved his phone a bit. "I checked with Tim. So, it's just going to be Tim and Alfred at the Manor when we get there."

"You know Alfred?"

"I know of Alfred." Danny slapped his right shoulder, "Stop trying to change the subject!"

"I can't help it! Deflecting has worked pretty damn well for me up until this point!"

"Oh, yeah? Against who?"

"Literally everyone!"

"Everyone?"

A beat. "Okay, so maybe only most people, but that's not the point!"

"Doesn't matter what your point is because we're going back to talking about mine!" He huffed. "If you don't want to go straight to Wayne Manor, then stop by somewhere else. You had to have gained at least one friend in Gotham before you moved to Bludhaven."

Dick paused for a moment, eyeing the signs. They'd only been driving for twenty minutes. He could hang a right just before Sumerset to cross the New Trigate Bridge into Arkham Island, take another right onto Midtown and drive to Old Gotham to meet Babs/. Yeah, that'd be nice. But, the detour would increase the chance of running into Bruce later on in the day. Maybe he could have Bab's drive to the Manor?

"Is it too late to turn around?"

"Yes."

"Why are you even so insistent on going? You don't know anyone in Gotham!"

"I know Tim!" He argued. "Besides, healthy relationships are good in this kind of work."

Dick raised his eyebrow, glancing at Danny from the corner of his eye. "You wanna second to rethink that or..?"

Danny clicked his tongue. "Look, I know you don't want to talk to Bruce, and I'm not asking you to. I'm asking you to apologize to Tim for snapping at him. If you end up with better relations here in Gotham, then that only works in your favor."

Dick groaned, ditching the turn onto New Trigate and continuing on through Sumerset. "Fine! But we're leaving before Bruce gets back. I can't stand him right now."

Danny smiled, a sad look in his eye. "Alright."

He knew very well that Dick's relationship was near irreparable. From what he'd gathered, from either overhearing or snooping, Bruce had been a pretty good dad and boss to Dick up until he'd turned seventeen. He hung up the Robin mantle when he was eighteen, appearing as Nightwing when he was nineteen. Bruce, apparently, hadn't taken this very well, but copped, adopint ong Jason Todd when Dick was twenty years old, giving him the Robin mantle a few months later.

According to Dick, when Jason was killed, he'd been off world. Bruce hadn't even called him to inform him, let alone tell him about the funeral. And, when Dick got back and heard what happened from Batgirl, he'd confronted Batman in the Batcave. Batman, apparently, though he's inclined to Dick's side, punched him the face and shifted the blame.

Danny doesn't blame Dick for being angry. Not for a second. He can't really relate, but he understands.

Entering Bristol, there was a shift in the air. Outside was stuffy and smelled like money. Inside the car, however, was tense. Dick's attitude shifted to his work smile. It was plastic.

This was going to be a long day.

He didn't say anything. Quietly, Danny messaged Tim, letting him know about the shift. Tim was quick to respond, letting Danny know that he was fully prepared for whatever was coming. Danny didn't think he was.

Danny knew that something was going to happen. The air was suddenly suffocating, the world fake manufactured to perfection.

"You alright there, bud?" Dick asked, his voice perfectly professional.

"Yeah, fine. I-I'm fine." Danny wanted this car to turn around.

Part 10 Part 12

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

[wolfythewitch]

I’ve never met a (seemingly, if I’m not mistaken) religious person as good at being religious as you. You seem sincerely chill and loving about your own religion, aware of your church’s effect on others (and both the bad and the potential for good I think most religions tend to have), and so?? emotionally resolved about it at the same time.

Like holy craP, that must’ve taken some internal work!

I really admire that. I’ve been burned really bad by people using religion as a tool for violence and hatred, but people like you make my instinctively tense PTSD heart relax a little. Even when you say the words that I’m used to being used to hurt and discomfort. It still stings, but like old nerve damage on a scar as a salve is rubbed onto it to make the muscles hurt and tense up less.

What I mean to say is that you’re doing a great job, and I’m glad people like you exist even as someone who has learned to be afraid of those beliefs. especially as someone who has learned to be afraid of those beliefs.

Haha thank you. I don't think I've managed to figure it out as much as I've figured out a way of living with it. The good parts and the bad go hand in hand. I've definitely got Issues ™️ but well I don't talk about it as much online and also it is what it is I suppose. Can't really go back in time and change it so might as well figure out how to live with it. In doing so you kinda just figure out a new kind of relationship with religion. I'm glad it has helped you out though! It's nice seeing people can relate to my experiences

[castieltrash1]

hiii since you're taking got requests and i saw sandor is one of your faves: there's this post that's like "submissive like a guard dog is submissive" (i hope this makes sense even if you don't know what i'm talking about) and it always makes me think of him bc he's. you know. the hound. so what i'm saying is anything sandor-related with a dom reader would be very appreciated since i've never really seen anyone write him like this before :] if that's not your thing, that's totally fine though !

oh dw anon u came to the right place <3

sandor clegane x gn!reader; smut, dom/sub dynamics, dog motif, the hound is ur beaten and battered guard dog <3 mentions of violence, strong language, etc.

it doesn’t matter how you meet. maybe he serves your family. maybe he’s kidnapped you. maybe you’re just some lowborn whore whose face he pushes into the mattress to avoid looking at when he’s fucking out his anger. at some point, regardless of the roots of your relationship, the hound begins to heel. it’s not always obvious -- especially if you’re not some little lady/lord he’d be beheaded for lifting a finger to -- but it’s there. he’s already spent most of his life like this, and being with you is no different. you can’t teach an old dog new tricks.

once he (somewhat) lets you in, the dynamic shifts. you’re not just his liege, his captive, the prettiest face at littlefinger’s silk street brothel -- you’re his. and that makes him yours, he thinks. it means taking care of you, giving you as much comfort and safety that he can offer in this hellish life. it’s the least you deserve for picking him, since now he’ll never let you leave. you’ve resigned yourself to a cruel, cold, and crass beast; who cares if he has to behead a man or two to keep you fed or hold an entire inn hostage just so you can sleep on a featherbed for the night? he’ll never say please or thank you, but he’ll always stand in front of you. he’ll always lean against the door in case someone tries to break in.

he’s not gentle. he’ll growl when you tug his hair, a makeshift collar threaded between your fingers, urging him between your legs or bringing him back up to your mouth. he’ll bark about breaking you in, splitting you in half, vulgar words foaming at his mouth the longer it goes on. and when you lock eyes with him, he’ll always crumble under the weight of your gaze, lowering his head in some twisted form of obedience. he’ll eat out of your palm and you’ll know there are mutts in volantis better fed than him.

“sandor?”

you could hear the resulting sigh from a mile away, the sound of his armor clanking as he heeds your call. when your eyes lock on his figure, he rolls his shoulders back, masking the way he bows his head as if it were nothing more than loosening a crick in his neck. it’s hard to tell when he’s blushing, but you swear there’s a hint of flush blooming down his neck. you think if you asked him to kneel right now, he might even do it.

“i’m hungry,” you say instead, making your way toward him with a small, knowing smile. “let’s go eat.”

+ you’d be better off never mentioning it, but the similarities between sandor and your average dog aren’t too far off. he sleeps like one, always either curled into a ball or sprawled halfway out of bed; huffing and kicking with night terrors. he slurps out of bowls and licks his plates clean. he’s good at sniffing out enemies, even better at finding their scent on you, teeth bared as he asks where you’ve been and who with. he loves being pet and, if you catch him in a good mood, he'll sometimes nuzzle against your hand. and when he’s got you on all fours, clawing at the sheets or floor while you scream his name, it’s not hard to see he's always been more animal than man.

game of thrones weekend (reqs open!)

[luveline]

JADE I love Hotch sm I’ve been waiting for you to mention him again! If you wanted could you do something about reader having been through a rough relationship and just being so happy about how domestic and gentlemanly hotch is (when he’s home)? Tysm I love everything you do, constantly cheering for you babe!! ❤️

hi! i think i made reader more confused than happy but i hope this is still okay, ty for your request lovely! tw for bad/unhappy previous relationship, fem!reader

You didn’t know men could be so kind when you’re in a relationship. It’s not as though you’ve never met a sweet guy before, you met Aaron through Spencer, and Spencer’s nice. It had been his interference that eventually led to Aaron asking you out, and his assurance that made you confident enough to say yes. 

But being friends with Spencer hadn’t really erased any of your boyfriend-related assumptions. They’re boys. They don’t want to be suffocated by you and your need for affection. What Aaron wants, if the past is any indication, is a relaxing weekend with space and time alone. 

He’s lying on his couch. He woke before you, and you don’t understand why he hadn’t woken you up too. To get some time away from me, your brain supplies cruelly. It isn’t a fair assumption. Aaron wouldn’t have invited you to spend the night with him if he didn’t want to see you. He wouldn’t have asked you to go steady with a bouquet and a shiny tennis bracelet you’ve yet to take off a month later. 

Right?

“Come in here,” he calls. 

You put down your cup of coffee and walk into his living room. Aaron holds out his arm, touching you as soon as you’re in reach. He sits up and it’s so odd, why would he bother? It’s only you. 

“What, you don’t want to sit with me?” he jokes. 

“I didn’t know you wanted me to,” you say, a little too fast, a little too strung-out. 

He’s kind about your unsure moments. Likely because he knows exactly what you’re thinking —considering his job, and his ability to analyse even the criminally insane with brutal accuracy, Aaron must know why you act the way that you do. What you can’t understand is his patience. 

“Well, for future reference,” he begins, collecting your hands in his and giving them a squeeze, “I always want you to sit with me. As long as that’s what you want.”

"Oh, good, “ you say, taking back control of one of your hands, pressing your palm to his broad shoulder. 

Aaron smiles sweetly, like his lips are glued with sticky taffy. You take it as an invitation to stand between his legs, and slowly, so slowly, wrap your arms around his head and neck, your cheek pressed to his hair. He grasps your waist with a mirrored fondness. He smells so nice. He always smells clean and warm, sandalwood and something earthier in his aftershave.

It doesn’t take him much manoeuvring to sit you in his lap, or rather sit you in the corner of the couch with your thighs over his. You laugh as you settle, your hands falling down his chest. 

"I'm really glad you could come over. I know I've been busy with work. You never complain," Aaron says. 

"Why would I complain?" you ask, wanting to put your head on his shoulder. 

He looks at you long and steady. 

"You can do it," he says. "You can lean on me." 

"How do you know?" you mumble ruefully, doing as he allows, your face hiding in his warm arm. 

"I'm very good at reading people. And I like you more than I like most people, so I'm even better." He drags a lazy hand up and down your leg. "I know you like affection more than you like air…  and I know you don't like asking for it. I know you think it bothers me when you do ask." 

His hand slides between your thighs. "But it doesn't," he says warmly. "Whatever you've been told, it won't bother me." 

"Are you sure?" you ask. 

Aaron leans down to kiss you. You have to sit back to make room for it, and you feel strangely like crying as he presses his lips to yours. It's chaste. His hand squeezes your thigh. 

"I want you here," he says. 

Oh, you think. "I knew that," you murmur. 

"Good. I don't want you to doubt it. Things were hard for you before, and it was difficult for you to believe me when I said I–" He presses his lips to your cheek. "Had feelings for you," he says against your skin. "I'm sorry people haven't been kind to you." 

"Why would you be sorry for that?" 

"Because I care about you, and the things that happened to you." 

"It wasn't your fault. I was the idiot. I'm the one who stayed." 

"I would love," he says, gently, slowly, so you're sure it isn't a scolding, "if you could be as kind to yourself as you are to everyone else. Please don't blame yourself for how you've been treated. It's not fair." 

"I just don't get why you're so nice to me," you confess, sitting back again. You're surprised he can hear you, you talk so quietly. 

"Because that's how this works. That's how love is supposed to work," he grins, like he's aware of how close he is to sounding corny. "I'm nice to you because you mean everything to me. There isn't a single part of me that wants to be mean to you." 

"He wasn't mean," you say. You bite your tongue hard. After a moment, you continue, "He just didn't like me the way that you do." 

"He," Aaron says, pulling your legs into his chest, "should have. I don't want to keep on at you, I'm too used to telling people what to do, I'm sorry. I just want you to know that it wasn't… normal. Alright?" 

"This is normal?" you ask, smiling, feeling better for his reassurance but wanting to move on before the day becomes all about you. 

"No, this isn't normal. This is perfect." 

You laugh, delighted by him even if it is corny, and turn in his grasp to hug him. He laughs too, a rare sound. It's strange —he doesn't hug tightly, but you get an overwhelming feeling of security regardless. For the first time in a long time you indulge in affection without thinking that the person you're cuddled up with wants to be somewhere else. Aaron wants to be here, and nowhere else, and he wants to be with you. 

[radiant-reid]

Angel

Summary: Based on 14x09 where BAU!Reader recounts how working the case reminded her of Spencer's addiction

a/n: tbh this is trash, just trying to get some motivation back

Pairing: Spencer Reid x Fem!Reader (Fluff)

Content Warning: references to Spencer's Dilaudid addiction

Word Count: 1.1k

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There are flowers on the table. 

That's the first thing Y/n notices and the only thing out of place in their otherwise tidy house. Spencer's always been a clean person. 

The kid clutter- books, coloring pens, tiny shoes, the occasional Lego figure- that clutter, he's proud of.

Next to the vase is a bowl of pasta in a tomato-based sauce, and she guesses because of that, there's at least one child-size shirt soaking in the laundry with a stain on it.

"Hey, beautiful." Spencer makes her jump with his silent footsteps, followed by sudden voice. He touches her shoulders, massaging them softly. 

She turns around, placing a quick kiss on his lips. "Hey. Missed you."

He pulls her forward, resting his head on top of hers. "Missed you too. Glad you made it back safe." 

Things are different since the bureau mandated Spencer take time off as part of his reinstatement after prison. After the births of their three kids, Y/n stayed home, naturally, on maternity leave while Spencer continued going out on cases with the team. In between, and for most of their relationship and marriage, they worked at the BAU, spending almost every minute together. But this is different. Now, Spencer's the one that spends more time in DC, and in his 30 days not working at the BAU, he does an excellent job as a househusband. 

Y/n pulls back, admiring his features for the first time in days."Sleeping angels?" She checks.

He scoffs lightly. "Not so much." She raises her eyebrows, humored. "Water, bathroom, another story, you know how it goes."

She chuckles. "Oh, yeah, I've heard that song before."

"Love them, though." He adds. "Are you hungry?"

"Starving." She turns to the delicious-smelling pasts on the table while his hands stay on her waist. Spencer's learned a lot while being a dad but his learning to cook has been very rewarding for her.

They move to the couch, needing to be closer than they would be if they were sitting at the table. 

Her smile dimmers after she's complimented his cooking, and he's called her beautiful again. It's an easy difference in demeanor to spot for Spencer as a husband rather than a profiler. 

"The case?" Spencer guesses. 

Y/n takes a deep breath in and shrugs. "One like that wouldn't get to me usually." She tries to dismiss her feelings.

He catches it, having used the same technique many times. If it's bothering her, they're going to discuss it. "It was Tara's ex-husband that discovered a pattern?"

"Mm-hmm, uh, Daryl, he brought it to her, thinking there was an angel of death unsub killing people in the recovery community." She recaps, although he already knows from their discussion on the phone. 

Technically, he's only allowed to know the basic details, not offer advice, but as long as Emily doesn't officially know that the occasional case-solving tip comes from Spencer, it's okay.

"What was his vice?" He asks.

Tara didn't want to spill all the details, but Y/n had made a few assumptions. "Alcohol, drugs later, I think." 

"So why was this one more difficult than usual?" Spencer asks, frowning then it hits him. "Oh." 

Y/n feels a pang of guilt in her chest at Spencer's expression contorting. "No, I don't mean-" She pauses, not knowing what to say. Neither can deny that her feelings are connected to what Spencer went through.

"Comparing the victims to me?" He guesses again.

Her selfishness feels even worse than her guilt. "No. Tara had to give a heart-wrenching speech. And we were in very different situations, her and Douglas and you and I, but it made me think about that time." She tries to explain it.

Spencer understands, and he nods solemnly. "We never talk about that in relation to you." He realizes that it's something he feels guilty about.

"I don't like to talk about it." She shrugs. "Just hearing what Tara said struck a chord." She could feel Tara's pain through Emily's repeated words, and it was all too easy to remember the heartbreak of seeing someone she loved struggling.

Spencer takes her hand, squeezing it lightly. "We can talk about it whenever you want, you know?" 

"Not now." She shakes her head. "I missed you." 

He smiles softly, resting against the couch and spreading his arms out. Y/n rests her legs over his and tucks herself under his arm. "I missed you too." He kisses her forehead and holds her closer. Things feel better when they're all under one roof. "Y/n, it's really important to me that you know how much I appreciate you staying through that. You're an angel, you know?"

"Spence." She coos, touching his cheek softly and momentarily getting caught in his eyes. "It wasn't a hard choice to stay with you and support you through that. I love you, and I'll always be here for you."

He takes a deep breath in. "I love you too. I could talk about how grateful I am for you forever, you know?"

"I know." She laughs lightly, having heard those speeches from him more than once. It never gets less heartwarming.

Spencer shuffles slightly, reaching out to take something off the coffee table. She raises her eyebrows until a look of recognition takes over her features. 

"A photo album?" She asks curiously. "Why's that out here?" 

"It's our first." He explains as he opens it, tracing his finger over the cover page. "Tillie wanted to see it." He finds the page he's looking for, showing her a photo of them. 

Y/n grins, looking at it, remembering the exact second it was taken. "You look so little." She coos, touching the glossy picture of them. They're not much older than 25, fresh-faced, innocent, and dressed nicely. Spencer's smiling the adorable smile he still smiles today. It's stayed the same through every challenge they've faced.

"You've always been so beautiful." He mumbles, stroking her hair with his spare hand.

Her cheeks heat as she taps him on the shoulder. "Stop." She whines. 

"Never." He shakes his head. "You're gorgeous, and I'm going to make sure you know it. I have no idea how I got so lucky."

She chuckles, shaking her head. "I'm the one that got lucky, marrying a genius."

"I married a genius too," Spencer claims, and he pulls her even closer to him like there's any chance she wants to move.

"Can we just sit here a while?" She asks as she relaxes more into him. 

He leans down to kiss her forehead. "For as long as you want, angel."

[calisources]

𝐑𝐎𝐘𝐀𝐋 𝐒𝐂𝐇𝐄𝐌𝐈𝐍𝐆, 𝐁𝐄𝐓𝐑𝐀𝐘𝐀𝐋, 𝐇𝐄𝐀𝐑𝐓𝐁𝐑𝐄𝐀𝐊 𝐀𝐍𝐃 𝐂𝐎𝐔𝐑𝐓𝐋𝐘 𝐃𝐄𝐒𝐈𝐑𝐄𝐒.

All sentences on this meme have been taking from different media and sources. They all touch on the topics of romance, difficult and forbidden love, mostly setting in the political schemes of war and peace and royal court. Change names, locations and nouns and you see fit. Some lines might have foul language.

Sometimes we hurt the ones we love, but hurting ourselves to avoid it doesn’t make it better.

Could someone treat you badly and still love you? 

Even so, in the midst of this complicated love, there is a holy union.

Love is complicated. It’s sticky. It’s bliss and it’s a mix of emotions. It’s not easy.

I hated him now because I has loved him then.

 I'm not like you. I can't afford to be reckless.

When have I ever, since the first instant I touched you, pretended to be anything less than in love with you?

Are you so fucking self-absorbed as to think this is about you and whether or not I love you, rather than the fact I'm an heir to the fucking throne? 

You at least have the option to not choose a public life eventually, but I will live and die in these palaces and in this family.

She wears a crown that never should’ve been hers.

Your wish is my command, my queen.

You can always leave my service.

Don’t you see, Diana? If I did that, I’d break not one but two hearts. For I know you love me, though you haven’t said it yet.

You do know me. I love you so much, it sometimes terrifies me.

You are going to regret that, Your Magical Regalness.

Just because I am  a prince doesn’t make my life a fairy tale.

So kiss the others for all I care, but don’t hold back with me.

You are enough to drive a saint to madness or a king to his knees.

He didn't marry you to become king. He became king because he wanted to marry you.

I know I have but the body of a weak and feeble woman, but I have the heart and stomach of a king.

 I believe we are what we make ourselves, and as such, you, Crown Princess, are nothing.

You, what are you? The brat of lucky parents who were related to a childless king.

Rule with the heart of a servant. Serve with the heart of a king.

There’s a fine line between gossip and history, when one is talking about kings.

You can't treat royalty like people with normal perverted desires.

We kings do develop a certain ability to recognize objects under our noses.

...alone is such a nebulous state when one is queen.

I respect you as my king, and I respect you as my father, but I do not respect you as a man.

You're the most important person I've ever met.  And I should have never met you at all.

Desires are what can most easily ruin us, lovely.

I find that happiness can always be recollected in tranquillity, Ma’am.

It's almost impossible for those who have had an intimate relationship to return to a formal one.

I question if within you is any magic.

You’re my princess, right? You were always going to be my princess, no matter what you were born.

The king is a saint and cannot rule, and his son is a devil and should not.

For kings, the world is extremely simplified: All men are subjects.

A king deserves reverence when being addressed.

Yes, she had abused her title and station before, but for minor stuff, not to steal a warship.

You are a king worthy of their allegiance . . . with a queen full of fire and promise.

When God calls you into His Kingdom, your way of life will reflect royalty if you serve Him with loyalty.

My royal status is both a shield that protects me and a sword that impales my heart.

You know, for a pampered princess, you have a certain gift for violence.

I have to be seen to be believed.

Kings needn’t raise their voices to be heard.

That is your very own myth. The idea that how you are born or the name you are given dictate the sort of person you really are.

I know that names have power. That is why I cannot let her forget hers. 

You’ll have to face it, Princess. Maybe not today or tomorrow, but soon enough. And you can’t be this scared when the time comes.

A bad king revels in his importance. A good one hates his office. 

Crowns belong to those that serve.

She was their witch queen, and they adored her.

Beatrice is going to be queen someday.

Kings are only kings because one ancestor was quicker than another to place a crown on his own head.

Queen, do not allow a commoner to dethrone you. Own that throne. You are royalty.

A throne won in blood will soon be drenched in it.

My mother once told me that everything is fuelled by either money or sex, because both lead to power.

Even when she's dethroned by hardship, she still wears the sun as a crown.

She holds a nation’s fate within her shaking hands. She wears a crown that never should’ve been hers.

My reign has been anything but traditional. Let’s not start now, shall we?

Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky.

Every girl thinks about growing up in a palace. Few ever ponder living in a cage.

Climb up the family tree of any of them high enough and you’ll find a commoner who dared to take a chance.

Am I forbidden to do what all may do?

My arrival saved the kingdom, while his only reiterated that his blood would fill the throne one day.

Slow down there, princess. How do you know what kind of first impression you gave me?

So none of the young men we encountered during our season gave you hot pants for them?

If stubborness were all that was needed to be a good queen, I'd rule the world.

I’d decided that I was going to stop dressing like a princess and start dressing like a queen.

Don’t touch me. Don’t tell me how beautiful my eyes are, how soft my hair is, how you love to hear my voice. Don’t. Don’t pretend you are falling in love with me. 

I know you are lying, and every word you say hurts even more. 

Before the wedding, and the bedding, when I will have to take you as my lord and husband?

I may not be a king or a queen, but I'll be damned if I'm not treated like royalty.

He is fragile, like a prince of ice, of glass.

It is natural that men are going to gather round me, hoping for a smile.

Men only treat women like princesses when they want to use them like prostitutes.

You can smile when your heart is breaking because you're a woman.

I can't sleep, I can't eat, I can't do anything but think about him.

Anyone can attract a man. The trick is to keep him.

To save my son, I would plot with the devil himself.

Only fools wait when their enemies are coming, to see if they may prove to be friends.

When a man wants a mystery, it is generally better to leave him mystified. Nobody loves a clever woman.

I wanted the heat and the sweat and the passion of a man that I could love and trust.

I am a fool to own it, but I am in a fever for your touch.

And you are the sort of mistress a man doesn't bother to marry. Sons or no sons.

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[fatuismooches]

Helloo, Smooches! Been a long time since I've been here😅 In meantime I got a decree and currently I'm dying from heat, but anyway - Natlan. While I'm disappointed at the lack of melanin, at least women there are pretty. And Capitano!

I just thought Capitano is the kind of guy who unintentionally can speak of his lover for a long time, until someone stops him. Sure, in trailer all he said is "Hm", but I'm telling you, in expedition with him, Varka, Mika and favonius soldiers learned a lot about you simply because Capitano kept talking and others were too scared of him to actually call him out

Then in Natlan, he'll talk to Traveler respectfully, only when needed, but as soon as Paimon asks why he takes so much photos and for who or whose *insert item* he's wearing (I feel like Capitano's lover will give him something like a good luck charm) and he'll start talking about you and oh boy, while Traveler and Paimon want to meet you (mostly bc they're curious who's that person who manged to form a relationship with #1 of Harbingers), they also regret asking anything and think how they can tactically leave. And it happens every time someone asks Capitano anything related to his lover

-🥀

It's not unknown that Capitano is a quiet man, even when he speaks he's straight to the point, not wasting time on anything unnecessary. He much prefers for his actions (or blade) to do the talking. But there are a few souls who have witnessed the Captain's mouth run on for longer, much to their surprise (said people still haven't gotten over it, except Varka. That guy knew exactly what he was doing when he met the Harbinger, he wasn't scared at all. Though he didn't mention the abrupt talkativeness because he much enjoyed seeing this side of Capitano. Even gave him some romantic advice!)

It was the same with the Traveler, he was a bit interested in them from listening to the tales of his soldiers, but his calm demeanor remained the same. He was really just focused on his mission for the Fatui - the Gnosis and whatnot, and secondly, his mission for you - getting the perfect gifts as an apology for leaving you for so long. Needless to say, he's gotten the hang of it after having to go on so many expeditions. (And his agents secretly drop hints during conversations with him, because they're the #1 Reatano shippers.)

Of course, Paimon is nosy as usual and can't help but ask about the Capitano's peculiar habits. Or wonder why someone as strong as him needs something as tiny as a good luck charm. (Can't blame her much though, it's not every day you see the Harbinger doing such... normal things.) Capitano then mentions his marriage to you very simply - he's not ever embarrassed or reluctant to say he's with you, plus he trusts the Traveler to a certain degree that they'd never hurt you. Traveler and Paimon nearly explode on the spot.

A Harbinger?! Married?! Happily married too?! And he's this dedicated to you?! Who. Are. YOU?! They try to pry a bit more for info, but even more to their surprise, he offers up more things about you (though he knows the limit - he won't ever compromise your safety.) But at the same time, he can't help but talk about you - you're just that amazing there are so much things about you that he notices every time he sees you again after ages. You- you're just so-

The traveling duo are praying to every Archon that someone will come and interrupt this conversation.

[ashtavula]

Hi, I've been reading a lot of your work lately and I absolutely love them!

If it's not a bother can I request Jamil, Azul, Vil and Riddle with their S/O being the children of the great seven? Like they got isakaid there instead of yuu (I'm going to ask for all the Overblot boys because personally I think Idia, malleus and Leona are somehow related to the great seven, either a direct Descendants or distant relative)

Anyways thank you so much if you decide to do this and it's alright if you don't I just really love your writing style and works on the Overblot boys!!

This is a really interesting idea, considering all of the boys really respect the great seven!

Jamil, Azul, Vil, and Riddle with a reader who is the child of the great seven

Jamil:

-Jamil is usually reluctant to show off how smart he really is, but he feels like he has to prove his intelligence when he's with you. You are, after all, the child of the Sorcerer of the Sands. He fully believes that you must be just as wise as your father, even if you actually aren't.

-Jamil never refers to you by title, since it just reminds him that he's a servant, and you are the child of a grand vizier. He knows that you don't care, but he'd rather avoid bringing it up. Instead, he calls you habibi when you're both alone, and he can be more affectionate.

-He refuses to hear anything about you possibly returning to your home. Jamil knows that your father wouldn't approve of you dating a servant, and he can't stand the thought of losing you forever. All he can do is hope that you'll stay, against all odds.

Azul:

-Azul practically begs you to share what you know about your mother. He's always admired the Sea Witch, and he wants to know all there is to know. He'll light up if you reveal some of her wisdom to him, or show him how some of her magic was done.

-I assume that you're also an octopus mer, and that puts Azul at ease because you're like him. The two of you will both curl up in his octopot, giggling as his tentacles tangle with yours. Azul sweetly calls you his precious pearl as holds you, though he'll blush if you give him a pet name too.

-Azul is terrified that you'll leave him one day, and he tries his hardest to make you want to stay with him. He'll spoil you, and he constantly strives to prove that he's worthy of your love. He loves you too much to be able to bear losing you.

Vil:

-Vil doesn't want to push you too much, but the Fairest Queen is well-renowned for her poisons. Surely, you've learned from her, and can teach him. He also asks a lot about her beauty routines. He'll be ecstatic if you share any of her secrets with him.

-Vil adores being able to call you his beautiful prince/princess, and he tends to flaunt your relationship. He preens if you compliment him in return, and gets ridiculously happy if you call him your perfect prince. He feels tempted to record you telling him that, just so he can play it whenever he wants.

-He acts like he's not worried about you potentially leaving, but deep down he's scared that it will happen. He'd do just about anything to get you to stay with him, even if it meant facing off against the Fairest Queen.

Riddle:

-He gets even more serious about following the rules of the Queen of Hearts after realizing that she's your mother. Surely, you're pleased that he remembers all of them, right? Riddle would be baffled if you told him it wasn't necessary, or if you went so far as to criticize your mother for making up so many ridiculous rules.

-Riddle still refers to you by your title, but it's become a term of endearment. He'll kiss your hand as you stroll through the rose maze, and will affectionately call you his prince/princess. He also gets flustered if you refer to him as your prince. Or even better, your king.

-He worries that you miss your mother and your old home, but he desperately hopes that you'll stay with him. If it came down to you going back to your original place, Riddle would choose to go with you. Nothing is more important to him than his love for you.

[rwrbficrecs]

We’ll Invite Something In by @smc-27 (book-verse)

@dot524: This is a fandom favorite and for good reason. In this canon divergence AU, Alex is President, Henry is out, and they never got together in their 20s. Instead, they encounter each other in their late 30s and a very different type of relationship ensues. They still hide it at first, but there’s a lot of living that they both have done and need to work through. I really enjoyed the character dynamics here and how the premise changed both Alex and Henry, making them bolder and more mature. Definitely read this one!

Eyes Blue, Like the Atlantic by bleedingballroomfloor (book-verse)

@dot524: A Titanic AU! Adapted by an excellent writer, this one has suspense, action, romance, and intrigue. There is a MCD (Main Character Death) in here and some other tags to be aware of, but also vibrant scenes with dancing, chasing, art, and formal wear. I really enjoyed it!

Clean Slate by @smc-27 (book-verse)

@heysweetheart-writes: This was just so excellent. I devoured it in no time, couldn't put it down. I love the way Alex just slips into Henry's life like a silk glove even though Henry has his hesitations. There's abslutely no angst at all other than "you're too young for me" "no, next question" I love it. I love Henry finally feeling young for the first time. I think that is something that Henry generally feels after meeting Alex, like he's never been able to, no matter at what point in life he is. ANYWAY I'm talking about Henry way too much again for a rec. Read this.

Most People Exist by @sprigsofviolets (book-verse)

@na-dineee: Henry, 30, is a nurse on a cancer ward. From the very first moment he feels an intense connection and attraction to his newest patient, the one who has a brain tumor and is named Alexander Claremont-Diaz. - The tags say it all: "Falling in love, Slow Burn, Angst with a happy ending, Hurt/Comfort". After reading this story I am a whole new person. I laughed and cried, had butterflies in my stomach, I felt it all. Hands down one of the best fics I've ever read!

after hours by @dumbpeachjuice (book-verse)

@na-dineee: How much can happen in a few hours? stutteringpeach: Hold my beer. 😅🤝 Reading this was truly a roller coaster ride, my stomach was doing somersaults non-stop: On his last evening in New York, poet Henry meets bartender Alex and the two spend the night together - in true "Before Sunrise" style. To sum it all up: enchanting, sweet, phenomenal, iconic!

No. 1 (Royal Red and Blue) Oil on Canvas by @captainjunglegym (book-verse)

@zwiazdziarka: This fic is so twisted and surprising in the best way! The summary did not prepare me for all the action that comes after the initial relationship drama and I'd really like to fawn over it some more but I don't want to spoil the fun of figuring out what really is going on and what are characters' motivations. Just give it a try.

Meet the Parents (series) by @14carrotghoul (book-verse)

@dot524: I really enjoyed these thoughtful character studies of Ellen and Oscar. The two short stories are a series of canon vignettes from Oscar and Ellen’s POV. These glimpses of the Claremont-Diaz parents add heart and depth to the RWRB canon, giving insight about how Ellen and Oscar think about parenthood, power, family, and each other.

Leave The World Better Than You Found It: A BONES AU by @treluna4 (book/movie-verse)

@myheartalivewrites: I really enjoyed this FirstPrince meets procedural TV show fic! With Alex as Booth and Henry as Brennan, they learn to work together, solve crimes--and fall in love, of course. Plus take down a very satisfying book villain.

No Laughing Matter by @inexplicablymine (book-verse)

@suseagull04: This fic is absolutely hysterical- a must read if you need something to cheer you up! It's also very relatable for anyone who, like me, has said things they've regretted in all the best ways!

in summer air by @acdsbff (book-verse)

@na-dineee: I need a vacation and vitamin D - maybe that's why this series (both POVs are covered 🥰) captivated me so much?! It is set on a Greek island, where Alex, just cheated on by his boyfriend, meets hotel owner Henry. What follows is a whirlwind speedrun romance against a beautiful backdrop. Really therapeutic for the heart on dreary days!!

here is a map (with your name as a capital) by @alasse9 (book-verse)

@dot524: What an incredible surprise to have this entire 50k story drop at once. In this canon divergent story, Alex and Henry start getting to know each other in Rio, when Alex helps him recover from a panic attack. Their friendship, and later their relationship, is a delightful slow burn with funny moments, heartbreak, and steady support of each other. I thoroughly enjoyed this start to finish — the characterization of both Alex and Henry is on point and I really enjoyed how the writer changed some of the scenes from the book while keeping key callbacks. A delight.

Claremont 2008 by @happiness-of-the-pursuit (book-verse)

@suseagull04: This friends to lovers AU is done so well! Having Henry and Alex meet as kids means we get years of their friendship before they even start dating, and it gives every aspect of their relationship so much depth through this entire fic. It also gives some events only referenced in the novel a completely different perspective, which makes them even better!

keep me in the moment (don't it feel so real?) by @anincompletelist (book-verse)

@heysweetheart-writes: I absolutely love everything that comes out of Sarah's magic little fingers and this was no exception. Alex and Henry are best friends and pinning over eache other unknowingly and an accidental lil discovery turns their relationship upside-down (for the better) absolutely recommended. I honestly loved it so much.

you know i can't be found with you by @dumbpeachjuice (book-verse)

@heysweetheart-writes: This was SO much fun. Alex was RELENTLESS and I absolutely love an older Henry. It was also very fucking funny. 10/10

the great duck fiasco by @alexclaremont-diaz (book-verse)

@suseagull04: A spy AU, dating apps, and Alex's Texas roots combine in the funniest way possible- definitely read this if you want a good laugh!